- 4 months ago
Bernie, a self-destructive alcoholic, is given watch over his niece Winnie. He tests the patience of the various people he knows and Winnie is often left on her own.
Category
π₯
Short filmTranscript
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00:03:43of your mind in this weather you could have known i'm sorry carl but i promise you must know how a
00:03:49child like winnie looks forward to a thing like that don't really think the children taking any
00:03:53notice of the weather do you if it gets any worse like no one's going to drink the last lemonade
00:03:57with us somewhere or take it to a children's matinee oh don't misunderstand me carl i'm doing
00:04:03this for your sake you don't think i've walked all the way from my place just for the fun of the
00:04:06thing do you walked you're crazy you could have phoned us up all right but you're here now and
00:04:12therefore carl if you're really fond of winning and want to give the child a nice day come on up
00:04:17with your beautiful wallet and count out the notes because money is well you know my dear fellow is
00:04:22something i couldn't supply you with but with the best will in the world and even if the skies are
00:04:27overcast good intentions don't go unnoted up there good deeds are judged by old well-tried principles
00:04:33yep well i've got to be off i have an appointment at half past nine
00:04:44here's some cash if melissa thinks it's too cold you're to give it back to her
00:04:51enjoy yourselves
00:04:52enjoy yourselves
00:04:54ta-da jumped up bastard
00:05:22oh no bernie oh dear no i thought it was the eggman morning melissa of course you look terrible
00:05:29in the mornings too your hair's a mess and a grubby dressing gown carl spends altogether too much
00:05:35money on his own clothes you're not drunk are you bernie did you see carl on the way up yes i had a word with him
00:05:45you knew we'd arranged it didn't you
00:05:54i take it you wouldn't have the cheek to admit you'd forgotten all about it
00:06:15you
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00:08:04finish putting her things on. I've got to go now. Oh, and don't forget to close the
00:08:10front door behind you properly, Bernie. Okay. Okay, be off with you. I'm glad to see you
00:08:16few can trust me nowadays with your table silver. And how's my little Winnie, eh?
00:08:21Where are we going to? Hard work and obedience. That's all that's wonderful from you, Winnie.
00:08:28Here, catch. Haven't you any long trousers to hide those hands?
00:08:58How horrible if it happens to be Carl's sign. No one would believe it on me.
00:09:28Lousy bastard.
00:09:58Oh, no, no. I'll be left to carry those when you get tired. If you want a bucket and spade,
00:10:20you'll have to pinch them off some other kids. You've been drinking again, Uncle Bernard,
00:10:26haven't you? I could smell it, but I didn't say a word to Mummy, else they would have been
00:10:30around. The owl's implements. I haven't drunk anything. And even if I have, I forbid you
00:10:37to mention it. I'm not taking you out to be reminded of nasty people all the time.
00:10:48You afraid the same as me that one day it'll go crashing to the bottom?
00:10:50Hello, Winnie. Are you going out for a nice little walk with the...
00:10:59Papa's boyfriend, I see. Mind you keep your filthy hands up or you might be carrying an infectious
00:11:03disease. Agh!
00:11:04She's still watching us.
00:11:07Yes, she's still watching us, Uncle Bernard.
00:11:09You want it?
00:11:10Good morning.
00:11:29Anxiety is universal.
00:11:31Uncle, Uncle Bono, will you hold them for me?
00:11:56You can't keep them, but you must hide them away.
00:11:59All right.
00:12:01I'll hide them away.
00:12:06And then, if we get into any danger, we'll take them out in office.
00:12:26Winnie, do you often have to go to the doctor?
00:12:29No, but I'll be going again soon.
00:12:31But you always have to wait so long.
00:12:33And Mummy always leaves me on my own and goes to the shop.
00:12:36What does the doctor say when he sees you? Does he hurt you?
00:12:38No.
00:12:39No.
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00:13:27Hey! Money.
00:13:29Just cough up and we'll say no more about it.
00:13:32Oh, I'm sorry, Louis. I've got to take this little girl to the doctor's.
00:13:36We're waiting here for the train.
00:13:38You can see for yourself she's wearing arms.
00:13:41That's nothing to do with me.
00:13:49That won't do.
00:13:51Why don't you knock his teeth in, Lou?
00:13:53That's all I've got, Louis.
00:13:57I take it you can leave us a few cents for the train.
00:14:00Oh, you can't make the child walk.
00:14:03I'll get some more next week and then I'll come round, eh?
00:14:06We'll have the rest next week.
00:14:24Yeah?
00:14:25I know where to find you.
00:14:27Ah!
00:14:28Oh!
00:14:29Oh!
00:14:30Oh!
00:14:35Hurry, Maddie!
00:14:36You mustn't sit on good manners like that!
00:14:57Oh!
00:15:16Is there anything to be seen there still with you?
00:15:18No, I can't see anything.
00:15:27I can't see anything.
00:15:28Hey!
00:15:29How are you doing now, eh?
00:15:30Got home all in one piece?
00:15:31Did ya then?
00:15:33Don't you know me anymore?
00:15:35We had a nice little drink together at the Victoria.
00:15:40No, I'm sorry.
00:15:41Got home all in one piece? Did you then?
00:15:47Don't you know me anymore?
00:15:49We had a nice little drink together at the Victoria.
00:15:55No, I'm sorry.
00:15:57Weren't you to be checking the toilets?
00:15:59I bet someone's trying to get a free ride.
00:16:11Oh, God, my Father. Don't let my brakes fail.
00:16:41You go and play in the sand. You'll look like nothing on Earth in no time.
00:16:50I'll be careful I don't bend over too far. Look like this.
00:16:57Well, let's go and have something to eat first.
00:17:01What would you like, chips or a sandwich?
00:17:04Chips? Though Daddy doesn't like me to.
00:17:09Carl does not concern us.
00:17:12All he is permitted to do is to see that you don't die of cold or hunger.
00:17:16We can dispense with him for anything else.
00:17:18I'll take over your education.
00:17:20Only speak of him if it can't be avoided, but don't ever call him Daddy while I'm bug.
00:17:24Even that name's a substitute.
00:17:26He had to take you in with the rest of the bargain when he got Mummy.
00:17:28One day, when you're a little bit older and not so dependent,
00:17:32you'll come to me and then I'll tell you exactly why.
00:17:34Oh, you're hurting me.
00:17:36Why are you speaking exactly?
00:17:38Why are you speaking so grossly?
00:17:40I haven't done anything naughty.
00:17:46Come on.
00:17:47I didn't mean it that way.
00:17:49Let's find something to do.
00:17:51This one?
00:17:52No, the green one.
00:17:53Oh, this one here.
00:17:55Can you hear, Winnie, how the roads are filled with royal chards to gladden us on our way?
00:18:12I have to, Winnie.
00:18:30All right?
00:18:32Mm-hmm. Thank you.
00:18:36See you.
00:19:00I haven't started yet, I take it.
00:19:14No.
00:19:15It's too much current.
00:19:17It won't get much better with this spring tide, either.
00:19:20How about the pier?
00:19:22Oh, no good going there.
00:19:24The float falls like mad if you've wasted yards of line.
00:19:29Look, look, here I am!
00:19:54Go inside and tell someone to come out here.
00:20:01You can order whatever you fancy.
00:20:05What can I do for you?
00:20:06I want to order something.
00:20:12Are you the waitress?
00:20:13If so, you have none of the decorum propped to your profession.
00:20:14Go inside, put on a skirt, tie an apron round your waist and move those over down and give
00:20:20them this weather an utterly superfluous pair of sunglasses.
00:20:21I'm not the waitress.
00:20:22I'm the daughter of the proprietress.
00:20:27I'm not the waitress.
00:20:28I'm the daughter of the proprietress.
00:20:30Given this weather, the staff's got a day off.
00:20:31All right, then go and get your mother.
00:20:32You can tell me what you like.
00:20:33I lead a dangerous life and I'm taking no risks.
00:20:34Any problem?
00:20:35On the contrary, madam.
00:20:36I invite you and your daughter to join me at this table.
00:20:38You can tell me what you like.
00:20:39I lead a dangerous life and I'm taking no risks.
00:20:42Any problem?
00:20:43On the contrary, madam.
00:20:44I invite you and your daughter to join me at this table.
00:20:46You and your daughter to join me at this table.
00:20:50Now, perhaps, one more dry chip?
00:20:51Yeah, I want one more dry chip.
00:20:52Hmm.
00:20:53What will you have, madam?
00:20:54I'll try and get a cup of tea.
00:20:55Well, I think the other staff have a day off.
00:20:56Well, I know.
00:20:57It's not so good.
00:20:58I'll come and get together, but you'll see whether it's a good day, but I'll be doing
00:20:59any trouble.
00:21:01I'm not going to be a bit.
00:21:02I'm not going to wait until the staff's got a day off.
00:21:03All right, then go and get your mother.
00:21:04You can tell me what you like.
00:21:05I lead a dangerous life and I'm taking no risks.
00:21:06Any problem?
00:21:09On the contrary, madam, I invite you and your daughter to join me at this table.
00:21:13And now, perhaps one more dry chip.
00:21:19And I'll have...
00:21:25I'll have...
00:21:28Oh, just give me a bottle of beer.
00:21:33No weather for the beach, eh?
00:21:35Yet the air is nice and mild, 65 degrees.
00:21:42But perhaps this weather is better for some children.
00:21:45They don't run so much risk of being knocked over by all that water.
00:21:49While dashing about with the others.
00:21:51You'd be better, I think, to talk about something else.
00:21:54I'm sorry. You're right, of course.
00:22:08What rotten weather, eh, Mum?
00:22:11It is.
00:22:19It's better sitting out here than the dump over there.
00:22:23Did you hear that, Mum? You can't really mean it.
00:22:26We've only just had the whole place painted and new lighting installed.
00:22:31Well, I must admit, it's better whole than the others.
00:22:34Oh, it's quite neat. I like the frills round the wood.
00:22:40Could we have the radio a little softball?
00:22:41Would you go and listen to inside? I can't hear a word your mother's saying.
00:22:44And go and fetch me another bottle of beer.
00:22:56If you look on me as a friend rather than as a customer, do me a favour and take the chill off it by putting the bottle under your arm or in some other tender spot.
00:23:04What was that you were saying?
00:23:13An old custom, madam, that the people where I come from still hold in high regard.
00:23:17The young lady that pours out for the family guest impacts on her own pure warmth of beverage.
00:23:22In this way, she gives the guest something more than a mere material gift.
00:23:27Remarkable.
00:23:29Are you, perhaps, Jewish?
00:23:31An unexpected conflict.
00:23:39Can I go and play in the sand?
00:23:41All right, off you go.
00:23:44Aren't you going to drink up your orange aid first?
00:23:51I'm sorry to oblige you to make another journey.
00:23:53Same again, please.
00:24:01What's that for?
00:24:15Why have you put those two bottles ready on the counter?
00:24:17Well, it's easier this way.
00:24:20Otherwise, I have to go all that way, all the way into the fridge in the kitchen.
00:24:23And you're tipping them back so quickly.
00:24:25I thought they keep cool enough this weather until I can pour them out for you.
00:24:33I see.
00:24:36That's the way it is, is it?
00:24:38Winnie, come here!
00:24:40The ladies have detected a weakness in my character.
00:24:42And instead of trying to restrain me there, I have to exploit it to their own advantage.
00:24:45It won't be so bad a day for you after all, will it?
00:24:49Stay outside there. It's not fifth you in here.
00:24:52But, sir, what are you saying?
00:24:54My daughter has done nothing wrong.
00:24:56I'm sorry, madam, but I can't get rid of the idea that in this cafe you and your daughter are leading the customers on.
00:25:02I haven't made up my mind yet whether I shall inform the police.
00:25:06How much do I owe you?
00:25:07Ten and six.
00:25:08Does that include the service charge?
00:25:09Yes, the service is included.
00:25:14Change this note for me.
00:25:27Here.
00:25:29I'm deducting the coffee and the service charge.
00:25:31You are aware you're not allowed to include the service charge in the bill.
00:25:33You shouldn't be serving here either. You're infringing on the regulations.
00:25:35Furthermore, you realise that after what's happened here, I no longer feel myself obliged to pay for your coffee either.
00:25:41Either.
00:26:01Those who overestimate the danger they are in are to be pitied. It leaves them no peace.
00:26:06Uncle Bernard, what did you say?
00:26:09Hmm?
00:26:10Nothing. Nothing, really dear.
00:26:13Would you like it with me?
00:26:14I think it's awfully nice with you, Uncle Bernard.
00:26:23Uncle Bernard, I've left my shell behind.
00:26:26Listen.
00:26:31Shall we go and take a look at the shops on the promenade?
00:26:34Eh?
00:26:36Or let's go and shelter under the pier anyway.
00:26:39Uncle Bernard, can't we go and get my shell back?
00:26:42No, we can't.
00:26:44There are technical objections, Winnie.
00:26:47But it is sometimes good to suffer a loss.
00:26:50You long to have it back.
00:26:51And that improves blood circulation from which all organs of the body benefit.
00:26:54In any case, it is well to be prepared for anything when you're with me.
00:26:59If you'd get hold of that, surely you wouldn't be crying now.
00:27:02But we had to leave in such a hurry.
00:27:05I'd have remembered it otherwise.
00:27:07Well, there you are then. You see, constant attention.
00:27:09That's the thing.
00:27:10Always on the key, even keep your eyes skin.
00:27:12Oh, it's wearing on the nerves, but you stay alive that way.
00:27:15Now, come on, cheer up.
00:27:16Now, maybe you'll get another one before the day is out.
00:27:18Oh, goody.
00:27:19Shall I go and run ahead?
00:27:20All right, off you go.
00:27:22Here we go.
00:27:23If God sees this, He is my witness.
00:27:29It's costing me something to keep up appearances for her sake.
00:27:32God sees this. He is my witness. It is costing me something to keep up appearances for her sake.
00:27:51Better to get out of her sight in good time.
00:28:02Only a supreme being will recognise the sacrifice that is now about to be made for what it is.
00:28:16I want one of those shells too, please.
00:28:20Why don't you come in and choose one? I'll just take them out of the oven. They are still warm.
00:28:26Right in our day, isn't it? No sun, no beautiful.
00:28:34If you like to come in and choose one, might relieve each other's boredom a bit.
00:28:42You have each other, don't you?
00:28:44The pet. So naive.
00:28:46Oh, come on, give me that shell.
00:28:48Listen, fairy, do you sell beer here too?
00:28:51Among other things, yes.
00:28:53Pippi, why don't you go and see how many bottles we've got in our private collection?
00:29:00While I try and keep this young man happy.
00:29:07How many of you are going to let you steal from me?
00:29:10Three bottles. And an opener.
00:29:13And an opener?
00:29:16She wants three bottles and an opener.
00:29:20Don't you hear that?
00:29:23You'd be surprised how many opportunities I get round here, even at my age.
00:29:37For nice little intimate chats with attractive young men.
00:29:44She goes and ruins everything. Always.
00:29:46I must have been out of my tiny mind to let put money into the business.
00:29:50My business, you know, apparently.
00:29:52Would you like me to open them for you?
00:29:57No, who's going to foot the bill for this, then?
00:30:01Have this one on me.
00:30:05Five, dear.
00:30:13Pippi.
00:30:15This, uh, generous gesture doesn't alter the fact that you're making your friend very unhappy.
00:30:21Every time he meets a nice, attractive young boy, the most promising, the most delicious contact comes to nothing, thanks to your vulgar appearance.
00:30:30Pardon me for saying so, but you sting.
00:30:32And your face makes even the kindest-hearted in men long to sink your vulgar into it.
00:30:37You reduce your friend to despair simply by your continual presence.
00:30:39So alter yourself, Pippi.
00:30:40It shouldn't be difficult. You only have yourself to tackle.
00:30:43Go, if need be, to the whores, or lie down in front of a trumpet seat wit.
00:30:46When I come back, your desire to shine has been reduced to normal proportions.
00:30:50But your laugh, your speech, your behaviour are cultivated.
00:30:53In short, that you are changed beyond recognition.
00:30:56Only in that way can you save your friend from destroying himself and leave from the bitter result.
00:31:15You don't lose a child like a handkerchief.
00:31:24Winnie!
00:31:29Winnie!
00:31:32Winnie!
00:31:34Winnie!
00:31:48Oh, for goodness sake, don't cry like that, Winnie.
00:31:50Why did you go, Winnie?
00:31:52I didn't go away. I just went to buy some cigarettes, that's all.
00:31:55Why didn't you tell me? I couldn't see you.
00:32:07What have you got in your pocket? Bottles of lemonade?
00:32:11No.
00:32:13But I have bought you something special.
00:32:16Something you'll be very pleased with.
00:32:22That's it.
00:32:26Oh, I have got nothing to say, how do you feel?
00:32:30Why do you feel a bad boy?
00:32:32Nothing to say.
00:32:36You know what I can hear a saying, Winnie.
00:32:37Do you know what I can hear it saying, Winnie?
00:32:52Is there a voice, Ben?
00:32:53Oh, yes.
00:32:54Yes, that sweet, soft voice saying that you...
00:32:57Nothing, it's nonsense.
00:33:02Isn't there a voice, Ben?
00:33:07I can hear it, too, Uncle Bernard.
00:33:12What's he saying, then?
00:33:13That Uncle Bernard's the sweetest uncle in the world.
00:33:23You'd do better to drop that, Winnie.
00:33:26Your affection won't stand out to time anyway.
00:33:29People will tell you nasty stories about me, and in the end...
00:33:33you'll believe them, too.
00:33:37My cloak is of gold, but only to those with eyes to see it.
00:33:52All the world's dirtiness will leave me unstained.
00:33:57But who is capable of noticing that now?
00:34:03What do people understand of anxiety?
00:34:05The enemy has advanced irresistibly with the tide.
00:34:22Democracy is already tottering.
00:34:25Decadent capitalism and imperialism is in dire danger.
00:34:28But by an incredible effort,
00:34:30accompanied by superhuman sacrifices
00:34:32which threaten to dislocate the comfortable existence
00:34:34of farmer and labor alike,
00:34:35we have succeeded in pushing back the enemy hordes.
00:34:39I, Bernard,
00:34:41failure,
00:34:43labor,
00:34:44society's painless,
00:34:46have it in my power
00:34:48to rescue this unique, de-christianized culture
00:34:50from destruction.
00:34:52May God be on his side
00:34:56and bless the casting of the atomic hand grenade
00:34:59with which we will put an end
00:35:01to another so many lives!
00:35:06The world is full of war
00:35:09and rumors of war.
00:35:12Harvests fail
00:35:13and family doctors sit once again
00:35:15with their hands in their hair
00:35:17confronting with yet another
00:35:19incurable disease!
00:35:21Boom!
00:35:23Boom!
00:35:24Boom!
00:35:26Do it again, Uncle Barnard!
00:35:28Do it again!
00:35:29Wait a minute, then.
00:35:31First drink,
00:35:31another bottle of beer.
00:35:32Are you using just the one chair?
00:35:52We have no wish to use any chair at all.
00:35:54Well, you're sitting in it,
00:35:55therefore you're using it.
00:35:56Nobody gets anything for nothing, you know.
00:35:59Come on, Winnie.
00:36:00We'll come and sit down here again
00:36:01as soon as this gentleman's left us.
00:36:02Oh, you will, will you?
00:36:04What do you want, you know?
00:36:05You'll have to pay for already
00:36:07having used the chair so far.
00:36:09You've been sitting in it.
00:36:11Nobody gets anything for nothing.
00:36:13Listen,
00:36:14have you been walking all day long in the rain?
00:36:16Oh, don't lie,
00:36:17because I can see that you have.
00:36:19Just go back quietly where you came from.
00:36:20Go and sit there
00:36:21on your shriveled cold hands.
00:36:23Stop making a nuisance of yourself.
00:36:26Everywhere I go,
00:36:28I meet with people
00:36:29whom I'm obliged to talk to,
00:36:30although they're beneath me,
00:36:31simply because they ask of me
00:36:32what is not mine to give.
00:36:35You will not get any money out of me
00:36:36and kindly do not force me
00:36:38to enter into a conversation
00:36:38I have not invited.
00:36:40You'll pay if I say so.
00:36:41I've got to have that money.
00:36:43Nobody gets anything for nothing, you know.
00:36:46You throw your glass around
00:36:47and you sit guzzling beer in my chair.
00:36:53What are you up to
00:36:54with that poor little child, huh?
00:36:56Ah, you skunk!
00:36:57Ah, you skunk!
00:37:07May that remark be forgiven you
00:37:10in the next world, Grandpa.
00:37:11But right now, in this one,
00:37:14I am going to knock your teeth in!
00:37:17You see, the sand,
00:37:19the wind leaves its traces.
00:37:22But if I were to strike you dead,
00:37:23you'd have forgotten
00:37:23the very next instance.
00:37:25There's no one cares for you, is there?
00:37:26I'll bury you in that hole over there.
00:37:29Come on, Uncle Bernard, let's go!
00:37:32Next year, the children will play
00:37:35with your shoe robes.
00:37:42Bagger!
00:37:48Now, wait!
00:37:49Wait a minute!
00:37:50Wait a minute, Chief!
00:38:02Puny creature, though you are,
00:38:30you two bear the stamp of divine.
00:38:32Even though your son is gradually setting
00:38:34once and for all.
00:38:36Hang on to that chair, you'll fall.
00:38:38Well, I'll throw you up for now!
00:38:49So you see
00:38:50what acting the Lord needs to.
00:38:53Complete and utter subjection
00:38:54of the occupant of the beast of the chair.
00:39:02May God be with you, friend.
00:39:12Me too!
00:39:12Me too, Uncle Bernard!
00:39:14What do you want?
00:39:15Put your boots on my neck!
00:39:16Time for a conference, Winnie.
00:39:18Should we go up on the promenade
00:39:21in a minute or two?
00:39:25Okay, Uncle Bernard, can we go up to the sunset?
00:39:31She wants to go to the sunset.
00:39:39She wants to go up to the sunset.
00:39:45We'll go to the promenade in a minute or two.
00:39:47OK, Uncle Barney, can we go to the sunset?
00:39:51I bet she wants to go to the sunset.
00:40:15I want to go to the blue one.
00:40:45Please, Uncle Barney, come with me.
00:40:47Out of the place. There's no one else driving.
00:40:49You have the whole place yourself.
00:41:15Hey!
00:41:45Let's go.
00:42:15Hey, that's great meeting you here.
00:42:36Hey, Bernie, what are you doing here, eh?
00:42:38After a walk with my little girl.
00:42:40I presume this is your wife and child?
00:42:42Yes, this is Tony.
00:42:43You'd better put a scarf around your hair,
00:42:46otherwise it will soon be looking as if we've been spitting in it.
00:42:48Winnie, take that little boy's hand.
00:42:50Tony, look up, the children.
00:42:51And by the way, are you aware that you have a damned interesting husband
00:42:54who writes marvellous poetry?
00:42:57Come on, Nicholas.
00:42:59You came out here, I suppose, to get a breath of fresh air and inspiration.
00:43:04That's it.
00:43:06You all right?
00:43:06Nicholas?
00:43:06Nicholas, how come you're the owner of a car, you rascal?
00:43:09You have been throwing sand in people's eyes.
00:43:11What do you do for a living?
00:43:14Teacher.
00:43:16Scandalous profession.
00:43:17Especially for a poet.
00:43:20Yes.
00:43:21But I have a wife and child.
00:43:23You are responsible for them.
00:43:24Oh, nonsense, Nicholas.
00:43:25A man like you doesn't need to marry.
00:43:29Of course, a woman like that thinks it's something very special to me.
00:43:32Share life with a poet.
00:43:34But don't know, be honest.
00:43:35Is that woman really such a blessing to us?
00:43:38You should live in your poems.
00:43:41Now, you said just that in one of your poems, and so well, too.
00:43:44Which one was that?
00:43:45Oh, it was such a long time ago.
00:43:51Very beautiful, fresh, sensitive.
00:43:54You mustn't think ill of me if I can't quite remember offhand how the lines went.
00:43:59You're so productive.
00:44:11The poet is the sky.
00:44:13The sea.
00:44:16The countryside.
00:44:20The poet is the universe.
00:44:25The sole thing that matters is the decay.
00:44:29The decline.
00:44:31Authentic truth.
00:44:34The thing is, the sole thing that matters is to realize.
00:44:39To recognize.
00:44:42Hmm?
00:44:43All the rest is trash.
00:44:46The thing that matters is the poetry.
00:44:50Don't you agree?
00:44:51Hmm?
00:44:54Nicholas, you're a highly complicated personality.
00:44:58You won't be offended if there are times when I can't quite follow you.
00:45:02You must tell me when you want me to clarify anything.
00:45:05Poets will always have to demolish barriers to understanding.
00:45:16Nicholas, I imagine that if after a poet was, well, say, twenty, he'd have to have quite an extraordinary talent.
00:45:25Well, I say, listen to you.
00:45:26Now, as I listen to your monotonous voice, simply laden with a remarkable dance, typical of your modesty.
00:45:32Rather like a jamming station.
00:45:33Rather like a jamming station.
00:45:34An interruptible...
00:45:35An interruptible...
00:45:36Ooh!
00:45:37Ah!
00:45:38Ooh!
00:45:38Ooh!
00:45:39Ooh!
00:45:40One doesn't have to listen to it.
00:45:41Makes itself felt anyway.
00:45:42You are right.
00:45:45You are right.
00:45:46Jamming station.
00:45:47Jamming station.
00:45:48Ah!
00:45:49Ooh!
00:45:49Ah!
00:45:50That's a splendid image.
00:45:52I'll remember that one.
00:45:53So very neat.
00:45:54The drink we put back that last time, huh?
00:45:59A happy memory.
00:46:04Ah.
00:46:05We'll have to get back to the promenade now, otherwise we'll shortly come to one or two joints.
00:46:10I'd prefer not to show my face.
00:46:37You stay here a minute or two with your boy, and I'll just drive with Nicholas and Winnie
00:46:40to a nice little place I know.
00:46:41You see, Winnie's been up the whole day long in the rain, and I'm afraid she might catch
00:46:44a chill.
00:46:45Yes, I know, but...
00:46:46The place I'm thinking of is only a stone's roving here.
00:46:47Nicholas will be back before you've noticed he's gone.
00:46:51You'll come straight back, won't you?
00:46:52Yes, yes, I'll come straight back.
00:46:53No way!
00:46:54Bye!
00:46:55Bye!
00:46:56Bye!
00:46:57It goes well, huh?
00:47:16Yeah.
00:47:19All right.
00:47:27Slow down.
00:47:28Slow down.
00:47:29Stop here.
00:47:30That's it.
00:47:31There.
00:47:32Ah.
00:47:33Looks like a dump to me.
00:47:34Why do you want to come to this one, eh?
00:47:36There are a dozen better ones in this street.
00:47:38This bar, yes, is unique.
00:47:41Looks pretty uninviting from the outside, but you haven't seen the worst yet.
00:47:44It's only when one gets inside, one realises just how filthy it is.
00:47:48It's not a bad thing.
00:47:49It's not a bad thing.
00:47:50It's not a bad thing.
00:47:51It's not a bad thing.
00:47:52It's not a bad thing.
00:47:53It's not a bad thing.
00:47:54When one gets inside, one realises just how filthy it is.
00:48:01No jukebox, no radio, and no service charge.
00:48:06This is the place for us, Nicholas, the outcasts.
00:48:09The one and only place for us.
00:48:11You all right, Bernie?
00:48:12Yeah.
00:48:13I will just go and get Tony in the cane, huh?
00:48:14You are not leaving until you've had a drink on me.
00:48:16Can I stay in the car?
00:48:18Yeah, why don't you let us stay?
00:48:20All right, then.
00:48:21But keep your fingers off the knobs, huh?
00:48:24There are no realises here.
00:48:25Oh, no beer for me.
00:48:32Give me a gin.
00:48:33I'm waiting for the delivery man to call.
00:48:35Could be any time now.
00:48:38Brack him's up in place.
00:48:43He tends to drill out.
00:48:48Bottoms up, Mr. Sticks.
00:49:04That was on me.
00:49:06I'd better get that wiper, please.
00:49:10Hey!
00:49:11Poets are susceptible creatures,
00:49:14who often lead their friends to despair.
00:49:16They're so preoccupied listening to their inner voices
00:49:18that all too often they mistake another's voice for one of their own.
00:49:22To prevent that happening, Nicholas,
00:49:25just hang on to your watch to make sure some woman or other
00:49:28doesn't make you come to a noble decision which you'll only regret later on.
00:49:31Stop acting the fool, Bernie. Of course I'll come back.
00:49:34My anxiety to have it back has made me think.
00:49:37I am convinced, of course, that you will come back.
00:49:41But are you afraid, perhaps, to find me and your watch gone when you do?
00:49:46Well, as usual, the truth will lie somewhere in between,
00:49:48so let's bring someone else into vision.
00:49:51Hey, would you give this back to this gentleman here when he returns?
00:49:54He's just got to go and get his money.
00:49:56He left it behind him.
00:49:58Hey, but I thought you said this round was on you.
00:50:00Merely a figure of speech, Nicholas,
00:50:01to keep mutual misunderstanding out of our relationship, you know.
00:50:06I'll be seeing you, then, Bernie.
00:50:11Oh, yes.
00:50:14Oh, yes.
00:50:16I'll be seeing you for this one.
00:50:21Not at all the time,ε and international impetus.
00:50:22But to any other means
00:50:23I hurt myself.
00:50:24Wings toward other people,
00:50:25but I look forward to ask Focus & Florence to oppose your mouth!
00:50:27Good, it's good.
00:50:30How come, Mr?
00:50:31No.
00:50:32No, I've got it.
00:50:33Very word.
00:50:34No pueblo pursue Buch onto a tree.
00:50:35They're hidden in search.
00:50:36It's a beautiful creature,
00:50:37and every wanted one made me happy.
00:50:38There we are again, now the whole talking to myself.
00:51:08There we go.
00:51:38Ah, I took that little girl with me.
00:51:58Who is she, by the way?
00:52:00Somebody's of yours.
00:52:01Where are you left the children?
00:52:03In the car.
00:52:04Couldn't we sit at a table?
00:52:06Your stools look a bit risky to me.
00:52:11I say, I say, I say.
00:52:12I've got my purse with me, sir.
00:52:14That's right.
00:52:15Timmy, have some beer.
00:52:21I'll come sit down and make us have company with me.
00:52:24Listen, listen to this.
00:52:25Listen to this.
00:52:26Desperate, I wrote, through hostile mists, like shoals of fish, my poems swore into my mouth, into the gaping cave of my mouth.
00:52:40Hold it.
00:52:47Go on, go on.
00:52:49Go on, Nicholas.
00:52:53Dumb today.
00:52:54Today, no words will come.
00:53:08Dumb.
00:53:09Dumb.
00:53:10Dumb.
00:53:12Today, the words get stuck in my throat.
00:53:15Dumb.
00:53:16Dumb.
00:53:17Dumb.
00:53:18The poem dies today.
00:53:22in a tangled trash bin on my throat.
00:53:27Dumb. Dumb. Dumb.
00:53:31Dumb?
00:53:36I, I, I, I,
00:53:39me, me, me, me,
00:53:42I, I,
00:53:45me, me,
00:53:48I, I, I, me,
00:53:52I, I, I, me,
00:53:55I, I, me,
00:53:57I, I, me, me,
00:54:00me.
00:54:03Dumb. Dumb.
00:54:04You know what I call that one?
00:54:05All about Nicholas.
00:54:07The beginning, and the end.
00:54:10You see here, the poet is both the subject and the object of the poem.
00:54:17But it's the rhythm that really matters.
00:54:21I, I, me.
00:54:25I, I, me.
00:54:29I, I, me.
00:54:41I am a stranger here.
00:54:44I sit alone.
00:54:46I tar erect as a clarinet.
00:54:51I sing my tune.
00:54:52But of my notes, none.
00:54:56None finds an echo in the silence of stone in which I drown.
00:55:03In the silence of stone in which I drown!
00:55:06Drown!
00:55:08Will you stop jumping around in that chair, for God's sake!
00:55:12Go on. Go on.
00:55:16Now, forget it.
00:55:21Oh.
00:55:23Another time.
00:55:26Now, you see what I mean?
00:55:28We shouldn't be so sensitive.
00:55:29I think you see what I mean by you.
00:55:32The ring is.
00:55:35I'm so sensitive to my glist.
00:55:38I am so sensitive in the window.
00:55:40It's a very bad idea.
00:55:42Don't cry. Want to play? Want to play with my shell?
00:55:57I can hear the scream.
00:56:07I can hear the scream.
00:56:10I can hear the scream.
00:56:12I can hear the scream.
00:56:15You know what?
00:56:20I can hear the scream.
00:56:27Melissa, I'm so glad you're in.
00:56:42Listen, it was so intimate this morning, you and I together.
00:56:47Were you hoping I'd go a bit further?
00:56:57Let's go.
00:57:27. . .
00:57:48Nicholas?
00:57:50Nicholas!
00:57:51You have now reached the first and most difficult stage on the road to perfect drunkenness.
00:57:55You feel blue and your drink tastes ghastly than what you'd like to do most of all is crawl into bed and sleep.
00:58:06Now is the time to forge ahead, my boy.
00:58:13There is only one thing for it.
00:58:20He's got to drive in a minute or two.
00:58:22That is a pity.
00:58:25You'll probably have to push that blue sky of yours all the way home.
00:58:31Nicholas?
00:58:32Did you hear what Tony was saying?
00:58:36That didn't take him long. I thought he was used to drinking.
00:58:39Oh, he's often like that.
00:58:41Well, it's better for a man to drink than experiment with drugs.
00:58:45Do you think so?
00:58:46Hmm.
00:58:47They've smoked marijuana now and then at our place.
00:58:51Nicholas wanted to see what would happen. He said all the American poets do.
00:58:54In the land of the blind, the one-eyed man is king.
00:59:01With those drugs, you're always meeting those furtive young types whispering together in corners about the secret things they get up to.
00:59:07Well, I think it's all a bit creepy.
00:59:08They sit there so serious, pulling away at a cigarette and then letting the smoke out so slowly and then inhaling again.
00:59:17And they start acting so silly.
00:59:19You told me.
00:59:29You're sweet.
00:59:31You're good to look at.
00:59:33And you have nice ways.
00:59:36And, of course, you cook marvellous meals from the prittance Nicholas allows you for the housekeeping.
00:59:44But the main thing is, you're so gentle.
00:59:49Our paths fail to cross.
00:59:52Let's make the most of what's left for us.
01:00:01Mr. Flash.
01:00:03That's enough.
01:00:11Only if you promise I can come and look you up.
01:00:15It's impossible. The people and Jonathan.
01:00:20If we do it the way they do it in French farces, it'll have its humor aside.
01:00:25And if we're caught, we can be sure hearty laughter.
01:00:30The husband wore horns.
01:00:33Why are you whispering about there?
01:00:36I hope you've not been getting up to anything.
01:00:41Why, look, Nicholas, I can see you're wearing wool next to your skin. Doesn't that set up irritation and itching and red patches?
01:00:48Damn it! Blast!
01:00:52Is it an uniron shirt?
01:00:54Yes.
01:00:55Poor Nicholas.
01:00:57Poor Nicholas.
01:00:58Then I'm afraid it's beyond repair.
01:01:00It's impossible to mend that fine weave with any needle.
01:01:03It always leaves lumps where the cotton pulls the edges together.
01:01:07Now, if only you were called Louis, Nicholas, it would pass for a monogram.
01:01:15Yes!
01:01:16My damn look!
01:01:18That will do for the day.
01:01:22Tony, I advise you to fill your husband with coffee.
01:01:31And you, Nicholas, be kind and gentle to your little wife.
01:01:38She will call the barkeeper and restore freshness to your pedantic little mind.
01:01:43She's not doing it out of love at first sight.
01:01:50We try to appreciate it all the same.
01:02:07Have you got enough money to pay with it?
01:02:10I think so, are you?
01:02:13Nicholas has to buy the petrol tomorrow.
01:02:16Hmm.
01:02:29Are you leaving all ready then?
01:02:40I'll have a hangover tomorrow.
01:02:53I'll come and have lunch with you the day after.
01:02:57All right.
01:03:07You do mean it, don't you, buddy?
01:03:08Too bad.
01:03:32Try to be sick.
01:03:33Mm-hmm.
01:03:39Goodbye, everybody.
01:03:45It's been a pleasure.
01:03:46Oh, what a long time you've been, Uncle Burnham.
01:03:51Careful, all your way, Johnny.
01:03:55Mm-hmm.
01:03:57Mm-hmm.
01:03:59Mm-hmm.
01:04:01Mm-hmm.
01:04:03Mm-hmm.
01:04:05Mm-hmm.
01:04:07Mm-hmm.
01:04:09Mm-hmm.
01:04:11Mm-hmm.
01:04:13Mm-hmm.
01:04:14Mm-hmm.
01:04:15Mm-hmm.
01:04:17Mm-hmm.
01:04:19Mm-hmm.
01:04:21Are they all right?
01:04:23Nicholas is making a dreadful first beat as quick as you can.
01:04:25He's after a fight with you.
01:04:26Just imagine if the sun were shining how only the upper half of the old houses would still be illuminated.
01:04:35Just imagine, if the sun were shining, how only the upper half of the old houses would still be illuminated.
01:04:45Turning corners we would be greeted by yellow light.
01:04:49Like a hail of bullets. Concentrated fire. Aim low.
01:04:54Oh, Winnie.
01:04:56Winnie, it would be the death of us.
01:04:59Are we going home?
01:05:02Yes.
01:05:07Yes, we ought to go.
01:05:09Don't you think I should call your mother first?
01:05:15See that place over there?
01:05:17Well, they must have a telephone.
01:05:21Why don't you wait here nicely and count and see how long it's going to take me to make a call?
01:05:321, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
01:05:5514, 25, 27, 38, 30, 39, 40, 40, 42, 41, 42, 44, 300, 45, 45, 47, 72, 45, 47, 400, 500, 600, 700, 800, 900, 600, Mountain, 700, 900, 700, 700, 900.
01:06:17Do you want to work abroad?
01:06:23Yes. Ghana, Africa.
01:06:27Then you're on leave, I suppose.
01:06:30What, the wife and kids with you?
01:06:32I'm not married.
01:06:34Oh-ho, la-la.
01:06:36Then the Negresses will have had a hot time of it, I suppose.
01:06:40Hmm?
01:06:42Insiders tell me that the atmosphere in the tropics has a marked effect on male potency.
01:06:49Oh, those kids. You can forget that.
01:06:51Anyone care for us, Ro?
01:06:53Oh, no, not me. I always win.
01:06:56There was a time when I had to keep myself by Dyson.
01:07:01Hmm. On the big slow, Mrs. Sippy, steamboats, the sound of my name, still like the crack of a whip.
01:07:10Mm-hmm.
01:07:14Ah.
01:07:26I love you.
01:07:28Maybe they could make dice of fur.
01:07:44Where are we going, and where have we been?
01:07:50What do you want?
01:07:53And what have we seen?
01:07:54Finished with me.
01:07:55In their own way.
01:07:56Simply back.
01:07:57Turning each corner, in search of the truth.
01:08:02I can see something.
01:08:04Sleeping on pavements, and wasting our youth.
01:08:09Where are we going, and who do we know?
01:08:16Who's there to stop us, when we want to go?
01:08:22Climbing the mountains, so easy to fall.
01:08:28Who's there to help us, or where are we all?
01:08:34Who's there to do?
01:08:38Come on, hold up, don't be silly, you'll get so in your way.
01:08:43Come on.
01:08:44Hey you, now go to sleep in here.
01:08:46Oh, now one moment, don't be under any illusion about that head of black hair, there, the colour is mere camouflage.
01:09:00Oh, think of the young negresses back in Ghana.
01:09:04Every one of them's got a better bosom than that, and without any calculations I've achieved.
01:09:09Come on, my boy, come with you!
01:09:12Where's the person who belongs to that poor child but standing outside?
01:09:17What's the matter?
01:09:42Take her home, take her home, get some clean my clothes on.
01:09:46I should if I were you, Daddy.
01:10:12Come with me.
01:10:14Come with me.
01:10:15Come with me.
01:10:17I don't know.
01:10:47Where can I find the taxi?
01:10:49It's down in the square.
01:10:57And how's Winnie feeling now?
01:10:59All right, thanks, Uncle Bernard.
01:11:02Are we going home now?
01:11:04I feel a bit tired.
01:11:08I've got a lovely shell, haven't I?
01:11:11Mm-hmm.
01:11:17Hello, friend.
01:11:26Listen, uh, I've just had a relative come home
01:11:30after an exhausting and highly dangerous trip abroad.
01:11:34Well, his experiences are too numerous for me to tell you all about them here and now,
01:11:37but what matters at the moment
01:11:39is that he's been burnt all over his body by the heat of the sun
01:11:43and his prey to attacks of malaria.
01:11:46He...
01:11:47He asked me to come out
01:11:49and fetch some gin to ease his suffering a little.
01:11:51You're a customer, am I?
01:11:52Indeed, I am.
01:11:54My wife always orders the crates of beer
01:11:57that I need so badly from you.
01:12:00On doctor's prescription, of course,
01:12:01I suffer from a shortage of vitamin B.
01:12:05I don't believe a word of it.
01:12:06Don't mind.
01:12:09I'll serve him.
01:12:16Now hide it well away, if you don't mind.
01:12:17Mm-hmm.
01:12:20You know, the regulations.
01:12:21Oh.
01:12:24You wouldn't object, would you,
01:12:25if we were to consume a bottle of beer?
01:12:28Yeah.
01:12:30Give Winnie some lemonade.
01:12:33And take something for yourself.
01:12:34I'd like to relax a bit in the evening.
01:12:45There's always something to be done.
01:12:48You know, I'm thinking of clearing out that window again tonight.
01:12:50Hmm?
01:12:54You mustn't forget, you're on your legs all day long,
01:12:57helping customers.
01:12:59Oh, the owners of small businesses
01:13:01always have to work higher than anyone else
01:13:03and get the worst of it.
01:13:04Oh.
01:13:16As I say, in my case, for instance,
01:13:18I have a thriving, uh,
01:13:22Greengross's business.
01:13:23What do I get out of all my slaving?
01:13:25Nothing.
01:13:26All right, if need be, I can afford to buy myself a new car once a year,
01:13:30and I never take less than three months' holiday, but then...
01:13:33And then I can recommend having to work till seven every evening, and that's...
01:13:37That's long hours.
01:13:41Especially in the greengrows we trade, and in the winter months.
01:13:46And I'm obliged to be up first thing in the morning, too,
01:13:49thanks to the unreliability of the sort of shop assistants
01:13:52you get nowadays who's got their fists in the till the moment your back's turned.
01:14:00Look, my beer's finished.
01:14:04But not my torturing thirst.
01:14:16Oh.
01:14:22Oh.
01:14:39Oh, sweet child.
01:14:41Used to be a little girl with her legs in irons in my family, too.
01:14:44I'm coming back for that gin in ten minutes, then.
01:14:46And that's going to be a sandwich next door.
01:14:47You ought to have a south cherry.
01:14:49You'd had a few drinks before you came in here, I could see.
01:14:50Hmm?
01:14:51All right, it suddenly comes over all of a sudden, doesn't it, sometimes, though?
01:14:53Quite a bit, does it?
01:14:54Come along.
01:14:56Come along, huh?
01:14:57Ah, shh!
01:14:57Now, you just ring three times.
01:14:58I'll open it for you.
01:14:59Hmm.
01:15:00All right, it suddenly comes over all of a sudden, doesn't it, sometimes, though?
01:15:01Quite a bit, does it?
01:15:02Come along.
01:15:03Come along, huh?
01:15:04Ah, shh!
01:15:05Now, you just ring three times.
01:15:06I'll open it for you.
01:15:07Hmm.
01:15:08Come along.
01:15:09Come along, huh?
01:15:10Ah, shh!
01:15:11Now, you just ring three times.
01:15:12I'll open it for you.
01:15:13Hmm.
01:15:14Come along.
01:15:15Come along.
01:15:16Come along.
01:15:17Come along.
01:15:18Come along.
01:15:19Come along.
01:15:20Come along.
01:15:21This is my hour, we.
01:15:23It's glorious.
01:15:24Glorious!
01:15:25Oh!
01:15:26Oh!
01:15:44Uh!
01:15:45Uh!
01:15:46Uh!
01:15:47Uh!
01:15:48Uh!
01:15:49Uh!
01:15:50Uh!
01:15:51Uh!
01:15:52Uh!
01:15:53Uh!
01:15:54Uh!
01:15:55Uh!
01:15:56Uh!
01:15:57Uh!
01:15:58Uh!
01:15:59Uh!
01:16:00Uh!
01:16:01Uh!
01:16:02Uh!
01:16:03Uh!
01:16:04Uh!
01:16:05Uh!
01:16:06Uh!
01:16:07Uh!
01:16:08Uh!
01:16:09Uh!
01:16:10Uh!
01:16:11Uh!
01:16:12Uh!
01:16:13Uh!
01:16:14Oh, God!
01:16:23God! God, not a healthy!
01:16:31Winnie. Winnie.
01:16:34Where are you, Winnie?
01:16:39Winnie! Winnie!
01:16:44Winnie! Winnie! Winnie! Winnie!
01:16:49Winnie! Winnie! Winnie!
01:16:54Winnie! Winnie! Winnie!
01:16:59Winnie! Winnie!
01:17:02What is he doing?
01:17:04Oh, must be one of those madmen practicing for the Olympic Games.
01:17:09Try the look of it.
01:17:11Winnie! Winnie!
01:17:13What is he saying?
01:17:14Winnie!
01:17:15Winnie!
01:17:16Cheering himself up as he goes.
01:17:17Winnie!
01:17:18Winnie!
01:17:19Winnie!
01:17:29Winnie!
01:17:30Please come help me!
01:17:32Winnie!
01:17:36Winnie!
01:17:38Winnie!
01:17:43Winnie!
01:17:44Help me!
01:17:45Winnie!
01:17:46Winnie!
01:17:47Winnie!
01:17:48Winnie!
01:17:49Winnie!
01:17:50Winnie!
01:17:51Winnie!
01:17:52Winnie!
01:17:53Winnie!
01:17:54Winnie!
01:17:55Winnie!
01:17:56Winnie!
01:17:57Winnie!
01:17:58Winnie!
01:17:59Winnie!
01:18:00Winnie!
01:18:01Winnie!
01:18:02Winnie!
01:18:03Oh, Winnie, Winnie, Winnie, Winnie, I'm sorry.
01:18:16Don't cry Uncle Bernard, please don't cry.
01:18:19Winnie, my son, my baby, I'm sorry.
01:18:23Everything will be all right, your school will feel better.
01:18:27Winnie, the taxi.
01:18:30We'll find a taxi and we'll go home.
01:18:34Taxi and home?
01:18:36Yes, taxi and home.
01:19:00Oh, sorry.
01:19:06Uncle Bernard?
01:19:08Did you hurt yourself?
01:19:10Uncle Bernard?
01:19:12Uncle Bernard?
01:19:14Did you hurt yourself, Uncle Bernard?
01:19:18Uncle Bernard?
01:19:20Did you hurt yourself, Uncle Bernard?
01:19:36Uncle Bernard!
01:19:38Uncle Bernard!
01:19:40Uncle Bernard!
01:19:42Oh, oh, oh, oh!
01:20:12ΒΆΒΆ
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