- 3 months ago
- #belle
- #janeeyre
- #carrington
#belle #janeeyre #carrington
Richard turns his attentions to another woman in the act--or rather, she turns her attentions to him. An older woman with a mysterious past, Julie Blane displays more than a few warning signs. Richard has to decide whether or not to heed them. Starring: Colin Firth, Laurence Olivier, Pamela Stephenson, John Castle.
Richard turns his attentions to another woman in the act--or rather, she turns her attentions to him. An older woman with a mysterious past, Julie Blane displays more than a few warning signs. Richard has to decide whether or not to heed them. Starring: Colin Firth, Laurence Olivier, Pamela Stephenson, John Castle.
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Short filmTranscript
00:00You
01:00Julie was as good as her word.
01:06The next week in Nottingham, I presented myself as arranged at the house of her two friends,
01:11Alfred and Rose Bentwood.
01:14Mrs Bentwood.
01:17Richard Hancastle, of course you are.
01:21Well, don't stand there freezing to death.
01:23Come in out of the cold.
01:24No, go on, go on.
01:25Julie Blaine's friend, we've been expecting you.
01:33Well, let's have your coat.
01:35We don't let rooms normally, you know.
01:37Only to friends, special friends, and friends are friends.
01:42Very kind.
01:43Oh, Alfred loves letting rooms.
01:45If he had his way, he'd let every room in the house.
01:47Oh, Alfie!
01:53Now, Alfred, this is Richard Hancastle.
01:55Richard, this is my husband, Alfred.
01:57Wonderful to have you here.
01:58It really is wonderful.
02:00Any friend of Julie's is more than a friend.
02:01He's a brother.
02:02Am I not right, Rose?
02:03Right, it's right.
02:05Now, Richard, come and see your room.
02:07Then you can start unpacking.
02:08Alfred, go and help him pick his bag up and things.
02:10Oh, I can easily...
02:11Oh, no, you can't.
02:14Any guest of ours is as good as the Prime Minister.
02:17The Prime Minister.
02:19Oh, come on, come on.
02:21Oh, dear, that's right.
02:24They laughed so much.
02:31I thought there must be something odd about my appearance.
02:34My fly must be undone or something.
02:35Well, there we are, then, Richard.
02:41What do you think of this?
02:42Oh, this is a marvellous movie.
02:44Hey, we love theatre folk.
02:46We're always going to the theatre.
02:48There's nothing we enjoy more than having theatre folk to stay.
02:51Am I not right, Rose?
02:52Oh, right as right.
02:54Air used to be on the stage.
02:56But I had to give it up when I married the tobacconist
02:59and started producing Little Tobacconist.
03:01You've been on this stage all your life, have you, Richard?
03:09Lifelong career, is it?
03:10No, I'm new.
03:11I'm very junior, actually,
03:12so I was wondering if I could really afford this.
03:13Oh, of course you can.
03:14We don't charge any more than anyone else, do we?
03:1617 or 6 a week.
03:17Bed breakfast and a meal after the show.
03:19How's that?
03:2017 or 6 a week?
03:20Say no more about it.
03:21We'll take it to settle, then.
03:23Now to get down to the most serious business
03:25of putting the kettle on.
03:28Oh, look out some cakes, Alfred.
03:30I expect our guest is famished.
03:32Oh, have you eaten the lot yourself already?
03:34Have you?
03:34Look at me.
03:36Oh, you are.
03:37Oh, he loves my face.
03:38Oh, no, please.
03:39I'm going to be at my cup.
03:41What about you, cheapskate,
03:42booking us into that lousy hotel?
03:44What do you mean, lousy hotel?
03:46Look, did you take the $3 room or the $5 room?
03:49What's the difference?
03:50Well, the $3 room has a rat trap in it.
03:52The $5 room has a rat trap with cheese.
03:55I took the $3 room.
03:56I wasn't hungry.
03:58Aren't you getting married today?
03:59I thought you were getting married today.
04:14Well, good luck, buddy.
04:17This is it.
04:18Come on, we're gonna have a little raggy wedding.
04:27Come on, come down where all the classy folks are heading.
04:31I've got the preacher and here's the ring.
04:40You're coming to Christmas dinner at the Flying Horse.
04:42Tommy's giving it.
04:43Tommy?
04:43Yeah, and everyone else is coming, too.
04:45Oh, that's good.
04:46How's it gonna help us?
04:48No, I thought...
04:49I'd hope we might be together.
04:51Don't worry, my darling.
04:52I'll give you a seat in a winter sleep out
04:53and go back to the Bentwoods.
04:56And don't eat and drink too much.
04:58Oh, here's a band going playin'
05:14The wedding glides
05:15Well, honey, come to my side
05:18And when you say, love, obey, start this way
05:22Just a little bolder will go
05:25Through life a swaying, my little bride
05:29And when a creature man is through
05:32Blessing me and you, making one or two
05:35Shake your shoulder and start to do
05:38The happy wedding glide
05:41Keep this to yourself
05:44But I'm getting an idea for an effect that'll really give them the creeps
05:49A two-dwarf effect
05:51Two-dwarf?
05:54It'll take some time to work out
05:55Two Barneys?
05:58Yes, I know, that's a drawback
06:00Oh, by the way
06:03Watch what you do with your hands at this Christmas dinner
06:06What do you mean?
06:09Oh, don't come in, lad, I'm talking about Julie Blaine
06:11Do you think nobody noticed the week before last at Sheffield?
06:15Sissy's got no sense, but she has sharp eyes and ears
06:18And I don't miss much
06:19So none of that
06:20We want a Merry Christmas, not trouble
06:22Thought you didn't believe in Merry Christmas
06:24I don't
06:27I believe in avoiding trouble
06:30Let's forget it
06:34And never do
06:36The happy wedding glide
06:38Yay!
06:56Yay!
06:57Yay!
06:58Yeah!
06:59Woo!
06:59Wa!
07:00Woo!
07:02Woo!
07:02Woo!
07:03Woo!
07:07Woo!
07:08Christmas Eve, my first away from home, not that I had a home anymore, but Christmas is the time for remembering it, and loneliness stabs like a pain.
07:23I hadn't been in church since my mother's funeral, my mother, whose life had been as repetitive as the seasons, home, church, church, home.
07:33What would she have made of Julie Blaine, or Nancy for that matter, women completely beyond her experience or her comprehension, women out of a novel, not real.
07:45I would have given anything for my mother's reality that night.
07:49Merry Christmas.
07:51Nanny, Nanny, wait.
07:54I've got a present for you.
07:56Nanny, Nanny, I've got a present for you.
07:59Nanny, I've got a present for you.
08:03I tried to enter into the spirit of Christmas, but all the good cheer was happening to other people.
08:13Even Julie was caught up in the ritual and the fever.
08:17I was like somebody watching a football match and feeling bored and wondering what all the fuss was about.
08:22There was one part of the celebrations I could join in.
08:26I went and got drunk.
08:27Good morning, Richard.
08:44Happy Christmas.
08:46Happy Christmas to you too, dear. Shaving water.
08:50And breakfast is ready when you are.
08:51I felt terrible.
08:55Physically ill with a hangover and tense as a juggler about the day in prospect.
09:00Would Julie and I steal an hour together?
09:03Or should we even try to?
09:04We're off now, dear.
09:12So if there's anything but...
09:13Oh, Richard!
09:15You've hardly eaten a thing.
09:18Uh, well, I'm not hungry, really.
09:20Hmm, I don't like going out on Christmas Day leaving you to yourself.
09:24Oh, I do wish you'd come.
09:25It's at Alfie's Brothers.
09:26You'd know you'd be terribly welcome.
09:28Well, I'm not going to be by myself.
09:30I'm going out to dinner at the Flying Horse, aren't I?
09:31Well, if you say so.
09:33Thanks for the decorations in my room.
09:35Yes, well, we thought we'd jolly it up a bit.
09:37Oh, I think it's sad you by yourself.
09:40Rosie, come on, my duck.
09:41Oh, come in, dear heart.
09:43Oh, there's a holy terror if I keep him waiting.
09:45Back later.
09:47Come on.
09:47Come on, now, don't fuss.
09:48Oh, I wonder what they've got.
09:49Oh, get up.
09:50I love it.
10:01If Julie was to come, I wanted everything to be perfect.
10:15As if the room and the atmosphere were sort of insurance against failure.
10:18Here we go.
10:45Get back on them.
10:52Whoa-ho, there's some more.
10:54Woo-hoo.
10:58Woo-hoo.
10:59Woo-hoo.
11:00Right, sir, come on, Matt.
11:02I've always had a really good cry after dinner every Christmas, since there was about three.
11:19Just as we start on the pudding, out it all pours.
11:23I mean, pints of it, gallons.
11:25What? Tears. My dad moans and shouts,
11:27but nothing he can do can turn the tap off.
11:29What tap?
11:31The tears. My mum's crying.
11:33You've not been listening to her, won't let me try it.
11:35There I am, right on the top of the wall,
11:37about 70 feet up in the air, in the heart of Rome,
11:39and the Pope says to me,
11:41how are you doing up there?
11:43In Italian. The Pope is Italian.
11:45And I say, fine, except the spaghetti's cold.
11:48The spaghetti's cold.
11:50Cheers. Are you enjoying your meal?
11:52We did well, Ian. Good place.
11:54I have a little effect in the act that I am very worried about.
11:57See what you feel, huh?
11:59It goes something like this, huh?
12:01All right, love.
12:03Alright, love.
12:24It's Courtney's dog at its present, yeah?
12:25Go on, this dog, and it's present, yeah?
12:30Come on, now!
12:32Come on, let me get done!
12:50OK, come on. Thrill us.
12:52Two perfectly ordinary glasses.
12:55Let's see this.
13:01Oh!
13:02Well, I don't believe it.
13:03That's underwhelming.
13:04More, more!
13:05Seeing ain't believing.
13:06Let's see this.
13:18Let's see this.
13:19Oh!
13:20Oh!
13:21Oh!
13:22Oh!
13:23Oh!
13:24Oh!
13:25I'm at a lawsuit.
13:26Oh!
13:27Oh!
13:28Oh!
13:29Oh!
13:30Oh!
13:31Oh!
13:32Oh!
13:33Oh!
13:34Oh!
13:35Oh!
13:36Oh!
13:37Oh!
13:38Oh!
13:39Oh!
13:40Oh!
13:41Oh!
13:42Oh!
13:43Oh!
13:44Oh!
13:45Oh!
13:46Oh!
13:47Oh!
13:48Oh!
13:49Oh!
13:50Oh!
13:51Oh!
13:52Oh!
13:53Oh!
13:54Oh!
13:55Oh!
13:56Oh!
13:57Oh!
13:58Oh!
13:59Oh!
14:00Oh!
14:01Oh!
14:02Oh!
14:03Oh!
14:04Oh!
14:05Oh!
14:06Oh!
14:07Oh!
14:08Oh!
14:09Oh!
14:10Oh!
14:11Oh!
14:12Oh!
14:13Oh!
14:14Oh!
14:15Oh!
14:16Oh!
14:17Oh!
14:18Oh!
14:19Oh!
14:20Oh!
14:21Oh!
14:22Oh!
14:23Oh!
14:24Oh!
14:25Oh!
14:26O come, O come, O Bethlehem.
14:37Come and behold him, born the King of angels.
14:45O come, let us adore him, O come, let us adore him.
14:55O come, let us adore him, O come, let us adore him.
15:03I feel sick.
15:22I must get this coat off.
15:24Oh, you don't.
15:26It's snowing quite heavily now.
15:29It was like ages, my love.
15:30I'm so sorry Tommy had to be carted off to bed, and then I had to wait and make sure he was asleep.
15:37I've got you a present.
15:38Oh, how exciting.
15:45What is it?
15:46Oh, it's lovely.
16:05It's a lovely old piece.
16:08It's a Spanish, 18th century.
16:11Darling, could you afford it?
16:14No.
16:18Now your turn.
16:23I noticed you hadn't got one.
16:24I hope your room's warm.
16:44I've been warming it for hours.
16:52Just give me five minutes, then, what you're doing?
16:55You bring some whiskey and some glasses.
16:57Rose won't mind.
17:02Five minutes, then.
17:03I took in her beauty as I might have done that of a landscape or a picture.
17:15Outside desire.
17:17Without wanting to possess her.
17:18Nowadays, we live in a world of nudes and semi-nudes.
17:25But then, when women were covered from top to toe, a nakedness like this was an extraordinary revelation.
17:31As if a living statue, pearly and opalescent, had miraculously stepped out of the dark huddle of clothes.
17:38What?
17:39If a grown-minded, pearly and opalescent, are born in a world of nudes and semi-névski.
17:51Whomahl?
17:55What is this?
17:57The Old intuitive means?
18:00The Great Good videos
18:01Have a great day.
18:06Oh, my God.
18:36Oh, my God.
18:42Was it good?
18:51Tell me.
18:54My darling.
18:57You were lovely.
19:06You were lovely.
19:36Oh, my God, is that the time?
19:47Quick.
19:47Sweetheart, darling.
19:49I must go.
19:49I'm sorry.
19:50Hmm.
19:51I'm sorry.
19:55I'm sorry.
19:57I'm sorry.
19:58I'm sorry.
20:00How do?
20:20How do you say?
20:22You know, I don't think there is a number six blowing Fontaine Avenue.
20:26At last, number six!
20:30The next day I experienced the usual exultation of the predatory young male crowing to himself
20:51about a conquest.
20:53What about young Richard Hernecastle now, eh?
20:57What about Tommy Beamish who couldn't even begin to satisfy her?
21:01What about Uncle Nick making do with Sissy?
21:04I discovered what it was all about, no question of that.
21:08Yet now that it was over, what was it all about?
21:12Not love.
21:13Tommy's gone back to the digs without me.
21:16You've got it on the floor.
21:18Don't be pompous.
21:21I figure it out.
21:22Ah, come on.
21:23Oh!
21:24Oh!
21:25Oh!
21:26Oh!
21:27Oh!
21:28Oh!
21:29Oh!
21:30Oh!
21:31Oh!
21:34Happy New Year!
21:40It's the fun.
21:49For the sake of auld lang syne,
21:53for auld lang syne, my dear,
21:57for auld lang syne,
22:00we'll take a cup of wine,
22:04for the sake of auld lang syne.
22:10Oh, listen to them in the street.
22:12Can't we all go out, Nick?
22:14No, we're better off in here than out there with that mob.
22:16They've nothing to celebrate.
22:181914.
22:191914.
22:22May it bring us at least half what we want?
22:25Why shouldn't we ask for everything we want?
22:28Ask too much, you might not get a damn thing.
22:30Didn't know you were superstitious.
22:32I'm not, but it pays to be reasonable.
22:34I want to start the new year
22:36by having a good think about that two dwarf effect,
22:38so you two get off to bed.
22:40And I don't mean the same bed.
22:44Don't be late, Nick, will you?
22:46Not tonight.
22:48Good-bye, Uncle.
23:02It's been a very eventful year for you, hasn't it?
23:06It has.
23:09Well, I did promise you that.
23:10Happy New Year, Richard.
23:12I know what you've been doing.
23:16I can smell her perfume.
23:18And he knows there's something going on,
23:20though I shan't tell him even if he asks.
23:22But you're a very silly boy, Richard.
23:24We all warned you.
23:26And I know what you've been doing.
23:28I can smell her perfume.
23:30And he knows there's something going on,
23:32though I shan't tell him even if he asks.
23:34But you're a very silly boy, Richard.
23:36We all warned you.
23:38I know.
23:40I can still smell Julie's perfume, too.
23:42It was a good night.
23:44I can smell Julie's perfume, too.
23:46I can smell her perfume.
23:48And he knows there's something going on,
23:50though I shan't tell him even if he asks.
23:52But you're a very silly boy, Richard.
23:54We all warned you.
23:56I know.
24:02I can still smell Julie's perfume, too.
24:04It was like having a rose permanently under my nose.
24:08There was no place in my mind for dire, dark warnings.
24:12I can still hear you crying.
24:16I can still hear you crying.
24:18I can still hear you cry.
24:20But I can still hear you crying, and I can still hear you cry.
24:22With the kids singing great.
24:24Let's to hear you cry.
24:26The kids singing great.
24:28music to my ears
24:39quick clean up
24:43if a job's worth doing
24:44it's worth doing well
24:45just the thing
24:47that's you and it
24:59clear as a bell my lord
25:01and ladyships
25:02you've done it
25:04oh you god
25:06my baby
25:07hey I wouldn't kiss it you ladyship
25:10if you don't know where it's been
25:11your dog looks a bit peaky to me
25:14you should get somebody to have a look at it
25:16you know a veterinary surgeon
25:18there's your bitch
25:46there's no chance of smuggling you into my rooms
25:54not with the landlady I've got
25:56no I'm no use either
25:58we're staying at the grand
25:59Tommy likes to do himself proud when he's playing a date
26:02he doesn't like
26:03looks like we're gonna have to wait
26:08till we get to London
26:09that's what I've been dying to tell you my darling
26:13Tommy thinks he'd be better off staying on his own when he's there
26:16it's an idea I've been trying to put into his head for a week
26:19perhaps she has a woman there
26:21I hope he's got ten just so long as he lets me off the chain
26:24you remember Nancy Ellis is at the theatre royal
26:29you're going to see her
26:31yes I am
26:35on stage and off I hope
26:38there's no need to be so aggressive about it my darling
26:42there's no reason why you shouldn't
26:45but do tell me why you are
26:47I don't know
26:49curiosity maybe
26:52it won't make any difference to us
26:57I shouldn't stop thinking about you
27:00and wanting you all the time
27:03does she know you're here?
27:10not yet
27:11thought I'd leave a note this afternoon
27:14and I'm going to see the matinee tomorrow
27:16Tommy says we're going to the Wednesday matinee
27:20oh I could scream with boredom
27:22I've seen four pounder mimes already
27:24so if you're going tomorrow
27:28when's there going to be time for us?
27:31even if Nancy's pretty little legs
27:33don't bewitch you all over again
27:35though you like mine too don't you?
27:40I'm half barmy about them
27:41as you very well know
27:44where can we go mad for you?
27:51I know where
27:52I know where can we go
27:57I know where can we法相 be
27:59I know where can we go
28:00I know where can we go
28:02in a little bit
28:03but we can still be in your house
28:04as soon as soon as soon
28:06as soon as soon as soon as you read
28:08the closing or as soon as soon as many
28:10when ком called on
28:11is flow to the move
28:12attendance
28:16I remember
28:17Sam
28:17what
28:17áriz
28:18satisfied
28:19I think
28:19that
28:20the
28:21world
28:22ORGAN PLAYS
28:52ORGAN PLAYS
29:22ORGAN PLAYS
29:24ORGAN PLAYS
29:26ORGAN PLAYS
29:28ORGAN PLAYS
29:30ORGAN PLAYS
29:32ORGAN PLAYS
29:34ORGAN PLAYS
29:36ORGAN PLAYS
29:38ORGAN PLAYS
29:40ORGAN PLAYS
29:42ORGAN PLAYS
29:44ORGAN PLAYS
29:46ORGAN PLAYS
29:48ORGAN PLAYS
29:50ORGAN PLAYS
29:52ORGAN PLAYS
29:54ORGAN PLAYS
29:56ORGAN PLAYS
29:58Nobody knows when tears are falling, falling perhaps for someone's sake.
30:07Nobody knows of night's dark hours, when all our love to love despair's.
30:17And my soul is torn with a wish.
30:26Nobody knows, nobody cares.
30:47After everything that had happened, I didn't know what my feelings would be when I saw Nancy again.
30:52I think I was hoping I wouldn't have any.
30:56But I was wrong, I did.
30:58And one of them was shame.
31:01Oh, look who it is.
31:03It's nice to see you.
31:05Richard, I'm so glad to see you.
31:07After that silly quarrel, I was hoping you'd write.
31:09Or at least send me a wire for Christmas.
31:11I would have done.
31:12But I didn't know where you were.
31:15Did you enjoy the panto?
31:16Not much.
31:17Except for you.
31:19You were worth all the rest put together.
31:21I did hope you wouldn't say that.
31:23And it isn't true.
31:24Yes, it is.
31:25But don't let's start quarrelling again.
31:27Can't I come out?
31:29Richard, I'd love to, but I can't.
31:30Not today.
31:31One of the girls is giving a special tea party and I've promised I'd go.
31:34Tomorrow then?
31:35All right.
31:36I'm not free for lunch, so there'll have to be tea after the matinee.
31:39What about the grand?
31:42What's the matter?
31:43Nothing.
31:44The grand, they can give us tea, can they?
31:46Right.
31:47About twenty past five.
31:49No, I really must go.
31:51Nancy!
31:52Richard.
31:56Oh, nothing really.
31:58It's just you look different somehow.
32:01Are you different?
32:03No.
32:04Tell me tomorrow.
32:34Darling, have you been eating a huge tea all by yourself?
32:46I've been waiting for Nancy Ellis.
32:48And she hasn't turned up?
32:50Oh, darling.
32:52I saw the pantomime.
32:54I thought it was awful.
32:56She was very sweet.
32:58So what happens now then?
33:00Another quarrel?
33:01I'll go around and see her tonight.
33:03Wait at the stage door if necessary.
33:12My love, I shouldn't do that if I were you.
33:14Why not?
33:15Lots of reasons.
33:16If she couldn't help it and you meet her with that look on your face, you'd only quarrel again.
33:20If she didn't come because she didn't care, the last thing you should do is hang around waiting for her.
33:25It's up to you, my love.
33:30It's up to you, my love.
33:31Fancy.
33:32It's up to you.
33:33It's up to you.
33:34It's up to you, my whole heart.
33:35It's up to you.
33:36I know she's so upset.
33:37Anselm.
33:38It's up to you, my wife.
33:39Fine.
33:40I'm not about to fool her.
33:41I'm sorry.
33:42Ready.
33:43I'm not going.
33:44I'm sorry.
33:45Good on you.
33:46Fancy.
33:48I'll see.
34:18I'll see.
34:48I'll see.
35:18I'll see.
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