Project Runway - Season 21 Episode 05 - Hello, Germany
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00:00Hey, hey, hey, what are you doing?
00:04Oh, I'm just breaking out.
00:05This is all my Jesus.
00:08How you been a bitchy?
00:10That glitter paper and popsicle dicks?
00:13Are you serious?
00:14I'm really far behind.
00:16There's just one small thing.
00:19The Runway Show is happening in the workroom.
00:22This is the first ever project in my history.
00:25This is creativity overload.
00:28Oh, are you tuned? Congratulations.
00:30No, what did not make the winning grade?
00:32Joseph, Michelle, Antonio.
00:34The decision of which designer is going to be out will be made by all of you.
00:40What?
00:41I love everybody, but do we have committed decisions?
00:45This challenge is the worst.
00:47I am not ready to go home.
00:49You have not seen what I can do as a designer.
00:52Joseph, that circus skirts insult.
00:55You look at Joseph McCray, you see Joseph McCray.
00:57Of course, I'm not going to take Antonio out.
00:59I'm not voting for Joseph.
01:00I'm just not.
01:01Splitting up the twins would be so gaggy.
01:04I think I know what to do.
01:08Estate for the winner is $200,000.
01:11Spread in Elle magazine.
01:12And a life-changing mentorship with the CFDA.
01:16This is Project Runway.
01:25Wow, wow, wow.
01:27Okay, guys, let's vote.
01:30I feel fat for now.
01:32I'd rather be here than making that decision.
01:34I'm so shocked that we need to vote out the designer for this challenge.
01:40This is the Project Runway first.
01:42It's really hard because it feels like you're crushing someone's dreams and there's blood
01:48in your hands.
01:50But it's Project Runway.
01:52One day you're in and the next day you're out.
01:55All right, designers.
01:56Can you guys gather in your votes and bring them over to me?
02:04Oh, man.
02:08Is that right?
02:09I'm a little nervous that these designers are going to vote me off just to separate my brother
02:14and I.
02:15We're powerful together.
02:16And they will send their biggest threat home.
02:18Joseph, John, Antonio.
02:21Two of you will be in.
02:23And one of you will be out.
02:24The first vote is for Joseph McRae.
02:31The second vote is for Ms. Joe.
02:37I don't want to go home on a design that didn't speak to who I was as a designer.
02:43I hope the other designers keep me in the competition.
02:47The third vote is for Joseph McRae.
02:51So that's two votes for Joseph and another one and you'll be out, okay?
02:58Oh, my God.
03:01I guess this is when the true competition shows because do they feel like my look is the worst
03:06or is it because I could be the most threat in this competition?
03:12The fourth vote is for Antonio.
03:18My brother might be going home right now and I'm freaking out.
03:22The next vote is for Joseph McRae.
03:30Daddy.
03:31What is going on?
03:33No.
03:36I'm so sorry, Joseph.
03:37So that means you're out.
03:39I don't know if the vote was strategic,
03:41but if it was a game that they wanted to play,
03:45I guess the game has been played, so.
03:47It was such a pleasure working with you.
03:50I think you're incredibly talented.
03:52I know who you are.
03:53I can't wait to see more of your clothes.
03:55You will.
03:56I know.
03:57I'm really sad to have my best friend in the competition leave
04:01and I wish that I had stood up a little bit more for Joseph.
04:04I don't know that I could have swayed poor people.
04:07Bye, everyone.
04:10Nope, bro.
04:11I love you, too.
04:12As much as I didn't want to go home,
04:15listen, don't worry about me,
04:17because I'm about to be famous.
04:21Still iconic, bitch.
04:22Don't forget.
04:23And that's a wrap.
04:24Later, loves.
04:28Thank you, bye to love.
04:29Bye, love.
04:31Thank you, guys.
04:32Thanks for saving me.
04:34How are you guys feeling?
04:36That was definitely a curveball.
04:38And I think we're just, like, all full of emotions.
04:42Man, you're very shaken up.
04:43I'm angry.
04:46Why?
04:47You have to make tough decisions in this business.
04:49No, I know.
04:50Not like that, though.
04:51No?
04:51I don't think it has to be that personal.
04:53Yeah.
04:54Sorry, trust me.
04:55I've been there.
04:56I get it.
04:57But it's a competition and only one of you wins.
05:00Yeah.
05:01Everyone's going home at some point.
05:03It's designed to survive.
05:05And we're going to go into your next challenge now.
05:12This competition is challenge, runway, one-day challenge, sewing, runway, club, challenge.
05:22No time.
05:23No sleep.
05:26Go, go, go, go.
05:26Go.
05:27Fashion takes inspiration from all kinds of things.
05:31Art, music, even the unconventional.
05:35So, for your next challenge, you'll be creating a runway-worthy version of your unconventional materials look.
05:45Completely made out of fabric.
05:48Runway version.
05:49I know not to use denim.
05:51I know not to use denim.
05:53Wow.
05:55If I had the energy to scream, I'd probably be screaming quite a bit.
05:59I didn't love the look that I made.
06:00And it can't just be a story.
06:02The visual, meaningful, they have to connect.
06:06Because both looks are going to lock down the runway together.
06:09Oh, wow.
06:10Oh, my God.
06:12I am.
06:13Wow.
06:14Head home tonight to do some sketching, get some rest, and then I will meet you at Mood in the morning.
06:20Good night.
06:21Thank you so much.
06:22Bye.
06:23Bye.
06:23Bye.
06:24Bye.
06:25For the next challenge, I'm really going to step up because I want to prove to the judges that I am an amazing designer and stylist.
06:32I think the only complaint in my life is a roach.
06:35So, we're going to fix that.
06:36We're going to fix that.
07:06For 20 years, this is what I do.
07:08I can tailor the suit.
07:10So, this is my opportunity to bring it.
07:13That's sick.
07:14I don't even sketch.
07:16This is usually, I'll tell them what is good for me.
07:18I'm jealous of you guys for having brothers because it's amazing.
07:21I think it's another pitch.
07:24No, it's a huge advantage.
07:25You said that.
07:26We're going to, no matter what, help one another.
07:29The last challenge was the first individual challenge, but the twins are still working together.
07:34If that is what it takes to win for y'all, awesome.
07:39But I'm able to eat it up without having family in the room.
07:43Well, then I have a question.
07:44Do you think both of you can do one challenge where you're completely separate?
07:50Because you used to be, like, working each other.
07:52So, maybe for this challenge, like, just challenge yourself.
07:55Let's not help each other and let's see what's going to happen.
07:58I think that bitch is smart, so you know how to play the game.
08:03What's going to be the outcome?
08:05Are you up for the challenge?
08:07As an individual designer, I know I can do it.
08:10I know I'm talented.
08:11I know I'm god.
08:12Let's shut this bitch up.
08:13Let's prove to them this challenge.
08:16I'm excited if they can actually do it.
08:19We will see.
08:20Okay.
08:20So, that's completely solo challenge.
08:24E.J., over with that body that you think you're going to separate Antonio and I.
08:29So, now, it's on.
08:40Alright, remember this challenge.
08:42Runaway-worthy version to kind of complement your unconventional look.
08:4730 minutes.
08:48$350.
08:48Okay, go.
08:50Here we go.
08:50Right now.
08:51Ah!
08:56Just take a half yard off and then I can get that.
09:00Okay, you just started.
09:01Put that back back down and get these.
09:03Okay, these were all right.
09:04Oh, we get these, bitch.
09:06Get two boxes.
09:07Of course, the twins are shopping together.
09:11I am so shocked.
09:13I'm so happy to wear going gray again.
09:16Sure, sure.
09:17For it.
09:17I'm capable of a lot more than what I put down the runway in the last challenge.
09:22However, to turn something that I hated into something that I like is going to take some
09:29real work.
09:30You don't want anything iridescent-y.
09:32I think that that's pretty iridescent.
09:34And I'm going to do stuff to it.
09:36My confidant, my best friend here, Joseph McCray, has left.
09:40So, I'm definitely feeling that loss.
09:42And I need a solid amount of time to sit with what happened, but I don't have time to do that.
09:48Oh, this looks like rotten in here.
09:55Oh, it's been dangerous.
09:57I don't want to say that.
10:00Last challenge, I was so far in the bottom that they had to dig me out the dirt.
10:05It looks like dead vegetation.
10:08Just throw her in a compost.
10:10I have to take inspiration from it.
10:13I'm going to try and redeem myself.
10:15So, I'm going to have to show Laura who I am as a designer.
10:18Leave it all on the runway.
10:20I really don't want to look at this all day.
10:22Tomorrow, I'll shove the bitch in the corner.
10:24No one puts baby in a corner.
10:27However, I need her gone.
10:31One, two, three.
10:33Oh, is that the crotch?
10:40It's a banana hammock.
10:41Oh.
10:43Wow.
10:44I want to create a cocoon outer shell gown that reveals into like a J-Lo butterfly sexy moment.
10:52I'm going to have so much to make.
10:54Just two pieces.
10:56Okay.
10:56You can't have her whole butt out though like that.
10:59I want about this much crap.
11:03How are they going to connect visually in some way?
11:05I think because these are triangular, they're going to be covering the whole thing.
11:09So, I'm going to wear a twig.
11:11Am I hurting your ears?
11:12Yes.
11:13All right, I'll stop.
11:14You can wait.
11:15I didn't love the look that I made last week.
11:17That's not me.
11:18So, I'm making these hard, kind of sharp edges.
11:22Into something more soft.
11:24She's going to be feathery.
11:25She's going to be bird-like.
11:27She's going to be awesome.
11:28What's happening over here?
11:30I want to keep this thing super weird.
11:31We're see-through and sexy.
11:32Uh-huh.
11:33So, I want to do a cigarette pant with a corset.
11:36Your corset top needs to be incredible.
11:38It's going to fit with me.
11:40I'm trying to right now.
11:41I'm pretty fast.
11:41That's it.
11:42Best challenge.
11:43I almost got voted off.
11:44But, I'm here for another week.
11:46And, I'm going to set myself apart from the other designers and my brother.
11:49I want to stand out.
11:50I already do.
11:51Because I'm gorgeous.
11:54Perfection.
11:55Okay, I can figure this out.
11:57The look was very raw.
11:59Yeah, that's what I wanted.
12:00But, you're doing, like, an evening gown.
12:02So, it's like, how do you make that feel, like, edgy?
12:04I wanted to utilize the right instead of doing a front lapel to incorporate that lapel.
12:10I mean, you have to have the right, of course, in some way to visually connect.
12:14So, it's a gown, right?
12:16This is very straight wear.
12:17Very, I'm going to a bashment party.
12:19Uh-huh.
12:20You know?
12:20Yeah.
12:21And, this is very, I'm stepping on the runway.
12:23I've never made a dress specifically like this before.
12:25But, I want to showcase my skills as far as gown making goes for a curvier woman.
12:32It's a flag dress.
12:35When I think of soccer, I think of World Cup.
12:37All these countries, it's exciting.
12:40My idea is to make this black and white soccer ball bomber jacket with this big flag dress.
12:46To celebrate the energy of the soccer stadium.
12:49Edit the colors like you edited those colors.
12:51Yeah.
12:52Remember, visually connect.
12:53Yeah.
12:54Wow.
12:55That looks pretty.
12:56With this one, I want the bowling to be outside.
12:59Yeah.
13:00I really want to make another structure using the bowling.
13:05It's a very meticulous process because bowling is something that you need to hand sew.
13:10But, I haven't worn yet.
13:12And, I want the judges to see my impeccable craftsmanship in all the things that I do.
13:17Is this my power?
13:18My hands.
13:19Wow.
13:20This is a beautifully cut suit.
13:22Yeah.
13:22Clearly, you can make clothes.
13:24So, I get that you want to do this beautiful, amazing suit.
13:27But, I think the connection will still be important, you know.
13:30And, that's why I'm trying to still keep the connectivity with the corsetry.
13:34With the corsetry.
13:34I was even thinking of taking the popsicle sticks.
13:38If you do that, I quit right now.
13:40I just want them to see something here that they didn't see there.
13:48You know, law really didn't like those for us.
13:51You gotta prove them wrong.
13:52Okay.
13:53Law hammer.
13:55Everyone is a little worried about me.
13:57You know, but I got this.
13:58I'm a fighter.
14:00I've been through the hardest fight of my life.
14:04Back in 2020, I made it onto the cast of Project Runway for the first time.
14:11But, I also found out that I had breast cancer.
14:14And, I needed to start treatment immediately.
14:18My biggest fear is during that time is, am I going to be strong enough to fight and beat this thing?
14:24But, let me tell you, I rang that bell and Mama Joan is four years cancer free.
14:34This is more than just a competition for me.
14:37This is a full circle moment.
14:40To win Project Runway would be such a validation.
14:44I want to show that I can be an inspiration to so many women out there.
14:50That there is life after, you know, being diagnosed.
14:54I'm like a walking zombie right now.
15:16I think the one-day challenges are definitely starting to take a toll because, like, there is no time to rest.
15:21Like, I'm not even, like, to be honest, like, even, like, inspired to do this.
15:33Seeing my brother going through all the emotions, that's not usually his persona.
15:38He's usually stronger than I am.
15:42I'm really concerned because I want him to still be in the competition.
15:45No, no, no, no.
15:51I don't even want to do it, to be honest.
15:55I'm really sorry that Jesus is struggling.
16:02But so am I.
16:04Like, I wish I had my best friend here so that I have someone that I can lean on to.
16:08But, you know, I have to deal it on my own.
16:10Someone needs to take that sense of comfort from them so that they can realize that this is a competition.
16:17I see everybody keeping an eye on us.
16:20All of them bitches want to separate us.
16:21He's my twin brother.
16:22So if you f*** with my brother, then you're going to have two enemies.
16:25You get a model, you get a model, baby, let's do it.
16:35I mean, it's a little bit big.
16:36Is it asymmetrical, this top?
16:39Yeah.
16:39Well, it looks kind of like a little bit like a mistake because it's, like, not enough.
16:43I think you still have to figure out this understructure for me.
16:46I don't look like anything.
16:49You all right?
16:50I'm just...
16:51You're just so tired.
16:52You're beat down.
16:53You're done?
16:54It's a lot.
16:55It's a lot.
16:56Suck it up.
16:57We've already been here before.
16:58Don't worry.
16:59You're fine.
17:00It looks fabulous.
17:01You get it together.
17:01Yeah.
17:02That's going to be cool.
17:03I like it with just one side.
17:05I do too.
17:06It's kind of fun.
17:07I'm really grateful to have Christian.
17:09I think he sees a vision.
17:10I think he likes my work.
17:12And that just really, truly gives me strength.
17:15I'm ready to show the judges exactly what I am made of.
17:18That red stripe on Jesus' gown is looking pretty familiar.
17:27What the f***?
17:28Here we go.
17:29I've been working primarily on the outer part, so I have a lot of finesse.
17:34Are you realizing that this doesn't work?
17:37It needs a lot of stitching.
17:38So what are you going to do?
17:40Okay.
17:40Let's try on the other dress.
17:42The dress underneath is not good.
17:44Do you think I should scrap?
17:45I think you'll have one of them.
17:48Yes.
17:48That's what I'm saying.
17:49And you still have one look.
17:51You're going to try something.
17:53I think the shoulders could still be more.
17:55Yeah.
17:55This is the only one that I love.
17:56But I can't elaborate more.
17:59Hand sewing is a major component to execute that design.
18:03And I don't have a lot of time left.
18:06But I've applied to be in the show since 2012.
18:10I've waited for 13 years.
18:11And now that I'm here, I'm not going to waste any opportunity to show the judges what I can do.
18:19You just dislike it.
18:21This looks really messy.
18:23The frayed edges on this looks very amateur.
18:27Okay.
18:28I really don't want this amateur tag to be put on me.
18:32That's a fear of mine because I taught myself for the most part.
18:36So my construction skills are sometimes behind other people.
18:40I've got to figure it out.
18:42Maybe the organza looks a little more refined and beautiful and soft.
18:47And maybe it's that all over.
18:49I'm going for soft, feathery.
18:54Maybe like a snowy egret.
18:55But I'm seeing a dirty, dirty little pigeon.
18:59Nice to meet designers.
19:00I'm in trouble.
19:02Say goodbye to your models.
19:04Oh, God.
19:10I haven't had to pivot this hard at all this competition.
19:14Two dresses is too much.
19:16So the J-Lo dress is dead.
19:19I'm going to take this cocoon and make an extensive altering.
19:23Okay, guys, one hour.
19:26Do you have a big one, right?
19:28No, I don't have a big one because it's big.
19:30I want my brother here to help me.
19:33They're both really talented.
19:35So am I jealous?
19:36Yes.
19:36And like, I want that.
19:39I need to redo my sleeves because they're ugly.
19:44I have to make the entire skirt.
19:46I'm feeling like this is deeply, deeply undoable.
19:54Good morning.
19:56Good night.
19:57How to do?
19:58Fashion super new ones.
19:59Here we come.
20:00Hi, baby.
20:01Hi, baby.
20:04Hi, baby.
20:05Hi, baby.
20:08Oh, hips out.
20:13Hello.
20:14Hello.
20:15Hi.
20:15Sorry to be this scary.
20:17Emily's called in sick.
20:19So what we are thinking of doing is if we can move Sinead over to this look,
20:24and we'll use the alt model for your episode four looks.
20:29She's a lot smaller.
20:32Dear God.
20:34My brain is frying.
20:36I made my dress to fit my size 20 model like a glove.
20:41What are you saying to me right now?
20:43I have three hours to make this size 20 into size 14.
20:48Well, we know where to start right now.
20:50Hold on.
20:51Hold on.
20:51Hold on.
20:51Hold on.
20:51Hold on.
20:52Hold on.
20:53Sinead will be showing.
20:54Yes, we're going to.
20:55Oh.
20:55I had to find another way to use the black sheer.
20:59So I think having a little bit of sexy side of moment and a scarf will be a little nod
21:04to the original piece.
21:06How are you guys doing?
21:08Good.
21:08How are you doing?
21:09Gloria, how's it going?
21:11My hand stopped shaking.
21:12I can soap.
21:13You can do it.
21:14I don't know.
21:16Beautiful.
21:17And gorgeous.
21:18Thank you for that.
21:19That's nice.
21:19What would I do without you in my life?
21:21You're starting to make me have a crush on you.
21:23Everybody has a crush on me.
21:24Hello.
21:27What is that little thong?
21:29Marina, I made you a floss.
21:32I am a Latina hooker.
21:33A sexy hushie mama.
21:35Not everyone can make a thong.
21:36I know it's just a little strange.
21:38But you got to get the right measurements because you don't want to see a kamato with a floss.
21:43No, with that.
21:45Joking on.
21:46The thong.
21:47The thong.
21:47To me, a thong is not a fashion moment.
21:52Okay?
21:53That is underwear.
21:56Do you need to do this design as you're trying to separate Antonio and I?
22:00Well, maybe you two do need to separate.
22:01You're working on his garment right now.
22:03I'm going to separate you two.
22:05And then we'll see who wins.
22:07You bitch.
22:08You bitch.
22:09Yeah.
22:10See?
22:11Even Christian notices.
22:13What did he say?
22:14He says he's going to separate us.
22:16He's not jealous.
22:17Oh my god.
22:19All right, designers.
22:20We're sending your models to the Ulta Beauty Salon.
22:23The dealers.
22:24I need to see what's going on in Blam.
22:26Okay, son.
22:27We're here.
22:27Don't be crazy.
22:29I'm not.
22:29How are you feeling about it so far?
22:30You're the best, so I trust you.
22:32You do this every day.
22:33You go to the amp.
22:34Yeah.
22:34He has a salon that you can walk into and have a consultation with a hairstylist or makeup artist to make your vision come to life.
22:40We're the same day out, so don't worry.
22:42We're going to make it happen for you.
22:43Perfect.
22:43I love Ulta Beauty.
22:44You're the best.
22:45Oh my god.
22:50It's done?
22:51No, it's not done yet.
22:52My hands are really, really tired.
22:55I will add more here.
22:57Are you?
22:57Yeah.
22:58I'm scared if I can really finish it on time.
23:01Yeah, you have like an hour.
23:02Come here.
23:03Hurry home here.
23:04God damn it.
23:05Are you finished?
23:06Yeah.
23:07Can you help her?
23:08Um, just back this morning.
23:10After that, I'm finished.
23:12Thank you so much.
23:14BJ, really?
23:15She gives me and my brother the drive time because we help each other.
23:18But when she needs help, it's fine.
23:22Miss Madeline, how's your skirt?
23:24My goal is to get it done by the time the models got here.
23:26I am really far behind.
23:28Why don't you shuffle in a row?
23:29No.
23:30There's never enough time.
23:32At this point, like, I know I'm going to hate this look.
23:35What the hell?
23:36I just need it to be closed.
23:39All right, we're walking in 30 seconds, guys.
23:46Yay.
23:47Hello, designers.
23:48Welcome to the runway.
23:50As I say in fashion, one day you're in, and the next day you're out.
23:55For this challenge, you are asked to create a look inspired by your unconventional materials design.
24:00It may be completely out of fabric.
24:01The connection between the two must be visual and meaningful.
24:05All right, let's meet the judges.
24:07CFDA award-winning stylist and image architect, Laura Roach.
24:14Senator of the Elle magazine, Nina Garcia.
24:19And our guest judge for today, fashion designer and business titan, Jenna Lyons.
24:27All right, let's start the show.
24:35My looks looks very cohesive together.
24:39The bomber jacket looks so sexy, still hot, so modern, and the dress is cool.
24:46It's just so amazing.
24:47I feel so good.
24:49Super creative.
24:50I'm so good.
24:51But at the same time, I'm very, very excited and proud of myself.
25:06It's a representation of who I am as a designer.
25:09You can tell immediately that these two looks are labor of love.
25:13It's not my best work, and I'm feeling like I don't want to watch this runway.
25:36I feel good.
25:44It doesn't look absolutely haphazard and crazy.
25:47It looks presentable.
25:48How did you get it to the river level?
25:50Girl, you see my fingers deleted?
25:52The construction is so bad.
25:54The dress is just ugly.
25:55This is exactly what my vision was.
26:06She is working it.
26:08She's feeling herself.
26:09She feels glamorous.
26:11She feels like a fashion icon.
26:12She feels like a rock star.
26:15Wow.
26:16It's interesting.
26:17Pretty.
26:18I'm so excited because I think I nailed the challenge.
26:21They both look cohesive.
26:22I don't think my unconventional garment was that bad, but definitely this is an elevated
26:31version of that.
26:33The previous critique lit a fire under my tail for me to show them what I got.
26:46For all, Anastasia is making this a moment.
26:50The fashion fabric being so close to the original is cohesion.
26:56So, I did my job.
26:58I'm proud of my little butterflies and their flanks so, so high.
27:08Wow.
27:09I'm saying my blonde Barbie walk down the runway is so sexy.
27:13The magic word again is cohesion.
27:16She looks so good in there.
27:18Hmm.
27:18I can taste the wind and the tip of my tongue that I've been waiting for.
27:23Hello.
27:23There were some really good looks you turned out.
27:35Obviously, we're judging you by your second look, not your unconventional materials look.
27:40We've scored your designs.
27:42Let's find out the results.
27:43Eugene, Joan, the two of you are safe.
27:53Joan, I know I was extremely critical on you about your unconventional look, but you redeemed
27:59yourself.
28:01Eugene, Ethan, BJ, Jesus, you had our favorite looks on the runway today.
28:09Congratulations.
28:13Unfortunately, that means Antonio, Madeline, and Bologna.
28:19You had our least favorite looks today.
28:22You guys can leave with the same designers.
28:25I'm not surprised, but I'm praying, wishing, manifesting that I don't go home.
28:35Yeah.
28:37Guess who's back?
28:39I know, right?
28:39Back again.
28:41Let's bring your emails.
28:42Here we go.
28:45All right, kisses.
28:46Let's start with you.
28:47Okay.
28:48I loved your looks.
28:49Thank you so much.
28:50It's stunning.
28:50I mean, how you made this, too, that you can sew, like, this impeccably is, like, crazy,
28:55you know?
28:55Yeah.
28:56It is so chic.
28:57I love the exaggerated hips and that red strip down the back.
29:01As a stylist, I'm thinking, what does it look 360?
29:04You know, when they call it to the starlet over the shoulder.
29:07This dress could be on any runway in Paris.
29:12Yeah.
29:12This is really, really, really, really, really well done.
29:15I'm always thinking what would law like in my view.
29:17Law likes it, so you didn't care so much.
29:20The dress is beautiful.
29:21The shape is beautiful.
29:23But when I saw the red stripe, I was convinced this was Ethan's look.
29:30Yeah, I thought so, too.
29:31Ethan did that same stripe on the sportswear look.
29:36I mean, called plagiarism.
29:38Yeah, it's not at all.
29:40It's a little bit.
29:40It's plagiarism.
29:41It's a little bit.
29:41I'm just a chic.
29:43Oh, my God.
29:44Ethan did that same stripe.
29:53Wow, Nina.
29:54Just because there's a red stripe and Ethan did that for a leecher, like, to me, like, I saw no resemblance.
30:00Like, I feel like I did it in a different way.
30:02And, like, I didn't even think of that.
30:04I think they inspire each other a lot.
30:05I am all for inspiration.
30:08But why this particular fabric?
30:11I mean, that was never my intention.
30:12That didn't even cross my mind.
30:14I picked the red just to reference from the mini dress.
30:17Plagiarism is a little harsh.
30:19But for Nina to have such an impact from my piece, I think, is an honor.
30:26So, sorry, Jesus, but if I own a red stripe now, maybe let me keep it.
30:33I don't have any history here, so I'm all for the red stripe.
30:36I loved it.
30:36The shape of the Duchess satin and the way it wraps around her.
30:39Beautifully done.
30:40Thank you, Jesus.
30:43PJ, if you see what you can make out of a shut-up cock, it's quite amazing.
30:47Every time she says, shut-up cock.
30:51Okay, everyone says, shut-up cock.
30:53Shut-up cock.
30:54Shut-up cock.
30:56I love shut-up cock.
30:57We'll never forget that.
30:58We'll never forget it now.
31:00The fabric that you chose, it's the same feeling of what the shuttle cock is giving us.
31:04And also what you gave here.
31:06Like, you always want to have a lot of interest, you know, around your cleavage and everything.
31:10And it's giving all of that.
31:12It's fragile, but strong, unexpected, really marvelous.
31:18The transparency, the tailoring, everything was really smart.
31:24I mean, it's the most perfect side move I've ever seen.
31:26Jumpsuits are hard to fit.
31:28It's just, I think it's spot on.
31:30Thank you so much.
31:31Ethan, you're next.
31:32What did you stuff into the hips?
31:34What did you put in there?
31:36It's patting.
31:37Ethan is the drag queen, so he knows how to pat a hip.
31:40Oh.
31:40Right, so that, that, he brought that in his little tube box.
31:44Yeah.
31:45I think the dress is spectacular.
31:47I have to say, I'm kind of obsessed with it.
31:49I think the tailoring is great.
31:51I think you worked that dress like nobody's business.
31:53And the way that the shapes looked behind the screen when she came out, it was just
31:57phantasmical and really stunning.
31:59And I'm captivated by it.
32:01Can I see her without the, I mean, this is all you need.
32:08You didn't need the reveal.
32:10That's it.
32:11Can we just talk about the boobs when you see them on the side?
32:14I love those little pups that are poking out and giving that fabric.
32:17It's so cute.
32:18That little detail is so powerful.
32:21That's your reveal right there.
32:23You've got to understand to edit.
32:26All right, Ethan, DJ, Jesus.
32:29It's time to name the winner.
32:34Congratulations.
32:36DJ.
32:36You created our favorite look.
32:42Congrats.
32:43How does it feel?
32:44To be here.
32:45And to be speechless.
32:47I'm just happy.
32:48I cry when I'm happy.
32:50Yeah, this is tears of joy.
32:53You learned it.
32:54You absolutely earned it.
32:55Really beautiful.
32:55Winning this challenge makes me feel the reward for all the things that I've done to create
33:03those two looks.
33:04And I'm just really thankful that the judges appreciate my work.
33:07We have a winner.
33:08Winning this gives me the assurance that if I work hard and be innovative, then I can win
33:23this whole thing.
33:24Okay, let's bring out the bottom looks.
33:29Oy vey.
33:31Antonio, Madeline, Belania.
33:35Unfortunately, we're all these favorites today.
33:37Let's bring out your models.
33:40Oy yi yi.
33:41Oh, my God.
33:45All right, Belania.
33:46I'm just so confused by what you've done.
33:48I look at you and I see a young, clothing, fashion-forward, modern young woman.
33:54And then I see what you created today.
33:56And to me, this looks like a real old-fashioned look.
34:00You are supposed to create for tomorrow.
34:03The fabric looks cheap.
34:07Jersey fabric or something else in another color.
34:09This might be acceptable and it might be okay.
34:12But with these colors and this fabric, there's not winning anything around here, though.
34:17I've seen this dress.
34:19A corset with the ruffle bottom.
34:21And it's not my favorite.
34:23They're not twins, but they are sisters.
34:25Tacky and Jackie.
34:27And you think this is a good dress.
34:28No, but today my model called out sick.
34:31So I had to take in my dress by at least eight inches.
34:36That's not an excuse.
34:36Also, the model where you had to take it in, that's the strong part.
34:42That's what you did well.
34:43I don't love the really chunky straps.
34:44I know that the person who you had originally put it on might be a size 20.
34:48I couldn't put certain styles of our model, so I said, okay, I will make a beautiful silhouette kind of dress.
34:54Had you presented that as a bathing suit and a sarong cover-up, I think it would have made more sense.
35:00Like putting her in shorts or pants or even a bathing suit.
35:03You guys probably would have given me the same comment.
35:06What I don't understand is the body language and attitude.
35:09Yeah, what is the attitude, Paul?
35:11Let's back up and let's start there.
35:14So you want to say something about your lips?
35:16Keep trying to not...
35:17Well, here's your chance.
35:18I'm just taking it back because there's a lot that happens before you guys see it.
35:23But a lot happens before we see it every runway.
35:25What are these feelings?
35:27Because you're coming off really, really rude.
35:30Okay.
35:31Okay.
35:32He wants to fight.
35:36You're coming off really, really rude and not dismissive.
35:41I'm trying to control my emotions because...
35:45I was trying to make my model feel comfortable and beautiful.
35:50And is this model or the one that got sick?
35:52The one that got sick.
35:53Okay.
35:53I also think, like, you as a designer have to stay true to yourself.
35:57I don't really see you here.
35:58I think you should always stay true to yourself on what you think you would really want to create.
36:03I think that's really important.
36:05All right, Madeline.
36:06I don't see the cohesion.
36:08Here you have Space Girl in silver, shiny, flashy.
36:12And then you go to a somber, sad girl right next to her.
36:15It's like a whole different vibe of a feeling from this.
36:17I actually like the way that you mimic the hard edges from your unconventional look.
36:23Just because you put some triangles onto the top doesn't make it cohesive for me.
36:29I really don't like the length of the skirt.
36:31The bottom of the skirt looks like a napkin.
36:34Like, it's not enough strength.
36:37When you are presenting a runway, it's about the complete polished look.
36:43I think you're demure in your approach to your shapes.
36:46Like, the skirt and the proportion of the top are almost the same.
36:49Can you raise the top?
36:50Yeah, like, if it was tiny and the sleeve was tiny and it was a little bit of a cropped up.
36:55I just think, like, you could have gone bigger and pushed that skirt and pushed that shape.
36:59It feels like you're holding back.
37:00Fair enough.
37:01Antonio, I actually was probably the only one that gave this high school.
37:08I am.
37:09I am right in it.
37:10That's very true.
37:14They look like modern girls of today.
37:16I love that it's sheer.
37:17I love that you see your G-string through it.
37:19I love her wet hair.
37:22It's very now.
37:23We can talk about the top.
37:25Obviously, there's some fit issues here, but...
37:27The top is...
37:28What is the top?
37:29The top is...
37:30I am about like that.
37:31It's terrible.
37:32I don't know if it was intentionally asymmetrical, but it wasn't asymmetrical enough, so I couldn't
37:36tell if it was just twisted.
37:37It should have been.
37:38Could have been.
37:39It's not.
37:41I mean, just the wedge.
37:42I can't go...
37:43I can't.
37:44It's problematic.
37:45I'm not mad at it.
37:46I'm not mad at the pants.
37:47I don't think the pants are bad.
37:48I'm just saying, when I see a wedge, my husband always loves a wedge.
37:51When I have jeans on that are like so tight, then it's like, he thinks that's hot.
37:56It's like a really good keeper for costume dolls.
38:01There is no reason you walk this girl out of here with these incredible glaring airs.
38:08I don't know.
38:09I don't know how you've made it this far.
38:11In terms of construction, there's a lot of problems here.
38:16I'm pissed.
38:17She had the nerve to say, while I'm still in the competition, I feel untapped.
38:23But you got the judges really torn.
38:25That was very polarized, which is great.
38:28That's what she was about.
38:28Madeline, Antonio, Bolania.
38:33We have a lot to talk about.
38:35You can leave the runway.
38:36Thank you so much.
38:39Yeah.
38:39What's your hair?
38:40I haven't made the decision yet, right?
38:43Heidi loved my love.
38:45Nina hated it.
38:46She's like, I don't know how you made it this far.
38:48I'm like, well...
38:50What's up?
38:51Madeline.
38:52To me, she's making sad clothes.
38:55You know what it is?
38:56It feels sad and poor.
38:58I don't see the cohesion.
39:00Like, the first one, when it came out, I was like, okay.
39:02It had some pop and, like, some fancy, like, sparkle to it.
39:06You also could feel that the model was loving that, too.
39:09It felt like somebody took the air out of it.
39:11Like, I'm not proud of what I put down today.
39:14I don't think it's representative of me as a designer.
39:17I don't want to be putting things out there that are confused and sad girl.
39:24I like Antonio.
39:25I feel like there's stuff in there.
39:26Nina hated it.
39:28I hate it.
39:29I've never saw I hate something so much.
39:31Look, I wrote, like, I wrote, like...
39:34Guys, Antonio is a little bit of smoke and mirrors.
39:40But he was the least offensive of the three.
39:42I don't know if Antonio could really deliver.
39:44I feel like my design wasn't the worst.
39:48Based on the challenge, when you put your heart and soul and you work for over 14 hours, I don't feel like the judges are understanding and it's getting to me.
39:57What do you guys think about Belania?
40:01I was so sad to find out that that was her look.
40:04She has this great personal style.
40:07You write that great personal style?
40:09You know, she's very memorable.
40:12I think Belania got thrown off trying to make someone else happy as opposed to doing her own thing.
40:16And it feels like that kind of tripped her up, maybe.
40:17I get a sense of personality from Belania.
40:20I think there's a spark in there.
40:22She did have to, like, cinch that in a lot, Belania, no?
40:25I must forget what designers do.
40:27I know, but, like, last minute, I mean, that's what designers do.
40:30It was Carmen Miranda without food on her hand.
40:33It is a literal prom dress.
40:35Yeah, 80s prom dress, bad 80s prom dress.
40:37Ah, Belania, why did you do this?
40:40I feel misunderstood because I tried to make something that I thought the judges wanted to see,
40:46but that was an epic fail.
40:49So if I stay in this competition, I am not listening to what anybody else has to say.
40:55I'm going to listen to myself.
40:58It's a toss.
40:58So who's the worst?
40:59It's a toss.
41:07Hi, hi, hi.
41:09Next time on Project Broadway, the next individual challenge, we're going straight.
41:14This is literally your challenge.
41:16Like, what are you doing?
41:17If I don't do this right, I will f*** you.
41:19Eat that.
41:20Come on.
41:21Let's put it in.
41:23Things are not working out as well as I thought they would.
41:26Get it to the ground.
41:27Don't forget.
41:28Be just a silent killer, everyone.
41:30I'm just focused on my work.
41:32The quiet ones.
41:33Turn around and stab you in the back.
41:36Jesus.
41:37He is really threatened by me.
41:39And I'm like, he should be.
41:41I want to applaud you for not doing something safe.
41:45Picture that girl walking down the street like stunt our homes.
41:48You're not showing us anything new.
41:50It's too obvious.
41:51This is so far off from streetwear.
41:53I almost want to, like, jump out the chair and beat you up for making this up.
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