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Step into the ultimate archive of timeless classics! Today’s video brings you nostalgic cartoons, vintage films, fascinating short movies, and rare documentaries you won’t want to miss! 🚀
In this video, we share entertaining public domain clips, rare old cartoons, and historic short films. Perfect for animation lovers, film enthusiasts, and anyone who enjoys a trip down memory lane.
#RetroverseVault #PublicDomain #ClassicMovies #VintageCartoons
📩 Copyright Notice:
If you want any copyright-related video removed, contact us at ✉ retroversevaulttv@gmail.com
. We will respond within 12 hours.
👉 Don’t forget to like, share, and subscribe for more timeless classics!
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00:00Richard can't get him up
00:30We'll try to get him on the phone
00:34You know I was laying down dreaming
00:36Everybody was trying to wake me up
00:40Like they was knocking, rocking, stocking and rebopping
00:45Why I have such a dream like that
00:50I ain't even bothering nobody
00:53Just busy getting my own business
00:56Doing nothing, resting up
00:59Ring it, can't get him up
01:03Ring it, can't get him up
01:06Ring it, can't get him up
01:09Lazy Richard can't get him up
01:12Hey, that's a telephone
01:13Who's that on that phone?
01:16A roommate downstairs knocking
01:18Tell him I am, Jones
01:19Rave all he want, but tell him I'm so sure
01:23I ain't gonna open that door
01:25Too much trash and loot and rent
01:29Left months behind
01:31Ain't got a sense
01:32Tell him go back where he got drunk at
01:35Cause that door is staying closed
01:37Dance, dance, goodbye
01:39He know that Ted Kellen in that vacant lot
01:48Is just ran to get this room
01:50He got you phoning
01:52He's knocking the beat
01:54And I look like y'all framing
01:56Trying to get me thrown out
01:58And I told you to stop phoning
02:00Like I told you before
02:01That landlord's woken
02:03That fuck got the call
02:04I may be dumb
02:06But this much I know
02:08I ain't gonna open that door
02:10Richard can't get him up
02:14Richard can't get him up
02:17Richard can't get him up
02:20Lazy Richard can't get him up
02:23I'm gone, Jones
02:25But he waste so much electricity at night
02:28Got me living now by candlelight
02:31And I once stood on in that rain down there
02:33Tell him I can't catch coal in my underwear
02:36Sometime I believe I sleep too much myself
02:48Or drink too much one or the other
02:52Can't be the drinking though
02:54Cause I ain't had but one bottle of beer
02:58Couldn't have been them four gin chasers
03:02They so strong though
03:05Mighta coulda been them
03:07I ain't gonna open that door
03:10I can't get all my sleep
03:15I rest well at night
03:17And sleep good in the daytime
03:19But in the afternoon
03:20When I really need to relax
03:22I just seem to toss and turn
03:26I don't know
03:29Richard can't get him up
03:32How can I get him up
03:35Bring that chick here to the phone
03:38He's no clown but she'll break him down
03:41Hey, hey, hey, who's that?
03:45Hello, hello
03:46I want to talk to Richard Perry
03:48Is this you, Richard?
03:50My name's Sweet Mary
03:51Your name's Sweet Mary?
03:54Mary, well, my name's Richard
03:57That is me
03:58I wake up a whole body
04:00Well, but though you knock a phone
04:02Tell him I'm so sure
04:04I ain't gonna open that door
04:07Rest so good when I'm asleep
04:10Me and Sandman slumber
04:13I won't keep riggin'
04:16But I know
04:17I ain't gonna open that door
04:20My troubles every day
04:23Seems to drive me crazy
04:25But I make them troubles fade away
04:30By bein' lazy
04:32Hey, no, Richard, they call me
04:37Folks all got my number
04:39And I can tell your knuckles
04:42So, so
04:43I ain't gonna open that door
04:46Tell them that man
04:47That old roommate
05:00I got to find him
05:02And get him straight
05:03Cause he's goin' around here
05:05Tellin' folks about
05:07I say he stole a landlady's quarter
05:10That's what got him out
05:11I didn't tell nobody
05:13About he stole a quarter
05:15I told the landlady
05:18When she lost a quarter
05:20If she hadn't had him
05:22Help her look for it
05:23She'd have found it
05:24That's what I told her
05:26And he said
05:28I said
05:28He held up them sausages
05:31Too
05:31A garbage mouth falsified
05:34I ain't say nothin'
05:35About he held up them sausages
05:37I didn't tell
05:38That's what I said
05:39I said
05:41Wasn't nobody in the kitchen
05:42But him and the cat
05:44And I didn't believe
05:46The cat put a paw
05:47In their hot grease
05:49That's what I told her
05:51Be nice, Richard, baby, dog
05:56Listen to me, Daddy
05:59I'll be sweet and so and so
06:02Come down, unlatch the door
06:06Darling, baby, honey, love
06:09Richard, you're my meanie
06:12You're my darling, daddy, oh
06:16Oh, come down, you hear
06:17Unlatch the door
06:19Richard, darling, goodness, gee
06:22Baby, Mary loves you
06:25If you'd only just see me
06:28Things would be so lovely
06:31Feel so all alone
06:35Richard, darling
06:37I want you and I miss you so
06:41I ain't gonna open that door
06:44But, baby, this is your wife
06:46My wife, what you doing down there on our honeymoon?
06:51You know we just got married and you're supposed to be here
06:54Tell me the truth, is that you?
06:57I don't have me
06:58You know all the sense of turning around just to look
07:03Is that you?
07:05Yes, my big apple dumpling, this is me
07:07Don't you recognize my voice?
07:10Yeah, I sort of recognize your voice
07:13But your breath sounds like you've been eating onions
07:17And you want me to come down, open the door
07:21And come there where you is
07:23Honey, honey, how did you slip out on our honeymoon?
07:29That ain't you
07:30If that you, if that you, what's your name?
07:36Isabel, yeah, you know you beautiful beautiful
07:40Somebody told you
07:44What size feet you lift?
07:49What size do you weigh?
07:54Honey, that ain't you
07:56Hmm?
07:58What size hair you got?
08:01Hair, hair like what I ain't got
08:03What barbed hair?
08:06You mean that
08:07You mean that
08:07And I
08:09I say
08:10What color eyes you got?
08:14Red eyes now
08:15Somebody got so
08:17Because me and you got married this morning?
08:20Hmm?
08:22No, me going to work
08:24No, honey, this ain't you
08:25You got the wrong number
08:27This you
08:28Well, I tell you
08:31Very sure it's nice of getting married this morning
08:36All that stuff
08:38Over there
08:39Out the porch
08:40Out
08:40Them suits sure look good in there
08:42But best for me to get
08:44What do you mean talking to another woman
08:45About running you?
08:46Honey, I was just getting them straight about us
08:48That wasn't
08:49You just a garbage mouth for
08:51My wife's right here
08:53Now you know why I ain't open that door
08:57Don't you dare unlock that door
08:59All right
09:00You
09:01Beauty
09:03You sure
09:04It's beautiful
09:05I tell you
09:07We get started on our honeymoon
09:09About next week, yeah
09:10And
09:12Right now
09:13I'm gonna
09:13Finish the little
09:14Nap
09:15I
09:15Started
09:17A week before last
09:18You
09:19You sure
09:21I ain't gonna open that door
09:24Richard
09:24Can't get him up
09:26Lazy
09:27Richard
09:28Can't get him up
09:30You
09:31You
09:40You
09:58You
09:59Music, music
10:13A man, but he's done me wrong
10:19Picked up and ran for only a song
10:24Now I've lost you, music's got you
10:28I'll be glad when the song is ended
10:31You rascal, you
10:34What music got that I haven't got
10:41When you sing all the day away
10:43While I'm wasting my love away
10:46You're making up melodies
10:49What music got that I haven't got
10:52When you prefer the radio
10:55You're always singing a hey-dee-ho
10:58And to symphonies
11:00Why, I've got rhythm and what's more
11:03I've got a swing with a meaning
11:06But that don't mean much to you
11:09It's the other way that you're leaning
11:12Sometimes I think you've got a surprise
11:15It's a look that I can't believe
11:18But it's only a tune you've got up your sleeve
11:21But singing out about what musical
11:24You're figuring on pulling it tonight, ain't you?
11:49Yeah
11:50Did you bring it?
11:52I ask you, doesn't my love
12:12Give you some sort of movement?
12:14You reply, my dear, don't you
12:17Remember the name of that movement that goes like
12:21Oh, you take your music
12:25I'll take a break
12:26I'll sit down and relax a year
12:29You can go back to your rhapsody
12:32What music got that I haven't got
12:41That was soon Richmond, folks
12:48But now let's go back and play an old favorite
12:51In a new version
12:52Yowza
12:53A swing phonic arrangement of that ever-popular
12:57Dino
12:59Won't be long now
13:01Oh, the name of this song is Dinah
13:27I said, Dinah
13:30Dinah
13:31Dinah
13:33There's been a murder come in
13:50Someone has just murdered Dinah
13:52We're the members of the jury, let the trial begin
14:06We'll find the culprit in a hurry, Dinah
14:08We'll see who murdered Dinah.
14:10Bela, bring the jury in.
14:14We're the members of the jury.
14:16Let the trial begin.
14:18We'll find the culprit in a hurry.
14:20Bela, bring the prisoners in.
14:30Stop that noise and all this jury.
14:32Everyone take heed.
14:34We'll give the instruments a year.
14:36Let the trial proceed.
14:38Ladies and gentlemen, the prosecuting attorney.
14:42I have this business well in hand.
14:44Watch me solve this riddle.
14:46We'll call the prisoners to take a stand.
14:48First suspect, joke fiddle.
14:50What do you know about this crime?
14:54What were you doing at the time?
14:58I'm convinced. It was you who did it.
15:00Let me hear your defense.
15:08Let me hear your plea.
15:10Let me hear your plea.
15:12Let me hear your plea.
15:14Let me hear your plea.
15:16Let me hear your plea.
15:22Let me hear your plea.
15:24Let me hear your plea.
15:34Let me hear your plea.
15:50Benny's plea was mighty fine.
15:52He spoke from behind.
15:54It's clear to me that in this crime,
15:56Not guilty.
15:59The next prisoners, the Bundosaki and brothers.
16:23Not guilty.
16:26Now, the next prisoner I present today made it every tune that's come his way.
16:31He's a criminal from head to toe.
16:33And what he's done to Dinah, heaven only knows.
16:36Louis Trumpet, please take the stand.
16:38You gentlemen of the jury box, don't be swaying by the way he rots.
17:02Though he taught to Dinah from time to time.
17:05It was not he who did this crime.
17:07Not guilty.
17:08My friends, my friends, I've done my best, but these liars here just won't confess.
17:13So, seeing as how we can't find a man, we'll have to convict the leader of the band.
17:21Boys, what you knows about all of this?
17:25I don't know nothing about this, Miss Half.
17:28But being the leader, I guess I'll have to take the rap.
17:31Whale.
17:34Scared my heart is things due.
17:35But the law says
17:39I got the salience, you know...
17:40Wait, your honor.
17:41Dinah were my closest pals.
17:43Why I learned my skills on that old gal.
17:45But when a thousand times, each day, each hour it seemed,
17:49her notes they crashed and words they screamed,
17:52I dealt the fatal blow with my little piccolo.
17:57I murdered Dinah because I loved her soul.
18:02This self-confession is quite complete.
18:05Why, bless my soul, it's piccolo beef.
18:08Piccolo beef!
18:09If you say you've done this thing, the law book says you've got to swing.
18:14Yeah, man, swing!
18:16Piccolo beef, let's swing!
18:19I don't want to swing!
18:21It's your time to swing!
18:23Piccolo beef, let's swing!
18:25I don't want to swing!
18:27It's your time to swing!
18:29It's your time to swing!
18:31It's your time to swing!
18:34It's your time to swing!
18:36Don't try to ever murder my soul.
20:14Good night.
20:27Well, the band is good.
20:28But that wasn't what I was looking for.
20:32Oh, Russell, I forgot I'd like to part up my nose.
20:43Well, the band is good.
21:13I wish I had a brand new evening.
21:43I wish I didn't have to keep on polishing these glasses.
22:00I swear I'd never, never wish anymore.
22:06Well, the band is good.
22:11Well, the band is good.
22:17Well, the band is good.
22:23Well, the band is good.
22:29Well, the band is good.
22:31Well, the band is good.
22:35Hey, look.
22:39Hey, look.
22:43Here goes Teddy Wilson and his band.
22:58Look at those guys.
23:05Boy, the dough they must be copping.
23:08I'd wash all the glasses in the army
23:10if I could just sing once with that band.
23:13That is, if I had a new dress to sing in.
23:16And if they'd let me sing.
23:19And if Pete and I had two baby grands.
23:22And two tuxedos.
23:25Say, while we're doing all this wishing,
23:26why don't we just wish we were entertaining in this cafe?
23:29Now, play me that piece.
23:31You know the one I mean.
23:32Boogie Woogie Dream.
23:56Ladies and gentlemen.
24:24Albert Ammons and Pete Johnson,
24:29those two terrific pianists,
24:32are going to play their original composition
24:34called Boogie Woogie Dream.
24:37It has always been their greatest desire
24:40to play their music to a select society
24:43in a cafe like this.
24:45Boogie Woogie hum Recognize
24:55to The след of America.
24:59Boogie Ho brings a blazy
25:00hostage and the location
25:01to them and for their lives.
27:17THE END
27:47THE END
28:17THE END
28:19THE END
28:23THE END
28:25Baby, I don't want no more loving, no, I'd rather be all alone.
28:32So when my payday comes around, I call my money on my own. Let me forget you, baby.
28:42The END
28:44The END
28:46The END
28:48It's time you tried to find out. I'm tired of playing your front door match.
29:00I don't want no more excuses. Say, I don't want no chance. Now I don't want you, baby, if you're the last man alive. I learned my lesson. I learned it just in time.
29:22I learned my lesson. I learned it just in time. Redneck will never leave me till I cross you off my mind.
29:44I learned it just in time.
29:51The END
29:53The END
29:55The END
29:57The END
30:01The END
30:03The END
30:07The END
30:09The END
30:11The END
30:13The END
30:15The END
30:17The END
30:19The END
31:23No.
31:24No, there's no Mr. Weddekoop here.
31:27No.
31:28I told you already you must have the wrong number.
31:33This is a nightclub and we have been closed for hours.
31:37I told you there's no Mr. Weddekoop here.
31:40Hey, wait a minute.
31:47Yes, yes, of course we've been working.
31:50What?
31:5275 nickels.
31:53Well, you can be thankful there aren't more nightclubs in this city.
31:59Well, you might have tried the last one first, you know.
32:03What?
32:03Yeah.
32:06Hello.
32:08What do you mean?
32:10We've been working all night.
32:13Of course we've found what you're looking for.
32:16Of course.
32:17We'll be over at the studio right away.
32:22Hey there.
32:23How'd you like to come over to my office today for an audition?
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