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  • 9 ore fa
Trascrizione
00:00La giornata della Cinemamoto
00:25Pordenone Silent Film Festival
00:26I'm standing here in the courtyard of the bibliothèque, the library
00:30And for those of you who've been to the festival in the past
00:33You know this is where you pick up your accreditation
00:35It's also a very nice meeting point
00:37It's very close to the theatre
00:39So it becomes a kind of also space for relaxation
00:42And sometimes for receptions
00:43The film today is The White Heather 1919
00:47Directed by Maurice Turner
00:48Now last year one of our major retrospectives
00:51Was on the art director Ben Carré
00:53We were hoping that we could bring The White Heather here last year
00:57But it wasn't ready yet
00:59It was thought to be lost for decades
01:00But then in 2022
01:02iFilm Museum discovered a 35mm nitrate tinted and toned print
01:07With Dutch intertitles
01:09Which Rob Byrne and Kathy Rose O'Regan
01:12At San Francisco Film Preserve
01:15Took a hold of
01:16And made an absolutely beautiful restoration
01:18The original English language intertitles are lost
01:21We don't have them
01:22But they went back to two 1897 transcripts of the original melodrama
01:27And found that more or less it corresponded almost in terms of exact translations from the Dutch
01:33So they've reworked and reused the 1897 melodrama intertitles
01:38And as you'll see it fits in beautifully with the film
01:42In many ways this is a classic Maurice Turner film
01:45That means that there's a great sensitivity to light and to shadow, to composition
01:50He's working once again here with his cinematographer René Guissard
01:54Whose work you'll have seen in A Little Bit of Fluff, the Sydney Chaplin film that we screened earlier
01:59And of course he's famous for working on such major titles as Ben-Hur and Madame Saint-Jean
02:06I mentioned the word melodrama earlier
02:09And I'm not using that in a pejorative sense at all
02:12In fact this year Les Diornotes is beginning an annual series looking at melodrama
02:16How it changed from the teens and the twenties
02:19We're focusing on a particular vehicle this year which is East Lynn
02:22Unfortunately neither of those two films are being screened in streaming
02:27But in the future we do hope to continue this to explore how melodrama functions
02:32Why it still matters to us now
02:34The film ends on a really spectacular note thanks to some underwater sea footage
02:41Which was shot by the Williamson Brothers
02:43And if anybody was here last year or saw last year's catalogue
02:46You'll be familiar with the Williamson Brothers
02:48Because we were very fortunate to have the Cinémathèque Française
02:51Restoration of a docu-fiction hybrid called Wonders of the Sea
02:55Which explored how the Williamson's were able to shoot such extraordinary footage underwater
03:02Now for me one of the beauties of the film is connected to John Gilbert
03:07The great star John Gilbert who I have enormous fondness for
03:10Here Gilbert is 21 years old, he turned 22 that year without a moustache
03:16And the film really showcases why he became a star
03:21His sensitivity, his lack of toxic masculinity while being quite masculine at the same time
03:28I think really conveys so much of an aura of performance across the screen
03:35He's lovely, he's sensitive and subtle and I'm sure you will agree as well
03:40Enjoy the screening with the marvellous accompaniment of Stephen Horne
03:44And hope to see you tomorrow
03:46Music
03:47To be continued...
03:52Grazie a tutti.
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