- 2 days ago
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Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:30CastingWords
00:01:39CastingWords
00:01:43What's inside?
00:01:44Fusion of gases and chemicals.
00:01:46By protecting the mixture from initial impact
00:01:49it produces a delayed chemical reaction
00:01:51and the bullet can be used as a hand grenade.
00:01:54It's a death, Jack.
00:02:00I need a big favor.
00:02:02We've got to stop its abuse.
00:02:04Make its creation public.
00:02:06You want me to leave top-secret information?
00:02:09Forget it.
00:02:10We've got to get the couriers down here to take this back to the safe house.
00:02:13There's no way I'm letting this gun out of my sight, Jack.
00:02:15I'll make the delivery.
00:02:23Don't trade me over, you got it, bitch!
00:02:41Hey!
00:02:42Hey!
00:02:45Fuck off!
00:02:53Hi!
00:03:09Don't move!
00:03:13What's in the case?
00:03:17Papers and documents.
00:03:18Look, I've got a lot of money on this in my jacket.
00:03:20Throw the gun over here.
00:03:23Give me the case.
00:03:31Look, I've got over 200 bucks here.
00:03:34Give me the case.
00:03:35Give me the case.
00:03:53Ooooooh, yeah!
00:04:02I can't hear you.
00:04:05I can't hear you.
00:04:06I can't hear you.
00:04:07I can't understand you.
00:04:08I can't hear you.
00:04:08No!
00:04:30They're sick, man.
00:04:31You need help.
00:04:33You so much as Greeny's in my direction.
00:04:35And I'll shoot her.
00:04:37And I'll shoot him.
00:04:39Then you, asshole.
00:04:41Throw the gun over there!
00:04:46All right.
00:04:47Take it easy.
00:04:49Listen, they're coming.
00:04:50Let go of the lady and get out of here.
00:04:53Sure.
00:04:54I'll take the case first.
00:04:56Put it over there!
00:04:59Back off.
00:05:00Let me see.
00:05:11Whoa!
00:05:11Go!
00:05:12Yeah.
00:05:13Do the right thing.
00:05:43Jack, after years of public confidence building and general media activities, Coleman single-handedly transformed
00:06:12us into cave medicine.
00:06:15Yes.
00:06:16Well, there are mitigating circumstances.
00:06:19Shut up, Jack.
00:06:21Every newspaper in the country has solace, interviews, and a detailed description of Agent Cole.
00:06:35Jack, personally, I never liked the arrogant son of a bitch.
00:06:43So, no more protection.
00:06:48Friends in high places or not.
00:06:50I don't want his head stuck on the end of a stick.
00:06:57Clear?
00:06:58Crystal.
00:06:59Clear.
00:07:00Good.
00:07:01Good.
00:07:02I guess she wants my false final statement, huh?
00:07:16Not exactly.
00:07:18The breach in security, public outcry, means you're going to be successful.
00:07:29If she wants your ass out of here, you banish her.
00:07:33Screwed up.
00:07:34Plain and simple.
00:07:35If the gun goes public, I go west.
00:07:36Where, when, and for how long.
00:07:37Time for inoculations, huh?
00:07:38Just until the ball is over.
00:07:39Look, all you gotta do is hook up with this guy, Senior Gonzalez.
00:07:40What?
00:07:41Get coconuts?
00:07:42Not exactly.
00:07:43He's a wealthy businessman.
00:07:44He's got political aspirations, so he's got a lot of hands.
00:07:45He needs a security advisor.
00:07:46Why don't you just call it what it is, Jack?
00:07:47A bodyguard.
00:07:48Call it whatever you prefer.
00:07:49Give me the towel.
00:07:50Something here, Jack?
00:07:51You're sitting here.
00:07:52I'm just waiting.
00:07:53I'm standing here, Jack.
00:07:54Give me the towel.
00:07:55Something here, Jack?
00:07:56I'm sitting here.
00:07:57I'm sitting here.
00:07:58Let's go.
00:07:59I'm sitting here.
00:08:00We're going to get inoculations, huh?
00:08:01Just until the ball is over.
00:08:02Look, all you gotta do is hook up with this guy, Senior Gonzalez.
00:08:03What?
00:08:04Get coconuts?
00:08:05Not exactly.
00:08:06He's a wealthy businessman.
00:08:07He's got political aspirations, so he's got a lot of hands.
00:08:09He needs a security advisor.
00:08:11Why don't you just call it what it is, Jack?
00:08:14A bodyguard.
00:08:15Call it whatever you prefer.
00:08:18Give me the towel.
00:08:19It's something to me.
00:08:21I mean, he's Paula.
00:08:23I'll look her up first.
00:08:25Roy...
00:08:27The CIA was her whole life.
00:08:31When she was cut out,
00:08:33she lost a thread.
00:08:37She's messed up.
00:08:39Yeah, well, I'll look her up anyways.
00:08:43I guess I'll be seeing your ticket.
00:08:49Oh, yeah.
00:08:51Oh, and I...
00:08:53I spoke to security at the airport.
00:08:55Take care of the gun, Roy.
00:08:59Yeah, I checked out the copy that you left at the safe house.
00:09:05You're...
00:09:07right, Roy.
00:09:09Thanks, Jack.
00:09:13It's safer in your hands.
00:09:17At least for now.
00:09:22See you later, Alligator.
00:09:24Yeah, after a while, Crocodile.
00:09:39Watch out.
00:09:41Stay back.
00:09:42Bye, oop.
00:09:43What's up?
00:09:45I see ya.
00:09:47Bye.
00:09:49Bye.
00:09:51Bye.
00:09:53Bye.
00:09:58Bye.
00:10:00Bye.
00:10:02Bye.
00:10:04Bye.
00:10:06Bye.
00:11:08Excuse me.
00:11:09Excuse me.
00:11:10Excuse me.
00:11:11Excuse me.
00:11:12Excuse me.
00:11:13Excuse me.
00:11:14Turn around.
00:11:15Turn around.
00:11:16It's Paula Sanchez, huh?
00:11:29Who are you?
00:11:31Coleman.
00:11:32Roy Coleman.
00:11:33I'm Lois Lane.
00:11:34Yeah.
00:11:35Well, I always wanted to say that.
00:11:36I'm an old buddy.
00:11:37Just a minute.
00:11:39Gracias.
00:11:40Don Gonzalez.
00:11:41The man you want to know about has arrived.
00:11:42Diego.
00:11:43Diego.
00:11:44I am fond of you because you always bring me good news.
00:11:46Oh, where is he?
00:11:47With Paula Sanchez.
00:11:48She's a personal friend of his.
00:11:49He went straight to the Hotel Capi.
00:11:51We didn't get the briefcase.
00:11:52Really?
00:11:53Now, that's interesting.
00:11:54Now, that's interesting.
00:11:55Squeeze Paula for the payments.
00:11:56She may be able to help you.
00:11:57She may be able to help you.
00:11:58I am fond of you because you always bring me good news.
00:12:00I am fond of you because you always bring me good news.
00:12:02So, where is he?
00:12:03With Paula Sanchez.
00:12:04She's a personal friend of his.
00:12:07He went straight to the Hotel Capi.
00:12:10We didn't get the briefcase.
00:12:12Really?
00:12:13Now, that's interesting.
00:12:16Squeeze Paula for the payments.
00:12:23She may be able to help us get the gun.
00:12:26But be careful.
00:12:27I don't want Coleman to suspect.
00:12:32Jesus.
00:12:44Stall him for a minute.
00:12:45Tell him I'm out.
00:12:46Come on.
00:12:48And today, civil rights groups across America
00:12:52have been an uproar over what they're terming a massacre strategy
00:12:55adopted by the CIA against common criminals.
00:12:58CIA weapons expert, Roy Coleman, is at the center of this storm.
00:13:02He's the inventor of a special gun which fires bullets that explode on impact.
00:13:06Witnesses recall Coleman firing at a mugger, who a few seconds later...
00:13:10Omar.
00:13:11Mario.
00:13:12Erick.
00:13:13He's the daughter of a slave.
00:13:14I'll tell you later.
00:13:15Let's go.
00:13:39Shit.
00:13:41Paula.
00:13:42Come on.
00:13:43Jesus, boy, you're junkie.
00:13:45Hey, if I remember correctly, I reacted the way that you were talking.
00:13:48Anyway, what the hell are you doing in the back of my car?
00:13:50I was trying to be the same.
00:13:52I wanted to talk to you alone.
00:13:53Why?
00:13:54Here.
00:13:55Let's get some ice on that.
00:13:56By who?
00:13:58Uh, how do you say ice?
00:14:01Hielo.
00:14:02Hielo.
00:14:03Not at all.
00:14:13I was going to visit a business associate.
00:14:14Anyways, you haven't answered my question.
00:14:15And that business associate is Gonzales, right?
00:14:16Yeah.
00:14:17Well, Gonzales is a bad guy, Lord.
00:14:18Now the question is, does that matter to you?
00:14:19Well...
00:14:20Just don't make me feel stupid by lying to me.
00:14:21Deal?
00:14:22Deal?
00:14:23Deal.
00:14:24But you've got to tell me what's going on.
00:14:25Yeah.
00:14:26Well, drive us home.
00:14:27I've got you a bet for the night.
00:14:28Still trying to seduce minors, huh, Paula?
00:14:29Yeah.
00:14:30Still got a great ass.
00:14:31Tease us.
00:14:32Pollo, we're standing in front of a church.
00:14:33So what?
00:14:34So maybe you'll get us arrested or something.
00:14:35In this country?
00:14:36In this country?
00:14:37No.
00:14:38No.
00:14:39No.
00:14:40No.
00:14:41No.
00:14:42No.
00:14:43No.
00:14:44No.
00:14:45No.
00:14:46No.
00:14:47No.
00:14:48No.
00:14:49No.
00:14:50No.
00:14:51No.
00:14:52No.
00:14:53No.
00:14:54No.
00:14:55No.
00:14:56No.
00:14:57No.
00:14:58No.
00:14:59No.
00:15:00No.
00:15:01No.
00:15:02No.
00:15:03No.
00:15:04No.
00:15:05No.
00:15:06No.
00:15:07No.
00:15:08No.
00:15:09No.
00:15:10No.
00:15:11No.
00:15:12No.
00:15:13No.
00:15:14No.
00:15:15No.
00:15:16No.
00:15:17No.
00:15:18No.
00:15:19No.
00:15:20No.
00:15:21No.
00:15:22No.
00:15:23No.
00:15:24No.
00:15:25Tomorrow?
00:15:55Oh, my God.
00:16:25Jose, how long do we stay?
00:16:48Don't move.
00:16:49Hey, sir.
00:16:50Hey!
00:16:52Are you listening?
00:16:55We don't move from the base to the ville until I fix the detonators.
00:16:59Clear!
00:17:02Jose.
00:17:07Listen.
00:17:08We have a serious problem.
00:17:10What is it?
00:17:11An old friend of Paula's has just turned up.
00:17:14His name's Roy Coleman.
00:17:15He's a CIA agent and inventor of that gun that was in the papers and TV.
00:17:19Where is he now?
00:17:20With Paula.
00:17:21She said she'd try and find out why he's here.
00:17:25He's been sent here to do business with Gonzales.
00:17:29To sell him the gun?
00:17:30Yes.
00:17:32And maybe help Gonzales to solve a minor problem.
00:17:34Us.
00:17:36Try to keep him at Paula's.
00:17:37Watch him.
00:17:38Okay.
00:17:38Okay.
00:17:39Okay.
00:17:46Diego.
00:17:46Not long, now.
00:17:54We move the dead forward.
00:17:57To the abandoned factory.
00:17:58Tomorrow, John.
00:17:59Don Gonzales, you've been lied to.
00:18:20There was no time to check.
00:18:25But I swear to you on my children's life.
00:18:28Before loading the ship.
00:18:30It was pure.
00:18:31I believe you.
00:18:35Then, why am I here?
00:18:38I have a problem which must be resolved.
00:18:41I've lost face at my dignity.
00:18:45And my enemies will exploit this.
00:18:48To minimize the damage, one of us has to accept the responsibility.
00:18:53Gonzales, I won't be your scapegoat.
00:19:01You have no choice.
00:19:04Fuck you.
00:19:07Luis.
00:19:08Stop laughing.
00:19:11Ow.
00:19:13What's up?
00:19:15Fuck.
00:19:22Fuck.
00:19:24Fuck.
00:19:25Fuck.
00:19:27Fuck.
00:19:30Fuck.
00:19:32Fuck.
00:19:33Fuck.
00:19:36Fuck.
00:19:37Fuck.
00:19:38are you really here roy i just told you look you've been drinking too much it's late
00:19:47bitch i nurtured you our illustrious politicians growing fat on the diet of drugs arms and
00:19:55extortion need i go on don't lie to me you asshole have you brought the gun
00:20:03sober up paula that's enough
00:20:08why you scum
00:20:13and you wouldn't know the truth if it got up and bit you in the ass
00:20:33i didn't say come in
00:20:38i'm florinda a friend of paula
00:20:41yeah hi flo bye flo
00:20:45and you are the long lost friend you owe her a lot
00:20:49true
00:20:50yeah
00:20:52then pay your debts and stay give her time to trust you again
00:20:58what's she afraid of everything
00:21:02and the name is florinda
00:21:07give me a break
00:21:25you said a couple of weeks more business is non-existent
00:21:29i don't give a flying fuck what i said
00:21:34we won the money
00:21:36we won the gun
00:21:39i thought you had enough guns
00:21:41i don't know where it is you ape
00:21:45it is an old friend
00:21:48talk to him
00:21:50the gun is important to us
00:21:54he prefers his new friends
00:21:56so why don't you ask him about it
00:21:58forgive me
00:22:00i'll speak more clearly
00:22:0124 hours for the money
00:22:05and they were about off the gun
00:22:08i don't know where i ask slowly and all
00:22:12fuck you you lizard
00:22:14you okay
00:22:32you're still here huh
00:22:34interesting friend you have there
00:22:36who
00:22:37ah florinda
00:22:41mother's little helper
00:22:44mother
00:22:45she's your daughter
00:22:47well maybe she'll tell me what's going on
00:22:52paula
00:22:54let one in money and become a politician
00:22:56roy
00:22:59i want to believe you
00:23:03roy
00:23:06i want to believe you
00:23:15what are you doing
00:23:30all right
00:23:32florinda
00:23:35yeah whatever
00:23:37she's cleaning out some weeds there
00:23:39i noticed it's in the house
00:23:41you don't miss a thing do you
00:23:43wait
00:23:44something doesn't add up
00:23:45you ask me to stay
00:23:47and then you pretend you don't
00:23:49notice
00:23:50what do i smell bad
00:23:52no
00:23:52no no
00:23:53people like you always end up smelling of roses
00:23:56because the air conditioning in the skyscrapers where you work
00:24:00is as pure and sweet
00:24:02as the decisions made to improve all our lives
00:24:05and here in it the lesson according to flow
00:24:08florinda
00:24:09yeah
00:24:10you know flow
00:24:11your eyes may be blinkered
00:24:13by god they're beautiful
00:24:15you really are an asshole roy
00:24:19stay out of local politics
00:24:22you're gonna get your little ass burnt
00:24:24i think you'd better leave
00:24:27gonzalez is waiting
00:24:28tell paula to take care
00:24:32once i have begun
00:24:47and not until then
00:24:49stay calm senor
00:24:51i assure you that paula cannot tell him what she does not know
00:24:57i think he's angry
00:25:01paula's a drunk
00:25:04his identity safe
00:25:06even so
00:25:07now that coleman's here
00:25:09she may have guessed
00:25:11keep the pressure on her for the gun
00:25:14then kill her
00:25:16and the girl
00:25:19look at you
00:25:22here
00:28:29What do you mean?
00:28:31Well, too many men and they're inefficiently positioned.
00:28:35Unfortunately, power is synonymous with anything.
00:28:39In this city, we have a small but well-armed group of rebels, and they become a serious threat.
00:28:47So, please, continue.
00:28:48I noticed the road turns off about two miles from the villa.
00:28:54You should position a man there with a walkie-talkie and place sound detectors in the undergrowth surrounding the villa.
00:29:00And at the risk of sounding repetitive, it's hot.
00:29:04Bulletproof jackets make you sweat.
00:29:07It's to save lives.
00:29:08So, change your men's outfits.
00:29:10I have bulletproof jackets in my armory already.
00:29:14But as for the rest, consider it done.
00:29:19Come here.
00:29:31Come here.
00:29:31Come here.
00:29:32Come here, daddy.
00:34:03Now that you decided to drop in and pay us a visit, tell us about yourself.
00:34:09Who are you waiting for?
00:34:11Doesn't like that question.
00:34:12What does this boulevard's back mean?
00:34:14Come on, speak.
00:34:16Come on, do it.
00:34:24Come on, we'll be right back.
00:34:27Come on.
00:34:28Come on.
00:34:30Oh, my God.
00:35:00Oh, my God.
00:35:30Oh, my God.
00:36:00Oh, my God.
00:36:02Hey, hurry up.
00:36:15Hey.
00:36:16Hey.
00:36:22Ambush!
00:36:24Ambush!
00:36:25Throw down your guns!
00:36:40I said throw down your guns!
00:36:42I said throw down your guns!
00:36:50I said throw down your guns!
00:37:00BOOM!
00:37:01Did you see him?
00:37:02Mm-hmm.
00:37:04Yeah.
00:37:05I...
00:37:06Ah!
00:41:07Yeah, okay, I get the message.
00:41:09You belong in the pulpit.
00:41:10But get the fuck out of here.
00:41:13Go, I said!
00:41:14Put down the gun, slowly, slowly.
00:41:22Put down the guns.
00:41:32I'll be right back.
00:41:33I'll be right back.
00:41:42I'll be right back.
00:41:43I'll be right back.
00:41:49I'll show you my collection.
00:41:50I'll show you my collection.
00:41:51Nowadays, there are guns that are incredibly complex and efficient.
00:41:56Mr. Coleman, you're an excellent strategist, and I appreciate your inventiveness.
00:42:04And you're a murdering bastard.
00:42:05And you're a murdering bastard.
00:42:06Why don't you come to the point?
00:42:09Very well.
00:42:10Very well.
00:42:11I know you brought the mortar gun with you.
00:42:14Where is it?
00:42:16You're mistaken.
00:42:17There's no way the CIA would let it out of the building, let alone the country.
00:42:21In my opinion, you wouldn't leave it behind at the hands of idiots.
00:42:25I can assure you.
00:42:26I've run out of patience.
00:42:28Well, Senor Gonzales, I need a little bit of time to think about this.
00:42:33One hour.
00:42:47Yes, Don Gonzales.
00:42:48This is Diego.
00:42:49And he is returning to Divela.
00:43:03Everything went okay.
00:43:05Explosives beneath the telephone.
00:43:07As soon as that bitch raises the receivers, she'll get it at the ass.
00:43:18What if so?
00:43:19k
00:43:23k
00:43:25oh
00:43:28Oh
00:43:29Oh
00:43:31Oh
00:43:39Oh
00:43:41very
00:43:45Mr
00:43:46Let's go.
00:44:16Let's go.
00:44:46Let's go.
00:45:16Let's go.
00:45:46Let's go.
00:46:17Don't touch the phone.
00:46:25What the hell?
00:46:26I would like to know what's going on.
00:46:31No time.
00:46:33Okay.
00:46:41Get out of here.
00:46:42No.
00:46:44I hope for the best.
00:46:45Well, that's two of you, homie's law.
00:46:59Well, that's two of you, homie's law.
00:47:04I always pay my debts.
00:47:07Good.
00:47:08Let's go.
00:47:09Wait.
00:47:09I have to make a call.
00:47:12I have to make a call.
00:47:12Not up.
00:47:15Trust me.
00:47:17Enough is enough.
00:47:19But visit, Paula.
00:47:20If Lorinda's involved, so is she.
00:47:22I want the flight out address today.
00:47:24I want the flight out address today.
00:47:26Not tomorrow.
00:47:27Today.
00:47:28But, Diego, I want that gun.
00:47:30But Coleman alive.
00:47:32Clear?
00:47:33Clarísimo, jefe.
00:47:48Thanks, Paula.
00:47:49Where's the hideout?
00:47:50I can't keep this up.
00:48:16Ole, where's the hideout?
00:48:20Wait!
00:48:27You can go tell Sanders to fuck himself, too.
00:48:41Si, senora.
00:48:42Just now.
00:48:43Okay.
00:48:44We still need the hideout address.
00:48:47How did you?
00:48:48Okay, okay.
00:48:58Diego.
00:49:00That son of a bitch.
00:49:01He's playing games with us.
00:49:03He is known to hide out address all alone.
00:49:06Kill her.
00:49:07But maybe he's saved us.
00:49:07He's named an commander.
00:49:08Physically, to
00:49:25Maybe he is might as well.
00:49:27If we're thinking,
00:49:28How did you want him?
00:49:29We're going to be back with us.
00:49:30Huh?
00:49:30覚えたの何があるの?
00:49:31Ask him?
00:49:31Stay here.
00:50:00Okay.
00:50:01Not you, Coleman.
00:50:02Do you have a gun?
00:50:08Jose, he saved my life twice.
00:50:10I know what I'm doing.
00:50:11If he's for real, you can let him go in the morning.
00:50:13But for now, come on.
00:50:27Sit.
00:50:30Pull them on.
00:50:36The chain.
00:50:45Make yourself at home.
00:50:47Sure, I'll light a fire on the hearth.
00:50:49Nighty-night.
00:50:50Don't let the bed bugs bite.
00:51:04I'll come and get home.
00:51:06Time.
00:51:08Come on.
00:51:10Come on.
00:51:13Come on.
00:51:14I don't know.
00:51:44Florinda, Mama is here.
00:52:14You are a fucking pig.
00:52:29Where are they?
00:52:32I don't understand.
00:52:33I was going to say, I don't understand pig talk.
00:52:52I'll be trying to fight.
00:52:54Come on, Jose.
00:52:56I'm not hungry.
00:52:57We killed you slowly.
00:52:59Good luck, Jose.
00:53:01Fuck you!
00:53:01Oh!
00:53:10Oh!
00:53:13Oh!
00:53:24Derek, I'm up to my height and shift here.
00:53:26Where the hell is the cowboy?
00:53:29Paul is dead.
00:53:31I told you before, the scumbag knows I have the gun.
00:53:35Jesus, yeah, Jack.
00:53:36For now it's safe.
00:53:38No lectures.
00:53:38I am running out of time.
00:53:41If he finds the gun, I am dead.
00:53:43Tell me where you are.
00:53:45Where may I go?
00:53:46Do you need that?
00:53:48Do you need that?
00:53:48You've got to give me a little time to get in touch with somebody you can take care of me.
00:53:54Just get a room.
00:53:57Then...
00:53:57Wait.
00:54:03Get your ass, Jack.
00:54:06I need a room and some wire.
00:54:09It's a dead, Jack.
00:54:29A piece of the delayed chemical reaction in the bullet can be used as a hand-inning.
00:54:34Look.
00:54:35Oh.
00:54:35Oh.
00:54:39There was a long time.
00:54:59Oh, shit.
00:55:06I got locked.
00:55:07Fusion.
00:55:08Oh, shit.
00:55:38I sleep well.
00:55:42You son of a bitch.
00:55:43No, not really.
00:55:45Allowing me to go free the day of the raid was really good.
00:55:50You bastard.
00:55:52Not the bad to write.
00:55:53Not the booby-tubbed telephone was genius.
00:55:57I let you write to me.
00:55:58What the hell are you talking about?
00:56:00It's a dollar.
00:56:01Jesus, take it easy, you crazy bitch.
00:56:02I just saved you life.
00:56:03I didn't betray you or anyone else.
00:56:18Why the hell won't you believe me?
00:56:20Believe you?
00:56:21Not yesterday when you had to make a call?
00:56:23Yes.
00:56:24We needed help.
00:56:25No.
00:56:26No.
00:56:27They're all dead.
00:56:28I couldn't do anything.
00:56:32I was handcuffed.
00:56:33Yes.
00:56:35You could have.
00:56:36You're wrong.
00:56:38No.
00:56:39No!
00:56:40No!
00:56:44No!
00:56:45No!
00:56:46No!
00:56:47No!
00:56:48No!
00:56:49No!
00:56:50No!
00:56:52No!
00:56:53No!
00:56:54No!
00:56:55No!
00:56:56No!
00:57:24Where are you going?
00:57:25No!
00:57:26I don't know.
00:57:27I'm...
00:57:28I'm shocked.
00:57:30No...
00:57:31No thinking straight.
00:57:32Wait.
00:57:33I've got to clear my head.
00:57:36Listen.
00:57:38I've been banished, not made bankrupt.
00:57:42I don't need the money that gun would supply.
00:57:44Then...
00:57:45Why did you bring it with you?
00:57:48Because it wasn't safe to leave it back there.
00:57:51Jose and Paula believed that Sanders sent you to help Gonzales destroy the group.
00:57:58Well, I didn't even know about his existence until I got here.
00:58:00Anyway, why the hell would the CIA be interested in a small group of part-time bandits?
00:58:05No offense.
00:58:06You didn't say CIA.
00:58:07You said Sanders.
00:58:08Oh, shit.
00:58:09You realize now?
00:58:10No.
00:58:11No.
00:58:12Sanders and Gonzales.
00:58:13Arms and information in exchange for millions.
00:58:14Oh, you asshole.
00:58:15Shall I go on?
00:58:16Yeah, go on.
00:58:17Paola knew about Sanders years ago.
00:58:18She just couldn't believe you weren't involved.
00:58:19He involved me, alright.
00:58:20Oh, shit. You realize now?
00:58:25No.
00:58:27Sanders and Gonzales, arms and information in exchange for millions.
00:58:32Oh, you asshole.
00:58:34Shall I go on?
00:58:36Yeah, go on.
00:58:37Paula knew about Sanders years ago.
00:58:40She just couldn't believe you weren't involved.
00:58:44He involved me all right.
00:58:46Oh, jeez.
00:58:48Mother managed to hide out.
00:58:50Jack told me help was...
00:58:54Oh, shit.
00:59:09I called Sanders.
00:59:13Let's move.
00:59:15I'll wait.
00:59:17Get the gun.
00:59:26If any of you so much as twitch, I'll blow his fucking brains out.
00:59:34Shut the bitch. She's bluffing.
00:59:36Shut the fuck up!
00:59:45Keep going, woman.
00:59:46Keep it cool, woman.
00:59:51No.
01:00:03No.
01:00:04Baby! Baby!
01:00:34Baby! Baby! Baby!
01:00:52Okay!
01:01:04Bye-bye, boys.
01:01:34Bum!
01:01:43Bum!
01:01:44Bum!
01:01:46Bum!
01:01:48Bum!
01:01:52Bum!
01:01:53Bum!
01:01:54Bum!
01:01:56Good!
01:01:57Good media, Richard!
01:01:59Bum!
01:02:01Slow down.
01:02:31Slow down.
01:03:01Slow down.
01:03:31Slow down.
01:04:01Let's go.
01:04:31Let's go.
01:05:01Let's go.
01:05:31Let's go.
01:06:01Let's go.
01:06:31Let's go.
01:07:01Let's go.
01:07:31Let's go.
01:07:32Let's go.
01:07:33Let's go.
01:07:34Let's go.
01:07:35Let's go.
01:07:36Let's go.
01:07:37Let's go.
01:07:38Let's go.
01:07:39Let's go.
01:07:40Let's go.
01:07:41Let's go.
01:07:42Let's go.
01:07:43Let's go.
01:07:44Let's go.
01:07:45Let's go.
01:07:46Let's go.
01:07:47Let's go.
01:07:48Let's go.
01:07:49Let's go.
01:07:50Let's go.
01:07:51Let's go.
01:07:52Let's go.
01:07:53Let's go.
01:07:54Let's go.
01:07:55Let's go.
01:07:56Let's go.
01:07:57Let's go.
01:07:58Let's go.
01:07:59Let's go.
01:08:00Let's go.
01:08:01Let's go.
01:08:02Let's go.
01:08:04Let's go.
01:08:36Diego!
01:09:06You imbeciles!
01:09:33If you come back here, I'll cut your fucking heart out!
01:09:39Hello!
01:09:49Hello!
01:09:59You know, your little surprises are really starting to get on my nerves.
01:10:05How did you know the gun was buried in the garden?
01:10:08At the crossroads, you said your next step was to dig a hole for sanders.
01:10:14Then, I remembered your interest in flowers.
01:10:18Yeah, that was really smart of me.
01:10:22Where is it?
01:10:24It's in a case.
01:10:25In the hideout basement.
01:10:27Are you proud of this gun?
01:10:28Hmm?
01:10:29Not anymore.
01:10:30I don't want Gonzales or anyone else to get a hold of it.
01:10:34That's the reason I came here tonight, to get rid of it.
01:10:38Why are you here?
01:10:40To see you.
01:10:41You know the house is probably being watched.
01:10:47Psst!
01:10:48Psst!
01:10:49Psst!
01:10:50Psst!
01:10:51Psst!
01:10:52Psst!
01:10:53Psst!
01:10:54Psst!
01:10:55Psst!
01:10:56Psst!
01:10:57Psst!
01:10:58Psst!
01:10:59Psst!
01:11:00Psst!
01:11:01Psst!
01:11:02Psst!
01:11:03Psst!
01:11:04Psst!
01:11:05Psst!
01:11:06Psst!
01:11:07Psst!
01:11:08Psst!
01:11:09Psst!
01:11:10Psst!
01:11:11Psst!
01:11:12Psst!
01:11:13Psst!
01:11:14Psst!
01:11:15Psst!
01:11:16Psst!
01:11:17Psst!
01:11:18Psst!
01:11:19Psst!
01:11:20Psst!
01:11:21Psst!
01:11:22Psst!
01:13:24How you doing, Jack?
01:13:25Better than you, by the looks of him.
01:13:30Tell him where the gun is.
01:13:32I ain't giving up jack shit.
01:13:34No pun intended.
01:13:39Unless they allow the girl to go free.
01:13:42I'm tired.
01:13:45I want to go home.
01:13:46Get out.
01:13:56What are you looking at?
01:13:58Snake.
01:14:01She's got balls.
01:14:03What are yours?
01:14:03Come on.
01:14:07Get up.
01:14:10Move.
01:14:12Quickie.
01:14:13Move.
01:14:14I'll tell you where the gun is.
01:14:26Coleman, you will pay for the disruption in my life.
01:14:38I'll tell you where the gun is.
01:14:40Of course, later, when I'm ready.
01:14:46Baker, bring him to the villa after the show.
01:14:50Take your fucking hands off her.
01:15:17I'll tell you where the gun is.
01:15:19I'll tell you, you fucking bastards.
01:15:23You fucking hurt the lover.
01:15:25Get easy, all right?
01:15:45It's all right.
01:15:47I'll tell you where the gun is.
01:16:17You really got all the gun, and you got all bad.
01:16:19I can do it, you know?
01:16:22Okay.
01:16:24Okay.
01:16:24I can't take it.
01:16:25I can't do whatever it is.
01:16:26I can't take it.
01:16:27That's fine.
01:16:28It's so cute.
01:16:28It's so cute.
01:16:29I can't take it.
01:16:39I can't take it.
01:16:40It's so cute.
01:16:40Then I'm ready to put it.
01:16:41I can't take it.
01:16:42You're ready?
01:16:43I can't take it.
01:16:44I can't take it!
01:16:44I can't take it!
01:16:46Oh, my God.
01:17:16Oh, my God.
01:17:46Oh, my God.
01:18:14Colman.
01:18:28You've got the gun.
01:18:30Get all the men together.
01:18:32Search every inch of the park.
01:18:44He's going to kill us all.
01:18:52I'm going.
01:18:53Wait.
01:18:54I'm coming.
01:18:56Where do you think you are going?
01:19:00Sure.
01:19:01Go on.
01:19:04Animals.
01:19:14Let's go.
01:20:44I don't like this place.
01:21:09The bastard is here.
01:21:13I can't feel it.
01:21:15Relax.
01:21:16Relax.
01:21:17I'm tired of running.
01:21:18I can't feel it.
01:21:48You shot me in the back, boy.
01:22:06One thing I can say about you, Jack.
01:22:17You've always been meticulous.
01:22:19And you've always been a problem for me.
01:22:22But I'll forgive you this time.
01:22:25I held a mighty have fall.
01:22:28Tempted by the scum of the earth and their private armies for a healthy bank account.
01:22:33The scum, like you call it, has created me a lifestyle that you just seem to take for granted, boy.
01:22:39I don't like long goodbyes.
01:22:43Minor detail, but important nonetheless.
01:22:46What is it?
01:22:54Put the gun down, Jack.
01:22:56Not this time, boy.
01:23:01Not this time, boy.
01:23:01Not this time, boy.
01:23:03You're supposed to take one.
01:23:05Come on, Jack.
01:23:22Hey.
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