La hija del mariachi - Capitulo 63 Full Movie HD
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CortometrajesTranscripción
00:00Only the hand of God.
00:09Rosario, please listen to me.
00:14I'm not leaving here until you listen to me, Rosario.
00:18Please, my love. Please, I need you to believe me,
00:23Listen to me. My mother, how are you?
00:26This is really quite cheeky, huh?
00:28After what he does to her, coming here to scream and sing to her.
00:31Rosario, please!
00:33Mommy, do you know what it does to me?
00:35Go get a bucket of cold water and pour it over him.
00:38and keeps fucking around.
00:39Well then I'm going to sing another song until you leave.
00:51Emilia's cell phone doesn't fit you.
00:53Fernando doesn't answer either.
00:58I truly feel from the bottom of my heart everything that is happening to me.
01:08That's the way things are.
01:13My world is falling apart, Dad.
01:16All the dreams I had about my home, about my marriage,
01:20They are slipping from my fingers.
01:24But you...
01:26It's not your fault, Dad.
01:30I know you are doing things with good intentions,
01:33but...
01:35I don't anymore...
01:38I don't know what to do, I don't know anything.
01:41It's too late.
01:43It's too late for me, for my marriage.
01:47It's too late for my relationship with you, Dad.
01:50No.
01:51No.
01:56Look, thank you.
01:57Look, Delayda, I asked a car, okay?
02:03Thank you!
02:33A...alo.
02:37Oh, Raquelita.
02:40Tell me.
02:42Let me find you
02:45and if I find you,
02:47and if I find you,
02:49come back again.
02:52I forgot about the past.
02:55Yeah, yeah, yeah.
02:57Lara, Lara, Lara.
03:01Brothers, how should we speak to you?
03:03that is not welcome here?
03:05Really. Not right now, dude.
03:07I don't want to talk to you right now.
03:09No, it's just that I don't want to talk to you either.
03:10Yeah.
03:11Seriously, go away.
03:13Manuel, why don't you go to sleep?
03:15Seriously, this isn't about you, dude.
03:17Sorry, Mrs. Raquel.
03:19Let's see, brother, it turns out that what happens with Rosario
03:21happens to us.
03:23Do you really think you're going to conquer Rosario?
03:26grabbing you in a huff with me, dude?
03:28Yeah, talking nonsense too, yeah.
03:30Nobody's going to bust anyone up here.
03:31Why? Are you leaving or should I call the police?
03:33No, no, Raquelita.
03:34Offer that Mr. Francisco Lara
03:35you're going to get there very decently in a taxi.
03:37Him and his drunkenness, clearly.
03:39I'm not leaving here until she comes out and listens to me.
03:42I'm not leaving here until I hear Rosario!
03:44Come on, scandal!
03:46Rosario has already understood that you are a liar.
03:48You're confused, dude, because I'm not like you.
03:52I didn't cheat on Rosario like you did.
03:54You deceived him.
03:56Lara, stop being an idiot and get lost.
03:58Yeah, yeah, daddy.
04:00Oh, Rosario.
04:01Blessed Lord.
04:05Mommy, can you call Mañanitas, please?
04:09I think he is working today
04:11to take Francisco.
04:13Come on.
04:15Come on, what you need is a strong cup of coffee.
04:18I'll give it to you, mommy!
04:20Mother!
04:22Rosario, I need you to listen to me.
04:24I need...
04:25What I need is for you to listen to me, please.
04:27Shall we meet again, please?
04:29Please, Rosario, I need you to tell me.
04:32Come on, Raya.
04:33Please be careful.
04:35Mister.
04:49What happened?
04:54What happened to Emiliano?
04:57We sat down to look for him and Nestal.
05:01I told you.
05:04I told you.
05:06I explained it to you a thousand times.
05:08Why don't you listen?
05:09Why don't you understand?
05:10I told you to do it just right
05:12when you had it right under your nose.
05:14When you had it in your face.
05:16That up to that point, at that moment, you were going to do it.
05:21We had it.
05:22We saw him arrive in a taxi.
05:24But, well, if we...
05:25Shut up, shut up.
05:26Be quiet.
05:28I don't want to hear your rookie kid excuses.
05:32Rookie?
05:33I can swear to you that we are...
05:34No, don't swear, don't swear.
05:36Don't swear, Ivan.
05:38Because what you and your stupid men just did
05:41is to let Emiliano know that we are following him.
05:45What you had to do was follow him.
05:47Follow his movements and leave him like a sieve.
05:49I can explain it to you.
05:50No, no, don't explain anything to me.
05:52Don't explain, okay?
05:54You had a job.
05:59You had one.
06:02And you screwed up.
06:05But you know what? Sorry.
06:07I screwed up too.
06:10I thought you were going to make it.
06:15I kill you.
06:17I swear I'll kill you.
06:20Miranda had already told me.
06:22You're pretty useless.
06:36Mother!
06:38Mother!
06:39Mother!
06:58Thank you.
06:59I never wanted to hurt you, Rosario.
07:13Too late, don't you think?
07:18Look, what I think...
07:22It's just that my life changed when I crossed paths with you.
07:25And since that moment you have done nothing else
07:30to tell me lies, right?
07:32No.
07:35No, because everything I feel is true.
07:40I've never felt this way about anyone.
07:44I had never loved a woman so anti-Rosario.
07:50Did you really come here to tell me that?
07:53Do you really think that with two little words
07:56will everything you did be erased?
08:06What I want is for you to believe me.
08:11That's not going to happen.
08:15Because now I start to think
08:17in all the lies he told me.
08:19in all his disappearances from nowhere.
08:23And I have explained each one to you.
08:24and I've told you why.
08:26No, you've given me excuses.
08:28You've only given me excuses.
08:32That you didn't answer my phone because of this,
08:34that you disappeared all day for this other one.
08:39And now Ibel...
08:40Honey, nothing really happened with Ibel.
08:46I'm telling you the truth.
08:48There is nothing between her and me.
08:52I don't believe you.
08:54Love...
08:56And I don't believe you, Francisco,
08:57because I can't trust you anymore.
08:59Don't tell me that.
09:01Don't tell me that.
09:02I know I don't recognize you.
09:04I don't know who you are and this terrifies me.
09:09Ok, ok, ok.
09:10Yes, yes, you're right.
09:12I should have told you about Ibel.
09:15I should have told you that it was my turn.
09:17spend the night with her.
09:19Did you have to spend the night with her?
09:21Yes, Rosario, it was my turn.
09:23She was very ill that night.
09:27I was afraid that...
09:29that he was going to hurt himself.
09:30I was very scared and I wanted to tell you.
09:32But I didn't know how to tell you.
09:34because I just didn't want you to think
09:36what you're thinking right now.
09:39That was my mistake.
09:40Forgive me.
09:44Forgive me, my love.
09:45Forgive me, really.
09:48I can't ask for your forgiveness either.
09:50for something I didn't do.
09:53That was my mistake.
09:55Katia.
09:58Who or not?
09:59Q.
10:00What happened?
10:01Oh, Katia.
10:03No, well, what happened was that they put us in,
10:04But they're fine now, right?
10:06Yes, yes, yes.
10:08Sir, they told me that you lived here.
10:09a certain Francisco Lara.
10:11Could I talk to him?
10:12No, no, no.
10:16He's not here, thank God.
10:21Rosary.
10:24I love you.
10:26I love you, I love you, I love you with all my being.
10:30I have given you everything.
10:34I would never risk losing you. Never.
10:37They already arrived for the Mexican.
10:39You can go now.
10:42Please, Rosario, please.
10:43I can't leave like this,
10:44knowing that you are thinking everything.
10:46Well, I did something like that.
10:48Francisco is finished.
10:56Rosary.
10:58Think about everything we've been through together.
11:01Every second by your side, every second by your side.
11:04All the love we feel.
11:08Please, my love, don't ask me,
11:10Don't ask me to give you another forgiveness, love,
11:12that's what I feel for you,
11:13because I don't have it, right?
11:14I don't have it.
11:16It's you who I am with my foot in me, please.
11:17Yeah, yeah.
11:19It's over.
11:21Please, I'm not going to wait until morning.
11:23Please.
11:24Please.
11:28Please.
11:34Already.
11:38Please.
11:39Almost not.
12:05It has me wasting gas.
12:07Alright?
12:08Listen, I'm warning you.
12:10It is freshly washed.
12:12If you're going to get drunk, let me know.
12:14Not right now, dude.
12:15Not right now.
12:15Oh, well, not right now.
12:16Not right now, get in quickly.
12:17Roll down the window to let him breathe.
12:28Hello, Katia?
12:31Talk to Mañanitas.
12:33In case you made a mistake, let me.
12:36What do I think?
12:38Hey, I'm here with your boyfriend.
12:41Get some coffee ready, warm up the bed because he's sad, tired and swollen with pain.
12:47I already hated once.
12:49Perez.
12:52There they talk to him.
12:52Who is today?
12:56Her boyfriend.
12:58Did you know he also has two?
13:00The love affair.
13:01Well.
13:09Dude, why do you always turn off your cell phone, son?
13:12One searching for him by heaven, earth and evil, brother.
13:15Why do you turn off that cell phone?
13:16Look, you know what?
13:21Please don't show up around here.
13:24What happened now, dude?
13:27Tomorrow I'll tell you everything, but please don't come to the house.
13:31Stay over there, okay.
13:35We see.
13:35Thank you.
13:42Now we wait.
13:44Breathe, breathe.
13:47Safe, very safe, safe.
13:49Yes, yes.
13:50But you're fine.
13:53Yes, I was very sleepy.
13:55I swear, I'm fine.
13:56Are you sure, princess?
13:58Fresh, look at me.
13:59I'm fine.
14:03The important thing is that the girl is fine.
14:05Thank God.
14:05And you.
14:06Give me.
14:08Katia, thank you.
14:18Queen.
14:21No, well, imagine.
14:23Are you okay or are you just trying to be tough?
14:26I'm not well.
14:28I'll always take care of you, okay?
14:31Thank you.
14:31Katia was a sea of nerves, but thank God everything was fine.
14:38Nothing serious happened.
14:39Blessed God.
14:42And you, mommy?
14:44And I know why I'm asking, don't I?
14:46Rosario, don't tell me you're going to believe that guy.
14:52I think it's enough that he stumbles over the same stone so many times.
14:58No.
14:59I know it.
15:00I know.
15:02But the truth is, I'm very tired.
15:04And you must be the same.
15:06Why don't they go and rest?
15:07Oh, rest, mommy.
15:11Bless you.
15:13See you tomorrow.
15:27Rest.
15:28Of the night.
15:42Good morning.
15:44Thank you!
16:14Oh, look.
16:18Rest easy.
16:19The pussies of the night, dude.
16:21Me too.
16:22Come on, come on, said the cocobolo.
16:24That is.
16:26Oh, thank you, my dear.
16:30Oh, what a relief, safe.
16:33Take a rest.
16:35It's not the biggest piece of furniture, but...
16:37Calm down, Paco.
16:41I'm so glad you're here.
16:43Oh, me too. I'm very happy.
16:46May God bless her and may the Virgin accompany her.
16:50Oh, do me a favor, bring me a glass of water,
16:53something to have here to drink, my girl.
16:55Do me a favor.
16:56Yes, yes, I'll bring it to you.
16:58Thank you.
17:01Thank you.
17:13Thank you.
17:14Thank you.
17:15Thank you.
17:16Thank you.
17:17Thank you.
17:18Thank you.
17:19Thank you.
17:20Thank you.
17:21Thank you.
17:22Thank you.
17:23Thank you.
17:24Thank you.
17:25Thank you.
17:26Thank you.
17:27Thank you.
17:28Thank you.
17:29Thank you.
17:30Thank you.
17:31Thank you.
17:32Thank you.
17:33Thank you.
17:34Thank you.
17:35Thank you.
17:36Thank you.
17:37Thank you.
17:38Thank you.
17:39Thank you.
17:40Thank you.
17:41Thank you.
17:42Thank you.
17:43Thank you.
17:44Thank you.
17:45Thank you.
17:46Thank you.
17:47Thank you.
17:48Thank you.
17:49Thank you.
17:50Thank you.
17:51Thank you.
17:52Thank you.
17:53Thank you.
17:54No, no, no.
17:55Wait a minute, my daughter, hold your breath there.
17:57It's just that, well, it's just that the night caught me up and I didn't have time to tell him.
18:00And when it got really late I said to myself, why would I call to bother her?
18:06If it's okay with you, we'll see each other in a bit.
18:09See you later.
18:16Good morning, look.
18:17No, no, no, don't look at the girl like that because it's not her fault.
18:21The idea of staying was mine.
18:23And so?
18:25Well, I couldn't leave like that.
18:28Especially considering the state you went to bed in last night.
18:31No.
18:32But you don't have to go.
18:35Because he doesn't stay for breakfast with us.
18:38I mean, if that girlfriend he has hidden over there said it.
18:41What's that? Which girlfriend?
18:43No, no, no.
18:43Tell him.
18:44No, no, no, no.
18:45Stop saying you're too young, man.
18:47Ah, what girlfriend or what girlfriend?
18:49These kids these days work with gasoline, airplanes, damn it.
18:52And they start making up their own little bit of nonsense.
18:54No, no, ma'am.
18:54I'm making this up.
18:55Well, if she gives him permission, there's no problem for me, Dad.
18:58Stay.
19:03And so we talked about a little topic I was thinking about last night.
19:08Oh, yeah.
19:10Sounds good to me.
19:11And, well, what do you have for breakfast?
19:16I imagine they have their yam club, their good serum.
19:19Don't come up with those tacky breakfasts and toast with I don't know what they're not going to be.
19:23I have serum for you, but anyway, let's have breakfast first, we'll talk about that in a moment, see?
19:26Well, it goes on.
19:27Come on, let's do that.
19:28Well, I'll make you breakfast.
19:30That's the blow, said the one who punched.
19:41Rosario, please listen to me.
19:46I'm not leaving here until you listen to me, Rosario.
19:50Please, my love.
19:51No, no, but brother, why doesn't my son answer me?
20:14Sorry, Fer, sorry, I didn't hear the phone.
20:18What happened?
20:19Where are you?
20:21At the boarding house you know.
20:23He brought me the Mañanitas.
20:25Rosario, I need you to listen to me.
20:27I need what I need, for you to listen to me, please.
20:29What did we find, please?
20:31Please, Rosario, Rosario, I love you.
20:34I love you, I love you, I love you with all my being.
20:38I would never risk losing you, ever.
20:40Please, Rosario, please.
20:42Rosario, that evil does not deserve it.
20:45It's my Sebastian.
20:46Be acroflexic.
20:48Well, monkey, while you were begging the black girl.
20:54They brought us into the house, Doña Otilia, my son.
20:57That?
20:59What do you mean they got in there?
21:00Who?
21:01You too?
21:02Carmen, you, the girl, what happened?
21:04Well, well, well scared shitless, brother.
21:08Scared shitless because those people
21:10Those people came straight to this house, monkey.
21:13Hey?
21:13Yes, yes, they came directly here, my son.
21:16They didn't come to steal a car,
21:18they didn't go where the neighbors were,
21:19They broke into this house, my house, brother.
21:22They entered all the rooms,
21:24They turned them over, they turned everything back, the bathrooms,
21:28They stole my computer and cell phones.
21:30And did they say anything to you? Did they ask you anything?
21:33No, no, well, the same as always.
21:35That I should stay still, that the smart one shouldn't throw them at me
21:38not even the big one because they hit me with a stick on the head, bro.
21:42This has never happened to me, son.
21:45But, brother, they came for someone.
21:48And that one has a name, a surname.
21:51What did you get me into, bro?
21:54They came for you.
21:55Hello, where are you?
22:05I'm just arriving at Barcelona airport.
22:07Okay, so did they stop you at the entrance or ask you anything?
22:12Nothing.
22:13Well, the usual.
22:16Excellent.
22:17That's good for you, I mean.
22:18Uh, well, rest then.
22:23We're talking, okay?
22:24Yeah.
22:28Ok.
22:30One less problem?
22:33Yes, we only have 328 more left.
22:37Ah.
22:38Hmm.
22:42Peaceful.
22:44You did the right thing.
22:44Promise me you won't leave me alone.
22:49That's not going to happen, Lina,
22:50because you will have 24-hour protection.
22:53What's more,
22:55They just confirmed the security scheme to me
22:56that they just assigned to him.
23:01What if they break into my house?
23:03You will be in a protected place,
23:05special for witnesses,
23:06as long as
23:07continue with the process.
23:09Help me understand, captain.
23:31Why the fuck
23:32the Bazan chili
23:33would want to drug Yaco?
23:36Why can it benefit you?
23:37I don't know, I am too.
23:39Think and think.
23:40No, no, no, I don't know.
23:41I'm just like you.
23:43You look good
23:44that they want to punish Ibel.
23:46By?
23:48By Sánchez Gallardo.
23:50The New Frontier Clan
23:51is behind that guy
23:52a long time.
23:56And so, like Sánchez Gallardo
23:57has said that he wants to talk,
23:58open your mouth,
24:00Well, at least we know
24:01that Rosario knows nothing.
24:02Of that we can be sure.
24:04Well, if I'm sure of something
24:06is that the such Milamores
24:08yes he knows something.
24:11The guitarist?
24:12No.
24:14No, Emiliano would never say
24:15the truth.
24:15He wouldn't dare.
24:17Well, I don't know, but...
24:19From what I could find out
24:20with Raquel,
24:21Rosario's mother,
24:23is that your friend Emiliano
24:24and that guitarist
24:25They are very good friends now.
24:27They are cronies,
24:28they are thick as thieves,
24:29as much as the other
24:29offered him the house
24:30so that he could live.
24:31Now, I don't know
24:32if Emiliano spoke
24:35or did not talk to someone,
24:35but if he spoke to someone
24:36It was probably with the guitarist
24:38or else,
24:38why do they have it
24:39so much confidence, huh?
24:41Now, the problem is
24:43What are we going to do?
24:44with that guitarist?
24:48Keep an eye on it
24:49nothing else.
24:52It's the only thing
24:56what are we going to do.
24:57Say,
24:58maybe he
24:59take us to Emiliano
25:00and if it's not him,
25:01It's going to be Ibel.
25:03Well, then,
25:04the truth,
25:04I don't believe
25:05that I really want to
25:06to go where Ibel is
25:07after the video theme.
25:09Let's see,
25:10Do you need more proof?
25:11after watching that video?
25:12Let's see,
25:13crown already,
25:14please,
25:14Yeah.
25:15Save yourself all your beating around the bush
25:16that we know perfectly well
25:18where this conversation is going.
25:19Well,
25:19let's get to an interesting point.
25:21Let's go to that conversation.
25:23Let's see,
25:24Do you really believe?
25:25that Ibel has salvation?
25:26Already,
25:27I know about Ibel
25:28has no salvation,
25:29there is no turning back,
25:30don't worry,
25:31but at this moment
25:32we need things
25:34most important.
25:35Emiliano is still out there
25:36and you still
25:37you are thinking
25:37to keep an eye on it
25:38to the guitarist
25:39and keep an eye on it
25:39to one, to the other.
25:41Yeah, stop it.
25:42It's the only thing
25:42what are we going to do,
25:43we are not going to touch it
25:43if that's what you're worried about.
25:46Not for now,
25:47ok?
25:49At the moment
25:50we can't risk it,
25:51we are not going to kill them
25:52to a mariachi.
25:53Not before the concert,
25:54we can't put it
25:55in check.
25:56We are?
25:58That concert
25:59it's going to happen
26:00with both
26:01on stage,
26:02Ibel and Rosario.
26:03It's going to happen.
26:05I the truth
26:05I don't think Rosario
26:07want to get on
26:07to a stage
26:08with Ibel, friend.
26:10Well, to Rosario
26:11you leave it to me.
26:13I'll take care of her.
26:21Are you going, Lupe?
26:22Sánchez Gallardo
26:26hasn't returned it
26:26to call.
26:28No.
26:29Hasn't she returned?
26:30to propose
26:30an alliance or something?
26:31No, do you think so?
26:32that I wouldn't tell you
26:33something that important?
26:34Yes of course.
26:35No, I say it
26:35It is because, well,
26:38this is the best time
26:38to grab it.
26:40Sánchez Gallardo
26:40at the moment
26:41he is alone and cornered,
26:42No?
26:42Leonardo, what happened?
27:01I can't talk right now,
27:02but I do need it urgently
27:03see you in person.
27:05They are passing through here
27:06many things.
27:07What things, captain?
27:08Not by phone,
27:09in person.
27:11Wait for my instructions,
27:11ok?
27:12Wait, captain.
27:13It's that I need
27:14see it for something
27:14most important
27:15and I can't wait
27:16to see her in person.
27:17What happened?
27:18He speaks quickly.
27:19Look, what's happening?
27:20is that yesterday they got in
27:20to my house to rob,
27:21to Fernando's house
27:22and everything is very strange.
27:25I need
27:25that you help me
27:26to know
27:26who were they
27:27people
27:27that they got into.
27:32I understand
27:33that with all this issue
27:35of death
27:35your brother's
27:36and everything that is happening to you,
27:37Well, maybe
27:39you feel very ill,
27:40TRUE?
27:41It's normal.
27:42Something happened to you
27:43after another and after another
27:44and if you want
27:45to confess something to you,
27:47the truth,
27:48at some point
27:49it crossed my mind
27:50that later
27:50from all this stress
27:51and all this tension
27:52that you are carrying,
27:53maybe
27:54you will commit
27:55crazy.
27:56Normal,
27:57TRUE?
28:00But spend the night
28:01with Francisco Lara,
28:04for God's sake,
28:04my life,
28:06what were you thinking?
28:08Oh?
28:08He's the boyfriend
28:09from Rosario,
28:10the groom
28:11from Rosario.
28:12You can have
28:13the man
28:13whatever you want,
28:15everyone gives up
28:16at your feet,
28:16whichever you want
28:17you can have it,
28:18but not,
28:18you had to notice
28:19exactly in that one.
28:22For God's sake,
28:22Ibel,
28:23is that not even
28:24I know him.
28:25How did you do it?
28:26to meet you?
28:26Let's see,
28:27tell me,
28:27where did you meet him?
28:29That doesn't matter.
28:31I already told you
28:31that was a thing
28:32of drinks,
28:32I don't even remember
28:33well what happened.
28:34But he is the boyfriend
28:35from Rosario,
28:37for God's sake,
28:38don't you realize?
28:40Let's see,
28:40at some point,
28:41at some point,
28:43in your fever,
28:43in whatever,
28:45Didn't it pass you by?
28:45by the head
28:46that this could affect us
28:46bring big problems?
28:49You have on top
28:50a concert with her,
28:52you're going to throw it
28:53as an artist.
28:59No, no, no!
29:00No, no, no!
29:01Fernando, here!
29:02...she says quietly
29:04between sighs
29:08that vague love
29:10my desolate soul
29:14I was a promise,
29:18I was true,
29:19I went to be pink.
29:19I'll show you,
29:20Rosary,
29:21that there is no woman
29:22in my heart.
29:29Manuel,
29:30you who love me
29:30so much, so much,
29:31so much, so much,
29:32so much, so much,
29:33so much can produce me
29:34that song?
29:35Of course,
29:35Dove,
29:36I produce it for him.
29:38Coffee.
29:42Thank you.
29:44Although I feel
29:45that to become
29:46in a great hymn
29:47out of spite
29:47it's missing a few things.
29:48Let's see,
29:52according to you,
29:54what is missing?
29:55Malice.
29:57Indigenous malice,
29:57above all.
29:58And, Benen,
29:59For example,
29:59How does this sound to you?
30:02I,
30:03that I have always been
30:04a deity,
30:07don't even believe it
30:09don't even get dressed
30:09because I'm not going to give you
30:11a second chance
30:12that beauty is pure poetry.
30:14I'm very bad,
30:15I know.
30:16That?
30:16Dove,
30:19what's wrong with it?
30:24Migraine?
30:26That's why
30:27I hate tequila.
30:29Yeah.
30:30Could it be that this migraine
30:31It's called not being able to sleep
30:33for thinking
30:33in those who do not deserve it?
30:37Do you remember?
30:38how he took it away
30:38the headache?
30:42Of course he remembers.
30:44And this is where...
30:45implemented a technique
30:47millennial.
30:48Please,
30:49Miss,
30:49will you help me?
30:50Backward.
30:51Thank you so much.
30:51Are they going to have stones?
30:52on those shoulders?
30:53Well,
30:54Well, we already got it out.
30:56You relax.
30:56Yeah.
31:26Leonel.
31:43Emiliano, we need to talk, urgently.
31:51As you said, I was very sick and I didn't want to go through it.
31:53the night alone. And you couldn't
31:55Call me, for example? I'm your friend too,
31:57Don't forget it. Oh, the one who is so placid,
32:01the one you have my eyes on, Mereida.
32:04So what do you have it for? Tell me, because I don't know.
32:06Oh no, forgive me for not thinking clearly.
32:08when I just buried my brother.
32:11Also, Chile, absolutely nothing happened with Francisco,
32:14I'm sure of that. It did happen, my life,
32:18Yes, it happened. Rosario told him to go to hell.
32:22Ah, well, that was because of the scandal on social networks,
32:25Yes, because they don't trust their boyfriend, that's what I do.
32:28Let's see, the only thing that is certain here is that at this moment
32:33We have a real fart, huh? A fart the size
32:37from the Azteca Stadium. Do you know why?
32:39Why? Because Rosario doesn't want to see you.
32:43So tell me what we're going to do, okay? Tell me.
32:49Do you have anything to drink? I'm going to get drunk.
32:51in this house with so many things that they don't do.
32:57God.
33:00Black!
33:05Mommy, you got a message.
33:08Lara?
33:10Which Lara, daddy? No, crown.
33:11Look, let's see.
33:15Hello, Rosario. How are you?
33:18I hope you're having a better day and, look,
33:22Yesterday I left you alone so you could have your mourning,
33:25but today is a new day.
33:29And we must urgently talk about everything that is coming to us.
33:32and be professional, okay?
33:36So I'll see you at 11 at Plaza Garibaldi.
33:40Are you okay? Goodbye.
33:47Oh, Raquelita. Well, we're done with breakfast here, okay?
33:50They gave me a strange thing and that Greek yogurt with blueberry,
33:53a sweet little bean, right?
33:54But, well, I'm leaving you this message.
33:57because if you have to go for the flowers,
33:59then you tell me and we go together.
34:05Bye.
34:07So if the girlfriend thing is true,
34:09donkey returns to melons
34:11and you're going to continue messing up like the girl.
34:13No, no, no, Dad, no, no. Calm down, okay?
34:15I'd rather talk about something different with you, okay?
34:18And... I start by asking for your forgiveness.
34:25You? Me?
34:28Yes, Dad, I was an idiot last night.
34:32It's that I feel like I'm lost, like I'm disoriented.
34:37and I don't know, I don't know anything, dad, I don't know.
34:41Look, one doesn't come with an instruction manual.
34:48You are going through a very difficult time,
34:52I understand that, don't worry.
34:54The thing here is that I have no head for anything.
34:58and I don't know how long I'm going to be like this.
35:02I don't know what's coming, I don't know anything, Dad, I don't know.
35:07I think I'm going to need a little help.
35:12You can count on me. It's not that the fox is bold,
35:17but the hen goes far away. If you need anything,
35:20needs me to come to anything,
35:22It's just a matter of picking up the phone and calling him.
35:25Dad, why don't you come live here?
35:28Here is a room, there is a bed for you.
35:33Look, this is all very painful for me.
35:36And if it's painful for me, I can't imagine what it must be like for Adelaide.
35:41She tries to look good, to look calm,
35:44It encourages me, but I know that she is destroyed inside.
35:49and she's very lonely. I sometimes don't have time
35:52neither to call her nor to see her.
35:55And... she loves you very much.
36:00And I'm sure that if they are together they can accompany each other.
36:04and by the way, I... will feel less alone.
36:12I do not forget that this is a great opportunity,
36:14it's a dream.
36:17But at this moment I don't feel capable.
36:20to get on stage with Iván.
36:22Can't.
36:27Let's see...
36:29Do you understand what you're telling me?
36:33I know it.
36:34And Miguel, I'm not asking you to take me off the whole tour,
36:39I'm just asking you to get me out of that concert with her.
36:43The rest is all good.
36:44In fact, the boys, both the Colossus, the musicians,
36:46everyone is going to sing with her.
36:48Ah.
36:49It's that concert.
36:50For the rest of the tour and whatever you need,
36:53I stand firm.
36:54You know that I greatly admire your consistency, your fidelity to yourself,
37:04But I really admire you, Rosario, a lot.
37:12But I didn't think you were that naive.
37:17Because I want to tell you something, Rosario.
37:19This?
37:22This about the concert?
37:25It's not what you want, it's not what I want.
37:29It's what you already signed.
37:32And you signed it.
37:35With your little hand.
37:38And if you don't do that concert,
37:42they're going to fine you.
37:44You're going to have to pay compensation.
37:46And it's an absurd amount.
37:50After all this gigantic investment we already made,
37:53Believe me, you will be penalized, and severely.
37:56No, Miguel, don't get me wrong.
37:59I mean, I understand that's a money thing.
38:01I'm not asking you to pay me.
38:02In fact, I'm not even going to get paid.
38:05No, it's not your salary, Rosario.
38:07Your salary is like this.
38:09So.
38:11Compared to the gigantic investment
38:12that there is already in a single concert.
38:13And not just at this concert, but on the tour.
38:16And let me explain something to you, Rosario.
38:19If you don't do that concert with level,
38:22you don't give the tour either.
38:24And not just you.
38:27All Garibaldi.
38:29Nobody goes.
38:31Okay? Think about it.
38:33I don't have to think about anything.
38:34If you tell me to come here,
38:35I grab my motete and come.
38:37Don't give me an answer right now.
38:38Yes, think about it, breathe.
38:40And when you feel ready and...
38:43Let me know that from now until tomorrow they are not going to screw it up,
38:45He tells me this.
38:50Look.
38:52I swear by the Holy Virgin
38:55that long ago
38:57I haven't taken a single sip of liquor to my mouth.
38:59That's why I'm making this proposal to you, Dad,
39:02because I have seen him to be judicious.
39:04But there is always fear.
39:06I was afraid that you would trip.
39:08And then how do I trust you, huh?
39:11That's why you're not giving me an answer right now.
39:13Think about it.
39:14Yeah.
39:16Thank you.
39:17I'm going to go to work, okay.
39:19Well, better than...
39:20There is the house.
39:21Come with me, he protects you.
39:23I'll stay here washing the dishes then.
39:25Well.
39:28Well, maybe he doesn't care.
39:29that you and I have all the time in the world
39:31to get to know each other.
39:32I want to start by thanking my grandfather,
39:36whom I met recently,
39:38but he has earned all my admiration,
39:40my respect and all my love.
39:42I love you, grandpa.
39:44My dad and mom can stand on eyelashes,
39:46on the little toe, on whatever they want,
39:48but I want to keep seeing you.
39:49I just want to recover the relationship between grandfather and granddaughter.
39:52because I feel it can be very beautiful
39:55that we have a grandfather-granddaughter relationship.
40:05I need you to understand, Rosario.
40:09I want you to be in this,
40:12because if you don't do this concert with Ibel,
40:14Believe me, no one will know you.
40:16What she's going to do is introduce you to the media,
40:18to the Mexican public, to the international public,
40:21and if you don't go, then I need to get
40:24a singer much more famous than you
40:26why do you sell me the tickets?
40:28No, that's not what I want.
40:30No, that's not what I want either.
40:32I don't want this to happen,
40:34not after all we've done together,
40:36all the bet I've made on you, Rosario.
40:38I want this to go well
40:40and I want people to know you.
40:41and that's the only way it's going to happen,
40:43Ibel is going to introduce you.
40:46Otherwise, there's no way, right?
40:49And another thing, Rosario, I'm with you, believe me,
40:52I am with you and I understand what you are doing,
40:55but don't let a personal issue with Ibel
40:58screw up your whole career, for you and the Garibaldi guys.
41:00And I tell you this as a friend.
41:03And as a producer and investor I'm going to tell you something else.
41:07These concerts are going to happen with or without you.
41:15And forgive me for pressuring you, but...
41:18I need you to decide.
41:21But now, whether this is going to happen or not.
41:24Because today is the presentation of your theme with Ibel
41:26here to all media, it's going to happen here.
41:27So please tell me.
41:30No, but Ibel Chile didn't say anything to me.
41:33No, well we didn't tell you anything yesterday.
41:34because your head and your heart were somewhere else.
41:37But today we are talking about business.
41:39So decide, Rosario.
41:41Do you want it or not?
41:43Do you want the opportunity of a lifetime or not?
41:46Tell me now, because I need to do many things.
41:50and I need to notify the press and Chile and everything.
41:53If not, to cancel it. Should I cancel it?
41:55Should I cancel it?
41:57I'm going to do it.
42:02Perfect.
42:06You see, it's not that difficult to be a professional.
42:08It's easy.
42:10You scared me.
42:14You're doing well.
42:16Is this a professional?
42:17Ah, yes.
42:18What are you doing, huh?
42:20You can't scare me, okay?
42:23You scared me.
42:27Talk to Chile later so he can explain it to you.
42:30How are the logistics of all this going to be?
42:31No.
42:32No.
42:33No.
42:34No.
42:35No.
42:36No.
42:37No.
42:39No.
42:40No.
42:41No.
42:43No.
42:45No.
42:46No.
42:47No.
42:48No.
42:50No.
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