- 2 days ago
Category
🎥
Short filmTranscript
00:00Ava Heinemann?
00:03Oh yeah, she was here.
00:05She's fallen on pretty hard times, but her snotty attitude is still the same.
00:10Come to think of it, it's gotten even worse.
00:14Did Ava happen to mention to you where she was staying?
00:17Yeah, she said she'd forgotten her cash, and to collect the tab I'd have to go to her hotel.
00:22I guess you still think she's a princess, huh?
00:25And which hotel was that?
00:27The Stagant Hotel.
00:28I mean, come on, she's staying at a third-rate hotel, claims she forgot her cash?
00:33You really think she's gonna come back to pay her bar tab?
00:36Wait.
00:37Aren't you...
00:39Yeah, now that I think of it, you were engaged to her.
00:45He's... that doctor.
00:49Yeah, hello, police.
00:51Just now, that serial killer was right here in my bar.
00:54Hey.
00:56Any idea where my coat went?
00:58What?
00:59I hung my coat up on the rack, right there by your front door.
01:02Huh?
01:02Huh?
01:10Bye.
01:10Bye.
01:25Bye.
01:26Bye.
01:30Bye.
01:31Bye.
01:31Hello?
01:43Yes, excuse me.
01:45I'm trying to reach a lady named Ava Heinemann who's staying at your hotel.
01:49All right, sir.
01:50I'm putting you on hold while I call her room.
01:52Please stand by.
01:53Oh, sure.
02:00Make it quick.
02:01Please hurry.
02:07To tell you the truth, I'm thinking of killing someone.
02:11Your former fiancé, the lovely Ava Heinemann.
02:15Come on.
02:17Thank you for waiting.
02:18Yes.
02:19We rang her room, sir, but she's not picking up.
02:22What's her room number?
02:24I mean that I'd like you to deliver an important business fax to her, so would you please tell me what her room number is?
02:31Please tell me.
02:32Oh, sure.
02:33She's in 402.
02:35Our fax number here is...
02:36Room 402.
02:49Room 402.
02:49Room 402.
02:49It's no good.
02:58Mr. Ball isn't in his office, and he's not answering his cell phone, either.
03:03I'm beginning to think that your partner won't meet with us no matter how long we wait.
03:06And here's what my reasoning is in saying that.
03:11Mr. Ball became Dr. Tenma's lawyer to prove his client was innocent.
03:15Then Tenma complicated things by escaping from the police after confessing to the crime.
03:20With his client displaying that kind of guilty behavior, well, he's left with no choice but to withdraw.
03:25Mr. Verdemont, are you going to quit, too?
03:36I don't plan on quitting, but I didn't plan on Tenma escaping, either.
03:40Since I'm his lawyer, I want him to trust me, but his actions are confusing.
03:44We're all confused by what he's done, but do you even believe him?
03:50Do you believe what he said happened in Munich, Mr. Verdemont?
03:53Do you actually believe all of the things that Tenma has told you are true?
04:00No answer.
04:01To me, that means you didn't believe anything that he's said to you, did you?
04:06I was shocked and disappointed when I heard the news that Tenma had escaped,
04:10but most of all, I couldn't believe that he'd lied about his guilt,
04:13and I had that same unsettled feeling during the library fire
04:17when he suddenly ran off to try to shoot Johan.
04:21Something like that is happening again, and Tenma escaped for that reason.
04:28You have to believe in him,
04:30just like your belief in your father's innocence led you to become a lawyer.
04:39The phone has been ringing off the hook.
04:41The media is begging to have you answer one question.
04:45As a top lawyer, will you still continue to defend Tenma?
04:48They're going crazy.
04:50Tell them at this time I have no comment.
04:52Are you kidding?
04:53They won't take that for an answer.
04:54They'll eat you alive.
04:57Tell them that I will be holding a press conference
04:59after I thoroughly examined all of the facts of this very unusual situation.
05:03And until that time, don't let anybody into my office.
05:07But you have a visitor waiting in your office.
05:10So you let someone in here without consulting me first?
05:13Look, I don't want to see anyone.
05:15Sorry.
05:16I told him that and tried to turn him away,
05:18but, well, he insisted on waiting for you.
05:22Who is he, anyway?
05:23Well, he's with...
05:25He's with the German Federal Police.
05:27The BKA?
05:28Over the Rainbow.
05:38It's quite a nice song.
05:40I believe it was the theme song of the radio station that your father ran.
05:45So, who are you?
05:48I'm Inspector Lungay.
05:52406.
05:55405.
05:58404.
06:09Room 402.
06:11That's her room.
06:23Guten tag.
06:24Oh, uh, guten tag.
06:28Uh, pardon me.
06:44Huh?
06:45Where's the guest staying in that room?
06:48What?
06:49Oh, the woman who was staying in this room.
06:51I was dropping by to visit her.
06:53You were?
06:54I was told this room's guest was already checked out.
06:56Oh, hey!
07:06You see?
07:07Told you that person was gone.
07:12Ava.
07:12Inspector Lungay, you have my thanks for your thoroughness in the report that you wrote on Tenma.
07:21In doing my research to learn more about my client, I read many reports.
07:25Yours was elaborate and outstanding.
07:28I must say as well, I'm quite aware of your reputation as a star in the legal world, Mr. Verdemon.
07:34I imagine you're here because of the news of Dr. Tenma's recent escape.
07:38Even though he's a client of mine, let me assure you, he hasn't contacted me and I don't know where he is at this time.
07:44Oh, so he escaped.
07:47Actually, I'm not here on that matter.
07:49I'm on something of an extended vacation.
07:52You know, in a way, I feel like I've made an escape as well.
07:56Having this time off has been refreshing.
07:59Well, I hope you'll excuse me, but right now I have no time for small talk, so...
08:04Of course.
08:04I do have a specific question, actually.
08:08Maybe it's a habit I got through my work, but I just can't take a real vacation.
08:12I find myself coming up with a theme for each of my trips.
08:17This is the theme for this trip.
08:20This picture book I'm holding.
08:24Look, Inspector.
08:26I'm out of time.
08:27You have to leave.
08:29Please, let's talk a little longer.
08:31So you really haven't come here to talk about Tenma?
08:34To be quite honest, right now, Tenma is the furthest thing from my mind.
08:38Huh?
08:40Besides, I only just heard the news about Tenma's escape.
08:44I heard it while I was on my way over here.
08:47Well, then why did you bother coming to my office?
08:49As I said, it's this book.
08:51I've become intensely interested in finding out about this picture book's author.
08:55But the man who authored this book had many pen names.
08:58The only German pen name he used was Klaus Pope.
09:02Learning more about this mystery man became a challenge for me.
09:06I investigated further and came across the name of someone Pope was acquainted with.
09:11Who was it?
09:14Your father knew Pope.
09:18The radio station your father owned had a program called The World's Fables.
09:22According to records in August of 1966, Pope's work, Where Am I?, was aired on his station.
09:31I've read transcripts of your father's trial for spying.
09:35His espionage trial shook all of post-war West Germany, or so they say.
09:40I know that.
09:41So what's your point?
09:43Records indicate your father had traveled to Czechoslovakia on numerous occasions.
09:47Since he was just meeting a picture book artist, his trips went unnoticed and weren't brought up at his trial.
09:53Just what are you implying went on?
09:56Well, I'm implying that based on my research, your father appears to have been old friends with this picture book artist.
10:02My father knew many people due to the nature of his work.
10:05He met and had meetings with countless people.
10:08That was his job.
10:09So you're saying that your father and Pope weren't well acquainted then?
10:15Nonetheless, according to the investigative work I did, Klaus Pope usually met with people at his editor's house.
10:21Or they would meet at his vacation home, which was an old farm in the suburbs of Prague.
10:26But when he would meet with your father, he always did so at a certain mansion.
10:31Where was that?
10:32The place was known as the Red Rose Mansion.
10:36But he never did meet people in that location while using the name Klaus Pope.
10:41When he used the Red Rose Mansion, he called himself by another name.
10:47The name Franz Bonaparte.
10:50And he was someone who was a very important person.
10:54In the Czechoslovakian secret police.
11:04What are you?
11:05What are you trying to say?
11:10Spy kid, spy kid, spy kid.
11:15Son of a traitor spy, that's you.
11:17You son of a coward spy.
11:24Hey, if you don't like that, then find a way to prove your dad's innocence.
11:28If the dad's a traitor, the son's a spy too.
11:31Spy kid, spy kid, spy kid, spy kid, spy kid, spy kid.
11:39I just want to learn about Franz Bonaparte.
11:44What can you tell me?
11:46I know of no such person.
11:48In 1966, your father met with Klaus Pope at a certain mansion in Czechoslovakia.
11:54That's what really happened back then, isn't it?
11:57It was just an author and a radio station owner having a business meeting.
12:01That picture book author never went by the name Klaus Pope when he used the Red Rose Mansion.
12:07Hold on.
12:08What exactly are you trying to say?
12:10When that author of children's books met with your father, they met at the Red Rose Mansion.
12:15Which means he wasn't meeting your father as Klaus Pope, but as Franz Bonaparte.
12:20So your father was actually meeting with someone who was an important part of the Czechoslovakian secret police.
12:27That's not what happened, dammit!
12:29Please allow me to make one thing clear.
12:31I couldn't care less whether or not your father was a spy.
12:34But my father wasn't a spy!
12:37I know you believe that.
12:38But your father surely must have known Franz Bonaparte's real identity.
12:42How is that relevant?
12:44You may not wish to accept it, but it certainly appears your father knew what was going on in the Red Rose Mansion, didn't he?
12:50No.
12:51No!
12:52My father was innocent!
12:54Innocent!
12:54You're wrong!
12:56I'm hoping that you'll get in touch with me after you calm down.
12:59When you want to talk more on this subject, call me and know this.
13:03I don't care if your father was a spy or not.
13:06I'm not concerned with that.
13:08My only interest here is to learn more about Franz Bonaparte.
13:18My father.
13:19My father was never...
13:22Excuse me.
13:25Your wife's on the phone.
13:26She'd like to...
13:27Huh?
13:28Is there something wrong, sir?
13:31No.
13:35It's your wife.
13:36She said she's calling from the maternity ward of the hospital.
13:40Oh.
13:41I see.
13:42I see.
13:42I see.
13:42I see.
13:42I see.
13:42I see.
13:42I see.
13:44I see.
13:44I see.
13:49Hey, honey.
13:53So you can come home?
13:54Well, that's great news.
13:56Wonderful.
13:58Sure.
13:59I'll come over there right away to pick you up.
14:01Dr. Tinma!
14:08Dr. Tinma!
14:23Start driving now.
14:24Just calm down.
14:25Listen.
14:26Everything is all right.
14:27I said start driving.
14:28I said start driving.
14:28Move it!
14:31Stop pointing that gun.
14:40Just calm down, Tinma.
14:41I don't understand.
14:42What the hell's going on?
14:43Where is Ava?
14:45Where is Ava Heinemann?
14:48What are you talking about?
14:49Why in the world are you asking about her?
14:51Don't play dumb.
14:53You really think I don't know what you're trying to pull here?
14:56Trying to pull?
14:57Don't stop the car!
14:58Keep your eyes on the road and keep going!
15:00I finally figured out what you're really about.
15:04You just wanted Ava.
15:05I don't understand you.
15:07What would I want with Ava?
15:09Spare me your lies.
15:10I know who you're working with and I know what he's done.
15:13You're partners with that man, Ball.
15:15What of it?
15:16He's the man that I shot during that library fire at Munich University.
15:21I won't let any more people be murdered.
15:25Answer me!
15:26Where the hell is Ava?
15:29I saved Johan's life.
15:31That's what put this all in motion.
15:33So many people have died since that night.
15:36So many precious lives.
15:38I've seen enough bloodshed.
15:41I won't let more innocent people die.
15:45Why did you stop the car?
15:48Is that true?
15:49I told you to keep driving.
15:51Is all of what you just said true?
15:55I need to know if it's the truth!
15:57My father was suspected of espionage and charged.
16:13He was proven innocent after the fact, but it turned out he really was a spy.
16:19I believed in my father's innocence and I studied hard to become a lawyer so I could fight injustice.
16:29But while I was still in law school, I found something that devastated me.
16:32I found decisive evidence that proved my father was a spy.
16:36Ever since...
16:38Ever since...
16:39Ever since I could never believe what anyone told me.
16:44Me, the great honest crusading lawyer.
16:47The hero of the legal world.
16:49My whole life is a lie, so I don't believe in anyone.
16:53In reality, I really was the son of a turncoat spy.
17:01Ever since I could never believe in anyone.
17:02Ever since I could never believe what anyone told me.
17:03Ever since I found that notebook.
17:08Ever since I found that notebook that my father had written in the 60s.
17:14As I flipped through its pages, everything about my father I had believed, all that trust, just crumbled.
17:22There was the truth.
17:25My father was a spy.
17:28The notebook I found was a detailed record of years of contact.
17:35Contact with the Czechoslovakian secret police written in an unbreakable code.
17:40Filled with mysterious people my father knew.
17:43Including Franz Bonaparte.
17:45Did he refer to Red Rose Mansion in the notebook?
17:49Hold on, how do you know about that?
17:52It's all falling into place.
17:54Huh?
17:55That man, Ball, he needed the notebook.
17:58It's probably why he approached you in the first place, so he could get a hold of it.
18:02Where is that notebook right now?
18:04It's at my house.
18:07I'm sorry.
18:17He's been here all right.
18:19And from the way he's left things, we know he was after that notebook.
18:24Here's a letter that's made out to you, Tenma.
18:29I can't say how, but he must have known that you would wind up being here.
18:33Help me, Kenzo.
18:37Please, I'm begging you.
18:39Come quickly to the Red Rose Mansion, Eva.
18:42Does this mean that Eva's safe then?
18:45No.
18:47This isn't her handwriting.
18:49He's playing games with me.
18:51He's toying with me like a cat and a mouse!
18:54It's still here.
19:03He didn't think to look through my old records.
19:06Over the rainbow.
19:11This is the notebook.
19:13Here, take it.
19:15But what if someone else saw it?
19:17Your father's restored reputation would be ruined forever.
19:21I can't be worried about that anymore.
19:23Can I trust you?
19:46Huh?
19:48I heard everything you told me.
19:50And now I know why you're trying to do what you're doing.
19:53And yet I don't feel I can be of any help to you.
19:56But I need to know if I can trust you, Dr. Tenma.
20:04I don't think you should trust any person who carries one of these around.
20:20I want to trust you.
20:21I want to trust you.
21:30Where are you headed?
21:39To the border.
21:40Yeah, which border?
21:42The Czech border, sir.
21:43Get in.
21:45In the afternoon, the children gathered for a book reading.
22:00A mysterious mansion.
22:03A mansion with red roses.
22:06P. Prevniff W.
22:09A steeple on the left, a weathervane on the right.
22:13Human dignity.
22:15Experiments.
22:16Amazing experiments.
22:19Deprivation of dignity.
22:21So, where are you from?
22:23I was just asking what country you're from.
22:26Oh, I'm from Japan.
22:28I'm not sure you'll like this, but you're welcome to it.
22:32Here you go.
22:33It's left over from my lunch today.
22:35You're very kind.
22:37But I'm fine.
22:38Eat!
22:38You look like you're about to collapse from hunger any minute now.
22:42Ha!
22:42Go on.
22:43I sure don't need it.
22:45My wife's been nagging me to lose weight.
22:49I appreciate it.
22:50When you start a long journey, you've got to have something in your stomach or you won't last till the end.
22:59I have to end it soon.
23:02This long journey.
23:09What do you mean?
23:10You let him leave?
23:12You just watched as Tenma walked away?
23:15Yeah.
23:15Why didn't you stop him?
23:17Well, you of all people should know that you can't stop Tenma.
23:22But you should have tried.
23:23On top of which, with Eva Heinemann missing, our case is in dire straits anyway.
23:29Tenma escaped from jail because he feared for her safety.
23:34Hmm.
23:40That lawyer who called himself Ball
23:42was most likely the same man who tried to murder me in my clinic because I knew too much.
23:49And obviously, his most recent agenda was to get close to me to steal my father's notebook.
23:55Your father's notebook must be extremely important.
23:58Let's go then.
24:00Where?
24:01To where you're thinking Tenma's headed.
24:03The Red Rose Mansion?
24:05How can we find it?
24:07It might be easier than we think.
24:10My father's notes were full of odd symbols and cryptic codes, but I don't think that was a code.
24:15The Red Rose Mansion, followed by P. Brevnov W.
24:19I think P is for Prague, and W is for West.
24:22So it's in a Prague suburb to the west of Brevnov.
24:27A place where you can see a weathervane on the right and a steeple on the left.
24:31That's a start.
24:33I just hope there's an eyewitness or something at that mansion that will help us get closer to ending this.
24:40Although, I know that's doubtful.
24:44Huh?
24:45Children gathered there in the afternoon for a book reading.
24:49At least according to father's notes.
24:51Then those children could be our witnesses.
24:55Mr. Verdemond?
24:58Look, I'm sorry I admonished you for letting Tenma just take off like that.
25:02If I had been standing there face to face with him, I'm sure I would have done the exact same thing.
25:08So, let's go.
25:16I was here.
25:19Once I used to live in this town.
25:21And I...
25:25Welcome home.
25:29Are you alright, Nina?
25:38Yes, I'm fine.
25:39I think you should stop this, Nina.
25:45You get lost every single time you try it.
25:49I'm sure I'll start to remember.
25:51My brother talked to me back then and told me what happened.
25:55How he was taken away from the three frogs, what he noted when he left town and where he went.
26:00Passed the train station, the town on the left, beside the river, driving alongside a trolley.
26:10Turn right here, please.
26:18Turn right here, please.
26:18We can't have that.
26:20Keeping secrets from him is definitely a no-no.
26:25You said turn right.
26:32What's the matter?
26:33It's nothing, really.
26:43Any luck?
26:44Recognize anything?
26:45I don't know.
26:51Admit it, it's hopeless.
26:53It was a long time ago.
26:54You can't expect to remember everything.
26:58Nina?
26:58Nina?
26:59Nina?
26:59Nina?
26:59Nina?
26:59Nina?
26:59Nina?
26:59Nina?
26:59Nina?
26:59Nina?
27:00Nina?
27:01Nina?
27:02Nina?
27:03Nina?
27:04Nina?
27:05Nina?
27:06Nina?
27:07Nina?
27:08Nina?
27:09Nina?
27:10Nina?
27:11Nina?
27:12Nina?
27:13Nina?
27:14Nina?
27:15Nina?
27:16Nina?
27:17Nina?
27:18Nina?
27:19Nina?
27:20Nina?
27:21Nina?
27:22Nina?
27:23Nina?
27:24Nina?
27:25Nina?
27:26Nina?
27:27Nina?
27:28Nina?
27:29Nina?
27:30Nina?
27:31Nina?
27:32Nina?
27:33Nina?
27:34Nina?
27:35Nina?
27:36Nina?
27:37Nina?
27:38Nina?
27:39Nina?
27:40Nina?
27:41Nina?
27:42Nina?
27:43Nina?
27:44And a steeple on the left.
27:48Nina!
28:14The Red Rose Mansion.
28:21So, this is it?
28:24I don't know.
28:27But I know.
28:30I've been here before.
28:44This place.
28:58That's weird. What is that?
29:00It looks like someone tore down that wall and found that door.
29:30It's nothing but an empty room.
29:55Nina?
29:57Nina!
29:58Nina!
30:00Take this, you demon!
30:05And this!
30:07Now die!
30:13The demon has been slain.
30:17No!
30:27No!
30:27No!
30:27No!
30:28No!
30:28No!
30:29No!
30:29How do you feel?
30:55Welcome back, Mr. Lipsky.
30:57Did you have a good-sized crowd?
31:00No, business was bad, as usual.
31:03I don't know why they're such wonderful puppets.
31:07The one I'm making now is even better still.
31:14I'd really like to see it.
31:17Once I'm finished, you'll be the first person I show it to.
31:21It's time for me to go to work.
31:23The restaurant?
31:25Yeah, I can't earn a living with just the puppets.
31:28Listen, I'm sorry I've stayed here so long.
31:30I don't mean to impose on you.
31:32Oh, no, don't worry about it.
31:34It's all right.
31:36Mr. Lipsky?
31:38There's something I want to ask you.
31:41What is it?
31:42Three months ago, you found me unconscious and took me to the hospital.
31:48I did.
31:50I was wondering, why were you at that mansion?
31:54Nina! Nina! Nina!
31:57Answer me, please! Nina! Nina!
32:00What's wrong?
32:03When I go to that mansion, images come to me that I use for my work.
32:14How should I put this?
32:16I, um...
32:18Now I've found something more inspiring.
32:23Anyway, don't worry about staying.
32:25It's not an imposition.
32:27You can stay as long as you like.
32:29Hmm.
32:30I'm not going to be able to stay.
32:31I'm not going to be able to stay.
32:32I'm not going to be able to stay.
32:33I'm not going to be able to stay.
32:34I'm not going to be able to stay.
32:35I'm not going to be able to stay.
32:36I'm not going to be able to stay.
32:37I'm not going to be able to stay.
32:38I'm not going to be able to stay.
32:39I'm not going to be able to stay.
32:40I'm not going to be able to stay.
32:41I'm not going to be able to stay.
32:42I'm not going to be able to stay.
32:43I'm not going to be able to stay.
32:45I'm not going to be able to stay.
32:47I'm not going to stay.
32:48I'm not going to stay.
32:49I'm not going to stay.
32:50I'm not going to stay.
32:51Nina.
33:08Is it all right if I come in?
33:10Well, of course it's all right.
33:13Are you sure you're well enough to be up and about?
33:15Uh-huh.
33:17Wonderful.
33:18So your puppets are all born in this room.
33:21Yes, but I haven't found an audience that enjoys them.
33:25What is your puppet show about?
33:28It's about the tale of a demon.
33:33What's wrong, Nina?
33:36Nothing. Please continue.
33:38A demon is on a journey to find a dragon that will destroy the world,
33:41but on his way, he comes close to the brink of death.
33:46A young man who is passing by sees him dying
33:49and acts quickly to save his life.
33:54When the young man learns the true identity of the one he saved,
33:58he chases after the demon.
34:00At the end of his journey, the young man finds the evil one,
34:04and with a knife in his hand, he slays the demon.
34:08I think it's an interesting story, but audiences don't seem to like it.
34:11Are you okay, Nina?
34:15I think if I were him, I'd have done the same thing.
34:19I would do precisely the same.
34:23But I must not let him do that.
34:28Nina.
34:29Any person
34:30would have saved the demon's life if he could.
34:34You think so?
34:37There is someone who would probably appreciate this story more than anyone else.
34:41Who?
34:42He's on these shelves.
34:44They're all his picture books.
34:47Jakob Farabek,
34:48Klaus Pope,
34:50Emile Scherbe.
34:51The nameless monster.
34:57I'm surprised you know it.
34:59He wrote many picture books.
35:03Those three authors,
35:05Jakob Farabek,
35:06Klaus Pope,
35:07Emile Scherbe,
35:08those were all just pen names used by the same person.
35:13The author's real name is Franz Bonaparte.
35:17Bonaparte?
35:18Why do I know?
35:19People can become
35:22whatever they want to be.
35:27Because I wasn't a superior pupil,
35:31I was thrown out of the book readings.
35:33The book readings?
35:36Mr. Bonaparte used to be in charge of book readings,
35:39which were held at the Red Rose Mansion.
35:41I was a student at the mansion then.
35:45It took a while,
35:46but I understood what he was trying to do.
35:51Let's make a deal.
35:53Let's make a deal,
35:55said the demon.
35:57No, not at all,
35:59said the man with the big eyes.
36:02Sure, let's make a deal,
36:04said the man with the big mouth.
36:07The man with the big mouth
36:08grew a beautiful garden.
36:10The man with the big eyes
36:13was very hungry
36:14because he was very poor.
36:17The man with the big mouth
36:19had fun every day.
36:21The man with the big mouth
36:22was very full
36:23from eating the fruit from his garden.
36:26So he didn't realize what was happening.
36:29He didn't realize
36:30that his garden was drying up.
36:32By the time he noticed,
36:34it was too late.
36:34The man with the big mouth
36:37cried and cried
36:38in the garden
36:39that never grew again.
36:41I shouldn't have made a deal
36:42with the demon.
36:44The man with the big eyes
36:46was dying from hunger.
36:49Tears were trickling down
36:50from his big eyes
36:51as he cried.
36:53I should have made a deal
36:55with the demon.
36:58Let's make a deal.
37:01Let's make a deal,
37:03said the demon.
37:04The man with the big eyes
37:07The man with the big mouth
37:09by Jakob Farabak.
37:13Every Friday afternoon
37:14at three o'clock
37:15the children would gather together
37:17for a book reading.
37:19We would sit around him
37:20and listen as he read
37:22a book to us
37:23in a kind voice,
37:26very calm and gentle.
37:28And when
37:32he was finished
37:34reading the story
37:35he would turn
37:37and ask us
37:38the meaning
37:41of the story.
37:43Do you understand?
37:46I
37:46I understand.
37:49I also understood
37:50after many readings.
37:51He'd say,
38:02why don't we try
38:03reading this next?
38:12It's as if I've come here
38:14for the first time.
38:15Although the journey's
38:18taken quite a while
38:19all the memories
38:23have come together.
38:24The God of Peace
38:31was very busy.
38:33He was so busy
38:34playing the trumpet
38:35he didn't have time
38:36to look in the mirror.
38:37The trumpet
38:38that the God of Peace
38:39played
38:40made everyone
38:40very happy.
38:42The God of Peace
38:43was so busy
38:44he was so busy
38:46pouring the mysterious water
38:47he didn't have time
38:49to look in the mirror.
38:51The mysterious water
38:52created green mountains
38:53ripened the fields
38:54and created flower gardens.
38:57The God of Peace
38:58was very busy.
38:59He was so busy
39:00naming people
39:01he didn't have time
39:02to look in the mirror.
39:04Your name is Otto.
39:06Your name is Hans.
39:09Your name is Thomas.
39:11Your name
39:12is Johan.
39:15Johan gave the God
39:17his hat
39:17in appreciation.
39:21The God
39:22was very happy.
39:24He put the hat on
39:24and looked in the mirror
39:26for the first time.
39:28But what he saw
39:30was a demon.
39:35The demon inside
39:37the mirror said
39:38you are me
39:39and I am you.
39:41What should I do?
39:42No one can live happily
39:44with the demon here.
39:45What should I do?
39:47What should I do?
39:49Then
39:49the troubled God
39:51Do you know
39:53what the God does?
39:55I know.
39:57I figured it out.
39:59Do you know?
40:00Do you know
40:01what that God did
40:02after that?
40:02I know for sure.
40:10We finally meet.
40:13I'm back.
40:16Welcome home.
40:18It's me, Mother.
40:21Even you can't tell us apart.
40:23Can you?
40:24She is me and I am her.
40:28You are me and I am you.
40:32I understand everything now.
40:35Where we came from
40:36and where we're going.
40:38The weather outside
40:42is wonderful, Mother.
40:44Mother.
40:59Everything is about
41:00to go up in flames.
41:02I know what the God does.
41:28He grabs a gun
41:45and points it
41:47at his forehead.
41:48Will you tell me?
41:50Yeah?
41:52Yeah?
41:52Yeah?
41:54Very nice.
41:55I know.
41:57I know.
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