Black Americana 1

Retroverse Vault

🎉 Welcome to Retroverse Vault! 🎉 "Black Americana 1" is a short film produced in the early 1930s, showcasing African American life, performances, and artistic expressions of that era. This film provides a valuable glimpse into the cultural atmosphere of the time and the representation of Black Americans in cinema.  Step into the ultimate archive of timeless classics! Today’s video brings you nostalgic cartoons, vintage films, fascinating short movies, and rare documentaries you won’t want to miss! 🚀  In this video, we share entertaining public domain clips, rare old cartoons, and historic short films. Perfect for animation lovers, film enthusiasts, and anyone who enjoys a trip down memory lane. #RetroverseVault #PublicDomain #ClassicMovies #VintageCartoons  📩 Copyright Notice: If you want any copyright-related video removed, contact us at ✉ retroversevaulttv@gmail.com . We will respond within 12 hours.  👉 Don’t forget to like, share, and subscribe for more timeless classics! #BlackAmericana1, #1930sFilm, #AfricanAmericanCinema, #BlackAmericanCulture, #ShortFilm, #BlackArt, #BlackPerformance, #CulturalRepresentation, #BlackAmericanHistory, #AfricanAmericanLife

Transcript

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07:59You can always believe your heart

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10:54��物?

10:59-

11:08All right, now, this is the place.

11:10Any bad men yet?

11:12No.

11:13No bad men?

11:13No.

11:14Anybody think there's a bad guy?

11:16No.

11:17There is a man in this house

11:18that we think is making an atomic bomb.

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16:44With the next video או

16:58Thank you for watching.

16:59Ok.

17:00Ok.

17:011, 2, 3.

17:09This one has a bonus.

17:14Now these are my voices, this camera is pulling.

17:19Even my voices were mentioned, you said, I am shown to me, give it to me,

17:23This is you then I have those.

17:27So unless I am greatly mistaken,

17:30That poor fool should have a hole in his head.

17:33I will now remove the knife

17:36and show you the hole.

17:44Haven't you got a hole in your head?

17:45No, man. The hole is in this cabbage head right there.

17:49Well, good for you.

17:51I know it.

17:57And now for my big finish.

18:03I'll take that bomb.

18:05Oh, this is no bomb.

18:07This is a present for my niece, Nadine.

18:27Don't leave your eyes.

18:33They can be wrong like they're not.

18:37Don't leave your eyes.

18:49They can be wrong like they're not.

18:53Because of what you thought you saw,

18:57This poor fool almost got shot.

19:00If you are wise, then don't touch the light.

19:05For if it's a question of love,

19:09you can always be wrong.

19:18What carnival did you get here?

19:19Please be.

19:20Please be.

19:21Please be.

19:22Please be.

19:53Yesterday.

19:54I'll try to get it fixed for you right away.

20:03Where's your husband?

20:04I've got a complaint.

20:06The door in my bedroom needs me changed.

20:09You want so much attention, it's really a crime.

20:12Well, tell him to come up and sing it sometime.

20:20How many times must you be told?

20:23I've got to take a bath and the water's cold.

20:26Go get your husband, or else you'll see.

20:29There's going to be trouble.

20:30Are you telling me?

20:31Posing like a millionaire

20:43Make-believing you don't care

20:46How you expect to get somewhere

20:49Take your time

20:51What you do, you sure do late

20:54And you always make me wait

20:57All you do is aggravate

21:00Take your time

21:02Maybe you think you're fine and dandy

21:05But you better not would

21:08Just because you're so handy

21:10That doesn't mean you're good

21:13Better change your lazy views

21:16Or you're gonna wake up with the blues

21:19When you find someone else in your shoes

21:22Take your time

21:24Posing like a millionaire

21:25Posing like a millionaire

21:26Posing like a millionaire

21:27Maybe you think you don't care

21:29How you expect to get somewhere

21:32How you expect to get somewhere

21:33Take your time

21:35What you do, you always do late

21:38All you do is aggravate

21:41Seems like you just like to make me wait

21:44Keep taking your time

21:46Oh, it's maybe you think

21:48Cause you're fine and dandy

21:49Well, you better not would

21:52Just because you're so handy

21:55That doesn't prove you're good

21:57Better change them lazy views

22:00Or you're gonna wake up with the blues

22:03When you find a new one in your shoes

22:06Take your time

22:08Framson, get up

22:10Or you're gonna be late for your afternoon nap

22:12If that's a sample for marriage life

22:16I sure was glad I was just engaged

22:19You couldn't get him up with an earthquake

22:24Oh, no?

22:25Well, just watch me

22:26Let me try

22:42Have that pen

22:43I've lost it

22:45My goodness

22:52Maybe he's dead

22:54Yeah, from the neck up

22:56This'll get it

22:57Lunch him, sirs

23:00Did I hear y'all say something about lunch?

23:07You sure did

23:08But just make believe I was fooling

23:10Cause you ain't gonna get none, no how

23:11Well, I ain't did nothing

23:13As Jess did

23:14But I was just resting

23:17Resting

23:17That's all you and your relatives do

23:19Rest

23:20It's wonder you don't get tired of resting all the time

23:22There you go

23:24Picking on my relatives again

23:26Look here, man

23:27And if you think I'm gonna feed you and your relationship too

23:30You got another thing coming

23:32Look at him

23:34There's that lazy niece of yours

23:36And your uncle Uranus

23:40Oh, uncle Uranus

23:42Just how do you pass the time?

23:43I don't, after

23:45I just sit here and let the time pass me

23:49Gaze on him

23:53And your grandpa, Moe

23:58Your two cousins, Columbia and Pansy

24:02The two sleepin' beauties must think this year as a hotel

24:06A whole lot of them

24:10Just a bunch of good-for-nothing loafers

24:13Livin' off of the fatheads of the land

24:15Only we happen to be the fatheads

24:17Now, just to lay off of that

24:19It seemed to me we were talking about lunch

24:21How about it?

24:23How's thou?

24:24You are?

24:25Well, just continue on gazing in that looking-glass

24:27And watch yourself starve to death

24:29Who's that?

24:35Who's that?

24:37Me!

24:38And you!

24:39Oh, that's my good old Cansyone

24:41Ain't you got nothin' but relations?

24:44Ain't you got no friends?

24:48Surprise!

24:49Can I come in?

24:50You are in

24:51How are you, Joe?

24:52Where's your luggage?

24:53Well, I ain't brought much baggage

24:55I figure you got everything I need here

24:58But I was scared I might get a little lonely

25:00So I bring my three brothers along

25:03Come along, little doggies

25:04Come along

25:05Well, we'll, we'll

25:06Come along

25:07How are you doing?

25:10How are you doing?

25:11Yes, a minute, yes, a minute

25:13Where y'all launchin' off to?

25:15What is this?

25:16A quartet?

25:17Yes, or nothing else but it

25:18How about it, boys?

25:19On an uptown avenue

25:21Where there's welcome on the mat

25:23You'll find it's meant for you

25:25When you hang your hat in a Harlem flat

25:28That's a good thing they thought of had

25:31Why it's still around in the chat

25:33You get to eat the chair

25:35When you hang your hat in a Harlem flat

25:37Then the southern cooking

25:40Starts you looking

25:42Towards the dining room

25:43Oh, what a sweet perfume

25:46Da-da-da-da-da

25:47That makes you feel it

25:49Oh, you're a real aristocrat

25:51They make you hate the gold

25:53When you hang your hat in a Harlem flat

25:55Da-da-da-da-da

25:58Da-da-da-da

25:59Da-da-da-da

26:00Da-da-da-da

26:01She's about to dip for you

26:03When you hang your hat

32:29Subtitle reconciliation bonding.

32:32It was a friend.

32:33This nek yet?

32:35ете de perspectives.

32:36I sure is.

32:38C'mon, yuvinin, get busy.

32:40We gotta give that millionaire uncle a great reception

32:43if he wants a part of his door.

32:44C'mon, let's go.

32:49T Flymey, yuvin'z a madman.

32:51C'mon.

32:53Got a hinge.

32:56Get in.

32:59Thank you for watching.

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34:50Ah, I am cognition!

34:52Personselme doświad

35:06Red JONШ

35:09For your inner watcham 결과

35:11Kurmen pazes

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45:07Me in front?

45:12What'e'e aシki?

45:15Go and eat him if he sticks something, right?

45:18There is a voice home to the announcement.

45:20Something is sticking.

45:22There is a voice home to the announcement.

45:26Is it OK?

45:29What are they doing these days, right?

45:32We don't know very well, you know.

45:33Well, I really don't know anyone.

45:36Well, co-incidentally, if you ever know anybody that knows somebody that found out, I'd have an idea of what I was.

45:43Well, don't worry, you won't.

45:46Man, you are impossible.

45:51I don't care what I am, I ain't tired.

45:55You better tell me how to live.

45:57Just like I told them, I just...

45:59Now, this old woman across the street, she sees everything that happens in the neighborhood, look at her.

46:07Now, she's inspired me, she doesn't call her sister to the wonderful Whitney, she wants to make sure this is me.

46:13She keeps on acting a sister, ain't that me, ain't that me?

46:17Yes, this is me!

46:19I am drunk, I care!

46:25I just hope she says something about me in the meeting, Sunday.

46:29And I'll have a whole family throw it out to me.

46:32Her husband came out there last Sunday, he was so ineberrated.

46:36Ineberated.

46:38When he got on his knees to pray, he went to sleep.

46:43I had to sober up right quick and pray for us.

46:47I ain't got no time to be praying for nobody.

46:50I've got my own soul to stir a line.

46:53But I'm glad he threw his soul to that.

46:55I'll take and get on in the house and get a little sleep.

46:57That's what I got.

46:58Doh no dough, Ricky!

46:59Ah, doh no dough!

47:00Ah, ah, ah, ah, I don't want you to do no dough.

47:02I don't want you to do nothing.

47:04I'll take my ladder and climb up on a trance.

47:06I don't need any relief.

47:07He wants somebody to beg him.

47:09I'll get in by myself.

47:11I'll get in now.

47:12I will descend!

47:13A little dirty.

47:14Give me that little light.

47:15!

47:16I'll climb up on a trance.

47:18Get a little fuzzy!

47:19Call meinas!

47:20Come get in!

47:21I'll go right that little ugly!

47:22I'm not going to be said!

47:23Tell me!

47:24I'll go wrong!

47:25Aah!

47:26I won't do anything!

47:27All you might!

47:28I'll get in!

47:29All the hills!

47:30I'll get in!

47:31I better be in Ashley!

47:32See you!

47:33I'm coming on up there, Richard!

47:36I don't need it, Richard.

47:39I don't need nobody to tell me.

47:41I love my life.

47:43I don't think I'm going to be here long, Richard!

47:47Tell me nobody to tell me.

47:51I love my life.

47:52I know I'm...

47:56I'm high for George Palmer.

48:00But it ain't no use being too high, though.

48:03But I'd get into it.

48:05Better, man, I'd get into it.

48:06I'd climb up on something.

48:07I didn't know he was going to tell me that, Richard.

48:10I didn't know how to live my life.

48:12Better, man, I don't need Richard.

48:17Oh, why don't you open my door, Richard?

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