Vale Todo -Capitulo 4
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Category
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Short filmTranscript
00:00Alfonso Almeida Roitman, 30 years old, does triathlon, he is kind, he is funny.
00:07Are you really in love?
00:08And you? How long are you staying?
00:10This time I'm staying.
00:13The drink, Elena, have you felt like drinking?
00:17I'm not thinking about drinking, I'm... just thinking about seeing Tiago.
00:22Let Tiago see his mother in a normal way.
00:25You know he's not taking any risks.
00:27To get my purse back, you missed your job interview.
00:31Okay, they rescheduled it. I think it was for a good reason.
00:38Help, game on!
00:40For God's sake, what's going on?
00:41Attention! Fire alarm! Everyone out!
00:47Maria de Fatima was always obsessed with money and fame.
00:51Hey, Maria de Fatima is our daughter, but she was always an interested and very ambitious girl.
00:55Who are you to talk about my daughter like that?
00:57Rubito, you can't talk like that.
01:07But it's true, Raquel. You always spoiled your daughter.
01:10And your father too. That's the result.
01:12And it's not your fault, is it? Why did you disappear?
01:15Hey, I tried to be the best father I could.
01:17What did you say? Wow, that's a lot of cynicism.
01:20Many children grow up far from their parents and yet they do not cheat on their mothers and steal money.
01:24You're saying my daughter did what?
01:26He stole. He stole. And I think we should go to the police station to report this act.
01:31I'm not going to report my daughter to the police.
01:33You're crazy.
01:35Hey, do you know how much the house sold for?
01:38I don't want to talk about money. I want to talk about my daughter, a girl who was cheated on by a man who's 15, 20 years older than her.
01:45If you don't go to the police, I will.
01:46No, you're not going. You're not going. You're not going anywhere.
01:49You should feel responsible for a daughter you abandoned and not want to report the poor innocent girl to the police.
01:55Besides, what he did is not a crime.
01:57The house was in his name.
01:59I'm sure my daughter is sorry for what she did.
02:03He's somewhere, dying of shame for what he did.
02:06He doesn't know how to get back to apologize.
02:10This cream isn't going to leave my hair slicked back, is it?
02:17I'm going to the Tomorrow advertising agency event.
02:21I think it's the most important in the country.
02:23What time is it, huh?
02:24Hair and makeup are still missing.
02:30Excuse me, I'm looking for my daughter.
02:32Have you seen this girl?
02:33She's staying at a hotel nearby.
02:35Mary of Fatima is her name.
02:37Thank you so much.
02:40It's absurd that Rubito criticizes my daughter like that.
02:46Who thinks a lifelong absent father is?
02:49He who remains silent is wrong.
02:50Yeah.
02:51Raquel, what's going on between you and your daughter?
02:53Sorry to ask.
02:55I can say it, I can say it, because my daughter was deceived.
02:59That kind of thing between mother and daughter.
03:01Hey, I'll tell you, educating a person is not easy.
03:04Yes, I know about that.
03:06It's not easy really.
03:07No, and my daughter may even be in danger, you know?
03:10Hey, I walked a lot today.
03:12I searched all over Villa Isabel, but nothing.
03:15But finding someone in Rio de Janeiro without any references is a difficult task.
03:19We're going to find her.
03:19We're going to fix it.
03:20Yes, we will find her.
03:23You'll see, everything will be fine.
03:25You're going to get your job.
03:26I'm going to find my daughter and return to my job in Foz.
03:29Seriously, Ivan, little by little things will get better.
03:32We don't even toast.
03:34Let's toast.
03:43Elenita, if you don't feel safe, you don't have to go to that event.
03:48But what do I do to you, Aunt Celina?
03:50What if seeing me helps Marcus Aurelius change his mind about supervised visitation?
03:56It's not easy.
03:57But I must be strong.
04:00I think half of our problems come from the fact that we were raised to be strong.
04:05And all this because she is strong.
04:09Mrs. Odette Reutman is strong.
04:12But no one is obliged to be.
04:14Furthermore, in a special situation like this, he is leaving a clinic.
04:21The only person who knows if you're ready to see Marcus Aurelius today is you.
04:28And look who's arriving: Alfonso Reutman, heir to the Almeida Reutman group with Celina Aguilar.
04:41Hello, Cecilia.
04:41Hello how are you?
04:42Alfonso, can you talk to us? Good evening.
04:45Good night.
04:45Welcome back to Brazil.
04:46Thank you.
04:47Alfonso, what can you say to single women in Rio de Janeiro?
04:51The best match in town. Are you single?
04:54Sorry, I came for the party.
04:55It's an important night, a celebration of 15 years of one of the largest content agencies in Latin America.
05:00It's the matter of the night.
05:02And for our company, it is a pride to be part of Tomorrow's history.
05:05Thank you, good night, have fun.
05:07And that's right, Alfonso Reutman at the Tomorrow party.
05:10Hey, isn't there anyone in there who can let us in?
05:13There is no.
05:14Are you serious?
05:21No, no, it's nobody, it's nobody.
05:25There are two of us.
05:32Check.
05:33You know me.
05:35Why not?
05:36It's good that you came.
05:37All good?
05:38That's how it is.
05:39Hello, Franklin.
05:42I'm going in, I don't like standing at the door.
05:44Sure, sure.
05:46Good night.
05:50See you inside.
05:52See you there.
05:53See you there.
05:55I think you have to take it slow with that.
06:02It's pure sugar.
06:03No, I took my insulin before leaving home.
06:05Yeah.
06:07Hey, this party is great.
06:09This is a minefield for me.
06:11I've never seen so many ex-girlfriends per square meter.
06:12Who told you to be popular?
06:14At least the devil didn't come.
06:17Sardine, get over it.
06:19Get over it.
06:22I still haven't seen Renato.
06:24No, I'm looking for someone too.
06:27I want one, please, Singel.
06:28Do you want something?
06:30Champagne.
06:30Solange.
06:37Fatima, I didn't know you were coming to the party.
06:39Me neither.
06:40A friend of my mother invited me, so I came.
06:42Oh, how wonderful.
06:43Everything okay, Sardina?
06:44Everything is in order, Susana Yehuet.
06:46Can you accompany him, please?
06:48We're going to dance in a bit, aren't we?
06:50Of course, the night is just beginning.
06:52I'm coming, Che.
06:53Hello!
07:00Hello!
07:01Welcome.
07:03And Helenita?
07:04Helenita was a little tired, Renato.
07:06Too bad!
07:07Well, there will be another chance.
07:09Yes, sure?
07:10Congratulations.
07:10Thank you.
07:11Oh, I would love to have a drink with you.
07:13Dancing, taking a boat ride.
07:15Now, letting them into this party isn't going to happen.
07:17Do you understand?
07:18Come on, Franklin.
07:19He who waits never achieves.
07:20Thank you so much.
07:23Yes, all of them.
07:27You have to carry all these glasses.
07:32What a great success, Renato!
07:34Yes, it's great.
07:34A great success is having a company open and growing in this country for 15 years.
07:39It's very sweet.
07:40My cousin succeeded, only a few do.
07:42It's true.
07:44Oh, well, I'm going to the toilet.
07:45Yes, yes.
07:46Yeah.
07:48Let's drink.
07:49Come on.
07:51Actually, speaking of which, what about Helenita?
07:53He didn't come.
07:54I told you.
07:55What did you tell me?
07:56She can't stand being surrounded by whiskey bottles everywhere.
07:59Oh, he had another problem, Marcus Aurelius.
08:02It's true.
08:04He stayed home drinking.
08:07Marcus Aurelius, I'm going to dance because talking to you is useless.
08:12Yes, go.
08:12Go, dancer.
08:13Let's see.
08:25Oh, how cute.
08:25It's good to see Renato being happy, isn't it?
08:27He deserves it.
08:28He works hard.
08:29Oh, that's true.
08:35Ah, I don't think he saw you.
08:36That can be fixed.
08:44Hello.
08:47Solange.
08:49Until I finally found you.
08:51Because?
08:53Were you looking for me?
08:56Perhaps it would be more interesting to say no.
08:59But it's not true.
09:01That is.
09:13We're in.
09:15I told you.
09:16The trick of a few bills in the kitchen always works.
09:19Let's have fun.
09:19Yes, yes, yes.
09:49Are you alone?
09:54Taking time to observe.
09:56Ah.
09:57And you finally managed to get in?
09:59Clear.
10:01You just have to talk to the one who really commands.
10:04Ah.
10:07You said you hadn't been to Rio for a long time.
10:09Where do you know so many people from?
10:11I've known almost all of them for a long time.
10:14From the parties that mom threw.
10:16She knows a lot of people.
10:19I understand.
10:21No.
10:21You can't do whatever you want.
10:23It's a good time being single.
10:29Hello.
10:34Let's see.
10:37Thank you, Aleyda.
10:38You are welcome.
10:39I brought something to eat, friend.
10:42Look.
10:44Oh, look who's coming over there. It's Raquel.
10:47With Ivan. They became friends, huh?
10:49I bet you that relationship is much more than just a friendship.
10:54Shall we bet a fiver?
10:55I won't bet with you.
10:57There was no need to bring me here.
10:58Ah, the best part of my day is when I'm with you.
11:02Oh, Ivan, I enjoy being with you too.
11:11But now I have so many problems with my daughter that...
11:14You'll excuse me, but I'm not good company.
11:18I think you are.
11:26Look, Leida. He's going to kiss her.
11:29Oh!
11:30If you had bet with me, I would have already won those five.
11:39I...
11:39I kiss her.
11:40I think it's better to go in.
11:43Clear.
11:44Shall we talk tomorrow?
11:47Can you send me a message?
11:49Yeah.
11:55Good night.
11:56Good night.
12:00Good evening, girls.
12:15Good night.
12:16Come here later.
12:17I'm exhausted.
12:19I'll see...
12:20Yeah.
12:21Alright.
12:22Do you realize?
12:24I told you.
12:25Are we leaving?
12:31I?
12:32Do you still want to be a model?
12:34More than ever.
12:35Then I will give you the first lesson.
12:37After a certain hour, only the rabble, the elegant people, remain at the party.
12:42He arrives late, stays a bit, socializes, and leaves.
12:46His image rests.
12:47I have a lot to learn from you.
12:51So let's go to my house and I'll give you some advice.
12:53I have a lot to learn from you.
13:23I have my eyes full of hope, of a cor that more niñguén possuí.
13:35You bring me my past and memories, things I wanted to be and wasn't.
13:46If you're serious about getting started as an influencer, I'll tell you that doing some modeling work can be a good idea.
14:10But it's such a competitive environment.
14:14You said your mother had connections.
14:16If I were you, I'd tell him to touch those contacts too.
14:19No.
14:21Seeking out my mother's friends to ask for favors is the only thing I don't want to do.
14:26Is your mother still in the Caribbean?
14:29No.
14:30He's already back at the farm.
14:32To start, you need professional photos with makeup, wardrobe, and good production.
14:46But that costs money.
14:50Alright.
14:51I don't have to worry about money.
14:58Then great, because the last thing I want to worry about is money.
15:16No.
15:16No.
15:38No.
15:40Thanks for watching the video.
16:10Thanks for watching the video.
16:40What? My mom came after me?
16:47What's going on?
17:00Nothing. I'm just going to sort out a few things.
17:02What? What?
17:03That?
17:04That?
17:05That?
17:07That?
17:09That?
17:10That?
17:11That?
17:12That?
17:13That?
17:14That?
17:15That?
17:16That?
17:17That?
17:18That?
17:19That?
17:20That?
17:21That?
17:22That?
17:23That?
17:24That?
17:25That?
17:26That?
17:27That?
17:28That?
17:29That?
17:30That?
17:31That?
17:32That?
17:33That?
17:34That?
17:35That?
17:36That?
17:37That?
17:38That?
17:39That?
17:40That?
17:41That?
17:45That?
17:53Is my mother here?
17:55No, Fatima. Your mother isn't here.
18:01Are you sure he's not going to suddenly appear here?
18:04I'm not here.
18:05She got really mad at me because I told her you were ungrateful.
18:11Great, because I came to talk to you.
18:13I don't want anyone to get in the way of my life.
18:16Fatima, how dare you speak like that?
18:19Innocent Rachel is trying to convince herself that you are a good woman,
18:24that you were deceived.
18:25I have a plan, Dad, and I'm getting what I always wanted.
18:28I already got a job as a model, I'm meeting people,
18:31My new internet account is starting to grow
18:33and I will be a famous influencer.
18:34Only if my mom shows up, she's going to ruin everything.
18:37I'm looking at your face and I can't believe what I'm seeing.
18:42I did everything to get Mom to come with me, okay?
18:45I tried to convince her to get out of that hole, to do something to grow in life.
18:48Yes, I see.
18:50You're really trying hard,
18:52spending all the money your grandfather spent his whole life saving.
18:55This is an investment, it's going to be good for me.
18:58In fact, I'm already doing pretty well, if you want to know.
19:00I took some pictures there at Fox.
19:02Oh yeah?
19:02I met a supermodel, César Rivero.
19:05It appears on the cover.
19:06No, no, no, they are on the covers.
19:08Heavens.
19:10And do you think you'll be able to become a model with your height?
19:14You're so curious, Dad.
19:16You disappear all your life and when you appear it's to criticize.
19:19I'm not going to be a model, no.
19:21I'm going to be an influencer, which is much better.
19:23But I'm not going to waste my time explaining it to you either.
19:25because you are of no importance.
19:27You never had it.
19:28But give the message to my mother.
19:30Don't look for me.
19:31Did you know that Raquel can sue you and claim half of that money?
19:34And you think my mother would do that?
19:37And besides, if I make a complaint like that until the result comes out, I'll be fine.
19:40And I'm going to love giving her that misery.
19:42Or do you think I don't love my mother?
19:44The problem is that she is unbearable with this story that whoever lies steals, whoever steals kills.
19:49Yes, she exaggerates a bit with that honesty, integrity thing.
19:53Do you know as well as I do that no one succeeds in life by following the scouts' code of honor manual?
19:57not even the Ten Commandments?
19:58This is not a theoretical discussion, Fatima.
20:01You stole from your own...
20:04Enough.
20:05I didn't steal from anyone.
20:07The house was in my name, the money was mine.
20:09But since I'm a good person, when can I give some of the money to my mother?
20:12The last thing I want in life is to see my mother in need.
20:14Oh yeah?
20:15No, because your mother is living off the charity of people she doesn't even know.
20:18and fought with me because I called you a thief.
20:20You can tell me whatever you want.
20:22Do you think that affects me?
20:24I can say what I think about you too.
20:26Do you want to hear?
20:27I'm not going to let you guys get into my head and end up living in a dump like this,
20:33riding the bus with sweaty people, touching me.
20:38Consider yourself warned.
20:39Tell my mother that I didn't look for myself, that I didn't try.
20:42Hey, I'm not going to give him any messages.
20:45Your mother is in the villa.
20:47You're going to go and tell him to his face everything you told me.
20:50Of course not.
20:51Mom loves to make a scene and do things for God's sake.
20:54Give him the message, I'm late.
20:55You didn't understand, did you?
20:56That your mother fought with me.
20:58Until Rachel is face to face with you,
21:00will not accept the idea of returning to Foz.
21:03And another thing, he almost has no money left.
21:06If you have a little shame,
21:08At least give your mother half of the money you got from selling the house.
21:12Don't even think about it.
21:13But I need that money to win.
21:15But as soon as I get it, I'll help my mother.
21:17For now, tell him not to look for me and not to insist.
21:20Fatima.
21:21Fatima.
21:22At least tell me where you're living.
21:24Fatima!
21:40Hello, you're back.
21:43All resolved.
21:45Oh yeah?
21:45Mom's bank stuff, just stress.
21:47But tell me, did you fix my book?
21:51I want to see if you're really in the mood.
21:53My friend managed to get the studio for today.
21:56Today?
21:57Oh, you said you were in a hurry.
21:59If you want, I'll cancel it.
22:00That's right, I'm in a hurry.
22:02So, just check your phone.
22:05I already sent you the quote he sent me.
22:07She is the makeup artist, the wardrobe, production.
22:11You just have to make the transfer and the process begins.
22:16Gosh, but it's really expensive, isn't it?
22:17But you said you wanted top-notch people.
22:20Hey, I'll tell you there are people even better and more expensive than that.
22:24Maria de Fatima, if you don't have that much money, just tell me and don't worry.
22:28Everything is cancelled without any problem.
22:29No, no, no, no, no.
22:31I'm going to do it, Cesar.
22:35Oh, everything is so expensive in Rio de Janeiro.
22:38Rio de Janeiro is not for amateurs, my love.
22:41But no problem.
22:43Anything, I call my mom and she sends me more money.
22:46Brilliant.
22:47Transfer it to Olavo, the photographer, and...
22:50Hey, I'll tell you something.
22:54I do it out of esteem.
22:56I don't gain anything from this, do I?
22:58Esteem.
22:59Esteem.
23:00Just estimate.
23:01For now.
23:02Yes of course.
23:03Elenita looks great.
23:11Thank you, Daisy.
23:13You have to see it.
23:14He's not taking a drop.
23:17Good for her.
23:20Yesterday we left the party and went to Celina's house.
23:24Good for you.
23:27Marcus Aurelius.
23:27I know very well where you're going with those comments, Cecilia.
23:34Elenita is crazy to see Tiago.
23:36Just talk about it.
23:38Don't you think that...
23:40After everything he faced, he deserves it?
23:43He will see his son every 15 days, as the judge determined.
23:49With Renato watching.
23:52Hey, how would you feel if you were in her place?
23:58Hey, for starters, I can't imagine drinking three liters of whiskey a day,
24:05nor killing my brother in a car accident,
24:07and less, setting fire to the house with my little son sleeping inside.
24:10Marcus Aurelius.
24:12How long ago was that?
24:1412 years old?
24:16Do you swear?
24:17Because when I remember Tiago fainting in my arms from the smoke,
24:22It seems like it was yesterday.
24:23If Tiago is alive today it's because I arrived in time.
24:26So if it's up to me,
24:29My son will continue to be away from Elenita.
24:36How are you doing?
24:38Very good day.
24:39My name is Ivan Mireles,
24:40I have a degree in business administration,
24:43I have two MBAs in the area of tourism
24:44and 22 years of experience.
24:47How are you?
24:48My name is Iván Mireles,
24:50Nice to meet you.
24:51I have a degree in administration,
24:53I have some specializations
24:54and I really want to work.
24:56Nice to meet you,
24:57my resume is here.
24:58I have 20 years in the market as a team manager,
25:01but I accept any position.
25:03train of the living
25:11and nine.
25:13INания
25:14Oh!
25:14Oh!
25:15Oh!
25:15Oh!
25:15Oh!
25:16Oh!
25:17Oh!
25:17Oh!
25:17Oh!
25:19Oh!
25:19Oh!
25:21Son!
25:26I'm finally going to have the pleasure of introducing you to my son.
25:30This is Ivan, the one I told you about.
25:31And I was probably exaggerating.
25:33Exaggerating?
25:34He came from Sao Paulo to take up an excellent position at a tourism company in Rio.
25:38And being with his family, you know what it's like?
25:40Clear.
25:41And what are you doing here, son, at this hour?
25:44I had a meeting with a supplier now, but they cancelled it.
25:48Well, have lunch with us.
25:49I'd love to, but I have to get back to the office.
25:52I have a stack of reports to read.
25:54Okay, you just started and you need to get your fill.
25:56But we can do it another day.
25:58Clear!
25:59It was a pleasure.
26:00Clear!
26:01Son.
26:02Goodbye, Dad.
26:17Hello, Rubito.
26:19I need to talk to you, Raquel.
26:21If you're going to talk bad about my daughter, you can turn around.
26:23Mary of Fatima sought me out.
26:25That?
26:26And where is it?
26:27Calm down, Raquel, calm down.
26:29She said she doesn't want to see you and that you should disappear.
26:33What do you say?
26:35I warned you.
26:36Fatima is into moving up in life at any cost.
26:40She's willing to do anything, Raquel.
26:41And there's no one bothering him, right?
26:44You're saying that to turn my daughter against me.
26:46That must be it.
26:47Raquel, I spoke to a lawyer.
26:50He told me that even though the house was in the name of Maria de Fatima,
26:53the property belonged to both of them.
26:55Rubito, I'm not going to report my daughter.
26:58Forget that.
26:59And less for money.
27:01Then you'd better go back to Foz and forget about your daughter.
27:04I am a mother.
27:04I am not a father to forget that I have a daughter.
27:06Hey, I was a terrible father, but you're a wonderful mother.
27:10You don't deserve what's happening, Raquel.
27:11I can't believe a word you're saying.
27:15I already knew this could happen.
27:17That's why I followed Mary of Fatima.
27:21I saw him enter a bourgeois building in Leblón.
27:24And I spoke to the doorman, apartment 901.
27:28From a guy, a rich guy who lives in Sao Paulo
27:31and comes to Rio from time to time.
27:32The goalkeeper said it's a total.
27:33He goes in and out of that apartment.
27:36Now, if you don't believe me, here it is.
27:43Go there.
27:58Hello.
28:01Good afternoon, is everything okay?
28:02Good afternoon.
28:03Do you work here?
28:03Yes, I work here.
28:04I want to speak to Maria de Fatima, apartment 901.
28:07Ah, ma'am, that apartment was lent to two young men.
28:10And I don't even want to comment on them because it's a bit of an in and out thing.
28:14Now, if there's one thing that's missing in that apartment, it's women.
28:17She is here.
28:18She's my daughter, you know?
28:20Can you help me?
28:22Haven't you seen her around here?
28:23I saw her, yes, I think.
28:24I think I saw her, I saw that girl.
28:26Yes, she's with those young people I just told you about.
28:27Oh, can you call him, please?
28:29It's useless to knock because there's no one there now.
28:31And how are you so sure?
28:33I'm going up, I want to go up, can I go up?
28:35No, no, no, it can't go up.
28:36No, let's do this.
28:37I, I'll go up and play.
28:38If no one opens, I won't go.
28:39No, no, but I can't let anyone go up there without permission.
28:41What does it say?
28:42Alright.
28:43No problem.
28:43I'm going to wait in here because she's going to come back.
28:45She won't be long back before dinner, that's for sure, because nowadays you can't
28:49spend money in restaurants.
28:51Listen to me, those people don't have a schedule for anything.
28:53When they get up, lunch is over.
28:55When they go out, they come back in the morning.
28:56And another thing, you can't stay here.
28:57No one is seated.
28:58Ah, what do you mean you can't just sit here and wait?
29:01It's not a goal.
29:01I'm going to stay here.
29:02The goal is for waiting.
29:03Oh no, do you want me to lose my job?
29:04Of course I don't want to.
29:05It's not that, do you want me to lose my job?
29:06It's not that.
29:06If you don't come out, I'm going to have to call security.
29:08But I'm just going to wait.
29:09What's going on, Jose?
29:10This lady isn't following the rules and you know damn well she can't just sit here.
29:15Madam, out now.
29:16No, no, don't touch me.
29:18I don't need your chair, thank God.
29:20Do you know why?
29:20Because I have health.
29:21Health and good legs to stand on.
29:23I just hope her mother is strong too, in case someone denies her a seat one day.
29:36You know what they say?
29:37There is no girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl girl.
29:40It's wonderful.
29:42So?
29:42That.
29:43That.
29:44Now look at the camera.
29:46The camera loves you, you know?
29:49That.
29:52So.
29:54So.
29:57Alright?
29:58You are a beautiful diva.
30:00That is.
30:01The camera loves you.
30:03Smile.
30:04That.
30:06You have power, a lot of power.
30:09Liza.
30:09Excellent.
30:11That.
30:12Yeah.
30:13That.
30:14We're done.
30:14Are we done?
30:15Ready?
30:16We're done.
30:17Well if he says we're done, we're done.
30:20Oh.
30:21How good are they, huh?
30:23Clear.
30:23If they weren't right, I would have stopped.
30:26Look.
30:28Incredible.
30:28Look at that one.
30:29Well then, now put on your outfit for us to go home.
30:32Great.
30:33Congratulations.
30:34Congratulations.
30:34Excellent?
30:35That?
30:35That?
30:35That?
30:35That?
30:36That?
30:37I already transferred you
30:46Good
30:48Look at this
30:49It's great
30:51You are a scoundrel, Caesar
30:53Are you scamming the girl?
30:56Is she your sister?
30:59Is she your cousin?
31:02Forget it, life is an exchange
31:03Didn't I get you everything?
31:04Do I have to earn something too?
31:07Oh?
31:19We arrived
31:20Thank you so much
31:21What's happening?
31:28You didn't say anything in the car
31:29Didn't you like the photos?
31:31Of course
31:32I loved the photos
31:33Hi how are things?
31:38Can I have the room key, please?
31:40Sure, one second
31:41Here
31:42Your key
31:45And a copy of the spa bill
31:47You're worried, huh?
31:55It isn't true
31:56You know what I thought?
32:03That these hotel people already have money for this century and the next
32:07Why do you still pay for a five-star hotel when you can just stay home?
32:11Are you inviting me to stay at your house?
32:15Yes, so we don't miss each other.
32:17How about you ask for the check and stay with me?
32:20Come in
32:25Come on
32:31Pause, pause
32:36Franklin
32:37All good?
32:39She is Mary of Fatima
32:40He will stay here at home with us.
32:42Oh yeah?
32:43Aha
32:44Everything okay, Fatima?
32:46Clear
32:46You will stay with me
32:48Alright
32:50I don't know if I told you, but this apartment is not mine or Franklin's.
33:00No?
33:01And whose is it?
33:02From a friend from Sao Paulo who almost never comes to Rio
33:05I thought it was yours
33:06No, mine is in Ipanema, but it's being renovated.
33:11Oh yeah?
33:14Remodeling
33:14Excellent
33:17I don't know if your friend was upset.
33:19I felt that he didn't like it very much.
33:20Ah, he's like that with everything
33:23Rest
33:24The house is yours
33:27Diana
33:36I need to talk to Marco Aurelio Consuelo
33:44Of course, Mr. Elena.
33:45I'll let him know you're here.
33:46Thank you
33:47Does she have an appointment scheduled?
33:56No, Mr. Marcus Aurelius
33:57Is she Odette Roitman?
34:01No, Mr. Marcus Aurelius
34:02I do not serve anyone without an appointment.
34:04Not Odette Roitman
34:06You know that very well.
34:07I thought that since Mrs. Elena is the daughter of...
34:09I already said that I'm not going to attend to her.
34:12Alright
34:15But what do I say to Mrs. Elena?
34:18Tell him that if what he wants is to talk to me
34:19Call Renato and ask for an appointment at my house.
34:22Clear
34:22EITHER
34:23If you prefer I call my lawyers
34:26Clear
34:28Thank you very much, Consuelo
34:38If you want
34:39Can I call Mr. Renato?
34:41And ask her out on a date
34:42No, no, no
34:42No need
34:43I do that later
34:45Thank you
34:45You are welcome
34:46Come
34:51Who is she?
34:55Mrs. Elena Roitman
34:56Ex-wife of Mr. Marcus Aurelius
34:58And mother of his son
34:59Roitman?
35:01And he refused to receive the heiress of the company?
35:04Was it heard?
35:05Of course
35:06It was heard even in the street
35:07For God's sake
35:08That man is the devil
35:10Don't say that
35:11You know I don't like it
35:12I'm lying
35:13It's missing its tail
35:14God is going to punish you Leidenzer
35:16Heavens
35:18How scary
35:20Excuse me, Raquel.
35:22But I think that
35:23Your ex-husband is right
35:24If possible
35:25You should file a complaint.
35:27Yeah
35:28Although the house was in your daughter's name
35:30No?
35:31It's going to be difficult
35:32Hey
35:32Not even if I could
35:33Not even if the house was in my name
35:36I would file a complaint against my daughter.
35:37And she ends up in jail for that.
35:38It's that nobody understands it
35:40Mary of Fatima is being pressured
35:41She is being influenced by bad people
35:43I'm not worried about that money
35:46I want to help my daughter
35:47I didn't make it today
35:49But tomorrow I'll be there
35:50Even if I have to be there all day
35:52And the whole night stopped at that door
35:53I'm going to talk to my daughter
35:56Sorry
35:58Sorry
36:00Sorry
36:00Here is Mr. Franklin
36:15Just arrived
36:16But I brought it
36:17Because
36:17This is efficiency
36:19I'm going to tell you something
36:20For the quality of the invitation
36:21It will be a great party
36:22Thank you, Mrs. José.
36:23Listen
36:24This is just for me
36:25Because
36:25This is from 902
36:27I don't
36:28There are so many things on my mind
36:30He got confused
36:30Sorry
36:30I'm coming
36:31I'm going to hand it in
36:32Yes, see you later
36:32Thank you Mr. José
36:33Thank you
36:33Goodbye, excuse me
36:34What an elegant invitation
36:38Yes, a rich girl's birthday
36:40From those grandparent families
36:41They have a street name and everything.
36:42All of Rio de Janeiro will be there
36:45Can I see?
36:49Do you have the right to a companion?
36:50No
36:50It is personal and non-transferable
36:53And Caesar isn't going?
36:54Cease
36:55He doesn't have contacts like that.
36:57The one who lives in 902
36:59Those who live there
37:00There are two
37:01But they are never there
37:02I don't even know why they have that penthouse.
37:04And they never use it
37:05I think they live in Europe
37:07Inclusive
37:07Mr. José will put this under the door
37:10And it will rot in there.
37:24Thank you!
37:25Thank you!
37:26Thank you!
37:27Thank you!
37:28Thank you!
37:29Thank you!
37:30Thank you!
37:31Thank you!
37:32Thank you!
37:33Thank you!
37:34Thank you!
37:35Thank you!
37:36Thank you!
37:37Thank you!
37:38Thank you!
37:39Thank you!
37:41Thank you!
37:42Thank you!
38:12Hey Sardine
38:25Need
38:27Send him the list of locations
38:28From you to Renato
38:29We are doing an event today
38:31And you're already thinking about the next one
38:32Yeah?
38:33There are many horses on the track
38:34Can I do it tomorrow?
38:35Thank you
38:35Shall I interrupt us?
38:40No
38:40What do you think?
38:41Not at all
38:42I came to say hello to Renato
38:44I'm going to greet a colleague.
38:46Are you going to do anything tonight?
38:51No
38:51No
38:52I'm not going to do anything
38:53I'm free
38:53Are we going to dinner?
38:56Come on
38:56I
38:58I have to record some videos first.
38:59Alright?
39:00I don't have dinner early
39:02Good
39:02I think I'll finish around 10.
39:04Could be?
39:05Alright
39:05Perfect
39:07I'm going to talk to Renato
39:12Yeah, talk.
39:26I added you the next day
39:29That I met you
39:30Aha
39:30Thereafter
39:32We were together
39:33I traveled
39:35I traveled
39:36Five months passed
39:38It's just that I'm terrible with social media, Alfonso.
39:42Sorry
39:43What a shame
39:44Because
39:44If you see my last post
39:46He is about three months old
39:47You understand?
39:48No
39:48But even after that five-month digital rejection
39:51We met on my first day here
39:55And we are here now
39:58When something has to happen
40:03It always happens
40:05I forgot my insulin
40:11Sorry
40:12Alright
40:13Are you diabetic?
40:16Yeah
40:17Since I was born
40:19Did you know that sushi rice
40:43Does it have sugar?
40:44Don't tell me
40:45Yeah, I'm not going to talk much about that matter.
40:50Let's change it
40:51Because the topic of the glycemic index
40:53It's really not very romantic
40:54Your house is very nice
40:57Thank you
40:59I try not to be too messy.
41:02But
41:03I can't do it
41:05Sardine goes crazy with me
41:06Sardina works with you on Tomorrow
41:08Yeah
41:09And he's my best friend too.
41:10And he lives here with you?
41:11We live together
41:12We work together
41:13And we are very good friends
41:15Alfonso, I have to review a costume fitting.
41:24Can you give me a minute?
41:25Sorry
41:25Is that so?
41:38Are you enjoying the fitting?
41:43I love
41:44Te pego na escola
41:51E encho a tua bola
41:52Com todo o meu amor
41:55I'll take you to the party
41:57E testo teu sexo
41:59Com ar de professor
42:01Make crazy promises
42:04You have pints
42:05Against a bom being
42:06I hide from you
42:09The truth
42:10Baby
42:11É pra te proteger
42:12Da solidão
42:14Faz part
42:16Do meu show
42:16Faz part
42:19Do meu show
42:20Do meu amor
42:22Do meu amor
42:23Do meu amor
42:25Aunt Cecilia was here, Daisy
42:32Yeah
42:33He had breakfast with your father and left quickly.
42:35I think she and Laís were going to you today.
42:39And they talked about my mother?
42:42How would I know, Tiago?
42:44Daisy, you lie very badly.
42:46Tell me, did you hear anything?
42:47I don't
42:48Yes, you heard
42:49What did they say?
42:51Oh, Tiago
42:52Hey
42:54I think it's better if you ask your father.
42:58She is my mother
43:00I have the right to know
43:01It's not a question of rights, Tiago
43:04Your mother is an unbalanced person
43:07My mother has a disease
43:08Alcoholism is a disease and is being treated
43:11Dad, I'm not an idiot
43:12I know something is going on with my mother
43:14And you're hiding it from me.
43:15I want to know what it is
43:19Your mother has already left the clinic, Tiago.
43:27Is it out yet?
43:28It's already out
43:29Why didn't you tell me?
43:31I didn't tell you because I didn't want to hurt you again.
43:35You know what your mother is like?
43:37Your mother comes in and out of the...
43:39What's happening?
43:40What do you have?
43:41Nothing
43:42What's wrong? What's happening to you?
43:43Let me
43:44Come, sit down
43:44Sit down, sit down
43:46Come on, come here, let's talk.
43:47Come, come
43:47Why didn't you tell me?
43:48Come here
43:49Since when did it come out?
43:50Sit down, Daisy
43:51I'm drowning
43:51Daisy, bring me water, Daisy
43:53Son, son, sit down.
43:55Sit here
43:55Sit here
43:56Breathe, breathe, breathe
43:58Can't
43:58Daisy!
43:59Can't
43:59Daisy!
44:00Breathe, breathe with me
44:01Breathe, breathe with me
44:03Renato!
44:04Do you really think that listening to classical music can influence a person's sexual orientation?
44:18It's true
44:19Alfonso did not influence him
44:21But I don't know about your other brother, because you killed him.
44:25Hey
44:29No, no, no, don't go now
44:31It could be Franklin
44:32Maybe you forgot something.
44:34Oh!
44:38How nice that I found you, Maria of Fatima!
44:41I'm going out with a group from Belo Horizonte
44:43People with a lot of money
44:44Mining, a lot of money
44:47A lot
44:49And there is a
44:50A very presentable gentleman who saw you at the party yesterday and liked you
44:55Wouldn't you accept a meeting with him?
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