00:00The three films, which you have told, Chaturnaar, Love in Vietnam and Hear Express,
00:30and two films were released in Hindi, one was Mannu and one was Jugnuma.
00:37This film is a washout from the box office in the box office.
00:42If I tell you about numbers, Chaturnaar's collection is 50,000,000,
00:47Love In Vietnam is 6,000,000, Mannu is 45,000, Jugnuma is 5,000,
00:55and Heer Express is 55,000,000.
01:01This is why the show was canceled.
01:04The first reason was that there was no marketing of all these films.
01:08There is no buzz or visibility.
01:12If you ask a common person,
01:14anyone doesn't know that Heer Express is a film,
01:18or Jugnuma is a film,
01:21or Chaturnaar is a film.
01:24If there is no marketing and visibility,
01:26then how will the audience come?
01:28How will the audience come to this film?
01:30What will the approximate budget of all these films?
01:34And what are these films,
01:36which are made of big budgets,
01:39but in the end of the film,
01:41which is the result of the film,
01:43which is the result of the producers?
01:45What is the result of the film?
01:48If you ask a lot of these films,
01:50if you ask a lot of budget,
01:51then there are about 8-10 crores of films.
01:54There are about 8-10 crores of films.
01:56There are some Chaturnaar,
01:58and Ir Express,
01:59and then Love In Vietnam.
02:01But there are about 5-10 crores of films.
02:05And there are many first-time producers.
02:10They come to make a film,
02:12or some shock,
02:13or some other things.
02:15They come to make a story.
02:17And all the points of the film
02:19are the producers,
02:21but there are not the points of the film.
02:23So, the show is getting a conversion cost.
02:30Yes, it is not a loss of the show.
02:33But as you can see, there is no occupancy in the show.
02:37So, we will give the show to the show that is going on.
02:40Do you think the content was weak or the promotion marketing?
02:47What do you want to say about these films?
02:50Both of them were weak.
02:52Either the content was good or the marketing was good.
02:55If the content was good, then the reviews are good.
02:59If the content was good, then the film will go from word of mouth.
03:03But when the content is not good, and the marketing is not good,
03:07then all of these films will be a disaster.
03:12After Chaito Naad, Divya Khosla was a star-class.
03:18And after Chugnoha was a star-class.
03:22But you said that the audience is not good.
03:25Obviously, Divya Khosla and Neel Nitin are a big star who will go to the audience.
03:32Until they don't do anything like this,
03:34They are a popular film,
03:36They are a popular film,
03:37and people want to make their mind to see it.
03:40And if they talk about Manoj Vajpiq,
03:42then there is already the inspector in Netflix,
03:45and there is good publicity.
03:47And people have been doing it.
03:49But there is no publicity.
03:50Jugnumma is a picture of the name of this word.
03:56It doesn't know anyone.
03:58We know that they have a special screening
04:02or first look launched.
04:04All the names of the director, Anurag Kashyap,
04:07and Vikram Aditya Mutwane,
04:09etc.
04:10It has been given to this film.
04:12Besides, there is no visibility of this film.
04:15So, how do we get to see this film?
04:18Or, what is it called Nitin Mukesh?
04:21When Sanyara has a film performed in the box office,
04:27what does it look like?
04:30The film is still bad.
04:31If it becomes good, why do we not come?
04:33After Sanyara, the film is still 4.
04:36The film is not really liked.
04:39The film is also not really liked.
04:42In addition to that,
04:45the film was released by Demon Slayer.
04:48The Infinity Castle was released yesterday.
04:50It was a Japanese animation film.
04:52The first day of his collection was Rs.13 crore.
04:54How is it going?
04:55It is going because it is a good film.
04:58The content is good.
04:59The marketing is good.
05:01The excitement is good.
05:02The excitement is good.
05:03Whatever is good, it will be good.
05:05It is funny.
05:20Of course.
05:22of course
05:24hey Baba
05:25can we go to our film
05:28showcasing our film
05:30where the theater house full
05:31the release of the film is today
05:32yes
05:34where we go
05:35there will be a house
05:36now the house is today
05:38now the house is today
05:38many times
05:38film promotion
05:39for the actors
05:40they go to the mall
05:41in the cinema
05:42in the house
05:43if the cinema
05:43is coming to the public
05:44then the other film
05:45is coming to the public
05:45if the film is coming to the public
05:46the picture is today
05:47the film is now released
05:47Deevaya Khosla
05:48if the film is now
05:48if the film is now
05:49then who will get the audience
05:50when the film is now released
05:52then who will get the other
05:52film's ideas
05:53now when the actor
05:54is coming to the public
05:55then it will be a house
05:56it will be a house
05:57but the house
05:58the house
05:59the house
06:00the house
06:01the house
06:02the house
06:03that is important
06:04and that is not happening
06:05Mr. Raskar
06:05can you tell me
06:06the streaming platform
06:07is the platform
06:07or Fox Office
06:08yes
06:09streaming platforms
06:11Netflix
06:12Amazon
06:13Hotstar
06:14these
06:14streaming platforms
06:16there is
06:17if the content
06:17is good
06:19people are going
06:19both co-exist
06:20but
06:21there is no effect
06:23there is no effect
06:24look
06:25when Sayyara
06:25hit
06:26or Chhawa
06:27hit
06:27there is
06:28OTT platform
06:29there is
06:30so people
06:31OTT platform
06:32watch the film
06:33but if the film
06:34is spectacular
06:35like Chhawa
06:37or the film
06:38is
06:38so
06:39like Hollywood
06:40is
06:41Final Destination
06:42or Fast
06:45and Furious
06:45or
06:46Mission
06:48Impossible
06:48or
06:48if the film
06:50is
06:50so people
06:51come to the theater
06:51But that's not the reason.
06:54Yes.
06:55If you want to go to cinema,
06:58there is an option that is OTT.
07:01That's why it's less.
07:03But we have to say that there is no competition.
07:06We will say that both co-exist.
07:09OTT platforms and cinemas.
07:12If there is a good film,
07:14a beautiful film,
07:15a beautiful film,
07:16people need to go to theatre.
07:19What do you think of content-driven cinemas?
07:22Is it going to come back to the audience?
07:24Is it going to come back to the audience?
07:26It's time to come back to the audience.
07:29Content-driven films,
07:32where they work on the story,
07:36they work on the story.
07:38They work on such films.
07:40They work on such films.
07:42They work on such films.
07:44Star Powers,
07:45there are 2 or 3 stars in our country.
07:48But they work on such films.
07:51If a superstar has made a bad film,
07:53they won't play.
07:54So, Star Power obviously,
07:56is going to diminish,
07:58is going to reduce,
07:59is going to reduce,
08:00and it's going to be a content-driven cinema.
08:03and it's going to revер?
08:04Do you think,
08:05do you think,
08:06who will be able to Laurie can have the art from Royal Rockproofs?
08:08Is it going to be a good movie?
08:09Is it going to be a good movie?
08:10I think,
08:12the biggest thing I think he could revive as when he is really excited,
08:16is Durandran.
08:18And Ranveer Singh,
08:19His trailer is amazing.
08:21It's amazing.
08:22It's very impressive. I think that it can be revived.
08:25It's looking like an animal.
08:28There's a film called Thama, which is on Diwali.
08:31It's a horror comedy,
08:34Metacolo, Ayushaman Khurana.
08:37I think that it's impressive. And another film called Divaaniyat,
08:40which is Hrishwardhan Rane.
08:43It's a song. It's a super hit song.
08:47I think there are 3 or 4 films
08:50that will come back to the movies
08:53from the box office to the cinema.
08:56There are many productions in the house
08:59that there is a new feature
09:02called Corporate Hooking.
09:04So it's a corporate hooking.
09:06And then after the film,
09:08it's a film.
09:10It's also a karate gimmick.
09:12So what do you think about it?
09:14Every production house,
09:16it's going on today.
09:18It's not a corporate booking.
09:20It's not a corporate booking.
09:22It's not a corporate booking.
09:24Corporate booking means that
09:26when a film is made,
09:28there are several brands
09:30that are associated.
09:31Now, you understand that
09:33a brand is in-film
09:35advertising or out-of-the-film.
09:37So when the first three days
09:39that brand will buy
09:41some tickets for their employees,
09:43it's a corporate booking.
09:45There are many brands
09:47that give tickets for their employees.
09:49It's a corporate booking.
09:50Some people are booking
09:51in bulk for their production house
09:53or their office.
09:55If they want to buy a company,
09:56they have tickets for their employees.
09:58So the company is a corporate booking.
10:00So you have to buy a company
10:02from the films.
10:04That's a good thing,
10:05because the company is bad.
10:06But there is no mistake.
10:07But there is no mistake.
10:08Yes, you have to buy a company.
10:09You've bought a company.
10:11400 people have to buy tickets.
10:13But the people from the theatre
10:15do not go to the theatre.
10:16And you have to give their money.
10:17That's not.
10:18That's not.
10:19If people are looking for a corporate booking,
10:21but they don't sit in theatre.
10:23If people are watching the film in the theater, then it's a good thing.
10:42I'm saying that if there is no public in the theater, then it's a good thing.
10:47But corporate booking, if there is a box office, the numbers are bigger, that's a good thing.
10:54But some producers tell their numbers and tell their numbers.
10:59If there is a 10 crore collection in the first day, and if you tell them about 14 crore,
11:04then you tell them about 18 crore.
11:08So, the inflated figures is not good.
11:13What do you think about the industry? When is the golden days?
11:19The industry is always the golden days.
11:23There are so many things that we have such a beautiful industry.
11:27The film is less and less, the film is less.
11:31This is the habit of the film.
11:34But we have to revive, we have to get attention to our stories, we have to make good films in the international market.
11:42We have to learn Korean dramas, Japanese animation, Hollywood in action films in the world.
11:51We have to learn from the world and make good films in the world.
11:55We have to make good movies in the world.
11:57We have to prepare for the content-driven cinema and our golden days are always new.
12:04So, it will happen that some of the films are bad on the box shop.
12:08But it is possible that we will continue to become a good film and have a good day.
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