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CortometrajesTranscripción
00:00I'm so sorry, but you're fired on the first day.
00:02I quit my job in Sao Paulo and moved to Rio de Janeiro.
00:05Yes, yes, yes, but he's still fired.
00:08Now you two are looking at the waterfalls, okay?
00:10Turn your backs.
00:11Perfect, wonderful.
00:12To avoid showing their faces, they could put anyone, right?
00:15Do you think I looked good in today's photos?
00:17Of course.
00:18I felt a little taken advantage of, don't you think?
00:21You are very funny.
00:22Only if gracious in river means delicious.
00:25That's exactly what it means.
00:27If I go to the river, can I pick you up?
00:30Sure, you have my number, call me.
00:32Hello, Marisa.
00:33Raquel, he's your father.
00:38What do you mean, Maria de Fatima sold our house?
00:41It must be a misunderstanding, because a daughter would not sell the house where her own mother lives.
00:44According to the contract your daughter signed, you have three days to vacate the property.
00:49Maria de Fatima was seen at the airport.
00:51Did my daughter go to the airport?
00:52Rita called me, she said she took a plane to Rio de Janeiro.
00:56My daughter sold our house and went to Rio de Janeiro?
01:03Rafil!
01:05Should I file a lawsuit against my daughter?
01:07You guys are crazy!
01:09My daughter is no thief.
01:10What are they implying?
01:11Calm down, Raquel.
01:12It is obvious that Mary of Fatima was deceived.
01:14There is someone inciting my daughter.
01:16She's very innocent, you hear.
01:18She is a girl full of dreams,
01:20who just wants to become an influencer and make money posting on the internet.
01:23It's clear that she joined some scoundrel.
01:26Oh, she told me the guy's name, for God's sake.
01:29He was a model.
01:30What was his name?
01:30I don't remember.
01:32It's my fault.
01:33It's my fault because I don't have time to take care of her all day.
01:36I have a job.
01:37What am I going to do?
01:39What I need.
01:41Wait, I need.
01:43I need to speak with Maria de Fatima.
01:46I need to talk to Maria de Fatima to understand what's going on.
01:49How are you going to do it?
01:50Because she deleted all her social media.
01:52Did you delete them?
01:53Do you see it?
01:54Do you think a young person today would disappear from their networks?
01:57It's proof that there's something weird going on.
01:59What are you suspecting?
02:01Of kidnapping?
02:02Oh, for God's sake.
02:03Don't say something like that because you'll give me something.
02:05For the love of God, where is my daughter?
02:07Do you think we can go to the delegation and say that...
02:09To the delegation no.
02:09By no means.
02:11Calm.
02:11I don't want the police involved in this.
02:13Mary of Fatima was deceived, scammed, and only God knows what else.
02:17Raquel, I understand how you must be feeling, my friend, but listen.
02:20Don't you understand that your daughter signed a document that ensures the delivery of the property?
02:24for three days from now?
02:26We just want to help you, Raquel.
02:28There's only one way for you to help me.
02:30It's not telling this story to anyone.
02:32At least for now.
02:34I will deliver the house today if necessary.
02:36My daughter was deceived.
02:38She's not even old, listen.
02:40She's not old enough to absorb all the filth they read on the internet every day.
02:44Oh, Rachel.
02:45Bye bye!
02:55Bye bye!
02:55Bye bye!
02:57There it is.
02:59Sorry, we're late because...
03:01Alright.
03:02Who's in a hurry to get fired, huh?
03:05I just need the management's seal to resolve everything with human resources.
03:08Mr. Ivan?
03:15Ivan Mireles.
03:17Ready, Mr. Ivan.
03:19Thank you so much.
03:20You're welcome, it's fine.
03:21See you later, goodbye.
03:22Bye bye.
03:25Address, please tell me.
03:27One minute.
03:28Mr. Ivan?
03:31Yeah?
03:32Phone for you.
03:34And who could it be?
03:38Who's looking for him?
03:39Could you tell me?
03:41One minute.
03:43Mr. Bartholomew, his father.
03:44Alright.
03:47Thank you.
03:48Forward.
03:55Hello, Dad.
03:56I wanted to call you to find out how things are at the new job.
04:00Everything's okay, Dad.
04:02They are shameless!
04:04Ungrateful!
04:05This is absurd!
04:06A colleague passed by here joking with another.
04:10The people here are very funny, Dad.
04:12Hey, whenever you want to talk to me, call me directly on my cell phone.
04:15Could be?
04:16Sure, sure.
04:18I just wanted to have the pleasure of calling the company and asking to speak to the planning manager.
04:23And your office?
04:25My office is great, Dad.
04:27Wide.
04:29Yes, yes.
04:30I'm liking it, yes.
04:31Everything is in order.
04:33Santana is great.
04:34They are all good people.
04:35I can't take it anymore!
04:37None of that is my fault!
04:38I don't know anything about that!
04:41Wait.
04:42What's that shouting, son?
04:44They spend all day joking around, Dad.
04:47Hey, I have to hang up.
04:48Do you think we can talk later?
04:51I'm going to have dinner with Bruno.
04:52Alright?
04:52Eight thirty.
04:53I'll be there.
04:54And this one doesn't.
04:55No.
04:55Good day to you too.
04:58Bye bye.
05:02Thank you.
05:03Sure, you're welcome.
05:05I can see they are good people and you weren't fired.
05:11Well, not for now.
05:12I wanted to ask you a favor.
05:14My father is almost 70 years old and I already moved to Rio de Janeiro for this job.
05:19and now I'm fired and I...
05:21He hasn't told her.
05:22Not quite.
05:23I don't want to worry him.
05:24Besides, I'm going to start looking for a job and I'm sure I'll get something, God willing.
05:29I understand.
05:30That's good, because I would like to ask you something else.
05:33Clear.
05:34Only in the first few days.
05:36Do you think when my dad calls you can tell him I'm in a meeting or that I went out for coffee?
05:42Could be?
05:43Of course, of course.
05:44Alright.
05:44I'm going to make a note of it.
05:46Alright.
05:46Mr. Iván Mireles drinking coffee from nine to six.
05:50Thank you so much.
05:52Bye bye.
05:52Good luck.
05:53Thank you.
06:10Taxi, miss?
06:11Ah, yes, to Villa Isabel.
06:13Miss Villa Isabel is not that close, huh?
06:22Don't ask him.
06:24OK.
06:25Raquel, can I put this in the same box?
06:51Oh, friend.
06:52That?
06:55I can't believe this is happening, Marisa.
07:01The house my father spent his entire life paying for to leave us something.
07:05I know.
07:08First my father died.
07:10Now this.
07:13Oh my God, it seems like a nightmare.
07:16It seems like a nightmare and I have no news of my daughter, Marisa.
07:21Who do you think is heating up his head?
07:24Are you sure that besides her father and that guy from the magazine, your daughter doesn't know anyone else in Rio de Janeiro?
07:30No.
07:31Only on the internet.
07:32Because in person...
07:34But you were born in Rio, right?
07:36I was born there, but I came here when I was very young.
07:38No, I don't remember anything.
07:40Well yes, with this internet issue, youth go out into the world.
07:44Oh, mother of God.
07:46Mother of God, my daughter may be in danger and I will love Rubito.
07:50I'm going to...
07:50Calm down, Raquel.
07:51I hope he answers his cell phone.
07:58Hey, it doesn't even ring a bell.
08:00It's out of the area.
08:01This is Rubito's cell phone.
08:03It's not going to happen.
08:04Keep calm.
08:05Yeah.
08:11Everything's going to be okay, friend.
08:14You'll see.
08:15I am Rubito's daughter.
08:17Ruben Nacioli.
08:18Ah.
08:19Doesn't anyone have a key to my dad's apartment so I can get in?
08:22Ah, but you can't, miss.
08:24I am not authorized.
08:25That would affect me.
08:26And why are you sure that my father left?
08:28I know because I saw it.
08:30I never leave the gatehouse during working hours.
08:32Mr. Rubito left with a suitcase in hand, and the suitcase was not small.
08:35Hey, to get here from Galeao do we have to go through San Conrado?
08:41No, why?
08:43The taxi driver noticed that you are not from Rio.
08:45Do you want me to talk to him?
08:46No no.
08:47It's not necessary.
08:50Can I leave this suitcase at the concierge for a maximum of one hour?
08:52Clear.
08:53Leave her.
08:54Thank you.
08:54You are welcome.
08:59There are 240 of this trip.
09:01I haven't finished the tour yet.
09:04I'll have to go somewhere else.
09:06I just stopped by to drop off my suitcase.
09:08Alright.
09:26Could you please stop at that shop over there, sir?
09:29And wait a minute?
09:30Clear.
09:30Clear.
09:30Oh, thank you, dear.
09:53Now let's go to some shops on the next street, please.
09:57Of course.
09:58It will be as you tell me.
10:05Ah, that's it.
10:06Could you please stop?
10:07I'm going to leave the package in the car, okay?
10:09You can leave it.
10:17I'll be right back, okay?
10:18Alright.
10:19Idiot.
10:44But my father could have returned.
11:13Only if it went flying, miss, because it didn't go through the goal here.
11:16The worst thing is that he doesn't answer his cell phone.
11:18And he's not going to answer it.
11:20The other day, his apartment flooded.
11:22And everyone tried to talk to him and nothing.
11:24We had to break down the door.
11:27Alright.
11:28Thank you.
11:28I'll be back tomorrow, okay?
11:29Alright.
11:29Go with God.
11:34Hello.
11:35Hello, Yervas.
11:36Who is the girl?
11:37She said she is Mr. Rubito's daughter.
11:39But he never said he had a daughter.
11:41I'm your friend, okay?
11:44Rubito said yesterday that he was going to play outside of Rio and would return in a week.
11:49A week?
11:52What did you say your name is?
11:54Mary of Fatima.
11:55Excuse me, I didn't introduce myself.
11:56Euladio.
11:59Euladio Candelas.
12:00A pleasure.
12:01But hey, here on the street everyone calls me Poliana, you know?
12:08I'm the owner of the bar, you know?
12:10Do you know where there's a hotel around here?
12:13No, very expensive.
12:14Clear.
12:16Here in Villa Isabel there is everything.
12:17Doña Cristina's hotel is here, on this same block.
12:20I'll take you.
12:22Take care of everything here.
12:24I'll be right back, Pascual.
12:25Miss.
12:32Thank you so much.
12:33Here it is like this.
12:36One helps the other.
12:37Anything, I live in the village.
12:40House four.
12:41Either I'm at home, or I'm at the bar.
12:44Yeah.
12:47Thank you very much, really.
12:48I'm going to try to call my father again.
12:50Maybe I'll answer.
12:50Ah, let Rubito answer.
12:51It will be difficult.
12:52But maybe I'll get lucky.
12:56He forgets his cell phone somewhere and someone answers it.
12:58It's here.
13:00Let's have a drink at the bar.
13:01No.
13:02Come on, come on.
13:07No.
13:08Hello.
13:33Hi how are things?
13:36Yes, wait, I'll pass it to you.
13:38Take.
13:42Ask who it is.
13:45Who is it?
13:46I'm Fatima, your friend from Foz.
13:49From Foz do Iguaçu.
13:50She said she's Fatima, your friend from Foz do Iguaçu.
13:55Hey, did you go out with anyone in Foz do Iguaçu?
13:59Tell him I'll call him later.
14:01Hello.
14:02He told me he'll call you later.
14:08The furniture will be delivered tomorrow.
14:15Yeah.
14:16I can't even thank you enough, Marisa, for lending me your garage.
14:19What are you saying? It's an empty space.
14:22Do you think I wouldn't lend it to a friend, especially in this situation?
14:25A month at most and I'll resolve the situation.
14:28Maximum.
14:28Because I don't want to abuse your goodwill. That's horrible.
14:30Don't worry about it, Raquel.
14:34And your job at the hotel?
14:37The manager said he will give me 15 days of leave.
14:40After that he will put another guide in my place.
14:42But will you remain unemployed?
14:44What does it matter? Better to lose my job than to lose my daughter.
14:48I am a mother, Marisa.
14:50I am his mother.
14:51I need to find Maria of Fatima. I know she needs me.
14:53Raquel, without wanting to discourage you, are you aware of the size of Rio de Janeiro?
14:58And the only lead you have is an ex-husband who doesn't answer his cell phone.
15:02and a direction that may have already changed.
15:05I have nothing else.
15:07This guy right here.
15:08This guy here.
15:09Look at his face.
15:10It was this guy who cheated on my daughter, Marisa.
15:12If it wasn't him, it was someone else.
15:14Mary of Fatima is immature in certain points.
15:17Yeah.
15:18But my daughter is not bad.
15:19Are these the clues you have?
15:21The address of an ex-husband you haven't seen in years and a magazine cover, Raquel?
15:25I have much more than that, Marisa.
15:26Look, I have faith that I will find my daughter.
15:29And whoever has faith, has everything.
15:37Well, well, well, well.
15:39Look, the great chef has arrived.
15:41What a wonder this is, huh!
15:44It's to celebrate Ivan's new job.
15:46So what? How did it go, son?
15:48Does the secretary have a good voice?
15:50Did you choose your secretary?
15:51Sure, Dad.
15:53Among those that were there, yes.
15:55Now, Dad, these first few days, if you want to talk to me, call me on my cell phone instead.
16:00Yes, but tell me, what about the work you promised to bring us with your first floor?
16:03It's true.
16:04I haven't forgotten it.
16:05Fernanda!
16:06Oh, Mom, I was just asking, there's no rush.
16:07Yes, but of course I'll take them.
16:09And the office, Ivan, is it luxurious?
16:12Oh, very elegant.
16:13It's all very nice and modern.
16:15I'm going to take them for coffee.
16:17I just need a little time to adjust.
16:19I'm going to love it.
16:21But I'm not going now because I'm full of work.
16:23Much, Neunice?
16:24Since the agency staff discovered her, my wife became a seamstress to the stars.
16:30What can I do if I'm good?
16:32Tell us more, Dad, what is a tourism company like?
16:36One day I want to go too, huh?
16:38I'll take you, yes.
16:40I'm going to take you all and even give you all the gifts I promised.
16:44I just need a little time.
16:47Well, son.
16:50It's delicious, love.
16:52Today I tried hard.
16:54It's very good.
16:55Today I tried hard.
17:25Oh, you tell me.
17:32I trust in God, but don't worry.
17:34Polyana.
17:36Tell us, how does it come about that Rubito has a daughter?
17:38She's a woman, she must be about 20 years old now.
17:40Her name is Mary of Fatima.
17:42Hey, but how could she have traveled if she was coming to stay at his house?
17:45Maybe he didn't know I was coming.
17:47Thank you, Pascual.
17:48You're welcome, boss.
17:49Good night.
17:49Good night, get some rest.
17:50But how come he didn't know his daughter was staying with him?
17:55That story is very badly told, Poliana.
17:57How do you think that girl is?
17:58Did he run away?
17:59Oh, how distrustful you are, Consuelo.
18:02Not distrustful.
18:03I like things well explained.
18:05Thank you.
18:06Maybe he couldn't warn him.
18:08We already know about Rubito.
18:09He doesn't answer his cell phone, not even for a prize.
18:11Oh, hurry up because today was a stressful day at the company.
18:15Poliana, do you have any idea what it's like to see dozens of people being laid off in one day?
18:18I felt like I was in an avalanche.
18:20Stop this, I'll get the key.
18:22Oh.
18:27Here, hey, hey, hey.
18:29The child is yours.
18:31I told Leida that she's not going to be fired.
18:34What do you think?
18:35I have been working with Mr. Marco Aurelio for seven years.
18:38He never breaks contracts.
18:39Of course, he doesn't want to pay fines.
18:40Oh, I don't know if it will be good for our friendship, this thing of working together.
18:45Consuelo is very controlling.
18:47Controlling?
18:48I?
18:48You are.
18:49I can't look at a man because you control me.
18:51If you were looking at a man it would be fine, no, Leida.
18:54The problem is that you look at everyone.
18:55You see what I'm saying?
18:56You control me.
18:57I'm willing to accept anything, Pliny.
19:00It doesn't have to be a management position.
19:02They can even pay poorly, which I accept.
19:04Oh, they hired me, I made my move from Sao Paulo to Rio.
19:08And on the first day of work I got fired.
19:11Me and the other 90% of the staff.
19:14Ah!
19:15It appears that the company was taken over by the Roitman group.
19:18Hey, the owner, if I'm not mistaken, is a lady who lives in Europe.
19:22Now, who's really in charge, I learned, is a guy named Marco Aurelio Castañeda.
19:26Do you know him?
19:27They say he's horrible, a torturer.
19:30Well, I think that in TSA, with that Marcus Aurelius, I have no chance.
19:34I can't stand seeing your face anymore, Freitas.
19:55At that point I don't know how to help you, Mr. Marcus Aurelius, because I only have this face that you see.
20:06Oh, that's enough.
20:10Enough work for today, I'm leaving.
20:14I think it's me who has to go, Mr. Marcus Aurelius.
20:18This is your house.
20:19Then go.
20:24Yeah, get out of here.
20:25Yeah.
20:26See you later.
20:28Another thing I can't stand anymore is the TSA move.
20:32When will my office be ready?
20:34Ah, in two days at the most, Mr. Marcus Aurelius.
20:38Yeah.
20:40What are you waiting for, Freitas?
20:41Good night, be well.
20:43Good night.
20:44Are you going to continue working?
20:52No.
20:54I've been here since eight in the morning.
20:55And it's almost ten at night.
20:58I'll send Claudia a message.
21:00I want some...
21:02Some what?
21:03Some caresses.
21:04Bosses love too, Renato.
21:09I'm worried, Marcus Aurelius.
21:10No, not worried at this hour, Renato, please.
21:12Seriously.
21:14Selena, Elenita's aunt...
21:16I know who Selena is, Renato.
21:17OK.
21:18She went to the agency...
21:19And if the issue is Elenita, even worse.
21:23Tiago already asked me about his mother today and left me all stressed out.
21:27Elenita spent four months in a clinic, Marco Aurelio.
21:30He no longer goes near alcohol.
21:32It's someone else.
21:33Renato.
21:35Just looking at it, Renato, okay?
21:37I am here to take care of my son's physical integrity.
21:40Tiago almost died at the hands of that madman.
21:43Do you know that?
21:43Are you really determined to follow that judge's decision to the letter, Marcus Aurelius?
21:48Of course.
21:49Why do you doubt?
21:51Elenita will only see Tiago every two weeks here at my house,
21:55supervised by a person I trust.
21:59In this case, you, dear...
22:01I think you're being too harsh.
22:03You know who doesn't think I'm being too harsh?
22:05Justice.
22:07And so it will be, Renato.
22:10She does manage to get up from her chair and take three steps without falling over from drunkenness.
22:15Renato, the day they prove to me that she won't set fire to the house
22:18nor will he try to kill my son as he killed his own brother,
22:21we talked about her there.
22:23Don't talk like that, Marcus Aurelius.
22:24Why? I was married to Elenita for years.
22:27I had a child with her.
22:28I know that woman very well.
22:29She is self-centered.
22:31So fragile, not so fragile.
22:34Unable to do anything to anyone.
22:36Always use people.
22:38And when he has no one around, he uses a bottle of whiskey.
22:40You're talking about the mother of your child.
22:42It's always like this.
22:43Always.
22:44Oh, everyone feels sorry for Elenita.
22:47Oh, they always say that.
22:48because they don't know what I went through at the hands of that woman.
22:51She is not a woman.
22:52She is a trap.
22:53Is she pretty?
22:54Yeah.
22:55Seductive?
22:55Yeah.
22:56And very crazy.
22:59At first I felt like I was
23:01in an amusement park.
23:05After six months,
23:06I felt guilty for leaving her alone to go to the bathroom.
23:08Yeah?
23:09But it's better now.
23:11Yeah.
23:12So much so that she was discharged.
23:16Have you discharged her yet?
23:18That she wasn't properly admitted to the clinic?
23:21He will leave early tomorrow.
23:24Oh, that's all I needed.
23:26I can't understand that.
23:32There are people who live so well in social isolation.
23:35Elenita is of that species.
23:38He was born to live in captivity.
23:39Wasn't it okay there?
23:40Let him stay there!
23:43How will I rest with that now?
23:45Take the whiskeys out of the bar, Eugenio.
23:50Yes, Mrs. Celina.
23:51Or better yet, take out all the drinks and put them in a very hard-to-reach place.
23:55I hide them, right, Mrs. Celina?
23:58In other words, yes.
24:00Of course, Mrs. Celina.
24:01Immediately.
24:02Put them in the kitchen, Eugenio.
24:04Or better yet, put them under your bed.
24:06Could be?
24:07Sure, wherever you want.
24:09And liquors?
24:09Does your niece drink liquor, Doña Celina?
24:11Addiction has no preferences, Marina.
24:13It is not known.
24:14You better save them too.
24:17Do you really think, Ana, that I can survive with three sessions a week?
24:24It's because I've only left the clinic to come here for four months.
24:30Elena, we agreed on three sessions a week, but you know what you can count on me for?
24:35I know.
24:36It's just because people drink a lot.
24:45Everywhere it's white wine at lunch, caipirinha at dinner.
24:52It's important to develop new habits, meet new people, be with people who don't drink, and go to places where there's no alcohol.
25:01Only if I start going to kindergarten, don't you think?
25:08Everyone drinks.
25:11I think you'll make it, Selena.
25:13There are adults who do not drink.
25:15No.
25:15No.
25:31Don't say anything, Aunt Selena.
25:48Just hold me.
25:51It's so good to be home.
25:53Oh, I wish I could have gone to the clinic to pick you up.
25:56I wanted to have one last consultation with Ana before returning.
26:02It did me good.
26:02And how are you, Doña Elenita?
26:05I'm fine, Eugenio.
26:07As incredible as it may seem.
26:09Even for me, I'm fine.
26:13Where is Tiago?
26:14Where is my son?
26:16Ah, dear.
26:19Tiago can't come yet, but I'm sure he really wanted to be here.
26:23It was Marcus Aurelius, wasn't it?
26:29He probably didn't let my son come see me.
26:33Do you think he at least told Tiago that I was discharged?
26:37Ah, I don't know, Elenita.
26:38You know I had a fight with Marco Aurelio because he wouldn't let Tiago visit you at the clinic, then.
26:45But it's okay.
26:47Marcus Aurelius won't be able to keep my son away from me forever.
26:51I'm back home.
26:52If I don't see Tiago today, I'll see him tomorrow.
26:59I will always be Tiago's mother.
27:01That's right, dear.
27:03This is how you should see things, with optimism.
27:06Yes, dear.
27:07Yes, dear.
27:11I believe there's a time when the cord can be cut and this vision ends
27:19But I'm gonna die in a place that don't know my name
27:29And I'm gonna cry in a space that don't hold my eyes
27:41Thank you very much for this, Ivan.
27:51It wasn't my carelessness, no.
27:53The treasury staff forgot to ask for that signature the other day.
27:57Don't worry, Consuelo, it happens.
27:59Thank you
28:00I'm not interested in excuses, Freitas.
28:02My office should have been ready at 10
28:04Yes, Mr. Marcus Aurelius, at 10 o'clock tomorrow morning.
28:08That's on that crazy decorator's calendar.
28:10On my calendar it was 10am today
28:13What calendar do you follow, Freitas?
28:16For yours, Mr. Marcus Aurelius
28:17Of course, for yours
28:19Good day
28:20Good day
28:21Tell these people who don't know me, that I don't like greetings or laughter.
28:29I like efficiency
28:30That is Mr. Marcus Aurelius
28:37Wow, I don't know what's worse anymore.
28:40Getting fired or working while being humiliated by one of those guys
28:43I prefer to work being humiliated
28:46Aleida
28:46That?
28:49Can I get you something? Water?
28:51No, no, it's not necessary
28:52Hey, Ivan, what degree did you study?
28:55Administration
28:56And I have a master's degree from one of the best universities in the country.
29:00Look, Tegnit doesn't have a sales manager.
29:03I knew that half an hour ago
29:05That the sales manager had a heart attack
29:08The poor man, may God have him.
29:09And do you think you can get me an interview for that job?
29:13The HR secretary is my friend
29:15Can I try to arrange an interview for you?
29:18Would you do that for me?
29:20I don't even know how to thank you, Aleida.
29:22There's no need
29:23When your mother fell on you
29:42I promised her
29:44That I would take care of you
29:46I love you so much, daughter
29:59I love you too, Mom.
30:01Happy Birthday
30:07Happy Birthday
30:09That they fulfill them
30:10That they fulfill them
30:11Happy Birthday
30:13The main part of the money
30:43You can't touch her for two months
30:45But the 120,000 that will remain in the account
30:47They are enough for everyday life
30:48Since this value
30:49A part is available
30:51And I can request the other one.
30:52But I can't touch it
30:53That is with 24 hours' notice.
30:55You will have it
30:56Please sign at the end.
30:58Here you go
31:03Hey, Caesar
31:18Your cell phone is ringing
31:21Answer
31:22Cease
31:24I'm not your secretary, brother.
31:26Answer now
31:27Hello
31:36One second
31:40Hey
31:41Your favorite dish from Foz do Iguaçu
31:44Hello
31:54Hello, Cesar
31:57It's me, Fatima de Foz
31:59Do you remember?
32:00Of course I remember
32:01I remember, yes
32:02How are you?
32:04Are you in Rio?
32:04Yeah
32:05Yes that's how it is
32:06See you?
32:07Come on
32:07Let's see each other, yes
32:08But you know that the rhythm of Rio de Janeiro
32:10It's different from the pace of Foz do Iguaçu, isn't it?
32:13Clear
32:14I'm also full of things to do
32:17See you one of these days, then.
32:19Is this your number?
32:22Yes, this is it
32:23Yeah
32:24Alright
32:25I'm going to save your number
32:27Tell me one thing
32:29Where are you staying?
32:30I?
32:32At the Copacabana Palace
32:34In the Cup
32:38Hey
32:42I was checking my agenda
32:46I can't tonight because I have a commitment.
32:49But
32:50In about two hours or so I'll be free.
32:53Want
32:53Do you want something to drink?
32:56I really want to see you
32:58Two hours
33:00Let me see here
33:02In two hours no
33:05I have some shopping to do
33:06Let's see each other in the afternoon
33:08Then you go to your commitment
33:10OK
33:11See you later
33:13Where are you staying?
33:23At the Copacabana Palace
33:24My love
33:25A quick shopping spree
33:27And I'm going to the Copacabana Palace
33:29Your life is starting now, girl.
33:38And you will shine
33:41With the Copacabana Palace
33:43And you know what they say
33:44Never waste a Friday night
33:46On the first day
33:47But there it was
33:49In my arms
33:50With my thin hair
33:50And then
33:51I tapped this bar
33:52This man
33:53Can't dance
33:54You can't ask
33:55One question only
33:56And I was using
33:58These
33:58Spard fucking jeans
33:59It doesn't matter
34:00It doesn't matter
34:02It doesn't matter
34:02It doesn't matter
34:02It doesn't matter
34:02I was always a rich woman in a poor person's body
34:25My true self goes with money
34:28My true self goes with jacuzzi
34:30With expensive and pretty clothes
34:33Not knowing it was impossible, she went and did it.
35:00Hello Caesar!
35:21All good?
35:22How are you?
35:23I'm fine, and you, beautiful?
35:27Did you take a dip in the sea? Why a glamorous dip? I see you did.
35:29Oh! I only bought some trinkets.
35:31Do you know how much I liked being a model?
35:34Taking pictures and stuff
35:35That's why I'm here
35:37Did you come to Rio alone? Don't you know anyone?
35:41Yes I know, my mother knows a lot of people
35:43But she's not supporting me much in this race.
35:45In this matter of being a model
35:46As for working, I think I don't need it.
35:49Do you know how old people's minds work?
35:51Yeah
35:51And you said I could call you.
35:56And that maybe you would help me
35:58I know a lot of people in the fashion industry.
36:03I've been working on this for over 10 years.
36:04But I'll tell you, becoming a model is not easy.
36:08I guess so
36:09But could you introduce me to some people?
36:13It's just that I'm very busy this week.
36:17I'm full of work
36:18But thinking about it
36:21I think you need a bug first, right?
36:25A professional bug with some good photos
36:27Showing, I don't know, that you're photogenic
36:30Showing your work
36:32Then help me make the bug
36:34A bug is expensive.
36:39Your mother doesn't support you, but she gives you money.
36:41It gives me, without knowing why, but it gives me
36:43And where is it? On the farm?
36:47He loves being there among the cattle
36:49From the huge plantations
36:50If you have money it's easy
36:55I'll help you
36:57Go away, friend
37:14Go in peace
37:16And send news, okay?
37:18Of course
37:19And the money?
37:20Did you deposit it?
37:21Is everything in order?
37:21Everything, everything is in order
37:22You know, right?
37:28Anything just comes back
37:31I'll be back, Marisa
37:32I'm going back to my daughter
37:35And don't forget it
37:37Maria de Fatima went to Rio to see her father
37:40And I took advantage and took a vacation.
37:41Don't let anyone speak ill of my daughter.
37:45Don't worry
37:46Maria de Fatima is coming back to me, Marisa
37:50My daughter is good
37:52She is good
37:53They just tricked her
37:54My daughter has a good heart
37:56He only needs his mother
37:57Then go there
37:59Bye
38:13Bye
38:15Hello
38:25Yes of course
38:26Please
38:26Thank you
38:27Oh
38:28Excuse me
38:30Oh my God
38:31Holy
38:31Bye
39:01Ivan is very nice, isn't he?
39:18Be careful, Aleida
39:20Don't go helping him thinking he's going to fall in love with you.
39:24Heavens, consolation, you see evil in everything
39:27I don't see her, Aleida
39:30There is evil in everything
39:32I don't want you to answer me like that, Freitas.
39:35I don't want to know if it's a duck or a leg.
39:37I want the egg
39:38Good morning, Mr. Marcus Aurelius
39:40Freitas, tell the secretaries that today my son is coming to see the new TCA facilities and I want everything clean.
39:45Today Mr. Marco Aurelio's son comes to see the TCA facilities and wants everything clean.
39:52Of course, Mr. Freitas.
39:53We heard it, didn't we?
40:01A stressed boss is so inelegant
40:03Chic would be a happy boss
40:05And even more chic, is a quiet secretary, Aleida
40:09Look, Consuelo, who's calling me?
40:12Ivan
40:12Sorry
40:13Hello, Ivan
40:16Hello, Leida
40:17Hey, I'm calling to tell you that they confirmed the interview at TECNID
40:22They scheduled it for today at the company's headquarters in Villa Isabel.
40:25I don't even have a way to thank you, even if they don't hire me.
40:29Anyway, just...
40:30Oh, son, sorry, I thought there was no one here.
40:33Can you confirm my meeting?
40:35Is everything all right?
40:36Everything is great, Dad, I'm going to the office.
40:38Ah, I want to go, huh?
40:41Sure, I'll take you.
40:42Just let me get settled in, okay?
40:44I'm leaving, see you later
40:45Yes, son.
40:46See you, dad.
40:50Kiss
40:51Listen
41:01Yeah?
41:02Are we going to Villa Isabel?
41:04Isn't that what you told me?
41:06Yes, that was it, it's just that...
41:08It's that I thought it was closer
41:10Traffic is getting worse, don't you think?
41:22Yes, but...
41:23That's how mathematics works
41:25The more cars, the more traffic
41:27The more traffic, the more pollution
41:29Deforestation as it is
41:31What you say is true
41:34How long until Villa Isabel, huh?
41:38I'm going to a job interview
41:39Hey, sir.
41:41I'm asking you to wait
41:43It will only be a minute
41:44Just to see if my ex-husband is
41:46I can't wait, ma'am.
41:47It must be up ahead
41:53The numbers are wrong here
41:55It's a company, you understand?
41:56Rubito answers
41:57For the love of God
41:59At least once in your life
42:00Lady
42:01I see it as difficult
42:02It's easier than the dinosaur meteor
42:05Fall to earth again
42:06For Mr. Rubito to answer the phone
42:07He's not going to answer
42:08This is the 39th
42:09You can stop here
42:10I think we went too far.
42:11I'll walk back
42:12It will be faster
42:13Thank you so much
42:15Lady
42:18I would like to help her
42:19But I have to go
42:20All right, sir.
42:21I'll have to wait
42:22At least a few minutes
42:24And then me
42:25I don't know what I'll do
42:26You know what, ma'am?
42:27Here is my card.
42:28Ah, thank you very much
42:29You can write to me
42:30Thank you so much
42:31And excuse the confusion
42:32Alright
42:32Alright?
42:33Thank you
42:33Listen!
42:39Listen!
42:39Hey!
42:40Thief!
42:41My bag!
42:42Give me my bag!
42:43Leave that, guys!
42:44No, be careful!
42:44Leave that, guys!
42:45Don't hurt him either!
42:45I have nothing!
42:47Careful!
42:47No, wait
42:47He is pretending
42:48He has the bag
42:49No, she doesn't have the bag!
42:50Nobody touch the boy!
42:51OK!
43:01Do you know what I want, Father?
43:03Go see my mother
43:04We already talked about that, Tiago.
43:06The problem is that we just don't talk
43:08You say how it will be and that's it.
43:10It wasn't me who said how it would be
43:11It was the judge
43:12Don't start
43:13My mother has been hospitalized for four months.
43:15Of course he's not drinking inside the clinic.
43:17Elenita stops drinking every two years
43:18And you know what happens next?
43:20Then she drinks again.
43:22Or do you not know that yet?
43:24Ah, thank you.
43:24I
43:25I don't know how to thank you.
43:29Ah
43:32I already missed my interview
43:34And you have to wait for the goalkeeper to come back.
43:36Do you want to have lunch nearby?
43:44Relief!
43:45Fire!
43:45Oh my God, what's going on?
43:47Fire!
43:47Fire!
43:49Attention!
43:50Fire alarm!
43:51Everybody out!
43:52There's fire!
43:53They have to get out!
43:54Come out!
43:54There's fire!
43:55Go away!
43:56Come on, move forward!
43:57Come on, move forward!
43:58Come on, move forward!
43:59Come on, move forward!
44:00Come on, move forward!
44:00Thanks for watching the video!
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