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Scotsman Arts and Culture correspondent at the Wigtown Book Festival 2025

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00:00Hi, I'm Jane Bradley, arts and culture correspondent at The Scotsman, and I'm here today with
00:06Molly Tafinwap, who is a nominee for the Wigtown International Poetry Prize, which is being
00:11announced tonight here at Wigtown Book Festival.
00:14Hi, Molly.
00:15Hello.
00:16Hi.
00:17I believe you've traveled all the way from Thailand to be here today.
00:19Yes.
00:20Yes.
00:21And it's a long, long way here.
00:22But I'm glad to be here.
00:23Here I am now.
00:24And how did it feel when you found out you were on the nomination list?
00:27Oh my gosh, I can't.
00:28I can't begin.
00:29First of all, it is very honorable for me to, excuse me, for my poem to be shortlisted.
00:35And first thing that comes to mind is I just got to be here.
00:38I have to be here and, you know, take that opportunity and, you know, just live my dream
00:45to be here at the Scotland's national book town.
00:49And here I am.
00:51Yeah.
00:52Absolutely.
00:53Fantastic.
00:54And you've been on a little bit of a tour around Scotland.
00:55This is your first time here.
00:56Yes.
00:57This is my first time here in Scotland.
00:59I stopped by in Glasgow and I visited even the Rock and I've been in Wigtown for three
01:05days now.
01:06Yeah.
01:07Great.
01:08And your poem is actually inspired by the miners' strikes that happened in Scotland in the
01:1280s and the rest of the UK.
01:13Yes.
01:14I'm very drawn to writing poetry or, well, most of my works come from different objects,
01:21like daily objects in life.
01:23And miners' jackets comes up in my mind, you know, like, and I thought it was something
01:28that I should write about.
01:30And it is something very relatable in terms of historical moments.
01:36And the jacket itself, the main object that I focus on in my poetry, it's not just the
01:43jacket.
01:44emotion behind it.
01:45It's just a representative of it.
01:47But the entire piece, once you read it, it reflects many emotional purposes.
01:53I guess that's how I'm going to put it.
01:57And yeah, people can relate to it.
01:59There's historical glimpses to it.
02:01So I think it's a perfect blend.
02:03Fantastic.
02:04Well, good luck tonight.
02:05But you've got quite a number of different careers under your belt, haven't you?
02:09You're not just a poet.
02:10No, I'm not.
02:11Well, I'm an English teacher, and I was a child actress in Thailand when I was younger.
02:17But what I do enjoy doing the most, and I actually take it professionally, is I am a
02:23female Elvis tribute artist.
02:25Yes.
02:26So it's like an impersonator, but it could be a personal thing for me that I feel like
02:31when you use the worst impersonation, you try to be like Elvis.
02:36Like you might wear your sideburns or, you know, wear a wig or something like that.
02:39But that's not how my performances are.
02:42I just sing because I love his music.
02:45But of course, he got the moves.
02:46So when I sing, I have to dance.
02:49Yeah.
02:50And that's the thing about my Elvis tribute artist career.
02:54And do you think you might be able to give us a little demonstration?
02:57Yes.
02:59Fantastic.
02:59Well, I will leave you to that.
03:00Thank you so much.
03:01Okay.
03:06I'll do Blue Sweet Shoes.
03:08And here it is.
03:11Well, it's one for the money, two for the show, three to get ready now, go, cat, go,
03:17but don't you step on my Blue Sweet Shoes.
03:21Well, you can do nothing but lay off of my Blue Sweet Shoes.
03:25Let's see.
03:26The Keep Shoes is where you're going.
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