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00:00You
00:30Oh, oh, oh, oh.
01:01Oh, oh, oh, oh.
01:01Stay back.
01:03Stay back.
01:05Stay back.
01:07Stay.
01:08Stay back, I say, look, look, please.
01:10Please, please, I beg you, leave me, leave me, leave me,
01:13leave me alone, leave me alone.
01:30Oh, Frank, please, can you turn me down?
01:51I can't hear myself think.
01:52This is research for our next client.
01:55Her father is a very famous film director.
01:58Oh, Raynard Lennox.
02:00Well, surely even you've heard of the death veil.
02:03Ah, is it a rom-com?
02:05Well, it's a horror.
02:06Well, then, no.
02:08Raynard Lennox, famous film director, and nobody told me.
02:11Oh, I don't get too excited. He's retired. A bit like you.
02:14I think you'll find I'm resting.
02:16Oh, is that what you call it?
02:18Excuse me. Sorry, the door was open.
02:20Oh, there's Lennox.
02:21Oh, no, Regan Curnow. I'm here about the receptionist job.
02:24Oh, lovely. Oh, great, well, come in. I mean, you have.
02:27Finally.
02:29Oh, no, no, no, I'm sorry.
02:30Yeah, no, what he means is we've had two no-shows already,
02:33so it's really lovely to meet you.
02:34I'm Luella Shakespeare.
02:36And I'm Frank Hathaway. I'm the senior partner.
02:39Oh, it's debatable.
02:41And this is Sebastian, our investigative assistant.
02:44Executive investigative assistant.
02:46Hi.
02:47Well, sorry I'm so late.
02:49I missed three buses.
02:49Well, drove straight past me.
02:51They were full of people in horror costumes.
02:53Some big convention in town, apparently.
02:55Well, don't worry. You're here now, aren't you?
02:57Do you want to have a seat, have a tea or a coffee?
02:59Oh, could I get a coffee, please, milk with no sugar?
03:02And I hope it's not really cringe, but I bought these.
03:05I'll do a bit of baking in my spare times.
03:08How lovely.
03:10Bait the hook well. These fish will bite.
03:12Yeah.
03:12Do you want to go and put them on a plate and maybe we'll, maybe we'll eat them?
03:15The interview. Should we do the interview?
03:23Yes.
03:24Yes.
03:25Great.
03:28Oh, me.
03:28Um, so, Miss Colonel, what first attracted you to, um, working at a detective agency?
03:35I found what you do so fascinating. It must be so exciting, you know, catching criminals
03:40and finding missing people. You must be so clever.
03:43Uh, I have my moments.
03:44I have more. Um, the thing is, your role would actually be more admin-based.
03:50Oh, I know that. I mean, I've got lots of office experience and I'm very computer literate.
03:53That's great. That is great.
03:57Do you bake much?
03:59Is that a requirement?
04:00Absolutely.
04:01Yeah, I mean, it actually might be, you know, if we were going undercover as chefs.
04:07Yes, or, uh, like in a bakery.
04:08Or bellingerita.
04:10Imogen Reynolds to see you both.
04:11Oh!
04:14Quick, quick.
04:16Frank?
04:23I know it sounds extraordinary, but I'm convinced someone's literally trying to scare him to death.
04:27Wow.
04:28And do all these visions have, like, references to his film?
04:32And there were no other witnesses apart from Reynard?
04:34Yes.
04:35But it's not dementia.
04:38He's sharp as a pin.
04:40And when did he have his first, um, encounter?
04:43About three weeks ago.
04:45Could it be someone with a grudge?
04:47Well, there'd be no shortage of candidates.
04:48Father made a lot of enemies back in the day.
04:51He had a reputation for bullying actors, crew.
04:56Uh, Parsha Frost.
04:57Oh, she's on at the RSC now.
04:59Uh, it's his ex-wife.
05:01She wrote a memoir, uh, wasn't very nice.
05:04You read a book?
05:05No, it was in the tabloids.
05:07She made her name in, uh, Reynard's nunsploitation movies back in the 80s.
05:11Mm, I read it.
05:12She was traumatised by working with him, especially on that last film they did together.
05:16Oh, the death veil.
05:18Apparently the horror scenes were highly disturbing to film.
05:22But you know what actors are like.
05:24She was probably just being dramatic.
05:26Well, I'm sure he was no angel.
05:27But other directors have been accused of far worse.
05:31Sorry, is Portia your step-mum?
05:32Never even met her.
05:34She was father's second wife, and my mother was number three.
05:37So why do you think this has all started now, after all these years?
05:40I wonder if it's because of the convention.
05:43Father's coming out of retirement for a retrospective of his work, starting today.
05:46Yeah, I know.
05:47Yeah, sold out.
05:50Well, anyway, listen, we can, uh, we can put some spy cameras up at your house.
05:53Yeah, and where do you think your dad will be right now?
05:55Because we need to speak to him.
05:56He's at the convention.
05:57Would you like to meet him there or back at your house?
05:59Oh, at the convention, definitely.
06:00Yeah, the convention, because, uh, it's, uh, for research purposes, obviously.
06:05OK, well, I'll see you there.
06:06OK.
06:07Oh, thank you.
06:08Um, take care.
06:11Thanks.
06:12Did you see that?
06:16For research purposes.
06:18What?
06:19You are such a geek.
06:21Hey, I am not a geek.
06:25Reynard Lennox's movies are cult classics.
06:29Oh, hey, Regan.
06:30Sorry.
06:31We're just about to dash out, but, um...
06:33We'd like to offer you a week's trial.
06:34Yes.
06:35Hmm.
06:35Under my expert tutelate.
06:37How does that sound?
06:38That'd be amazing.
06:39Great.
06:40Lesson one, telephonic diction.
06:43Have you ever been to a horror convention?
06:45Um, let me think.
06:46No.
06:47Why would I?
06:47Oh, you're gonna love it.
06:49What was that?
06:57It's...
06:58It's...
06:59It's...
07:00Yeah, I've always...
07:17I've always said that horror is in the blood.
07:33Even my ancestral home was the site of one of the bloodiest battles in the English Civil War.
07:40Coincidence?
07:42Well, then you'll be the judge of that.
07:44Goerwood, where the death veil was filmed, of course.
07:49As it might be again soon.
07:53Oh, did I say that?
07:55No, I couldn't possibly comment.
07:57Although, if you're all still here on the final day, you may very well hear a very interesting piece of news.
08:07But as I was saying, it's in the blood.
08:09But even neurobiologists believe that psychopathy can be hereditary.
08:16Passed down from father to son.
08:20That's why I had a daughter.
08:24I strangled the boys.
08:27I'm not joking.
08:29It's a bit dark, isn't it?
08:30Yes, well, unfortunately, we have run over our allotted time.
08:36For now.
08:37But Reynard will return tomorrow for the screening.
08:45And prior to that, we have an exciting monster making demo from James Colvey.
08:51James, would you care to give us a preview?
08:58Thank you, man, dear.
09:00First, I'd like to say what a massive honour it is to be on the same stage as Reynard Lennox.
09:06And what can you tell us about the demo?
09:09Well, we will be looking at the evolution of effects, all the way from back in the 80s,
09:13to what we can achieve now in just a fraction of the time.
09:16And that's tomorrow at 12pm.
09:19Perhaps we can even entice Reynard to join.
09:25In the meantime, our thanks to the master.
09:30My pleasure.
09:31My pleasure.
09:37Long time?
09:39Yes, not long enough.
09:41Still using my name to peddle your other lesser-known artists, I see.
09:48This whole event is about you.
09:50My God, you haven't changed at all, have you?
09:52And I won't be appearing on any panels with him.
09:54Father.
09:55The feeling is mutual.
09:56What's going on?
09:57Yeah.
09:59These are the people we discussed, Mr. Hathaway and Miss Shakespeare.
10:02I need a drink.
10:07Shall we go?
10:08It's a great pleasure to meet you.
10:10I'm a massive fan.
10:10No, he really is.
10:11He's not exaggerating.
10:12Yes.
10:13I love all your films.
10:14It's your work.
10:15Imogen's been telling us about these visitations.
10:44Any idea who's behind them?
10:47If they're even real...
10:49You didn't imagine them.
10:51No, he was genuinely terrified.
10:53I could put together a list of potential suspects, if that would help.
10:56Yeah, that would be great.
10:58I want to have a word with you.
11:00What was that smug remark about the death film?
11:04We're in discussions regarding a remake.
11:07Who's directing?
11:08Father.
11:09Why wasn't I informed?
11:10Just like old times.
11:14Same quarrels.
11:16Bitching.
11:17Must have to make an entrance.
11:19Portia.
11:20Darling.
11:21You look ravishing.
11:25You don't.
11:27You've shriveled.
11:29Oh.
11:30It must be the guilt withering you.
11:32Man dear, why did you change tomorrow's schedule?
11:37My Q&A has been moved to accommodate the screening of his ghastly film.
11:41You didn't say that when you saw the grossies.
11:44I didn't make a penny from that godforsaken movie.
11:47Er, it's a classic.
11:49Well?
11:50Well, he's the bigger ticket.
11:53Whatever.
11:54Anyway, I'm at the RSC now.
11:56So, I don't need these tawdry pantomimes any more.
12:02Portia.
12:03Wait.
12:05Perhaps we can work something out, please?
12:08This is what it was like every day on set.
12:10Ignore them.
12:11This event is about you, not them.
12:13Here, here, here.
12:17Shall we go now, please?
12:19Er, OK.
12:20Er, well, so, shall we see you at the house?
12:22Yeah.
12:26We, er, need to get Sebastian to look into Mandia.
12:29Mmm.
12:31Portia's a diva, isn't she?
12:33Isn't she just?
12:35I should be more like that.
12:38No, please don't.
12:43Nice and evenly.
12:44OK.
12:45Er, so, Frank was in the police before set in at the agency, right?
12:48Mm, detective inspector.
12:49Well, he was a liver cop as well.
12:50Ha, a hairdresser.
12:51That's random.
12:53They make a surprisingly effective team.
12:55Yeah, just watch your lines of symmetry.
12:58Never a dull moment.
12:59Ooh.
13:01Here's Lou.
13:02Her ears must be burning.
13:03Look into Mandia Chowdhury convention organiser.
13:06This brings us very neatly to our next lesson.
13:09Background checks.
13:10OK.
13:11We'll let Biscuit arranging bed in.
13:13Oh, what are they like as bosses, though?
13:16They are fair, and they reward hard work,
13:20as I'm sure you will soon discover.
13:22Frank's funny.
13:24Hmm.
13:24Don't be fooled.
13:25He's a lot sharper than he looks.
13:37Oh.
13:38God, see, it must cost you a fortune to run the play.
13:41Oh, most of the rooms are empty.
13:43I live here alone.
13:44Oh, so you don't live here?
13:45I did offer to move in temporarily.
13:47I don't need babysitting.
13:49I haven't lived at Galwood since I was a toddler.
13:52Packed up to boarding school, and after that, film school.
13:54She's a decent filmmaker in her own right.
13:58Must be all that reflected glory.
14:01And she teaches.
14:03Oh, my magnum opus.
14:07Filmed here, save as a pretty penny.
14:10But if you'll excuse me, I have a speech to prepare for the screening tomorrow.
14:16Mr Hathaway?
14:16You should be resting, Father.
14:19Hmm.
14:20I better make tracks myself.
14:23Is there anything else you need?
14:24No, just the list.
14:26Yeah.
14:26And, um, thank you.
14:28We both feel so much better having you around.
14:30Aw, well, we'll be in touch.
14:33Yeah.
14:34Won't we, Frank?
14:35Lovely.
14:36Thanks.
14:36Thanks.
14:39Ah, there we go.
14:41Come on, give us a hand.
14:46Two.
14:47Come on, pull.
14:49Oh, and I am pulling.
14:50Oh.
14:51Fuck you.
14:52Have you finished hitting those cameras yet?
14:55No, just the last one to go.
14:57Okay, well, hurry up, because this place gives me the creeps.
14:59No, no, no!
15:00Oh!
15:01Oh, you're scary.
15:04Stop it.
15:09Ooh.
15:10Ooh.
15:10Why, sir, I'm going to have to get you.
15:32Oh!
15:35Did you see your face?
15:36Honey, I had a heart attack.
15:37Actually, can we get out of here, then?
15:41I've had enough of this wanted luncheon for one day.
15:51Oh, hey, Regan.
15:52How's it going?
15:57Oh, we're working hard, but she's a quick learner.
16:00She's very bright.
16:01Regan, you want to talk us through that background check you did on Mandir?
16:07Come in.
16:08Thanks.
16:11No, no, no.
16:12You do the honours.
16:13Oh.
16:14Okay, um, well, he's like the invisible man.
16:16I mean, no socials.
16:17But according to interviews with Portia, he was Raynard's scriptwriter and creative consultant.
16:22But when you go through the actual credits, it's like he's been erased.
16:25Plenty of reason for bad blood, then.
16:27Mm-hmm.
16:28So I joined a horror fan community, and they pointed me towards this interview that Mandir
16:32gave with a fanzine called Gorelore.
16:34He absolutely trashes Raynard and claims that he stole his work, bullied him.
16:39And then recently, Raynard asked him to catalogue an archive of props from the films.
16:42They've become a goldmine, apparently.
16:45Highly collectible.
16:46Well, Raynard accused him of not returning some of them, so Mandir was livid.
16:49Really?
16:50Enough to want revenge?
16:52I'll try to find out more tomorrow.
16:54I was thinking I could go to the convention.
16:59That's a great idea, yeah.
17:02Well done.
17:04We'll make a detective of you yet.
17:06And now on to the first in our horror double bill, Raynard Lennox's acclaimed The Death Vale.
17:28Well done.
17:58Oh, no, leave me alone.
18:08Oh, leave me alone.
18:24Imogen, I'm so sorry.
18:27Is there anything we can do?
18:29Just catch whoever did this.
18:30Well, that's down to the police now.
18:33But you've had a head start.
18:35I want every angle covered.
18:36Just do whatever you can to help them, okay?
18:38Of course.
18:39Of course.
18:41Was it you that found him?
18:42He was a groundsman.
18:43He spotted the break in first thing.
18:45I drove here.
18:47He was in bed.
18:49Stabbed through the heart.
18:50I have to call you back.
18:54What are you two doing here?
18:55This is a crime scene.
18:56You need to get back.
18:57He's our client.
18:58We've got every right to be here.
19:01That's a basilar dagger.
19:02Like the one in The Death Vale.
19:03I don't believe this.
19:06But what are you waiting for?
19:07Preserve the scene.
19:11No press.
19:12No cameras.
19:13Back.
19:15Cameras.
19:16The spy cameras.
19:17We need to check the footage.
19:18I'll get Sebastian to start downloading it.
19:20Shakespeare and Hathaway private investigators.
19:28Hiya, Regan.
19:29It's Frank.
19:29Is Seb there?
19:31No, he's just nipped out to get some fangs.
19:33As you do.
19:34Well, you told me about Raynard.
19:36Poor guy.
19:37Yeah, that's why I'm calling.
19:38I've got a very important job for you.
19:39Yeah.
19:50Yeah, I cannot wait to see Keela's face.
19:56Hi, when we plump this crime.
19:58Ah, you've got ballistic.
20:00Come on, Colonel.
20:00What have you got for us?
20:01I'm sorry.
20:02I don't know what happened.
20:03One minute it was downloading and then the computer crashed.
20:06I logged back onto the website, but the footage wasn't there anymore.
20:08It's not in the cloud.
20:09We need that evidence.
20:10A man's dead.
20:11Right, Frank.
20:12Calm down.
20:13I'm sorry.
20:13I did exactly what you said.
20:15Don't worry.
20:15Honestly, the spy will fix it.
20:17Frank.
20:18Frank.
20:20Do you want me to go?
20:22No.
20:23I'm not going to get the job now, am I?
20:30Come in.
20:38That was a nice nap, but now I feel a little peckish.
20:44Fancy a quick bite?
20:48That's so good.
20:50Excuse me.
20:54Did I miss something?
20:55It's just Frank being Frank.
20:57You look amazing.
21:01Should you be out in the daylight?
21:03Oh, I'm wearing factor 50.
21:04Oh.
21:05You okay?
21:07It's not your fault, you know.
21:19That laptop was ancient.
21:20If anyone can recover the footage, it's Spider.
21:22Who is this Spider-Man?
21:23Who is this Spider-Man?
21:25Because if it's Tom Holland, I really want to meet him.
21:28Yeah, me too.
21:29Yeah.
21:30Yeah, me too.
21:31He's not quite.
21:32He's our tech whiz.
21:33Lives on the web, hence the name.
21:35I hope he's as good as you say, because I really like working here and now Frank hates me.
21:40No, he doesn't.
21:41No, he doesn't.
21:42He just flies off the handle sometimes.
21:43Oh.
21:45Yeah, we had a huge blower, actually, a couple of years ago. Ended the partnership over
21:51it.
21:52Why?
21:53What happened?
21:54He, um, he lost some really expensive tech equipment and then he blames this... someone
22:02who really didn't deserve it. And then it turned out he had it all along, so...
22:07Really?
22:08Yeah.
22:09Everyone can make mistakes, even Frank, who thinks he's perfect.
22:13I, uh, think I speak for all my fellow podcasters when I express my sincere condolences.
22:34He was a controversial figure, though, wasn't he?
22:37I read your Gawlor interview.
22:39Why couldn't he have just given you the credit you deserved?
22:42Because things were different then. I never even had a contract.
22:48I bet he was your friend.
22:50Wasn't he?
22:51So I thought. I idolised him. Assumed he'd look after me.
22:57He gets all the acclaim, all the money. But still, you went back and worked for him again. Why?
23:04I thought he was trying to rebuild the relationship.
23:08And then he goes and accuses you of stealing.
23:10I blow up on a bruise.
23:13Yes. You, uh, had a row yesterday, didn't you? After the panel.
23:17Yes. He's, uh, remaking the film. Without even consulting me.
23:21Well, no wonder you were furious. It's like history repeating.
23:27How do you know we'd had an argument?
23:30Oh, this isn't about any fun podcasts.
23:34You're a journalist.
23:35No, actually.
23:36I think you can make a fool out of me.
23:38Get out! Before I've been thrown out!
23:41Erm...
23:54Ah, the Wanderer returns. Did you find Spider?
23:57Yeah, he's working on it.
24:01What?
24:03Listen, it-it-it wasn't your fault, Regan. Er, I'm sorry.
24:08Any messages?
24:09Er, we've got the email from Imogen.
24:11Used to have Raynard's potential enemies.
24:14What about that fella, the one that Raynard was rude to on stage?
24:17James...
24:18Colby. James Colby. He's not on there.
24:20He's not, no.
24:21Do you wanna look into him, see what you can find out?
24:23I think he's gonna be at the convention.
24:25Thanks.
24:26Oh, no, darling. No voucher. No selfie. Capish?
24:43Capish. Thank you.
24:47Oh. Su-tsu.
24:49I'm a huge fan, especially of your earlier work.
24:56Oh.
24:57Raynard's death is such a great blow.
25:00How are you holding up?
25:03Words can't adequately express how I feel.
25:08I think you're a trooper, if I may say so, for even showing up today.
25:12Oh, well, being with the general public brings me so much joy.
25:17I can tell.
25:19I wore this as a small personal tribute to him.
25:24Well, wherever he is now, I'm sure he'd be really thrilled.
25:30Next.
25:31Oh, no, sorry, sorry.
25:32Oh, wait.
25:33I have a horror podcast and I was wondering whether you might be available to me.
25:38I have a rate card for interviews.
25:41I don't think you could afford me.
25:44No, of course, it's only that this would be just for the fans.
25:49Those of us who have stood by you through all the years, the ups and the downs.
25:54Goodness knows there have been quite a lot of those.
25:59It would only take a minute.
26:02Oh, I'm sorry, darling. Not now.
26:04Not now.
26:05Not now.
26:06Not now.
26:07Not now.
26:09Not now.
26:10Not now.
26:11Not now.
26:12Not now.
26:13Not now.
26:14Well, well.
26:41Hello?
26:43Yes.
26:43Oh, where are you?
26:46Look out.
26:50I will swoop down to you.
26:58That was quick.
26:59He flew.
27:01You bitten anyone nice lately?
27:04No, but I have caught a cougar.
27:08What spy cam has.
27:09That's James Colvey.
27:11It looked like they were having a lover's tip.
27:13Really?
27:15Well, Regan found out that he served 18 months for theft.
27:19Where is he now?
27:20Couldn't be anyone.
27:21Let's split up and find him.
27:25Oh, found him.
27:28Oh.
27:30Well done.
27:30Mr. Colby.
27:34Workshop starts at 12.
27:37Yeah, we know.
27:38We're actually private investigators.
27:41We wondered if we could talk to you about the murder of Raynard Lennard.
27:44Really?
27:46I don't think I could bear much help.
27:48Er, is there anything you could tell us about your relationship with Raynard?
27:52I didn't have one.
27:53But your girlfriend did, didn't she?
27:56Portia Frost?
27:58What?
27:59Is that what he was having a go at you yesterday, eh?
28:01Did he find out?
28:02Hmm?
28:03Hmm?
28:04Portia's my mother.
28:05I only said it looked like they were together.
28:11Oh, sorry.
28:13So, does that mean Raynard's your dad?
28:16He's my ex-stepfather.
28:18Haven't seen him for decades until yesterday.
28:22Look, I was sorry to hear what happened, but we've never got on.
28:26Yeah, he also treated my mother very badly.
28:28Um, I read her memoir, and she never mentions a son.
28:34Thanks for reminding me.
28:38Sorry.
28:40Let's just say having an illegitimate child wasn't good for her image back then.
28:44It must have been very difficult for you.
28:47It's also not common knowledge, so I prefer to keep it that way.
28:53Look, I know Portia can be difficult.
28:56But she is my mother.
28:57And I love her.
29:01Now, if you don't mind.
29:17Well, that was unexpected.
29:19Yeah.
29:20Do you think Mandy and you?
29:21Maybe that's why I got James up on stage, just to stir things up.
29:25There's only one way to find out.
29:26Plus, we need to ask him about that dagger.
29:28And if he's been stealing props.
29:30I tread carefully.
29:31Mandy has definite anger management issues.
29:34Really?
29:34Oh.
29:36Oh.
29:37Spider.
29:38Wait.
29:39Spider.
29:39Yeah.
29:40Hello?
29:42Please tell me it's good news.
29:43You've got to be kidding me.
30:07Jo, I told you to back off.
30:09No, wait, please.
30:10You need to see this.
30:14Surveillance footage of Galwood House last night.
30:22That's Portia Frost.
30:24Scramble the team.
30:25Meet me at the RSC.
30:26Yeah, she's not there.
30:27She's at the Horror Upon Even convention.
30:30Send me that footage.
30:33Thanks, guys.
30:34No, pleasure.
30:35Anytime.
30:36No, really, I couldn't do it without you.
30:37The actress Portia Frost has been arrested on suspicion of the murder of her former husband, the film director, Raynard Lennox.
30:45I'm innocent, you innocent people.
30:47See, she's made the news.
30:48Look at these earrings.
30:49Love them.
30:50I'll prove it.
30:50I'll sue the lot of you.
30:51Oh.
30:51She was arrested.
30:52Still looks great.
30:53Hardly her most convincing performance.
30:55Look at Kayla.
30:55I'd have taken that down.
30:56Kayla's like a block of wood.
30:58Kayla looks chuffed.
30:59Kayla's famous.
31:00Confirming the actress has now been formally charged.
31:03Fortunately, I was able to find new evidence, which led to the arrest.
31:08Portia Frost will be remanded in custody pending a court hearing.
31:13My thoughts and prayers are with the Lennox family.
31:16And that's all for now.
31:18Yeah.
31:19Okay.
31:19Don't thank us for your new evidence.
31:21Tell you.
31:22Poor Imogen, though.
31:23Must be hard, doesn't it?
31:24Not all over the media.
31:26I hope she's okay.
31:27They're holding a memorial for Raynard at the convention.
31:29this afternoon.
31:30It was on their socials, but Imogen's saying a few words, apparently.
31:34We should go, shouldn't we?
31:35We could have lunch on the way.
31:37Hmm?
31:39Frank?
31:40Do you hear that?
31:41Memorial?
31:41You all right?
31:43Sorry, you're just...
31:45Something doesn't feel right.
31:47Well, you can't argue with your own cameras, can you?
31:50Come on, let's go and get some lunch.
31:51We can celebrate you closing your first case.
31:59So, what's our next case, then?
32:01Um, well, we've got that workplace comp claim.
32:04Ooh.
32:06Your lunch is going to get cold, Frank.
32:08What are you watching?
32:09Uh, surveillance footage.
32:11Still?
32:13I think my eyes were bigger than my belly.
32:15Does anyone else want a bit of quiche?
32:16Oh, no, thank you.
32:20Oh, go on, then.
32:20Cut me a little slice.
32:21Just a little one.
32:24That's it.
32:24Look.
32:25The knife's in the wrong hand.
32:27In the film, Portia has the knife in the left hand.
32:30Probably because she's left-handed.
32:31Yeah, but in our footage,
32:33the killer has the knife in the right hand.
32:36It's not her.
32:48Thanks.
32:49Oh, wasn't expecting to see you.
32:52We never picked up our cameras.
32:54Of course.
32:55Come in.
33:01Ooh.
33:02Having a bit of a sort-out, are we?
33:05Props we lent to the convention.
33:06Anything we don't need for filming can go back in the attic.
33:09Filming?
33:10Yes.
33:11The remake of the death fail that Father mentioned.
33:13It's going ahead.
33:14Oh, I thought you'd already remade that a couple of nights ago.
33:17When you murdered your dad.
33:20What?
33:21Yeah, we met Portia's son, James Colvey.
33:24You ring any bells?
33:26No.
33:27Ah, well, Raynard told us that you were a filmmaker and a teacher,
33:30and then we found out that you actually taught at the prison.
33:33HMP call us.
33:35That's where you met James.
33:37He did his time there.
33:38Did he?
33:40Do you have any idea how many presidents I've taught?
33:43Let's see if I can jog your memory.
33:44It's amazing what you can find online.
33:47Ah, yeah, there we go.
33:49Your star pupil.
33:50He was a make-up and prosthetics artist.
33:56I found a plaster cast head and some special effects equipment here the other day.
33:58A latex mask for you to wear, so you could look like Portia.
34:12You used us to capture it on film, like the great director.
34:15You made a little mistake, didn't you?
34:41Portia's left-handed, whereas you, if I'm not mistaken, are right-handed.
34:48You terrorised your dad, just so you could bring us here and then frame Portia.
34:54It was no more than he deserved.
34:55He never loved me.
34:59He couldn't wait to send me off back to boarding school.
35:01Get back to the two things he loved.
35:04Making films and chasing women.
35:05What's going on?
35:12They know.
35:15But why kill him?
35:16Why now?
35:17Because he betrayed me.
35:20He lied to me.
35:22I looked after him.
35:24When his health was declining, when he was alone.
35:27I'd almost started to forgive.
35:31And then he...
35:33He promised Imogen she could direct his new film.
35:36Then he changed his mind.
35:39He wasn't even going to tell me.
35:42I found an email to the backers.
35:43He was going to announce it on the last day of the convention.
35:46He promised me that film.
35:49And I deserved it.
35:50It was my birthright.
35:54That's when I knew it had to be done.
35:59You never loved your mother, did you?
36:01She tried to erase me from her life.
36:03I mean nothing to her.
36:09And then when Imogen and I met, it was like the universe was showing us the way.
36:16Together, we could punish them both.
36:19I get everything.
36:26We've all played our part in this.
36:32Even you.
36:33And now, it's such a terrible shame.
36:36But it seems that your time has come too.
36:38Run.
36:43Run.
36:46Let's finish this.
36:47Together.
36:49Coming.
36:50Ready or not.
36:51We shouldn't have gone up.
37:04What charge did we have?
37:06What?
37:10I can't find my charge.
37:14OK.
37:14OK.
37:14OK.
37:14OK.
37:21I've got an idea.
37:35Please, you don't have to do this.
38:00We won't tell her, please.
38:02Honest.
38:02We'll take these.
38:11Yes.
38:12Thank you very much.
38:17This is all your fault.
38:19Why didn't you tell me your mother was left-handed?
38:21You never asked.
38:24So let me go this straight.
38:25You made a citizen's arrest with a baseball bat and a hammer.
38:30They were trying to kill us.
38:31And now you're telling me it was those two that murdered Lennox?
38:34Yes.
38:35I wouldn't like to be in your facial hair when you have to tell the super you've arrested
38:38the wrong person.
38:39Especially a big celebrity.
38:43Except that was your fault.
38:45Because you two gave me the evidence.
38:48I don't know.
38:50No, I don't think so.
38:51I don't remember you mentioning that on telly.
38:54No.
38:56Pub?
38:57Yeah.
38:58Not you, obviously.
38:58Yeah.
38:58What tripped them up, then?
39:09Ah, watch and learn.
39:14Yeah, I scattered them on the floor.
39:16Gross.
39:17Some cupid kills with arrows, some with traps.
39:20Yes, darlings.
39:24Tis I.
39:27Fear not.
39:28The show will go on.
39:30As far as the Arden police go, I shall be suing them for wrongful arrest, defamation of character
39:36and, oh, and emotional distress.
39:40As for that detective thing, er...
39:43Keeler.
39:44DS Keeler.
39:45Yeah.
39:45Joe.
39:46Big, daftash.
39:47Tall.
39:47Lives on the Avesham Road.
39:49Keeler?
39:49By the time I've finished with him, the only job he'll get is handing out parking tickets.
39:57Champagne for the company, and it's on me.
39:59What, what?
40:00I don't think she means us.
40:02Our evidence nearly put her in prison.
40:04Anyway, we've got more important news, haven't we?
40:06Indeed we do.
40:08We would love you to take the job.
40:11That's if Frank hasn't put you off.
40:12Oh, you didn't, and I'd love to accept.
40:15Don't let him boss you around.
40:16Oh, don't worry.
40:17I'll be keeping an eye on him.
40:19Oh, good idea.
40:22No need.
40:22She's been a star pupil.
40:26You're round, Mr. Executive.
40:29Me?
40:29Mm-hmm.
40:31Uneasily lies the head that wears the crown.
40:34Drink up, yes, drink up.
40:35Drink up.
40:35Drink up.
40:35Ah!
40:36Ah, gee, has that to be keeping an eye on you?
40:41I told you, never a dull moment.
40:45Say it again.
40:46I'll have the same.
40:47Oh!
40:49You guys.
40:50That's amazing.
40:51That's amazing.
40:51That's amazing.
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