- il y a 3 mois
Catégorie
😹
AmusantTranscription
00:00You're coming to bother me, what's this?
00:04What is it? Is it ABC? Which American channel is it?
00:07You know, I, the media, can never say no.
00:09Come in.
00:10There you go, okay, excuse me, I didn't have time to tidy up.
00:12There are still two or three accessories of mine.
00:14Well, I think you know it, it's the figurine that sold out.
00:18There are still two weeks of bag.
00:19We touch with our eyes, eh. She's beautiful, isn't she?
00:21He looks a bit like Bieber on that one, doesn't he?
00:25Do you want to sit down?
00:27It's also the life I chose, you know.
00:30I can't tell the time, but it's good, isn't it?
00:33I think it's interesting to film this.
00:35Yeah, I admit, it's not bad.
00:37You know my life, actually.
00:39At first glance, it looks great, but...
00:41There is a lot of suffering.
00:43A lot of questioning.
00:45You find yourself alone.
00:47Brother, you never had a time when you weren't...
00:50Are you on top of things?
00:51I often wake up at night, no more friends.
00:53These aren't the best moments of my life.
00:55It's not done, actually.
00:56Ah, I'm on the verge of an anephric attack right now.
00:59She's gonna be it! She's gonna be it! She's gonna be it!
01:01She's going to be it!
01:02I don't have the shoulders to take on this role!
01:03I know it!
01:04Oh, I'm going to throw up!
01:05Oh !
01:06We can trust each other, we've known each other for a long time.
01:07Aren't you going to put them in the doc?
01:08Please, don't let this get out.
01:09But why did I want to make this film?
01:11You have no heart?
01:13I have a stomach ache there.
01:14I can't stay here.
01:15Oh no, fuck!
01:17It rings!
01:18It rings!
01:19They found me!
01:20They found me!
01:21Oh no!
01:26This is Yvik.
01:28But you know him better as Mister V.
01:31And that was the last time we saw him on the set of his film.
01:34But to understand how we got here, we have to go back to the beginning.
01:37Before all that, Mister V was a sweet tissmé from Grenoble, but also an internet legend.
01:48He is the number 1 French YouTuber and has accumulated billions of views.
01:52He won the Explorer 2 GP without even moving up to third.
01:56He gave a second wind to pizza, which was falling into oblivion.
01:59He has sold millions of albums and surpassed Michael Jackson and Alain Souchon.
02:02He filled 5 Stades de France in 3 minutes with a single tweet.
02:06He has his own orbital station where he rents 2 AirBnBs and a coworking space where they also make matcha tea.
02:13Do you have almond milk?
02:14He turned down 3 dates with Evan Mendes because he was lazy.
02:16He never used a foot thing.
02:18In short, Yvik had already ticked all the boxes a man could tick in his life.
02:23Except one.
02:25To be the lead role in a film.
02:30Several opportunities presented themselves to him.
02:32I would like to dedicate this award to Mr. V and I hope that one day he will finally agree to play in one of my films.
02:37But he always wanted to wait for the right moment and the right role to become a legend.
02:45And that's where I come into this story.
02:47I did his very first interview.
02:49This is our second interview after the first one we did.
02:52I do castings, I do theater.
02:54I would love to be an actor, but at worst, a bit of work in commerce wouldn't bother me.
02:59So it's at least 15 years old, wachallah!
03:02And all this time I was here, right here for example.
03:05Oh well, that's a size 42!
03:07Shut up !
03:11My name is Thomas Cadoux, I am a director from Grenoble and I have followed Yvik on many projects.
03:19So obviously, when he called me for his first film, I knew I had to be there.
03:24To make these images, we had to deal with all the dangers and be capable of anything.
03:30If you want to see your images again, you'll have to worry about us.
03:36Fortunately, between Russian hackers and Eastern European mafias,
03:45Thanks to NordVPN, we were able to secure all our footage across Europe.
03:49Thanks to an encrypted and secure connection, so that you can discover the real story of this filming.
03:56Thank you NordVPN.
03:58This allowed us to change our virtual location to bypass geo-restrictions
04:01and follow our favorite programs from a country abroad.
04:05Thank you NordVPN.
04:06Satisfied or refunded for the first 30 days, offer only available through the link in the description.
04:11He conquered the internet.
04:13And now he's taking on the big screen.
04:19Subtitling Canadian Broadcasting Corporation
04:21Subtitling Canadian Broadcasting Corporation
04:22Subtitling Canadian Broadcasting Corporation
04:23Subtitling Canadian Broadcasting Corporation
04:25Subtitling Canadian Broadcasting Corporation
04:26Subtitling Canadian Broadcasting Corporation
04:27Subtitling Canadian Broadcasting Corporation
04:30Subtitling Canadian Broadcasting Corporation
04:31Subtitling Canadian Broadcasting Corporation
05:01Subtitling Canadian Broadcasting Corporation
05:05Subtitling Canadian Broadcasting Corporation
05:07In 2021, Yvic plays in the torch.
05:20Welcome to this island of Chupacabra.
05:23You will have to survive for 30 days without anything.
05:27Why haven't you left anyone?
05:28When I get angry.
05:30Producers Benjamin Belcourt, Jean Toussaint Bernard and Jonathan Cohen
05:35I don't know why I snapped my fingers.
05:36Come see Yvic and tell him
05:37We would like to develop programs, projects, films, series.
05:43When I worked with Yvic, it really excited me.
05:45I definitely want to work with this guy again.
05:47We were talking about a project, we had proposed something to him.
05:50It's more about making a film to start with.
05:52And I have an idea for a movie.
05:55Because I have a character that I've had for a little less than 8 years at the time.
06:06Rodney, Rodney, Rodney.
06:09And that character is him.
06:11Mac Walter.
06:12An American secret agent.
06:14Calm down!
06:15I still don't understand actually.
06:17And wacky.
06:18Very, very, very crazy with a joke every second.
06:21My humor has always been about being absurd, zany, and parodying the codes of the genre.
06:27A bit like James Bond crap.
06:28It's always this price of films that I love.
06:31Mac Walter videos that I found hilarious.
06:33And it's totally my comedy camera.
06:35It's actually made with three pieces of wood.
06:38Go ahead, I'll just do an interrogation scene.
06:40And it all went off in a bit of a tizzy into something super absurd.
06:45And it's also a bit like the beginning of my work collaborating with Vincent Thirel.
06:50What followed was Mac Walter and the threat that boiled over in two parts.
06:53It was a bit of a turning point in my life, a bit of a more absurd humor.
06:58Oh yeah? Cigarette?
07:00Yes, I would like to.
07:03Mac Walter!
07:05Himself.
07:05And finally in 2018, Mac Walter 3.
07:08Directed by Florent Bernard, therefore an upgrade.
07:10With more resources for this episode.
07:12Do you do it to yourself when you piss that on smacks?
07:13More guests.
07:15And longer.
07:18He's a character that people love and that even I love playing.
07:21My audience would be so happy to see it on film.
07:24I think adapting it into a film was a great idea.
07:26I want to make a film about this character.
07:28Okay, go ahead, we'll produce it with you.
07:32At that moment, Yves called his favorite authors.
07:34Vincent Thirel and Frédéric Manieu.
07:37I'm putting this here.
07:37His three ozots are ultra inspired.
07:40So they write, they write, they write.
07:41It's too long.
07:43Eh ?
07:43It was 190 pages, the equivalent of the Bible.
07:46But in the script.
07:49Hilarious stuff right away.
07:52Because, well, they were three crazy people.
07:54Uh, who were in charge.
07:55Coke, new drugs, tease and...
08:00Chad GPT.
08:04So we had to reframe and try to weave a clear story inside.
08:08And for that, the production is thinking of a director.
08:11He experienced Kaamelott from the inside.
08:13Survived Airport.
08:14Saved the world from an alien invasion.
08:16Ladies and gentlemen, Simon Astier.
08:20You didn't even sniff me, nothing, you didn't do anything to me.
08:25He sniffs me.
08:26There are not many people who are capable
08:28to respect both comedy and action as much as Simon.
08:32He knows, it's his domain, it's his thing.
08:33I also see what I can bring
08:35having tried all my life to make films like this.
08:40He's a guy who loves to talk about technical cinema with a cigarette in his hand,
08:43we don't always understand what he says.
08:44But it's pretty stylish.
08:46The dolly is good, but it's limited.
08:48It's a record, I think.
08:49You pose it, you do the tracking shots,
08:51not rebalanced, there is nothing there.
08:53Even on a rail or on something,
08:54you start, you send the arm, thing, thing.
08:57Very, it's a late round.
08:58Right away, what.
08:59Movie theater.
09:00Did Simon agree to work with 3-1-1 like that?
09:03Yes.
09:04Was he ready?
09:05I don't know.
09:06Badass!
09:06The good mucus.
09:10I think it's important to keep this thing too,
09:12I think, which Yves-Vic and Vincent were keen on,
09:13to have a crazy thing that was not necessarily reasoned.
09:20No !
09:21Oh yeah, okay.
09:25He immediately liked the team, liked the project,
09:27and he saw a thread that had to be drawn very clearly.
09:30The story of this movie is how does the guy,
09:32the most self-confident on Earth,
09:34who saves the world with a kind of carelessness
09:36and absolute pretension,
09:38mega-star pass defender of the world
09:40to the worst terrorist that humanity has ever known.
09:43At the first meeting, we said to ourselves, precisely,
09:45that's really the challenge.
09:47Where can we shoot something like this?
09:51How can we make it? With whom?
09:53I'm not putting the number, eh, anyway.
09:57Wait, it's going to be on the internet, it's going to be around.
09:59Finally, that...
10:00Hello, are you on Catherine's voicemail?
10:04I'm not here at the moment.
10:05I didn't recognize the voice of...
10:07I didn't recognize his voice, it's funny, it's good.
10:12Oh damn, he's got no battery at all.
10:15Or he blocked me.
10:17No, I don't think so.
10:20I don't think so, no.
10:21I know him, anyway.
10:23You're surfing in Brazil.
10:25His phone must have gotten wet,
10:26he must be in some rice right now.
10:28Julia Roberts.
10:29I met him on Copping 3.
10:31My Juju, are you okay?
10:32Yeah.
10:33Where are you right now?
10:34Ah, that kills.
10:37Ah, huge.
10:38It's Julia Roberts.
10:39Beef chaer, guys.
10:40Yo, chaer.
10:44Okay.
10:45Sorry.
10:47I forgot, but I have her too.
10:49Mary, Mary, Mary, Mary, Mary.
10:52This is definitely a movie I make with the Prime.
10:54This is Marc Waddy.
10:56Yeah ?
10:57I appreciate it, I appreciate it very much.
10:59Thank you, thank you.
11:00Well, there's Meryl Streep.
11:02She has acted in so many movies.
11:04She said yes.
11:05Oh wait, she sent me a message.
11:07Ah, that's the salary she's asking for.
11:11Well, we don't have Meryl Streep.
11:15This is shit.
11:15Joe is the one who has the contacts, in real life today.
11:22No, tell me, uh...
11:25Yeah, it's a service, yeah.
11:27Yeah, I need a...
11:28How do you know I have...
11:29Well, he...
11:32Well, he'll help us.
11:36We are with an exceptional team.
11:37Yves Vick, McWalter's textile worker.
11:42Earth's greatest secret agent.
11:45Invincible.
11:47Resistant to everything.
11:48If I had recognized you, I would have kissed you.
11:52Miranda Velasquez.
11:54By Géraldine Nakache.
11:56The star, but from the office.
11:58He's the anti-McWalter.
11:59Very strict about protocol and rules.
12:03Johnson?
12:03Yes, Johnson!
12:04We have Paul Lux, William Lepgill.
12:08Yves Vick, you know I will always be there for you.
12:10McWalter's fan.
12:12Alanus!
12:12Everyone has the definition of a sociopath.
12:17Torkin, played by François Berléand.
12:22How are you, François?
12:23Oh no, you look great.
12:24A kind of parental figure.
12:27Mufasa, what.
12:29Tornage.
12:32Drogan, played by Vincent Dédienne.
12:34The arrival of the vice, but better, what.
12:36He comes from a country crushed by big, very arrogant countries.
12:40I think it was written based on me, based on my reputation, based on who I am fundamentally.
12:47Avatar.
12:48I'm too good for this bullshit.
12:50Another hell of a day ahead of us.
12:51People came because they were hilarious about the script.
12:55They thought it was hilarious.
12:59I remember laughing out loud a few times,
13:01which is quite rare when you read something alone at home, you see.
13:06I really want it.
13:08I called Simon back and told him whatever you want.
13:12I was very hot.
13:13It's been a long time since we've seen this kind of humor in a film.
13:16It's true that a scenario like this is rare.
13:19It really is the absolute playground.
13:21That's really the first thing I said to myself.
13:22I laughed out loud and then I thought,
13:24But how are they going to make this thing?
13:25How are we going to do it?
13:28Mike Walters, it's a journey into cinema
13:30which made us dream as children and teenagers.
13:36It takes place in an America, a certain America,
13:39which I don't think exists anymore today.
13:43With the hero who can single-handedly save the world
13:46and that doesn't bother anyone.
13:48Where can we shoot something like this?
13:50When the guys wrote the film, they wanted to shoot it in the USA.
13:53Turns out it's too expensive, so...
13:54We are inquiring about prices in Canada.
13:56It's too expensive.
13:58Ultimately, the dilemma is simple.
14:00A sufficiently square filming location is required
14:02to be able to shoot as many spectacular action scenes as possible.
14:05And Simon repeats session after session.
14:08No, but guys, in some Eastern European countries,
14:12There are Americans who came to make films.
14:14There are bound to be things that remain.
14:16I don't know who exactly came up with the idea of Bulgaria.
14:28Bulgaria?
14:29Nobody is calculating Bulgaria.
14:30Normally I don't know anything about Bulgaria
14:32apart from the fact that we eat yogurts there
14:34and there's also artan oil and shit there.
14:37That's all I know about Bulgaria.
14:40It's going to be fun.
14:40What do you mean, I'm overdoing it?
14:49Good from New York, there!
14:52I can't wait to land!
14:54Their cars run on gasoline.
15:00They run on gasoline just like us.
15:04They have big typo problems.
15:06I don't know if it's typos,
15:08but in any case,
15:08all their signs,
15:10they wrote words,
15:11but there are bits of letters missing,
15:12so we can't tell if it's an R,
15:15if it's a P.
15:15and I am surprised that afterwards,
15:18They speak a bit of a weird language.
15:21Look, look Taxi.
15:22They don't know how to write it.
15:24We just passed at least five taxis.
15:26There was a mistake in the word Taxi.
15:31There had been, in fact.
15:32As much as the flight, I loved it.
15:33I was really like a fish in water,
15:36in the desert, a lot.
15:37But...
15:38And there we were, we had to land.
15:45I was a Formula 1 driver,
15:47still more spacious.
15:51Ok!
15:52Not bad !
15:55Ok!
15:57Oh fuck, that...
15:59Oh wow!
16:01Is there electricity and everything?
16:03No !
16:06She tastes good.
16:11There is no minibar?
16:16I don't care.
16:19Anyway, I stopped drinking.
16:19SO...
16:20It's not...
16:21Oh fuck!
16:26Oh damn, I was scared.
16:31It's always good to have some.
16:32Oh damn, it has everything I love.
16:35It has everything I loved.
16:36It has everything I loved.
16:37There is...
16:41Yes ?
16:42Ah, it's fresh, it feels good.
16:44It's hot in here, I just turned on the air conditioning,
16:46but luckily...
16:47There is this, this fresh...
16:48Ah, that's refreshing.
16:49I'm putting a little bit back under my arms because I have...
16:51I get a halo easily.
16:53In the...
16:54As they say in the business.
16:55I didn't know you were still here?
16:58I thought I heard the door slam.
17:00Well no, no, I'll put it back.
17:01Oh !
17:02I didn't see what it was!
17:03Go back, Satans!
17:05No, no.
17:06Plus, it cost an arm and a leg.
17:08Then you pay at the end.
17:10You like this vodka, it costs you 8 bucks and everything.
17:12Afterwards, you get an idea there.
17:14You have 2000 bullets of credit and everything.
17:16No, you're crazy.
17:17No, no, no.
17:18Because you have a room too.
17:19Yeah, yeah.
17:20Oh dear, what are you doing here?
17:21What are you doing here?
17:22Go to your room there.
17:23Go to your room.
17:25Come on.
17:26Well, see you tomorrow.
17:27Come on.
17:28Come on.
17:29Oh fuck, I want to drink so bad!
17:32Well...
17:34Either I didn't understand anything, or there's nothing American here.
17:38It is...
17:39Is this America?
17:42We called a three-hour flight for that, right?
17:44It's better, Simon.
17:45That's a great idea.
17:47I knew I shouldn't listen to him there.
17:49Why did we take it again?
17:51Yeah, I'm in Sofia right now.
17:52It's not going to work.
17:53There's nothing.
17:54There's nothing like the States.
17:55There's nothing like what we want, actually.
17:58If we don't have the streets of New York, we can't make this film, that's all.
18:01Brother, it feels like we're in Greece right now.
18:02It looks like the Acropolis of Athens.
18:04And Dijon, if you want.
18:05But this is not America.
18:06I'm sorry.
18:07And McWalter is America, actually.
18:08I don't know if it shows, but I'm angry.
18:12I'm traveling to Bulgaria, I don't see a thing, brother.
18:14No, but seriously, this is crazy, brother.
18:16You're clever to point it out, it's still written in Cyrillic.
18:18Write what?
18:19But...
18:20But...
18:21But...
18:22Lightning strikes, brother.
18:23So I'll be there in three months, brother.
18:25Fuck!
18:26You have to admit defeat sometimes, you see.
18:28This guy is a myth, he's a myth.
18:30His job isn't unifying, it's a lie, in fact.
18:33I had arrived.
18:37We'll never get our New York streets.
18:42But Yvic, have you ever been to New York?
18:44No.
18:46Because that's what it really looks like, right?
18:52Suddenly we were all kids.
19:09Ah, we were denying it there.
19:12We are lucky to be here.
19:14We were on entire streets that represented New York.
19:18Welcome to Baconfield.
19:20Ha, ha, ha, ha!
19:28I was right.
19:29If I have to remember one thing, it's that I have to listen to myself, actually.
19:31More.
19:35Extra.
19:36Technician.
19:38Actor.
19:39Producer.
19:41Everyone was ready to work on this film.
19:43I didn't expect it to be so big.
19:44Really, like when you arrive at Disneyland, she's an exceptional young shit, you know.
19:55There is a subway entrance, there is a Chinese restaurant, building facades.
20:00A residential neighborhood like Desperate Housewives.
20:03With greetings from New York, with an American supermarket front.
20:08Impressive to shoot in Backlods.
20:10I don't know if it's the last time, but in any case, it's a successful first time.
20:13And I see posters for The Explendables, 300, and films that were shot in those studios.
20:23And we're going to shoot almost everything in these studios.
20:29We are on the set of Rambo.
20:30Rambo how much?
20:31Rambo 5.
20:33What's there?
20:35A tree.
20:36Since which was buried either his knife or his wife.
20:39The whole spirit of this film is to navigate between different moods.
20:44To also have a multitude of colors in the image.
20:47It's stupid to change your look based on your emotions.
20:53And I already see technicians starting to display things that are part of it.
20:58Decorations, restaurant names, posters.
21:03Things we had already thought about, that the graphic designers had sent me.
21:06For me, it's like when I played with Lego as a kid.
21:09This is exactly where I dreamed of being.
21:11When I was 10-11 years old and I dreamed of cinema, of America.
21:17But then I would have been like, damn, I'm in New York.
21:19No, I'm in Bulgaria.
21:23All the conditions are pretty well met to give you a nice project.
21:27It's Phyllis Barre, a great idea from Vincent Tyrell.
21:32First day for Géraldine and François Berléand.
21:36The emotion is palpable.
21:37We wrote our roles, we imagined actors.
21:38These actors said yes.
21:39They really get into character.
21:40It's now.
21:41Ah, a little emotion all the same.
21:42And action.
21:43I'm doing well.
21:44First day, here we are.
21:45It's Phyllis Barre, a great idea from Vincent Tyrell.
21:50First day for Géraldine and François Berléand.
21:53The emotion is palpable.
21:54We wrote our roles, we imagined actors.
21:57These actors said yes.
21:58They really get into character.
22:01It's now.
22:03Ah, a little emotion all the same.
22:05And action.
22:10First day, there you go, we obviously have a lot of expectations.
22:14We have a lot of hope, we have bet a lot.
22:21I really felt good in this character.
22:23Well, he's a bit of a character who isn't one.
22:26Because it's also a bit of an extension of my personality, you see.
22:30So, it's a character that I worked on a lot.
22:35I think it took me two years to really get it right so that it would arrive on the first day and be like...
22:51Okay, that's perfect, that's it.
22:53It was very natural, it was very easy.
22:54I clap the end of the first scene.
22:57Well, what do you want?
22:59Here we go.
23:00Thank you so much.
23:01I see everyone doing...
23:10On the ass, what.
23:13Because they were obviously all speaking Bulgarian to each other.
23:15I've done a lot of filming, but seeing people cry after a take had never happened.
23:21Another version.
23:22We're going to go.
23:24We're going to go.
23:25And there you do what you want.
23:31It's rare that when you're shooting, you have the impression that the guy is rehearsing.
23:38And you're rehearsing.
23:40It was good, wasn't it?
23:41I am happy.
23:42I am happy.
23:43Did you hear?
23:44Ah, so good.
23:45It's good.
23:46It's good.
23:47It's good.
23:48It's good.
23:49It's good.
23:50I leave the microphone that is on the t-shirt.
23:52The t-shirt, okay?
23:53It's good ?
23:54Yeah.
23:55THANKS.
23:56He doesn't put one in there, though.
24:02He'll see people crying and tell me...
24:05We've already booked our tickets to see you win the Oscar.
24:11Excuse me, but I can't help but be touched by this.
24:16This guy?
24:17I mistook myself, didn't I-...?
24:20Is it wrong to stand earlier?
24:21It's less early
24:22The king is no longer ugly, he is ugly.
24:28I know a little bit about who I am.
24:31You don't necessarily need to be told bravo, bravo, bravo and all that.
24:36He knows me, sends me all hands in the mirror.
24:38What? In prison?
24:39But I'm way too young for that, Miranda.
24:40No, no, Amanda, Blackwater, I'm a covert agent.
24:44You ask me for an emotion that McWalter does, I'll give it to you straight away, you see.
24:48Miranda!
24:50Well, what a surprise, it is!
24:53Okay, so I have one.
24:56Afterwards...
24:57But how can you accuse me like that?
24:59I'm McWalter.
25:00Attention, I'm armed.
25:02Hands up!
25:03Hands up!
25:04Whoever comes across my path will reap the whirlwind?
25:08It's not bad, it's good.
25:10At one point, I got worried.
25:12Frankly...
25:13I don't really know if he had a lot of time off,
25:15and the time off, I don't really know what he did.
25:17I hope he was resting, though.
25:18I hope.
25:21Oh, are you there?
25:22No, you can stay, don't worry?
25:24I hope.
25:25Ah, Simon!
25:26It wasn't coming, it wasn't coming, in fact, really.
25:28He said to himself...
25:29Well, the difference between me and the Americans,
25:31it's that, well, I'm less strong, clearly,
25:33and so, suddenly, he said to himself,
25:34I will try to apply the American method.
25:36Finally, there was no one else to write this character better.
25:38and interpret it better than me, I think.
25:40Don't make me this prisoner of society.
25:44My name is Mac Walter, I'm a secret agent!
25:46It's a bit like the same work that Sledger did,
25:48and that's what can worry people around him a little,
25:52It's just that he can't get out of Mac Walter.
25:55You have to film me because I'm Mac Walter, right?
25:57I understand.
26:01I would have done the same thing.
26:03A mixture of excitement, at the same time,
26:05it's like a new movie is starting,
26:07but with added fatigue, what.
26:09He's the one holding on, I'm holding on, we're holding on.
26:13So, what we're going to do, in the same take,
26:16you're going to make a really quiet arrival, like three,
26:19like really the silence thing, absolute silence,
26:22and each time you do a different descent, you know.
26:25Yes, yes, it works.
26:26I'm not going to do it.
26:283, 2, 1, action!
26:40Wait, but it's a little.
26:42It happened with Proud.
26:44Cut!
26:46Okay, cut, we're evacuating,
26:48it stinks too much of shit,
26:50everyone goes out, we'll start again in an hour.
26:52I had to leave to tell myself what to do at my Colter's.
26:54This is the last time they'll talk to me like that, believe me.
26:57Next time, it's a kick in the ass.
26:59And so there was this kind of thing,
27:01and not only was it, well, it was really still just as bad,
27:07and besides, he was embarrassing.
27:09Go ahead, do it again, do it again.
27:15It's incredible.
27:17Here we go ?
27:18Come on, I have to go.
27:20Let's go, if we do.
27:22That's great.
27:23This is my Joe, he's here.
27:27It's an incredible engine on set,
27:32and he was from the first day.
27:33Come on, a pro, a pro, a pro.
27:36While there is a text,
27:37but he has a little, he likes improvisation.
27:42But a little too much.
27:43Cinema is, above all, about atmosphere.
27:47It's the atmosphere above all.
27:48That's it.
27:49I think that on a film like this, improvisation,
27:52in the end, we did a lot,
27:54sometimes more to reassure many people.
27:57Nothing beats a script that lives up to expectations.
28:00Sometimes we're not even allowed to read the text.
28:02He forbade us.
28:03We usually just had the situation.
28:06We had to improvise.
28:08Which is annoying when you've been writing for two years.
28:10Especially what is complicated,
28:12It's about improvising when you shoot with him.
28:14and that we don't have the right to speak.
28:16Shut up!
28:20He's the producer actually.
28:21There's not really anything more that can be said.
28:24It's a shame because we can exchange
28:26but he doesn't want us to talk to him.
28:28I made sure that wouldn't happen.
28:32But he's still a great guy.
28:34That I didn't really get to know,
28:36but which is great.
28:37From the interviews I've seen of him.
28:42I'm going to save the world.
28:44My job is at Jean Sucré.
28:46My job...
28:47Oh Thomas, are you okay?
28:49Well, the smoking-off is going well there.
28:51That's cool.
28:52We're going to have a beer or something.
28:54After filming, I'm a bit exhausted.
28:55Well, tomorrow we wake up early.
28:56Because it's...
28:58Your stupid daughter,
28:59we only care about one girl without me.
29:04How are you, Yves?
29:07No, it's certain that at some point,
29:09we were really scared.
29:10For Yves,
29:11for his mental health.
29:18So, are you happy with what we have here for a meaning?
29:20No, it's bullshit.
29:21Oh shit, that's so good!
29:22Ah, I'm here!
29:23This is so good!
29:24I really like it!
29:25Really the thousand or three minute thing?
29:26It's really super effective.
29:28Okay.
29:29Energy.
29:30It's early.
29:31Will you find me rushing from what he said before?
29:32I said it was so good.
29:34No, it looks like...
29:35Really, not that it's safe.
29:36Okay.
29:37This is amazing.
29:38Okay, okay.
29:39I'll show you what you show.
29:42Exactly, the limit between the character and me,
29:44It's a bit dangerous though.
29:47Because when you do 40 days of shooting,
29:49after a while, obviously,
29:50you live with your character.
29:52You get up in the morning,
29:53you offer him a coffee.
29:54All right.
29:55Ah, Patrick, excuse me,
29:56I forgot about your diet.
29:57Finally, you develop lifestyle habits.
29:59There's Freddy who's worried.
30:01I'm worried.
30:03I am a Colbert.
30:04I am, I am.
30:06Where's my gun?
30:07No, it's true that I was a little worried,
30:09because he had very little time for himself,
30:11that he worked a lot,
30:12and at one point...
30:15In any case, me,
30:16I didn't talk about it much
30:17with the rest of the team.
30:19Really, he eats like a porcho, that is to say...
30:22Only fring stuff, for example.
30:29Yeah...
30:40I think we all said to ourselves,
30:41we're going to lose him, right?
30:46You need to relax too, brother.
30:47I am the lead role in a film,
30:48I feel that way too.
30:49He's annoying to say,
30:51you play badly.
30:52Why did I take these words?
30:53He's not in my vibe at all.
30:54He's a pain, honestly.
30:59I don't care about Mac Walter, right now.
31:02Damn, he's doing...
31:05Well, balls.
31:06What is he, is he a mobster?
31:07Do you know where I'm from?
31:08I'm from Grenoble.
31:09You want to shoot me?
31:10Well, balls, bro.
31:11Crush me! Crush me!
31:14There's nothing left to lose now.
31:16I am tormented,
31:17I have emotions, I am an actor.
31:19Stop beating that!
31:20Stop beating that!
31:22What I do is bullshit.
31:25I'm cooking shit.
31:30The worst part, I think, was that he was locked in his hotel room.
31:34and that he doesn't...
31:35I think he ate more.
31:40Does he see that you're here?
31:45Is anyone there?
31:46And we saw, afterwards, when we entered his room
31:49that, unfortunately, he ate...
32:00Eat your excrement.
32:01And that's wow!
32:03And how did you type?
32:04And how did you type?
32:05And how did you type?
32:08It rocks the boat!
32:10Leave me alone, you're scaring me!
32:11Stop!
32:13You scare me!
32:14Stop!
32:15Leave me!