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Transcript

00:00:00Good evening, welcome to what will be a difficult, complicated day,

00:00:15Because it's a night of elimination, a night we didn't want to come, but it has come, Diana.

00:00:21Three contestants will be eliminated, and tonight there are only seven on stage.

00:00:28Wow! That's going to be painful.

00:00:29It's a tough decision for the jury, but the final is getting closer.

00:00:35That's how it is.

00:00:35And it is necessary to go through this process of elimination.

00:00:39Of course, the jury is more demanding than ever, it's become very strict, and tonight they will go through your vision, your critique, your judgment, Daddy Yankee.

00:00:50First of all, gentlemen, a round of applause for him, please.

00:00:53Let's go! We must give all our energy to the participants.

00:00:56Ivan Cruz is also on stage.

00:00:59Rubén Blades will also be with us.

00:01:03Camilo Testo.

00:01:06Emanuel Noir.

00:01:09Pedro Infante.

00:01:11And to close out this fearsome night of elimination, where three contestants will be eliminated, Paul McCartney will also be here on the Yo Soy stage.

00:01:22So let's get going, Diana.

00:01:25If you allow me, let me move forward.

00:01:26Talking to the first contestant, a big round of applause for Diana Sánchez as well, who will be chatting with each of the contestants who will face this formidable jury today.

00:01:40Why not say it, yes.

00:01:42A jury that has demonstrated great acuity and intelligence, and today they will have to decide on three, eliminate three from the competition forever.

00:01:54And I greet you.

00:01:55Yeli Reategui, good night.

00:01:57Good night, good night.

00:01:58Good night everyone.

00:02:00Thanks to the people who are watching us at home.

00:02:03Thanks to the crowd that came today, it was packed.

00:02:08And the best for all participants, may they give it their all.

00:02:11I love that you're starting off so happy.

00:02:14There we are.

00:02:14This is going to be tough for you guys, I wouldn't want to be in your shoes.

00:02:18Cachín Alcántara, how are you?

00:02:19Hello, hello everyone.

00:02:22Thank you.

00:02:23How lovely it is to be here and share with all the people who come and take the time to join us, and with the people who are at home as well.

00:02:30Thank you, Franco, for those kind words you always have for everyone who comes here.

00:02:35Today we will be relentless.

00:02:37We'll do our best to be fair as always, but three are leaving today.

00:02:41So good luck to everyone.

00:02:43Thank you for your work and the attention you give to each of the presentations.

00:02:51And I close with our jury, perhaps stricter, perhaps sharper, perhaps more acidic, but also with its heart.

00:02:58And I'm sure he'll suffer today with the departure of the three participants.

00:03:03Mr. Ricardo Morán, please give him a round of applause too.

00:03:06Good evening, Franco, Diana, Cachín, Yeli.

00:03:09Thanks as always.

00:03:11Thanks to the audience who are with us tonight.

00:03:14Cachín said it, Franco said it, Yeli said it, Diana said it too.

00:03:18We don't take it lightly that you're here, that you came, that you queued, that you came into the studio, that you waited.

00:03:26Many, many thanks to everyone, including everyone at home who supports each of these participants.

00:03:34I can make it easy for you, we can eliminate them all right now, for example.

00:03:39But no, we're going to let them fight each other and only three will be eliminated at the end of the night.

00:03:45Thank you, Ricardo, for your generosity in ensuring that not all participants leave.

00:03:50We really appreciate it.

00:03:51The audience at home also thanks you.

00:03:53And to them I say, tonight is going to get spicy, spicy.

00:03:59You probably have your favorite, and perhaps the jury's decision will mean it will have to go.

00:04:05But everything is demonstrated here, on the stage of Yo Soy.

00:04:09Now we go backstage with Diana who is already with the first participant.

00:04:11Go ahead, Diana.

00:04:12Franquito, tonight three of these seven participants are leaving the competition.

00:04:19They're going to give it their all to continue and reach 20,000.

00:04:24Daddy Yankee opens the dance floor with reggaeton.

00:04:29Let's go up, let's go up.

00:04:31Tonight we're going to leave them all on stage, so let's really fire up all my people here, okay?

00:04:37Listen to me, people have come to support you.

00:04:39I see some of your followers in the audience.

00:04:41By the time you've come to the competition, you already have a fan club.

00:04:44They see you and say, you're the original.

00:04:47Today, without glasses, you look more like Daddy Yankee than ever.

00:04:50So I invite you to step center stage.

00:04:52You look amazing, give it your all.

00:04:55Because Daddy Yankee, apparently, just learned this song.

00:04:59Let's see their essays.

00:05:01Did he learn the lyrics?

00:05:02Let's see it.

00:05:08Game!

00:05:11I confess that this is the first time I've sung this song in my life.

00:05:16That is, I didn't practice them.

00:05:19The one I was in, exactly, yes.

00:05:22Problems today?

00:05:23New song.

00:05:25I don't know it.

00:05:27I haven't studied well yet.

00:05:28I have to seal it well.

00:05:30But I'm going to try to give it 100%.

00:05:35Really yes.

00:05:36I mean, what's new to me is the sense that I hadn't heard it that much.

00:05:39But it was a very, very X song like that.

00:05:42But it was the one that was chosen.

00:05:45And it's time to give it to him.

00:05:46And take out, and take out.

00:05:47Is it just trust?

00:05:49All that remains is to trust.

00:05:50Very good.

00:05:55Let it be as he himself has said.

00:05:57We want fire on stage.

00:05:59Sing the rhythm.

00:06:00He doesn't forgive.

00:06:01Daddy Yankee!

00:06:02What time already come round, baby?

00:06:12I am the big boss.

00:06:14Daddy Yankee, me.

00:06:15Sing the rhythm.

00:06:30It's still there.

00:06:31There, there.

00:06:32There like that.

00:06:34Keep it up.

00:06:36Play along.

00:06:37Up, up, up, up.

00:06:39Break it up, break it up, break it up here in the area.

00:06:42Part it, part it, part it playfully.

00:06:44Chase it, chase it, the rhythm is unforgiving

00:06:47He doesn't forgive, he doesn't forgive

00:06:50Put it low and what a roof the battery

00:06:52Beastly rhythm that makes you feel good

00:06:55The rhythm sounds, regatta, they sing

00:06:57Your body shampooing

00:06:59Well, to the soul, because the roof is lost

00:07:03Because she doesn't flirt, because everyone sees her

00:07:05The Caribbean drink, more than you dodge

00:07:08The whole world is the one that lives then

00:07:10Watch it

00:07:14Hang it up

00:07:16Hang it up

00:07:18Hang it up

00:07:21Give it a go

00:07:22All the talito there is no cure

00:07:25If you want to be medicated, man.

00:07:27Give it a go

00:07:27To work with is no longer pique

00:07:30You are simple and do not complicate things

00:07:31Chase it, chase it, chase it

00:07:35Chase it, chase it, playful girl

00:07:37Chase it, chase it

00:07:38That the rhythm does not forgive

00:07:39He does not forgive

00:07:41Dembo 24-7

00:07:44I breathe you

00:07:44These less alive and from the streets inspire me

00:07:47We continue to see

00:07:48At the top hesitating

00:07:50The girls are in the world, we are

00:07:54NASA called me reporting

00:07:57That there is a contagious rhythm

00:07:59Super dangerous

00:08:00Let them put the cat strong

00:08:01Of nervous dogs

00:08:03Come, come, come, come, come, v piece

00:08:05Hang it up

00:08:05Come, come, come, come, come, come

00:08:09Hang it up

00:08:10Hang it up

00:08:21I forgive you

00:08:21Forgive us!

00:08:23That?!

00:08:24Get it! Get it!

00:08:25What a place!

00:08:27Get it! Get it!

00:08:28May the rhythm forgive us!

00:08:29Get it! Get it!

00:08:30May the rhythm forgive us!

00:08:32That?!

00:08:32He doesn't forgive!

00:08:33He doesn't forgive!

00:08:34They would say that you know how to improvise

00:08:37Ask people how they are enjoying themselves

00:08:40Hey, baby, what's next?

00:08:43Hit it wrong with the mixer

00:08:45Hit the mixer, mommy.

00:08:46Hit the mixer

00:08:48Hit the mixer, mommy.

00:08:49Hit the blender!

00:08:50Give me the blender, mommy

00:08:51to the blender

00:08:52Fire!

00:08:57Fire!

00:09:00Daddy Yankee!

00:09:03Andy, congratulations

00:09:05He comes out of the trance, the incarnation comes out

00:09:08from Daddy Yankee to hear the opinion

00:09:09of the jury, cachin

00:09:11These are the moments I applaud when I see

00:09:13to a singer who

00:09:14which I have always said before, has race

00:09:17and you need these difficulties

00:09:19to get ahead

00:09:21and you still keep saying

00:09:23that you have learned this recent song

00:09:25and that you had never sung it

00:09:27First time I sing it tonight

00:09:30and I wanted to give myself body and soul

00:09:32because the public deserves the best

00:09:33of my talent, right?

00:09:35I learned it now and now I've mastered it.

00:09:37I hope that...

00:09:39What I have seen is total control of everything.

00:09:41and applause for you and applause for the dance troupe too

00:09:44They've done you a great...

00:09:45Extraordinary, a great performance

00:09:47Congratulations, thanks Cachín

00:09:48I now give you the floor.

00:09:50to the great Jelly React

00:09:53Gandhi, congratulations on your presentation.

00:09:56What happened today is a big challenge.

00:10:00It's a song you didn't know

00:10:02However, you have taken it on in a very brave way.

00:10:05singing without glasses

00:10:06The eyes sometimes show terror a lot.

00:10:09and fear and doubts

00:10:12and I actually applaud that you have

00:10:14sung this song without glasses

00:10:15despite being a new song

00:10:17Anyway

00:10:20You have to keep taking care of your timing

00:10:24You're ahead, you're still ahead

00:10:26and the most melodic parts

00:10:29I've felt you...

00:10:30I feel that you have taken the indication that we have given you.

00:10:32to breathe them a little more

00:10:34and not make them so anxious

00:10:35Obviously there has been a problem of

00:10:37I don't know this letter for the first time

00:10:39There are the fears of facing a new letter

00:10:42which also has very difficult parts

00:10:45fast, what do I know

00:10:48and with speed you do well

00:10:49What you have to do is rest him more

00:10:51but anyway, congratulations

00:10:53to continue improving

00:10:54Thanks Yeli

00:10:55Ricardo Morán

00:10:56Gandhi

00:10:58let's see

00:10:59We are already, I think, in the third

00:11:03almost a week of competition

00:11:04So now we know a little bit

00:11:06to the participants

00:11:07and I can give you a diagnosis

00:11:10when you are insecure

00:11:12two things happen to you

00:11:13you run and scream

00:11:15and today you have been

00:11:17not as shouted as the other time

00:11:19Yes, it was like I took off my hearing aid.

00:11:21because it was like too much

00:11:22but you've been yelling

00:11:23and you've been running

00:11:25when your strong

00:11:26It is not the melodic, the tuned

00:11:29but rap

00:11:30the rapped part is your strong suit

00:11:32that's your mountain

00:11:33where you have to hold on

00:11:35This song allowed you to show off your rap skills.

00:11:38and although you have overcome the obstacle

00:11:41I'm not going to deny it

00:11:42I have come out ahead

00:11:43There have been several moments

00:11:45in which I felt

00:11:45that you were going to run away

00:11:47and that you were going to get ahead of the beat

00:11:48and you were going to leave time

00:11:49and that made it difficult to listen to

00:11:52if you didn't know the lyrics entirely

00:11:55I'm sure the public

00:11:56I could have forgiven a sentence here

00:11:58and a phrase there

00:11:58I don't want to remember Eminem's example

00:12:0014 years ago

00:12:01who invented the entire lyrics of a song

00:12:03when a night of elimination happened to him very quickly

00:12:07but before doing that

00:12:09I would prefer you to breathe

00:12:12and that you really experienced the same atmosphere with the public

00:12:16in terms of rhythm

00:12:17and in terms of volume

00:12:19so you don't look tense on stage

00:12:21I feel like you've gotten out of the hole

00:12:24but it's not your best presentation

00:12:25Many thanks to the jury

00:12:28Thank you Gandhi please

00:12:29to your location

00:12:30and to take very seriously

00:12:32the advice of our jury

00:12:35you move on to the next phase

00:12:36Let's go backstage with Diana

00:12:38Franco, here I am

00:12:40while our great Iván Cruz

00:12:42gets her hair done

00:12:45Let me tell you, sir

00:12:47on this night of judgment

00:12:49all the little diets

00:12:51send you the best vibes

00:12:53for your presentation

00:12:54I see it as very elegant

00:12:55and ready to go out and sing

00:12:58would like to wish you something

00:13:00I don't know how to tell people

00:13:02that follows them

00:13:02some message

00:13:04Well, I think so.

00:13:05thanking all that family

00:13:07that has been made present today

00:13:09here I am

00:13:11that Ivan Cruz

00:13:12there is for a while

00:13:13very good

00:13:14That's how I like Iván Cruz

00:13:16great Manuel

00:13:17Manuelito

00:13:18then Ivan Cruz

00:13:19is preparing

00:13:20to make this great presentation

00:13:22I love

00:13:23that we maintain this strength

00:13:25because on a night of sentencing

00:13:27it's complicated

00:13:28what yes

00:13:28let's remember

00:13:30to the great Iván Cruz

00:13:31and before presenting

00:13:44to Iván Cruz

00:13:46Let me remind you that for the first time

00:13:47in Peru

00:13:48arrives

00:13:49I Am the Show

00:13:50an interactive musical show

00:13:52two hours

00:13:53with the inviters

00:13:54most beloved of the program

00:13:55and a staging

00:13:56dazzling

00:13:57in this show

00:13:58you will be able to sing

00:13:59your favorite songs

00:14:00choose what you want to listen to

00:14:02experience a live casting

00:14:02and enjoy unique surprises

00:14:04even discover the secrets

00:14:06best kept

00:14:07of I Am

00:14:08We'll be waiting for you downtown

00:14:09of conventions

00:14:10The Guide

00:14:10Arequipa Avenue

00:14:11834 Lima

00:14:13buy your tickets

00:14:13at ticketmaster.pe

00:14:15and take advantage

00:14:1610%

00:14:17discount

00:14:18in pre-sale

00:14:1812 unique

00:14:19functions

00:14:20in October

00:14:21I am

00:14:22the show

00:14:22from TV

00:14:23to the official show

00:14:24live

00:14:24And now yes

00:14:27Sings

00:14:28You tell me

00:14:29that you're leaving

00:14:30Ivan Cruz

00:14:32I am

00:14:40Ivan Cruz

00:14:43Yeah!

00:14:54You tell me

00:15:12that you're leaving

00:15:13that I am no longer your life

00:15:15You tell me

00:15:17that he is dead

00:15:18the love that for my essence

00:15:20You tell me

00:15:22that you're leaving

00:15:23I say

00:15:24that is a lie

00:15:25I have not given a reason

00:15:28for this farewell

00:15:30You tell me

00:15:33that you're leaving

00:15:35that I am no longer your life

00:15:37You tell me

00:15:38that he is dead

00:15:40the love that for my essence

00:15:42You tell me

00:15:43that you're leaving

00:15:44I say

00:15:45that is a lie

00:15:47I have not given a reason

00:15:49for this farewell

00:15:52My mind

00:15:55is transported

00:15:57if a time

00:15:58not far away

00:15:59where you told me

00:16:01that never

00:16:02I would forget

00:16:03where you told me

00:16:06that without you

00:16:07I wouldn't live

00:16:08that I would always be

00:16:10love

00:16:11of your whole life

00:16:13I couldn't imagine

00:16:16that would arrive

00:16:17this day

00:16:18where with your farewell

00:16:20your eye on me

00:16:21would truncate it

00:16:23No

00:16:23I couldn't imagine

00:16:25that one day

00:16:26you would leave

00:16:28that you always told me

00:16:30that without me

00:16:31I wouldn't live

00:16:33My mind is transported

00:17:02if a time

00:17:03and a time not far away

00:17:04where you told me

00:17:06that never

00:17:07you would forget me

00:17:08where you told me

00:17:11that without me

00:17:12you wouldn't live

00:17:13that I would always be

00:17:15love

00:17:16of your whole life

00:17:18I couldn't imagine

00:17:21that would arrive

00:17:22this day

00:17:23where with your farewell

00:17:25everything in me

00:17:26would truncate it

00:17:27No

00:17:28I couldn't imagine

00:17:30that one day

00:17:31you would leave

00:17:33Well, you always told me

00:17:35that without me

00:17:36you wouldn't live

00:17:38you tell me

00:17:39that you're leaving

00:17:40I say

00:17:41that is a lie

00:17:42but it is not

00:17:44another reason

00:17:44for this farewell

00:17:49for this farewell

00:17:54Bravo!

00:18:02Spectacular!

00:18:06Teacher

00:18:07I bring you

00:18:09some gifts

00:18:11thanks to this presentation

00:18:16that has given us

00:18:17one more time

00:18:18play a moment

00:18:21important

00:18:21what is

00:18:23the return

00:18:24of the jury

00:18:25but that will be

00:18:26after the break

00:18:27advertising

00:18:28don't move

00:18:29This is I Am

00:18:30Very good

00:18:37we are ready

00:18:38to receive

00:18:38the opinion

00:18:39of our jury

00:18:40around this presentation

00:18:42that has given us

00:18:43Ivan Cruz

00:18:43Cachín

00:18:44Don Manuel

00:18:45I want to congratulate you

00:18:47because I still remember

00:18:48the first time

00:18:49that I saw him appear

00:18:50there in Chiclayo

00:18:51when we were

00:18:52casting

00:18:53and evolution

00:18:54that you have had

00:18:55until now

00:18:56it is magnificent

00:18:58I want you to yourself

00:18:59I checked it

00:19:00and watch that video

00:19:01from the beginning

00:19:02and watch this last video

00:19:03how he sings

00:19:04how it is maintained

00:19:05with a control

00:19:07even though now

00:19:08we told him

00:19:09that he was without glasses

00:19:10was able to move

00:19:11don't worry

00:19:12I got a little nervous

00:19:13because he left a little bit

00:19:14for the edge

00:19:14we had to send

00:19:15to someone to let him know

00:19:16because I know

00:19:17what it's like to be without glasses

00:19:18also

00:19:18and sometimes I don't know

00:19:19it is not measured well

00:19:20where is the end

00:19:21of the road

00:19:22but it seems to me

00:19:23that I'm still missing

00:19:25the bell

00:19:27by Iván Cruz

00:19:28you sing very well

00:19:29you move

00:19:31when he sings

00:19:32but I'm missing

00:19:33a feature

00:19:34that always had

00:19:35Ivan Cruz

00:19:35that was the

00:19:36who played with the

00:19:39with the throat

00:19:40I don't know if it was the throat

00:19:41but

00:19:41that ending

00:19:43I was missing

00:19:44that moment

00:19:45and I didn't have it

00:19:45that's why

00:19:47I can't tell you

00:19:48that I liked

00:19:49completely

00:19:49imitation

00:19:50very good

00:19:52Thanks Cachín

00:19:52Yeli Reategui

00:19:54Manuel

00:19:55congratulations

00:19:56for your presentation

00:19:57I insist

00:19:59and I repeat again

00:20:00what I said

00:20:01in the evaluation

00:20:02pass

00:20:02as part

00:20:04as a member

00:20:05of the club

00:20:06of the grandchildren

00:20:07I love

00:20:10listen to you

00:20:11I love

00:20:11because you have

00:20:12a charisma

00:20:12very big

00:20:13that escapes you

00:20:14in a way

00:20:15unconscious

00:20:16also

00:20:16because sometimes

00:20:17you have incorporated

00:20:18the darkness

00:20:19that I mentioned to you

00:20:20also

00:20:20but your energy

00:20:22is more powerful

00:20:23and I insist

00:20:25the day that

00:20:26decide to do concerts

00:20:28and make a career

00:20:29like Manuel Vallejos

00:20:30you're going to do very well

00:20:31and really

00:20:32that I wish it for you

00:20:32imitation

00:20:34I haven't heard

00:20:35a nearby doorbell

00:20:36has been out of tune

00:20:37and there is something

00:20:38which is also important

00:20:39that we have said it

00:20:40also in this program

00:20:41this season

00:20:42Well, I just

00:20:43I'm getting into it

00:20:44this season

00:20:45also

00:20:46but

00:20:47there are details

00:20:48very important

00:20:49how to send greetings

00:20:50to his son

00:20:51to Manuel's son

00:20:53not to Ivan's

00:20:54that remain

00:20:56lot

00:20:57to the interpretation

00:20:57because it is not the character

00:20:58talking

00:20:59It's Manuel

00:21:00who is who

00:21:02I have seen this night

00:21:03anyway

00:21:04I congratulate you

00:21:05for his dedication

00:21:06for his charisma

00:21:06and for the beautiful

00:21:07who sings and performs

00:21:08thanks a lot

00:21:10Yeli

00:21:10important to remind you

00:21:11to the public

00:21:11what grandchildren

00:21:13it is up to a certain age

00:21:14then they come

00:21:15little nephews

00:21:15little cousins

00:21:16and promotion

00:21:17but I am still

00:21:18until what age

00:21:19you are in grandchildren

00:21:20you are in range

00:21:21Ricardo Morán

00:21:23let's not talk about the subject

00:21:23Please, Ricardo

00:21:24leave it there

00:21:24I don't know why

00:21:25I have felt singled out

00:21:27Franco Cabrera

00:21:28grandson too

00:21:29applause for another

00:21:30grandson

00:21:30No

00:21:31No

00:21:32but I would be delighted

00:21:33to promote

00:21:34also

00:21:34above all

00:21:35reach the age

00:21:36by Mr. Manuel Vallejo

00:21:37singing like he sings

00:21:38as is

00:21:39Sir

00:21:41he has sung well

00:21:42he has sung well

00:21:43at times

00:21:44has incorporated

00:21:45darkness in the doorbell

00:21:46and scraping

00:21:47that we have asked for

00:21:47to get closer

00:21:48to the character

00:21:49at times

00:21:49No

00:21:50It was Manuel's voice

00:21:51in particular

00:21:52I want to point out

00:21:53two things

00:21:53one that he already pointed out to you

00:21:54to Yeli

00:21:55what is that

00:21:56if you are going to send him

00:21:58greetings to your son

00:21:59and he's going to do it

00:22:01before going on stage

00:22:02suddenly

00:22:03where Diana

00:22:03or now

00:22:04when it's over

00:22:05to sing

00:22:06everything is cool

00:22:07No?

00:22:07I would like to too

00:22:08Greetings from here

00:22:09to Emiliano and Catalina

00:22:10that I love them

00:22:10I love you

00:22:11I miss them

00:22:11when we are recording

00:22:14until so late

00:22:14but

00:22:16since you say

00:22:17I am

00:22:17and go through that door

00:22:19until the song ends

00:22:20You are Ivan Cruz

00:22:21and cannot break

00:22:23with the character

00:22:23It's like I buy

00:22:24an entry

00:22:25to go see Hamlet

00:22:26and halfway through

00:22:27zero not zero

00:22:28Greetings to my mom

00:22:29that is in the public

00:22:30it never happens

00:22:31so

00:22:32that makes

00:22:33then

00:22:33You are no longer Iván Cruz

00:22:34and unfortunately

00:22:36you harm yourself

00:22:38do not harm yourself

00:22:39in the contest

00:22:40rather do things

00:22:40to support him

00:22:41to continue growing

00:22:42there are a lot of people

00:22:43who is in the mood

00:22:43to continue seeing it

00:22:44then he doesn't get involved

00:22:46you fit

00:22:47and well

00:22:48the last note

00:22:49he left us

00:22:49there were several out-of-tune sounds

00:22:50but the last note

00:22:51it was clearly

00:22:52out of tune

00:22:53and I want to thank

00:22:54to all the people

00:22:55that after I

00:22:56I made the observation

00:22:57that I didn't have

00:22:58a clear reference

00:22:59by Iván Cruz

00:22:59singing with glasses

00:23:00they sent me

00:23:0180 videos

00:23:02by Iván Cruz

00:23:03singing with glasses

00:23:05so don't worry

00:23:06for your next presentation

00:23:07if I saw it

00:23:08sing with your lens

00:23:09no more

00:23:09because Ivan Cruz

00:23:10He also sings with glasses

00:23:11I also sing with glasses

00:23:12Thanks Ricardo

00:23:13thanks to the jury

00:23:14and thanks to the people

00:23:14that commands us

00:23:15always photos

00:23:16and information

00:23:16let's go backstage

00:23:18with Diana

00:23:18Diana forward

00:23:19Frankito

00:23:21we are

00:23:22with Ruben

00:23:24Blades

00:23:25that today

00:23:26without glasses

00:23:26but with a hat

00:23:27comes to give it his all

00:23:30because tonight

00:23:31of sentence

00:23:31always take out

00:23:32the best

00:23:33of each one of you

00:23:34and I think you're going to impress

00:23:35it's a but

00:23:36it's a but

00:23:37above all

00:23:38to Ricardo

00:23:40to Ricardo

00:23:40it is very personal

00:23:41today

00:23:41I hope you like it

00:23:43my presentation

00:23:43I'm almost sure

00:23:45yes

00:23:46and the people

00:23:48also

00:23:48the fans

00:23:49Ruben's

00:23:50they want to see you

00:23:51already on stage

00:23:52so I wish you

00:23:52best of luck

00:23:53I think you're going to do it

00:23:54incredible

00:23:54I have heard you

00:23:55practice here

00:23:55with the maraca

00:23:56was being done

00:23:56an essay

00:23:57and I already wanted

00:23:58start dancing

00:23:59let's see

00:24:00how he reacted

00:24:01before his sentence

00:24:03Rubén Blades

00:24:04I think this is it

00:24:05the presentation

00:24:06in which less

00:24:07I have seen Rubén Blades

00:24:08I think that

00:24:09have not seen the videos

00:24:10that they have given me

00:24:12of reference to me

00:24:12They have criticized me

00:24:15the dance I did

00:24:16and that dance is

00:24:17as is

00:24:18as Ruben has done

00:24:19in the video

00:24:19I see you now

00:24:20singing

00:24:21I say

00:24:22hey

00:24:22This guy sings so well

00:24:24has a similar timbre

00:24:25to Rubén Blades

00:24:25but I don't see Rubén Blades

00:24:26physically

00:24:27It seems that they had not seen

00:24:29the video

00:24:29reference

00:24:30or have seen another video

00:24:31I don't know

00:24:31I combed my hair like him

00:24:34young

00:24:35I cut myself more

00:24:36the bar

00:24:37Did you think you were going to court?

00:24:39I don't think so

00:24:40and now yes

00:24:45sings

00:24:46desire

00:24:47Rubén Blades

00:24:49I am

00:24:58Rubén Blades

00:24:59you belong to another man

00:25:26I belong to another woman

00:25:30but you have me in your heart

00:25:32and I have them for you too

00:25:34but you have me in your heart

00:25:36and I have them for you too

00:25:38when I meet you on the street

00:25:49I feel your gaze searching for me

00:25:52and you have a crush on me

00:25:54and you can't deny it to me

00:25:57is that you have a crush on me

00:25:59and you can't deny it to me

00:26:01let's not waste any more time

00:26:09our feeling

00:26:11calls for unity

00:26:14although he calls us in sin

00:26:17you have shown me

00:26:20What do you want my love?

00:26:22break the chain

00:26:24break the chain

00:26:25from pain

00:26:26that your absence

00:26:28give my heart

00:26:30although you belong

00:26:33to another man

00:26:34and I belong

00:26:37to another woman

00:26:38but you have me in your heart

00:26:40and I have them for you too

00:26:42but you have me in your heart

00:26:44and I have them for you too

00:26:46and I have them for you too

00:26:50that you have a crush on me

00:26:51oh, oh, oh, oh, oh

00:26:52I want to portray myself in you

00:26:54that you have a crush on me

00:26:56Dad, don't forget me

00:26:58that you have a crush on me

00:27:01in your cold

00:27:02and I in your coat

00:27:03that you have a crush on me

00:27:04I just want to be

00:27:05I just want to be

00:27:06I just want to be with you

00:27:07What do you feel like doing to me?

00:27:09I tell you without shame

00:27:11that you have a crush on me

00:27:13if it is seen on your face

00:27:15that you have a crush on me

00:27:17come and come and tell me

00:27:18that you play

00:27:19that you have a crush on me

00:27:21I tell you without shame

00:27:24that you have a crush on me

00:27:25You want something with me

00:27:55It's that you have a crush on me

00:28:01I, I, I, I, I want to be your friend

00:28:04It's that you have a crush on me

00:28:06Oh, I tell you confidentially.

00:28:09It's that you have a crush on me

00:28:11You want something with me

00:28:13It's that you have a crush on me

00:28:15And what I want is forbidden

00:28:17It's that you have a crush on me

00:28:19If you can see it on your face

00:28:21It's that you have a crush on me

00:28:23Come there and tell me what it is

00:28:53It's that you have a crush on me

00:28:59I know you better, darling.

00:29:03It's that you have a crush on me

00:29:04Even if you play dumb

00:29:07It's that you have a crush on me

00:29:08Where today I have sinned

00:29:11It's that you have a crush on me

00:29:12Heart goes to the market

00:29:15It's that you have a crush on me

00:29:16They don't give you what you want

00:29:19It's that you have a crush on me

00:29:21That's why you die for me

00:29:23Allelelelele

00:29:28Sabraza

00:29:39Rubén Brahe

00:29:42Great knight

00:29:45Come here

00:29:45To the front

00:29:46What a good topic

00:29:47Te monga

00:29:48Great song

00:29:50Desire

00:29:50Do you know what I feel like doing?

00:29:52Going to the commercial break

00:29:53Quickly

00:29:54Cut and we come

00:29:55We're back

00:30:04Dear friends

00:30:05Friends

00:30:05And let's listen now

00:30:06Our jury's opinion

00:30:08Yeli Reategui

00:30:08Oh sorry

00:30:10Miguel

00:30:11Darling

00:30:11Congratulations on your presentation

00:30:13I've seen you enjoy

00:30:15Something I was missing

00:30:17Mouthful of enjoyment

00:30:18And that you feel comfortable

00:30:21In order to flow

00:30:23And have real fun

00:30:25The maraca

00:30:26I know we told you

00:30:30In the last return

00:30:31What had to be found

00:30:32Something to keep

00:30:34The key to salsa

00:30:35I think the maracas

00:30:36They were an element

00:30:38Intelligent

00:30:39To incorporate

00:30:40But at times

00:30:41Yes, I was leaving.

00:30:42Because it was heard

00:30:43A lot

00:30:43Very strong

00:30:44AND

00:30:46Sometimes I was precise

00:30:48And sometimes not

00:30:49So you have to be careful there.

00:30:50Because at times

00:30:52It distracted me

00:30:52Good with energy

00:30:54But something happens

00:30:56When you get nervous

00:30:57It's that you run a lot

00:30:58You go ahead

00:30:59And I'm missing

00:31:01The forcefulness

00:31:02And the timing

00:31:03What does Rubén Blades have?

00:31:04When singing

00:31:05What is timing?

00:31:05Very, very precise

00:31:07If you work on that precision

00:31:10You'll have better presentations

00:31:12But I liked this one

00:31:13More than the previous one

00:31:14I have felt you more present

00:31:15Thanks Yeli

00:31:16Thanks Yeli

00:31:16Cachín

00:31:17Miguel

00:31:19I agree with Yeli

00:31:20And I want to tell you something

00:31:22I have it saved there.

00:31:24And I don't want to keep it to myself.

00:31:25Because I think you need it

00:31:27What is it that we

00:31:28As a jury

00:31:29Apart from judging

00:31:30And say if it is right or wrong

00:31:31We have the best intentions

00:31:33So that they grow

00:31:35Our participants

00:31:36I don't think it's necessary

00:31:38Guide ourselves with a reference

00:31:41From a video

00:31:42Or two videos

00:31:43Character's fate

00:31:45What we know

00:31:45And what we investigate

00:31:46And we do our homework

00:31:47So

00:31:48If that way

00:31:49You didn't feel comfortable

00:31:50With a comment

00:31:51And that you were clear

00:31:53The reference

00:31:53Ok

00:31:54But it is not

00:31:55That's not the problem

00:31:57The problem

00:31:58I feel

00:31:58That you have a bell

00:32:00At times

00:32:01Very similar

00:32:02That's why you convinced us

00:32:04And you convince us

00:32:05In many moments

00:32:05To Rubén Blades

00:32:07And there are other moments

00:32:08In which you leave

00:32:09I don't know if it's because of nerves

00:32:12And it goes away too

00:32:13The tuning

00:32:14In the first

00:32:15Scoundrel

00:32:16I'm telling you

00:32:17That is complicated

00:32:19The way it is written

00:32:20You left completely

00:32:21About tuning

00:32:22In the second it improved

00:32:23The maracas

00:32:24I agree with Yeli

00:32:25I

00:32:26Particularly

00:32:27I would have you

00:32:28Recommended

00:32:29That you use them

00:32:29But without seed

00:32:31Because?

00:32:32Because I'm telling you so

00:32:33When you sing

00:32:34And you touch them at the same time

00:32:35There's something there

00:32:36That does not match

00:32:37And you don't know

00:32:38Because you are a musician

00:32:39I listened

00:32:40The maracas

00:32:40Here in the hearing aid

00:32:42And it was

00:32:42Oh no

00:32:43Let them not sound

00:32:44And when

00:32:45Wait for it

00:32:46Let me finish

00:32:47And when you touched them

00:32:49Without singing

00:32:49When you don't have to sing

00:32:50There you hooked

00:32:51With your classmates

00:32:53That apart from making the feint

00:32:54They were also playing

00:32:55Up to here it was heard

00:32:56The little bell

00:32:56And that serves you

00:32:58As a salsa singer

00:33:00But don't get involved Cade

00:33:01The next one

00:33:03Suddenly

00:33:04Seedless

00:33:05And now

00:33:07What is the sentence?

00:33:08Well now

00:33:09It is the elimination

00:33:09Sorry

00:33:10We have to be clear

00:33:11With what we are going to take

00:33:12As a final decision

00:33:13Okay?

00:33:14Thank you so much

00:33:15There is a doubt

00:33:17On the face

00:33:18By Ricardo Morán

00:33:19I think it has to do with

00:33:20With the seed

00:33:20Ricardo

00:33:21Memories of the past

00:33:25Listen to me

00:33:25I think it improved

00:33:27The bell

00:33:28When you started the song

00:33:29I think short sentences

00:33:30They help you

00:33:31Because there is a doorbell

00:33:34A little more nasal

00:33:35And a little brighter

00:33:36What do you do?

00:33:37That brings you very close

00:33:38To the character

00:33:38And there we were fine

00:33:40Also a little bit

00:33:41Towards the end

00:33:41But unfortunately

00:33:43And I have to point this out.

00:33:44The zoning

00:33:45They have been

00:33:47But anywhere

00:33:48So all the good

00:33:49What did you build?

00:33:50The beginning

00:33:50What I said

00:33:51Hey, I didn't expect it.

00:33:51That there would be improvement

00:33:54Excellent

00:33:54Congratulations

00:33:55And suddenly

00:33:55Oh the zoning

00:33:56We didn't go

00:33:57But for any side

00:33:59But I hope the other thing

00:34:01Serve as a guide

00:34:02To continue improving

00:34:03This imitation

00:34:04Thank you so much

00:34:05To the jury

00:34:06Thanks to Rubén Blades

00:34:08Diana

00:34:08You are backstage

00:34:09Who do you have?

00:34:11The jury is demanding

00:34:13On this night

00:34:13Of elimination

00:34:15Camilo Sexto

00:34:17It's an important night

00:34:18It's a night

00:34:19What could it be?

00:34:20Your last night

00:34:21Like many

00:34:22From your colleagues

00:34:23I think that

00:34:24All of you

00:34:25They are doing

00:34:26All

00:34:27All

00:34:27In order to get out

00:34:28From sentence

00:34:29And continue

00:34:30For those 20 thousand

00:34:31Tell me

00:34:31How are you feeling today?

00:34:34Happy

00:34:35Today I feel happy

00:34:37That's all

00:34:38I feel happy

00:34:39Do you think so?

00:34:41Or is there something that

00:34:42Maybe around there

00:34:44Do you want to tell us?

00:34:45Has something happened?

00:34:46Do you see a sparkle in your eyes?

00:34:48No

00:34:48It's that being here

00:34:48It has been a dream

00:34:49Too big for me

00:34:50And well

00:34:52And I am grateful for this.

00:34:52Also to everyone

00:34:53To production

00:34:54To I Am

00:34:55That always

00:34:55May they always continue

00:34:56And do not leave

00:34:57Don't leave

00:34:58Don't leave

00:34:59This program never

00:35:00Because there are many talents

00:35:01In Peru

00:35:01How nice

00:35:02Very good Camilo

00:35:03I love Camilo

00:35:04I invite you

00:35:05Center stage

00:35:07Just like you

00:35:07And all your companions

00:35:09The truth

00:35:10That they are living

00:35:11Your dreams

00:35:11On stage

00:35:12Imitating his artist

00:35:14Favorite

00:35:15And each one of them

00:35:16With a story

00:35:16Today

00:35:17Let's get to know

00:35:18The story

00:35:19Behind Camilo Sexto

00:35:21Hello

00:35:26How are you?

00:35:26My name is Paul Torres

00:35:27Imitator of Camilo Sexto

00:35:29Of the season

00:35:30From I Am 2025

00:35:31And today I'm going to tell you

00:35:33A little about my life

00:35:34Artistic

00:35:35And personal

00:35:36I have been here for many years

00:35:40Imitating Camilo Sexto

00:35:42And for a long time

00:35:43I have tried

00:35:44Enter the program

00:35:45I am

00:35:46And this year

00:35:47I was given the opportunity

00:35:48To fulfill my dream

00:35:50I never imagined

00:35:51That being elected

00:35:52Among the 24 participants

00:35:54At two o'clock

00:35:55They were giving me the news

00:35:57That my son

00:35:57I was born

00:35:58I'll tell you

00:35:59That his name is Camilo

00:36:01Because precisely

00:36:02I named him Camilo Sexto

00:36:04That is my idol

00:36:05And Jackson too

00:36:07Because he is one of the singers

00:36:08That I admire

00:36:09That's like Michael Jackson

00:36:10And Lee too

00:36:12For his grandfather

00:36:13What do you like to look at?

00:36:14Bruce Lee's movies

00:36:15And my biggest dream

00:36:17It's that these videos

00:36:19Let them be recorded

00:36:20So that when my son grows up

00:36:21I can see what his father did

00:36:23Within the program

00:36:24And he feels proud of me

00:36:26So very soon

00:36:27Sonny

00:36:27You will grow

00:36:28And together

00:36:29We will be on stage

00:36:30Look at the name

00:36:35Incredible

00:36:36Camilo Jackson Lee

00:36:37Paul Martak's son

00:36:38Great name

00:36:40Great name

00:36:40The truth

00:36:40That all this experience

00:36:42In I Am

00:36:42He has left you

00:36:43These names

00:36:44Of artists

00:36:45Iconic

00:36:45I'm staying

00:36:46With that advice

00:36:47What did he give you?

00:36:47To production

00:36:48And to those in charge

00:36:50From this program

00:36:51To the leaders

00:36:52From this program

00:36:52May it never end

00:36:53Really

00:36:54Look at all the beautiful people

00:36:55That works

00:36:55For I Am

00:36:56Really

00:36:57I want to always be there

00:36:57Next to you

00:36:58Boys and girls

00:36:59Now yes

00:37:02He is ready

00:37:03But first

00:37:04Let's remember

00:37:05To the original

00:37:06Camilo Sesto

00:37:07Let's go then

00:37:19With the following presentation

00:37:20Sings

00:37:21Living like this

00:37:22It is to die of love

00:37:23Camilo Sesto

00:37:29I am

00:37:34Camilo Sesto

00:37:36He always betrays me

00:37:49The reason

00:37:50And it dominates me

00:37:52The heart

00:37:52I don't know how to fight

00:37:56Against love

00:37:58I will always fall in love

00:38:02I will always fall in love

00:38:02Who doesn't fall in love with me?

00:38:05And that is why my soul cries

00:38:09And I can't take it anymore

00:38:12And I can't take it anymore

00:38:15The same story always repeats itself

00:38:19And I can't take it anymore

00:38:24I'm tired of rolling

00:38:26Like a glory

00:38:28To live like this is to die of love.

00:38:36I am a beggar for your kisses

00:38:48I am your friend

00:38:50And I want to be something more than that

00:39:04And I want to be something more than that

00:39:08Merancholia

00:39:11Merancholia

00:39:11It always takes over

00:39:14Of my being

00:39:15My serenity

00:39:16It becomes madness

00:39:18And it fills me with bitterness

00:39:22I will always fall in love

00:39:26Who doesn't fall in love with me?

00:39:29And that is why my soul cries

00:39:34And I can't take it anymore

00:39:37And I can't take it anymore

00:39:39The same story always repeats itself

00:39:44And I can't take it anymore

00:39:46And I can't take it anymore

00:39:49I'm tired of rolling

00:39:51Like a glory

00:39:53To live like this is to die of love.

00:40:01For love I have in the wound

00:40:04For love

00:40:08I don't want any more life

00:40:10That in his life

00:40:11Melancholia

00:40:14Tremendous

00:40:27Wow!

00:40:33Camilo

00:40:34From this

00:40:35The public acclaims you

00:40:37He gives you

00:40:39All these screams

00:40:40This hubbub

00:40:41This joy

00:40:42For the tremendous presentation

00:40:43What has he given them?

00:40:45But now it's time

00:40:45Listen to the opinion

00:40:46From our jury

00:40:47What is it?

00:40:49Debating

00:40:50Polemicizing

00:40:52Chatting

00:40:53Dialoguing

00:40:54Around

00:40:55From this trial

00:40:58That they have to issue

00:40:59At the moment

00:41:00I'm going to start

00:41:01With Yeli

00:41:02While Ricardo

00:41:03And Cachín

00:41:04They keep crossing

00:41:04Words

00:41:05Yeli

00:41:06Dear Paul

00:41:07Congratulations

00:41:07For your presentation

00:41:08Something I liked

00:41:11I rescue the positive

00:41:12There has been a lot of dedication

00:41:14Much enjoyment

00:41:16That was something

00:41:17What I was missing

00:41:18That we saw it

00:41:20In your first casting

00:41:21AND

00:41:22And what do I understand?

00:41:24That as they go by

00:41:25The presentations

00:41:26This scenario

00:41:26It's quite intimidating

00:41:27And sometimes it eats you

00:41:28And nerves win

00:41:29And one tends to

00:41:30To give it more density

00:41:32Of what you need

00:41:33Actually

00:41:34Because this is for enjoying

00:41:35It is not for

00:41:35It's not for densear

00:41:36And I've seen you enjoying yourself

00:41:38And so

00:41:39I found it very nice

00:41:40However

00:41:45Also

00:41:45There are also things

00:41:47That continue improving

00:41:48The Spanish accent

00:41:50Needs more work

00:41:51It's not there yet

00:41:51Well detailed

00:41:52The use of S

00:41:53And the Z's

00:41:54It is not placed correctly

00:41:56It is intermittent

00:41:58It is not

00:41:58Very

00:41:59It is not so precise

00:42:00There are problems

00:42:01Also with pronunciation

00:42:02In other words

00:42:03Like the T

00:42:04I insist

00:42:05In other words

00:42:07From other letters

00:42:09Sorry

00:42:09From other consonants

00:42:10And it seemed to me

00:42:12Also that I enjoy it so much

00:42:14He took me

00:42:15Toward

00:42:16Other side

00:42:17Like an overacting

00:42:19That should be regulated

00:42:20Also

00:42:20But

00:42:21Thank you for your dedication

00:42:23We needed

00:42:24We needed to see that

00:42:26In this presentation

00:42:27Thank you

00:42:28As is

00:42:29I subscribe

00:42:30Ricardo Morán

00:42:31Sorry

00:42:36Cachín Alcántara

00:42:37Cachín Alcántara

00:42:39Moran

00:42:39There is familiarity

00:42:42Yeah

00:42:42AND

00:42:43Oh

00:42:45I'm going to do like Morán

00:42:46Let's see

00:42:47No

00:42:48No no

00:42:49No no

00:42:50It's a good start

00:42:52No, no, no

00:42:52Moran

00:42:53There is only one

00:42:53I just want to tell you

00:42:55No, everything is fine.

00:42:57All good

00:42:59I don't want to go to sentencing

00:43:00Please

00:43:00Please pull me closer

00:43:02To this gentleman here

00:43:03That makes me nervous

00:43:04Because I feel that too

00:43:05He's going to send me to sentencing.

00:43:06No, I want to be

00:43:08Totally practical with you

00:43:10And I believe that

00:43:10Your story

00:43:13She's cute too

00:43:15I remember when you arrived

00:43:17And you surprised us

00:43:18At the casting

00:43:19And I believe that

00:43:20That day

00:43:21It's your first memorable day

00:43:22What you have to remember

00:43:24Your children

00:43:25You have to make them remember

00:43:27That day

00:43:28You convinced us

00:43:29And you passed

00:43:30And from there onwards

00:43:31When you became

00:43:32One of the 24

00:43:33That's your other memorable day

00:43:35And from then on

00:43:36Your story

00:43:37It will be until the day

00:43:38What if it is today?

00:43:39Or in the next one

00:43:40Or in the next one

00:43:41Or suddenly

00:43:42Until the final

00:43:43That's going to be your story.

00:43:44You don't have to tell him

00:43:45You don't have to tell him more

00:43:46To the boys

00:43:46But simply

00:43:47May he feel happy

00:43:48That his dad

00:43:49He was on Peruvian television

00:43:50Doing the best he could

00:43:53That said

00:43:54I feel that

00:43:56Camilo Sexto

00:43:56He is a character

00:43:58Difficult to imitate

00:43:59Difficult to imitate

00:44:00Because he who is

00:44:01Almost entirely

00:44:02Perfect

00:44:03Tune

00:44:03And it has some notes

00:44:05Highs

00:44:06So hard to reach

00:44:07That you

00:44:08Today

00:44:08You have tried

00:44:10And I can tell you

00:44:10That you arrived

00:44:11You arrived

00:44:13You arrived

00:44:16You got to where

00:44:16You had to arrive

00:44:17Because that's what

00:44:18It has made a difference

00:44:19Between your previous

00:44:20Presentation

00:44:20Where do we send you?

00:44:21To sentence

00:44:22Because?

00:44:23Because you threw away the note

00:44:24Backward

00:44:25And Camilo Sexto

00:44:26You throw everything forward

00:44:27He has no fear

00:44:28To command

00:44:29The note outwards

00:44:30Today you sent

00:44:31The note outwards

00:44:32From there

00:44:34To be

00:44:34Almost

00:44:35In totality

00:44:36Tune

00:44:37At times

00:44:39You grabbed

00:44:40And at times

00:44:41No

00:44:41That's the difference

00:44:43Equal

00:44:45Congratulations

00:44:45Thanks a lot

00:44:47Very good

00:44:48Now yes

00:44:48Cachín Alcántara

00:44:49Moran

00:44:51Moran

00:44:51Ricardo Alcántara

00:44:52Ricardo Alcántara

00:44:54Ricardo Morán Alcántara

00:44:55And there he goes

00:44:57There he goes

00:44:57There is familiarity

00:44:58Didn't I tell them?

00:45:00Very good here

00:45:02Except

00:45:02What was that?

00:45:04Except the days

00:45:05In what

00:45:06In which unfortunately

00:45:07We have

00:45:08All these imitators

00:45:09That with greater or lesser

00:45:10Success they have strived for

00:45:11A lot

00:45:12And what have they left?

00:45:12Many things

00:45:13They have left family

00:45:14They have left their cities

00:45:15To be here

00:45:16And fight for a dream

00:45:17But as I told you

00:45:18To everyone on the first day

00:45:19Then

00:45:20That is not recorded

00:45:20In which I speak

00:45:21With the participants

00:45:22Only one

00:45:23Or a win

00:45:24Everyone else

00:45:25Try to take advantage

00:45:26The time that has been given to them

00:45:27In the best possible way

00:45:28In this scenario

00:45:29Because Peru

00:45:29He will continue to love them

00:45:31And he will always continue to look for them.

00:45:32Regardless of what happens

00:45:33With everyone

00:45:33With all who are here

00:45:35Today

00:45:36Let's talk

00:45:36In particular

00:45:37From the case of

00:45:38Camilo Sesto

00:45:40It seems to me that

00:45:41You have entered the stage

00:45:42With much better energy

00:45:44What other days

00:45:45And that's something

00:45:45That I want you to recognize

00:45:46And that you register

00:45:47Because

00:45:48You've had a couple

00:45:49Of tense presentations

00:45:50And that has affected you

00:45:52It has affected your performance

00:45:53It has failed to excite

00:45:54It has given you technical problems

00:45:56Today

00:45:57The energy has been good

00:45:58What has not been right

00:46:00Unfortunately

00:46:01And that's not your problem.

00:46:03Is

00:46:04Is

00:46:04It's the size

00:46:07Of talent

00:46:08And the technique

00:46:09By Camilo Sesto

00:46:10That is

00:46:11That drives

00:46:11A record

00:46:12And a tessitura

00:46:13Very wide

00:46:14With ease

00:46:15That makes it look like

00:46:16Magic

00:46:17What do you see the video?

00:46:18And you can't believe it

00:46:19You listen to the song

00:46:20And you can't believe it

00:46:21Let it go up and down

00:46:22And goes up and down

00:46:23And you

00:46:24Unfortunately

00:46:25This song

00:46:26Technically

00:46:26It's too big for you

00:46:27You have made a great effort

00:46:29You have come with very good energy

00:46:31But when it was time to go up

00:46:33You came as if holding on

00:46:34At the edge of the pool

00:46:35Happily

00:46:36It has not been noticed

00:46:37In your face

00:46:38It has not been noticed

00:46:39In your performance

00:46:40It has not been noticed

00:46:41In your stage performance

00:46:42But it has been noticed

00:46:43In the audio

00:46:44You don't have your

00:46:45Nor the rank

00:46:46Nor the tessitura

00:46:46Neither the technique

00:46:47To get

00:46:48Get them today

00:46:48I have no doubt that one day

00:46:50You can get it

00:46:51Let's see if in the competition

00:46:53It gives you time

00:46:53To achieve this

00:46:54But you have pointed out

00:46:55Of all

00:46:56I dare say

00:46:57It's the one you pointed out

00:46:58To the target

00:46:59Bigger

00:47:00From this competition

00:47:02And that's why

00:47:02You already deserve it

00:47:03Our admiration

00:47:04I hope you succeed

00:47:05Difficult challenge

00:47:06The one who has

00:47:07But congratulations

00:47:09Of all

00:47:09Anyway

00:47:10I'm going to Baste

00:47:10Christian

00:47:11Who are you with now?

00:47:13We are here

00:47:13With Emanuel

00:47:14Don't go

00:47:15Because the night

00:47:16Go on

00:47:17With great presentations

00:47:19Hey

00:47:20Hey

00:47:21Hey

00:47:22You have to let go

00:47:22I know we are

00:47:23More than a sentence

00:47:23But let's let go

00:47:25A bit

00:47:26All participants

00:47:27They are tense

00:47:28But I think it's time

00:47:29To give it all

00:47:30To demonstrate

00:47:31Why are you here?

00:47:33And in the case

00:47:34From your story

00:47:36You told us

00:47:38That if you won

00:47:39The competition

00:47:40Would you like?

00:47:41Do something

00:47:42With those 20 thousand

00:47:43Can you give me

00:47:44Can

00:47:45Share a little bit

00:47:46More about that?

00:47:48Hey

00:47:48Yeah

00:47:49Is

00:47:49It is to build it

00:47:50A space

00:47:52He called me

00:47:52A little house

00:47:53And well

00:47:54Hey

00:47:55About insurance

00:47:56It was given

00:47:56I don't know

00:47:57Equal

00:47:57Hey

00:47:58I

00:47:59I'm going to

00:47:59Yes or yes

00:48:00I'm going to do it

00:48:01I'm going to work hard

00:48:02So mom

00:48:03So don't worry

00:48:04That your little house

00:48:05You're going to have it

00:48:06You're going to have it

00:48:06Very good

00:48:08Now yes

00:48:09We breathe deeply

00:48:10We went out for mommy

00:48:13To make a presentation

00:48:14Incredible

00:48:15Emanuel Noir

00:48:16Let's remember

00:48:17To the original

00:48:18And now

00:48:19We start dancing

00:48:20Emanuel Noir

00:48:21Like the flower

00:48:24With so much love

00:48:26You tell me

00:48:29Yes, macho.

00:48:31Sings

00:48:32Like the flower

00:48:34For the delight

00:48:35Of all and all

00:48:36Emanuel Noir

00:48:38I am

00:48:47Emanuel Noir

00:48:48Like the flower

00:48:57With so much love

00:49:04You tell me

00:49:09It withered

00:49:13Today

00:49:15I'm leaving

00:49:19Today

00:49:21I know how to lose

00:49:25But

00:49:31Oh

00:49:32How it hurts me

00:49:38I know you have

00:49:57However

00:50:00I wish you

00:50:01I wish you

00:50:02The best

00:50:04If you did not find in me

00:50:07Happiness

00:50:09Maybe

00:50:10Someone else

00:50:13He will give it to you

00:50:14Like the flower

00:50:16Like the flower

00:50:17With so much love

00:50:19You tell me

00:50:20You tell me

00:50:22It withered

00:50:24I'm not leaving

00:50:26Today

00:50:27I know how to lose

00:50:29But

00:50:31Oh

00:50:32Oh

00:50:33How it hurts me

00:50:35Oh

00:50:37How it hurts me

00:50:40Listen to him

00:50:40Oh

00:50:41If I saw

00:50:43How it hurts

00:50:44As

00:50:46As

00:50:47Going to God

00:50:48You take

00:50:49My heart

00:50:51I don't know

00:50:53If it were

00:50:54To love again

00:50:56Because I gave you

00:50:59All the love

00:51:00What could I give?

00:51:02Like the flower

00:51:04With so much love

00:51:06Get in

00:51:08You

00:51:09It withered

00:51:11I'm not leaving

00:51:13Today

00:51:14I know how to lose

00:51:17But

00:51:18Oh

00:51:20How it hurts me

00:51:22Now here

00:51:23Oh

00:51:25How it hurts me

00:51:27Above

00:51:28Che

00:51:29Oh

00:51:31The little hands

00:51:32Above

00:51:33Above

00:51:34Above

00:51:35As

00:51:37How it hurts me

00:51:39Spectacular

00:51:45Wow

00:51:48Come here

00:51:50What shirt

00:51:53You have changed the space

00:51:55I get the impression

00:51:56No, no, it was very hot

00:51:57I just took off my jacket

00:51:59Very tropical

00:52:00We hadn't seen the crowns yet

00:52:02Jelly Reategui

00:52:03Congratulations

00:52:06Rogelio

00:52:08For your presentation

00:52:09Congratulations too

00:52:10Franco Cabrera

00:52:11For that shirt that he took out of me

00:52:12You have to put on the shirt

00:52:13Like the art kids too

00:52:14You have to be there

00:52:15Very good

00:52:16With the timpani

00:52:17Good, Franco

00:52:18Congratulations

00:52:19Thank you, thank you

00:52:20Rogelio

00:52:23Calm down, calm down

00:52:24Breathe

00:52:25It's already happened

00:52:26Rogelio

00:52:27To me the truth

00:52:28I know you've noticed your out-of-tune sounds

00:52:30But honestly

00:52:33I never go into detail about that.

00:52:35Because there are other aspects

00:52:37That weigh more on me

00:52:40Sometimes

00:52:42As the interpretation

00:52:43That it has been very good

00:52:44Really

00:52:45Your corporality

00:52:46It has been precise

00:52:47She has been delivered

00:52:48You have performed very well.

00:52:49And you've given it all the punch

00:52:51And a lot of dedication

00:52:52And that's true.

00:52:53Which is very touching to see

00:52:55And I have enjoyed it

00:52:57Despite the discordances

00:52:58Your voice is very tired

00:52:59And it is understandable

00:53:00And to the other participants

00:53:02I also tell you

00:53:03This

00:53:04This program

00:53:05It is quite demanding

00:53:06And they are singing

00:53:07Many hours

00:53:08Many days in a row

00:53:10The instrument gets tired

00:53:11And it takes its toll

00:53:13Even so

00:53:14The delivery

00:53:15What have you had?

00:53:16Rogelio

00:53:17It has been very nice

00:53:19And here I'm going to stay

00:53:21Thanks Yeli

00:53:22Cachín Alcántara

00:53:24Rogelio

00:53:26And I want you to be calm

00:53:28I also reiterate

00:53:29The same thing Yeli tells you

00:53:30Be calm

00:53:31Because

00:53:32When I look at you

00:53:33On stage

00:53:34I see Manuel not going

00:53:38AND

00:53:39The reference

00:53:40From this video

00:53:42From this song

00:53:43What is a

00:53:44I guess so

00:53:45Several times

00:53:46I notice that he

00:53:47It's a risky thing

00:53:48Like you

00:53:49And he also decides

00:53:50Make this song

00:53:51This version

00:53:52Because it's not his

00:53:53And do it

00:53:55The beginning like this

00:53:56A cappella

00:53:57And there are some

00:53:58Or two or three times

00:53:59I've seen it

00:54:00Skating too

00:54:01And his musicians look at him

00:54:02But it is noticeable that he

00:54:03He wants to do it like this

00:54:04That is your proposal

00:54:06And that's why

00:54:07Stop being Emanuel not going

00:54:09And you don't stop being either

00:54:10The singer

00:54:11And the imitator

00:54:12What are you?

00:54:13So

00:54:15Stepping aside

00:54:16That moment

00:54:17That you were smart

00:54:18You knew you weren't coming

00:54:19And you said

00:54:20I don't do it

00:54:21It doesn't matter

00:54:22The concert continued

00:54:24And you did it very well.

00:54:25That's why

00:54:26I give you

00:54:27My congratulations

00:54:28Thanks Cachín

00:54:29And the public too

00:54:31Thank you with this applause

00:54:32But there is still more to come

00:54:33The opinion

00:54:34By Ricardo Morán

00:54:36No

00:54:37I feel that in accordance

00:54:38The competition is progressing

00:54:39Elimination nights

00:54:40They get tougher

00:54:41For everyone

00:54:42And I would like to ask the public

00:54:43A round of applause

00:54:44Not only for

00:54:45For Emanuel not to go

00:54:46But for

00:54:47For Daddy Yankee

00:54:48Ivan Cruz

00:54:49Robert Plaez

00:54:50Camilo Sesto

00:54:51And for those who have yet to leave

00:54:52Pedro Infante

00:54:53And Paul McCartney

00:54:54Because really

00:54:55They are holding on to the stage

00:54:56With nails and teeth

00:54:57Despite the obstacles

00:54:58And everyone is having obstacles

00:55:00Today

00:55:01Rogelio

00:55:02It has been quite evident

00:55:03What happened

00:55:04At the beginning

00:55:05Then it kept happening

00:55:06During the song also

00:55:08It's a very loud song

00:55:10For you

00:55:11It's a very loud song

00:55:12Also for Emanuel not to go

00:55:13The reference video

00:55:14Definitely also

00:55:15He starts by missing the note

00:55:16Completely

00:55:17What we just went through right now

00:55:19But that's no excuse.

00:55:20You have to go out and do it right.

00:55:21AND...

00:55:22And you have tried

00:55:23Have you tried?

00:55:24You have given everything

00:55:25You haven't hit the note

00:55:27Hey...

00:55:28But there are other aspects

00:55:30Which we also evaluate

00:55:31AND...

00:55:32And we'll see how it goes.

00:55:33For the rest of the night

00:55:34Tea...

00:55:35I said it on the show

00:55:36What did he send you?

00:55:37Elimination Night

00:55:39It's just trust

00:55:41I know you do.

00:55:42You have that ability

00:55:43But you have a topic

00:55:45Of doubt

00:55:46And scary

00:55:47And trustworthy

00:55:48To that note

00:55:49Yes you can get there

00:55:50Suddenly not today

00:55:51But yes you can

00:55:52And if today ends

00:55:54Not being your night

00:55:55That we don't know

00:55:56There is always someone

00:55:57What can you do?

00:55:58Also with...

00:55:59Some this...

00:56:00With errors

00:56:01This...

00:56:02This...

00:56:03Keep that

00:56:04Yes, you can.

00:56:05I mean...

00:56:06Well, you've already done it.

00:56:07In this scenario

00:56:08And yes, you can do it.

00:56:09You just have to believe yourself

00:56:11Thanks to the jury

00:56:13And thanks to Emanuel Noir

00:56:15Let's go backstage

00:56:16With Diana

00:56:17While I change my shirt

00:56:18We're coming

00:56:19Pedro Infante

00:56:21It's ready

00:56:22He has been listening

00:56:24And present at the presentation

00:56:26From his partner

00:56:27All...

00:56:28Everyone is

00:56:29With emotions

00:56:30And the nerves

00:56:31Because it's an important night

00:56:34I feel the same way today

00:56:36Are...

00:56:37Concentrating

00:56:39For this sentence

00:56:41Do not harm

00:56:42Within your competence

00:56:44How does Pedro Infante feel?

00:56:46With all the punch

00:56:49To go out and show it better

00:56:51And so this

00:56:52Learning more and more

00:56:53And let's go with everything today

00:56:55Very good, very good

00:56:56Pedro Infante

00:56:57Then I invite you

00:56:58To get you high

00:56:59On stage

00:57:01This...

00:57:02This...

00:57:03Quite...

00:57:04Pretty strong

00:57:05The competition

00:57:06I'm nervous

00:57:07I feel nervous

00:57:08For each one of them

00:57:09Let's see

00:57:10How Pedro Infante reacted

00:57:11Upon entering into sentencing

00:57:13Don't be afraid of him

00:57:15Let's delve deeper into seduction

00:57:16I feel that it has given you

00:57:17A little bit of shame this time

00:57:19And you've been a little shy

00:57:20He was much more flirtatious

00:57:21And it was much more seductive

00:57:23I am very aware

00:57:24Because...

00:57:25I was slack

00:57:26Very weak

00:57:27Let me tell you that today

00:57:29It's one of the ones I liked the least.

00:57:30Since you introduced yourself

00:57:31In I Am

00:57:33I think so too

00:57:34Seeing such artists

00:57:35No?

00:57:36To Cristian

00:57:37Man one who...

00:57:38That has a bit of...

00:57:39Nervous

00:57:40But...

00:57:41I am aware of everything

00:57:42And I am grateful for everything

00:57:43Unlike your classmates

00:57:44That they have gone to sentencing

00:57:45Does it scare you a little?

00:57:46Does it make you laugh?

00:57:47No, not laughter

00:57:48Obviously I think nerves

00:57:49At all times

00:57:50But I am aware of everything

00:57:51And I am grateful for everything

00:57:52Unlike your classmates

00:57:53That they have gone to sentencing

00:57:54Does it scare you a little?

00:57:55I think nerves in everything...

00:57:56At all times

00:57:57But we have to make it more positive.

00:57:58That personally

00:57:59Well, it's learning, isn't it?

00:58:00Learn a little more

00:58:01No, the nerves of the moment

00:58:02Sometimes you...

00:58:03They play against you

00:58:04And sometimes we also have

00:58:05High days, low days

00:58:06And here we are

00:58:11Oh, oh, oh!

00:58:12Hello!

00:58:13Hello!

00:58:14Ah!

00:58:15I took a little while there.

00:58:16Because...

00:58:17We have...

00:58:18Made a staging

00:58:19Spectacular

00:58:20That the public will now see it

00:58:21And also

00:58:22A little surprise too

00:58:24Oh!

00:58:25They don't know what's coming

00:58:26Sings!

00:58:27She!

00:58:28Pedro Infante!

00:58:29Pedro Infante!

00:58:37I am...

00:58:38Pedro Infante

00:58:39Oh!

00:58:40Ah!

00:58:42Oh!

00:58:45Oh!

00:58:46Oh!

00:58:47Oh!

00:58:48Oh!

00:58:49How sad I am, really!

00:59:00I got tired of begging her, I got tired of telling her that without her I would die of grief.

00:59:14He didn't want to listen to me anymore, if his lips opened, it was to tell me, I don't love you anymore, I felt like my life was lost in the abyss,

00:59:40Deep and black like my fate, I wanted to find oblivion in the Jalisco style.

00:59:53But those mariachis from that tequila made me cry.

01:00:02I got tired of begging him, I got tired of begging him, I got tired of begging him.

01:00:24With tears in my eyes, I raised my glass and toasted her.

01:00:33I couldn't despise it, it was the last toast of a poem, with an income.

01:00:49The mariachis fell silent.

01:00:55In my weak hand, my glass fell without realizing it.

01:01:04She wanted to stay when she saw my sadness.

01:01:11But it was already written that that night he would lose his love.

01:01:26Magnificent!

01:01:33Pedro Infante!

01:01:36Feels like Friday, huh?

01:01:38Please.

01:01:40And the dance troupe goes all out.

01:01:42Dancing, music and also sitting down to suck.

01:01:44A spectacular thing, huh?

01:01:45Incredible, the best.

01:01:47Cachín Alcántara, let's go with your opinion.

01:01:49Jesús Zabaleta, what are you made of, brother?

01:01:53What are you made of?

01:01:54You are entering sentencing for the first time.

01:01:59Just a moment, please.

01:02:01And you don't just get on stage to sing in character,

01:02:06but you also act like a drunk and you do it in a tapudrema.

01:02:12I mean...

01:02:13We attended to you.

01:02:14Did you understand?

01:02:15We helped you, leave it there, leave it there.

01:02:17Congratulations, I have nothing more to say than that you are a champion.

01:02:20Thanks, Cachín.

01:02:21Yeli, it's still costing him, he's already arrived.

01:02:25No, no, no, it took me a while to understand, it took me a while, but I finally got it.

01:02:28Obviously, that's it, that's it.

01:02:28Everyone has their own process.

01:02:29Obviously, everyone has their own time.

01:02:30Everyone has their own time, of course.

01:02:32And your timing is perfect too, Yeli.

01:02:33Thank you.

01:02:33Jesus, dear, congratulations on your presentation, congratulations on your dedication, on your risk,

01:02:41because we have seen Pedro Infante more disarmed, which was what we also wanted to break a little with the posture,

01:02:47with the bearing, with this very neat image of the hair sticking up and the bearing and well placed.

01:02:53And we've seen you now much more disjointed, while also acting very well.

01:03:00Be careful, only when he hasn't been there, he hasn't appeared.

01:03:05Just a matter of equalizing it better.

01:03:08The drunk never wants to look drunk, so sometimes you have to act in order to maintain control,

01:03:14but the body is the one that falls apart.

01:03:17But very good, I liked it.

01:03:18I liked the acting, I liked your performance, I liked not seeing you so armed.

01:03:25and I congratulate you on the risk.

01:03:28It is a presentation that I have enjoyed very much.

01:03:31Thanks, Yeli.

01:03:32Great point you made about the issue, the drunk doesn't want to look drunk.

01:03:36The best drunk I've ever seen, Franchela, in The Secret in Their Eyes, is spectacular.

01:03:40The best drunk I've ever seen is Franco Cabrera.

01:03:42Also, but sometimes it seems, sometimes it seems.

01:03:44Clear.

01:03:45No burning, please.

01:03:46Ricardo Mora.

01:03:47What are you talking about, guys?

01:03:50Listen to me, if I was talking to Cachín before the presentation of our Pedro Infante

01:03:55about this version that comes from a movie in which Pedro Infante is drunk,

01:04:01the character is drunk, right?

01:04:03And he is heartbroken.

01:04:04Yes, we were arguing because I didn't want to see him so drunk.

01:04:08I hope he's not that drunk.

01:04:10Because I'm going to reinforce what Yeli says in terms of directing actors.

01:04:17And I don't think you have any professional acting training, do you?

01:04:20This is your first experience acting here on stage.

01:04:23Ok.

01:04:24Miguel Rubio, director of Yuashkani, once gave me the idea when I was starting out as a UF theater director in the nineties,

01:04:30a very important lesson, and he told me, everyone acts like a drunk is falling.

01:04:35Exact.

01:04:36When the drunk wants to stand up and his body doesn't allow it.

01:04:40The drunk's action is, as Yeli says, trying to cope with the situation, pretending he is not drunk.

01:04:47And that is very complicated to act upon.

01:04:49And I said, oh, suddenly he's going to get involved himself by making you drunk without any training or direction to support him.

01:04:56But I have to say, surprisingly, this has been good.

01:05:04Wow!

01:05:05This was well sung, this was beautiful, this was heartfelt.

01:05:10Yes, the drunk could be more plausible, but that would require a different kind of training.

01:05:15And it fulfills this magic act thing that I'm talking about, right?

01:05:18The voice is for the program The Voice.

01:05:20This is acting, likeness and vocal timbre.

01:05:24And when one falls, the other comes in to replace it and they create the magic act.

01:05:29And today there has been magic there.

01:05:30Yes, I believed it.

01:05:32Very good.

01:05:33Thanks to the jury who has one more note.

01:05:35Yeli React.

01:05:36A little one, sorry.

01:05:38Take advantage of this resource that you have and this resource that this artist has.

01:05:42In acting more, in doing scenes where you can play and not be so static.

01:05:49No?

01:05:49There's something you already know how to do.

01:05:51Break up with that.

01:05:52Show us more staging because it's a resource that can work in your favor.

01:05:57Thanks, Yeli.

01:05:59Well.

01:06:00Search for Pedro Infante's films.

01:06:03There's quite a bit there.

01:06:04Just like that.

01:06:05Very good.

01:06:05While Pedro Infante and I sit down to have a drink, we go backstage with Diana.

01:06:08Go ahead, Diana.

01:06:09Come here, buddy.

01:06:09Come.

01:06:10Franco, we are here with the last participant.

01:06:13He is Paul McCartney.

01:06:15I see him moving from one side to the other.

01:06:16Clap for your colleagues.

01:06:18This is a competition, but everyone has become friends.

01:06:20You could be eliminated tonight.

01:06:24What would you like people to know about you, to remember about you during this competition?

01:06:30Well, I gave it my all for the artist I love so much, Paul McCartney, who gave me the courage to study and put my heart into the character.

01:06:39And well, I also want to thank my girlfriend who came to support me just today.

01:06:43This song goes out with a lot of love for him.

01:06:45Very good, beautiful.

01:06:46So, I came with dedication, with love.

01:06:49Paul McCartney, I invite you to please stand center stage.

01:06:54Because he closes this elimination night.

01:06:57Paul McCartney, let's remember the original.

01:07:11That.

01:07:12The audience is already eager to hear the next presentation.

01:07:15Let's close with a flourish.

01:07:17Do you want good music?

01:07:19Well, let's listen to it after the commercial break.

01:07:22We're coming.

01:07:30The night is about to end, elimination night.

01:07:33Three participants are leaving today and this is the last presentation.

01:07:36Presentation

01:07:37Sings

01:07:40My Love

01:07:42Paul McCartney

01:07:44I am

01:07:53Paul McCartney

01:07:54I'm gonna go away

01:08:06I know my heart can stay with my love

01:08:12It's understood

01:08:15It's in the hands of my love

01:08:19My love

01:08:24Does it go

01:08:27My love

01:08:40Does it go

01:08:43My love

01:08:48When the cup

01:08:49When the cup is there

01:08:50When the cup is there

01:08:50I still find something there

01:08:54With my love

01:08:55I still find something there

01:08:55With my love

01:08:56It's understood

01:08:59It's everywhere

01:09:01With my love

01:09:03My love

01:09:07Does it go

01:09:11Oh my love

01:09:18Oh my love

01:09:23My love

01:09:24Does it go

01:09:25Oh my love

01:09:27Oh my love

01:09:29Oh my love

01:09:31Oh my love

01:09:32Does it go

01:09:33Oh my love

01:09:34Oh my love

01:09:35Oh my love

01:09:36Oh my love

01:09:38Only my love

01:09:39Holds the old

01:09:41The key

01:09:42To me

01:09:43Oh my love

01:09:45Oh my love

01:09:47Oh my love

01:09:48Oh my love

01:09:50Only my love

01:09:52Does it go

01:09:53Only my love

01:09:54Only my love

01:09:55Does it go

01:09:57To me

01:09:59To me

01:10:06Thank you!

01:10:36Thank you!

01:11:06Thank you!

01:11:36Thank you!

01:11:38Thank you!

01:12:00Marvelous!

01:12:02Thank you!

01:12:04Thank you!

01:12:06Please come with me here in front.

01:12:10As you receive the applause of the audience, please come here to receive the jury's opinion.

01:12:16Yeli Reategui.

01:12:18Dear Sandro, congratulations on your presentation.

01:12:22Difficult subject.

01:12:24I applaud, I applaud a lot when risks are taken.

01:12:31And you've taken a big risk because your strength is really singing standing up with your bass and rocking and dancing and showing us that freshness that we're already accustomed to and that we love to see.

01:12:43We love to see, and at some point we ask you to change things up a bit, to break away from what we already know, so you can show us other sides of Paul McCartney.

01:12:51And you've also decided to sing with a piano, sitting down, which is more difficult.

01:12:57And while it's true there have been problems with pitch issues, I put that aside because on the scale of my tools, I put acting, imitation, characterization, and internalization of the character.

01:13:15And I've seen, I've seen you with very well-internalized gestures, I know you know this character very well and that has been seen, it is seen in your quality, in your interpretive quality.

01:13:25I really liked it in that sense, so congratulations.

01:13:29Very nice words from Yeli Reategui. Let's now listen to Cachín Alcántara.

01:13:33Sandro, you have a very important and interesting quality, which is, apart from knowing the character very well, you make good decisions when you're singing, when you're imitating.

01:13:47You know how to fool us. If I walk by here and see this thing, this concert of someone playing the piano, and I don't hear it, but I see it, I say even Paul McCartney playing.

01:13:59So, that's what I mean when I say it's not just about being in tune, it's not just about looking and singing like the character.

01:14:09There are many things that tip the scales toward saying, I liked it. In this case, you also convinced me.

01:14:16Great, thanks Cachín. Last opinion of the night, Ricardo Morán.

01:14:21Having heard all this, it must be emphasized that you were not in tune.

01:14:27And the tunings, while not the entire song, appeared consistently.

01:14:35Not so much the end, which I thought would be the hardest part. It was more the beginning.

01:14:38It seems like you were warming up and getting comfortable.

01:14:40But you're so familiar with McCartney's faces, grimaces, and inflections, that there were also little bits of English thrown in, just in case.

01:14:51And there's a vibrato that's yours, that's not Paul McCartney's either, that you have to erase.

01:14:56But it seems that it wasn't with you.

01:14:58And you realize when you're out of tune.

01:15:00And it just continues, as if nothing had happened.

01:15:02Crossing my fingers that no one notices.

01:15:04Which, honestly, is a good technique.

01:15:07We are not unaware of the lack of tune.

01:15:10But I think some people in the audience might not notice, basically because you just carry on as if nothing happened.

01:15:15You don't look like you're own goal, nothing.

01:15:18You're still there enjoying yourself on stage.

01:15:20That's good.

01:15:21But it won't be good if you don't fix the technical stuff.

01:15:26And that's something you have to put effort into.

01:15:28Plus, it's a song I know and love very much, and it leaves your voice very bare.

01:15:34There are times when only your voice holds and that's why it's been very evident where you've been shouting.

01:15:41And it's also a song that gives me memory.

01:15:46There are still a lot of positive aspects to your work as an actor.

01:15:50That is, like imitating the character and characterization.

01:15:53And vocal timbre makes these tuning issues not the most decisive when it comes to evaluation.

01:16:00But they cannot continue to happen.

01:16:02Many thanks to the jury.

01:16:04And thanks to the participants.

01:16:06Don't go yet, don't go.

01:16:08Speaking of participants, tonight's participants were asked who they thought should be saved.

01:16:14And here we have the answers. Go ahead.

01:16:19Paul McCartney.

01:16:20Who would you save from elimination?

01:16:23Pedrito Infante.

01:16:26Was...

01:16:27Just one, right?

01:16:28Just one, good.

01:16:29Would I save Paul McCartney?

01:16:31Well, I would save Pedro Infante.

01:16:33He has a good bearing and I like his interpretation of me.

01:16:40Who would you like to see saved from elimination?

01:16:43Paul McCartney.

01:16:44Because I've seen a lot of performance, a lot of performance, a lot of teamwork.

01:16:47I would save Daddy Yankee.

01:16:49Well, their physical resemblance is impressive to me.

01:16:52And in the voice I also think it is very close.

01:16:55I would save Emmanuel Noy from elimination.

01:16:57And not just in the voice, but also in the characterization, the tattoos and all that.

01:17:00He takes it to 100%.

01:17:01I would save Ivan Cruz.

01:17:03From there I admire him.

01:17:05He sings super well, at his age.

01:17:08I don't hear many people who sing like him.

01:17:15Very well, but unfortunately.

01:17:18And it's not to burst their bubble.

01:17:20Tonight, three contestants are leaving the competition forever.

01:17:24And this is the exact moment when we mention them.

01:17:27Because the elimination has arrived.

01:17:34Okay, this jury we're watching on screen will decide which three contestants will leave the competition tonight.

01:17:42Each of them will write on the board the names of the artists who must leave the competition.

01:17:48But first, Diana.

01:17:48Like every night on Elimination Night, the Betson lifeguard button appears.

01:17:55The jury has the option to press the button and protect one of the participants.

01:18:03I'm going to do a five-second countdown, and you can decide.

01:18:08I just want to emphasize, Diana, that each of us has only one lifeline available to us for the entire season.

01:18:14That is, once each of us uses our life preservers, we can't play with the life preserver anymore.

01:18:25So, it's an important decision.

01:18:27Elimination Night.

01:18:29I'm going to do a five-second countdown.

01:18:32If the public supports me...

01:18:36Let them use it, says the public.

01:18:37Let them use it, they ask to use it.

01:18:38What do they want at home too?

01:18:41I'll do the math then, okay?

01:18:42Come on, we'll give the jury five seconds to press the button if they so choose.

01:18:49Betson's lifeguard in five...

01:18:52Three, two, one!

01:18:57Ricardo Moran!

01:18:59Ricardo Morán has used...

01:19:02I'm going to protect Pedro Infante.

01:19:04Pedro Infante goes straight through, he's saved from this elimination and goes to the stands to wait for his other teammates.

01:19:15But I can't continue with the happiness because I have to ask Yeli Reategui.

01:19:22Yeli, tell us, write it on that board.

01:19:26Who do you think should leave the competition tonight?

01:19:36First elimination of the night, Yeli Reategui.

01:19:39And for you, who is it?

01:19:41Please write it on that board.

01:19:47Yeli, then...

01:19:48First of all, I really want to congratulate everyone because today they have given more than ever.

01:19:53And that is greatly appreciated.

01:19:56No matter what happens, please keep doing this, everyone is doing great.

01:20:01The jury now decides who should be eliminated from the competition for each of them.

01:20:08Yeli has already made a decision.

01:20:10And we'll see her whenever you want, Yeli.

01:20:17Camilo Sexto is unfortunately eliminated from the competition.

01:20:25The public does not agree.

01:20:27Strong applause for Camilo Sexto.

01:20:31Great participant.

01:20:32Tonight he has given us everything, all his talent, all his art.

01:20:38And I think he also says goodbye to his colleagues with great joy and brotherhood.

01:20:48Nobody wants to leave the competition.

01:20:50Let us remember that Camilo Sexto, during these days, being here in Lima,

01:20:57He is going to go directly to see his son, who was born almost 25 days ago, for the first time.

01:21:06So, Camilo, thank you so much for this wonderful evening.

01:21:11Loud applause for him, for Paul, the Camilo Sexto impersonator.

01:21:16And we, thank you Paul, thank you for everything you've given to this competition that continues.

01:21:23Because now we need to know...

01:21:25Let's see, for Cachín Alcántara, who should leave the competition tonight?

01:21:33Who's next to be eliminated?

01:21:35Cachín writes it on the blackboard.

01:21:37We give it the necessary time.

01:21:39We give it the necessary time.

01:21:41What a moment!

01:21:43How difficult!

01:21:54Waiting on stage are...

01:21:56Dari Yanqui, Iván Cruz, Rubén Blades, Emanuel Noir and Paul McCartney.

01:22:06Gosh!

01:22:07I wouldn't want to be in your shoes, friends.

01:22:09Tell us who's leaving the competition.

01:22:12How difficult!

01:22:14How difficult!

01:22:16How difficult!

01:22:18How difficult!

01:22:18Rubén Blades leaves Yo Soy to the sadness of the audience, but the jury stands and thanks him for each of the galas, each of the nights, for his dedication, his professionalism, and the great music he brought us.

01:22:42Diana.

01:22:42Let me tell you, Franquito, I chat while they wait to go out and make their presentations.

01:22:49They are really happy to be on this stage and they are truly artists.

01:22:58In this fierce, intense competition, they have demonstrated the level of professional imitation.

01:23:08Many thanks to Rubén Blades.

01:23:11They will be missed, but we have to continue because there is still one more name left.

01:23:16One eliminated, the last eliminated tonight.

01:23:21And this is up to Ricardo.

01:23:26Ricardo used the lifeline button tonight.

01:23:28Edson protected Pedro Infante, but right now, please, we need you to enter the name of the third person eliminated that night.

01:23:39That's it.

01:23:40Don't you want to take a little more time, Ricardo?

01:23:47I ask you, please, this is an important moment for the four remaining invitees.

01:23:56I ask you, please, that it be the best of decisions.

01:24:00I ask you, please, that it be the best of decisions.

01:24:05I ask you, please, that it be the best of decisions.

01:24:05Leave the competition tonight.

01:24:08Oh!

01:24:16Oh!

01:24:18Oh!

01:24:19Oh!

01:24:20Oh!

01:24:21Oh!

01:24:22Oh!

01:24:23Tremendous imitators on stage.

01:24:28The decision rests in the hands of Ricardo Morán.

01:24:33Oh!

01:24:34Oh!

01:24:35Oh!

01:24:36Oh!

01:24:37Oh!

01:24:38Oh!

01:24:39Oh!

01:24:40Oh!

01:24:41Oh!

01:24:42Oh!

01:24:43Ivan Cruz.

01:24:44Oh!

01:24:49Ivan Cruz.

01:24:50Ivan Cruz!

01:24:51Strong calm for Iván Cruz Manuel!

01:24:56Oh!

01:24:57Oh!

01:24:58I'm going to get closer, excuse me.

01:24:59Oh!

01:25:01Oh!

01:25:02Oh!

01:25:03Oh!

01:25:04Oh!

01:25:05Oh!

01:25:06Oh!

01:25:07Oh!

01:25:08Oh!

01:25:09Oh!

01:25:09Wow, very difficult

01:25:16The participants we are seeing here

01:25:18Those who have already left the competition too

01:25:21They have become a family

01:25:23They are like brothers

01:25:25They see the other participants as a father, as a grandfather

01:25:30Like the grandchildren, you mentioned it.

01:25:31And what will happen, of course, in this farewell

01:25:35It's going to be not only sad for them, but also sad for the public.

01:25:38But the audience here in the studio thanks our Iván Cruz standing up.

01:25:42For the tremendous dedication

01:25:45We want him back, Iván Cruz

01:25:47Let's hope he comes once more

01:25:48Manuel, come

01:25:50Would you like to say a few last words?

01:25:52Of course, well, very happy.

01:25:55Many thanks to all the friends I've made on this program.

01:26:01Lots of affection, lots of love

01:26:03And I, with the... I'm going to return

01:26:07Very good

01:26:08For return, for return

01:26:09That

01:26:10Thank you

01:26:11The grandchildren ask you, Iván Cruz

01:26:13Thanks a lot

01:26:15And strong palms

01:26:17Great participant

01:26:19Thanks to the other participants

01:26:21And congratulations

01:26:22Congratulations to all

01:26:23We'll meet again tomorrow.

01:26:25Thank you for being there

01:26:27Thank you for tuning in.

01:26:28This was

01:26:29I am

01:26:30Bye

01:26:31Which

01:26:32Esna

01:26:33Which

01:26:37I'm going to bring you back

01:26:37As

01:26:38Again

01:26:38AND

01:26:51In

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