la hija del mariachi 2025-capitulo 67

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la hija del mariachi 2025-capitulo 67 #lahijadelmariachi #movies #movie #film #films #cinema #indiefilm #películas #película #film #películas #cine #cineindie

Transcript

00:00only the hand of God. We have half an hour in what

00:06Leonardo arrives. Half an hour is more

00:08That's enough, Captain. Can I offer you something to drink?

00:12Yes, a glass of water is fine. Did you talk to Corona?

00:17Yes, I told him I was going to leave. So? Did he believe you?

00:22I don't know, but he told me something that made me very worried.

00:27He threatened to detain Rosario in Mexico.

00:32Look, Emiliano, if I can give you some advice,

00:37Don't let Corona get into your head,

00:39Because it can drive you crazy. I know, I know, I know,

00:42Captain, but I'm not going to be in Mexico and neither are you.

00:46We have an operation of more than 100 police officers.

00:49Neither a thousand police officers, nor a thousand police officers are enough.

00:52to stop. And even if I have to tell him

00:55The times I have to tell you, you have to take care

00:58to Rosario. That's a job we said

01:00that you and I were going to do. It's up to both of us.

01:03Look, and even though you know that I can't get close to you right now

01:06To Rosario, I'm going to have to do it. And you're going to have to help me.

01:10Do you know what I miss most about him? That ability he had

01:14son and mother to dream, to invent jokes, because it is that

01:18that a project here, that another project there, and that dreaminess,

01:21and it didn't matter if everything was out of his reach.

01:25He didn't care. He was a dreamer, that is.

01:28son and mother, a fierce donor.

01:31Oh, no, no, no. Oh, my goodness. What a shame.

01:35Oh no, if you see, how are you? It's that I am encouraging you.

01:38and I start screaming, either. No, on the contrary,

01:41Don't worry. That's what we're here for.

01:44Also, I really appreciate you making me a part of it.

01:48from your cut. No, thank you, really,

01:52for remembering so many beautiful things and dreams, right?

01:56Because you see how life is, you know what the dream was

01:59bigger than my Pedro had, going to sing in Mexico.

02:02Imagine if it becomes a reality now.

02:04Rosarito, that's a lot of beauty.

02:07He must be over there hopping on one leg with joy.

02:10and he should be very grateful to you, as I am.

02:14I am truly very grateful because you have been

02:17like a little angel, hey, like one of the cutest things

02:20that have happened to Rosario. God bless him, right?

02:23Rosario will never leave Mexico. She won't come back here.

02:28Not until Emiliano shows up. Well, I brought him here.

02:32a little detail for the couple of the night, so that things

02:36It gets a little spicier. Mommy, no, what do you...

02:39What quote? This isn't a quote. Ignore it.

02:41I've already seen her as crazy, haven't I? Well, why not?

02:46I mean, if things are going this way,

02:49who are we to stop them.

02:54Someone has to be helping that idiot Emiliano.

02:59And it's not Ibel. It's someone with much more power.

03:03and much more connect, because it is not possible for this type

03:06always be one step ahead of us.

03:09I need to know who it is, who they came to the gym with.

03:12and with whom he left. We don't have

03:14another contact in the police. Someone who can tell us

03:18before Sánchez Gallardo's movements.

03:21No. No, that's all we had left.

03:25He sold out and let himself be caught.

03:28But I'm surrounded by idiots, damn it.

03:35It's not possible for anyone to beat Emiliano.

03:38Let's see, the guy enters Ibel's apartment

03:41and nobody sees him. He enters a restaurant

03:44in Cañona to Chile and nobody does anything.

03:48He comes into the gym, hits me, and no one can stop him.

03:50What's this? With all due respect, sir.

03:53If you had been with me, this wouldn't have happened.

03:58This is your chance. This is your chance.

04:03to catch Emiliano. Believe me, sir.

04:07Nobody wants it more than me.

04:10I need you to get all the images, okay?

04:13Where you were before, during and after the gym.

04:17We need to understand how long you've been following me.

04:20and how the hell is he doing it? We need eyes.

04:25We need more ears. Emiliano said he was going to leave.

04:30But that bastard isn't going anywhere.

04:37I know him. We're going to break his mother.

04:41I go to sleep every night thinking, son of a bitch,

04:47What was that moment like when Rosario entered that stage?

04:50so all powerful and then that audience,

04:53That Mexican town, look, is full of applause

04:56just seeing her. Raquel, do you think that

05:04is it possible that we talk about something else?

05:07Oh, what a shame, did I screw up? No, no, no.

05:10The thing is, I've been here for several weeks, right?

05:15Every day. In the morning, in the afternoon,

05:19at night, at meetings, at lunches.

05:22I'm a little saturated, okay? Well, I just wanted to

05:26In this moment, nothing, enjoy this absolute present

05:30and share it only with you. It's possible.

05:34Sorry, sorry, really. Calm down, I understand.

05:38So, for now. Cheers.

05:43Oh, my goodness. Ah, but...

05:51Ah. What?

05:53How do you see that? That could be a sign.

05:56What do you think if we start with dance classes?

05:59Mother. Well, do it.

06:02But then, hold back. Because you don't know

06:05who did he mess with? Oh yeah?

06:07Come and see, my star partner.

06:09Well, I'm literally in his hands.

06:14Oh, my goodness. But you know what?

06:16This is going to be the other way around because today I command and dominate,

06:19as you see fit, here in this couple.

06:20Ah. So, let's get going.

06:22Let's go with the little sides. Let's open.

06:24Bye. And what about those two?

06:29I ask myself the same thing.

06:33Come on, come on, come on.

06:37I want to see. Let's see.

06:39I don't know, but it seems to me that they have chemistry,

06:42like a vibe, like a... I don't know.

06:45No, Carmen, let me be speaking so lightly,

06:48since that does not suit you.

06:50No, but it is not a light thing to do.

06:52They're going to tell me that Mrs. Raquel isn't happy there.

06:54with that hand on that back.

06:56But hang on, donkey, just a moment, okay?

06:59What I'm trying to tell you

07:01is that he doesn't start inventing gossip.

07:04Much more respect for Raquelita.

07:08You fooled me, Raquel.

07:11No no.

07:13Let's see, Rio Pes.

07:14Thank you, Rio. Thank you, Rio.

07:16Look at the things you put towards me.

07:19No, let's see, Río Pes.

07:20All right. You trust me.

07:22Don't worry.

07:23Piano, piano.

07:24I have nothing to do.

07:25All good.

07:33Well, I see it very well.

07:35Break them, break them, break them.

07:39What turned you off?

07:59River, River.

08:00I'm glad I saw you again.

08:04I am more pleased to see her, then, that we can talk.

08:11Yes, well, we are coworkers, right?

08:15I think we can handle things together.

08:19Coworkers?

08:22How else can we be friends or what?

08:26I can't.

08:29Fer.

08:31Tell me.

08:32Where is Francisco?

08:33Tell me.

08:34Again?

08:35Look, Rosario, I've told you many times that I have no idea where you are.

08:52He also said goodbye to me.

08:54I have no idea where to look for it.

08:56I don't know anything.

08:57He disappeared.

08:59But you know what?

09:01I'm going to give you some advice from a colleague.

09:05Don't keep looking for it.

09:08Why would you try to open a wound that's already healing?

09:11Think about it.

09:23Well, well, let's hope that with the next class we can continue moving forward.

09:28But the next class will be after I return from my trip,

09:32because right now I'm organizing a lot of parties.

09:37Hey, Raquel, I think you didn't understand me.

09:41I don't want you to teach me here with just a few people, with 15, with 20 people.

09:47No.

09:48What I want is for you and I to leave a more intimate encounter.

09:53No.

09:54Oh, mother, how come?

09:56No.

09:57No.

09:58Sorry.

09:59Sorry.

10:00Don't be bad.

10:01That is, a meeting of the two, of course, but in another place.

10:04That is, a public place other than this one.

10:06TRUE?

10:07Let's go, you and I, and have dinner and dance somewhere, but just the two of us.

10:13What do you think?

10:14Mother, but that sounds familiar.

10:16It's like...

10:17Like what?

10:18On a date.

10:20That?

10:22You and I?

10:23Yeah.

10:24A date you and me?

10:25Yeah.

10:26What's happening?

10:27Well...

10:28What's happening?

10:29It happened to my baby, right?

10:30Because that way...

10:31Raquel, things have to be done today, right now.

10:35Tomorrow we don't know if we'll be alive.

10:38Ah, one has to do what makes one happy.

10:40That's what life is all about.

10:42So what does it say?

10:43Do we have a date?

10:46Do it.

10:47Tomorrow.

10:48Tomorrow.

10:49At 7.

10:50At 7.

10:51Let's have a drink.

10:53No, because this is...

10:54Oh!

11:01Rosary.

11:03I love you.

11:04I love you, I love you, I love you.

11:06I love you with all my being.

11:08And I have given it all to you.

11:10I would never risk losing you.

11:12Never.

11:13If you're wondering how pretty she looks, the answer is very.

11:21How's it going?

11:24I'm not going to touch it anymore.

11:25Opa.

11:30Let's see, Rosario, I think that...

11:31You should talk to Chile or at least work on the issue in the meantime.

11:36I just don't want to touch it anymore.

11:40May I know why?

11:48Because I feel like I was wrong.

11:50With who?

11:52With what?

11:56With Francisco.

11:59Rosario, the only thing you missed was seeing Lara in bed with Ibel.

12:02No, Ibel said nothing happened between them.

12:04And you are going to believe it?

12:05She is a woman of the world.

12:07Frontline, frank.

12:08You don't have to lie to me.

12:10Believe me, if there was a thing going on between them, he'd tell me to my face.

12:13Yes, Ibel is a woman of the world who is currently receiving advice from the Basan chile.

12:18who is telling you to fix things between yourselves.

12:21You don't know the managers.

12:22But I do know Francisco.

12:23No, no, in depth.

12:25Manuel, now.

12:27Already.

12:28I know what I have to do.

12:29You don't have to tell me what to do all the time.

12:31Rosario, what do you have to do?

12:34Go find him, ask for his forgiveness.

12:36Yeah?

12:38Do you like it or not?

12:40I can't get Francisco out of my head or my heart.

12:44Much less on the whim of...

12:45Ready, Rosario.

12:46Very good.

12:47I think you're old enough to take care of it.

12:50of what he thinks and what he does.

12:53But it's also too big to open your eyes.

12:59Manuel, thank you.

13:01Really, thank you for taking care of me.

13:05But I've already made a decision. I'm going to look for him, period.

13:07Perfect.

13:08Perfect.

13:13You have to be very quick, Emiliano.

13:14It's more than a hundred meters and you have to do it in two minutes.

13:24Two minutes is what...

13:27Two minutes is exactly how long it takes for the southern unit to get around again.

13:36Okay?

13:37Are you sure your men won't be there?

13:40Sure?

13:41And are you sure you can achieve what I'm telling you in the time I'm telling you?

13:45Oh, Captain. I have no choice, do I?

13:47Well no.

13:49Emiliano, you can't be distracted for even a second.

13:52You get distracted and it screws us up.

13:55I've seen the point and your men, Captain.

13:57They are already moving.

13:58Perfect.

13:59You have two minutes.

14:00Run, now!

14:07Good!

14:16You have two minutes.

14:21You have two minutes.

14:23You have two minutes.

14:25One hundred and three minutes.

14:27You have two minutes.

14:28January, that I live the investigation.

14:29You have three minutes.

14:32Rosario, the last thing I want is to be angry with you.

14:47And less so today.

14:48Do what you feel I would do.

15:02Friend, come on, give me a hand.

15:12Oh, thank you very much.

15:13Keep going, boy, keep going, keep going, keep going.

15:15Thank you.

15:16Well, come on, look, get some people out of here.

15:19Come on, come on, boy, come on. Oh, no.

15:21Do you hear? Rosario, Rosario, right?

15:24Yeah.

15:26Thank you, thank you.

15:27Hello hello.

15:29They tag me, don't they?

15:31@ with J and without D, with J and without D, cool.

15:33Do you realize?

15:34Come on, come on.

15:35Take advantage of the fact that it's free.

15:36Come on.

15:37What a shame is that?

15:38Hello good!

15:39We arrived.

15:40They just arrived.

15:41Hello good!

15:42Hello good!

15:43They just arrived.

15:44Hello good!

15:45Hello good!

15:46Hello good!

15:47Hello good!

15:48Hello good!

15:49Hello good!

15:50Hello good!

15:51Hello good!

15:52Hello good!

15:53Hello good!

15:54Hello good!

15:55Hello good!

15:56Hello good!

15:57Hello good!

15:58Hello good!

15:59Carry.

16:00I need you with your eyes wide open, dude.

16:03Hello good!

16:04Mr. Martinez.

16:05How can I help you?

16:10Nice to meet you.

16:11Well, look, in many ways, my friend,

16:16I am the head of security for Mr. Miguel Corona.

16:19and I come from you.

16:20Yes, of course, follow me in the office.

16:21Ready, sir.

16:41We need to put a camera.

16:43Yeah.

16:45And where are you going to put it?

16:48Here.

16:49Here, daddy, here.

16:50This is what I need to see.

16:51This, exactly, right?

16:52Come on, give it to me there.

16:54That?

16:54There, down there.

16:55Yes, downstairs.

16:56Don't see it.

16:57There.

16:57Yes sir.

16:58There it is, right?

16:59There.

17:00Come on.

17:01Kiss.

17:02Kiss.

17:03Kiss.

17:04Kiss.

17:13Kiss.

17:14What's happening?

17:44Hurry up, we have five minutes.

17:47Raquel has already left the hairdresser's.

17:48Come on.

18:05Aren't you afraid of facing that same monster?

18:08I mean, Mexico City must be one of your worst nightmares.

18:12You didn't sing two songs and the police took you out.

18:14Well, to you and everyone else.

18:17Look, Ramona, that's a thing of the past.

18:20Not for people who are in prison.

18:21And I doubt very much that for you it is a matter that has already been forgotten.

18:26What happened to the investigations?

18:29Money laundering, your relationship with the Nueva Frontera clan...

18:32Hey, wait for me, wait for me.

18:35My life, those are not questions for this interview.

18:41Look, I've already answered this question in many interviews.

18:44I have nothing to do with money laundering or those criminals you're talking about.

18:48I am a singer and I only know how to do that, sing.

18:51But you're still stuck in the middle of the hurricane.

18:54Yes, but hopefully not for long.

18:56Believe me, more than anyone, I want to get out of this hell very quickly.

19:00Since we're at this point, was this hell, as you call it,

19:03the one that led you to overdose?

19:08It was not an intentional overdose.

19:11It was rather a mistake with the pill plates as well.

19:14I've already answered this question in many interviews.

19:15Aren't you afraid of facing that same monster?

19:37Look, Ramona, that's a thing of the past.

19:40Not for people who are in prison.

19:45Not for people who are in prison.

20:15Ramona, why don't you come with me?

20:32I want to introduce you to Rosario Guerrero.

20:35Thank you.

20:37I finally meet you.

20:39Chile keeps telling me about you.

20:40Yes, and you'll know why when you hear her sing.

20:43A pleasure.

20:44It is a pleasure for me to be here.

20:46I'm nervous.

20:47No, wait, let me start with the poisonous questions.

20:51Don't you say there is no bad press?

20:54Do you realize?

20:55You have to be careful what you say.

20:57Well, let's see how it goes.

21:00My gosh.

21:01I'm going to take advantage of this to go to the trailer for a moment.

21:03Okay?

21:04Okay?

21:05Come on.

21:08Calm down, calm down.

21:10All good, all good.

21:15Emiliano, are you there?

21:18Emiliano.

21:21How are you?

21:23Good.

21:23Sorry.

21:29Forgive me.

21:30I'm really sorry.

21:32I was able to.

21:33Don't ask me for forgiveness anymore.

21:36Nothing matters anymore.

21:37Look, I spoke with Rosario.

21:40I told him everything.

21:41I told him I locked you up, that I forced you to stay,

21:42that nothing happened between us.

21:44I tried to get you out of everything.

21:45I took responsibility for everything that night.

21:47Even for the video.

21:48And I...

21:49AND...

21:50AND...

21:50Thank you.

21:51Thanks for everything, but...

21:54It's actually of no use anymore.

21:57Forgive me.

21:59Forgive me, really.

22:00I'm so, so sorry you can't be with Rosario.

22:02Really.

22:03Yes, I feel it too.

22:07But we can't be focusing on the past.

22:09Yes, better...

22:11You better tell me how you are.

22:14How do you feel about all this?

22:17The pain doesn't go away.

22:20And the worst thing is that I feel like I haven't been able to mourn Jaco,

22:22that I have not been able to grieve.

22:25But hey, the show must go on.

22:29What happened to you?

22:32Nothing, nothing.

22:33I saw myself with a crown.

22:35And the farewell with him was not the most friendly, let's say.

22:38Did you see each other?

22:39But you told me you were going to talk to him on the phone.

22:41I didn't think you were going to face it.

22:42I know, but...

22:44In the end we saw each other.

22:45Captain Morales came to me.

22:46I...

22:46I needed to see it.

22:48I needed to look him in the eye.

22:49Make him believe that I was actually going to leave.

22:53And he believed you?

22:55I don't know.

22:57I don't know, actually I don't know Miguel right now.

23:02Furthermore, he threatened to harm Rosario.

23:04He knows that he can screw me over there.

23:06That's why, Ibel, I need to make him believe.

23:09that I'm going to leave here.

23:13Correct.

23:13I want all the shots from the previous report.

23:16Thank you.

23:19Mrs. Ramona?

23:20He gave me a selfie.

23:23Excuse me, sir, but I'm working now.

23:25Yes, yes, I know.

23:26I know.

23:26And I know that not just anyone appears on the cover of your magazine.

23:29But being here already in expenses,

23:30I introduce you to one of the main mariachis

23:32from Rosario's little chapel.

23:33I don't have time now, really.

23:34Yes, I know.

23:35And I'm not taking much away from it, you see.

23:36Nice to meet you.

23:37Járbar Mota, the Mañanitas.

23:39Look, if you want, I can tell you gossip, gossip.

23:41about how we composed that song.

23:42Yes, seriously.

23:43That guy is a jerk with that pair of turds.

23:45Look, maybe I didn't make myself understood.

23:47But look, this little chest was with Ibel day and night.

23:49composing that song.

23:51I gave them advice on music, lyrics,

23:53of arrangements that are never too many.

23:56Day and night with Ibel.

23:57From early evening to early morning.

24:00Could it be that you are the mariachi?

24:02that they caught in their apartment?

24:04No.

24:05No, that's not me.

24:06That's Don Pacho, Francisco, right?

24:08I don't.

24:08But here in Trenos, gossip, gossip.

24:10She did flirt with me, but don't put that in.

24:12because it damages my marriage.

24:13Who is Francisco?

24:14Is it here?

24:19Francisco?

24:19Me my Francisco?

24:21No, he no longer works with us.

24:25Do you smoke?

24:28Well, thank you.

24:29What a size.

24:31Emiliano, the chili was damaged.

24:32I feel like he listened to me, really.

24:35I've never seen it like that.

24:37I told him everything.

24:39Even what I felt for you.

24:42Let's see, I told you so you would understand.

24:43the reason for the video.

24:45I laid all the cards on the table,

24:47as we agreed.

24:48And he believed you?

24:49Yes, yes, I saw the need in his eyes

24:52to confess something.

24:55And what did he say to you?

24:56Did he confess something to you?

24:57Did he say anything to you?

24:59No.

25:01Because?

25:05That?

25:06Think about your people.

25:07Not only Rosario is in danger,

25:09everyone is in danger.

25:10Evil is in danger too.

25:12In fact, I have news for you about Evil.

25:15Well, it seems we already have the explanation.

25:17of Jacob's death.

25:19And, Bela, there's something I have to tell you.

25:23And this will open your eyes.

25:24so you can see who the Chilevazán really is.

25:28And what happened?

25:29Let's see, Ramos, what happened?

25:33Pachó what?

25:33Have you had enough?

25:34Yeah?

25:35Yes, no, he left.

25:37Yeah?

25:37Musician stuff, you know.

25:39They go and play in other places,

25:40in other mariachis.

25:41They come and go.

25:42Yeah?

25:43They go and...

25:44Oh yeah, come on, okay?

25:46They come and go.

25:46I'm coming, come on!

25:48The selfie?

25:51That's it, I'll tag her, okay?

25:53It rests me.

25:55Ah, what a size.

25:57Permission.

25:58Yeah.

26:00Captain Morales discovered

26:02that a woman was with your brother

26:04before dying.

26:07A woman?

26:08Yeah.

26:08Where have you been?

26:10Don't tell me that in my apartment

26:11drugging, okay?

26:14It wasn't the first time.

26:15that he did.

26:17And is she okay?

26:19Yes that's fine.

26:21But they didn't tell me anything.

26:23Nothing, not the police, nobody.

26:25I know why very few people

26:27They know all this.

26:28It is very delicate.

26:31Dude, don't touch my girl too much, okay?

26:33Yes sir.

26:38Okay, that's it, let's get started.

26:40Camera, ready?

26:42Let me tell you something.

26:43Ramon.

26:43Ready?

26:44He is a very complicated person,

26:46but your interview is going to put us

26:47in 25 countries, so let's bear with it,

26:51we are?

26:51Come on, my life, you look beautiful.

26:53Thank you.

26:53Go ahead, okay?

26:56Yet.

26:57Well, let's get started.

26:58Let's get started, let's get started.

27:01Very good.

27:03Ready, Rosario?

27:05List.

27:05Clear.

27:05The woman who drugged your brother

27:14she was hired by Chile in Asamble.

27:20No.

27:22Yes, Ibel.

27:24No.

27:25Yes, I'm really sorry, I really am.

27:30No.

27:30No, Emiliano, no, no.

27:40Me, me, me, me, me.

27:41Breathe, breathe, breathe.

27:44You see why I'm telling you all this.

27:47You see why we can't trust that one.

27:49He's a traitor, he's a damn miserable man.

27:52That guy will never accept what he did.

27:54The basa chili has your brother's blood on its hands

27:58and he will never accept that.

28:00There is little that the world of entertainment

28:03and the music news knows about you, Rosario.

28:05But it's clear that you're a great composer.

28:08Wow, coming from you, this is a tremendous compliment, thank you.

28:13It's true, I say it from the heart.

28:15Thank you.

28:15I was looking at your social networks

28:17and I realized that there are several very good topics.

28:20Some, some of love, others of heartbreak,

28:25but all very passionate.

28:28Yeah, well, is that my dad's fault?

28:31My father raised me with rancheras

28:33and we all know that rancheras

28:34They sing to love, to heartbreak.

28:38I guess you are just as passionate.

28:40that those rancheras inspire you so much.

28:44It's that if one doesn't do things with love and passion,

28:47Well, nothing is done.

28:48Let's talk about boyfriends.

28:50Rosario Guerrero, are you with someone right now?

28:57I'll put it this way.

29:00Right now, my love is music.

29:03It's music and it's a very intense love

29:07that asks and asks for time,

29:08that asks and asks for heart.

29:10It is very intense.

29:12Beautiful answer.

29:13But what I want to know is about the personal issue,

29:18of the little love.

29:19I was looking at your followers' social networks.

29:22and your business's social networks,

29:24the bar...

29:26The Plaza Garibaldi.

29:28And I found a very interesting gem.

29:32Does the name Francisco Lara ring a bell?

29:35Because?

29:44But why?

29:46Because?

29:46You had to mess with Jaco, Emiliano.

29:49No.

29:49I don't know, I don't know, I don't know, I don't know.

29:51I don't know.

29:51I wanted to screw with your head, probably.

29:53No.

29:54I wanted to make Jaco fall into drugs again.

29:57to keep you busy,

29:58so that you are thinking about him.

30:00And that way you can't help me.

30:01Damned.

30:06I know, I know that all this is very difficult.

30:08Believe me, I know.

30:11But you have to hold on, Ibel.

30:13You have to hold on.

30:14No.

30:14Or do they?

30:15I can't, really.

30:17What can I endure?

30:18I don't know, but you have to do it.

30:21Ibel, it's your life that's at stake.

30:25Are you understanding?

30:26I'm...

30:27No.

30:27Emiliano, I'm dead.

30:28No, no, no, no, no, no.

30:30You're not dead, you're not dead.

30:31You are dead.

30:32We are alive.

30:33We are both alive.

30:35And that's what your brother would have wanted.

30:40Tonight,

30:42You didn't just come to witness

30:44love songs.

30:47Tonight,

30:48you came to witness

30:50a duel.

30:51and tonight

30:55is going to face

30:57Mexico

30:59against Colombia.

31:03It's a shame that you and Francisco

31:05follow us together.

31:06That a man is going to tie himself to a duel for one?

31:10You guys do want to talk about Francis.

31:12Francisco is a great musician.

31:16He is a wonderful musician

31:17and the proof of his talent

31:18is that he is involved

31:20on the topic we are launching with Ibel.

31:22Did he work with you on the issue?

31:24Yeah.

31:25So, we can say

31:27that you were inspired by Francis

31:29to compose

31:30Say Goodbye.

31:31No.

31:32According to my research,

31:34the mariachi that spent the night

31:36with Ibel,

31:36the one that caused so much commotion,

31:38It was precisely Francisco Lara.

31:43Francisco Lara?

31:52Have I heard that before, Captain?

31:55No.

31:56No idea.

31:57Is that why?

31:58that they do not continue the group?

32:00Where are there horns?

32:04Francisco is not part of the group,

32:07but Francisco

32:08he is a wonderful man

32:09and I want to take advantage of the opportunity

32:10to say it.

32:11Francisco is

32:12a great person

32:14and if I had to dedicate it to him

32:17a song,

32:17definitely wouldn't be

32:19say goodbye.

32:21Oh no?

32:21No.

32:22And then?

32:26I have to take you now.

32:28It's coming, it's coming.

32:29It's coming.

32:32Breathe, Ibel.

32:34Look, I want you to know something.

32:36There are a lot of people

32:38who is working in Mexico

32:39at concerts

32:40to catch all the people

32:41of the clan.

32:42So next time

32:43that you and I see each other

32:44it's going to be a celebration

32:46that those people

32:46he's not fucking us anymore

32:47life.

32:49Ibel, come on.

32:50Yeah, here it goes.

32:51Come on.

32:51They're going to come looking for us.

32:54Come, come, come.

32:55Do you need money?

32:56or something?

32:57No, no, no.

32:58I'm fine.

32:59I'm fine.

32:59I'm in a safe place.

33:01Ok.

33:06Cheer up, you are strong.

33:07You are strong, okay?

33:11Alright.

33:12Come on.

33:17Boys, on three.

33:19One, two, three.

33:21There are loves that arrive without permission

33:40and they are left without being able to leave

33:44They are sighs that penetrate deep within

33:48and even if it hurts, they don't let themselves live

33:52There are loves that live in silence

33:57even if they never have their place

34:00They do not go out in the face of the winter cold

34:05They don't give up, they know how to wait

34:09And here we are face to face

34:13Face to face

34:14For one with his wound

34:17With his wound

34:19Calling you silently

34:21And you loving without measure

34:25Even though there is no road anymore

34:30No promises to heal

34:34I will be there in case of emptiness

34:38It doesn't let you continue

34:42Although others are shelter

34:47Let it help you warm up

34:50Even if it's not with me

34:54May your love fly again

35:00May your love fly again

35:05I gave him my soul without measure

35:19Without knowing if it was for me

35:25There are loves that save lives

35:28Even if we have to let them go

35:33I dreamed that time swore to us

35:36That I would have you once more

35:42No, because we are not what we were.

35:44But because you still wanted to see each other

35:49Did you know that my brother

35:50was going to be on that topic?

35:53I was so excited

35:55With the recordings

35:57With the trip to Mexico

35:59With the concerts

36:00And he won't be able to accomplish anything.

36:05Chile, do you understand?

36:08Nothing

36:08It's absurd!

36:16Take all the time you want, well

36:17No

36:18No

36:18That I touched up

36:21We don't even continue

36:21Sure?

36:24This could have killed her.

36:25We are talking about medicines

36:27Very strong psychiatric hospitals

36:28That they cannot be taken in that quantity

36:29Not at all

36:30In measuring the consequences

36:31It's that I had taken before

36:32The amount

36:33And it had never happened to me before.

36:34My life!

36:35My life!

36:36How are you?

36:37I was very worried

36:38I almost died of fright

36:40You're not thinking, aren't you?

36:42In taking you back

36:43These pills?

36:45No, I'm not going to take it

36:45Never again

36:46Well then let me vote for them.

36:48No

36:49I need them

36:51Because we are going to send them to be analyzed

36:53With another doctor

36:54In a laboratory

36:55That the chili does not know

36:56Wait for me

36:57Are you telling me?

36:58What do you think they sent you?

36:59I don't know

36:59Nere, I don't know what I think

37:01But there's something that doesn't fit me.

37:02Can you come to my house this afternoon?

37:09So that?

37:12There's something I want to talk about

37:13Let it help you warm up

37:22Even if it's not with me

37:27May your love fly again

37:32May your love fly again

37:36Fly again

37:45Fly again

37:50And older

37:54What's up, captain?

37:56What's up, captain?

38:05Can we talk for a moment?

38:07I would prefer here with all due respect, sir.

38:10And why?

38:12Because I'm worried they'll see us talking.

38:15And who?

38:16Captain Morales.

38:23And why are you worried?

38:24Because I want to ask for your permission.

38:27to be able to intercept the captain's calls.

38:30What the hell is Leonel doing?

38:32at the Corona hotel?

38:34I don't know yet, my captain.

38:35And what the hell is that guy over there?

38:38He's a bellboy.

38:41Look, investigate well who it is,

38:44find out what gave him

38:45and look at what steps he's taken, please.

38:47Five, four, my captain.

38:49Oh, no, no, no.

38:51I'm going again, again.

38:54Who would be the unemployed?

39:08that he went to tell the journalist

39:09that Pancho Viche theme?

39:11As if that were still the fickle subject.

39:13Oh?

39:14Meddling in other people's lives?

39:16Damned, cursed.

39:19Unfortunate.

39:19People without life

39:21who goes around spreading the poison of his gel,

39:24hurting people.

39:26People without a job.

39:28Yeah.

39:28What drives me crazy is the big-headed mushroom.

39:31It's the subject of drug traffickers.

39:34Is it true that Ibel's little girl

39:35did he mess with those people?

39:38I don't know, mine.

39:39That seems very strange to me.

39:40because she wouldn't have to do that.

39:42I think it's more of a media thing.

39:44who are taking advantage of the media

39:45to cause a scandal.

39:47Tell me, Pito,

39:49Don't you forget what nonita said?

39:50Does he dance for money?

39:53And if that stuff is true,

39:55takes us to the one who brought us.

39:56I saw, it flies.

39:57End of the match.

39:59I don't think she's guilty.

40:01of what he accused her.

40:03What is true is that I have seen it.

40:04as if very overwhelmed.

40:08As if it were loading

40:10a very strong, large weight.

40:13Well, it could be the brother's thing, right?

40:19No, Manuel, no.

40:21I speak of always.

40:22Since she arrived at the Garibaldi,

40:24I don't know, it has a very strong save.

40:29In order not to be a cove

40:30or one of those weird things.

40:33Well, whatever it is,

40:35we must take a look at that issue.

40:38Well, at least to understand

40:39what happened with that concert

40:41and to find out if Ibel is telling the truth.

40:43Didn't they discover anything too serious?

40:46Well, I have news for you.

40:48Time to look at it now

40:49because this very week

40:50we get on

40:51on a plane with him.

40:53Well, Charito,

40:55that story is missing a piece.

40:57And so great olive.

40:58What happened?

41:03What are you looking for?

41:05The bottle of pills.

41:07You won't be thinking

41:08in taking those pastries again

41:10and less with what happened.

41:12Ibel,

41:13confirm something

41:13with Captain Morales.

41:17So,

41:18if they did.

41:18Yeah,

41:19if they did.

41:22Ibel,

41:23Ibel,

41:24Ibel,

41:25are you OK?

41:27Look,

41:27you know perfectly well

41:28that I have nothing

41:29to see what they did to me.

41:32They changed me

41:32painkillers

41:33by psychiatric pills.

41:36I know.

41:36Ok,

41:36where are they?

41:38I alone

41:38I'm asking you

41:39where are they,

41:39I'm not asking for your advice.

41:41Ibel,

41:42there are no pills,

41:44I threw them away.

41:46I always do it

41:46when Jaco,

41:49I always did it

41:50when Jaco

41:51I came here.

41:53That's why...

41:53Well,

41:53go now

41:53and buy the others.

41:55Already.

41:59What's going on there?

42:00I don't have to go.

42:00What's happening?

42:10I don't have to go.

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