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00:00Hello everyone, how are things going for now?
00:02It's the holiday season and I hope you're all having a good time.
00:06I had the opportunity to ruin your children's nursery rhymes some time ago.
00:08Today I want to do the same with French music.
00:10Not that it was my intention because of the French variety,
00:13Well, I grew up with it and I love it.
00:15But there you have it, I'm like you, I learn something new every day.
00:16And my curiosity is useless if I don't tell you about it.
00:23Recently, I was browsing Instagram and I came across a guy named Jules
00:26who makes short sketches inspired by songs that have aged very badly.
00:29And I thought to myself, why not do a long format?
00:31which will depress everyone during the festive season.
00:33And here we are.
00:35The program looks great, doesn't it?
00:36So make yourselves comfortable with your parents, I insist,
00:39because I found some nice things to challenge the image of your parents' idol.
00:42It sounds rather malicious when put like that, but it comes from a good place.
00:45Let's start by going to buy what we're interested in.
00:48We'll take that too.
00:50We're going to talk about that, that's great.
00:54That too.
00:58We'll take that.
00:59Okay, that's it, I think I have what I need.
01:03So.
01:03And all that's left to do is pay.
01:05So yes, you saw my credit card codes.
01:07Don't worry, it's a temporary Revolut virtual card.
01:10So, I don't care.
01:11It's convenient that I'm talking to you about this, wait.
01:13In practical terms, with this, you make your purchase, you pay.
01:15And once that's done, the card numbers are automatically destroyed.
01:18So even if one of you gets hold of the information, there's nothing you can do.
01:22Practical.
01:22And for the next purchase, you get new numbers.
01:24It's simply the most secure way to pay on the internet today.
01:27If you don't already have Revolut, you can download the app for free directly using the link in the description.
01:31As you may have guessed, Revolut is an online bank.
01:33Right now, Revolut is offering you 20 euros.
01:35And you are also entered into a prize draw to try and win 10,000 euros.
01:38Revolut has been voted the best online bank in the world.
01:40And it's also the most downloaded banking app in France.
01:42You can order a free standard card or a customizable metal card like mine.
01:46And if you happen to be abroad right now for the holidays, it's super convenient too.
01:49There are no fees on your payments and exchange rates are ultra competitive.
01:52And if you are travelling in a group or living with roommates, you can create a group in the app.
01:56Each person adds their expenses in the app and Revolut automatically calculates who owes what.
02:00That way, there's no need to stress about it at the end.
02:01Revolut also offers Revolut Business, the professional account for freelancers and SMEs.
02:05We use it at Olibrius, it's super practical.
02:07For your information, with the second link in the description, you receive 80 euros offered upon opening the account.
02:11So there you have it, thank you to Revolut, thank you for listening.
02:13I hope you're all settled in because it's time to talk about the first artist.
02:16He who has never been alone, at least once in his life.
02:26It was as if I had taken to the sea, I took out the main line, I glided downwind.
02:35That one doesn't deserve to be on this earth.
02:42Olé super, olé, let yourself worry.
02:48I ran my fingers through her hair.
02:50Not Esmeralda, someone else's.
02:53Let me explain.
02:55Garou is that nice guy, ideal son-in-law, charismatic voice.
02:58He has many classic songs, and he's so nice that we see him on The Voice every year.
03:01on The Voice Kid, on The Voice.
03:03This is the Quebec version.
03:03Ah yes, because he's Canadian too.
03:05He has everything to be a great guy.
03:07But here's the thing, maybe you can see where I'm going with this.
03:09Garou's biggest solo success is his album Seul, which was released in 2000.
03:13And in this lovely tracklist, there is the little piece that interests us.
03:17Criminal.
03:17It's everything beyond the molds, between the flesh and the skin.
03:26It looks like she smells like 10 Jews from her mother.
03:30It's as if she's never been in love.
03:34Baby, then you, woman, child?
03:39Baby, are you 14 years old because of her?
03:44Yes, that's what it's about.
03:52"Criminel" is a song about a passionate love story between a man
03:55and a 14-year-old child-woman.
03:58And it seems like he's a little bothered that it's a crime.
04:02They're going to take me away, they're going to lock me up, they're going to throw me in a hole.
04:10They will accuse me, they will condemn me, they will surely drive me crazy.
04:17Just so you know, this Garou album, which includes this track, has sold 3 million copies.
04:22That's huge.
04:22And when I discovered this music, I made exactly the same face as you.
04:25What I understand, if we understand correctly, is that it would be a guy who knows what he's doing
04:53something not good, but he wouldn't really give a damn, since in all
04:57The cases are because of her.
05:01It's okay, he's clearly not the problem.
05:03We know that it was a certain Luc Plamondon who wrote this song.
05:05He's the same guy who wrote Notre Dame de Paris.
05:08And you know what, it doesn't matter in the end.
05:09I'm just thinking that when you make an album, imagine the number of people who have approved of it.
05:13that thing.
05:13The number of people who were working on it.
05:14There may even have been a point where they wondered, okay, let's just throw this piece out.
05:17in the tracklist.
05:18Ah yeah, between these two pieces, it's not bad.
05:24The album, you know, it comes down and then, bam, it comes back up, we're in a hotel, too much
05:26Weird, you see.
05:27Imagine how many times this could have been avoided.
05:30And it wasn't, on an album that sold 3 million times.
05:33And it's still on Spotify, it's not even something hidden or that isn't
05:37Not admitted either, you see.
05:38Typically an example of music that has aged very, very badly.
05:41That's the concept of this video.
05:43You may have seen it go by, it's been circulating a lot these past few weeks.
05:46on social media.
05:46In any case, I can't wait to see a cover of this song on The Voice Kids.
05:54I'm kidding.
05:55Next artist, and he's not going to please anyone.
06:16Yeah, yeah, yeah, you're saying to yourself, no, not him, don't touch Balavoine.
06:36Yes, yes, yes.
06:39I think we can all agree that Balavoine is one of the greatest legends.
06:43of the French variety.
06:45When you look at his discography, it's just incredible to see so many hits that have
06:48touched many different generations, while being a highly committed artist who
06:52He wasn't afraid to say what he thought.
06:53Regarding the commemorations for past wars, we would do better these days.
06:56to demonstrate against the wars that are currently taking place.
06:58So if my brother hears me, I say that he shouldn't be fooled, that he shouldn't believe
07:01For a second he's there for peace, he's there to use weapons, to
07:04to trade and manufacture weapons, he is there to defend the ideas of
07:07Russians or Americans, depending on which side you're on.
07:09All of this, I say it, I sincerely believe it, is rubbish and we don't want it anymore.
07:13And I don't give a damn about all powers, wherever they come from, whatever their ideologies.
07:16And at the same time, I hate those who think it's easy to do because they
07:18They just have to come and do it in my place.
07:20So.
07:20On paper, Balavoine is an artist like few others today.
07:24Much of his music is a fight to defend tolerance, the
07:27Immigrants, women's rights.
07:28And among his entire repertoire, there is a song where he talks about a teenager, or rather
07:33of a woman-child, as Garon said.
07:46So, we have the theme: lolitas.
07:54A brief definition: a very young girl who arouses the desire of adults.
07:57I'm so afraid of smothering her in my arms, oh she's so cuddly, you have to respect that
08:04Her body, so wild, she is so vivid, that you can imagine anything.
08:12Daniel, not now, not after everything you've done.
08:32As you might have guessed, the theme of this song explicitly evokes the body of a teenage girl.
08:37More specifically, I quote, her little boobs.
08:42He shows his nipple, in case we weren't dreaming.
08:49And so, well, it discharges.
08:50He does say, however, that you have to respect your body and especially that you shouldn't...
08:53Touch, yes.
08:54But when you put this song back in its context, Palavoine was 31 years old at the time, with a career
08:58well underway.
08:59So my question is, why bother, actually?
09:03I have the holo.
09:05When this song was released in 1983 on the album Loin des yeux de l'Occident, it was already
09:09a huge star in France.
09:10So, I repeat myself, why? To try to understand together the reason for this
09:13Let's first look at the only interview I found with Balavoine where he talks about the song.
09:16of this song.
09:16He's right.
09:17"Les petits lolos" is a lighthearted, slightly gag-like song that was inspired by
09:21by young girls leaving a high school that I pass on my way home
09:23me when I'm in a bad mood.
09:25They are all so cute that seeing them makes me smile again.
09:27So, you can read all sorts of things on the internet saying that this song would
09:30a satire of society that denounces the obsessions of superficiality, the cult
09:33about appearance, blah blah blah.
09:35What he tells us is that apparently it was lighthearted and just for fun.
09:38But for a guy who put meaning into his songs his whole life, for an activist
09:41Like him, after everything he's sung or done, even for women, well, it makes me
09:45to reflect on.
09:46In any case, the goal of this video is to revisit things that have aged badly.
09:49And I believe that's the case.
09:50Okay, next artist, it's impossible to have missed her...
10:20Well, Michel Sardou, it's hard to miss him.
10:33That's 60 years of career, 43 albums, approximately 100 million albums sold, just behind
10:39Celine Dion and Johnny.
10:41So, what could have aged badly in an artist like Sardou? Good question.
10:47I'm not going to lie, the list is extremely long.
10:50He's a guy who's had controversies here and there throughout his life, so
10:53Let me tell you, we had to make... some choices.
10:56I want to rape women, to force them to admire me.
11:03You see, that hasn't aged very well.
11:08I accuse men of believing hypocrites, half faggot, half robbed me.
11:14That, too.
11:16Is it an ordinary illness? A boy who loves a boy.
11:25And we're not going to do this for too long either, because I know there's a piece
11:28which you are all thinking about and which we cannot avoid, so let's talk about it right away.
11:33Me, sir, I did the summer camp, Dakar, Konatry, Bamako.
11:38Me, sir, I had a good life, in the blessed days of the colonies.
11:41The time of the colonies. We've heard a lot about this piece.
11:45For me, sir, nothing is a hardship. The Senegalese riflemen who all died for their country.
11:51In the blessed days of the colonies.
11:52If by chance you've never heard of it, enjoy the discovery.
12:06But I assume that this is a surprise to no one.
12:08It's not very difficult to admit that singing a song perceived as praising the colonial period is no longer acceptable today.
12:14There's no question about it.
12:15Even though Sardou, for him, maintains that it's a character.
12:19I would like to quote what he himself said in his book, Halfway There.
12:22The sky fell on my head.
12:24I thought I was playing one of those pub characters who spend their whole life talking about the Battle of Indochina.
12:27I have partially failed.
12:29Some journalists understood the opposite.
12:32At times, you are suspected of being racist.
12:34Racist?
12:34Yes, from time to time, we say to ourselves...
12:35Me ?
12:36We think to ourselves, yeah, Sardou, watch out for...
12:39The camel.
12:40What is...
12:41The camel.
12:42And you know what?
12:43Well, I mentioned it in principle, but that's not at all what I wanted to dig up.
12:46I wanted to show you something that everyone has forgotten, and which, I think, has aged just as badly.
12:51Look.
12:57They have oil, but that's all they have.
13:04We have good wine, we have good bread, etc.
13:07They have the oil, but that's all.
13:16Well then, huh?
13:17What else do you have besides oil, is that right?
13:18There's a lot to say about this song.
13:20First of all, keep in mind that what you just saw was on TF1, back then.
13:23And basically, the concept is simple.
13:24He lists the differences between France and oil-producing countries.
13:28And in reality, it's Sardou, what else?
13:30It's not a geopolitical lesson either.
13:31And I don't know why, but throughout the entire song, Sardou has a fixation on the fleet.
13:47On the water.
13:48While remaining in the realm of the truly frank and silly.
13:50They have oil, but they have no water.
13:57No snow in the mountains, no oysters in Brittany, only warm sands.
14:04Petroleum on the rocks is one of the interparets.
14:10Meat comes out of the theaters, not soap.
14:16To sum it up, it's a bit of a mess, we have water.
14:20And not you.
14:21And above all, finding it tacky isn't a criticism.
14:23Because it seems rather deliberate.
14:33The fall of the story, as I understand it, because there is a fall,
14:36It's because Sardou is a guy with a big heart.
14:38Because the day oil-producing countries run out of oil,
14:41Well, they are all invited to come and drink some wine.
14:47I find it, but it's bizarre.
14:49Nobody's there anymore, dude.
14:51Come home.
14:57We will drink my wine.
15:00With a good heart.
15:04You will eat my bread,
15:06I will sell your wife's hand in marriage.
15:10Offering wine to people who will
15:11to the guy,
15:13Well Michel, that's not the best suggestion.
15:14Especially when you suggest marrying their sister.
15:17It's aged quite a bit, I think this kind of thing has always been old.
15:21Finally, I'll obviously spare you the clichés from the music video,
15:25between the poor exploited camel,
15:26the old desert setting,
15:27the dancers,
15:28and Serge Gainsbourg, who puts on his best accent,
15:30without much reason.
15:31This is what I wanted to show you.
15:42After that, talking about Michel Sardou is just a bit of a slut.
15:44This is nothing new.
15:45He's been involved in so many controversies his whole life.
15:46And what I find crazy,
15:47that's because, despite that,
15:49he never stopped
15:50to have shitty takes.
15:52I hate this era.
15:55It's true.
15:55I have it.
15:56I hate this century.
15:58I don't like it at all.
15:59But what is it that irritates you?
16:00All.
16:02All.
16:02You no longer vote.
16:03Ah, more.
16:03But I don't care.
16:04But that's not very courageous, is it?
16:05But how is that not courageous?
16:06That means I don't care.
16:07Women are right to defend themselves.
16:08are right to demand the same salary as men.
16:11And I think that's completely right.
16:13However,
16:14They shouldn't overdo it, that's all.
16:16We can't drive fast anymore.
16:17Whereas before, it took 6 hours to get to Marseille,
16:19There was no discomfort.
16:20It was good.
16:21All the crazy feminists told me
16:25that they propose to rape women.
16:27I want to rape women and disappear in a puff of smoke.
16:30That's some poor fool saying that to himself in his suburban tower block.
16:33But he doesn't do that, by the way.
16:34He didn't...
16:35It also takes a certain amount of courage.
16:38I hate mobile phones.
16:40The yellow vests, the red vests,
16:42Blue vests, green vests, and shit.
16:46No, I'm not a feminist either.
16:47Feminists piss me off.
16:48MeToo, for example, is dangerous.
16:53Okay, next artist,
16:55Just so you know, his streams exploded in December.
16:57thanks to an Intermarché advertisement.
16:58Well, we're probably going to get insulted by our aunts,
17:24but we needed to stop for 5 minutes to talk about Clo-Clo.
17:26For those who are only vaguely familiar with his music,
17:28It should be noted that Claude-François is not just anyone.
17:30From the 1960s to the present day, he has reportedly sold a total of
17:32nearly 60 million records.
17:35It's colossal.
17:36And all this without even considering its cultural impact.
17:38with the cover versions of his songs that have spread
17:40all over the world.
17:42Claude-François is also among the first French singers with real hardcore fans.
18:02Fans who could follow him everywhere or waited for him for hours outside his offices
18:05or at his place.
18:06So yeah, Claude-François was still a huge star
18:08while singing very danceable songs,
18:10sometimes very light, or even very smooth.
18:12This, incidentally, had nothing to do with other artists of his time.
18:15Brassens type, Johnny, etc.
18:17And that's exactly what would have allowed her to reach a much more female audience.
18:21and especially young, even very young.
18:25I think there's some kind of attraction, whatever it may be.
18:27And then there is an obsession and not an obsession.
18:30I'm completely obsessed.
18:32And then I'm obsessed with the type of girl who comes to drink with me.
18:39Do you often wait for Claude-François in front of his house?
18:41Yes.
18:42Every week?
18:43Yes, almost.
18:44How old are you ?
18:4513 and a half years old.
18:46I'll be 14 in a week.
18:48Are you completely in love with him?
18:49Yes, he's the most dynamic singer.
18:51The youngest, the most handsome, the most magnificent.
18:55Don't you think it's too old for you?
18:56Oh no, because he looks young.
18:57He dances very well, he looks young.
18:59In an interview he gave to the RTBF newspaper in 1974,
19:03Claude-François expresses that he is fully aware of this
19:05and that he considers his young daughters to be very important in his career
19:08to continue to be successful over time.
19:10Even though it may seem physical because,
19:11Okay, I'm told, well, you like green fruit,
19:13You have a little girl as soon as they are between 15 and 18 years old.
19:15After 18 years, they're old people, we don't talk about them anymore.
19:17I like it, or up to 17-18 years old,
19:19Then I start to get suspicious.
19:20God knows if I have affairs beyond the age of 18, of course, thankfully.
19:24But after 18 years, I'm wary.
19:26because the girls are starting to think,
19:28They are more natural, etc.
19:29It sometimes even starts a few times before.
19:31And then we find this balanced human form again.
19:34after about thirty years.
19:35There's a kind of horrible average between 18 and 30 years old.
19:39I don't like girls.
19:40At that age, they feel obligated
19:42to take a position, etc.
19:46And they no longer become that kind of dream
19:49What does the girl represent to me?
19:50That is to say, this kind of instinctive thing.
19:52That, when the girls throw tantrums, etc.
19:54I find them uncivilized.
19:56Okay, so, here they are, back in place today,
19:57These remarks raise a real question
19:59on the nature of his relationship with very young women.
20:01And that's disturbing.
20:03Keep in mind that when this interview was published back then,
20:05There was no major controversy.
20:07Perhaps that was acceptable at that time.
20:08but today,
20:09I'm not sure that this kind of statement would go unnoticed.
20:10So, I can't even imagine the chaos that would cause.
20:12if I ever happen to speak to you
20:14from his erotic magazine.
20:16That's a case that was hushed up.
20:39He may have signed the photos under a pseudonym
20:41by Claude Dumoulin,
20:43That doesn't change the unease that these images provoke today.
21:09using examples, symbols,
21:11Stories, a singer, for example.
21:15But the defense of gender,
21:16It wasn't me, it was her.
21:18I'm not sure it would have even passed back then, you know.
21:21Especially since a few years later,
21:22he's going to have a secret child
21:24with one of her fans
21:2513, 14 or 15 years old, depending on the source.
21:28Let's just say that doesn't help his argument.
21:30I don't even know what to say, it's so bizarre.
21:31everything we see here.
21:34And I have the impression that
21:35People accepted.
21:37And yet, you say, we haven't even talked about his music yet.
21:49His songs were extremely accessible
21:51and very, very smooth.
21:52It's not so surprising that we don't find that much text
21:54which has aged very poorly in his discography.
21:56But there you have it, at least it allows us to question the era.
21:58and to have a bit of perspective too
21:59about his songs.
22:01There you go.
22:01For those who didn't know all this,
22:03I encourage you to find out more.
22:04It's time to move on to the next artist.
22:05which is perhaps the complete opposite.
22:07at the level of appearance control.
22:08Because here, we're entering the
22:09"The fattier it is, the more problematic it is."
22:11and the more he enjoys it."
22:12Serge Gainsbourg,
22:35who, I remind you,
22:36is always there for the good times.
22:39For Gainsbourg,
22:39Let me tell you
22:40that there isn't much to dig up
22:41since everything is already on the surface.
22:43"He says you're great."
22:45"Oh, thank you."
22:45"No, I'm saying that I want to say that I want to say."
22:49"Yes, then, I'll translate for you."
22:52“No, no, no, no, no. »
22:53"You're a whore."
22:55"Yes, it's useful to see with that."
22:57"You're a whore."
22:58"He said, 'I would like to give you some flowers.'"
23:00"Not at all," I said,
23:01I would like to calm things down.
23:02"It's not the same thing."
23:04"It's not the same job, no."
23:04"Oh, listen."
23:06"As we are, you've got plenty of shit."
23:09"No, no, no."
23:10"Of course she's gorgeous."
23:13"Well, it can be cut off because you said so."
23:14"Of the best."
23:16" So. "
23:17"You have a show, but we can't even hear what you're saying."
23:18"You're going to get two spits in the mouth, it'll be over quickly."
23:20"Okay."
23:20"You're a bitch and you're a whore."
23:23I know that Gainsbourg,
23:24He is an artist who is oriented towards satire.
23:26Today, it's difficult to imagine a career built
23:28on this type of provocation.
23:30And when we delve into his music,
23:31Actually, there are lots of grey baths.
23:33Johanna is as big as an elephant
23:36It's the biggest of all
23:38New Orleans, and yet
23:41Johanna, Johanna
23:44Johanna is indeed from Louisiana
23:48When she is on a diet
23:50It's a banana diet, and yet
23:52Johanna, Johanna
23:56Johanna has a weakness for stools
24:00She consumes two or three in the evening
24:04And yet Johanna
24:06I don't need to spell out for you how this could be misinterpreted.
24:09I think we all understand, we have the image
24:11And Gainsbourg collected things like that.
24:13It's a small doll
24:16Who pees and poops
24:19And little doll who says daddy
24:24I replied to him in a flat voice.
24:33When she puts her rump back
24:35Like a cuckoo
24:37A little doll that says daddy
24:42I replied to him in a flat voice.
24:47I was a little model
24:50And I dismember the poor puppet
24:55I'm careful with my hips.
25:00I don't want to rush her too much.
25:03Because I'm very afraid
25:05To tear
25:07My doll
25:09An asshole
25:13Who's going to talk to me about incest?
25:15This is going to be hell.
25:16This is going to be hell.
25:17So yes, things might go wrong.
25:19But anyway, you did make a track called
25:21Limonencest
25:21A song and a video that, even today, provokes a profound unease.
25:25Because of the presence of his daughter
25:26So, a minor at the time of the music video
25:28So
25:39Okay, for those who didn't know who Serge Gainsbourg was
25:42So, overall, there are lots of things like how she ages
25:44That gives you a little bit of a picture of the guy.
25:46And at the same time, I ask you the question
25:47What do we expect from a guy who makes a piece of music?
25:50Or just, he farts
25:51It's a real piece
26:04It's published, it's distributed
26:06It's paid
26:07There you go, there's Serge Gainsbourg, a little bit
26:09If I have to introduce myself, quickly
26:10We'll spare ourselves the task of reviewing all his controversial songs.
26:13There are just too many of them
26:13Despite all that, judging by the recent YouTube comments on his songs
26:16Well, Serge Gainsbourg is still someone we learn about in school
26:19Brother, I'm just learning about it.
26:20Help! Tomorrow I have a singing test in music.
26:22I didn't learn it, neither the words nor the gestures.
26:24I need to learn it for my class.
26:25And now I have it stuck in my head
26:26I'm listening to this music for my teacher at school.
26:28Brother, am I forced to learn a song with a double meaning here?
26:30He had a certain talent for writing songs with double meanings.
26:33That, no one can ever take away from him
26:34But that's precisely the thing that often causes problems.
26:37And the little story I wanted to talk about in this video
26:38It concerns another legend of French music
26:41France Gall
26:42In 1964, Gainsbourg began working with her
26:45When she had just turned 16
26:47He starts writing songs for her
26:48And thanks to that, she will quickly become popular in France.
26:50Forget about the spinners
26:53Forget about the spinners
26:55It'll play you a black card and everything
26:57He would do the same thing two years later with the song
27:00Wax doll, rag doll
27:01Who will allow France Gall
27:02To win Eurovision
27:03And to become an international artist
27:05And just with this music
27:12We can already pick up on some underlying meanings.
27:13And double meanings
27:14Bizarre
27:16But the worst is yet to come
27:17Because some time later
27:18Gainsbourg is going to write him some new music
27:19Whose name is
27:20Lollipops
27:21Lollipops at night
27:28Lollipops at night
27:32Do you see where I'm going with this?
27:33I think we all understood what we said.
27:37What we're really talking about is Gainsbourg when he writes this song for France Gall
27:40But the thing is, at the time there was someone who didn't get the reference and didn't understand that.
27:45Because she is much too young
27:46Do you see where I'm going with this?
27:47Do you see where I'm going with this?
27:51Do you see where I'm going with this?
27:52Do you see where I'm going with this?
27:53I think we all understand what Gainsbourg is really talking about when he writes this song for France Galles.
27:57But the thing is, at the time there was someone who didn't get the reference and didn't understand it because they were much too young.
28:11It's France Wales.
28:12Explain the lyrics of "Les Sucettes" to me.
28:14She is a little girl who likes lollipops, which she buys at the drugstore for a few pennies.
28:20And that's all, right?
28:23And you know what? That's precisely the problem.
28:25All of France understood the hidden meaning behind the Nice lollipops, except for her.
28:29It was only a few days after the release of the record that France Galles realized she had sung a song about the pipes Annie was carving.
28:44So all over France people are laughing about it.
28:45But I would like to remind you that when this title was released, France and Wales were still teenagers.
28:48And at that time, a controversy erupted in France, and the first person impacted was France Wales herself.
28:54I went to Japan and then I found out there was a whole thing about it, so it was horrible.
29:04It was horrible, yes.
29:06It was horrible.
29:07It changed my relationship with boys.
29:10Yes, indeed.
29:12And it's clearly heartbreaking for her.
29:14She was simply mocked by the whole of France without anyone really understanding what happened to her.
29:18I stayed home locked up, it really made me feel bad.
29:22I was feeling very unwell.
29:23I felt betrayed in a way by the adults around me.
29:30Yes, no, it actually humiliated me.
29:33What happened was that she quickly stopped singing about lollipops in her concerts.
29:38And even with this story, she still had a very successful career; that's not the point.
29:41For his part, Gainsbourg continued to write for all kinds of artists.
29:43And towards the end of his life he is even said to have had a relationship with a young woman.
29:46Even though they were more than 40 years apart in age.
29:48But what is certain is that there is another song of hers that has disappeared from the platforms.
29:51And we're going to have to stop and talk about this song too.
30:11This time she distanced herself from Gainsbourg to work with Michel Berger
30:13This is surely the best choice France Gall could have made in her career.
30:15But before that, you should know that France Gall sang many very lighthearted songs for teenagers.
30:19See for children at the very beginning of his career.
30:27Singing children's songs is not a problem in itself.
30:29But by doing this, France Gall quickly acquired the label of a very candid, pure and somewhat gullible singer.
30:34This might not have been a problem, except that between the ages of 16 and 25 she was surrounded by adults.
30:38who exploited this image to release songs that are now very difficult to defend.
30:43How could one not be moved by the little girl?
30:47Before her innocent eyes, before her smile
30:51She's been changing for some time now.
30:53She pushes the little one
30:55Already a woman, yet still just a child
30:59We've seen it all, just a child.
31:01What do we need to understand?
31:03When I think that we almost
31:05yesterday to surprise you
31:07Trying to kiss me
31:09I let myself be done
31:11My friend isn't so bad.
31:13My father's friend
31:15One day the fledglings take to the air in flight
31:19The little ones come to me from the big ones
31:21There are no more children
31:23Is there really a need to explain the lyrics?
31:27No. Especially since I have the impression that we're not talking about double meanings here.
31:31It's a straight line
31:33She is fragile like a flower
31:35The little one is so sweet
31:37When I think that a man could
31:39Breaking his heart
31:41take advantage of her candor
31:43Touch the little
31:45I really want to, despite myself.
31:47To protect her
31:49protect me
31:50Oh dear
31:51That's where he starts again
31:53With a teacher like you
31:55I'll be lucky
31:57I will obviously learn
31:59A thousand things to do
32:01He's clever, believe me.
32:03My father's friend
32:05By the way, could we talk for 5 minutes, please?
32:07The singer's attitude?
32:09He rubs his hands together, he makes strange movements
32:11Winks
32:13He won't let go of her shoulders, there's something about all this that bothers me.
32:16All of this, I find it crazy
32:20That it didn't bother anyone at that time
32:22Yes, I found someone
32:24Who dared to say something?
32:26Something called The Little One
32:28That I hear everywhere
32:30But I would like to understand one thing
32:32The text bothers me a little bit
32:34I confess
32:36Up to 17-18 years old
32:38Then I start to get suspicious.
32:40You know that
32:42I'm calling France Gall
32:44I've known her for a very long time.
32:46I've always called her The Little One
32:48The little one, the little one
32:49So you understand
32:50There are people who sometimes have a dirty mind
32:52Yes, it's a song, La petite
32:53Is this a flirtation?
32:54Do we not know exactly what it is?
32:56No, it's simply that my little dope
32:57I want to protect her no matter what happens to her
32:59I wouldn't want anything to happen to him.
33:01Isn't that my little darling?
33:03It's true
33:04That's why she's my little one
33:06My little one, my little angel
33:08I'm his older brother, you know?
33:10I saw the mime
33:12Everything makes me uncomfortable
33:16I don't like it
33:17I don't like it
33:18Besides the fact that there's the CSC of the century
33:20If I were to tell you now, after seeing all this
33:22That Côte-François had a relationship with France Gall
33:24While she was a minor
33:25This fact is now widely documented.
33:27Obviously, all of this has aged very badly.
33:29In retrospect, France Gall appears primarily as the victim of a system
33:32And from an adult entourage who exploited his image
33:35At an age when she was extremely young
33:37I think it's no coincidence that she removed all those songs.
33:40From his current repertoire
33:42To finish this short video
33:44I thought it was good to put it in conclusion
33:58I wanted to conclude the video with Jean-Luc Lai
34:00So women who love him etc
34:02You may be entitled to ask yourself
34:04But who are these women who love him?
34:06And I have some clues
34:08You have that mysterious charm
34:12What makes a man fall in love
34:14From the very first time
34:18You left me no choice
34:24You can do whatever you want with me
34:27I play forbidden games
34:30With joy
34:31I met you by chance
34:34Like a flash of lightning in my fog
34:37For us, time has stopped.
34:40Our hearts were pounding.
34:43I didn't know sentimental
34:46I didn't know that love could hurt
34:50When we kissed
34:53I thought I was going to die from that kiss.
34:56Oh
34:58Galine
34:59Galine
35:00As soon as I touch you
35:02You offer me your mouth
35:04Galine
35:05Oh
35:06I'm scared
35:08Oh
35:10Oh
35:12That didn't work at all either.
35:14Not at all
35:15Not at all
35:16Not at all
35:17Aged well
35:18Firstly, because it makes me uncomfortable
35:20For me, life is like a pretty girl
35:22I want to fuck her
35:23But also because Jean-Luc Laé
35:24He has been the subject of several court convictions.
35:26According to public decisions
35:27On the corruption of minors
35:28Jean-Luc Laé was detained in custody.
35:32Sentenced to a one-year suspended prison sentence
35:36For corruption of minors
35:38I've always liked girls younger than me
35:40Perhaps Lolita syndrome
35:42Whatever you want, but that's how it is.
35:43I'm not the only one
35:45In 2007 he was convicted in a case involving a minor.
35:48In 2015 he was convicted again, notably
35:50To a suspended prison sentence
35:52And even if this video clip has no direct link to his convictions
35:54Needless to say, this kind of information has an influence.
35:56The way in which we perceive this kind of music is also important.
35:59Pardon
36:00It's true that I've had relationships with girls who were under 18.
36:09Today's morality
36:11Until 2010 things were permissive
36:15There is a transition with the MeToo movement and other collectives.
36:20Who decided to place, as you say, the cursor
36:23And morality on degrees
36:27Virtually incomprehensible
36:30I don't want to talk about Jean-Luc Lai anymore.
36:33It's just because I thought it was cool to end up with people who were also convicted sometimes, you know?
36:36And I wanted to show you this buried clip for this concept.
36:39That has aged very, very badly.
36:40And especially when you make a video like that
36:42How do I conclude?
36:44Well, ask your parents.
36:46Ask them the question
36:47What do they think about it?
36:48I know there are plenty more.
36:50I wanted to talk mainly about the most well-known ones
36:52But if you have any others etc. to suggest
36:55Don't hesitate
36:56Let's also use the comments section for that.
36:58And in return, to conclude this video
37:00I'll let you discover Antoine and his song Canel
37:04I call him Canel
37:06Because her body is tanned
37:10I call him Canel
37:14Because her hair is golden
37:17I call him Canel
37:21Because its skin is sweet
37:24If you want to know how I know this
37:28It's because I tasted it.
37:31I took Canel
37:36In my beautiful apartment
37:39I installed Canal
37:43In my big white bed
37:46I haven't introduced him to my parents.
37:50And that's because she's only 15 years old.
37:53I call him Canel
37:57Because her body is tanned
38:01If you want to know how I know this
38:05It's because I tasted it.
38:11Say hello to your parents
38:12Have a wonderful holiday season!
38:14Consider subscribing
38:15Thank you one last time to Revolut
38:17Don't forget, there are little links in the description.
38:19And I tell you
38:20See you next year!
38:30See you next year!