- 2 days ago
A mute seamstress in New York becomes a ruthless vigilante after a brutal attack, in Abel Ferrara’s cult grindhouse revenge thriller.
Ms. 45 (1981 Full Movie) – Directed by Abel Ferrara, this gritty cult classic tells the shocking story of Thana (Zoë Tamerlis Lund), a mute seamstress living in New York City. After suffering two brutal attacks in one day, she transforms into an avenging angel, roaming the streets at night and striking fear into those who prey on women.
Raw, uncompromising, and unforgettable, Ms. 45 is one of the most powerful exploitation thrillers of the 1980s. A must-watch for fans of cult cinema, vigilante films, grindhouse classics, and revenge thrillers.
Ms. 45 (1981 Full Movie) – Directed by Abel Ferrara, this gritty cult classic tells the shocking story of Thana (Zoë Tamerlis Lund), a mute seamstress living in New York City. After suffering two brutal attacks in one day, she transforms into an avenging angel, roaming the streets at night and striking fear into those who prey on women.
Raw, uncompromising, and unforgettable, Ms. 45 is one of the most powerful exploitation thrillers of the 1980s. A must-watch for fans of cult cinema, vigilante films, grindhouse classics, and revenge thrillers.
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Short filmTranscript
00:00:00To be continued...
00:00:30Oh, my God.
00:01:00What do you think?
00:01:02Well, I have one more piece coming up, and it is really gorgeous.
00:01:07But, darling, give this one a chance.
00:01:09Look at it for a few minutes, all right?
00:01:10I'll be right back.
00:01:18Laurie?
00:01:19Yes?
00:01:20Angel?
00:01:20Yes?
00:01:21Is the sherbet resort ready?
00:01:22Here, sir.
00:01:23Mrs. Grimaldi is waiting.
00:01:26No, no, no.
00:01:27No, no.
00:01:28I'll dress the model myself.
00:01:29Oh, my God.
00:01:30It's about o'clock.
00:01:31Send the girls home.
00:01:32I'm not paying any overtime.
00:01:40Sorry.
00:01:42Have you reconsidered it?
00:01:47Can I see the other star, please?
00:01:49It's coming right up.
00:01:51Thank you, Eileen.
00:01:52Very pretty.
00:01:53When she moves, the material really seems to flow.
00:01:59It's like quicksilver.
00:02:00Turn around, honey.
00:02:05What do you think?
00:02:08It's nice.
00:02:10Let's do it in three colors, five sizes.
00:02:13For all the stores.
00:02:14Excellent.
00:02:16Excellent.
00:02:17Excellent.
00:02:18You have impeccable taste, my dear.
00:02:20Come on, let's get to my own liars.
00:02:22So it's real.
00:02:23I hope that mayor guy is going to be there.
00:02:25Oh, okay.
00:02:25Come on, darling.
00:02:26Let's go.
00:02:26Yeah, I remember him.
00:02:27I really like him.
00:02:28Okay, bright and early in the morning.
00:02:31Good night, honey.
00:02:33Everything's locked up.
00:02:34And the machines are shut off.
00:02:36The two best seamstresses in town.
00:02:39Rimaldi loved it.
00:02:41Good night, honey.
00:02:58Hey, you want to sit on my face?
00:03:10Fuck off.
00:03:13Oh, mama.
00:03:15Hey, baby.
00:03:19Are you sure you don't want to come with us for a day?
00:03:25You'll have a good time.
00:03:27All right.
00:03:29We'll see you tomorrow.
00:03:30Bye-bye.
00:03:31Bye-bye.
00:03:57Bye-bye.
00:08:28Where's the money?
00:08:31What's the matter with you?
00:08:33Talk.
00:08:36Talk!
00:08:38You can't talk, huh?
00:08:40You can't talk?
00:08:40Open the bag.
00:08:47Give me the bag.
00:08:51Give me the bag!
00:08:51What's the matter with you.
00:09:04What's the matter with you?
00:09:06What happened to you?
00:09:08What's the matter with you?
00:09:21The bridge is blowing smoothly on both levels.
00:09:26The bridge is flowing smoothly on both levels.
00:09:35At 6.09, the temperature in Central Park is 52.
00:09:38Continued fair tomorrow on a cooler Friday with the chance of some showers.
00:09:56The bridge is a little bit more than a cooler Friday with the wind.
00:10:12The bridge is a little bit more than a cooler Friday with the wind.
00:12:51I said, a fiend neck, not a scoop neck.
00:12:59What are you gawking at?
00:13:10All right, girls.
00:13:13Back to the drawing board.
00:13:14I said, you have this shirt ready.
00:13:41Thanna, are you all right?
00:13:47Thanna?
00:13:50What's the matter with Thanna?
00:13:51Thanna, what's the matter?
00:13:59Thanna, what's the matter?
00:13:59Thanna, come on, Thanna.
00:14:01Are you okay?
00:14:02What's the matter?
00:14:03Thanna, are you okay?
00:14:05Would you like to sit down?
00:14:06Thanna, she does.
00:14:07Thanna, would you like a glass of water?
00:14:09Thanna, would you like a glass of water?
00:14:13Would you like to sit down?
00:14:15What happened? Tell me, Anna. Maybe you should sit down.
00:14:43What happened?
00:15:13What happened?
00:15:43What happened?
00:16:13What happened?
00:16:15...
00:16:18...
00:16:20...
00:16:23...
00:16:27...
00:16:29...
00:16:36...
00:16:37...
00:19:11Really, let me do it.
00:20:41Hey, little girl, sweetheart, where you going?
00:20:44What's the hurry?
00:20:46Jesus Christ almighty, everybody's in a goddamn hurry today, huh?
00:20:50How's it been?
00:20:51Goddamn chicks are cold as ice, huh?
00:20:53You ain't missing shit.
00:20:55Hey, baby doll, you're looking pretty good today, huh?
00:21:00Hey, what's the matter?
00:21:02I got bad breath or something?
00:21:03Hey, maybe I ain't good enough for you, huh?
00:21:06Hey, lassie!
00:21:07I got, there in a little bit.
00:21:11Go...
00:21:13I'm gonna do it.
00:21:19I'm gonna do it.
00:21:19I'm gonna do it.
00:21:20I'm gonna do it.
00:21:23I'm gonna do it.
00:21:27Yeah...
00:21:28Hey, baby, get back.
00:21:57I forgot your bag.
00:21:58I forgot your bag.
00:22:04I forgot your bag.
00:22:05I forgot your bag.
00:22:11I forgot your bag.
00:22:17I forgot your bag.
00:22:35Come on.
00:23:05Oh, no!
00:23:27Fanna! Fanna! Open the door!
00:23:29Fanna! Fanna!
00:23:31Open! Fanna!
00:23:33What's wrong with you?
00:23:35I heard you run up the stairs like a phantom
00:23:37and throwing it up all over the place.
00:23:39There's something wrong with you.
00:23:41I'm going to call a doctor.
00:23:43Oh, yes, I am.
00:23:45Phil, where are you?
00:23:47Come on, Phil.
00:23:51Oh, Phil, what are you doing in there?
00:23:53Come on out.
00:23:55Phil, you naughty dog.
00:23:57Now you get out of there right now.
00:23:59I think I ought to call Dr. Fisher.
00:24:01You look very bad.
00:24:03You really do.
00:24:05I'm going to call the doctor.
00:24:07All right, we'll see about it.
00:24:09What's the matter with you?
00:24:11What happened to me?
00:24:13Did you mute your dress like that?
00:24:15What's the matter with you?
00:24:17What happened to me?
00:24:19Did you mute your dress like that?
00:24:21Turn on your right, super, super, super...
00:24:23She says, this super, super is just right.
00:24:25How are you doing here?
00:24:26What's the matter with you?
00:24:27What's the matter with me?
00:24:28What's the matter with you?
00:24:29What happened to you?
00:24:30Did you mute your dress like that?
00:24:31Turn on your right, super, super, super...
00:24:32Her says, this super, super is just right.
00:24:34Could you mute your dress like that?
00:25:04Hey, mister, nickel, thine, anything?
00:25:10Eh, go fuck yourself.
00:25:34Ah, ah, ah, ah, ah, ah!
00:25:46Ah!
00:25:55Harold's Incorporated.
00:25:59Thana, I guess what I'm trying to say is I'm concerned about you.
00:26:05You insist that you're feeling better, but still your work these past few days has not been up to par.
00:26:12On top of scorching the silk blouse, you sewed only two cuff buttons instead of three on all the print suits.
00:26:20I had to have them all recalled.
00:26:23Darling, I realize that you're working under a tremendous handicap, which is precisely why you have to try harder than a normal person.
00:26:37You know we all love you here.
00:26:40You know we all want you to do well.
00:26:43So promise me you'll get back on the track.
00:26:47Show more interest in your work.
00:26:50More spirit.
00:26:52Be like the other girls.
00:26:55There's the Halloween party on the 31st.
00:26:59All of us are going.
00:27:02You should come too.
00:27:05There'll be boys your own age.
00:27:08You'll enjoy yourself.
00:27:11Have fun.
00:27:13Good.
00:27:26I believe you will.
00:27:28Now tell Ori to come in here for a minute, please.
00:27:34Okay.
00:27:41No?
00:27:42No.
00:27:43Okay.
00:27:44I'll be right here.
00:27:45Look, I'll get back to you in about 15 minutes.
00:27:49Bye.
00:27:56Thana, come here.
00:27:57Why did Albert want to see you in his office?
00:27:59Is he upset?
00:28:02What's wrong?
00:28:12Can I have the ashtray?
00:28:32Don't you like your sandwich?
00:28:33It's terrible.
00:28:34You know, I don't know why we keep coming to this place.
00:28:35I don't need to.
00:28:36We barely have time for coffee now.
00:28:37Hey, Mrs. Onassis.
00:28:38What about the coffee we already ordered?
00:28:39I'll get free right now.
00:28:40No, skip the coffee.
00:28:41Just give us the check.
00:28:42We have to get back to work.
00:28:43Okay.
00:28:44You want separate?
00:28:45Just put it on one.
00:28:46What do we look like, strangers over here?
00:28:47Okay.
00:28:48Okay.
00:28:49Okay.
00:28:50What is this, a zoo?
00:28:51They look like a couple of monkeys going at it.
00:28:54Hey, lady, we're trying to eat over here.
00:28:55I don't know.
00:28:56You're trying to eat over here.
00:28:57I don't know.
00:28:58I'm trying to drink the coffee now.
00:28:59I'm trying to drink the coffee now.
00:29:00Hey, Mrs. Onassis.
00:29:01What about the coffee we already ordered?
00:29:02I'll get free right now.
00:29:03No, skip the coffee.
00:29:04Just give us the check.
00:29:05We have to get back to work.
00:29:06Okay.
00:29:07You want separate?
00:29:08Just put it on one.
00:29:09What do we look like, strangers over here?
00:29:10Okay.
00:29:11Okay.
00:29:12What is this, a zoo?
00:29:13They look like a couple of monkeys going at it.
00:29:16Hey, we're trying to eat over here.
00:29:18This is a restaurant.
00:29:19It's not Plato's Retreat.
00:29:33Here, let me make sure Madame Curie didn't make any mistakes over here.
00:29:36Okay.
00:29:37It's $3.50 a piece.
00:29:38It's $4 worth of tip.
00:29:39Everybody put up $4.
00:29:46Hey, ladies.
00:29:47May I join you in an after-dinner drink?
00:29:49Sweet ladies.
00:29:50I'm buying.
00:29:51Fuck off.
00:29:52What?
00:29:53You heard me.
00:29:54Get fucked.
00:29:55Get bent.
00:29:56Fucking wimp.
00:29:57Get the hell out of here.
00:29:58Beat it.
00:29:59Scram.
00:30:00Get bent.
00:30:01Take it easy.
00:30:02Take it easy, my ass.
00:30:03Clean the glass.
00:30:04Get bent.
00:30:05Fucking wimp.
00:30:06Get the hell out of here.
00:30:07Beat it.
00:30:08All right.
00:30:09Get bent.
00:30:10Take it easy.
00:30:11Take it easy, my ass.
00:30:12Clean the glass.
00:30:13Get bent.
00:30:14Take it easy, my ass.
00:30:15You bleed the nerve of this guy.
00:30:17Here you go.
00:30:24I can't believe how much work we've got to get done this afternoon.
00:30:26Yeah, I know.
00:30:27I have to go to the bank.
00:30:28I hope it's not a long time.
00:30:29You're good, Madame.
00:30:30You're good, Madame.
00:30:31You're good, Madame.
00:30:32I'll only catch my check.
00:30:33Hey, listen, Madame.
00:30:34We'll see you later at the office, all right?
00:30:41Good.
00:30:42Bye-bye.
00:30:52Bye-bye.
00:31:12Listen, uh, baby.
00:31:13How you doing?
00:31:14Uh, look, I didn't mean to see Florida out of place in that restaurant or anything.
00:31:27There's no reason for your sister to get carried away like that.
00:31:28I just wanted to say hello and introduce myself.
00:31:29Rich Volk, fashion photographer.
00:31:30You know, Vogue, Cosmo, the layout of Atlanta and Elle, Belinda and the zebra skins at the
00:31:38Plaza Fountain.
00:31:39You know my stuff.
00:31:40It's been all over.
00:31:41Hey, wait a minute.
00:31:42Just a second.
00:31:43I just want to talk to you.
00:31:44See, I'm a photographer.
00:31:46I'm a gourmet of beauty.
00:31:47And when I saw you in that restaurant in that light, I said to myself, wow.
00:31:48I mean, it was like a Renoir or a Matisse.
00:31:49And, uh, I'm a photographer.
00:31:50I'm a gourmet of beauty.
00:31:51And when I saw you in that restaurant in that light, I said to myself, wow.
00:31:53I mean, it was like a Renoir or a Matisse.
00:31:54And, uh, that's why I wanted to talk to you.
00:31:55No other reason.
00:31:56I mean, when I see beauty, I gotta go after it.
00:31:59I'm a photographer.
00:32:00You know my stuff.
00:32:01You know my stuff.
00:32:02You know my stuff.
00:32:03It's been all over.
00:32:04Ah.
00:32:05Oh, shit.
00:32:06Hey, wait a minute.
00:32:07Just a second.
00:32:08I just want to talk to you.
00:32:09See, I'm a photographer.
00:32:10I'm a gourmet of beauty.
00:32:11And when I saw you in that restaurant in that light, I said to myself, wow.
00:32:13I mean, it was like a Renoir or a Matisse.
00:32:16And that's why I wanted to talk to you.
00:32:18No other reason.
00:32:19I mean, when I see beauty, I gotta go after it.
00:32:22You're not a model, right?
00:32:27No, you are much too beautiful to be a model.
00:32:33Much too beautiful to be a model.
00:32:36Listen, uh, what do you say?
00:32:39My studio's right around the corner.
00:32:40Nobody's gonna be there.
00:32:41It's Friday.
00:32:42And, uh, we'll take a test.
00:32:47Smoke a little pot.
00:32:49Dig pot, huh?
00:32:51A little wine.
00:32:52And, uh, we'll crank off a roll of shots.
00:32:54No big deal.
00:32:56You got nothing to lose.
00:33:07Yeah.
00:33:08I knew you were a smart kid the minute I saw you.
00:33:11I knew you were.
00:33:12Hey, it's no sense being shy with a face like that.
00:33:16Trust me.
00:33:17I'm gonna make it work for you.
00:33:19Show you how to make the big bucks, okay?
00:33:21Here.
00:33:22It's my place here, 54.
00:33:23Hm.
00:33:24Where do you see this place?
00:33:25You're not gonna believe it.
00:33:26It's beautiful.
00:33:27Right in here.
00:33:29Okay, let's hold on one second.
00:33:30Okay.
00:33:31This is the place.
00:33:32Come on.
00:33:33You're gonna love it.
00:33:34Wait till you see it.
00:33:35Didn't I tell you to trust me?
00:33:36I mean, isn't this a beautiful place?
00:33:50Oh, shoot!
00:33:51Oh, shoot!
00:33:52Oh, shoot!
00:33:53Oh, shoot!
00:33:54Oh, shoot!
00:33:55What the hell?
00:33:56Oh, shoot!
00:33:57Oh, shoot!
00:33:58So I'm gonna help with this guy.
00:33:59Yes, too.
00:34:00Ok, this is the place.
00:34:01Come on.
00:34:02You're gonna love it.
00:34:03Wait till you see it.
00:34:04Didn't I tell you to trust me?
00:34:05I mean, isn't this a beautiful place?
00:34:07Watch me!
00:34:08Watch me!
00:34:09Watch me!
00:34:10Watch me!
00:34:11Watch me!
00:34:12Watch me!
00:34:13Watch me!
00:34:14Watch me!
00:34:16You're fine!
00:34:17No, it's fine.
00:34:18You're fine.
00:34:19Why, what?
00:34:20Oh, my God.
00:34:50Oh, Mickey, you're hopeless.
00:35:20You're always losing your keys.
00:35:22It's not my fault.
00:35:23It's the same story.
00:35:25It's not...
00:35:26What's all that makeup?
00:35:30Good heavens, I've never seen you look like that.
00:35:34Your eyes and your lips are so heavily made up.
00:35:41Staying overnight with a friend?
00:35:44What friend?
00:35:45What?
00:35:49Gakety!
00:35:50Gakety!
00:35:50Gakety!
00:37:22Don't hit me no more.
00:37:24Don't hit me no more.
00:37:26Don't hit me no more.
00:37:28Fuck about money.
00:37:30Don't hit me no more.
00:37:32Oh!
00:37:35Oh!
00:37:36Oh!
00:37:38Oh!
00:37:39Oh!
00:37:40Oh!
00:37:42Oh!
00:37:55Oh!
00:40:02Ah!
00:40:03Hey, down!
00:40:04Down!
00:40:06Ah!
00:40:07Ah!
00:40:08Ah!
00:40:09Ah!
00:40:10Ah!
00:40:11Ah!
00:40:12Ah!
00:40:17Ah!
00:40:27Ah!
00:40:28Ah!
00:40:29Ah!
00:40:30Ah!
00:40:31Ah!
00:40:32Ah!
00:40:33Ah!
00:40:42Ah!
00:40:43Ah!
00:40:44Ah!
00:40:45Ah!
00:40:46Ah!
00:40:47Ah!
00:40:48Ah!
00:40:49Ah!
00:40:55Ah!
00:40:57Ah!
00:40:58Ah!
00:40:59Are you going anywhere in particular?
00:41:29Then perhaps you'd like to come with me tonight.
00:41:59I'm going anywhere in particular.
00:42:29I'm going anywhere in particular.
00:42:59I'm going anywhere in particular.
00:43:29All the victims had been shot with a .45 caliber pistol.
00:43:36Meanwhile, at 48th Street and Park Avenue, a wealthy Saudi Arabian businessman, Sheik Muhammad al-Faisal, was shot to death.
00:43:43Oh, it's Thanna. Come on in.
00:43:46Oh, you brought something for Phil.
00:43:51Here, Phil. Look what Thanna brought you.
00:43:54There's been a motive in the killing since the Sheik was found carrying more than $2,800 in cash.
00:43:59Police are continuing both investigations.
00:44:03Talks will resume this morning between the sanitation workers in the city, hoping to head off a strike now scheduled to begin at 12.01 a.m. Monday.
00:44:11There she goes again, Phil.
00:44:29Hey, you're going out of line.
00:44:47Hey, you're going out of line.
00:44:59Hey.
00:45:00Hey.
00:45:01Hey.
00:45:02Hey.
00:45:03Hey.
00:45:04but just not coming back to work from lunch on Friday I mean how could you do
00:45:24that it's just not fair to the other girls on top of having to finish your
00:45:30work for you before they could go home they were worried sick you could have at
00:45:37least gotten word back to us somehow had mrs. Nasoni call
00:45:44Dana darling you promised the other day remember you would try and look what
00:45:54happened and now I hear from the other girls that you're not coming with us to
00:46:02the Halloween party well from this all I can now this is good news
00:46:15do you know where it is
00:46:24are you planning on going with someone
00:46:34would you like to go with me
00:46:45I don't believe it have you ever seen her before
00:46:48yes I've seen her and they would love that's her that's her office and that I guess that's her
00:46:53that's her boss oh god
00:46:55ladies I don't believe it if I ever ran into him I wouldn't know what to say to him
00:47:00Albert you gotta come and look at this
00:47:02I'll make it better to when you're near the second window
00:47:05do you believe it
00:47:07Albert why don't you hire her to answer your boss
00:47:09you don't see this guy downstairs
00:47:10what are you going to say to him next time you see him
00:47:13you can start laughing
00:47:14I don't know I'm going to get some curtains
00:47:15she's riding on like a wall over there
00:47:18I don't believe in him
00:47:19you know the lamps are shaking
00:47:21they should get a strobe
00:47:24electric strobe
00:47:25don't know why they want to persecute me
00:47:28because I don't talk to women
00:47:30all women do is laugh and sing
00:47:34and say the word
00:47:35pussy
00:47:36you ask any doctor and he'll tell you
00:47:39that I just
00:47:40I don't know what's wrong with these people
00:47:45well I'll get these things going after a while
00:47:50I just will
00:47:52I'll
00:47:53I'll
00:47:54I got to get back to work
00:48:213
00:48:36to
00:48:37me
00:52:08I was fed up.
00:52:10I had to find out.
00:52:12I told her I was lurking late one night, real late.
00:52:18And I hid across the street in an alley behind some garbage cans.
00:52:21She walked down the street a couple of blocks and went into a building in a brownstone.
00:52:31I went up and I checked out the buzzers.
00:52:33There were four names up there.
00:52:34I didn't recognize none of them.
00:52:36So I tried the door and it was locked.
00:52:40I tried to force it, but it wouldn't give.
00:52:44I tried the side door, the one that they bring the garbage out in.
00:52:47So I went in the back of the dark window.
00:52:56I looked in.
00:52:57It was a candlelight.
00:52:58And I saw her with her arms around another woman.
00:53:08When I got back to our place, I went in the bathroom and brushed my teeth and washed my face.
00:53:14Then I went in the bedroom and changed my shirt.
00:53:20And then I went out in the kitchen and I strangled her cack.
00:53:42Is this some kind of a joke?
00:53:44Is this some kind of a joke?
00:54:14Is this some kind of a joke?
00:54:19Well, it's fresh.
00:54:19Well, it's definitely some kind of joke.
00:54:20Should we go now?
00:54:20Is this some kind of a joke?
00:54:21Well, unless様子 was made brothers, you were being himself.
00:54:22You?
00:54:23Is this some kind of a joke?
00:54:24We put them into small teams.
00:54:25message, you say.
00:54:28You don't know where the bar is supposed to happen.
00:54:29Will you co-deебist sent them around?
00:54:30Yeah.
00:54:30You're welcome.
00:54:31You're welcome.
00:54:33You're welcome.
00:54:33I invited them on my profession.
00:54:35You're welcome.
00:54:36You're watching me.
00:54:38Somebody cook to come with the halt.
00:54:38PHONE RINGS
00:55:08PHONE RINGS
00:55:38PHONE RINGS
00:56:08PHONE RINGS
00:56:10PHONE RINGS
00:56:12PHONE RINGS
00:56:14PHONE RINGS
00:56:16PHONE RINGS
00:56:18PHONE RINGS
00:56:20PHONE RINGS
00:56:22PHONE RINGS
00:56:24PHONE RINGS
00:56:26PHONE RINGS
00:56:28PHONE RINGS
00:56:30PHONE RINGS
00:56:32PHONE RINGS
00:56:34PHONE RINGS
00:56:36All right.
00:57:06All right.
00:57:37This place is turning upside down.
00:57:42Phil, what do you got there?
00:57:45It's locked.
00:57:47You wait here, and I'm going to get the key.
00:57:49I'll be right back.
00:57:51Phil, look what you've done.
00:58:04You naughty dog.
00:58:06Phil, now she'll know that we were here.
00:58:11Okay, ladies, I want to make a little announcement.
00:58:18I know all of us have been working very hard this week.
00:58:22What's so funny about that?
00:58:23And you're looking forward to the party this evening.
00:58:27So courtesy of Harold's, I'm giving you the afternoon off.
00:58:34Just two eggs, and they're boiling in a pot.
00:58:37And one egg says to the other,
00:58:39How do they expect us to get hard in three minutes after we just got laid?
00:58:43How do they expect us to get hard?
00:59:01Oh, my God.
00:59:31Oh, but you haven't walked him in such a long time.
00:59:44Well...
00:59:48Hey, ladies!
00:59:57What are you going to have to do?
01:00:03I'm going to have to do it!
01:00:09One, two...
01:00:20Two, two...
01:00:25One, two...
01:00:28Three, two...
01:00:32Two, two...
01:00:37One, two...
01:00:38I don't know.
01:01:08I don't know.
01:01:38I don't know.
01:02:08I don't know.
01:02:38I don't know.
01:03:08I don't know.
01:03:09I don't know.
01:03:10I don't know.
01:03:11I don't know.
01:03:12I don't know.
01:03:13I don't know.
01:03:14I don't know.
01:03:15I don't know.
01:03:16I don't know.
01:03:17I don't know.
01:03:18I don't know.
01:03:19I don't know.
01:03:20I don't know.
01:03:21I don't know.
01:03:22I don't know.
01:03:23I don't know.
01:03:24I don't know.
01:03:25I don't know.
01:03:26I don't know.
01:03:27I don't know.
01:03:28I don't know.
01:03:29I don't know.
01:03:30I don't know.
01:03:31I don't know.
01:03:32I don't know.
01:03:33I don't know.
01:03:34I don't know.
01:03:35I don't know.
01:03:36I don't know.
01:03:37I don't know.
01:03:38I don't know.
01:03:39I don't know.
01:03:40I don't know.
01:03:42I don't know.
01:03:55Albert, how are you?
01:03:58Oh, my God.
01:04:01You know Miss Benson, don't you?
01:04:03You sure?
01:04:05Albert, who's that girl you would have told?
01:04:08Yes.
01:04:12I didn't know you were jealous.
01:04:14She's one of my protégés.
01:04:19Oh, it's unfair. It's goddamn unfair.
01:04:21You shut up.
01:04:23We're not going to have this discussion here.
01:04:25There's some business associates upon you.
01:04:28You're never going to have this conversation,
01:04:29and to go inside.
01:04:30See you next time.
01:04:31This track will help you with myßerried franchise.
01:04:32We'll just end it up there.
01:04:33There's a show.
01:04:34There it is.
01:04:35See you next time.
01:04:36There's a show.
01:04:37Here's the show.
01:04:38Come to Kevin.
01:04:39You can read it with Erwin tournament.
01:04:40Go to Fantastic proposition.
01:04:41There was a show of Alice over there.
01:04:43That said, Robin, by Oops!
01:04:44With me, alright?
01:04:45You guys can get me back.
01:04:46And I said, one of her friends.
01:04:47I'd like you to eat.
01:04:48Some of you to forget this.
01:04:49My husband'sunching isMatt vlogs.
01:04:51I'm going to have him.
01:04:52Like this one.
01:04:53I asked him with Yard.
01:04:54I'm gonna have Sally.
01:04:57Vanna? Is that you, Vanna?
01:05:20But Miss Lisoni, I didn't mean to scare you.
01:05:23You almost gave me a heart attack in the idiot costume.
01:05:27Oh, that girl, that witch!
01:05:36You almost gave me a heart attack in the idiot costume.
01:05:41You almost gave me a heart attack in the idiot costume.
01:05:46You almost gave me a heart attack in the idiot costume.
01:05:52You almost gave me a heart attack in the idiot costume.
01:05:54You almost gave me a heart attack in the korean costume.
01:05:58uh
01:06:17uh
01:06:58Oh, I know, I know, I know.
01:07:16Oh, baby.
01:07:23Oh, sweetheart.
01:07:25The Mound of Venus.
01:07:28I think she's had a party with friends.
01:07:44She's a witch.
01:07:46I know she killed my Phil.
01:07:50Phil?
01:07:51My Phil, yes, my dog.
01:07:54Check that office for, uh, late workers.
01:07:59Somebody must know where they went.
01:08:02Yes, she's a horror.
01:08:04You've got to find her.
01:08:07Oh, Biggie.
01:08:09And you better get rid of that head.
01:08:11Find him.
01:08:12Oh, Biggie.
01:08:13Oh, Biggie.
01:08:14Oh, Biggie.
01:08:15Oh, Biggie.
01:08:16Oh, Biggie.
01:08:17Oh, Biggie.
01:08:18Oh, Biggie.
01:08:19Oh, Biggie.
01:08:20Oh, Biggie.
01:08:21Oh, Biggie.
01:08:22Oh, Biggie.
01:08:23Oh, Biggie.
01:08:24Oh, Biggie.
01:08:25Oh, Biggie.
01:08:26Oh, Biggie.
01:08:27Oh, Biggie.
01:08:28Oh, Biggie.
01:08:29Oh, Biggie.
01:08:30Oh, Biggie.
01:08:31Oh, Biggie.
01:08:32Oh, Biggie.
01:08:33Oh, Biggie.
01:08:34Oh, Biggie.
01:08:35Oh, Biggie.
01:08:36Oh, Biggie.
01:08:37Oh, Biggie.
01:08:38Oh, my God, look at this!
01:08:44Look out!
01:08:47Look out!
01:09:08Look out!
01:09:11Oh oh...
01:09:12Go ahead!
01:09:16Look out!
01:09:19This is me.
01:09:24Oh oh!
01:09:28Go ahead!
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