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  • 3 months ago
GLASGOW. Calton Burial Ground.

Jim Lister, Calton Weavers Commemoration Committee at the Calton Burial Ground. with the Andrew Hay painting. 3 Weavers are buried at this spot.

An artwork by one of Scotland’s most admired artists has come home to Calton.

The piece by the late Andrew Hay depicts one of the bloodiest episodes in the history of this well-known east end of Glasgow community where Thenue Housing has its HQ.

In 1787 six weavers who personified the skill and hard work of an industry which Calton was historically famous for were shot dead by soldiers during a protest about falling wages. It was the earliest major industrial dispute in Scottish history and the Calton weavers became Scotland’s first working-class martyrs.

Two hundred years later in 1987 self-taught artist Andrew Hay – who was born in the east end and who died earlier this year - was commissioned to depict the scene and his artwork has been in the safe keeping of trade union Unite the Union ever since.

Now to mark the 11th anniversary of the opening of the Calton Heritage and Learning Centre on London Road, adjacent to Thenue Housing, Unite the Union has loaned the painting to the Calton community so it can go on display. In the late 18th century, Glasgow was a growing centre for the textile industry, with the Calton weavers playing an integral role in its success. These highly skilled workers faced significant wage reductions, prompting them to organise and demand fair compensation for their employment.

The painting’s homecoming – and Andrew’s depiction of the massacre - is a unique reminder of the sacrifices made by previous generations which underpin trade union values and hard-won employment rights of millions of workers. It was unveiled by Andrew’ wife Jacqui Wallace who, prior to the unveiling, spoke movingly of her late husband’s passion for painting and the importance he placed on social justice.

The unveiling was organised in partnership with the Calton Weavers Commemoration Committee.

The Calton Heritage and Learning Centre is the product of years of campaigning – assisted by Thenue Housing - for a community hub for Calton.

It opened its doors on 1 November 2013, has been a stunning success ever since and become a focal point for a host of neighbourhood activities.

Thenue Housing chief executive Gary Naylor, said: “The effort by the community to create the Calton Heritage and Learning Centre cannot be understated. It was people power which made this place a reality and we owe every one of them a huge debt of gratitude.

“It now plays a vital role in the vibrant life of Calton and in the east end in general. Long may it continue to serve this community.”

The Centre is run by Thenue Communities – a subsidiary of Thenue Housing - and Rosie Robertson is the Centre’s original manager.

Rosie Robertson added: “It hardly seems like 11 years since we first opened our doors. We cannot now imagine Calton without the CHLC and over the years it has brought people

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Transcript
00:00You can see where it's, where it's at the base and just to the, even in that shape.
00:28My name's Jim Lister, I'm a member of the Kelton Weavers Commemoration Committee and
00:34we're here today in the burial ground in Abercrombie Street in this historic part of the east end
00:40of Glasgow and what we're looking at is a painting by the late Andrew Hay.
00:46Andy was born nearby here in the east end in Barrowfield but he worked much of his life
00:51in the bar's lemonade factory and for 25 years he taught himself to become one of Scotland's
00:58greatest artists.
01:00In 1987 the Transport and General Workers Union commissioned Andy to produce this painting.
01:08It was the 200th centenary of the massacre of the striking Kelton Weavers and this impressive
01:15striking painting tells that story magnificently.
01:20The Trade Union Unite of which the Transport and General Workers Union has become a part
01:27have very kindly donated the painting on a lease to the Kelton Neighbourhood and Learning
01:32Centre so after many years Andy's painting has found its home here in the Kelton.
01:38In 1787 the Kelton Weavers were facing starvation wages because the newly imported cotton was
01:46being used to drive down their previously quite good standards of living.
01:52They got together and they organised the first strike on these islands and for their
01:57pain six of them were executed nearby.
02:00The militia were called out, it's said the riot act was read but there's no historical
02:05evidence of that.
02:07One of the leaders, Granger, was then tried and for punishment was whipped through the
02:12streets before being banished from Scotland for seven years.
02:17That spark ignited a huge amount of unrest not just in weaving communities but all working
02:22communities not just here in the Kelton and indeed wider Glasgow but across West Central
02:28Scotland and that part of our history is sadly neglected.
02:33There's nothing here in the burial ground to indicate that this is where three of the
02:37weak weavers lay.
02:38Hence we've started the commemoration committee not as a piece of nostalgia but to bring that
02:44legacy and that important story back to life.
02:47We'd like to see a proper piece of signage here so that visitors to the area and there
02:53are many people who find their own way here who are fascinated by the history but there's
02:58nothing here to indicate that this is where three of the weavers lie buried.
03:03So we feel it's only fitting that our city should find a way to make a proper memorial.
03:09The previous memorial stone bequeathed in 1987 for the bicentenary lays damaged in three
03:16fragments so we're trying to get that message across and we hope that the city council will
03:21find a relatively modest sum, especially when one considers what's been spent on the burial,
03:27just to have something simple, fitting that notes that fact.
03:31I think sadly it's been neglected and that's part of the reason that we formed the commemoration
03:37committee, to get the message out there.
03:40So every year now we've held a small commemoration event here, it's growing and we've done some
03:47outreach work, for example there's a nearby artist who's been inspired by the story, who's
03:54produced prints, there's new songs been written, we're hoping to commission a play next year.
04:00But rest assured we'll keep telling the story and there is some momentum gathering and anybody
04:06that's interested can get in touch and I would really recommend the work that Elspeth
04:12King produced, the director of the People's Palace, to mark the bicentenary, that's been
04:18reprinted and is a fabulously researched but very accessible story.
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