- 5 months ago
CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater) is a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982, and later in the early 2000s was repeated by the NPR satellite feed.
Category
😹
FunTranscript
00:00And now, Mystery Theater. Brought to you in part by True Value Hardware. Your store of first choice.
00:24Come in.
00:28Welcome.
00:30I'm E.G. Marshall.
00:32Welcome to the sound of suspense.
00:35Welcome to the fear you can hear.
00:39Welcome to the world of terrifying imagination.
00:44The subject of the story you're about to hear is murder.
00:48But the subject is also time.
00:51We've all heard of killing time.
00:54But have you heard about using time to kill?
00:57You will in the next few minutes when Mr. Owen Layton himself tells you his most ingenious scheme for getting rich quick.
01:06By means of sudden death.
01:08Owen!
01:09For heaven's sake, what are you doing here?
01:12You're supposed to be in Paris.
01:13I've taught, Harriet.
01:15And I seem to have done exactly that.
01:17By the way, I met your charming dance in there.
01:21Although I'm quite sure he didn't see me.
01:23But I don't understand.
01:24How could you possibly have returned home so soon?
01:28I was in a terrible hurry to see you, darling.
01:30I simply couldn't wait to see you.
01:33And do this.
01:34Oh, no!
01:35Our mystery drama, Sea of Troubles, was written especially for the Mystery Theater by Henry Slusser and stars Stotts Cropsworth.
01:55Our spine tingler begins across the sea, in the delightful city of Paris.
02:11They say that you can sit at a sidewalk cafe on one of these streets, and sooner or later, meet everyone you've ever known.
02:19Well, now we're going to introduce you to someone who you don't know, but whose acquaintance you'll enjoy making.
02:27His name is Owen Layton, and he prefers to tell you his unusual story in his own words.
02:36I arrived in Paris at ten o'clock that morning, but I didn't leave my hotel room until well after four.
02:42I knew my brother Gerald's habits only too well.
02:45He'd probably be sleeping until noon.
02:47So I knew where he would be at 4 p.m., of course.
02:51At Patrick's Cafe on the Rue de Montparnasse.
02:54Everyone loved Gerald at Patrick's, because he was famous for always paying his bills.
02:59With my money, of course.
03:01Monsieur, monsieur.
03:02Bonjour.
03:03I chose a table well to the side, but my appearance still attracted considerable attention.
03:08And why not?
03:09With my rumbled English tweeds, a long gray beard, and a style of Ulysses S. Grant,
03:14a pair of crutches to keep my monstrously bandaged foot off the Parisian asphalt.
03:20Well, I must have been quite a sight.
03:23Garçon, a pair of nos, s'il vous plaît.
03:25Ah, c'est bien, monsieur.
03:27Well, what do you know, Owen, for the love of me?
03:30Hello, Gerald.
03:33I'm glad you were able to recognize me under all his hair and bandages.
03:37Well, how are you?
03:38What's the matter with your foot?
03:39Oh, never mind about that.
03:41Give me a look at you.
03:42I haven't seen my kid brother in over a year.
03:45You know something?
03:46You look more French than ever.
03:48Yeah, come on now.
03:49Let's hear about that foot, Owen.
03:50Ah?
03:51Oh, and the beard.
03:52When did you grow all that shrubbery, huh?
03:54Well, I got the idea from you.
03:55The last time I was in Paris.
03:57This thing?
03:57Yeah.
03:58This is nothing compared to you.
04:00Now, listen, the last time I saw a beard like that, it was on a $50 bill.
04:04Yes.
04:05I guess it got a little out of hand.
04:07I'm thinking of trimming it, as a matter of fact.
04:09More like your style.
04:11Well, I'll introduce you to my barber.
04:12May you do me a favor, Gerald?
04:14Finish this piano for me.
04:15I shouldn't be drinking with my foot.
04:18Well, what's your foot got to do with it?
04:19It's the gout.
04:21You remember, I wrote you about it a few months ago.
04:23I had an attack just before I sailed for Europe.
04:26Well, how's your painting coming along?
04:27You sold anything yet?
04:28The only thing I sold is my watch, as if you didn't know.
04:32Yes, I know.
04:34You came to Paris to starve in a garret.
04:36But you look pretty well-fed to me.
04:39Hey, oh, speaking of that, how is Harriet?
04:42Speaking of which?
04:43The money I sent you, or being well-fed?
04:45You know what I mean, Owen.
04:47Now, how is she?
04:48Still the same?
04:49No.
04:50She's more of the same.
04:50She's richer than ever.
04:53She's fatter than ever.
04:54She's also meaner than ever.
04:56Well, she couldn't be too mean.
04:58Now she lets you grow that beard.
05:00I still don't see why you wanted to grow it.
05:04You always make such fun of mine.
05:05Well, I have my reason, Gerald.
05:07It was part of my plan.
05:09Plan?
05:11Uh, what plan?
05:13Why, to kill my mean, fat wife.
05:17Of course.
05:17So, this is your garret, is it?
05:24Pretty luxurious for a starving artist, isn't it?
05:27Uh, it's not bad.
05:28Yeah, and all those canvases.
05:30Some even have paint on them.
05:32Well, don't tell me you're really working.
05:34Uh, Owen, I know you're no saint.
05:37But I don't think you're wicked enough to do what you said.
05:40Strangle Harriet?
05:42Uh-uh.
05:43No, Gerald, I'm wicked enough.
05:45Just not foolish enough.
05:47My wife's money will be precious little good to me in prison.
05:52Uh, and now don't tell me you've got some kind of a foolproof scheme, Owen, because there is no such thing.
05:58Then, uh...
05:59And now, no matter how clever you are, there's always someone cleverer.
06:02In the detective novels, perhaps.
06:05Now, sit down before I kick you with my gouty foot.
06:08I've got five pounds of bandage there.
06:10It makes quite a weapon.
06:11I don't understand what you meant, uh, about, uh, about gout.
06:15It's the very cornerstone of my plan.
06:18I have established a medical history of the disease, if questions arise later.
06:24Questions?
06:25Yes, about the bandages.
06:27Owen, I have never seen you like this.
06:29You're really talking wildly.
06:31Now, those crutches, the beard, all this crazy talk about killing people.
06:34What's...
06:34Not crazy at all.
06:36It's a beautiful, rational scheme.
06:38And one that you will be eager to see succeed.
06:43Oh, and what's happened between you and Harriet, huh?
06:46Well, nothing, son.
06:48It's been a gradual change.
06:50Perhaps the inevitable result of advancing years.
06:54You know, I was considerably younger than Harriet when we married.
06:58Now it seems I'm not young enough.
07:00Now, wait a minute.
07:01Are you cutting me off?
07:03Are you going to stop sending me money?
07:04Nothing of the kind.
07:05As long as my income can support it, you can continue to develop your artistic talent.
07:13The question is, how long will my income continue?
07:16It's been ten years since I married Harriet.
07:18The difference between our ages is suddenly not so great.
07:22Harriet is discovering that there are younger men in the world.
07:26In fact, there's one particular one she's fond of.
07:30You're joking.
07:31No, he's a dancing instructor, as a matter of fact.
07:33She met him when I had my first attack of gout.
07:37I couldn't move for a month while Harriet indulged herself in non-domestic pleasures like dancing.
07:43What the talk about?
07:44Killing her.
07:44Killing her carefully, Gerald.
07:47With due regard to the risks involved.
07:50Actually, I thought of the answer when I was flat on my back.
07:54I had plenty of time to think then.
07:56About what?
07:56A unique phenomenon of the modern age.
08:00The magnificent paradox of trans-oceanic travel.
08:05Travel?
08:05Yes.
08:06A ship makes its journey in some five days.
08:10A jet plane takes only a few hours.
08:12But you hate planes.
08:13You've never been on a plane in your life.
08:15That's right.
08:16They terrify me.
08:17Well, what does all this have to do with killing Harriet?
08:19Everything.
08:19For you and I, brother, are going to put that trans-Atlantic paradox to use.
08:26We're going to prove that the difference between a ship and a plane is a lovely way to commit murder.
08:33It was almost two weeks later that Gerald and I stood on the dock at Le Havre and looked at the trim lines of the SS Empress.
08:49She wasn't exactly the largest vessel lying at anchor, but on that particular Saturday, she was certainly the buildiest.
08:55That was fine with me.
08:58The more excitement on the pier, the less noticeable Gerald and I were as we made our way toward A deck.
09:04Our progress was slow since I never really managed to use those crutches.
09:10Finally, we made our way to Stateroom G, and as the door finally shut behind us, I collapsed on the bunk.
09:20I looked at my younger brother's face and felt considerably better.
09:24There. Poor Gerald.
09:26His complexion was so pale white against his reddish beard.
09:30Now fuller by two barbulous weeks.
09:34Relax, Gerald.
09:36I had your confidence on.
09:37Let's take care of the passports first, and then we can call the steward.
09:41All right. Here they are.
09:43Good.
09:45Now, we have to do...
09:46With infinite patience, I set about the delicate task of removing the small photographs from both passports.
09:54I was as precise as a jeweler.
09:56Then I squeezed glue from a tiny tube and replaced them.
10:01One bearded face substituted for the other one.
10:04Yes, my brother and I look quite a bit alike.
10:08Despite the secure difference in our age.
10:11Owen, are you sure nobody will notice?
10:13Now, you're not supposed to tamper with these passports.
10:15Yes, that's true.
10:17And I understand it's also a crime to kill someone.
10:20Nevertheless, that's exactly what I planned to do.
10:23Now, let's ring for the steward.
10:26All right.
10:27The man who answered our ring was a perfect delight.
10:33An aging cockney with a thin crest of white hair, the mouth of a pixie, and the squiddy eyes of a myopic.
10:40The latter, of course, was going to be a blessing.
10:43Oh, everything all right, Mr. Layton?
10:45Yes, everything's just fine.
10:47Your name, Mr. Porkins?
10:48Oh, yes, sir.
10:49That's me.
10:50Sir Porkins.
10:51That's your service.
10:52Well, Mr. Porkins, I'm afraid I'm going to be something of a burden to you on this voyage.
10:57As you see, I'm an invalid.
10:58Oh, yes, sir.
11:00Your poor foot, sir.
11:02Exactly, my poor foot.
11:03As a result, I'm going to be forced to take all my meals in here.
11:07So you'll have to arrange matters with the dining steward.
11:11I trust that can be arranged.
11:12Oh, yes, sir.
11:13Don't you worry none about that.
11:15Oh, God.
11:16Nor will I be spending any time on deck.
11:19But these bits of roll is extremely painful for me.
11:23So I'll remain in my stateroom until we reach port.
11:26Oh, what a pity, sir.
11:28Oh, it's all right.
11:29It's all right.
11:30I've got a great deal of business to take care of between here and New York.
11:34I don't have enough paperwork to keep me busy.
11:37So if you'll just bring me my meals and keep me from being disturbed,
11:41you'll be doing your job handsomely.
11:43All right?
11:44Understood?
11:45Oh, yes.
11:45Understood, Mr. Layton.
11:46See you later, then, Mr. Porkin.
11:49Oh, yes, sir.
11:53We were lucky.
11:55He seems like a cooperative old geezer.
11:56Yes, but be careful.
11:58Always keep your door locked so he can never enter without knocking.
12:03And every time he brings you that tray,
12:06make sure that you're either dozing or buried in papers.
12:09Understand?
12:10Understood.
12:11Yeah.
12:12Well, when I think about what you're going to do in New York while I'm on board the ship, I...
12:16What I'm going to do in New York is going to be a pleasure.
12:19But you're so cold-blooded about it, Owen.
12:22You are going to kill a human being.
12:24No, I never said that.
12:26I said I was going to kill Harriet.
12:35Poor Harriet.
12:36There she is in her lavish New York townhouse,
12:40thinking about nothing but her dancing lessons.
12:43While aboard the SS Empress,
12:46two men are plotting her demise.
12:49Of course, we're not yet certain how Owen Layton plans to get away with murder.
12:54Even if he does fly to New York and his brother sails in his place,
13:00we'll simply have to wait until I continue shortly with Act Two.
13:04Now let's return to Stateroom G on A deck of the SS Empress.
13:25It's almost sailing time.
13:28The first all-visitors-ashore warning has been sounded on all levels of the great ship.
13:34But in Stateroom G, of course,
13:36the warning has a special significance.
13:40Because now,
13:41the visitor
13:41has become the passenger.
13:44And the passenger
13:45has become the visitor.
13:48But let Mr. Owen Layton
13:49speak for himself.
13:51Now listen to me, Gerald.
13:56Now listen very carefully.
13:58For Pete's sake, Owen, we've been over this a hundred times.
14:02Now I'm seeing it for the last time.
14:05You must do exactly what I've said.
14:08Exactly.
14:09The smallest variation can cause total disaster.
14:12Oh, I promise you.
14:13I won't move from the stateroom.
14:16I'll be a good little rabbit in my cage.
14:18Yes.
14:18That's exactly what worries me.
14:20Your rabbit-like tendencies.
14:23Don't expect me to enjoy it.
14:25I think of all those cute little bunnies strolling around in a deck.
14:28Now just forget they're there, understand?
14:30Let me get this bandage off my foot.
14:32And don't forget the sixth night.
14:38You'll manage, all right.
14:39It won't be any fun over here.
14:41Yes.
14:42Neither would it be any fun
14:43to fill gas tanks in Hoboken.
14:46Not as much fun as living on the left bank
14:48with those Parisian beauties of yours.
14:50All right, all right.
14:51I know.
14:52And don't forget
14:53who's really doing the hard work, Junior.
14:56Including that plane trip tonight.
14:58Oh.
15:00For me, that's the worst part of it all.
15:02Well, listen, how high do those bloody things fly?
15:05Oh, 30,000 feet, I think.
15:08Oh, it's preposterous.
15:09There, there, the bandages off now.
15:12Now, let's get them on you.
15:16By the time the next all ashore sounded,
15:20the transformation had been made.
15:22The bandages were on my brother's foot
15:24and the crutches were lying snugly beside his bunk.
15:28And I was all set to leave
15:29with Gerald's gray tweed coat belted around me,
15:33with Gerald's hat on my head.
15:35I strolled to the visitor's gangplank
15:37and left the SS Empress
15:39to its business.
15:40In a way, it was fortunate
15:52that I dreaded air travel so much.
15:56The thought of being carried aloft
15:57some 30,000 feet inside the monstrous machine
16:00parked at the Gate 7 on Orlick's field
16:02was completely engrossing.
16:05For this reason, I overcame any nervousness
16:08I might have had
16:09upon confronting the Immigration Authority.
16:12The official merely glanced at the photograph
16:14in my passport book,
16:16snapped it shut briskly,
16:17and handed it back.
16:19Mr. Gerald Robin Layton
16:20was on his way back home.
16:23I don't recall much about the flight.
16:26I remember about 10 minutes of sheer terror
16:29when we took off
16:30on what seemed like a ridiculously short runway.
16:32I know there were several more hours
16:35of alternating fright, numbness, and drowsiness
16:37helped by liberal amounts of alcohol.
16:41And then,
16:42there was that agonizing half hour
16:44following the captain's announcement
16:45of our approach
16:46into Kennedy International Airport.
16:49And wonder of wonders,
16:51I was safe.
16:53The only one in danger
16:54was my wife.
16:57It was midnight in New York
17:02when I climbed into a taxi
17:04and gave the driver on destination
17:05Grand Central Station.
17:08In the terminal,
17:09I deposited my single piece of luggage
17:11in a public locker
17:12and took still another taxi
17:14to the street
17:14where Harriet and I
17:15had spent the last four years
17:17of our marriage.
17:18The brownstone
17:19was an imposing building
17:20from the exterior,
17:22but Harriet's money
17:23had made it
17:24possible to scoop out
17:25the interior
17:26and transform it
17:27into a duplex
17:28of cunningly modern design.
17:30I had spent several happy hours
17:32in this house,
17:33about seven or eight,
17:35I think.
17:36It was
17:361.20 in the morning
17:38by the time I arrived.
17:40The traffic had gone
17:41from the quiet streets
17:42of Sutton Place.
17:44The street was empty.
17:46The shades of the building's opposite
17:48had all been drawn
17:49against the night.
17:51I felt certain
17:52that no one saw me
17:53quietly insert the key
17:54into the lock
17:55of the front door.
17:57I went quietly
17:59upstairs to the bedroom.
18:01It was empty,
18:03but that was no surprise.
18:05It was Saturday night.
18:07Presumably,
18:08I was in Paris.
18:09Therefore,
18:10Harriet was on the town,
18:11probably in the company
18:12of her dance instructor friend.
18:15In a way,
18:15I was glad
18:16that she was running
18:17true to form.
18:18It helped me feel justified
18:19in taking the drastic course
18:21that I was about to take.
18:22about 20 minutes later,
18:26I heard the front door
18:28opening again.
18:31Oh, my feet.
18:34My feet.
18:35You danced
18:36my little tootsies off
18:37tonight.
18:38You,
18:38you said it,
18:39there you.
18:40Well,
18:40that's what you're
18:41paying me for,
18:42Mrs. Leighton.
18:43No.
18:44That's what you think,
18:45lover.
18:46Well,
18:46speaking of that...
18:47Oh, stop it now.
18:48Don't listen.
18:49Now, stop it,
18:50you brute.
18:51You mean,
18:52I don't even get a kiss
18:53goodnight?
18:54Oh,
18:54tomorrow night,
18:55maybe.
18:57Right now,
18:57I just want to go to sleep.
19:00I thought you looked
19:00a bit preoccupied tonight.
19:02Is anything wrong?
19:03No.
19:05Unless you count a cable
19:07from my husband.
19:08Well,
19:08he's still in Paris,
19:09isn't he?
19:09He sailed on the Empress.
19:11He'll be here
19:12in another five days.
19:13Oh,
19:14that's too bad.
19:15Isn't it?
19:16He can stay tomorrow,
19:18all right?
19:18I'll count the hours.
19:20Goodnight,
19:20my princess.
19:21Goodnight.
19:24And then,
19:25Harriet started up the stairs.
19:28I picked up the pretty blue vase
19:30that adorned her dressing table
19:32and placed it behind my back.
19:35Hello,
19:36Harriet.
19:37Oh,
19:38for heaven's sake,
19:39what are you doing here?
19:41You're supposed to be in Paris.
19:42I thought I'd surprise you,
19:44darling.
19:45I seem to have done
19:46exactly that.
19:47But your cable,
19:48you said you were
19:50taking the Empress.
19:51She won't arrive for days.
19:52No,
19:52actually,
19:53I changed my mind
19:54about taking the ship.
19:55I flew instead.
19:56You?
19:58You were never
19:58inside a plane
19:59in your life.
20:00No,
20:00that's always a first time,
20:01isn't there?
20:02For everything.
20:03But why?
20:04When you're
20:05so terrified of flying?
20:06Because I was
20:07in a hurry,
20:07darling.
20:08I simply couldn't
20:09wait to see you
20:10and do this.
20:11Go!
20:11Go!
20:11Go!
20:12Go!
20:12Go!
20:12Go!
20:12Go!
20:13Go!
20:13Go!
20:13Go!
20:14Go!
20:15It was a shame
20:20about the bay
20:21because it cost
20:22a small fortune.
20:24The really
20:25dispasteful part
20:26came now.
20:27As you may have
20:28gathered,
20:28I'm a man
20:28of fastidious taste.
20:30But when you have
20:31five days to lose,
20:32you can't afford
20:33the night it is.
20:34I knew it would be
20:35easier to lose myself
20:36in a region of the city
20:37where the lower depths
20:38are at their lowest.
20:39scarred my British suit,
20:42my Italian loafers
20:43and my continental manners.
20:44In an old pair
20:45of slacks
20:46and heavy wool shirt,
20:47I made my way
20:48to the Bowery.
20:49My first act
20:50was to join
20:51a shambling silent line
20:53of vagrants
20:54outside the
20:55clothing relief agency.
20:57And I emerged
20:58with a costume
20:59superior to anything
21:00I could have invented.
21:01A moth-eaten sweater,
21:03a double-breasted jacket
21:04with a shredded lining
21:06and a thousand
21:07unironable creases.
21:09And then I bought
21:10a bottle of Sauternes
21:11for 98 cents
21:12and rented a bed
21:12in a hotel
21:13called Miller's
21:14for 75 cents a night.
21:19And then,
21:20the next day,
21:22in a steam-filled diner
21:24where the coffee
21:24tasted like antiseptic,
21:26I picked up
21:27a mud-stained newspaper
21:28from the dirty
21:29tile floor.
21:31There on the second page
21:32was an item
21:33which gave me
21:34an appetite
21:34even in that place.
21:36It said,
21:37Woman found murdered
21:38in Eastside Brownstone.
21:42Ah,
21:42but the smaller headline
21:44beneath it
21:44was even more delicious.
21:46It read,
21:47Dancing teacher
21:48held a suspect.
21:50It wasn't something
21:52I planned
21:53or expected,
21:54but,
21:55well,
21:55why not?
21:56Why not?
21:58Say,
21:58I think I'll have
21:59some more of that coffee.
22:05And then,
22:07the five days
22:08were over.
22:09It wasn't very far
22:11from the Miller Hotel
22:12to the docks.
22:13The first glimpse
22:14I had of the Empress's
22:15beautiful bow
22:16on the horizon
22:16thrilled me in a way
22:17I had never known before.
22:19But I couldn't stand
22:20if I'd admire it.
22:21I had things to do.
22:24I made my way
22:25as unobtrusively
22:27as possible
22:27back to Grand Central Terminal.
22:30I removed my luggage
22:31from the locker
22:32and then in the washroom
22:33I shaved and changed
22:34it to clean clothes.
22:36Then I went down
22:37to Pier 16
22:38to greet
22:38the arriving Empress.
22:39I knew that
22:43Gerald would be
22:44among the last
22:45of the passengers
22:45to appear.
22:46But then,
22:47there he was,
22:48wearing my
22:49green-clad topcoat
22:50with a collar
22:50pulled around his throat,
22:52wearing my Homburg
22:53hanging low over his eyes.
22:55He was using
22:55my crutches, too,
22:56and not very well.
22:57But with his foot
22:58so heavily bandaged,
22:59he still made
23:00a convincing cripple.
23:01Owen!
23:02Owen!
23:02Over here!
23:04You know,
23:05for a minute
23:05I didn't think
23:06you'd make it.
23:07Well,
23:07well,
23:08how was it?
23:09How did it
23:09get rid of these crutches?
23:12They are killing me.
23:13Never mind the crutches.
23:14What about the steward?
23:15Mr. Parkins.
23:17Did you see him
23:17before you left the ship?
23:19No, no.
23:19I managed to avoid him.
23:20I didn't even tip him
23:21either,
23:21just as you said.
23:22Good.
23:23Now,
23:23get into that car.
23:25This isn't your car,
23:26is it?
23:26It's a rental car.
23:27So get inside
23:28so we can switch clothes.
23:30A rental car?
23:32Well,
23:32weren't you taking the chance?
23:33I rented it
23:34in your name, Junior.
23:36Don't worry about it.
23:37You really thought
23:38of everything.
23:39Owen,
23:40I have to give you credit.
23:42I'll just give you my clothes
23:42in that bandage
23:43and fast.
23:45And so we made the switch
23:47as before.
23:48By the time I stepped out
23:49of the rented automobile,
23:50I was dressed in the
23:51Homburg in the green plaid coat
23:52and the bandages
23:54were back where they had originated.
23:56In fact,
23:56the crutches
23:57seemed like old friends
23:58as I hobbled back
23:59to the entrance
23:59of page 16.
24:00I spotted the ship's
24:03petty officer
24:04emerging from the
24:04passenger exit.
24:06Pardon me, sir.
24:07Yes, sir.
24:07What can I do for you?
24:09Well, it's rather
24:10embarrassing.
24:10You see,
24:11there's a steward
24:12that I meant to take care of
24:14before I left my stateroom.
24:15He was very kind to me.
24:16What's his name?
24:17Uh, Porkins.
24:18He's an old fellow.
24:18Very nice.
24:19I hated to miss him
24:20when I left
24:21but somehow I did
24:22and all the excitement.
24:28Yes.
24:29Old Mr. Porkins
24:30was more than pleased
24:31when I handed him
24:32the two $50 bills.
24:34There were actually
24:35tears in his eyes.
24:36Oh, this is most
24:37generous of you, sir.
24:39Most generous.
24:40Well, you took
24:40very good care of me,
24:41Porkins.
24:42I know.
24:43I was a nuisance.
24:44Oh, no, sir.
24:44You were never.
24:45Why?
24:45I hardly even saw you, sir.
24:48Well, still,
24:48you brought me all my meals
24:49and so forth, didn't you?
24:50Well, I was glad to do it.
24:52Sure, glad to be of service
24:53and I hope you'll be back
24:55on the Empress
24:56with us soon again.
24:57I intend to be, Porkins.
24:59Yes, you can be sure of that.
25:04As soon as I knew
25:05that Mr. Porkins
25:06was remembered properly
25:07and that he remembered me properly,
25:10I knew that everything
25:11was going to be just fine.
25:13I told my younger brother
25:14to drive his new car
25:15to the village
25:16and find himself
25:16a small apartment
25:17and lay low.
25:19And I took a taxi
25:20to my home.
25:21I knew there would be
25:22a company waiting for me.
25:24Mr. Layton.
25:25Yes, I'm Owen Layton.
25:27Who are you?
25:28Name is Lieutenant Farley,
25:29Mr. Layton,
25:29New York Police Department.
25:31Police?
25:31What's the matter?
25:32My husband robbed
25:33of something?
25:34I'm sorry we couldn't
25:35meet you at the ship.
25:37We knew you were
25:37coming back today,
25:38but we thought it would
25:39be easier to meet you here
25:40and break the news to you.
25:44What news?
25:45What are you talking about?
25:46Bad news, I'm afraid.
25:49Maybe we better go inside.
25:52Yes, come in.
25:57Of course, I knew exactly
25:59what the bad news
26:00was going to be.
26:01Now all I had to do
26:03was to keep from laughing out loud.
26:04We seem to have been
26:11witness to the perfect murder.
26:14Owen Layton can't be blamed
26:15for the murder of his wife
26:17and for the most natural
26:18reason in the world.
26:20Owen Layton wasn't in New York
26:22when his wife was murdered.
26:25Owen was on the high seas.
26:28Just ask Mr. Porkins
26:29or anyone else
26:30aboard the S.S. Empress.
26:32But before we congratulate
26:35Mr. Layton
26:35on his cleverness.
26:48Owen Layton is a happy man today.
26:52Despite the fact
26:53that he is all alone
26:54in the reconverted brownstone
26:55on Sutton Place,
26:57the smile never seems
26:58to leave his face.
27:00Even as he hobbles
27:01towards the front door
27:02to answer the insistent chimes,
27:05his bandaged foot
27:06and crutches
27:06don't seem to bother him
27:07in the least.
27:09In fact,
27:09one has the impression
27:10that despite
27:11the tragic loss
27:12of his wife,
27:14Mr. Layton...
27:15Ah, evening, Mr. Layton.
27:18Oh.
27:19Hey.
27:19Oh, it's all right, I hope.
27:20Yes, of course.
27:21You were a bit too
27:22broken up
27:24about that terrible thing
27:25that happened to your wife.
27:26Well, I'm sure
27:26you don't blame me, Lieutenant.
27:28It was a great shock.
27:30Here, let me take
27:30your raincoat.
27:31Raining outside, is it?
27:32Yeah.
27:33Well, look.
27:35Frankly, it was my decision
27:37not to send a radiogram
27:38to the ship
27:38about your wife's death,
27:40I mean.
27:41It didn't seem right
27:42to break the news
27:43to you that way.
27:44Well, that was very
27:44considered of you, Lieutenant.
27:46We knew you were
27:46aboard the Empress
27:47because of your cable.
27:48Yes.
27:50But you were right
27:51not to tell me
27:52when I was aboard.
27:53It would have been
27:54very helpless feeling
27:56knowing that there was
27:58nothing I could do
27:59about it.
27:59Yeah, that's what
27:59I thought, too.
28:01At any rate,
28:02I suppose you've had
28:02some time to, uh,
28:04well, uh,
28:05think about what
28:06may have happened.
28:07No, no, Lieutenant.
28:09The truth is,
28:10I still don't understand.
28:12That man who killed her,
28:14uh, what was his name again?
28:16Douglas Denton.
28:17Oh, yes.
28:18Not his real name.
28:19He called himself
28:20that at the dancing school,
28:21but he was born
28:22Bernard Eubank.
28:23I, uh,
28:25I take it you
28:25didn't know, Mr. Denton.
28:27No, no,
28:27I never met the man
28:28before in my life.
28:30And why would you
28:30want to kill
28:31my poor Harriet?
28:32Well, actually,
28:33he's still denying
28:34that he did.
28:35Well, how can he?
28:36From what I've read
28:37in the newspaper,
28:38well,
28:40you seem to have
28:41caught him red-handed.
28:42Well, no,
28:42not quite that good.
28:44We knew that he'd been,
28:45uh,
28:46well,
28:47he and your wife
28:48had been seeing each other
28:49during your visit abroad,
28:50and that they'd seen
28:51each other that Saturday night
28:52she was killed.
28:53In fact,
28:54he was seen
28:54in the vicinity
28:55of your house
28:55by several witnesses.
28:56Not more than, uh,
28:58ten minutes
28:59from the time
28:59when we estimated
29:00she was, uh,
29:02bludgeoned to death.
29:03Yeah,
29:04I'm sorry,
29:05that's a little
29:05too graphic,
29:06I know.
29:07I,
29:08it's all right,
29:08Lieutenant.
29:09I want to know
29:10the details,
29:11I really do.
29:12But one detail
29:13we don't know
29:13is why
29:14he would have
29:15done such a thing.
29:16I mean,
29:16frankly,
29:17we have Mr. Denton
29:18pegged as a rather
29:18small-time,
29:19you know,
29:20jiggle-hole.
29:22I'm sorry to tell you
29:23that, too.
29:24Oh, it's all right.
29:25I'm sure Harriet
29:26wasn't to blame.
29:27I'm sure that,
29:28that man just
29:29did whatever
29:30Gigolo's did
29:31and made a fool
29:32of her.
29:33Well,
29:33did your wife
29:34do that
29:34sort of thing
29:35often?
29:36I don't know.
29:37I suppose she's
29:38made a few mistakes,
29:39which of us hasn't?
29:41Well, now,
29:41if you could be
29:42more specific,
29:43No, Lieutenant.
29:44I'm sorry.
29:46I want Harriet's
29:47killer punished,
29:48Lieutenant Farley,
29:49but not at the expense
29:50of scandalizing my wife.
29:52I'm afraid that scandal
29:53won't be easy to avoid.
29:54We know she was
29:55having an affair
29:56with Mr. Denton.
29:57He's admitted that himself.
29:59But that don't give him
30:00any reason to break
30:00a vase over her head.
30:01Yes.
30:02Unless she had decided
30:04to end the affair,
30:05of course.
30:06Well,
30:06it's one possible theory,
30:08of course.
30:09Didn't you say
30:09you found my cable to her
30:11about coming home
30:12on the Empress?
30:13Yeah, that's right.
30:14Harriet didn't know
30:15I expected to return
30:16from Europe so soon.
30:18Perhaps when she
30:19informed her
30:19jig,
30:20her friend,
30:21Mr. Denton,
30:22he got angry.
30:23Yeah, that's possible, too.
30:25He might have just
30:26acted impulsively.
30:28Yes, Lieutenant.
30:30I'm sure it happened
30:31just that way.
30:32They quarreled.
30:33In your bedroom?
30:35Very well,
30:35in our bedroom, yes.
30:36They quarreled.
30:37And he picked up
30:38the vase
30:39and he struck her.
30:40Somehow,
30:41I can't believe
30:43it was cold-blooded
30:44or premeditated.
30:46No matter what
30:47the man is,
30:48Lieutenant,
30:49I hope the law
30:49isn't too harsh
30:51with him.
30:57I'll tell you,
30:58what wasn't easy,
31:00it was the waiting.
31:02I had to wait
31:03for the outcome
31:03of two legal actions,
31:05the verdicts
31:06of both the criminal
31:07and the probate courts.
31:08But I had every confidence
31:10that human
31:10and system
31:11just as would be done.
31:13And then,
31:14one night,
31:16a little more
31:17than two weeks
31:18after my return,
31:19hello?
31:22Owen,
31:23it's Sheila.
31:25I,
31:25I beg your pardon?
31:27It's Sheila!
31:28God,
31:29I feel terrible
31:30not calling you
31:30before this,
31:31but I just
31:31found out
31:32what happened.
31:33There is the whole
31:33thing in the paper,
31:34a back issue.
31:36Oh,
31:36and you poor thing,
31:37you must be
31:37in the state.
31:38Are you sure
31:39you're calling
31:39the right number?
31:40Of course I am.
31:42At least,
31:43that's the number
31:44in the telephone book.
31:458-1-5-5-5-5-5-5.
31:48Well,
31:48you certainly
31:49have the right number,
31:50miss,
31:50but I believe
31:51you have the wrong party.
31:52Oh,
31:53come on,
31:53stop it.
31:54You're the only
31:55Owen Layton
31:56in the directory.
31:57Well,
31:57that doesn't mean
31:57very much.
31:59Hey,
31:59what is this?
32:00What are you
32:00trying to do?
32:01Well,
32:02I'm simply
32:02trying to find out
32:03who you are
32:03and why you
32:05think you know me.
32:07Wait a minute.
32:08Is there someone
32:08there with you?
32:09Is that what
32:10all the devil
32:10talk's about?
32:11No,
32:11I'm alone.
32:13Well,
32:13then why
32:13is it big fact?
32:15Well,
32:15now listen,
32:16Owen,
32:17I told you
32:17not to try
32:18any of that
32:18shipboard romance
32:19stuff on me.
32:20I won't stand for it.
32:21Did you say
32:23shipboard romance?
32:25You heard me.
32:26I warned you
32:27that I wasn't
32:28interested in
32:28a friendly little
32:29kiss at the
32:29gangplank
32:30kind of stuff.
32:32Listen,
32:34you're not
32:34talking about
32:35the ship
32:37you mean
32:37isn't the
32:38Empress.
32:38Of course
32:39it's the
32:39Empress.
32:40Cheryl,
32:41you idiot.
32:42What did
32:43you say?
32:44I said,
32:45forgive me,
32:46I'm just so
32:47mixed up
32:47about things
32:48right now.
32:49You can't
32:50be so upset
32:50that you'd
32:51forget about
32:51me.
32:53Besides,
32:53from the way
32:54you talked
32:54about your
32:54wife,
32:55she didn't
32:55mean a
32:55thing to
32:56you.
32:56Look,
32:57Sheila,
32:58I can't
32:59talk anymore
33:00right now.
33:00You're not
33:01brushing me
33:01off that
33:01easily.
33:02Oh,
33:02and I
33:02warn you.
33:03I'm not
33:04trying to
33:04brush you
33:04off.
33:05It's just
33:05that I'm
33:07having
33:07visitors,
33:08Sheila,
33:08important
33:08people,
33:09business.
33:09tomorrow.
33:09All right.
33:10Tomorrow,
33:11then.
33:11Early
33:12tomorrow.
33:12I'm not
33:13sure I
33:13can make
33:14it tomorrow
33:14either.
33:15I may
33:15have to
33:16go out
33:16of town.
33:17There are
33:17things to
33:18settle
33:18regarding
33:18my
33:18wife's
33:19estate.
33:19Well,
33:19there are
33:20things to
33:20settle,
33:21all right.
33:22Between
33:22us,
33:23lover.
33:25Oh,
33:25God.
33:29Dear
33:29God,
33:30he's ruined
33:30everything.
33:31Everything.
33:32Everything.
33:32Everything.
33:32Everything.
33:32Everything.
33:33Everything.
33:33Everything.
33:34Everything.
33:34Everything.
33:34Everything.
33:35Everything.
33:35Everything.
33:36Pick it
33:41up.
33:42Pick up
33:42the phone,
33:43you miserable.
33:45Gerald,
33:46it's your
33:47brother.
33:47Oh,
33:47hi,
33:48Owen.
33:48How are
33:49you?
33:49Never
33:50Beth.
33:51Never
33:51Beth.
33:52What's
33:52the matter?
33:53You don't
33:53sound well.
33:54Well,
33:55I shouldn't
33:55have you
33:55well.
33:57I just
33:57had a
33:57lovely
33:57chat with
33:58a no-doubt
33:59charming
33:59young lady.
34:00What?
34:01Her name
34:01is Sheila.
34:02Isn't
34:03that a
34:03lovely
34:03name,
34:04Sheila?
34:04Uh-oh.
34:06Is that
34:06name
34:06familiar
34:06to
34:07you?
34:07Oh,
34:07before you
34:08say anything
34:08else,
34:09will you
34:09listen to
34:09me?
34:10Yes,
34:10that's
34:10why I'm
34:10calling,
34:11to listen
34:11to you.
34:12To see
34:13if there's
34:13anything you
34:13can say,
34:14anything at
34:14all,
34:15that will
34:15mitigate my
34:16intention of
34:17coming right
34:17over there
34:17and strangling
34:18you.
34:18You've
34:19got to
34:19understand
34:19how it
34:20was,
34:20Owen.
34:21I was
34:21a prisoner
34:21in that
34:22state
34:22room,
34:22a virtual
34:22prisoner.
34:23Yes,
34:24and that
34:25was the
34:25idea.
34:25I told
34:26you never
34:26to leave
34:26that
34:27room.
34:28Never
34:28do so
34:29much as
34:35how many
34:35other women
34:36did you
34:36take up
34:37with?
34:37Owen,
34:38she was
34:38the only
34:39one,
34:39absolutely
34:40the only
34:41one I
34:41had
34:41anything
34:41to do
34:42with.
34:42If I
34:43know
34:43you,
34:43you had
34:44plenty
34:44to do
34:44with her.
34:45I
34:45couldn't
34:45live
34:45like
34:46a
34:46hermit
34:46for Pete's
34:46sakes.
34:47I
34:47can't
34:48believe
34:48what I'm
34:48hearing.
34:49I
34:49can't.
34:50You
34:50knew
34:51how
34:51important
34:51it
34:51was
34:52to
34:52convince
34:52everyone
34:53that
34:53you
34:53were
34:53me.
34:53But
34:54I
34:54did
34:54that
34:54Owen,
34:55I
34:55told
34:55her
34:56I
34:56was
34:56you.
34:56that
34:57was
34:58clever.
34:58She
34:59thinks I
34:59am
35:00you.
35:00Now
35:00look,
35:01the fact
35:01that she
35:01telephoned
35:02you tonight,
35:02doesn't that
35:02prove it?
35:03Oh,
35:03yes,
35:04that proves
35:04it
35:04completely.
35:05Owen,
35:06I was
35:07really
35:07going
35:07crazy
35:08in
35:08that
35:08tiny
35:09room,
35:09so I
35:09took
35:09just
35:10one
35:10little
35:11stroll
35:11on
35:11deck
35:11one
35:12night.
35:12Yes,
35:13and met
35:13Sheila.
35:14I
35:14swear
35:14that I
35:15never
35:16knew
35:16she
35:16tried
35:16to
35:16get
35:16in
35:17touch
35:17with
35:17me.
35:17Your
35:18girlfriend
35:18Sheila
35:19is
35:19in
35:19New
35:19York
35:19right
35:20now.
35:21She
35:21is
35:21demanding
35:21to
35:21see
35:22me.
35:22You.
35:23Me.
35:24What I
35:25mean is
35:25she's
35:25read about
35:26Harriet's
35:27death.
35:27She
35:27knows
35:27that
35:28you
35:28she
35:29knows
35:29that
35:30I
35:30she
35:31knows
35:32that
35:32Owen
35:32Layton
35:32is
35:33free
35:33and
35:33unencumbered
35:34and
35:35will
35:35soon
35:35be
35:35very
35:36rich.
35:37I'm
35:38glad
35:38to hear
35:38that
35:39Owen.
35:39Your
35:41friend
35:41Sheila
35:41isn't
35:42going
35:42to
35:42give
35:43up
35:43that
35:43easily.
35:44She's
35:44going
35:44to
35:44track
35:44me
35:45down.
35:46She's
35:46going
35:46to
35:46try
35:46to
35:46renew
35:47our
35:47ship
35:47board
35:48romance.
35:49And
35:49do
35:49you
35:49know
35:49what
35:49will
35:50happen
35:50when
35:50she
35:50does?
35:51What?
35:51Think
35:52about
35:52it
35:52Gerald.
35:53She's
35:53going
35:53to
35:54take
35:54one
35:54look
35:54at
35:54me
35:55and
35:55I'll
35:55be
35:55cooked,
35:57roasted,
35:57fried.
35:59She'll
35:59know I
35:59wasn't
36:00aboard
36:00the
36:00Empress.
36:01She'll
36:01know
36:01that
36:02she
36:02spent
36:02all
36:03that
36:03glorious
36:04week
36:04with
36:04another
36:04man.
36:06And
36:06how
36:06long
36:07do
36:07you
36:07suppose
36:07it
36:07will
36:07take
36:08for
36:08her
36:08to
36:08put
36:08two
36:09and
36:09two
36:09together?
36:10Owen,
36:10couldn't
36:17think
36:17this
36:18occurred
36:18to
36:18me
36:18too.
36:19If
36:19I
36:20left
36:20at
36:20once,
36:21you
36:21could
36:21always
36:22go
36:22back
36:22to
36:22Paris.
36:23You
36:23always
36:24said
36:24it's
36:24your
36:24favorite
36:24city.
36:25And
36:25guess
36:25what?
36:26I
36:26saw
36:27in
36:27the
36:27papers
36:27that
36:27the
36:28Empress
36:28is
36:28sailing
36:29again
36:30tomorrow
36:31for
36:31Lahar.
36:37For
36:38the
36:38first
36:38time
36:39in
36:39my
36:39life,
36:40I
36:40wasn't
36:41looking
36:41forward
36:41to a
36:42sea
36:42voyage.
36:43And
36:43I
36:44knew
36:44that
36:44my
36:44idiotic
36:44younger
36:45brother
36:45had
36:45to
36:45be
36:46no
36:46other
36:46choice.
36:47The
36:47minute
36:48I
36:48was
36:48off
36:48the
36:48phone
36:48with
36:48him,
36:49I
36:49was
36:49on
36:49again,
36:50this
36:50time
36:50to
36:50my
36:50very
36:51obliging
36:51travel
36:51agent,
36:52who
36:53told
36:53me
36:53that
36:53passage
36:54aboard
36:54the
36:54Empress
36:54was
36:55indeed
36:55possible.
36:57But
36:57for
36:57the
36:57first
36:57time
36:58in
36:58my
36:58shipboard
36:58travels,
36:59I
36:59couldn't
36:59get a
37:00stateroom,
37:01couldn't
37:01even do
37:01better than
37:02B-deck.
37:03But it
37:04was an
37:04indignity
37:05I was
37:05forced
37:05to
37:05accept.
37:07This
37:08time,
37:09my
37:09cabin
37:09steward
37:10wasn't
37:10an
37:16made
37:16no
37:16promises
37:17of
37:17devoted
37:17service.
37:19But
37:19then I
37:20wouldn't
37:20require
37:20much
37:20service.
37:21For
37:21one
37:21thing,
37:22I
37:22no
37:23longer
37:23needed
37:23my
37:23bandages
37:24and
37:24crutches.
37:25As far
37:25as the
37:26world is
37:26concerned,
37:27my
37:27troublesome
37:28gout
37:28was
37:29healed.
37:29Oh,
37:30pardon me,
37:31sir.
37:31Yes,
37:32aren't you
37:32the gentleman
37:33who sailed
37:33with us
37:33a couple
37:34of weeks
37:34ago,
37:35that
37:35Porkins
37:36chap?
37:37Oh,
37:38oh,
37:38yes,
37:38that's
37:38right.
37:39You were
37:40the officer
37:40who helped
37:40me find
37:41the steward.
37:41Yes,
37:42everything
37:42worked out
37:42all right
37:43there.
37:43Yes,
37:44everything
37:44went
37:44fine.
37:45Unfortunately,
37:46I couldn't
37:47get such
37:47good
37:47accommodations
37:48for this
37:48trip.
37:49That's
37:49a shame,
37:50sir.
37:50But then I
37:51don't think
37:51we'll have
37:52a sea
37:52of crossing
37:52of it
37:53this time.
37:53Why not?
37:54Oh,
37:54a bit of
37:55rough weather
37:55ahead,
37:55they say.
37:56Oh,
37:56fine,
37:57that's
37:57all I
37:58need.
38:01But
38:01rough weather
38:02ahead or
38:02not.
38:03At
38:03four that
38:04afternoon,
38:04the Empress
38:05pulled slowly
38:05away from
38:06the pier,
38:06and I
38:07admit that
38:08I breathed
38:09a heavy
38:09sigh of
38:10relief.
38:10that
38:12evening.
38:14I was
38:14taking a
38:15nap before
38:15dinner when
38:16someone knocked
38:16on my
38:17door.
38:18Who is
38:19it?
38:21Well,
38:22it must
38:22be unfriendly
38:23at neighborhood
38:23steward.
38:25Yes?
38:25Hello.
38:26Oh,
38:27I'm sorry.
38:28Oh,
38:29was there
38:29something you
38:29wanted,
38:30miss?
38:30Well,
38:30I made a
38:31mistake.
38:31I thought
38:32this was
38:32Mr.
38:33Layton's
38:33cabin.
38:34Well,
38:34it is.
38:34I'm Mr.
38:35Layton.
38:35Oh,
38:36but you're
38:36not Mr.
38:37Owen Layton.
38:37That's the
38:38party I was
38:38looking for.
38:39But I
38:39am Owen
38:40Layton.
38:41Well,
38:42that's an
38:43interesting
38:43coincidence.
38:44I mean,
38:45two people
38:46would have
38:47the same
38:47names and
38:48even look
38:49a little
38:49bit alike.
38:51Although,
38:51well,
38:53the Owen
38:53Layton,
38:54I mean,
38:54is quite
38:54a bit
38:54younger.
38:56I don't
38:57know what
38:57in the
38:58world you're
38:58talking about.
38:59I saw
39:00your name
39:00on the
39:01passenger
39:01list,
39:01but the
39:02man I
39:02mean,
39:04well,
39:04about your
39:05height and
39:06his beard
39:06like yours,
39:07but he's,
39:08well,
39:08he's not
39:09you.
39:10Well,
39:11and who
39:12are you?
39:12My name's
39:13Sheila.
39:13Sheila
39:14Ross.
39:14Sheila.
39:15I met
39:15Owen Layton
39:16two weeks
39:16ago,
39:17right on
39:17the ship.
39:19Now,
39:19suddenly,
39:20there's another
39:21Owen Layton
39:22going the
39:23other way.
39:25Oh,
39:25there's something
39:26very fishy
39:26going on here.
39:27You're mistaken,
39:28I swear you're
39:28mistaken.
39:29Listen,
39:29Mr.
39:29whatever your
39:30name is,
39:31I don't know
39:31what this is
39:31all about.
39:32I don't know
39:32why there are
39:33two Owen
39:34Laytons going
39:34back and
39:35forth on
39:35the ship.
39:35Well,
39:36well,
39:36what's so
39:37strange about
39:37that?
39:38I mean,
39:39why are you
39:39going back
39:40and forth?
39:40Me?
39:42Because I
39:42have to,
39:43because it's
39:44my job.
39:45I'm a
39:45social director.
39:47You mean,
39:47you worked on
39:48the Empress?
39:49That's right.
39:49right now,
39:51I'm going to
39:52work on
39:53finding out
39:53what this
39:54is all
39:54about.
39:59I stood
39:59rooted in
40:00the cabin
40:00floor,
40:01listening to
40:01the melancholy
40:02sound of
40:03the ship's
40:03whistle,
40:04warning the
40:05seas ahead
40:06that we
40:06were on
40:07our way,
40:08heading
40:09straight for
40:10troubled
40:10waters.
40:16As you
40:17have heard,
40:18Owen Layton
40:19perfect murder
40:20had the
40:21customary
40:22imperfection.
40:24But at
40:25least he'll
40:25be able to
40:26enjoy one
40:26last ocean
40:27voyage before
40:28the authorities
40:29send him up
40:30the river.
40:32Isn't it
40:32nice to
40:33see Justice
40:34Triumph?
40:35Oh,
40:35beg your
40:35pardon,
40:36to hear
40:37Justice
40:37Triumph.
40:48Two.
40:48We hope
40:50you enjoyed
40:50tonight's
40:51voyage.
40:52We hope
40:53you'll be
40:53aboard next
40:54time the
40:55CBS Radio
40:56Mystery Theater
40:56takes you on
40:57a trip to
40:58all points
40:59mysterious.
41:00As you know,
41:02we have
41:02every means of
41:03transport available
41:04to us,
41:05from ships,
41:06to trains,
41:11to planes,
41:13to planes,
41:17and isn't it
41:22wonderful to
41:22realize that
41:24we did
41:24drop of
41:25gas.
41:26Our
41:26Dan Occo,
41:28and Ian
41:28Martin.
41:29Our
41:29production was
41:30under the
41:30direction of
41:31High Mound.
41:32This is E.G.
41:33Marshall inviting
41:34you to
41:34a mystery
41:35theater,
41:36for
41:36adventure in
41:37the macabre.
41:38Until next
41:39time,
41:40pleasant dreams.
41:42And
41:44fun.
41:44You
41:45can't
41:45see you
41:46in
41:47the
41:47future.
41:48We'll be
41:48here.
Comments