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vale todo-capitulo 4
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Transcript
00:00Alfonso Almeida Roitman, 30 years old, does triathlon, he is kind, he is funny.
00:07Are you really in love?
00:08And you? How long are you staying?
00:10This time I'm staying.
00:13The drink, Elena, have you felt like drinking?
00:17I'm not thinking about drinking, I'm... just thinking about seeing Tiago.
00:22Let Tiago see his mother in a normal way.
00:25You know he's not taking any risks.
00:27To get my purse back, you missed your job interview.
00:31Okay, they rescheduled it. I think it was for a good reason.
00:38Help! Fire!
00:40For God's sake, what's going on?
00:41Attention! Fire alarm! Everyone out!
00:47Maria de Fatima was always obsessed with money and fame.
00:51Hey, Maria de Fatima is our daughter, but she was always an interested and very ambitious girl.
00:55Who are you to talk about my daughter like that?
00:57Rubito, you can't talk like that.
01:07But that's not true, Raquel. You always spoiled your daughter.
01:10And your father too. That's the result.
01:12And it's not your fault, is it? Why did you disappear?
01:15Hey, I tried to be the best father I could.
01:17What did you say? Wow, that's a lot of cynicism.
01:20Many children grow up far from their parents and yet they do not cheat on their mothers and steal money.
01:24You're saying my daughter did what?
01:26He stole. He stole. And I think we should go to the police station to report this act.
01:31I'm not going to report my daughter to the police. You're crazy.
01:35Hey, do you know how much the house sold for?
01:38I don't want to talk about money. I want to talk about my daughter, a girl who was cheated on by a man who's 15, 20 years older than her.
01:45If you don't go to the police, I will.
01:46No, you're not going. You're not going. You're not going anywhere.
01:49You should feel responsible for a daughter you abandoned and not want to report the poor innocent woman to the police.
01:55Besides, what he did isn't a crime. The house was in his name.
01:59I'm sure my daughter is sorry for what she did.
02:03He's somewhere, dying of shame for what he did.
02:06He doesn't know how to get back to apologize.
02:10This cream isn't going to leave my hair slicked back, is it?
02:17I'm going to the Tomorrow event.
02:19The advertising agency. I think it's the most important in the country.
02:23What time is it, huh?
02:24Hair and makeup are still missing.
02:30Excuse me, I'm looking for my daughter.
02:32Have you seen this girl?
02:33She's staying at a hotel nearby.
02:35Mary of Fatima is her name.
02:37Thank you so much.
02:40It's absurd that Rubito criticizes my daughter like that.
02:46Who thinks a lifelong absent father is?
02:49He who remains silent is wrong.
02:50Yeah.
02:51Raquel, what happened between you and your daughter?
02:53Sorry to ask.
02:55I can say it, I can say it, because my daughter was deceived.
02:59That kind of thing between mother and daughter.
03:01Hey, I'll tell you, educating a person is not easy.
03:04Yes, I know about that. It's not easy, really.
03:07No, and my daughter may even be in danger, you know?
03:10Hey, I walked a lot today. I searched all over Villa Isabel, but nothing.
03:15But finding someone in Rio de Janeiro without any references is a difficult task.
03:19We're going to find her.
03:19We're going to fix it.
03:20Yeah?
03:21We're going to find her.
03:23You'll see, everything will be fine.
03:25You're going to get your job.
03:26I'm going to find my daughter and return to my job in Foz.
03:29Seriously, Ivan, little by little things will get better.
03:33We don't even toast.
03:34Come on, let's toast.
03:34Elenita, if you don't feel safe, you don't have to go to that event.
03:47But what do I do to you, Aunt Celina?
03:50What if seeing me helps Marcus Aurelius change his mind about supervised visitation?
03:55It's not easy.
03:57But I must be strong.
04:00I think half of our problems come from the fact that we were raised to be strong.
04:06And all this because she is strong.
04:09Mrs. Odette Reutmann is strong.
04:11But no one is obliged to be.
04:15Furthermore, in a special situation like this, he is leaving a clinic.
04:21The only person who knows if you're ready to see Marcus Aurelius today is you.
04:28And look who's arriving: Alfonso Reutmann, heir to the Almeida Reutmann group with Celina Aguilar Junquero.
04:41Hello, Cecilia.
04:41Hello how are you?
04:42Alfonso, can you talk to us? Good evening.
04:45Good night.
04:45Welcome back to Brazil.
04:46Thank you.
04:47Alfonso, what can you say to single women in Rio de Janeiro?
04:51The best match in town. Are you single?
04:54Sorry, I came for the party.
04:55It's an important night, a celebration of 15 years of one of the largest agencies and content providers in Latin America.
05:00It's the matter of the night.
05:02And for our company, it is a pride to be part of Tomorrow's history.
05:05Thank you, good night, have fun.
05:07And that's right, Alfonso Reutmann at the Tomorrow party.
05:10Hey, isn't there anyone in there who can let us in?
05:13There is no.
05:14Are you serious?
05:21No, no, it's nobody, it's nobody.
05:25There are two of us.
05:32Check.
05:33You know me.
05:35Why not?
05:36It's good that you came.
05:37All good?
05:38That's how it is.
05:39Hello, Franklin.
05:42I'm going in, I don't like standing at the door.
05:44Sure, sure.
05:46Good night.
05:50See you inside.
05:52See you there.
05:53See you there.
05:55I think you have to take it slow with that.
06:02It's pure sugar.
06:03No, I took my insulin before leaving home.
06:05Yeah.
06:07Hey, this party is great.
06:09This is a minefield for me.
06:11I've never seen so many ex-girlfriends per square meter.
06:12Oh, who told you to be popular?
06:14At least the devil didn't come.
06:17Sardine, get over it.
06:19Get over it.
06:23I still haven't seen Renato.
06:24No, I'm looking for someone too.
06:27I want one, please, Singal.
06:28Do you want something?
06:29I'm fogged up.
06:30Solange.
06:37Fatima didn't know you were coming to the party.
06:39Me neither.
06:40A friend of my mother invited me, so I came.
06:42Oh, how wonderful.
06:43Everything okay, Sardina?
06:44Everything is in order, Susana Yehuet.
06:46Can you accompany him, please?
06:48We're going to dance in a bit, aren't we?
06:50Of course, the night is just beginning.
06:52I'm coming, Che.
06:53Hello!
07:00Hello!
07:01Welcome.
07:03And Helenita?
07:04Helenita was a little tired, Renato.
07:06Oh, what a shame.
07:07Well, there will be another chance.
07:09Sure?
07:10Congratulations.
07:10Thank you.
07:11Oh, I would love to have a drink with you.
07:13Dancing, taking a boat ride.
07:15Now, letting them into this party isn't going to happen.
07:17Do you understand?
07:18Come on, Franklin.
07:19He who waits never achieves.
07:20Thank you so much.
07:23Yes, all of them.
07:27You have to carry all these glasses.
07:32What a great success, Renato.
07:34Yes, it's great.
07:34A great success is having a company open and growing in this country for 15 years.
07:39It's very sweet.
07:40My cousin succeeded, only a few do.
07:42It's true.
07:44Oh, well, I'm going to the toilet.
07:45Yes, yes.
07:48Let's drink.
07:49Come on.
07:51In fact, speaking of which, what about Helenita?
07:53He didn't come.
07:54I told you.
07:55What did you tell me?
07:56She can't stand being surrounded by whiskey bottles everywhere.
07:59Oh, he had another problem, Marcus Aurelius.
08:02It's true.
08:04He stayed home drinking.
08:07Marcus Aurelius, I'm going to dance because talking to you is useless.
08:12Yes, go.
08:12Go, dancer.
08:13Let's see.
08:25Oh, how cute.
08:25It's good to see Renato being happy, isn't it?
08:27He deserves it.
08:28He works hard.
08:29Oh, that's true.
08:35Ah, I don't think he saw you.
08:36That can be fixed.
08:44Hello.
08:47Solange.
08:49Until I finally found you.
08:51Because?
08:53Were you looking for me?
08:56Perhaps it would be more interesting to say no.
08:58But it's not true.
09:11That is.
09:13We're in.
09:15I told you.
09:16The trick of a few bills in the kitchen always works.
09:19Warn us.
09:19Warn us.
09:20Chas or not.
09:21Distributed by Farid.
09:22Chas or not.
09:23Mix a party.
09:25Chas or not.
09:26But so much restrictedore.
09:28Oh, oh, oh, oh, oh.
09:30I have the right to misbehave to have a good time.
09:33I'm free and now I can do whatever I want.
09:37She spends her time rich or single.
09:39I have the right to misbehave to have a good time.
09:43I'm free and now I can do whatever I want.
09:46She spends her time rich or single.
09:48Are you alone?
09:54Taking time to observe.
09:57And you finally managed to get in?
09:59Of course. You just have to talk to the person who's really in charge.
10:07You said you hadn't been to Rio in a long time. Where do you know so many people from?
10:11I've known almost all of them for a long time.
10:14From the parties that mom threw.
10:16She knows a lot of people.
10:18It's not going to happen because I'm so happy.
10:20I understand.
10:29Hello!
10:34Let's see.
10:37Thank you, Aleida.
10:38You are welcome.
10:39I brought something to eat, friend.
10:42Look.
10:44Oh, look who's coming over there. It's Raquel.
10:46You and Iván became friends, right?
10:49I bet you that relationship is much more than just a friendship.
10:54Shall we bet a thousand fives?
10:55I won't bet with you.
10:57There was no need to bring me here.
10:59Ah, the best part of my day is when I'm with you.
11:02Oh, Ivan, I enjoy being with you too, but now I have so many problems with my daughter that you'll excuse me, but I'm not good company.
11:18I think you are.
11:20Look, Leida, he's going to kiss her.
11:29Oh.
11:31If you had bet with me, I would have already won those five.
11:39I...
11:39I don't kiss her.
11:40I think that...
11:41It's better to go inside.
11:43Oh, right.
11:44Shall we talk tomorrow?
11:47Can you send me a message?
11:49Yeah.
11:55Good night.
11:56Good night.
11:57Good night.
12:11Good evening, girls.
12:15Good night.
12:16Come here later.
12:17I'm exhausted.
12:19I'll see...
12:20Yeah.
12:21Alright.
12:22Do you realize?
12:24I told you.
12:29Are we leaving?
12:31I?
12:32Do you still want to be a model?
12:33More than ever.
12:35Then I will give you the first lesson.
12:37After a certain hour, only the riffraff remain at the party.
12:40Elegant people.
12:42He arrives late, stays a bit, socializes, and leaves.
12:46His image rests.
12:48I have a lot to learn from you.
12:51So let's go to my house and I'll give you some advice.
12:53I have a lot to learn from you.
13:23I have my eyes full of hope, of a cor that more niñguén possuí.
13:36You bring me my past and memories, things I wanted to be and wasn't.
13:46If you are serious about starting your career as an influencer,
14:07I'll tell you that doing some modeling work can be good.
14:11But it's such a competitive environment.
14:14You said your mother had connections.
14:16If I were you, I'd tell him to touch those contacts too.
14:19No.
14:21Seeking out my mother's friends to ask for favors is the only thing I don't want to do.
14:26Is your mother still in the Caribbean?
14:29No.
14:30He's already back at the farm.
14:32To start, you need professional photos with makeup, wardrobe, and good production.
14:45But that costs money.
14:50Alright.
14:51I don't have to worry about money.
14:58Then great, because the last thing I want to worry about is money.
15:02What is good ok if it is not known?
15:04What do you think is total about you?
15:05I love you?
15:06I don't have to worry about myself.
15:07I know, what gü dakako about me?
15:07HE.
15:07HE.
15:08HE.
15:25HE.
15:29HE.
15:29HE.
15:30Thanks for watching the video.
16:00Thanks for watching the video.
16:30Hello, Marisa. I'm Maria de Fatima.
16:33I want to know how my mother is.
16:37What do you mean, see my mother, Marisa? I'm in Rio de Janeiro.
16:44That?
16:44Did my mother come after me?
16:58What's going on?
16:59Nothing. I'm just going to sort some things out. That's it.
17:03What's going on?
17:07What's going on?
17:09What's going on?
17:10What's going on?
17:11What's going on?
17:23Thanks for watching the video!
17:53Is my mother here?
17:59No, Fatima, your mother is not here.
18:02Are you sure he's not going to suddenly appear here?
18:04I am.
18:06She got really mad at me because I told her you were ungrateful.
18:11Great, because I came to talk to you.
18:13I don't want anyone to get in the way of my life.
18:16Fatima, how dare you speak like that?
18:19Innocent Raquel is trying to convince herself that you are a good woman, that you were deceived.
18:25I have a plan, Dad, and I'm getting what I always wanted.
18:28I already got a job as a model.
18:30I'm meeting people.
18:31My new internet account is starting to grow and I'm going to be a famous influencer.
18:34Only if my mom shows up, she's going to ruin everything.
18:37I'm looking at your face and I can't believe what I'm seeing.
18:42I did everything to get Mom to come with me, okay?
18:45I tried to convince her to get out of that hole, to do something to grow in life.
18:48Yes, I see.
18:50You're really trying hard.
18:52Spending all the money your grandfather spent his whole life saving.
18:55This is an investment.
18:57I'm going to be fine.
18:58In fact, I'm already doing pretty well, if you want to know.
19:00I took some pictures there at Fox.
19:02Oh yeah?
19:02I met a supermodel, that Rivero.
19:05It appears on the front pages.
19:06No, no, no, it's on the front pages.
19:08Heavens.
19:10And do you think you'll be able to become a model with your height?
19:14You're so curious, Dad.
19:16You disappear all your life and when you appear it's to criticize.
19:19I'm not going to be a model, no.
19:21I'm going to be an influencer, which is much better.
19:23But I'm not going to waste my time explaining it to you either, because you're not important at all.
19:27You never had it.
19:28But give the message to my mother.
19:30Don't look for me.
19:31Did you know that Raquel can sue you and claim half of that money?
19:35And you think my mother would do that?
19:37And besides, if I make a complaint like that until the result comes out, I'll be fine.
19:40And I'm going to love giving her that misery.
19:42Or do you think I don't love my mother?
19:44The problem is that she is unbearable with this story that whoever lies steals, whoever steals kills.
19:49Yes, she's exaggerating a bit with that honesty thing.
19:53Integrity?
19:53Do you know as well as I do that no one succeeds in life by following the Scouts' code of honor or the Ten Commandments?
19:58This is not a theoretical discussion, Fatima.
20:01You stole from your own...
20:04Enough!
20:05I didn't steal from anyone.
20:07The house was in my name, the money was mine.
20:09But since I'm a good person, when can I give some of the money to my mother?
20:12The last thing I want in life is to see my mother go hungry.
20:14Oh yeah?
20:15No, because your mother is living off charity from people she doesn't even know and she fought with me because I called you a thief.
20:20You can tell me whatever you want.
20:22Do you think that affects me?
20:24I can say what I think about you too.
20:26Do you want to hear?
20:26I'm not going to let you guys get into my head and end up living in a dump like this.
20:33Riding the bus with sweaty people touching me.
20:38Consider yourself warned.
20:39Tell my mother that I didn't look for myself, that I didn't try.
20:42Hey, I'm not going to give him any messages.
20:45Your mother is in the village.
20:47You're going to go and tell him to his face everything you told me.
20:50Of course not.
20:51Mom loves to make a scene and do things for God's sake.
20:54Give him the message, I'm late.
20:55You didn't understand, did you?
20:56That your mother fought with me.
20:58Until Raquel is face to face with you, she won't accept the idea of returning to Foz.
21:03And another thing, he almost has no money left.
21:06If you're even slightly embarrassed, at least give your mother half of the money you got from selling the house.
21:12Don't even think about it.
21:13I need that money to win, but as soon as I get it, I'll help my mother.
21:17For now, tell him not to look for me and not to insist.
21:20Fatima.
21:21Fatima!
21:22At least tell me where you're living.
21:25Fatima!
21:25Hello, you're back.
21:43All resolved.
21:45Oh yeah?
21:45Mom's bank stuff, just stress.
21:48But tell me, did you fix my book?
21:51I want to see if you're really in the mood.
21:53My friend managed to get the studio for today.
21:56Today?
21:57Oh, you said you were in a hurry.
21:59If you want, I'll cancel it.
22:00That's right, I'm in a hurry.
22:02So just check your phone.
22:05I already sent you the quote he sent me.
22:07She is the makeup artist, the wardrobe, production.
22:11You just have to make the transfer and the process begins.
22:16Gosh, but it's really expensive, isn't it?
22:17But you said you wanted top-notch people.
22:20Hey, I'll tell you there are people even better and more expensive than that.
22:24Maria de Fatima, if you don't have that much money, just tell me and don't worry.
22:27Everything is cancelled, no problem.
22:29No, no, no, no, no.
22:31I'm going to do it, Cesar.
22:36Everything is so expensive in Rio de Janeiro.
22:38Rio de Janeiro is not for amateurs, my love.
22:42But no problem.
22:43Anything, I call my mom and she sends me more money.
22:46Brilliant.
22:47Transfer it to Olavo, the photographer, and...
22:50Hey, I'll tell you something.
22:54I do it out of esteem.
22:55I don't gain anything from this, do I?
22:58Esteem.
22:59Esteem.
23:00Just estimate.
23:01For now.
23:02Yes I like it.
23:10Elenita looks great.
23:11Thank you, Daisy.
23:13You have to see it.
23:14He's not taking a drop.
23:17Good for her.
23:20Yesterday we left the party and went to Selena's house.
23:23Good for you.
23:27Marcus Aurelius.
23:28I know very well where you're going with those comments, Cecilia.
23:34Elenita is crazy to see Tiago.
23:36Just talk about it.
23:38Don't you think that...
23:40After everything he faced, he deserves it?
23:43He will see his son every 15 days, as the judge determined.
23:49With Renato watching.
23:51Hey, how would you feel if you were in her place?
23:58Hey, for starters, I can't imagine drinking three liters of whiskey a day,
24:05nor killing my brother in a car accident,
24:07and less, setting fire to the house with my little son sleeping inside.
24:10Marcus Aurelius.
24:12How long ago was that?
24:1412 years old?
24:16Do you swear?
24:18Because when I remember Tiago fainting in my arms from the smoke, it seems like it was yesterday.
24:23If Tiago is alive today it's because I arrived in time.
24:26So if it's up to me,
24:29My son will continue to be away from Elenita.
24:32How are you doing?
24:38Very good day.
24:39My name is Iván Mireles, I have a degree in Business Administration,
24:43I have two MBAs in the area of Tourism and 22 years of experience.
24:47How are you?
24:48My name is Iván Mireles, nice to meet you.
24:51I have a degree in Administration,
24:53I have some specializations and I really want to work.
24:56Nice to meet you, my resume is here.
24:58I have 20 years in the market as a team manager,
25:01but I accept any position.
25:21Son!
25:21I'm finally going to have the pleasure of introducing you to my son.
25:30This is Ivan, who did I tell you about?
25:31And I was probably exaggerating.
25:33Exaggerating?
25:34He came from Sao Paulo to take on a prestigious position at a tourism company in Rio.
25:38and being with his family, do you know what it's like?
25:40Clear!
25:41And what are you doing here, son, at this hour?
25:44I had a meeting with a supplier now, but they cancelled it.
25:48Well, have lunch with us.
25:49I'd love to, but I have to get back to the office.
25:52I have a stack of reports to read.
25:54Okay, you just started and you need to get your fill.
25:56But we can do it another day.
25:58Clear!
25:59It was a pleasure.
26:00Clear!
26:01Son!
26:02Goodbye, Dad.
26:17Hello, Rubito.
26:19I need to talk to you, Raquel.
26:21If you're going to talk bad about my daughter, you can turn around.
26:23Mary of Fatima sought me out.
26:25That?
26:26And where is it?
26:27Calm down, Raquel, calm down.
26:29She said she doesn't want to see you and that you should disappear.
26:33What do you say?
26:35I warned you.
26:36Fatima is into moving up in life at any cost.
26:40She's willing to do anything, Raquel.
26:42And there's no one bothering him, right?
26:44You're saying that to turn my daughter against me.
26:46That must be it.
26:47Raquel, I spoke to a lawyer.
26:50He told me that although the house was in the name of Maria de Fatima, the property belonged to both of them.
26:55Rubito, I'm not going to report my daughter.
26:58Forget that.
26:59And less for money.
27:01Then you'd better go back to Foz and forget about your daughter.
27:04I am a mother.
27:04I am not a father to forget that I have a daughter.
27:06Hey, I was a terrible father, but you're a wonderful mother.
27:10You don't deserve what's happening, Raquel.
27:11I can't believe a word you're saying.
27:15I already knew this could happen.
27:17That's why I followed Mary of Fatima.
27:21I saw him enter a bourgeois building in Leblón.
27:25And I spoke to the doorman, apartment 901.
27:28From a guy, one of those rich guys who lives in Sao Paulo and comes to Rio from time to time.
27:32The doorman said it's a total mess. He comes and goes in that apartment.
27:36Now, if you don't believe me, here it is.
27:43Go there.
27:43Hello.
28:01Good afternoon.
28:02All good?
28:02Good afternoon.
28:03Do you work here?
28:03Yes, I work here.
28:04I want to speak to Maria de Fatima, apartment 901.
28:07Oh, ma'am, that apartment was lent to two young men and I don't even want to comment on them because it's a move-in and move-out situation.
28:14Now, if there's one thing that's missing in that apartment, it's women.
28:17She is here.
28:18She's my daughter, you know?
28:20Can you help me?
28:22Haven't you seen her around here?
28:23I saw her, yes, I think, I think I saw her, I saw that girl, yes, she is with those young men I just told you about.
28:27Oh, can you call him, please?
28:29It's useless to knock because there's no one there now.
28:31And how are you so sure?
28:33I'm going up, I want to go up, can I go up?
28:34No, no, no, it can't go up.
28:35No, let's do this, I, I'll go up and knock, if nobody opens, I'll go.
28:39No, no, but I can't let anyone go up there without permission, what do you say?
28:42Okay, no problem, I'll wait in here because she'll come back.
28:45She won't be long, she'll be back before dinner, for sure, because nowadays you can't spend money in restaurants.
28:51Listen to me, those people don't have a schedule for anything.
28:53When they get up, lunch is over, when they leave, they come back in the morning.
28:56And another thing, no one can sit here.
28:58Ah, what do you mean you can't just sit here and wait?
29:01It's not a goal, I'm going to stay here, the goal is for waiting.
29:03Oh no, do you want me to lose my job?
29:04Of course I don't want to.
29:05It's not that, you want me to lose my job, if you don't leave, I'm going to have to call security.
29:08But I'm just going to wait.
29:09What's going on, Jose?
29:10This lady isn't following the rules and you know damn well she can't just sit here.
29:15Madam, out now.
29:16No, no, don't touch me.
29:18I don't need your chair, thank God. You know why? Because I'm healthy.
29:21Health and good legs to stand on.
29:23I just hope her mother is strong too, in case someone denies her a seat one day.
29:28Ah.
29:28Ah!
29:36That.
29:40Wonderful.
29:41Me?
29:42That.
29:43That.
29:44Now look at the camera.
29:45The camera loves you, you know?
29:49That.
29:52Also.
29:54So.
29:57Alright?
29:58You are a beautiful diva.
30:00That is.
30:01The camera loves you.
30:03Smile.
30:04That.
30:05You have power, a lot of power.
30:09Liza.
30:09Excellent.
30:11That.
30:12Yeah.
30:13That.
30:14We're done.
30:14Are we done?
30:15Ready?
30:16We're done.
30:17Well if he says we're done, we're done.
30:20Oh.
30:21How good are they, huh?
30:23Clear.
30:23If they weren't right, I would have stopped.
30:26Look.
30:28Incredible.
30:28Look at that one.
30:29Well then, now put on your outfit for us to go home.
30:32Great.
30:33Congratulations.
30:34Congratulations.
30:35Excellent.
30:45I already transferred you.
30:47Good.
30:49Look at this.
30:50It's great.
30:52You are a scoundrel, Caesar.
30:53Are you scamming the girl?
30:57Is she your sister?
30:59Is she your cousin?
31:02Forget it.
31:03Life is an exchange.
31:04I didn't get him everything.
31:05And do I have to earn something too?
31:07Oh?
31:19We arrived.
31:20Thank you so much.
31:27What's happening?
31:28You didn't say anything in the car.
31:30Didn't you like the photos?
31:31Of course.
31:32I loved the photos.
31:37Hi how are things?
31:38Can I have the room key, please?
31:40Clear.
31:40One second.
31:42Here.
31:44Your key and a copy of the spa bill.
31:47Are...
31:48What's happening?
31:48What's happening?
31:49What's happening?
31:49What's happening?
31:55What's happening?
31:56It isn't true.
31:57No.
31:57Oh.
31:58Oh.
32:01You know what I thought?
32:03That these hotel people already have money for this century and the next.
32:08Why do you keep paying for a five-star hotel when you can just stay home?
32:11Are you inviting me to stay at your house?
32:15Yes, so we don't miss each other.
32:17How about you ask for the check and stay with me?
32:25Come in
32:25Come on!
32:35Pause, pause
32:36Franklin
32:37All good?
32:39She is Mary of Fatima
32:40He will stay here at home with us.
32:42Oh yeah?
32:43Aha
32:44Everything okay, Fatima?
32:46Clear
32:46You will stay with me
32:48Alright
32:50I don't know if I told you, but this apartment is not mine or Franklin's.
33:00No?
33:01And whose is it?
33:02From a friend from Sao Paulo who almost never comes to Rio
33:05I thought it was yours
33:06No, mine is in Ipanema
33:09But it is under renovation
33:10Oh yeah?
33:14Remodeling
33:14Excellent
33:17I don't know if your friend was upset.
33:19I felt like Aaron really liked it.
33:20Ah, he's like that with everything
33:23Rest
33:24The house is yours
33:26I need to talk to Marco Aurelio Consuelo
33:44Of course, Mr. Elena.
33:45I'll let him know you're here.
33:46Thank you
33:47Does she have an appointment scheduled?
33:56No, Mr. Marcus Aurelius
33:57Is she Odette Roitman?
34:01No, Mr. Marcus Aurelius
34:02I do not serve anyone without an appointment.
34:04Not Odette Roitman
34:06You know that very well.
34:07I thought that since Mrs. Elena is the daughter of...
34:09I already said that I'm not going to attend to her.
34:12Alright
34:15But what do I say to Mrs. Elena?
34:18Tell him that if what he wants is to talk to me
34:19Call Renato and ask for an appointment at my house.
34:22Clear
34:22Or, if you prefer, call my lawyers.
34:26Clear
34:28Thank you very much, Consuelo
34:38If you want, I can call Mr. Renato and ask for an appointment.
34:42No, no, no, no need
34:43I do that later
34:45Thank you
34:45You are welcome
34:46Come
34:51Who is she?
34:55Mrs. Elena Roitman
34:56Ex-wife of Mr. Marcus Aurelius and mother of his son
34:59Roitman?
35:01And he refused to receive the heiress of the company?
35:04Was it heard?
35:05Of course
35:06It was heard even in the street
35:07For God's sake
35:08That man is the devil
35:10Don't say that, you know I don't like it.
35:12I'm lying
35:13It's missing its tail
35:14God is going to punish you Leidenzer
35:16Heavens
35:18How scary
35:20Excuse me, Raquel.
35:22But I think your ex-husband is right.
35:24If possible, you should file a complaint.
35:27Yeah
35:28Although the house was in your daughter's name, right?
35:31It's going to be difficult
35:32Hey, not even if I could
35:33Not even if the house was in my name
35:36I would file a complaint against my daughter.
35:37And she ends up in jail for that.
35:38It's that nobody understands it
35:40Mary of Fatima is being pressured
35:41She is being influenced by bad people
35:43I'm not worried about that money
35:46I want to help my daughter
35:48I didn't make it today
35:49But tomorrow I'll be there
35:50Even if I have to be there all day
35:52And the whole night stopped at that door
35:53I'm going to talk to my daughter
35:56Sorry
35:58Sorry
36:00Here it is, Mr. Franklin
36:15Just arrived
36:16But I brought it
36:17Because
36:17This is efficiency
36:19I'm going to tell you something
36:20For the quality of the invitation
36:21It will be a great party
36:22Thank you, Mrs. José
36:23Hey, this is just for me.
36:25Because
36:25This is from 902
36:26I don't
36:28There are so many things on my mind
36:30He got confused
36:30Sorry
36:30I'm coming
36:31I'm going to hand it in
36:32Yes, see you later
36:32Thank you, Mr. José
36:33Thank you
36:33Goodbye, excuse me
36:34What an elegant invitation
36:38Yes, a rich lady's birthday
36:40From those grandparent families
36:41They have a street name and everything.
36:42All of Rio de Janeiro will be there
36:45Can I see?
36:49Do you have the right to be accompanied?
36:50No
36:50It is personal and non-transferable
36:52And Caesar isn't going?
36:54Cease
36:55He doesn't have contacts like that.
36:57The one who lives in 902
36:59Those who live there
37:00There are two
37:01But they are never there
37:02I don't even know why they have that penthouse.
37:04And they never use it
37:05I think they live in Europe, even
37:07Mr. José will put this under the door
37:10And it will rot in there.
37:12Those who live there inside
37:28Subscribe to the channel!
37:58Subscribe to the channel!
38:28Subscribe to the channel!
38:30We're doing an event today and you're already thinking about the next one.
38:32Yes? There are many horses on the track.
38:34Can I do it tomorrow? Thanks.
38:35Shall I interrupt us?
38:40No, what do you think? Not at all.
38:42I came to say hello to Renato
38:44I'm going to greet a colleague.
38:46Are you going to do anything tonight?
38:51No, no, I'm not going to do anything, I'm free
38:53Are we going to dinner?
38:54Come on
38:56I have to record some videos first, is that okay?
39:00I don't know, not early
39:01Well, I think I'll finish around ten.
39:04Could be?
39:05Okay, perfect.
39:07I'm going to talk to Renato
39:08Yeah, talk.
39:26I added you the next day I met you.
39:30After that, we were together
39:33I traveled
39:36Five months passed
39:38It's just that I'm terrible with social media, Alfonso.
39:42Sorry, how embarrassing
39:44Because if you look at my last post, it's about three months old, you know?
39:48No, but even after that five-month digital rejection
39:51We met on my first day here
39:55And we are here now
39:58When something has to happen
40:03It always happens
40:05I forgot my insulin
40:11Sorry
40:12Alright
40:13Was it diabetic?
40:16Yes, since I was born
40:19Did you know that sushi rice has sugar?
40:44Don't tell me
40:46Yeah, I'm not going to talk much about that matter.
40:50Let's change it because the glycemic index thing really isn't very romantic.
40:54Your house is very nice
40:57Thank you
40:59I try not to be too messy.
41:02But I can't do it
41:05Sardine goes crazy with me
41:06Sardina works with you on Tomorrow
41:08Yes, and he's my best friend too.
41:10And he lives here with you?
41:11We live together, we work together and we are very good friends.
41:14Alfonso, I have to review a costume fitting.
41:24Can you give me a minute?
41:24Sorry
41:25Is that so?
41:37Are you enjoying the fitting?
41:41I love it?
41:42I love it?
41:43I love it?
41:44Hey?
41:45Should I hit you at school and throw your ball with all my love?
41:55Should I take you to parties and test your sex with a teacher?
42:01Should I take you to parties and test your sex with a teacher?
42:02Should I take you to parties and test with a teacher?
42:03I love it?
42:04Should I take you to betron?
42:05Should I take you to...
42:05Shall I take you to
42:07Don't I take you to
42:30Was Aunt Cecilia here, Daisy?
42:32Yes, he had breakfast with your father and left quickly.
42:36I think she and Laís were going to you today.
42:39And they talked about my mother?
42:42How would I know, Tiago?
42:44Daisy, you lie very badly.
42:46Tell me, did you hear anything?
42:47I don't.
42:49Yes, you heard.
42:50What did they say?
42:51Oh, Tiago.
42:54Hey, I think you'd better ask your dad.
42:58She's my mother. I have the right to know.
43:02It's not a question of rights, Tiago.
43:04Your mother is an unbalanced person.
43:07My mother has an illness.
43:09Alcoholism is a disease and is being treated.
43:11Dad, I'm not an idiot.
43:13I know something's going on with my mom and you're hiding it from me.
43:16I want to know what it is.
43:25Your mother is already out of the clinic, Tiago.
43:27Is it out yet?
43:28It's out now.
43:30Why didn't you tell me?
43:31I didn't tell you because I didn't want him to hurt you again.
43:35You know what your mother is like.
43:37Your mother comes in and out of the...
43:39What's happening?
43:40What do you have?
43:41Nothing.
43:42What's happening?
43:43What's wrong with you?
43:43Let me.
43:44Come, sit down.
43:45Sit down, sit down.
43:46Come on, come here.
43:46Let's talk.
43:47Come, come.
43:47Why didn't you tell me?
43:48Come here.
43:49Since when did it come out?
43:50Come here.
43:50Sit down, Daisy.
43:51I'm drowning.
43:52Daisy, bring me some water, Daisy.
43:54Son, son, sit down.
43:55Sit here.
43:56Sit here.
43:56Breathe, breathe, breathe.
43:58Can't.
43:58Daisy!
43:59Can't.
44:00Daisy!
44:00Breathe, breathe with me.
44:02Breathe, breathe with me.
44:03Renato!
44:03Do you really think that listening to classical music can influence someone's sexual orientation?
44:17a person?
44:18It's true.
44:20Alfonso did not influence him.
44:22But I don't know about your other brother, because you killed him.
44:28Hey.
44:29No, no, no, no, don't go now.
44:31It could be Franklin.
44:32Maybe you forgot something.
44:37Oh!
44:38How nice that I found you, Maria of Fatima!
44:41I'm going out with a group from Belo Horizonte, people with a lot of money.
44:46Mining, a lot of money.
44:48A lot.
44:50And there is a...
44:51a very presentable gentleman who saw you at the party yesterday and liked you.
44:55Wouldn't you accept a meeting with him?
44:58Easy!
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