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Preroll 04 - Cortile - Giornate del Cinema Muto 2025
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00:00
La giornata della Cinemamoto
00:25
Pordenone Silent Film Festival
00:26
I'm standing here in the courtyard of the bibliothèque, the library
00:30
And for those of you who've been to the festival in the past
00:33
You know this is where you pick up your accreditation
00:35
It's also a very nice meeting point
00:37
It's very close to the theatre
00:39
So it becomes a kind of also space for relaxation
00:42
And sometimes for receptions
00:43
The film today is The White Heather 1919
00:47
Directed by Maurice Turner
00:48
Now last year one of our major retrospectives
00:51
Was on the art director Ben Carré
00:53
We were hoping that we could bring The White Heather here last year
00:57
But it wasn't ready yet
00:59
It was thought to be lost for decades
01:00
But then in 2022
01:02
iFilm Museum discovered a 35mm nitrate tinted and toned print
01:07
With Dutch intertitles
01:09
Which Rob Byrne and Kathy Rose O'Regan
01:12
At San Francisco Film Preserve
01:15
Took a hold of
01:16
And made an absolutely beautiful restoration
01:18
The original English language intertitles are lost
01:21
We don't have them
01:22
But they went back to two 1897 transcripts of the original melodrama
01:27
And found that more or less it corresponded almost in terms of exact translations from the Dutch
01:33
So they've reworked and reused the 1897 melodrama intertitles
01:38
And as you'll see it fits in beautifully with the film
01:42
In many ways this is a classic Maurice Turner film
01:45
That means that there's a great sensitivity to light and to shadow, to composition
01:50
He's working once again here with his cinematographer René Guissard
01:54
Whose work you'll have seen in A Little Bit of Fluff, the Sydney Chaplin film that we screened earlier
01:59
And of course he's famous for working on such major titles as Ben-Hur and Madame Saint-Jean
02:06
I mentioned the word melodrama earlier
02:09
And I'm not using that in a pejorative sense at all
02:12
In fact this year Les Diornotes is beginning an annual series looking at melodrama
02:16
How it changed from the teens and the twenties
02:19
We're focusing on a particular vehicle this year which is East Lynn
02:22
Unfortunately neither of those two films are being screened in streaming
02:27
But in the future we do hope to continue this to explore how melodrama functions
02:32
Why it still matters to us now
02:34
The film ends on a really spectacular note thanks to some underwater sea footage
02:41
Which was shot by the Williamson Brothers
02:43
And if anybody was here last year or saw last year's catalogue
02:46
You'll be familiar with the Williamson Brothers
02:48
Because we were very fortunate to have the Cinémathèque Française
02:51
Restoration of a docu-fiction hybrid called Wonders of the Sea
02:55
Which explored how the Williamson's were able to shoot such extraordinary footage underwater
03:02
Now for me one of the beauties of the film is connected to John Gilbert
03:07
The great star John Gilbert who I have enormous fondness for
03:10
Here Gilbert is 21 years old, he turned 22 that year without a moustache
03:16
And the film really showcases why he became a star
03:21
His sensitivity, his lack of toxic masculinity while being quite masculine at the same time
03:28
I think really conveys so much of an aura of performance across the screen
03:35
He's lovely, he's sensitive and subtle and I'm sure you will agree as well
03:40
Enjoy the screening with the marvellous accompaniment of Stephen Horne
03:44
And hope to see you tomorrow
03:46
Music
03:47
To be continued...
03:52
Grazie a tutti.
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