🎬 Buster Keaton – The Passionate Plumber (1932) | Pre-Code Comedy 🚿🎭 - video Dailymotion

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🎬🚿🎭 Step into the early talkie era with Buster Keaton in The Passionate Plumber (1932), a lighthearted romantic farce filled with mistaken identities, slapstick gags, and Keaton’s signature deadpan charm. Based on Jacques Deval’s French play Dans sa candeur naïve, the film blends witty dialogue with physical comedy, showcasing Keaton’s transition into the sound era.  👉 Watch the full Buster Keaton Collection Playlist here: 🔗 https://www.youtube.com/playlist?list=PLYSxyPafGbnSaCgjW1IfpzrT1Bcp7WM0s  ✨ About the Film: Keaton stars as Elmer Tuttle, a simple plumber who’s hired by a wealthy woman (Irene Purcell) to pose as her lover in order to make her suitor jealous. Naturally, chaos erupts as Elmer fumbles through high-society intrigues, romantic rivalries, and comic disasters — all while trying to keep his plumbing tools handy. The cast also features rising star Jimmy Durante, adding fast-talking humor to Keaton’s stoic performance.  💡 Perfect for fans of: ✔️ Early Sound-Era Comedies 🎥 ✔️ Buster Keaton & Jimmy Durante Collaborations 🎩🎤 ✔️ Romantic Farce & High-Society Spoofs 💃 ✔️ Classic Pre-Code Hollywood 🌟  📌 Don’t forget to Like 👍 | Comment 💬 | Subscribe 🔔 for more rare classics & timeless comedy gems. ━━━━━━━━━━━━━━━ #BusterKeaton #ThePassionatePlumber #ClassicComedy #PreCodeHollywood #VintageCinema #SlapstickComedy #FilmHistory #OldHollywood #PublicDomainFilms ________________________________________

Transcript

00:00:00The End

00:00:30THE END

00:01:00THE END

00:01:30THE END

00:01:32DODAN

00:01:34THE END

00:01:36THE END

00:01:38THE END

00:01:40THE END

00:01:42THE END

00:01:43Let's go.

00:02:13Let's go.

00:02:43What do you understand?

00:02:53English.

00:02:54Why didn't you say so?

00:02:56Why didn't you say so?

00:02:57Couldn't you see I was an American?

00:02:58No.

00:02:59Then what do I look like?

00:03:00Will you tell me that?

00:03:02I can't remember.

00:03:04Say, McCracken's the name.

00:03:06McCracken.

00:03:07Julius J. McCracken.

00:03:09What's the J for?

00:03:10Julius.

00:03:11Tuttle.

00:03:13Elmer E. Tuttle.

00:03:15What's the E for?

00:03:17Elmer.

00:03:18Say, where are you from?

00:03:20Yonkers.

00:03:21Boy, could I make a crack?

00:03:25Could I make a crack?

00:03:26Hey, do you know anything about firearms?

00:03:29Sure.

00:03:30I was shot three times in the Argonne.

00:03:32Well, look.

00:03:33I got an invention.

00:03:34It's my own invention, see?

00:03:36It's a spot shot pistol.

00:03:38You squeeze the handle and it throws the spot out

00:03:40so you can see where you're shooting at night.

00:03:42Gee, that's miraculous.

00:03:44Miraculous.

00:03:45I'm gonna demonstrate it if I can to General Boucher

00:03:47and maybe the French army will adopt it.

00:03:49Marvelous.

00:03:50Say, it'll be the makings of you.

00:03:52It'll be the greatest invention since Einstein

00:03:54discovered them relatives.

00:03:57You think so?

00:03:58Sure.

00:03:59Say, I got an invention.

00:04:01What is it?

00:04:02Putting zippers on bananas.

00:04:03Is that good or is that good?

00:04:08Did you have any reason for coming here?

00:04:13Gee, I almost forgot what I came here for.

00:04:15Mademoiselle wants her pipes fixed.

00:04:17Has she got a leak?

00:04:18Yeah, in her bathroom.

00:04:20Oh, bathrooms.

00:04:21Always bathrooms.

00:04:22See the darn things in my sleep.

00:04:26If I ever get a chance to...

00:04:29Cheers.

00:04:57Albie!

00:04:58Quick, quick, Albie.

00:04:59Oh, Miss Patricia, what's the matter?

00:05:00Lock the door.

00:05:01Don't let anyone in.

00:05:02All right.

00:05:03Now, Miss Patricia, what's the trouble?

00:05:05Oh, it's the same old trouble.

00:05:06Tony's following me.

00:05:07Mr. Tony, here in Paris?

00:05:09Yes.

00:05:10He saw Mr. Claridge's.

00:05:11He found me out and I jumped into a cab.

00:05:13Oh, but I know he'll follow me here.

00:05:15If you'd put that man out of your mind,

00:05:17you'd be better off.

00:05:18Oh, don't talk like a silly goose.

00:05:19If I could forget Tony, I'd have done it long ago.

00:05:21Well, I suppose there's only one thing to do.

00:05:23Start packing up and running away again.

00:05:25Will he follow me?

00:05:26Besides, why should I run away when I love him?

00:05:28But he's a married man.

00:05:29Oh, he's not so very much married.

00:05:31He hasn't lived with Nina Stratos for years,

00:05:33but she won't give him a divorce.

00:05:35He's so lonely.

00:05:37Why shouldn't he love?

00:05:39There, you see, Albie?

00:05:41Instead of fighting against him,

00:05:42I'm actually defending him.

00:05:44Oh, it's no use.

00:05:45Well, there's only one way to get rid of the Frenchman.

00:05:48Start running around with another man.

00:05:50But I don't want another man.

00:05:51I don't want any man.

00:05:52It's Tony.

00:05:54Let him in.

00:05:55No, no, don't let him in.

00:05:56Tell him I'm not here.

00:06:04The specialist is here.

00:06:05Oh, it's you.

00:06:06It's all right, Miss Patricia.

00:06:09It's nobody.

00:06:10She means you.

00:06:11Wait here a minute.

00:06:13That's her.

00:06:14That's Albie.

00:06:15What a mama.

00:06:16And does she palpitate for me?

00:06:18You mean she likes you?

00:06:19Likes me?

00:06:20Her and I are like that.

00:06:21Which one's you?

00:06:23Listen, he's like this.

00:06:25I know how to handle a female of my species.

00:06:26Dominate them.

00:06:27And listen, I've got a voice and things around here.

00:06:29I've got a voice and things.

00:06:30Honey, don't you?

00:06:31Honey, don't you, honey?

00:06:32There's a voice and things.

00:06:34You've got to control them.

00:06:35I've got a voice and things.

00:06:36Honey.

00:06:37Don't you?

00:06:39Honey,救 me!

00:06:40I'm an alien.

00:06:41My friend,my.

00:06:43Your wife?

00:06:44What a mother.

00:06:45That's your wife?

00:06:46Who's an alien?

00:06:47That's her, Albie.

00:06:49Don't you, honey, me.

00:06:52You lost your voice.

00:06:54What do you mean by coming here at this hour and with this?

00:06:59Sweets, this is Mr. Tottle.

00:07:01Tottle, you're right.

00:07:04You see, babe?

00:07:04Oh, shut up.

00:07:06Great kidder.

00:07:08I suppose you forgot your tools.

00:07:10No, I brought them.

00:07:13Well, I want the shower fixed up in Miss Patricia's bathroom.

00:07:16Well, where do I turn the water off?

00:07:17In the kitchen.

00:07:18Go and turn it off, Mac.

00:07:19And wait a minute.

00:07:20And turn it back on again when I give you a signal from up above like this.

00:07:25Oh, say, I said for a plumber, not a house wrecker.

00:07:32Come on, Mr. Tottle.

00:07:34Tottle.

00:07:37Well, hurry up.

00:07:39Come on in here.

00:07:50I want to show you what has to be fixed.

00:07:52It's this shower up here.

00:07:53It's been a nuisance ever since we've had it in the morning.

00:07:58Say, not so much noise, Mr. Tottle.

00:08:02Tottle.

00:08:02All right, Mr. Tottle.

00:08:04Now, the thing, I never use them myself.

00:08:06Oh!

00:08:07So, you're that kind of a guy, are you?

00:08:11Well, now you can put your mind on your business.

00:08:14This is the thing that has to be fixed up here.

00:08:16Come on, get busy with that shower up there.

00:08:29Albie!

00:08:30Albie!

00:08:30Yes?

00:08:31I'll be right there.

00:08:34Oh, what's the matter now?

00:08:36Albie, it's Tony, I'm sure.

00:08:38I'll hide in here.

00:08:40Tell him I'm going away for the weekend.

00:08:41Oh, well, I tell him you're gone.

00:08:42Oh, Barsalona, anywhere, but tell him, hurry up.

00:08:44All right, it's Barsalona.

00:09:03Oh, oh, Mr.

00:09:04Patricia!

00:09:05Patricia!

00:09:06Mr. Tottle, Miss Patricia isn't here.

00:09:08Oh, away from me, away from me.

00:09:09You, Mr. Tottle, you shouldn't act that way.

00:09:13Why don't you ask me where she is?

00:09:15I tell you where she is.

00:09:16Why don't you ask me, please?

00:09:18She ain't...

00:09:18Now, look at me.

00:09:20She isn't here, Mr. Tottle.

00:09:22I'm telling you, she isn't here.

00:09:26Oh, honestly, Mr. Tottle, Miss Patricia ain't here.

00:09:30I wouldn't lie to you.

00:09:31She's in Barcelona.

00:09:32You little fool.

00:09:33I saw her with my own eyes not 30 minutes ago at Claridge's

00:09:35and wearing that coat there.

00:09:37Oh, I wouldn't fit to you.

00:09:39I would...

00:09:39Tottle!

00:09:43Patricia!

00:09:46Ah, Patricia, why did you run away from me?

00:09:48I...

00:09:49I ran away because I never wanted to see you again.

00:09:51But why?

00:09:52You were very happy with me at Monte Carlo.

00:09:54Yes, I was happy.

00:09:56Until you told me you were married.

00:09:57Do you blame me for telling the truth?

00:09:59No.

00:10:00But I blame you for not telling it sooner.

00:10:01Oh, must we go all over that again, Patricia?

00:10:04What has marriage to do with love anyway?

00:10:05You love me and I...

00:10:08No, not any longer.

00:10:12You think all you have to do is whistle and I'll come to you.

00:10:16I want you, Patricia.

00:10:17And I'm going to have you.

00:10:18No, no, no.

00:10:18Not here, Tony.

00:10:20I love you.

00:10:22Why fight against something you can't resist?

00:10:23Oh, Patricia, darling.

00:10:29Oh, no, no, Tony, Tony.

00:10:30Let me go.

00:10:40You couldn't be true to anyone, Tony.

00:10:42Oh, Patricia.

00:10:42No, no, no, I won't be a fool again.

00:10:44Now, go away, darling.

00:10:45Please, go.

00:10:55So that's why you run away from me.

00:10:57You have a lover.

00:10:58Oh, no, Tony, that's not true.

00:10:59Then who is the man in that bathroom of yours?

00:11:00I don't know.

00:11:01I'll soon find out.

00:11:04Come out of there.

00:11:07Come out of there or I'll shoot.

00:11:12Who are you?

00:11:18Answer me.

00:11:20Say something.

00:11:22How have you been?

00:11:24Who is this man?

00:11:25Tony, I swear I never saw him before.

00:11:29I'll have satisfaction for this insult.

00:11:32My seconds will arrange the details.

00:11:34What details?

00:11:35Oh, no, Tony, not a duel.

00:11:37I'll kill this libertine, this love thief,

00:11:40this unspeakable foreigner.

00:11:42Don't you call me a foreigner.

00:12:12All right, pal.

00:12:13Keep your attitude.

00:12:14Yeah, it's all right pal. Keep your attitude. Let's make it some other time

00:12:44You can't leave now. It ain't that a kiss?

00:13:14Good morning, gents. Fine weather for this kind of stuff. Fine weather.

00:13:32I am Mr. Roger, Dr. Renard, and I am Mr. Robert de la Gaspar.

00:13:38Glad to meet you, boys. Glad to meet you. This is Mr. Elmer Turtle.

00:13:45Turtle.

00:13:49This is the gentleman who is to be shot.

00:13:53What is your choice of weapons? Monsieur Lagos prefers swords.

00:14:00My specimen prefers pistols.

00:14:04Anything. Swords, pistols. I don't care. I'll kill him anyway.

00:14:13What's the difference? Swords, pistols.

00:14:17Satisfy both sides. Let him have a sword and I'll use a pistol.

00:14:21No, no, no.

00:14:22It's not too bad.

00:14:23You are wrong.

00:14:24No, no, no.

00:14:25No, don't.

00:14:26No, don't.

00:14:27You raised your hand.

00:14:28No, no, no.

00:14:29No, no, no.

00:14:31No, no, no.

00:14:32I can't sell them the idea.

00:14:34Go back.

00:14:35Now.

00:14:36Now, let me see.

00:14:37You're welcome.

00:14:38I don't give a purpose.

00:14:39No, not really.

00:14:41Okay.

00:14:42Have it your way.

00:14:44Pistols.

00:14:45Pistols!

00:14:50You better try out the old spot shot and see if it's working right.

00:15:03You stupid idiot! You've ruined my hat!

00:15:06My dear, my dear, my dear, my dear, my dear!

00:15:16Imagine if...

00:15:17Imagine if...

00:15:18So far, so good. You've got him in a frenzy.

00:15:20Nice work, boy. Nice work.

00:15:23Now, gentlemen, if you take off your things, we will proceed with the duel.

00:15:28Have I got a dress?

00:15:29Sure. It's an old Latin custom. It's been handed down from pillar to post.

00:15:36Let's go.

00:15:49Please, gentlemen, let's proceed with the duel.

00:15:53Ah, pipe down, pipe down! Who's getting shot here?

00:15:56Scram!

00:15:57Proceed!

00:16:00Now, I'll tell you what I want you to do.

00:16:01Proceed!

00:16:02You see? Now, you've got them raffled.

00:16:03You've got them going.

00:16:04Don't worry about nothing.

00:16:06Hey, listen.

00:16:07Just think.

00:16:08All this happens on my day off.

00:16:10Ha, ha, ha!

00:16:11What a break!

00:16:12Ha, ha!

00:16:13What a break!

00:16:14Remember, I hate this mug and I've got to have revenge.

00:16:17Go ahead, pal.

00:16:19Be hostile with him.

00:16:20I'm so much more of the gun.

00:16:21Get out of the gun.

00:16:22Have you understood the instructions?

00:16:23Go ahead.

00:16:24No!

00:16:25No!

00:16:26No!

00:16:27No!

00:16:28No!

00:16:29No!

00:16:30No!

00:16:31No!

00:16:32No!

00:16:33No!

00:16:34No!

00:16:35No!

00:16:36No!

00:16:37No!

00:16:38No!

00:16:39No!

00:16:40No!

00:16:41No!

00:16:42No!

00:16:43No!

00:16:44And with that, you understand?

00:16:46Mr Gilbert, we're going from the other side to the other.

00:16:50Don't be stupid.

00:16:52Listen, my friends.

00:16:54Two to two.

00:16:55In the back.

00:16:56Two to two.

00:16:5710 steps of distance.

00:16:59You understand?

00:17:03Let's go!

00:17:07What are you doing?

00:17:09Pull the trigger!

00:17:11Pull the trigger!

00:17:13Oh!

00:17:19I can't stand it.

00:17:20Don't push me.

00:17:21No, no, no, calm down.

00:17:22What's going on?

00:17:23You're a boss.

00:17:25It's not like that.

00:17:29Do a bottle. Do a bottle.

00:17:31Just keep your attitude.

00:17:33Just keep your attitude.

00:17:34Oh, no.

00:17:35Mr Gilbert, I'll ask you.

00:17:37Mr Gilbert, I'll ask you.

00:17:39Where are you?

00:17:41There!

00:17:42You understand?

00:17:43All right.

00:17:44All right.

00:17:47If you don't do this thing right this time, I'll kill you twice.

00:17:50I'll kill you twice.

00:17:51Barty!

00:18:07Tony!

00:18:08Tony!

00:18:09Tony!

00:18:10My Tony!

00:18:11Oh, Tony, you're hurt.

00:18:12Tony, darling, speak to me, please.

00:18:15I'm all right, my dear Patricia.

00:18:20Ah.

00:18:21You thought you had lost me.

00:18:23And you grieved for me.

00:18:24You love me.

00:18:25Now I know.

00:18:29Don't be so sure of yourself.

00:18:30Don't be so sure of yourself.

00:18:33Oh!

00:18:34You murderer!

00:18:39Oh, you poor fellow.

00:18:41Oh, to think I'm responsible for this.

00:18:44So young.

00:18:46You have such a kind face.

00:18:49You're so young to die.

00:18:51Tell me, are you hurt badly?

00:18:54No, ma'am.

00:18:57Oh.

00:18:58Donnie.

00:19:24Oh, Donnie.

00:19:25Oh, Donnie, my Tony.

00:19:27Oh, you're so sad.

00:19:28Oh, you're so sad.

00:19:29Oh, you're so sad.

00:19:30Oh, you're so sad.

00:19:31Oh, you're so sad.

00:19:32Oh, Nina, darling.

00:19:33Why do you have to wait for so long, Tony?

00:19:34Oh, I'm crazy.

00:19:35You're so sad to tell me.

00:19:36You're so sad to wait for so long.

00:19:37Oh, you're so sad to wait for so long.

00:19:38At last you have come.

00:19:40Do you know, for two days I have waited for you?

00:19:42Well, you see, Nina, my darling, I have been away on business.

00:19:47Hmm?

00:19:48Love business?

00:19:49Oh, no, Nina, darling.

00:19:50Oh, no.

00:19:51Maybe you have a meeting with your wife, Patricia Jardine, huh?

00:19:52Oh, no.

00:19:53How silly.

00:19:54Oh, if I do not believe this, I will kill her, kill you.

00:20:05Oh, Tony, if you could only speak Spanish, then you would know what I feel for you.

00:20:14Tony, where will you marry me?

00:20:17Well, how can I tell?

00:20:19You see, Patricia will not divorce me.

00:20:21Oh, you must find a way.

00:20:23She must give you up.

00:20:24Yes, darling, you see, I...

00:20:25That's all right, dear.

00:20:26Oh, Tony.

00:20:27And when we meet in Lisbon, and we fall so much in love with each other.

00:20:30Yes.

00:20:31Did you not say to me, Nina, I love you madly.

00:20:33I'm crazy about you.

00:20:34Yes, dear.

00:20:35I'm going to divorce my wife and marry you as soon as possible.

00:20:37Yes.

00:20:38This thing you forget, no?

00:20:39No, no, no, darling, of course not.

00:20:40But you see, you see, Patricia will not divorce me.

00:20:43Oh, you can't, no?

00:20:44So, for two days, I mean, you do not come here.

00:20:47You have been with that woman you have.

00:20:49No, no, no.

00:20:50I feel it, I feel it.

00:20:51Oh, sister, my God.

00:20:52Now it all comes to me.

00:20:54I know, I know you have been with her.

00:20:56I know, I know you have been with her.

00:20:58I am coming.

00:21:05I am coming.

00:21:13I am coming.

00:21:14Megan.

00:21:15I want to see you in the next episode.

00:21:16I was like, oh.

00:21:17I want to see my.

00:21:18I'm coming.

00:21:19I'm coming.

00:21:20I know I'm coming up.

00:21:21I love you, too, too.

00:21:22I love you, too.

00:21:24I love you, too.

00:21:25I'll be back.

00:21:27Go and be back.

00:21:28I should know your other person.

00:21:29I will be back.

00:21:30This is my turn.

00:21:32I love you.

00:21:33I love you, too.

00:21:34I want to see you in a minute.

00:21:36Bye.

00:21:37Bye.

00:21:38Bye, bye.

00:21:39Bye.

00:21:40Bye.

00:21:41Bye.

00:21:42Bye, bye.

🎬 Buster Keaton – The Passionate Plumber (1932) | Pre-Code Comedy 🚿🎭

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