- 4 months ago
In this remake of "The Dance of Life", a trumpet player (Fred MacMurray) hits it big after marrying a dancer (Carole Lombard), only for it to go to his head. With Dorothy Lamour, Anthony Quinn, and Franklin Pangborn. Directed by Mitchell Leisen.
Category
🎥
Short filmTranscript
00:00:00Swing high, swing low, swing to, and go, not bad, not small.
00:00:24Swing high, swing low, swing to, and go.
00:00:54The land is the poor.
00:00:57If you think you can survive, if you think you can survive,
00:01:04springtime, springtime.
00:01:07And if you think you can survive, springtime.
00:01:24The End
00:01:54Underneath the End
00:02:10You're watching, aren't you?
00:02:13Oh yes, it's the most exciting thing ever so.
00:02:16Why don't you take a look at it?
00:02:17How you could sit there with that mud and stuff all over your face
00:02:20When you could be seeing this, I can't understand.
00:02:22If I ever see those locks again, I'll scream.
00:02:37Hello.
00:02:39Hey, you, I said hello.
00:02:41So you weren't speaking to me by any chance?
00:02:43No, on purpose.
00:02:44You know, soldiers on sentry duty aren't supposed to talk.
00:02:47What can they do to me? They can fire me.
00:02:49All right, I've already quit.
00:02:50I'm all washed up in the Army.
00:02:52This is my last day.
00:02:54Say, there's an idea.
00:02:55We ought to celebrate.
00:02:56Yeah, the Army will probably do the celebrating.
00:02:59Say, is the rest of you as beautiful as your face?
00:03:01No, I weigh 200 pounds and I don't wear shoes.
00:03:04Ha, perfect.
00:03:05What should we do in that?
00:03:07How about meeting you on the dock under the moon?
00:03:09Well, if there isn't a moon.
00:03:10I'll meet you under the dock.
00:03:12No kidding.
00:03:13How about you and me going places tonight when your boat gets in?
00:03:15Okay?
00:03:16No kidding.
00:03:17How about you scramming so I can see some of the scenery down here?
00:03:19I am the scenery down here.
00:03:20I'm Skid Johnson, the one-man army.
00:03:21Ask anybody.
00:03:22It's been delightful, Mr. Johnson.
00:03:24I go away.
00:03:25You bother me.
00:03:26Thank you so much.
00:03:27Ha, ha.
00:03:28Honey, I didn't think you'd admit it.
00:03:29I'll meet you on the dock at Balboa.
00:03:31Hey, I'll be wearing my civvies and I'll wear a carnation of my buttonhole so you'll know me.
00:03:34I wouldn't know you if you wore a rose behind your ear.
00:03:37That's an idea.
00:03:38Oh, gee, isn't it wonderful.
00:03:44You know, it's like going down to an elevator.
00:03:48It's wonderful.
00:03:49Oh, gee, isn't it a wonderful elevator?
00:03:51You know, it's like going down in an elevator.
00:03:53It's wonderful.
00:03:55I guess it is the first time.
00:03:57Does the ceramics always smell like this?
00:04:01Look.
00:04:03Oh, I've got all the bottles.
00:04:05Take her down quick.
00:04:07All you had to do was to turn off the juice
00:04:09as soon as the time was up.
00:04:11Oh, I thought you could do that for gosh sake.
00:04:13Oh, I thought you could do that for gosh sake.
00:04:15Oh, I must have been asleep.
00:04:17The tropics make me so languorous.
00:04:19Well, how does it look?
00:04:21Oh, I'm just stucky.
00:04:23What have you done to her?
00:04:25It's the tropics. They always do that to her.
00:04:27Oh, the tropics, right.
00:04:29Oh, is something the matter?
00:04:31Oh, no, no, no, no.
00:04:33No, no, no, no, no.
00:04:35No, no, no, no, no.
00:04:37No, no, no, no, no, no.
00:04:39No, no, no, no, no, no, no.
00:04:41No, no, no, no, no, no.
00:04:43You girls will both come to my cabin
00:04:45just as soon as you have finished.
00:04:55I suspected it.
00:04:57I suspected it from the very first day.
00:04:59You're not a beauty operator at all, are you?
00:05:01No, that's where you've got me.
00:05:03How dare you recommend her to me?
00:05:05Oh, now, look, boy, she's a friend of mine.
00:05:07She's broke. She's hitchhiking away to California.
00:05:09Did she have to hitchhike on my customer's faces?
00:05:11Well, it was the only thing we could think of.
00:05:13You didn't want her to sing or anything now, did you?
00:05:15Certainly not.
00:05:17Why should I want her to sing?
00:05:19Do you sing?
00:05:20Yes, but not very good.
00:05:21Well, it's the only thing she does know.
00:05:23But there's a guy, see, in California,
00:05:25who don't care if she don't know anything.
00:05:27He wants to marry her.
00:05:29He's a cow baron or something.
00:05:31He's richer than Lucifer.
00:05:33Lucifer wasn't rich.
00:05:35Oh, what was he?
00:05:36Well, he was, um, he, uh, what was he?
00:05:37Proud.
00:05:38Proud, proud. There, see, I told you.
00:05:40Don't try to change the subject.
00:05:42Now, if this Lucifer was so, I mean, if this man was so proud.
00:05:45I mean, uh, Rich, uh, why doesn't he send you your fare?
00:05:47Oh, he doesn't even know I'm coming.
00:05:49I thought you said he was going to marry her.
00:05:51No, I didn't. I said he wanted to marry her.
00:05:53Oh, pardon me, wanted to.
00:05:54And on that account, Maggie figured there must be something wrong with him.
00:05:57Yes, okay.
00:05:58So she's blowing out to look the situation well over
00:06:00before getting into anything.
00:06:01You see, she doesn't know him very well.
00:06:03Well, he's known me for three years, but it's so hard to explain.
00:06:06If Maggie were on the stage, she'd be a stage door gentleman.
00:06:09Oh, of course.
00:06:10But she works at night clubs, so we don't know what to call her.
00:06:12Oh, he's just crazy about her.
00:06:15You're just crazy.
00:06:16You're just crazy.
00:06:18You're just crazy.
00:06:20Well, you're driving me crazy.
00:06:22All right.
00:06:37But I'm just crazy if I had to go to school.
00:06:39Why don't you see it?
00:06:40Now you've gotta bargain with these guys, see?
00:06:42I'll start on this line and you start on that one.
00:06:43They'll all ask for a $3.
00:06:45But if you find one that'll take two years.
00:06:47Well, I hope so.
00:06:48For a $3 home.
00:06:51No, no, that's all in my one.
00:06:53Uh, lady, you take my car.
00:06:55Round through Panama City, one dollar.
00:06:57How much? One dollar.
00:06:59You wait there, I'll get my girlfriend.
00:07:10Among the most notable public buildings of Panama is Palacio del Presidente.
00:07:14It was built on the same side as it was occupied by official residents of kings of Spain during colonial epic.
00:07:20On the ground floor is Moorish courtyard, in the center of which a water fountain,
00:07:24in which may be seen swimming water chicken of native species.
00:07:28Ducks to you.
00:07:29Yeah, well, ducks to you too. This isn't a palace, it's a cathedral.
00:07:32Must be wrong street.
00:07:33Must be wrong guidebook too.
00:07:46Listen, wise guy, you can come out from behind that hat now.
00:07:50What's the matter with the hat?
00:07:51I've got a rose behind my ear too.
00:07:53I still don't know you.
00:07:54Say, you know you're an awful liar.
00:07:55You do wear shoes and you've got the prettiest...
00:07:57Hey, do you know this guy?
00:07:58No, and we're tired of playing. You can stop this car right now.
00:08:00Now, come on, be a sport.
00:08:02I told you I was just mustered out of the army today.
00:08:04Thought it'd be fun for the four of us to celebrate.
00:08:07Who's the fourth?
00:08:08Harry. He owns the car.
00:08:09We're not interested.
00:08:10Speak for yourself.
00:08:12Say, I don't know what you've got to be sore about.
00:08:14When you hired this heap, you thought you had a native guy.
00:08:17So it turns out that instead of that, you've got a fine, upstanding, clean-limbed American lad and his friend.
00:08:21Here's where he lives.
00:08:23Harry, I mean.
00:08:24You'll like Harry.
00:08:25And instead of showing you a lot of buildings and statues and stuff, we'll show you the real town.
00:08:29You're getting a couple of guys for nothing and you're kicking.
00:08:32Come on, be good guy.
00:08:34We'll drive around.
00:08:35I'll make my usual cracks.
00:08:36If you laugh, I'll think I'm good.
00:08:37If you don't, I'll think you don't.
00:08:39What do we waste?
00:08:40Two hours.
00:08:41What's two hours?
00:08:42I've never heard anybody talk so much in my life.
00:08:44Have you ever tried to sell anything?
00:08:45Sure.
00:08:46Right now.
00:08:47Me.
00:08:48You know, if you had something good to sell, you'd be really wonderful.
00:08:53Harry.
00:08:57Hey, Harry.
00:08:58Come on, we're going out.
00:09:04All right.
00:09:09Harry puts everything he's got into his piano playing.
00:09:11Everything?
00:09:14Girls, prepare yourselves.
00:09:15You're about to meet Harry Rankin, the hottest piano player in Panama.
00:09:18Well, no wonder he's hot in that overcoat.
00:09:21Well, I'm just recovering from the attack of chills and fever.
00:09:24Would you have a corner in Panama?
00:09:25The tropics, you know.
00:09:27Yeah, I know it.
00:09:28Do you know it?
00:09:29Yes, I really think you should have one.
00:09:31If you're for me, I've already got my pill.
00:09:34Well, um, Harry, this is, uh...
00:09:36Ella.
00:09:37Ella, and that's, uh...
00:09:38Marguerite.
00:09:39Maggie.
00:09:40Marguerite.
00:09:41How do you do?
00:09:42I'm very glad to know both of you.
00:09:43Hello.
00:09:44You should be glad to know anyone.
00:09:45Well, thank you.
00:09:47Well, let's go.
00:09:48Come on, the front seat, Maggie.
00:09:50Come on, you better climb over that door.
00:09:51It doesn't work.
00:09:55Oh, allow me.
00:10:01Well, this is a real panamanian joint.
00:10:19Tourists don't get out here very much.
00:10:23It's lovely.
00:10:25It's lovely.
00:10:26If you think it's funny, I think I ought to have.
00:10:29Oyster.
00:10:30Oyster.
00:10:31Hey, you better move over here closer to me.
00:10:35Why?
00:10:36Well, you know where you are, don't you?
00:10:38Well?
00:10:39You're in the tropics.
00:10:40Well, I know that's silly.
00:10:41And it's nice.
00:10:42Oh, it isn't either.
00:10:43Well, it'll be night in a minute.
00:10:44Hey, what are you getting at?
00:10:46You?
00:10:47Oh, stop it.
00:10:48If you're going to act like that, we won't have any fun at all.
00:10:50Well, you know most girls like a lot of junk like that.
00:10:53I can be myself then, huh?
00:10:54Oh, I wouldn't go that far without you.
00:10:56Well, you're pretty fast with the answers, aren't you?
00:10:58No, they just seem fast.
00:10:59You see, you've been down here quite a little while,
00:11:01and the tropics kind of slow you down.
00:11:07What's the matter?
00:11:08Don't you want the rest of your oyster?
00:11:10I don't want this one.
00:11:24I'm glad that's over with.
00:11:25What's the matter?
00:11:26Don't you like trumpet music?
00:11:27No.
00:11:28Nobody likes trumpet music.
00:11:29Tell us a monster.
00:11:30Uh, those platter's punches.
00:11:31Do you mean?
00:11:32I think they do.
00:11:33Well, somebody might like it, but you couldn't be very bright and like trumpet music.
00:11:37Well, maybe you're right.
00:11:38I like it.
00:11:39You do?
00:11:40Well, what do you like about it?
00:11:41I can't possibly imagine.
00:11:42It's just noise.
00:11:43You grow a lot of air into a tin horn and it comes out rat-ta-ta-ta.
00:11:44Oh, it's awful.
00:11:45What's the matter?
00:11:46Don't you like music?
00:11:47Music?
00:11:48Of course I like music, but that isn't music.
00:11:49Well, of course I like music.
00:11:52Violins, that's what I like.
00:11:53So sweet and romance.
00:11:54There's no romance in a trumpet.
00:11:55Romance in a trumpet?
00:11:56Ah!
00:11:57What do you mean is you don't like trumpet?
00:11:58No?
00:11:59No.
00:12:00Oh, you did that.
00:12:01Oh, you did.
00:12:02No.
00:12:03No.
00:12:04No.
00:12:05No.
00:12:06I didn't know if it was.
00:12:07No.
00:12:08No.
00:12:09No.
00:12:10No.
00:12:11No.
00:12:12No.
00:12:13No.
00:12:14No.
00:12:15What you mean is you don't like Trumpet?
00:12:17I don't like Trumpet.
00:12:45I don't like Trumpet.
00:13:15I don't like Trumpet.
00:13:22He plays one.
00:13:24He plays.
00:13:25Did you hear all the things I said?
00:13:45Yes.
00:13:46He's wonderful.
00:13:50Yes.
00:13:51He's wonderful.
00:13:52He's very wonderful.
00:13:53Yes.
00:13:54He's wonderful.
00:13:55He's very wonderful.
00:14:00He's wonderful.
00:14:01He's wonderful.
00:14:03He's wonderful.
00:14:04He's wonderful.
00:14:05He's wonderful.
00:14:06He's wonderful.
00:14:07He's wonderful.
00:14:08He's wonderful.
00:14:09He's wonderful.
00:14:11He's wonderful.
00:14:12He's wonderful.
00:14:13He's wonderful.
00:14:14He's wonderful.
00:14:15He's wonderful.
00:14:16You're wonderful.
00:14:17He's wonderful.
00:14:18He's wonderful.
00:14:19You're wonderful.
00:14:20I want to have my arms.
00:14:22We will go to the morning.
00:14:24So...
00:14:26Why?
00:14:28Is it better than any other girls?
00:14:30You took the sombrero, right?
00:14:32Right?
00:14:34No, no, no!
00:14:36Having a little trouble?
00:14:38I'm not sure, but I think he's being fresh.
00:14:40Yeah, he is a little fresh.
00:14:42Well, why don't you go to the lady?
00:14:44I'm not sure, but I think he's being fresh.
00:14:46I'm not sure, but I think he's being fresh.
00:14:48Yeah, he is a little fresh.
00:14:50Well, why don't you sock him or something?
00:14:52No, I can't. You've got your hat off.
00:14:54Well, what does that have to do with it?
00:14:56That's an old South American costume.
00:14:58It means you would dance with anybody.
00:15:00What if he took me?
00:15:02Now, listen, Charlie, you've got this girl all wrong.
00:15:04Now, Scram.
00:15:10I said get out of here, Scram.
00:15:12Look, she's got her hat on.
00:15:14Yeah, yeah, yeah, I've got my hat on.
00:15:16Hat? Yeah, hat, chapeau, sombrero.
00:15:18Oh, sombrero.
00:15:20Sombrero.
00:15:21Sombrero.
00:15:22Come on, let's get out of here.
00:15:26Come on, let's get out of here.
00:15:29Come, let's get out of here.
00:15:31Come on, let's go.
00:15:38Come on, come on.
00:15:42Come on.
00:15:44Come on.
00:15:46Come on.
00:15:49Come on.
00:15:50Woo!
00:15:52I'll take my hand off.
00:15:54I didn't know that you shouldn't take your head off.
00:15:56I didn't know that.
00:15:58You didn't know that.
00:16:00Now to the end, he does a whole quick.
00:16:03Oh, no.
00:16:04Hang on.
00:16:05Hang on.
00:16:07Hang on.
00:16:09Hang on.
00:16:10Hang on.
00:16:11Hang on.
00:16:12Hang on.
00:16:13Hang on.
00:16:14Hang on.
00:16:15Hang on.
00:16:16Hang on.
00:16:18Anyway, it was fun.
00:16:19Did you hurt yourself?
00:16:20No.
00:16:21You're not going to cry, are you?
00:16:22No, I'm going to tie my hat on.
00:16:24Oh, Jesus Christ.
00:16:34Skiff, look over here.
00:16:37It's me, it's Harry.
00:16:40Don't even speak to him.
00:16:41Where were you last night when we tried to get you?
00:16:47Trouble, trouble, close the door.
00:16:48Yes, we close, too.
00:16:51I'm scared, I got here.
00:16:57Oh, hello.
00:16:58Skiff, I wish you'd let me help.
00:17:05Puede que para algunos el nombre de Panamá sea un sÃmbolo de placer.
00:17:10Eso hasta cierto punto, porque en otro sentido significa mucho más.
00:17:14Por lo tanto, imposible tolerar escándalos como los que ustedes han cometido.
00:17:18En consecuencia, este tribunal los condena a una multa de cincuenta pesos.
00:17:24He's saying you'll pay fine $50.
00:17:27What's that?
00:17:28Maybe it's my boat.
00:17:30¿Qué hace?
00:17:31Oiga, oiga.
00:17:32¿Pero hombres?
00:17:33¿Pero dónde vamos?
00:17:35No.
00:17:35¿Qué?
00:17:35¿Qué?
00:17:36¿Vamos?
00:17:36Frenzaman.
00:17:37Oh, Skiff, my boat is out of the bay.
00:17:39What do I do, Skiff?
00:17:40We got to get out of here.
00:17:43Maybe we can still get out of here.
00:17:45No, no, no.
00:17:46No, no.
00:17:47No, no.
00:17:48No, no.
00:17:49Don't you understand my boat, Slavy, my boat?
00:17:50Boat?
00:17:51Yeah, boat.
00:17:52Boat, boat, I'll go, look.
00:17:54The...
00:17:55Get it, boat.
00:17:56Eh?
00:17:57No comprendo qué es lo que ustedes quieren demostrar.
00:17:59You mean boat?
00:18:00Yeah, boat, what the word for boat?
00:18:01Este tribunal los condena a una multa de sesenta pesos.
00:18:04He say you'll pay fine $60.
00:18:06Oh.
00:18:07He sido paciente y tolerante, pero hasta la paciencia de un juez tiene sus lÃmites.
00:18:10Oh, shut up.
00:18:11Este tribunal los condena a ciento cincuenta pesos de muerto.
00:18:14They say you'll pay fine $150.
00:18:17Maybe you'd better keep quiet.
00:18:22Now can I help?
00:18:23No.
00:18:24You wouldn't settle for the 60, would you?
00:18:27Thanks, Woody.
00:18:33There's a hundred, a hundred and ten, ten.
00:18:37Tenth and twelve, a hundred and travel money.
00:18:40Twelve and twelve, a hundred and twenty-seven.
00:18:42Twelve and twenty-eight.
00:18:43Twelve and twenty-eight, twelve and twenty-eight fifty.
00:18:46Twelve and twenty-eight fifty.
00:18:48Twelve and twenty-eight fifty two.
00:18:50Now?
00:18:51Yeah, now.
00:18:53Now?
00:18:54Yeah, now.
00:18:55No, no, vamos.
00:18:56No dinero.
00:18:57Well, now what?
00:18:58Well, first we'll dig up old chalet.
00:18:59Well, what good will that do?
00:19:00I mean, I haven't any money, have I?
00:19:01And no clothes or anything.
00:19:02They wouldn't take me in, would they?
00:19:03They never thought of that.
00:19:04Well, what are you going to do?
00:19:05I don't know.
00:19:06If I might make a suggestion, you're perfectly welcome to live with me.
00:19:09I don't know.
00:19:10I don't know.
00:19:11I don't know.
00:19:12I don't know.
00:19:13I don't know.
00:19:14I don't know.
00:19:15I don't know.
00:19:16I don't know.
00:19:17I don't know.
00:19:18I don't know.
00:19:19I don't know.
00:19:20I don't know.
00:19:21Justin, you're perfectly welcome to live with me.
00:19:23Huh?
00:19:24Oh, Skid lives there too.
00:19:25I suppose that makes it all right.
00:19:26Don't worry.
00:19:27I wouldn't let you stay there anyway.
00:19:28Well, then where will I stay?
00:19:29I'm sure you'd find it very comfortable.
00:19:31Skid and I can sleep in the parlor and you can have the bedrooms.
00:19:33There's the key to the door and everything.
00:19:35If you feel that you need it.
00:19:37Well, I don't like it.
00:19:38Well, I don't like it either.
00:19:39Very nice.
00:19:40I lost my key about a month ago.
00:19:57Well, here's where we live.
00:20:00Just you and Skid?
00:20:02Oh, Skid just moved in last night.
00:20:04I've been living here alone for three months now.
00:20:06You mean you've done this all by yourself in three months?
00:20:09The bedroom's very nice, too.
00:20:15There's the kitchen.
00:20:16I think it needs a little tidying up, though.
00:20:17If anything like this it certainly will.
00:20:18Is there something wrong?
00:20:19Yeah.
00:20:20You and Skid bring the bed out.
00:20:21I'll make breakfast and then we'll clean this place up.
00:20:22Oh, let's get some sleep first.
00:20:23You can't sleep in this mess.
00:20:24Well, we have.
00:20:25Oh, dear.
00:20:26This hasn't been moved since I first came here.
00:20:31You can't sleep in this mess.
00:20:32Well, we have.
00:20:33Oh, dear.
00:20:34This hasn't been moved since I first came here.
00:20:38Try it in there for a second.
00:20:41Keep it up.
00:20:42God, it's better to go through there.
00:20:44Where is the water?
00:20:45In the pump.
00:20:46Pump?
00:20:47In the pump!
00:20:48What?
00:20:49In the pump!
00:20:50I don't know.
00:20:51I don't know.
00:20:52I don't know.
00:20:53I don't know.
00:20:54I don't know.
00:20:55I don't know.
00:20:56I don't know.
00:20:57I don't know.
00:20:58I don't know.
00:20:59The pump.
00:21:00Oh, look.
00:21:01I found a shoe.
00:21:02It's been missing for about three weeks.
00:21:03Up naked.
00:21:04Now, here's the boat.
00:21:05Take the net off.
00:21:06Not very much.
00:21:07It's got to be awfully weak.
00:21:08It's got to be what?
00:21:09What?
00:21:10No.
00:21:11No.
00:21:12No.
00:21:13No.
00:21:14No.
00:21:15No.
00:21:16No.
00:21:17No.
00:21:18No.
00:21:19No.
00:21:20No.
00:21:21No.
00:21:22No.
00:21:23No.
00:21:24No.
00:21:25No.
00:21:26No.
00:21:27No.
00:21:28No.
00:21:29No.
00:21:30No.
00:21:31No.
00:21:33No.
00:21:34No.
00:21:35No.
00:21:35No.
00:21:36No.
00:21:37Oh.
00:21:38You want a toaster?
00:21:39He must.
00:21:40The bread and what do you think around here?
00:21:43Oh.
00:21:44She says the bread.
00:21:45No.
00:21:46Oh.
00:21:47The bread.
00:21:48There isn't any.
00:21:49I fed the rest of it to the pigeons this morning.
00:21:51So, that's what you would have lived around here with you.
00:21:53What'd she say?
00:21:54What'd she say?
00:21:55I said it would be a nice touch to have a couple of ghosts around here too.
00:21:57don't you think? Say, what do you suppose she wants with a couple of goats? Get old one.
00:22:11Hip your hand up a little. What? Hip your hand up a little. You don't need to yell at me, I'm right here, you know.
00:22:18How do you turn the gas on? There isn't any gas. Well then how do you cook? You build a fire in the stove with wood.
00:22:26Hey look, we're getting no place fast for this thing. Say, I have an idea. Just sit down quietly and figure this thing out.
00:22:38Must be a simple answer to it somehow.
00:22:47I can tell you eat out a lot and that certainly isn't good for you, no wonder Harry's sick.
00:22:51We'll have to buy a lot of things, you know, staples and things.
00:22:58Well, maybe I did the wrong thing.
00:23:00You're scared, I think I did the wrong thing.
00:23:02You're scared, I think I did the wrong thing.
00:23:04You're scared, I think it's the wrong thing.
00:23:09Where are you?
00:23:10Well, never mind, I'll do it myself.
00:23:12Oh, this junk.
00:23:17Wait a minute.
00:23:20That certainly puts you in a lovely spot, haven't I?
00:23:22Well, with me it's just temporary, you know, just that my boat comes through again.
00:23:25What are you going to do?
00:23:26Oh, don't worry about me, I can always go back in the army.
00:23:29The army?
00:23:30What do you want me to do, go native?
00:23:31No, just take that junk out and burn it up.
00:23:33What are you saving bear caps for?
00:23:36There's a lottery ticket I almost won, huh?
00:23:41The army.
00:23:42Own with the army.
00:23:43No ambition at all.
00:23:45Skid?
00:23:59Huh?
00:24:00You can do something with it.
00:24:01With what?
00:24:02It's a crime to hide a talent like you've got under an army blanket.
00:24:05You're the best trumpet player I ever heard.
00:24:07I thought you said you didn't like trumpet music.
00:24:08Oh, I didn't, and I still don't, but I like it when you play it.
00:24:11I don't know what you do to it, something.
00:24:13Why don't you try and make me a living, Mr. Mark?
00:24:15You mean go to work?
00:24:17Yes.
00:24:18I hate to bring it up, but Skid can go to work over at Murphy.
00:24:20Oh, that's wonderful that you really offer your job,
00:24:22but why don't you take it?
00:24:23Would you have to have your own trumpet?
00:24:24Oh, of course you couldn't get a job in an orchestra
00:24:26unless you had your own horn.
00:24:27Oh, but Skid's got a horn.
00:24:29Well, you don't have to tell the whole world about it, do you?
00:24:31Oh, go on. You might like working.
00:24:32You might like it better than the army.
00:24:33You couldn't tell until you try it.
00:24:35I can tell now.
00:24:39Skid?
00:24:43Skid! Skid!
00:24:46Skid!
00:24:47Skid!
00:24:48Skid!
00:24:49Skid!
00:24:50Skid!
00:24:51Skid!
00:24:52Skid!
00:24:53Skid!
00:24:54Skid!
00:24:55Skid!
00:24:56Oh, no, Paulita.
00:24:57Hoy no juego de loterÃa,
00:24:58que me hacen como un gallo más adentro.
00:25:00Skid!
00:25:01Skid!
00:25:02Skid!
00:25:03Skid!
00:25:04Skid!
00:25:05Skid!
00:25:06Skid!
00:25:07Skid!
00:25:08Skid!
00:25:09Skid!
00:25:10Skid!
00:25:11Skid!
00:25:12Skid!
00:25:13Skid!
00:25:14Skid!
00:25:15Skid!
00:25:16Skid!
00:25:17Skid!
00:25:18Skid!
00:25:19Skid!
00:25:20Skid!
00:25:21Skid!
00:25:22Skid!
00:25:23Skid!
00:25:24Skid!
00:25:25Skid!
00:25:26Skid!
00:25:27Skid!
00:25:28Skid!
00:25:29Skid!
00:25:30Skid!
00:25:31Skid!
00:25:32Skid!
00:25:33Skid!
00:25:34Skid!
00:25:35Skid!
00:25:36Skid!
00:25:37Skid!
00:25:38Skid!
00:25:39Skid!
00:25:40Hurry up, hurry up.
00:25:42Hurry up.
00:25:44Hurry up.
00:25:46Come on.
00:25:48Come on.
00:25:50Come on.
00:25:52Dad did you get it?
00:25:54Harry, skids back.
00:26:00How much did you get?
00:26:04You start right away?
00:26:06No, not right away.
00:26:10What's the matter?
00:26:12That's right, Skid.
00:26:15Did you know you had a hem with you?
00:26:19Yeah, I know what.
00:26:21Well, where did you get that?
00:26:23Well, he was in a fight.
00:26:24Well, what difference does that make?
00:26:26Well, he got fouled.
00:26:27He got fouled.
00:26:28He didn't expect me to walk right away and leave a foul, foul foul.
00:26:33Well, could you?
00:26:34Oh, no.
00:26:35He doesn't feel very good.
00:26:36He...
00:26:37Well, anybody with any heart would have done this.
00:26:39Hey, he's wounded.
00:26:40I'd better go get something.
00:26:41Yeah.
00:26:42Oh, he really has a man's sketch.
00:26:44Oh, go get me a damn towel, will you?
00:26:46Sure, sure.
00:26:47Oh, you poor silly little darling.
00:26:49You're so ugly.
00:26:50You want to know his name?
00:26:54He's got a pretty name.
00:26:56It's 314 Alado.
00:26:57That means, uh, Wing Triumph.
00:26:59Yeah, well, suppose we just call him Butch.
00:27:01Yeah.
00:27:03Hey, you're not sore at me at all, are you?
00:27:06Sore what?
00:27:07Well, uh, for my betting on him.
00:27:09Betting on him?
00:27:10Yeah, you see, uh, he's a professional, you know, and, uh, well, uh,
00:27:15he was going swell until his knees kind of buckled under him,
00:27:18and then he lost, and I lost the money.
00:27:22What money?
00:27:23You didn't...
00:27:24Skid Johnson, where's your trumpet?
00:27:27Well, uh, I pawned it.
00:27:29But, but I still got my mouthpiece.
00:27:30I can sort of keep my lip up on it, and, you know, uh, keep my lip up.
00:27:38Clodium.
00:27:39Hey, that ought to do it.
00:27:41I just figured what's the use of working a whole week for what you can win in a couple of minutes.
00:27:47Nice figuring.
00:27:48I got just the right thing for him.
00:27:49What's that?
00:27:50Clodium.
00:27:51Clodium?
00:27:52You're not going to put clodium on a chicken, Harry.
00:27:53That's the best thing for scratches.
00:27:54I always use it myself.
00:27:55Don't say I didn't warn you.
00:27:56This'll fix him right up.
00:27:57Oh!
00:27:58Oh!
00:27:59Butch, come here.
00:28:00Butch.
00:28:01Hey, here, here.
00:28:02Nice hand, now.
00:28:03Go away, here.
00:28:04Go away.
00:28:05Go away.
00:28:06Go away.
00:28:07Go away.
00:28:08Go away.
00:28:09Go away.
00:28:10Go away.
00:28:11Go away.
00:28:12Get.
00:28:13Take this thing away.
00:28:14Come on.
00:28:15Come on, Butch.
00:28:16Come on, Butch.
00:28:17That's gratitude, eh?
00:28:19Skid.
00:28:20Get me, will you?
00:28:21Now, don't get him excited.
00:28:22Don't get him excited.
00:28:23There.
00:28:24There, Butch.
00:28:28Gosh, Mackey, you don't know, Murphy.
00:28:29I can't go on and ask for an advance when I haven't even got the job yet.
00:28:32You can't get the job without the trumpet, and you can't get the trumpet without the fire.
00:28:34But I'm too young to die.
00:28:35All right, you wait here.
00:28:36I'll get it.
00:28:37No, no, no.
00:28:38No girl has to run interference from me.
00:28:39Oh, listen, Skid.
00:28:40You know, sometimes it's easier to sell somebody else than it is yourself, isn't it?
00:28:41I mean, it'd be easier for you to tell somebody I'm good than you're good, wouldn't it?
00:28:42Oh, would it?
00:28:43You wait here.
00:28:44I'll be out in a minute.
00:28:45You'll be out quicker than mad.
00:28:46But, Mrs. Murphy, I didn't ask for a job for myself.
00:28:47Oh, well, let it go, then.
00:28:48But you couldn't work in a better place.
00:28:49And you're the type I like around here.
00:28:50You wouldn't have to do much.
00:28:51Sing a little, dance a little, and talk to the customers.
00:28:52I think you're making a big mistake, but let it go.
00:28:53I ain't begging you.
00:28:54But it's Skid that has to...
00:28:55Skid's got a talent for making more trouble than any ten guys in Panama.
00:28:58I heard what he'd done at the Tayara last night.
00:28:59They got to close for a week for repairs.
00:29:00He ain't gonna bust up my joint.
00:29:01He ain't gonna bust up my joint.
00:29:02He's got a talent for making more trouble than any ten guys in Panama.
00:29:04I heard what he'd done at the Tayara last night.
00:29:05They got to close for a week for repairs.
00:29:10He ain't gonna bust up my joint.
00:29:11Oh, it's that.
00:29:12Yeah, it's that.
00:29:13Wow!
00:29:14Oh, I, um.
00:29:15I wish you'd been there last night.
00:29:16It was really beautiful.
00:29:17It must have been.
00:29:18There even if there's a stick of furniture left to the place.
00:29:19Oh, Skid's got a talent for making more trouble than any ten guys in Panama.
00:29:22Oh, that.
00:29:23Yeah, that.
00:29:24Well, I...
00:29:26Oh, I wish you'd been there last night.
00:29:29It was really beautiful.
00:29:30It must have been.
00:29:31They didn't even stick the furniture left in the place.
00:29:34Well, Skid feels awful about everything, you know.
00:29:36A young man just out of the army with responsibilities and everything.
00:29:40It's hard.
00:29:41Skid Johnson never had a responsibility in his life.
00:29:46Well, he's got me.
00:29:47Well, you can't be such a serious proposition.
00:29:52You're kind of new in Skid's life, ain't you?
00:29:54New?
00:29:55Oh, I should say now.
00:29:56Why, Skid and I have known each other ever since childhood.
00:29:59He sent for me to come down just as soon as he got out of the army.
00:30:02Oh, I wouldn't marry him as long as he was in the army, would you?
00:30:05No.
00:30:06Well, you could see how he'd feel on his honeymoon with his wife working and him broke.
00:30:11Without a job.
00:30:12Yeah.
00:30:13Well, and besides, we do a swell number together.
00:30:16Skid and I have always worked together.
00:30:17Well, not in the army, of course.
00:30:19Well, don't you see?
00:30:21I can see one thing.
00:30:23Skid's got a lot more sense than I give him credit for.
00:30:27Well, you remember me.
00:30:28Well, hello.
00:30:29You've sure been in there long enough.
00:30:30What?
00:30:31For Pete's sake, how did you do it?
00:30:32Well, she just understood.
00:30:33You're crazy.
00:30:34She's really a wonderful woman, Skid.
00:30:35Murphy?
00:30:36Oh, underneath that bark and cigar smoke, she's a woman and all women are romantic.
00:30:37Murphy, romantic?
00:30:38The minute she found out we'd just been married, she wasn't positively dewy-eyed.
00:30:40The minute she found out what?
00:30:41Kid, listen, don't be mad because I told her we were married.
00:30:43Married?
00:30:44Well, you don't care very much.
00:30:45She's got you a job and she even said I could do something or other for a couple of weeks
00:30:47and by that time, my vote will be back and I'll go away.
00:30:50Don't get sore.
00:30:51I'll get sore.
00:30:52Oh, no.
00:30:53Oh, no.
00:30:54Oh, no.
00:30:55Oh, no.
00:30:56Oh, no.
00:30:57Oh, no.
00:30:58Oh, no.
00:30:59Oh, no.
00:31:00Oh, no.
00:31:01Oh, no.
00:31:02Oh, no.
00:31:03Oh, no.
00:31:04Oh, no.
00:31:05Oh, no.
00:31:06Oh, no.
00:31:07Oh, no.
00:31:08Oh, no.
00:31:09I'm sore.
00:31:10You're sore.
00:31:11I'm not sore.
00:31:12I'm sore.
00:31:13I'm sore.
00:31:14I'm sore at all.
00:31:39You got a new blonde working for you.
00:31:42Yeah?
00:31:43Well, she ain't army rations, so relax.
00:31:45Sure will be, hey?
00:31:46Mm.
00:31:47Quanto son, senora?
00:31:48Cinco.
00:31:49Marcella, francuna.
00:31:50Hiya, sen.
00:31:51Here.
00:31:52Here.
00:31:53Here.
00:31:54Here.
00:31:55Here.
00:31:56Here.
00:31:57Here.
00:31:58Here.
00:31:59Here.
00:32:00Here.
00:32:01Here.
00:32:02Here.
00:32:03Here.
00:32:04Here.
00:32:05Here.
00:32:06Here.
00:32:07Here.
00:32:08Here.
00:32:30Hey, Maggie.
00:32:31Hey, you look small out there.
00:32:33I was so excited, and Murphy told me you were working here, I...
00:32:38Alvarez, this is Miss King.
00:32:40How do you do?
00:32:41Oh, Miss King.
00:32:43Why, I thought you were the new Mrs. Johnson I've been hearing so much about.
00:32:47I am.
00:32:48Really?
00:32:49Yes.
00:32:50Gee, Skid, I thought I knew you awfully well.
00:32:53I didn't think you were the marrying kind.
00:32:56But I still don't know.
00:32:58I don't know.
00:33:00Girl, I used to know.
00:33:01Used to know?
00:33:02Yeah, I used to know.
00:33:03Oh, well, okay.
00:33:04But listen, unless you weren't supposed to lose our jobs, you better introduce me as your
00:33:07wife.
00:33:08You know, we're supposed to be married.
00:33:09Yeah, but you're not my wife.
00:33:10I know, but I'm supposed to be.
00:33:11Nowadays, every dance academy exercises your whole anatomy, too.
00:33:14Come on, come on.
00:33:15You're supposed to be working, you know.
00:33:16Yeah, I'm supposed to be a lot of things.
00:33:18I'm supposed to be a lot of things.
00:33:20I'm supposed to be a lot of things.
00:33:23I'm supposed to be a lot of things.
00:33:25I'm supposed to be a lot of things.
00:33:28I'm supposed to be a lot of things.
00:33:34Hey, George!
00:33:39White hop, Panamania.
00:33:41White hop, Panamania.
00:33:43Gals from Pennsylvania head through.
00:33:46Maggie, come on now.
00:33:47Help me change your costume.
00:33:48That's who wants to meet you.
00:33:50Big coat hanger man from Cleveland.
00:33:52And you get 25% for all the champagne they ordered
00:33:55and only 10% for the scotch.
00:33:57And you'll be revealing the Spanish in you.
00:34:04Hey, Murphy.
00:34:05Who is that girl?
00:34:06Anita Albury.
00:34:07It's white.
00:34:08Cute kid.
00:34:16Mr. Musselwhite, may I present Miss Johnson.
00:34:18Glad to meet you, Miss Johnson.
00:34:19Have a scotch and soda.
00:34:20In the tropics?
00:34:21Didn't you know it was poison to drink hard liquor so near the equator?
00:34:24Oh, champagne's the only thing.
00:34:26You mean to say everybody in the tropics drink champagne?
00:34:28She's quite right, Mr. Musselwhite.
00:34:30Wait her.
00:34:31I bet they're all for you.
00:34:32The Spanish in you.
00:34:34Sense is reeling, you'll be revealing the Spanish in you.
00:34:38Won't need your position, your own intuition.
00:34:42Tells you your condition, Panamania.
00:34:45Panamania.
00:34:46And I told them they'd have to order a hundred gross of coat hangers or they wouldn't get any at all.
00:35:01Are you listening?
00:35:02Yes, you're listening.
00:35:03Yes, you're listening.
00:35:04Yes, you're listening.
00:35:05One mad station and all regrets.
00:35:06Oh, oh, oh, oh.
00:35:07Sense is reeling, you'll be revealing the Spanish in you.
00:35:10Spanish in you.
00:35:11You won't need your position, your own intuition.
00:35:16Tells you what's your condition.
00:35:18Panamania.
00:35:19Panamania.
00:35:20Panamania.
00:35:21Panamania.
00:35:22Panamania.
00:35:23Excuse me now.
00:35:24I have to change.
00:35:25Search.
00:35:26Maggie.
00:35:27Hey, you shouldn't encourage those dumb guys like that.
00:35:29They'll be able to figure it wrong.
00:35:30Well, what's possible difference going to make to you?
00:35:31No difference, no difference at all.
00:35:32But you've got to remember, we're supposed to be married.
00:35:33Yes, but we're not.
00:35:34No, can we go?
00:35:35I can see.
00:35:36Carmel?
00:35:37Well, there's no difference.
00:35:38I can see.
00:35:39And we're lucky.
00:35:40You're lucky.
00:35:41Well, it's going to be about to change.
00:35:42I don't know.
00:35:43I can see.
00:35:44I can see.
00:35:45Oh, turning it down.
00:35:46Let's go.
00:35:47And then, I'll be back.
00:35:48And I'll be back with you.
00:35:49And you're lucky.
00:35:50And you have to have to do that,
00:35:52you're lucky.
00:35:53And I'll be back with me.
00:35:54I know that I've got a sign.
00:35:55How are you?
00:35:56Well, you were lucky.
00:35:58That was my first time.
00:35:59All right.
00:36:00Man, I'll be back with yourль.
00:36:01I wonder who designs these things for Murphy.
00:36:16You know you're all on one side or the other?
00:36:19Yeah, he was born on the side of a hill.
00:36:21No, I think that's from standing in my foot when I keep time to music.
00:36:26Go on, Skid. Keep on playing.
00:36:28What should this time allow me to introduce to you our newest converter to the fine art of trumpeting?
00:36:33Oh, Skid, are you talking about that forever? I told you when you played it, it thrills me.
00:36:38To the marrow of my bones, it chills me.
00:36:41Say, there's a lyric.
00:36:43The trumpet thrills me, to the marrow of my bones, it chills me.
00:36:46That's not bad.
00:36:47It's not good.
00:36:48It's better than that school song I wrote,
00:36:50Tridon for Redlands, Conservatory of Music.
00:36:53Boy, I bet that was a hit.
00:36:54Yes, it was.
00:36:55Light of the Redlands, Conservatory of Music.
00:37:03Here we took a break.
00:37:04Rah, rah, rah, RCM.
00:37:07Hey, wait a minute, Harry.
00:37:07Play that a little slower.
00:37:12No, no, no, no.
00:37:14Get a little smaller than that.
00:37:15You know, no.
00:37:16Oh, I know.
00:37:17Ballad style.
00:37:18Yeah, ballad.
00:37:21Play it, Skid.
00:37:21Harry.
00:37:22Harry's the worst, Pettit.
00:37:23Harry's the worst, Pettit.
00:37:24Harry's the worst, Pettit.
00:37:25You know, I think we've got something here.
00:37:26Get a paper and pencil.
00:37:27Gee, it's pretty.
00:37:28If the crimps ought to be good, you think Muffy will let us do it?
00:37:30Why?
00:37:31Well, you know that I told her we did a number together.
00:37:32You told her a lot of things, didn't you?
00:37:33Yes, I certainly did.
00:37:34Harry, what's the first line?
00:37:35The cop that throws me, to the marrow of my bones, it kills me.
00:37:54When you blow that horn, you thrill me.
00:38:08To the marrow of my bones, you chill me.
00:38:13I don't know.
00:38:17I hear a call to all.
00:38:20And I'm hitting the drone.
00:38:23All that libs his nose and express reaching out to me like Posca realized.
00:38:33And it goes.
00:38:37I hear a call to all.
00:38:41Even though you're gone, it's gone and it's gone.
00:38:51Wondering if you'll never fail.
00:38:56Or when you're gone, I'll hear you say,
00:39:02Echoing in my heart forever.
00:39:11Blow it low, slow and low.
00:39:17Let my soul, the song, we surrender.
00:39:24There it goes.
00:39:26I hear a call.
00:39:31Don't call me here in the cab.
00:39:33I'll meet you in five minutes.
00:39:37You're leaving?
00:39:39Yeah.
00:39:41You're leaving?
00:39:42Yeah.
00:39:43That's fine.
00:39:44I've got a job in New York, the El Greco.
00:39:47You know the El Greco.
00:39:48Yeah, I know the El Greco.
00:39:49Does the El Greco know you?
00:39:50My reputation.
00:39:51Who doesn't?
00:39:52Say, if you or Skid ever get to New York, be sure to look me up, won't you?
00:39:58No.
00:39:59Are you talking for yourself or Skid?
00:40:00I'm talking for both of us.
00:40:01Say, you're pretty sure of yourself, aren't you?
00:40:02Mm-hmm.
00:40:03Listen, Skid's just a quick change artist.
00:40:04Now you seem, now you don't.
00:40:05That's why you don't bother me in the least.
00:40:06With Skid, all you have to do is just take your turn.
00:40:08You're wonderful.
00:40:09You're wonderful.
00:40:10I've got a job in New York, the El Greco.
00:40:11I've got a job in New York, the El Greco.
00:40:12You know the El Greco.
00:40:13Yeah, I know the El Greco.
00:40:14Does the El Greco know you?
00:40:15My reputation.
00:40:16Who doesn't?
00:40:17You're pretty sure of yourself, aren't you?
00:40:18Mm-hmm.
00:40:19Listen, Skid's just a quick change artist.
00:40:21Now you seem, now you don't.
00:40:23That's why you don't bother me in the least.
00:40:25Well, Skid, all you have to do is just take your turn.
00:40:28You're wonderful.
00:40:29You're really wonderful.
00:40:30You look lovely, too.
00:40:31I mean, your hair's coming down the left side.
00:40:33Harvey, I can't believe my eyes.
00:40:35Oh, it's so good to see you.
00:40:36It's good to see you, too, Marguerite.
00:40:38You look fine.
00:40:39Of all places around here.
00:40:40How did you know I was here?
00:40:42Oh, some girl sent me a wire.
00:40:44Here it is.
00:40:45There.
00:40:46Oh, Emma.
00:40:47Yeah.
00:40:48She said you were stranded here on your way to me.
00:40:50But she shouldn't have told you that.
00:40:51Harvey, I...
00:40:52Oh, no, you...
00:40:53Now you listen.
00:40:54I'm not kidding myself.
00:40:55I know you're not in love with me or you married me a long time ago.
00:40:57But, Harvey, you don't understand that.
00:40:59Sure I do.
00:41:00I always have.
00:41:01But I'm so in love with you that, well, just having you around, that's enough for me, Marguerite.
00:41:03Well, Harvey, I...
00:41:04Come on, Maggie.
00:41:05We haven't got much time.
00:41:06Well, Skid, this is Harvey Howell.
00:41:07He's a great good friend of mine.
00:41:08Skid, John.
00:41:09Oh, glad to know you.
00:41:10Glad to know you.
00:41:11We're on our way to get married.
00:41:12Mary?
00:41:13Yeah, tonight.
00:41:14Maggie isn't taking any chances on our wedding until tomorrow.
00:41:16She knows a guy's got to tell the truth on Washington's birthday.
00:41:18Hey, why don't you come along?
00:41:19Harry's going.
00:41:20We need a couple of witnesses and...
00:41:21Well, he's a panel player and, well, Maggie knows you and...
00:41:23Skid!
00:41:24No, no, I'd...
00:41:25I'd like to, Marguerite.
00:41:26Oh, that's right.
00:41:27Well, come on.
00:41:28Come on, Maggie.
00:41:29No, no, no.
00:41:30Lo mismo en la pobreza que en la riqueza.
00:41:33Tanto en el dolor, cuanto en la alegrÃa.
00:41:35Hasta que la muerte le separe.
00:41:37Repeat after me, please.
00:41:39For better or for worse.
00:41:41For better or for worse.
00:41:42For better or for worse.
00:41:43Till death do us part.
00:41:45Till death do us part.
00:41:47You are married now.
00:41:49We're married?
00:41:52Felicitades, señor.
00:41:54I just want you to do that.
00:41:56You're supposed to kiss the bride.
00:41:58We don't open till 9 o'clock.
00:41:59The tree ain't ready yet.
00:42:00Yes, ma'am.
00:42:01And at 9 o'clock, down with the whiskers.
00:42:02Yes, ma'am.
00:42:03But it sure is hot.
00:42:04Hot or cold, it's Christmas.
00:42:05So act like it.
00:42:06And you boys, hurry with the whiskers.
00:42:07We don't open till 9 o'clock.
00:42:08The tree ain't ready yet.
00:42:09Oh, yes, ma'am.
00:42:10And at 9 o'clock, down with the whiskers.
00:42:11Yes, ma'am.
00:42:12But it sure is hot.
00:42:13Hot or cold, it's Christmas.
00:42:14So act like it.
00:42:15And you boys, hurry with the decorations.
00:42:16Thank you, ma'am.
00:42:17And, you boys, hurry with the decorations.
00:42:21Hey, dro.
00:42:22A little more sugar in this.
00:42:23And hurry.
00:42:24And at 9 o'clock, down with the whiskers.
00:42:26Yes, ma'am, but it sure is hot.
00:42:28Hot or cold, it's Christmas, so act like it.
00:42:31And you boys, hurry with those decorations.
00:42:40Hey, droll.
00:42:41Yes, senora.
00:42:42A little more sugar in this, and hurry.
00:42:45Terrence and Dolly, come in here and put all this paper
00:42:48and get a girl to step on it.
00:42:50We've got to get this place open.
00:42:52My hand is lost.
00:42:56If it's not a plane,
00:43:00journeyed night and day,
00:43:04then it's nothing more than a game.
00:43:06Children can play.
00:43:08I'm not that person.
00:43:11My heart
00:43:14never was taken,
00:43:16never was taken,
00:43:18but beware.
00:43:20My heart
00:43:22never was broken.
00:43:24If you break it,
00:43:26I don't care.
00:43:28Then I'll know
00:43:30that it's really love.
00:43:40And I won't complain.
00:43:42If it's really love,
00:43:44it's worth the pain.
00:43:48It's worth the pain.
00:43:58Oh, gee, honey, I'll have to practice my heart.
00:44:00Yeah, that first one wasn't so good.
00:44:02Well, I know it.
00:44:03The second one wasn't so good either.
00:44:04Well, you don't have to rub it in.
00:44:06Just like a woman?
00:44:07I don't know why you used to mean to me on Christmas Eve.
00:44:09Who's mean to you?
00:44:11You are.
00:44:13Oh, no, honey, I was only kidding.
00:44:15Guys, you can sing it any way you want.
00:44:17Well, I know it's no good.
00:44:19Oh, it sounds fine.
00:44:21Have you got a handkerchief?
00:44:23No, you didn't do the wash last week.
00:44:25Oh, darling, I'm sorry. I'll do it in the morning.
00:44:27I'll help you.
00:44:28Here, I'll help, too.
00:44:29Oh, thanks, Harry.
00:44:35Oh, I just love Christmas, don't you?
00:44:36You know we ought to bring Butch over to see Santa Claus.
00:44:38No, Butch is too old for Santa Claus.
00:44:40Well, we haven't had him a year yet.
00:44:42Seems a lot longer in there, doesn't it?
00:44:43What?
00:44:44Oh, no, honey, I mean, it doesn't seem that long, does it?
00:44:47Well, it's just like a man.
00:44:48Thank you, Harry.
00:44:50Well, let me go.
00:44:52Now that we're all friends again,
00:44:53could we rehearse for the introduction?
00:44:55That's true.
00:45:01You know that guy can play chopsticks
00:45:02and make it sound like number one on the hit parade.
00:45:05Yeah.
00:45:06He's brought more business in here than any ten acts I've had.
00:45:10Yeah.
00:45:12I see she's still at the El Greco.
00:45:14It's a wonder they haven't caught up with her by now.
00:45:16Who?
00:45:17Albury's.
00:45:18She says, Merry Christmas,
00:45:19and she feels so sorry for us down here.
00:45:21Well, she needn't.
00:45:22How do you like the new number?
00:45:24It's all right.
00:45:26You know, you never get a swell head around Murphy, would you?
00:45:28You never get a swell head anyway.
00:45:30You're too smart.
00:45:31This kid belongs to the big time, Mr. Johnson.
00:45:33He belongs on Broadway.
00:45:34That's where I want to put it.
00:45:35But will he listen to me?
00:45:37Well, certainly he'll listen to you.
00:45:38Well, certainly he'll not listen to me.
00:45:40You mean you offered Skid Johnson a job in New York,
00:45:43and he turned it down?
00:45:44I've got a spot where he can step right into it.
00:45:46And a honey.
00:45:47Well, don't worry.
00:45:48He'll take it.
00:45:49Well, when would you want us to come?
00:45:51Well, now look, honey.
00:45:53Dames are a drug on the market.
00:45:55Skid's got something that's different.
00:45:57He's got something to set that town on his ears.
00:45:59See?
00:46:00Sure, sure, I see.
00:46:01Now, if you'll let him go on ahead and kind of get the feel of things,
00:46:03then he can send for you.
00:46:04In the meantime, you can hold on to the job here,
00:46:05and if Skid should draw a blank up there,
00:46:07you'd have something to come back to.
00:46:08That makes sense, doesn't it?
00:46:09Sure, sure, that makes sense.
00:46:10Too good to turn down.
00:46:11But I've got to talk to him.
00:46:12Harry, where's Skid?
00:46:13Well, he's, uh, he's just, uh...
00:46:14Oh, thanks.
00:46:15Hey, Mr. Johnson.
00:46:16Well, I've got to talk to him.
00:46:17Well, I've got to talk to him.
00:46:18Harry, where's Skid?
00:46:19Well, he's, uh...
00:46:20He's just, uh...
00:46:21Oh, thanks.
00:46:22Hey, Mr. Johnson.
00:46:23Well, I've got to talk to him.
00:46:31Here we go.
00:46:32What do you have, Skid?
00:46:33He's had.
00:46:34Two.
00:46:35Too many.
00:46:36Oh, but, Maggie, this is Christmas.
00:46:37Her last time was your birthday.
00:46:38You know, the time before that, it was Butch's birthday.
00:46:39Pretty soon, every day will be a holiday,
00:46:40and then where will we be?
00:46:42Far's closed.
00:46:43Honey, you have to take care of yourself and your condition.
00:46:46What's the matter with my condition?
00:46:48You don't know, but you're about to come aside.
00:46:49I just fixed it.
00:46:50Now, honey, you've over and thanked the man,
00:46:51and told him you'll be very proud and happy to go to New York with him.
00:46:54Oh, no.
00:46:56Skid, but you can send for me a new time at all.
00:46:58It's your chance.
00:46:59You've got to take it.
00:47:00I've already told a guy I don't want to go to New York.
00:47:02I like it here.
00:47:03Gosh, we're doing all right.
00:47:04We have fun.
00:47:05You want to blow a trumpet at the cheap hokey talk all your life?
00:47:07Why not?
00:47:08Well, it doesn't mean anything for you to become a star.
00:47:10You know, go right to the top.
00:47:11All right, I go right to the top.
00:47:12What do I do when I get there?
00:47:13Oh, but, honey, you'll be a sensation.
00:47:14You know, really a sensation.
00:47:16I'm a sensation here.
00:47:17Isn't that enough?
00:47:18No.
00:47:19Hey, Murphy, Maggie wants me to go to New York.
00:47:20I couldn't go if I wanted to, could I?
00:47:22Tell her.
00:47:23Why?
00:47:24What's stopping you?
00:47:25Well, you've got a contract with me.
00:47:26Yeah?
00:47:27Well, listen, young man, my contract ain't worth the paper they're written on.
00:47:31My lawyer sees to that.
00:47:33Good luck, kid.
00:47:34Thanks, Murphy.
00:47:35And if I got a spot for you, if I got a spot in the El Greco.
00:47:38You've heard of the El Greco.
00:47:40Yeah, yeah, I've heard of the El Greco.
00:47:43All visitors ashore.
00:47:45All visitors ashore.
00:47:48All visitors ashore.
00:47:50All visitors ashore.
00:47:52All visitors ashore.
00:47:53I've got to go.
00:47:54I'm going to go.
00:47:55You've got to go.
00:47:56I don't know.
00:47:57I'm going to go.
00:47:58You better take these pills with you, Skid.
00:47:59I'd sure laugh at you too if I turned out to be a prize flop.
00:48:01Mr. Moore is supposed to be very good.
00:48:02I am a flop I can always...
00:48:03I know.
00:48:04You can always go back in the army.
00:48:05All visitors ashore.
00:48:06I think I'd better get off now, Skid.
00:48:07I'm beginning to get sick.
00:48:08Well, so long, Harry.
00:48:09Bye.
00:48:10You better take the lemon.
00:48:11No, thank you.
00:48:12Gosh, Maggie, I don't know how to say goodbye.
00:48:13I've never said goodbye to you.
00:48:14Oh, we'll never say goodbye so much.
00:48:17I've never said goodbye to you.
00:48:19Oh, we'll never say goodbye to you.
00:48:23I wish I didn't feel like we were making a big mistake.
00:48:26All visitors ashore.
00:48:28Here's the bankrolls gift.
00:48:30Oh, no, I can't take that.
00:48:31Oh, I don't need it.
00:48:32I don't want you to run short.
00:48:33You know, when you get there and they don't treat you right,
00:48:35then you can walk out. See, darling?
00:48:36All visitors ashore.
00:48:38Oh, I love you so much.
00:48:44Goodbye, darling.
00:48:47I wish I could be lost already without you.
00:48:49Oh, no, darling.
00:48:51Come on, lady. Take it going now.
00:48:53No, I don't.
00:48:54All right.
00:48:55Goodbye, darling.
00:48:56No!
00:48:57I'm scared.
00:48:58I'll search for you right away, honey.
00:48:59You'll be all ready.
00:49:00Get the pack and everything.
00:49:01All right, darling, I will.
00:49:02Give us some Murphy.
00:49:03Oh, no.
00:49:04No!
00:49:05No!
00:49:06No!
00:49:07No!
00:49:08No!
00:49:09No!
00:49:10No!
00:49:11No!
00:49:12No!
00:49:13I'm scared.
00:49:14I'll search for you right away, honey.
00:49:15You'll be all ready.
00:49:16Get the pack and everything.
00:49:17All right, darling, I will.
00:49:18Give us some Murphy.
00:49:25All right, darling, I will.
00:49:26Give us some Murphy.
00:49:48Go.
00:49:49No!
00:49:50Let's go.
00:49:51Come right on.
00:49:52No, no.
00:49:53You'll be fine.
00:49:54Come on.
00:49:56Come on.
00:49:57Oh, wait.
00:49:58I'll give you your second here, darling.
00:49:59Oh.
00:50:01Let me see you.
00:50:02You'll be fine with me, lady.
00:50:03All right.
00:50:04I'm sorry.
00:50:05You have to wait.
00:50:06I'm sorry.
00:50:07Good evening, Mr. Farmer.
00:50:08Captain.
00:50:09Mr. Farmer's table.
00:50:10But how about our table?
00:50:11I'm sorry.
00:50:12You'll have to wait.
00:50:13I'm low and low and tender.
00:50:16Let my soul respond in the sweet surrender.
00:50:20Very sore, I hear a call.
00:50:24Hi!
00:50:25Hi!
00:50:26Hi!
00:50:27Hi!
00:50:29Hi!
00:50:30Hi!
00:50:31Hi!
00:50:32Hi!
00:50:33Hi!
00:50:34Hi!
00:50:35Hi!
00:50:37Hi!
00:50:38Hi!
00:50:39Hi!
00:50:40Hi!
00:50:41Hi!
00:50:42Hi!
00:50:43Hi!
00:50:44Hi!
00:50:45Hi!
00:50:46Hi!
00:50:47Hi!
00:50:48Hi!
00:50:49Hi!
00:50:50Hi!
00:50:51Hi!
00:50:52Hi!
00:50:53Hi!
00:50:54Hi!
00:50:55Hi!
00:50:56Hi!
00:50:57Hi!
00:50:58Hi!
00:50:59Hi!
00:51:00Hi!
00:51:01Hi!
00:51:02Hi!
00:51:03Hi!
00:51:04Hi!
00:51:05Hi!
00:51:06Hi!
00:51:07You know, we'll have to start a clipping book for him right away.
00:51:09Hmm.
00:51:10He doesn't photograph badly at all.
00:51:11And listen.
00:51:12New York public, completely fooled.
00:51:13Get ready to sail in a week.
00:51:14Love Skid.
00:51:15What do you think of that?
00:51:16Not much.
00:51:17What's he waiting a week for?
00:51:18Well, you have to pay back George, he doesn't, ain't he?
00:51:19He has to buy some new clothes.
00:51:20You wouldn't want him running around New York in ice cream pants, would you?
00:51:22I wouldn't want him running around New York at all.
00:51:24Maggie!
00:51:25Oh, I guess now.
00:51:26I guess this shows you.
00:51:27Gee, I won't have much time to get ready at all, will I?
00:51:29No.
00:51:30Don't you think it's pretty good he's saving enough money to send for me already?
00:51:32No.
00:51:33It's a miracle.
00:51:34Yes.
00:51:36Oh, it's from Harvey.
00:51:37He's in New York.
00:51:38Murphy!
00:51:39Harvey sees Skid and says he's a terrific success.
00:51:40Yeah, I knew he would be.
00:51:43He needs to be a good place.
00:51:44No.
00:51:45But, no, no.
00:51:46You know, it's not any kind of time to get ready at all, will I?
00:51:47No.
00:51:48Don't you think it's pretty good he's saving enough money to send for me already?
00:51:50It's a miracle.
00:51:51Yes.
00:51:52Oh, it's from Harvey.
00:51:53In New York.
00:51:54Murphy.
00:51:55Harvey seems good and says he's a terrific success.
00:51:56Yeah, I knew he would be.
00:51:57I knew he would be.
00:51:58I knew he would be.
00:51:59Oh, it's from Harvey.
00:52:00He's a terrific success.
00:52:01Hey, come on, Skid, we're going to miss the main event.
00:52:27Hey, wait a minute, I've got to send the wire.
00:52:28Come on, we've got a big bet on.
00:52:30Send it later.
00:52:31Well, listen, you remind me to send it out for a fight then.
00:52:33Oh, sure.
00:52:34Come on, everybody.
00:52:35Come on.
00:52:50He's such a pretty horse.
00:52:51Well, the guy that owned it told me he was going to win.
00:52:53Kind of took you for a ride, Skid.
00:52:55Yeah, there goes Maggie's passage money.
00:52:57Hey, Skid, look.
00:52:58You're famous.
00:52:59There's a sandwich named after you.
00:53:00Oh, hey, what's this?
00:53:01Ham and cheese.
00:53:02You're right in.
00:53:03Yes, mind you.
00:53:04That's very funny.
00:53:06You're right in.
00:53:07You're right in.
00:53:08Yes, mind you.
00:53:09That's very funny.
00:53:45Yes.
00:53:48One minute.
00:53:51Tell me.
00:54:03You're writing another letter?
00:54:06Yes, I will.
00:54:09You're kind of carrying on a monologue, isn't it?
00:54:12I suppose what you're going to do?
00:54:15Let me the fare.
00:54:20It's 125, ain't it?
00:54:24You sure you want to go up there?
00:54:32Thanks.
00:54:42I'm scared. A tenner gun came for you. I gave it to Alvarez.
00:54:57Oh, yes. I opened it, honey. It was just another cry for help.
00:55:02This town has more broke eyes than there were in the army.
00:55:12Gangway. Make way for the baggage truck. Gangway.
00:55:21Gangway.
00:55:23Oh, look. You've won.
00:55:24Hey, I knew if I played eleven long enough, I'd win.
00:55:27How much is that?
00:55:30Seventeen hundred and fifty.
00:55:32Now I can try to the Queen Mary and send for Maggie.
00:55:34Who's Maggie?
00:55:35Come on, give me hundreds, will you?
00:55:36That's wonderful, but don't you think that calls for a celebration, Phil?
00:55:44Is somebody going to meet you here, miss?
00:55:45What?
00:55:46Well, there's nothing.
00:56:03Come on, I paid for it.
00:56:05I paid for it.
00:56:06I paid for it.
00:56:07Good night.
00:56:08Good night.
00:56:09Bye.
00:56:18Is this your room or why?
00:56:19It's mine.
00:56:21Oh, come on in and have a night, Jeff.
00:56:25Come on, it'll do you good.
00:56:36Come on, sit right here while I get you a drink.
00:56:37Come on, sit right here while I get you a drink.
00:56:41Come on, sit right here while I get you a drink.
00:56:49Oh, boy, there's one, two, three.
00:56:53You could do it.
00:56:54One, two, three, three, three.
00:56:55I could do it, though.
00:56:56I'll do it, though.
00:56:57I'll do it.
00:56:59That's what happens now.
00:57:05Two, three, three.
00:57:08One, two, three.
00:57:10One, two, four.
00:57:11I have a morning of the morning.
00:57:13One, two, three, four, four, five, and one.
00:57:16Give me the Leland Hotel, please.
00:57:22Leland Hotel.
00:57:24There's Miss Anita Alvarez live there.
00:57:29Will you please connect me with the room?
00:57:32I don't know.
00:57:33I don't know.
00:57:34I don't know.
00:57:35I don't know.
00:57:36I don't know.
00:57:37I don't know.
00:57:38I don't know.
00:57:39I don't know.
00:57:40I don't know.
00:57:41I don't know.
00:57:42I don't know.
00:57:43You look at me with the room.
00:58:05Hello?
00:58:07Hello.
00:58:08Is that you, Skid?
00:58:09Yeah.
00:58:10This is Skid in the One Man Army.
00:58:11Who goes there?
00:58:13I say, who goes there?
00:58:17Hello?
00:58:31Oh, soldier, what happened to him?
00:58:35Don't you need me anymore?
00:58:39Oh, it blew my soul.
00:58:41It blew my soul.
00:58:43I shouldn't have sent you away.
00:58:47This is terribly silly, darling.
00:58:49Don't...
00:58:59Hello?
00:59:03Hello?
00:59:04Well, I just got you wired.
00:59:06It's been chasing me all over town because...
00:59:09Well, now listen and don't laugh.
00:59:11Mary?
00:59:12Oh, well, that's wonderful.
00:59:15Harry and me, can you imagine?
00:59:17Oh, give me my love.
00:59:19Yes, I will.
00:59:21What's the matter? Are you crying or something?
00:59:23No, no, I'm laughing.
00:59:25Oh.
00:59:27Oh.
00:59:29Have you seen Skid?
00:59:31Oh, Skid.
00:59:32Oh.
00:59:33Oh, Skid and I are getting a divorce.
00:59:35Oh, I don't know, you know.
00:59:37It's gone a long time, and that's the way it goes, I guess.
00:59:40Oh.
00:59:41Well, you finally got some sense, did you?
00:59:43Is Mr. Harvey Howell still registered there?
01:00:03I'd like to speak to him, please.
01:00:04My wife?
01:00:05That's what she said.
01:00:06She called up three times.
01:00:07No, no, no.
01:00:08Well, I can't find him out.
01:00:09Let her from her.
01:00:10Probably some girl pulling a gag.
01:00:11Yeah.
01:00:12Yeah.
01:00:13My wife?
01:00:14That's what she said.
01:00:15She called up three times.
01:00:17No, no, no.
01:00:18My wife and Fatima.
01:00:19Let her from her.
01:00:20Probably some girl pulling a gag.
01:00:21Yeah.
01:00:43Oh, no, Matty.
01:01:05Last night and the night before and all day.
01:01:07That's all he's been doing, reading that letter.
01:01:10For a week now, he's been reading that letter.
01:01:12I say a week's too long to read any letter.
01:01:14It's my letter, isn't it?
01:01:15I guess the guy can read his own letters if he wants to.
01:01:17All right, all right.
01:01:18But the boys that run that place you think you work in are plenty sore.
01:01:21If you don't show up tonight, you're fired.
01:01:23Hey, are you listening to me?
01:01:25You read that a dozen times, too, and it says she's sailing on the Normandy tomorrow.
01:01:30No matter how many times your readers will say the same thing.
01:01:33She's sailing on the Normandy tomorrow.
01:01:36This would be a sap to go up and say goodbye to him.
01:01:43Better let things ride the way they are, I guess.
01:01:46Better let her alone.
01:01:48I think Harvey couldn't have any cake if I just went up and said goodbye to her.
01:01:56I haven't met his wife yet.
01:01:59All I want to do is go up and say goodbye and have a couple of drinks.
01:02:04Say goodbye.
01:02:05Come on.
01:02:06Hey, what do you want me for?
01:02:07Come on.
01:02:08Bring Tony with you.
01:02:09Oh.
01:02:10Why the French divorce?
01:02:11Thought our divorce is good enough for you?
01:02:12Well, Harvey's attorney arranged it that way.
01:02:13Have you told Skid?
01:02:14I wrote him.
01:02:15How'd he take it?
01:02:16I haven't heard from him.
01:02:17Skid never was much of a hand for writing letters.
01:02:18He never was much of a hand at anything.
01:02:19He never was much of a hand at anything.
01:02:20You know what?
01:02:21I don't know.
01:02:22I don't know.
01:02:23I don't know.
01:02:24I don't know.
01:02:25I don't know.
01:02:26I don't know.
01:02:27I don't know.
01:02:28I don't know.
01:02:29I don't know.
01:02:30I don't know.
01:02:31I don't know.
01:02:32I don't know how much of a hand at anything.
01:02:34He doesn't play a bad trumpet.
01:02:35How long did these French divorces take?
01:02:37I don't know.
01:02:38Well, I guess it would be kind of fun in Paris.
01:02:39I've never been there before.
01:02:41I was there once for my first husband.
01:02:44I've heard it out.
01:02:46Hey, Maggie.
01:02:48Hey, you're scared.
01:02:51Well, what do I do now?
01:02:53Let him rap.
01:02:54You're not in.
01:02:55Well, there's no sense in being unfriendly.
01:02:56You just keep on picking him up and dusting him off every time he falls down,
01:02:59and the first thing you know, you'll get Harvey's sore.
01:03:01I know, but he might be in trouble or something.
01:03:03Maggie!
01:03:18How's that for an entrance?
01:03:19Fine.
01:03:20How are you, kids?
01:03:21You're looking swell.
01:03:22Oh, say, this is Georgie Herman, my agent.
01:03:23You remember him.
01:03:24Hello, Mr. Johnson.
01:03:25Glad to see you.
01:03:26And this is Tony Riley.
01:03:27I keep him around just for laughs.
01:03:28Laughs, Tony.
01:03:29That's enough, Tony.
01:03:30Plenty.
01:03:31How to see old Ella.
01:03:32How are you, Ella?
01:03:33Glad to see you.
01:03:34How are you, Harry?
01:03:35Glad to see you, Skid.
01:03:36Hey, this looks like old home week in Panama, doesn't it?
01:03:38Harry, you're looking awful well.
01:03:39Is anything wrong?
01:03:40Ella and I got married.
01:03:41No.
01:03:42Well, I guess the guy that said there was one born every minute was right, huh, Tony?
01:03:45He's funny.
01:03:46Very.
01:03:47Don't be bitter, Ella.
01:03:48Shall I serve them, sir?
01:03:49No, thanks.
01:03:50I'm an old bartender from way back.
01:03:51Thank you, sir.
01:03:52Don't work too hard, son.
01:03:53Maybe one of these days you'll be in the door like I am.
01:03:55Thank you, sir.
01:03:56Say, it's a good thing I brought up these drinks.
01:03:57We've got some celebrating to do.
01:03:59There's yours, gorgeous.
01:04:00No, thanks.
01:04:01Oh, come on, come on.
01:04:02This is Skid's going away party for Maggie.
01:04:05By the way, I, uh, got your valentine.
01:04:11Why didn't you come up alone?
01:04:13Oh, I couldn't shake these guys.
01:04:14They've been with me since last night.
01:04:15Last night?
01:04:16I haven't looked a bed in the face for a week.
01:04:18King of the nightclub, huh?
01:04:20Well, I've got to let the people see me, don't I?
01:04:22How'd you get the black eye?
01:04:24Oh, my knee taking bows.
01:04:25Whose knee?
01:04:26You ought to see the other fellow, Mrs. Jampson.
01:04:28Yeah, that's what I thought.
01:04:29Well, you're good riding me.
01:04:30I'm doing all right, ain't I?
01:04:31Certainly are.
01:04:32Your two weeks' notice is written on every bottle of scotch from town.
01:04:35Hey, lay off.
01:04:36You've got a new guy to worry about now.
01:04:40You're stepping off pretty soon?
01:04:42I've got to get a divorce first, don't I?
01:04:44Yeah, that's right.
01:04:45Say, you've been crying.
01:04:47I have not.
01:04:48Don't kid me.
01:04:49I've seen you cry too often.
01:04:51If that's for me, don't put too much water in it.
01:04:54Okay, sweetheart, how's this for you?
01:04:56You'll have to play for yours, Professor.
01:04:57Well, it won't be the first time.
01:04:59You tell me, come on, I'll play back fast in 40.
01:05:01So you used to be a professor, eh?
01:05:03Right on for dear old Redlands Conservatory of Music.
01:05:08Remember that, Megan?
01:05:09Yes, I remember.
01:05:11What's better, kid?
01:05:12Nothing.
01:05:13I was just thinking we had fun riding it.
01:05:14That was all.
01:05:15Yeah, we did, didn't we?
01:05:16Boy, we used to alarm in Panama with that number, didn't we, Georgie?
01:05:18Hey!
01:05:19Say, remember when I pawed my trumpet, you had to buy the...
01:05:21Say, did we ever pay that pie bucks back to Murphy?
01:05:22Murphy?
01:05:23He's who?
01:05:24Well, she ran the joint in Panama where we used to work.
01:05:25She's Butch's mother now.
01:05:26Butch is on chicken.
01:05:27I'll tell you it'd have died.
01:05:28That chicken tried to murder Harry.
01:05:30That's funny.
01:05:32A chicken tries to kill you.
01:05:33Yeah, and he got attacked by a bed once, too.
01:05:34Oh, gee, you look silly.
01:05:35You see, I set the house on fire, and you don't think she did.
01:05:36They got the bed stuck in the door, and they went to sleep.
01:05:39She wanted goats.
01:05:40I never could figure that out.
01:05:41Wait, wait, wait.
01:05:42If she got all the money, and I was ready.
01:05:43If she got the money, you'd get all the money, I was about to do that.
01:05:45Don't pay the money.
01:05:46Oh.
01:05:47You've got all the money!
01:05:49Have I got the money and my money, don't you?
01:05:50Have you?
01:05:51She wanted goats, and I never could figure that out.
01:05:53Goats?
01:05:54And any goats in a house?
01:05:56Yeah.
01:05:57Hey, boy, what was that a night?
01:05:58Maggie took off her hat team when you came over the head and call her up.
01:06:00Yeah, the officer went in jail.
01:06:01And you know, he had to make an noise like a boat to get out of here.
01:06:04Oh, yeah.
01:06:05He had to make an noise like a boat.
01:06:07Well, the judge of Spanish, and she wanted to catch a boat,
01:06:09and I forgot the word for a boat.
01:06:10So I was trying to show him like this.
01:06:12Woo-hoo!
01:06:13Woo-hoo!
01:06:14Woo-hoo!
01:06:15Woo-hoo!
01:06:16Woo-hoo!
01:06:21How are you?
01:06:22Having a party, Maggie?
01:06:23No, no.
01:06:24Come in, Harvey.
01:06:25Hello, Mr. Howell.
01:06:26Hello, Ella.
01:06:27How are you, Howell?
01:06:28Hello, Skid.
01:06:29Boys, this is Mr. Howell.
01:06:30He's an old cow hand from way out west.
01:06:32How are you, Mr. Howell?
01:06:34Glad to meet you.
01:06:35The only pal of Skids is a pal of mine.
01:06:37Harvey, you know Harry.
01:06:39Certainly.
01:06:40We were witnesses at Skids' wedding, weren't we?
01:06:43Yeah, that's right.
01:06:45That was some wedding.
01:06:46We didn't even know what the guy was talking about.
01:06:48Maybe we weren't even married.
01:06:49Maybe you two are going to a lot of trouble for nothing.
01:06:51That'd be a laugh, wouldn't it?
01:06:52Well, Harvey, here's a drink for you.
01:06:54Thanks.
01:06:55Well, there's no sense in standing around like this, is there?
01:06:57I know, no.
01:06:58I don't want to spoil anything for you.
01:06:59It sounded very gay in here to me when I came in.
01:07:01Why don't you go on with the music?
01:07:03Why, surely, Mr. Howell.
01:07:04Play it, Harry.
01:07:05Yeah, play something.
01:07:06Yeah, come on.
01:07:07Play something, Harry.
01:07:08Come on, Harry.
01:07:09Play the wedding march.
01:07:10Play it fast and hot.
01:07:11This is a hot wedding.
01:07:14Come on, Harry.
01:07:15Play it.
01:07:16Stop it.
01:07:17Stop it.
01:07:18Stop it.
01:07:19No, we're celebrating a wedding.
01:07:20Come on, sing it, everybody.
01:07:21Here comes the bride.
01:07:22Come on, sing it.
01:07:23Stop it.
01:07:24Stop it.
01:07:25Somebody stop it.
01:07:26Kid, I think you'd better come now.
01:07:29All right, all right, Mr. Howell.
01:07:30I'm going.
01:07:31I'm going.
01:07:32Go hurry.
01:07:33I'm going.
01:07:34So long, Maggie.
01:07:35Skid, we've looked every place for you.
01:07:49Do you know what time it is?
01:07:50It's nearly time for you to go on.
01:07:52Get away from me.
01:07:54Skid, snap out of it, will you?
01:07:56Get away from me.
01:07:57Skid, you've got to listen to me.
01:07:59If you don't show up, you'll get fired.
01:08:00You heard what I said to me.
01:08:01I said get away from me.
01:08:02I said get away from me.
01:08:32I said get away from me.
01:08:33I said get away from me.
01:08:34I said get away from me.
01:08:35I said get away from me.
01:08:36I said get away from me.
01:08:37I said get away from me.
01:08:38I said get away from me.
01:08:39I said get away from me.
01:08:40I said get away from me.
01:08:41I said get away from me.
01:08:42I said get away from me.
01:08:43I said get away from me.
01:08:44I said get away from me.
01:08:45I said get away from me.
01:08:46I said get away from me.
01:08:47I said get away from me.
01:08:48I said get away from me.
01:08:49I said get away from me.
01:08:50I said get away from me.
01:08:51I said get away from me.
01:08:52I said get away from me.
01:08:53I said get away from me.
01:08:54I said get away from me.
01:08:55I said get away from me.
01:09:26Hey, Al, you got a kitchen?
01:09:37No, no.
01:09:38Come on, Tommy.
01:09:39Oh, hello, Skid.
01:09:40Hey, you haven't got any old jobs laying around, have you?
01:09:42Skid, I told you before, I got the nice people here.
01:09:44I can't have drunk, you know that.
01:09:46Hey, wait a minute.
01:09:48Now, this is the last time, huh?
01:09:51Now, take care of yourself.
01:09:52Thanks.
01:09:53Oh, you can't be here.
01:09:57That's Skid Johnson.
01:09:59Sure.
01:10:00He's certainly on the Skidza now.
01:10:01Skidza, the Skidza.
01:10:03If you hear that, then he's going to send the human.
01:10:06Oh, hello.
01:10:22Check your coat?
01:10:23Yes, please.
01:10:24Oh, there's one for you, too.
01:10:28No, never mind.
01:10:35Well, good-bye, Tony.
01:10:36Good-bye, good-bye.
01:10:37I'll see you pretty soon.
01:10:38Oh, hello.
01:10:39How are you, Professor?
01:10:40A booking agent told me I might find Skid Johnson here.
01:10:43Well, he was here about three minutes ago, but he went out.
01:10:46Oh, you wouldn't have any idea where he went?
01:10:48Well, I have no idea.
01:10:49No, no, no.
01:10:50Thank you, sir.
01:10:51I used to get my wife's nanny.
01:10:53She couldn't take it.
01:10:54I used to say it just to tease her.
01:10:55Say what?
01:10:56Honey, I can always get back in the army.
01:10:57But you can't.
01:10:58You know, I never thought I'd...
01:11:00What did you say?
01:11:01We can't use you.
01:11:02You're all shot.
01:11:03Better put your clothes on, son.
01:11:05You're pretty shaky.
01:11:06You know, I never thought I'd...
01:11:10What did you say?
01:11:11We can't use you. You're all shot.
01:11:20Better put your clothes on, son.
01:11:22You're pretty shaky.
01:11:36Hey, watch it.
01:11:48Hey, Skid!
01:11:50Hello, Harry.
01:11:52Skid, I've been looking all over town for you.
01:11:54Hey, you're looking fine. How are you doing?
01:11:56I'm doing all right.
01:11:57Skid, I've got a proposition for you.
01:11:58Oh, thanks, I've got to see you.
01:11:59Oh, I know, but first I've got a proposition.
01:12:01Come on, get in with me, Skid.
01:12:06See, we've got a mighty sweet little swing band out on me.
01:12:08We're playing in Townsend, Long Island, New Jersey.
01:12:09We're in Long Island tonight.
01:12:10That's where you and I are going now.
01:12:11Oh, you can't get out here, Skid.
01:12:12We're on the bridge.
01:12:13We're crossing the river.
01:12:14I had a last minute lunch come in town look for you.
01:12:16So the band's getting a radio audition tonight.
01:12:17I thought maybe you could jump in and help us out.
01:12:19Oh, sure you can't, Skid.
01:12:20Oh, sure you can, Skid.
01:12:36Well, you must be going nuts.
01:12:39Oh, when you think I can get a band like yours
01:12:41back through to a sponsor.
01:12:42You know what this chance means to you and Ella?
01:12:44Well, you said a name.
01:12:45I meant a name somebody remembers.
01:12:47Oh, I remembered it.
01:12:48I worked my head off for a radio spot.
01:12:50I get a big sponsor all steamed up.
01:12:52I get it all set to fight the band through to New York.
01:12:55And then what do I hear?
01:12:56Well, uh...
01:12:57Johnson's cockeyed all the time.
01:12:58Oh, you said that before.
01:12:59Now listen.
01:13:00I'm putting that program through tonight, hot or cold.
01:13:03Do we have to go through with it?
01:13:05Sure, we'll have to go ahead with it.
01:13:06It's too late to call it off now.
01:13:08It's your funeral, not mine.
01:13:10I can always sell another band.
01:13:28I don't want Mrs. Skid Johnson stopping.
01:13:30And move.
01:13:31I've got to get in touch with her before she gets out of town.
01:13:38You've got to help me, Mrs. Johnson.
01:13:40You could always do anything with Skid,
01:13:41and this is his last chance.
01:13:43Oh, Skid ain't a bad guy, Mrs. Johnson.
01:13:46I sort of figured maybe...
01:13:47She figured wrong.
01:13:48Sure.
01:13:50Well, you can't rule me out for trying.
01:13:52Let's give it.
01:13:54Gonna be in town long?
01:13:55No, I'm flying to the coast tonight.
01:13:56I'm going to be married as soon as I get there.
01:13:58Good for you.
01:13:59I guess just, well, just to forget all about Skid.
01:14:02I guess he's just no good.
01:14:04Seems kind of too bad, though.
01:14:06The kid's got a lot of talent.
01:14:07Well, but then if he goes out of space,
01:14:08it ain't your funeral, is it?
01:14:09Well, goodbye, Mrs. Johnson.
01:14:10Good luck.
01:14:11A lot of happiness.
01:14:12Thanks.
01:14:13Well, goodbye, Mrs. Johnson.
01:14:15Good luck.
01:14:16A lot of happiness.
01:14:17Thanks.
01:14:42I'll go.
01:14:43Well, go ahead.
01:14:44You'll never make it.
01:14:45The broadcast isn't until ten o'clock.
01:14:46He's out like a light.
01:14:47Come on.
01:14:48Let's get some stuff.
01:14:49Maggie.
01:14:50Oh, hello, Ella.
01:14:51Well, how did you get here?
01:14:52No, don't tell me.
01:14:53I know.
01:14:54And I'll ring his neck.
01:14:55You had no business.
01:14:56No, no, no, Georgie told me.
01:14:57Oh, where is he, Ella?
01:14:59Well, how did you get here?
01:15:01No, don't tell me.
01:15:02I know.
01:15:03And I'll ring his neck.
01:15:04Howie, you had no business.
01:15:05No, no, no.
01:15:06Georgie told me.
01:15:07Oh.
01:15:08Where is he, Ella?
01:15:09You remember those emergencies I told you about?
01:15:12map the poster broadcasts.
01:15:30It's at a timey.
01:15:34I'm not mistaken.
01:15:44Is it still there?
01:15:48Did you see her, Ella?
01:15:50Sure, I see it, Skip.
01:15:52Don't kid me, I've been seeing things lately.
01:15:54I wouldn't kid you.
01:16:00Hello, Skip.
01:16:03Hello, kid.
01:16:10Please let me look at you.
01:16:12You're looking swell.
01:16:13Oh, I'm glad to see you, kid.
01:16:17Let's have a drink, huh?
01:16:18Yeah. That's all you need.
01:16:33You're not ashamed of me, are you, Maggie?
01:16:34No, kid.
01:16:37You're not going to ride me, are you?
01:16:39I'm not going to ride you.
01:16:45You know something?
01:16:48I can't get back in the eye of me.
01:16:49Well, you don't have to now.
01:16:50Oh, you're going to be a big hit tonight.
01:16:52Only you've got to put yourself together, kid.
01:16:53Look.
01:16:54Look, you know they're going to be listening in
01:16:55in New York at 10 o'clock.
01:17:00I don't think I can make it.
01:17:01Oh, sure you can make it.
01:17:02You've got to, kid.
01:17:03Why, without you, Ellen, Harry, they're sunken.
01:17:05You know they've been good friends of ours.
01:17:07You can't walk out on them now.
01:17:13I'm all shocked.
01:17:14Oh, you can come out of it.
01:17:18You think I can't?
01:17:19Oh, I know it, son.
01:17:21You know, I did think I was pretty good, didn't you?
01:17:23Oh, you are, kid.
01:17:24You're the best.
01:17:27Oh, gee, Maggie.
01:17:30Oh, kid.
01:17:31Oh, you'll be all right, sonor.
01:17:32You'll be all right.
01:17:33You'll be all right.
01:17:34Sure.
01:17:35Yeah, I'll be all right, don't you?
01:17:37Get ready, boys.
01:17:38get ready boys
01:17:51good evening friends we're broadcasting from the harmony dance hall the brightest night spot
01:18:03outside the city of new york there it is now we have a surprise for you tonight friends
01:18:07Of course, you all remember Skib Johnson and his magic trumpets.
01:18:13They're back together again, folks.
01:18:15They're back together again right here.
01:18:16And Skib's going to play for you at most any minute now.
01:18:20He's doing a grand comeback.
01:18:21He's climbing right back up on top of the heap again.
01:18:24Better than ever.
01:18:25Come on, let's give Skib a hand.
01:18:37Come on, let's give him a big comeback.
01:18:39Big comeback.
01:19:07Come on, let's go.
01:19:29Is that your hot trumpet?
01:19:31Oh, no, no, they can't be here, Matt.
01:19:32That's probably somebody clowning.
01:19:33Yeah.
01:19:37Don't worry.
01:19:41Please, well.
01:19:43I'm children.
01:19:44Well, boys.
01:19:47I got a pill in you boys.
01:19:55Let me take that pill.
01:19:59For, of course.
01:20:01Show me how it is.
01:20:02Dabby.
01:20:03Fett, only a decade in my years,
01:20:06Yes, you can, dear Lino.
01:20:08Lino.
01:20:09When you blow that horn, you thrill me.
01:20:14To the marrow of my bones, you chill me.
01:20:19Play, honey, play.
01:20:21There it goes.
01:20:23I hear a call to all.
01:20:26Don't you know?
01:20:29I don't know.
01:20:32I'll be so gentle.
01:20:34The bliss in each nose expresses reaching out to me like flowers caresses.
01:20:44There it goes.
01:20:48I hear a call to all.
01:20:52You can make it, honey.
01:20:54You can make it.
01:20:55I can if you stick.
01:20:56Boy, I'm sticking.
01:20:58It's better for me and worse for you.
01:21:00That's all right with me, darling.
01:21:06Echoing in my heart forever.
01:21:12Oh, it's long.
01:21:14Let low and tender.
01:21:16Let my bones fall.
01:21:18We surrender.
01:21:20Let my bones fall.
01:21:22We surrender.
01:21:24We surrender.
01:21:26We surrender.
01:21:28We surrender.
01:21:30We surrender.
01:21:32I hear a call.
01:21:56We surrender.
01:21:57I hear a call.
01:21:58I think I While Green Sir.
01:22:02Equal Moon.
01:22:06We surrender.
01:22:08We surrender.
01:22:10We surrender.
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