- 3 months ago
Category
🎥
Short filmTranscript
00:01:30I can't stand here anymore.
00:01:34Please let me down.
00:01:36Please.
00:01:38Help.
00:01:39Let me down.
00:01:40Please help.
00:01:42All right.
00:01:42Cut.
00:01:43Cut.
00:01:44Cut.
00:01:44Listen, dear.
00:01:45I'll sue you.
00:01:46Just have a blame if you don't get me down from here.
00:01:48All right.
00:01:50Let him down.
00:01:50Oh, my God.
00:01:51I should have known a man couldn't take it.
00:01:54They're all the same.
00:01:56Oh, mind the air.
00:01:57Now, please, get out the...
00:01:59Ow!
00:01:59Mind me ankles.
00:02:00Mind me ankles.
00:02:02Now, get out the way, you silly bitch.
00:02:03Now, come on, move out the one.
00:02:05Get it off, dear.
00:02:05You're a sadist, then.
00:02:08You're a monster.
00:02:09You don't care what you do to get a good few feet of film.
00:02:11I'm calling my agent and my lawyer, not to mention my tailor.
00:02:15Ow!
00:02:15I'll sue you, dear, I will.
00:02:17I'll sue you, female chauvinist cow.
00:02:20You've got to find me another actor.
00:02:23I want a man immediately.
00:02:24It's impossible.
00:02:26These screen tests are too hard.
00:02:29Men are frail little beings, helpless.
00:02:31They can't stand the rigors of a loose-habit film.
00:02:35I want another actor immediately.
00:02:37You're an agent.
00:02:38That's what agents do.
00:02:42Somewhere.
00:02:42Somewhere there must be a man.
00:02:47Gentle, yet brave enough to face whatever the future holds in store.
00:03:12No chance.
00:03:27We're wasting each other's time, loose-habit.
00:03:30The ship is loaded.
00:03:31We sail at dawn.
00:03:32That's your problem.
00:03:33No actor in his right mind would go off to parts unknown, into darkest Africa with you.
00:03:39You're a sadist.
00:03:40Rubbish.
00:03:40I'm not a sadist.
00:03:42I wouldn't ask anybody to do what my crew or I wouldn't do.
00:03:45We're windloof.
00:03:46Brave, strong, and fearless.
00:03:48For years, the critics have been saying my films are great, but I need a love interest.
00:03:56I want a male, delicate and beautiful.
00:04:00You take too many risks.
00:04:02You kill anybody to make your movies.
00:04:05I'll find one, with or without you.
00:04:08A sweet, gentle thing that will be braved when called upon, and will follow me to the ends
00:04:16of the earth.
00:04:18I'll search every nook and cranny.
00:04:21Queen Kong
00:04:30Queen Kong
00:04:34Queen Kong
00:04:37Queen Kong is the chick
00:04:39With all the hair
00:04:41Queen Kong, Queen Kong
00:04:46Come from I don't know where
00:04:49Kong Kong
00:04:53Kong Kong
00:04:54Kong
00:04:55Kong
00:04:56Kong
00:04:57Queen
00:05:00Queen
00:05:01Queen
00:05:02Queen
00:05:03Queen
00:05:04Queen
00:05:05Kong
00:05:06She's a genie
00:05:08Who ain't teeny
00:05:10She's the queenie, queenie for my weenie
00:05:14When I'm feeling
00:05:15Not a spunky
00:05:17I wanna do it with my honky monky
00:05:20Queen
00:05:21Queen
00:05:22Queen
00:05:23Queen
00:05:24Queen
00:05:25Queen
00:05:26Queen
00:05:27Queen
00:05:28Queen
00:05:29Kong
00:05:30Kong
00:05:31Kong
00:05:32Kong
00:05:34All right, I'm Queenie.
00:05:44All right, I'm Queenie, I'm Queenie, I'm Queenie, I'm Queenie, I'm Queenie.
00:06:14Oh, man.
00:06:16Toffee apples, lovely toffee apples. Come on, darling. Toffee, toffee apples.
00:06:21Tip edgy.
00:06:28Are you gonna pay for that, old son?
00:06:30What?
00:06:31Are you gonna pay for that toffee apple?
00:06:33No, I'll pay the other fella. I'll pay the other fella.
00:06:35I'm not giving them away for nothing, am I?
00:06:37Nah, go on.
00:06:38Come on.
00:06:39No nothings, Will.
00:06:44Come on.
00:06:45Two days.
00:06:46I'll pay the other fella.
00:06:47With her.
00:06:48With her.
00:06:49She'll be today.
00:06:54Theлавים gr
00:07:10Come on!
00:07:16Ah.
00:07:22Ah, Orny. How much is that composter in the window?
00:07:26Oh, 60 quid. It is a classic film of old times.
00:07:31This is the original reproduction.
00:07:34Oh, really? 60 quid, eh?
00:07:37Right.
00:07:40Ah, oh, my leg. My leg! Where is he? The little Italian fink. Come here. I'm gonna sue you.
00:07:47Oh, my leg!
00:07:49Mama mia! Please, calm yourself.
00:07:52Oh, you influence! Please, someone else can carry him into this shop.
00:07:56I am so sorry.
00:07:57That's you, finished, mate!
00:07:59Oh, my leg!
00:08:01Oh, my leg!
00:08:02Oh, my leg!
00:08:03Oh, my leg!
00:08:05Oh, my leg!
00:08:06Oh, my leg!
00:08:07Oh, my leg!
00:08:08I am so sorry.
00:08:09That's you finished, mate.
00:08:10It's nearly your game.
00:08:11Piano, piano.
00:08:16Put him in the chair.
00:08:17Careful, careful.
00:08:19Thank you, thank you, thank you very much indeed.
00:08:21And now I will make us...
00:08:23I am sorry.
00:08:24I will make us a cup of tea.
00:08:26And everything will be a little bit better, eh?
00:08:29As my old English mama always say,
00:08:31there is nothing like a cup of tea.
00:08:38Ah!
00:08:44Milk, sugar.
00:08:50Figlia di Funtana!
00:09:08Please, please.
00:09:09You cut back, please.
00:09:10Listen, you little fruit.
00:09:11I'm gonna call the cops.
00:09:12Who's the back?
00:09:13Here's 60 quid for your poster.
00:09:15Here, what about them oranges, then?
00:09:16Who's gonna pay for them, then?
00:09:17All right.
00:09:18Buy yourself some real fruit.
00:09:19Thank you, Miss.
00:09:20I'm taking this peach with me.
00:09:21Oh!
00:09:22Oh!
00:09:23Here, what about them oranges, then?
00:09:24Who's gonna pay for them, then?
00:09:25All right.
00:09:26Buy yourself some real fruit.
00:09:27Thank you, Miss.
00:09:28I'm taking this peach with me.
00:09:29Hello.
00:09:30Sorry to trouble you, but have you got a joint?
00:09:32Oh, go on, just one.
00:09:33It's always the same, man.
00:09:34Just one more.
00:09:35Go on, beat it, man.
00:09:36Beat it.
00:09:37Well, I do beat it, but the Pope says it's wrong.
00:09:38Ha-ha-ha.
00:09:39Ray?
00:09:40Thanks, chaps.
00:09:41Your drink.
00:09:42Oh!
00:09:43Oh!
00:09:44Oh!
00:09:45Oh!
00:09:46Sorry to trouble you, but have you got a joint?
00:09:50Oh, go on, just one.
00:09:52It's always the same, man.
00:09:55Just one more.
00:09:56Go on, beat it, man.
00:09:58Beat it.
00:09:59Well, I do beat it, but the Pope says it's wrong.
00:10:02Ha-ha-ha.
00:10:03Ray?
00:10:04Thanks, chaps.
00:10:09Your drink.
00:10:10Oh!
00:10:11Ta.
00:10:12Cheers.
00:10:20Waitress, could I have a sack, please?
00:10:33Full steam ahead.
00:10:35A star is born.
00:10:40Burn your bra.
00:10:41Burn your panties.
00:10:42Call your ma.
00:10:43Call your aunties.
00:10:44And ship off on.
00:10:45The liberated ladies.
00:10:46Hits a new dance.
00:10:47Swing in every nation.
00:10:48As they swing to the beat of women's liberation.
00:10:50Ladies dancing into the fearsome lion's den.
00:10:51Fighting for the rightful places next to men.
00:10:56Grab a Honda with Jane Fonda.
00:10:57Cheer a cheer.
00:10:58With Germaine Greer.
00:10:59Let's ship off on.
00:11:00Deliberated ladies.
00:11:01Paris, London, Tokyo and Rome.
00:11:02Still say it was places in the home.
00:11:03The liberated ladies.
00:11:04The liberated ladies.
00:11:06Lions Den, fighting for the rightful places next to men, grab a Honda with Jane Fonda,
00:11:15cheer a cheer with Jermaine Greer, let's ship our bonds, the liberated lady.
00:11:23Paris, London, Tokyo, and Rome, still play a woman's place in the home, New York, Dublin,
00:11:33Madrid, King, and Munich. Ladies, I'll swing it to the beat of the female unit.
00:11:41Swing and sweep, fix the ring, but the nearest male chauvinist think, let's ship our bonds, the liberated lady.
00:11:49Burn your bra, burn your panties, call your maw, call your aunties and ship our bonds, the liberated lady.
00:11:58Let's ship our bonds, the liberated lady.
00:12:01Let's ship our bonds, the liberated lady.
00:12:05Let's ship our bonds, the liberated lady.
00:12:09Let's ship our bonds, the liberated lady.
00:12:11Let's ship our bonds, the liberated lady.
00:12:13The sea is like a woman unfolding her vast mystery before us, relentlessly, relentlessly,
00:12:40relentlessly.
00:12:42What a great line.
00:12:44I wish I'd said that.
00:12:57How are you feeling?
00:13:01What time does this pub dock?
00:13:03And what am I doing here?
00:13:05Aha.
00:13:06You signed this contract.
00:13:09We're on our way to darkest Africa.
00:13:12To make a film that will make you the biggest film star in Uganda.
00:13:16Oh, terrific.
00:13:18Uh, listen.
00:13:19Have you got a joint?
00:13:20All prepared.
00:13:22Oh.
00:13:23Tremendous.
00:13:24Who are they?
00:13:28Who are they?
00:13:29Our native guides from Lasanga, where they do the conga.
00:13:38Lasanga, where they do the conga.
00:13:39Our destination.
00:13:40Where no Englishman has ever set foot.
00:13:41Why has no Englishman ever set foot there?
00:13:42Full of Australians.
00:13:43My God.
00:13:44Unga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga, ungapunga,
00:14:14Well, do you think this has some underlying meaning, or symbolism, or social significance?
00:14:21Perhaps it's a secret code.
00:14:24Maybe it's another language.
00:14:27Uh-huh. You are clever.
00:14:30But since I speak all native languages,
00:14:33and they speak ungabunga, language popular in many old movies,
00:14:37and the only language spoken on lasanga where they do the conga,
00:14:40and I can safely say that cong, cong, cong, cong, cong, cong, cong,
00:14:45has no particular significance as either a noun or a verb.
00:14:50Oh, shit.
00:14:54Maybe it's not cong, cong, cong, cong, cong, cong that they're saying.
00:14:59Maybe it's just the word cong repeated six times.
00:15:03My God.
00:15:05You really are clever.
00:15:10Your mother sees cong in hell.
00:15:14They seem possessed.
00:15:21Ugh!
00:15:22Hey, look.
00:15:23They just spat green pea soup out of their mouths.
00:15:27The Devil and Mrs. Hines.
00:15:30There is something out there that holds them in the grip of terror.
00:15:45Whatever it is that lies beyond the sea,
00:15:49we'll find it.
00:15:52Do you think this is really me?
00:16:13I mean, really me?
00:16:15Do you think when my public views me for the first time on the giant Panavision screen,
00:16:22and the full wonder of the stereophonic sound,
00:16:26do you think I should look so much like a fag?
00:16:30Through the genius of the Kodak Laboratories,
00:16:34I can make home movies that look like the professional movies you see on the second half of the bill at your local cinema.
00:16:39Now, the trouble with most home movies is that people just wave into the camera.
00:16:45In my award-winning movies, no one waves into the camera.
00:16:49That's what I'm famous for.
00:16:52Not one wave.
00:16:57Well, maybe one wave.
00:16:58Well, maybe one wave.
00:16:59There it is.
00:17:13Lasanga, where they do the congas.
00:17:18There it is.
00:17:26Lasanga where they do the conga.
00:17:28Lasanga where they do the conga.
00:17:30Lasanga where they do the conga.
00:17:32Where?
00:17:34Brighton.
00:17:36Oh, yeah.
00:17:39Cong, cong, cong, cong.
00:17:42Cong, cong, cong, cong.
00:17:48I know that tune.
00:17:56That tune.
00:17:57What's it called?
00:17:58Well, it's nice, but you can't really dance to it.
00:18:02It's on the tip of my tongue.
00:18:03Oh, what's it called?
00:18:05I'm not saying I don't like it, though.
00:18:07Maybe if you do something, a little dance, native in style, it will be all right.
00:18:11Yeah?
00:18:12Try it.
00:18:18No, no.
00:18:19Maybe at the local pub, but certainly not at the Hilton.
00:18:22Let me have a go.
00:18:29Ah!
00:18:30Ha, ha, ha!
00:18:31Oh, but you dance divinely.
00:18:34Oh, do I?
00:18:35Yes, well, I learnt this step from a migrant clairvoyant who'd been pillaged by a group of reactionary American boy scouts in the holy city in search of the golden fleece.
00:18:45Interesting.
00:18:48Oh, be careful, sweet one.
00:18:51Drop anchor.
00:18:55Oh!
00:18:57I'm so frightened.
00:18:59I've always been helpless.
00:19:01I used to stay at home with Daddy while Mum and the girls went out and played soccer.
00:19:05There's nothing to be afraid of.
00:19:08Don't worry.
00:19:09I'm a woman.
00:19:11I'll protect you.
00:19:14Oh!
00:19:18I'll protect you.
00:19:18I'll protect you.
00:19:19I'll protect you.
00:19:19I'll protect you.
00:19:19I'll protect you.
00:19:19I'll protect you.
00:19:20I'll protect you.
00:19:20I'll protect you.
00:19:21I'll protect you.
00:19:21I'll protect you.
00:19:21I'll protect you.
00:19:22I'll protect you.
00:19:22I'll protect you.
00:19:23I'll protect you.
00:19:23I'll protect you.
00:19:23I'll protect you.
00:19:24I'll protect you.
00:19:24I'll protect you.
00:19:25I'll protect you.
00:19:25I'll protect you.
00:19:25I'll protect you.
00:19:26I'll protect you.
00:19:26I'll protect you.
00:19:27I'll protect you.
00:19:27I'll protect you.
00:19:28I'll protect you.
00:19:29I'll protect you.
00:19:30I'll protect you.
00:19:31I'll protect you.
00:19:31I'll protect you.
00:19:32I'll protect you.
00:19:33Park!
00:19:38Original primitive music.
00:19:43Park!
00:19:48Original primitive music.
00:19:53All right, girls.
00:20:19All right, girls.
00:20:24Ray, Ray.
00:20:27I'd like you to put this costume on.
00:20:29I think we can still get a few shots in before dark.
00:20:32Eat your heart out, Elton John. Here I come.
00:20:38All right, all right, all right, girls.
00:20:42Ray, Ray.
00:20:45All right, now, come on. We've got a strike camp.
00:20:48Come along, now. Hurry up, girls.
00:20:51Oh, my God.
00:20:52We've got a strike camp.
00:20:54We've got a strike camp.
00:20:56Oh, my God.
00:21:00I love you, too.
00:21:01I love you, too.
00:21:03I love you, too.
00:21:05I love you.
00:21:06I love you.
00:21:10Up, up, up.
00:21:17Up, up.
00:21:24Up, up, up.
00:21:29Up, up.
00:21:32Up, up.
00:21:34Up, up.
00:21:36Left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left, left
00:22:06Morning.
00:22:36Morning.
00:23:06Morning.
00:23:36Morning.
00:23:38Look at that great big table and chair.
00:23:43Queen Kong.
00:23:45What is she?
00:23:48Only time will tell.
00:23:51Look at that great big wall.
00:23:55What lies behind the great wall?
00:23:57The Chinese have always lied behind the great wall.
00:24:02Mr. Tarzan, Mr. Tarzan, your wife Jane is on the other vine.
00:24:17You, bored by the monotony of modern living, spend your next vacation in downtown Liverpool.
00:24:32Come on, Liverpool.
00:24:39You
00:25:03Make your make your toilet as clean as your mouth
00:25:09Nimbati Conga
00:25:37What are they saying?
00:25:39The husband of Kong
00:25:41They're saying the husband of Kong
00:25:45Whatever could that mean?
00:25:47Nimbati Conga
00:25:49The husband of Konga
00:25:51The husband of Konga
00:25:53The husband of Konga
00:25:55The husband of Konga
00:25:57The husband of Konga
00:25:59The husband of Konga
00:26:01The husband of Konga
00:26:02The husband of Konga
00:26:03The husband of Konga
00:26:04The husband of Konga
00:26:05The husband of Konga
00:26:06The husband of Konga
00:26:07The husband of Konga
00:26:08Oh
00:26:09Oonga Boonga
00:26:10Banga wanga
00:26:11Him we like for making Konga
00:26:14Sanga banga wanga danga
00:26:16Him?
00:26:17No
00:26:18No
00:26:19But I pay you much to see the Konga
00:26:20But I pay you much to see the Konga
00:26:21Ziga-miga-figa
00:26:22Bega
00:26:23Yaga-booga-huga
00:26:24What's she saying?
00:26:27She said no.
00:26:34She says she wants you because you look like Doris Day.
00:26:41Who's he?
00:26:44It's no good, girls.
00:26:45She won't let us film the sacrifice.
00:26:47Come on, let's go back to the boat.
00:26:52Bloody foreigners.
00:26:54So beautiful.
00:26:58So tranquil.
00:27:00I'd want it to go on forever.
00:27:02If we hadn't run out of joints.
00:27:06Whatever it is that they are hiding on that island
00:27:09is going to make me the biggest film producer
00:27:12with love interest in the business.
00:27:15And you're going to be a star.
00:27:17A big star.
00:27:20No more panhandling for joints.
00:27:22No more stealing posters.
00:27:23You're going to have cash, baby.
00:27:26And lots of it.
00:27:28And now I must go below.
00:27:31Good night.
00:27:32Good night.
00:27:34Parting is such sweet sorrow.
00:27:37Oh, how absolutely marvelous.
00:27:38I do so love Christopher Marlowe.
00:27:41Oh, Ray, you're magnificent.
00:27:43You're such a literary iconoclast.
00:27:45Ha!
00:27:46Par de quoi?
00:27:47I didn't know you spoke Italian.
00:27:50Only on your own keeper.
00:27:51Ha!
00:27:52Once more, good night.
00:27:54Be careful, sweet one.
00:27:58Lest in the cool evening breeze
00:28:00you catch a chill
00:28:01and croak.
00:28:03Bungar, bungar, bungar, bungar, bungar.
00:28:11Bungar, bungar, bungar.
00:28:13I'd love to leave the conga.
00:28:14He can't do it.
00:28:15He can't do it.
00:28:16Starlight, star bright
00:28:19First star I see tonight
00:28:23I wish I fish
00:28:25I
00:28:26Starlight, star bright
00:28:31First star I see tonight
00:28:32Wish I may, wish I might
00:28:33Have the wish I wish tonight
00:28:35Silly
00:28:36I wish I may
00:28:38I wish I might
00:28:40Have the wish
00:28:41Do you mind keeping the noise down?
00:28:53Please, cue, I'm busy.
00:29:00Yes, and who to you too?
00:29:11Oh, do you mind, girls?
00:29:14I'm going to be an international star
00:29:15I've got no time for this frivolity
00:29:17Oonga, bunga
00:29:19Oh, Ray
00:29:31Oh, Ray
00:29:33When will this endless night
00:29:36turn into day?
00:29:40Ray?
00:29:41Ray?
00:29:44Ray?
00:29:44Ray?
00:29:45Ray?
00:29:46Ray?
00:29:48Ray?
00:29:49Ray?
00:29:50Ray?
00:29:52All girls on deck
00:29:59All girls on deck
00:30:00Man missing
00:30:01Find Ray
00:30:02Find Ray
00:30:03All right, girls
00:30:09I want a concentrated search
00:30:11Look everywhere
00:30:12Absolutely everywhere
00:30:14Up the stairs
00:30:16Down the stairs
00:30:18Don't leave a leaf on turn
00:30:21We must find him
00:30:23Come on, girls
00:30:24We must find him
00:30:25Look
00:30:26What's that?
00:30:34Contraceptives
00:30:35No
00:30:36You know what that means
00:30:38Yes
00:30:39The natives must have stolen Ray
00:30:42They haven't heard of the pill yet
00:30:45Poor Ray
00:30:48They haven't heard of the pill yet
00:30:49They haven't heard of the pill yet
00:30:49They haven't heard of the pill yet
00:30:50They haven't heard of the pill yet
00:30:51They haven't heard of the pill yet
00:30:52They haven't heard of the pill yet
00:30:53They haven't heard of the pill yet
00:30:54They haven't heard of the pill yet
00:30:55They haven't heard of the pill yet
00:30:56They haven't heard of the pill yet
00:30:57They haven't heard of the pill yet
00:30:58They haven't heard of the pill yet
00:30:59They haven't heard of the pill yet
00:31:00They haven't heard of the pill yet
00:31:01They haven't heard of the pill yet
00:31:01They haven't heard of the pill yet
00:31:02They haven't heard of the pill yet
00:31:03They haven't heard of the pill yet
00:31:04They haven't heard of the pill yet
00:31:05They haven't heard of the pill yet
00:31:06They haven't heard of the pill yet
00:31:07They haven't heard of the pill yet
00:31:07Oh, it's true.
00:31:37Blondes do have more fun.
00:31:43I paid 60 quid for that fruit.
00:32:07Get off me!
00:32:13Get off me!
00:32:15Mind me legs, for heaven's sake.
00:32:17These sacrifices only work with virgins.
00:32:21Help!
00:32:22What are you?
00:32:23Get off me!
00:32:24What are you?
00:32:25Get off me!
00:32:26Ah!
00:32:27Careful!
00:32:28Mind me legs, for heaven's sake.
00:32:29These sacrifices only work with virgins.
00:32:31Oh!
00:32:32Please!
00:32:33Help!
00:32:34Oh!
00:32:35What are you doing?
00:32:36Get off me!
00:32:37Oh!
00:32:38Get off me!
00:32:39Get off me!
00:32:40Oh!
00:32:41Oh!
00:32:42Help!
00:32:43Come on!
00:32:44My peach is just within reach.
00:32:49Come, come, come, come!
00:32:57Come, come, come, come!
00:33:02Help!
00:33:03Help!
00:33:04Help!
00:33:05Help!
00:33:06Help!
00:33:07Help!
00:33:08Ah!
00:33:09Ah!
00:33:10Ah!
00:33:11Ah!
00:33:12Ah!
00:33:13Ah!
00:33:14Ah!
00:33:15Ah!
00:33:16Whose birthday is this in any case?
00:33:17Come, come, come, come, come!
00:33:41Come on, girls!
00:33:43Let's get him out of here!
00:33:45Ah! I hate birthday parties!
00:33:49Ah! I want to go home!
00:33:52Ah!
00:34:09So this is the Queen Kong the natives spoke about.
00:34:15Don't eat me, girls!
00:34:18I'm too young to be eaten!
00:34:20Oh!
00:34:22Ah!
00:34:24Ah!
00:34:25Ah!
00:34:28Ah!
00:34:32Halibu, Francais!
00:34:36You can't eat me!
00:34:39I'm Jewish!
00:34:41I'm Irish!
00:34:43I'm black!
00:34:46I'm a leper!
00:34:48I'm a Jewish, black, Irish leper!
00:34:52Happy birthday to you!
00:34:55Happy birthday to you!
00:34:58Happy birthday to you!
00:35:00Happy birthday to you!
00:35:02Oh!
00:35:03Oh!
00:35:05Ah!
00:35:06Ah!
00:35:07Ah!
00:35:09Ah!
00:35:10Oh!
00:35:11Ah!
00:35:12Ah!
00:35:13All right, girls!
00:35:14Girls!
00:35:15Follow me!
00:35:18Look!
00:35:19Look!
00:35:20I can act now!
00:35:21I'm screaming now!
00:35:22Ah!
00:35:23Ah!
00:35:24Ah!
00:35:25How about that, eh?
00:35:26That was a good scream!
00:35:28Ah!
00:35:29Ah!
00:35:30Oh!
00:35:31Oh!
00:35:32Oh!
00:35:33Oh!
00:35:34Oh, my mum!
00:35:35Come on!
00:35:36Come on, girls!
00:35:37Let's get him out of here!
00:35:38Ah!
00:35:39Oh!
00:35:40Oh!
00:35:41Ah!
00:35:42Ah!
00:35:43Ah!
00:35:44Ah!
00:35:45Ah!
00:35:46Ah!
00:35:47You got the icing, eh?
00:35:48You'll taste much better than me, I promise!
00:35:50Ah!
00:35:51Ah!
00:35:52Ah!
00:35:53Ah!
00:35:54Ah!
00:35:55Ah!
00:35:56Ah!
00:35:57Ah!
00:35:58Ah!
00:35:59Ah!
00:36:00Ah!
00:36:01Ah!
00:36:02Ah!
00:36:03Ah!
00:36:04Ah!
00:36:05We should cut your nails!
00:36:06Ah!
00:36:07Ah!
00:36:08Ah!
00:36:17You did it!
00:36:18Ah!
00:36:19Oh, my God! A man-eating rosebush!
00:36:38A rose was a rose, was a rose.
00:36:42Runch the camellias and beware the begonias. Forward, march.
00:36:46Left, left, left, left, left, left.
00:36:55My God! A Trinosauropticus, like I used to read about in the history books.
00:37:02It's as if, in this jungle, the time has stood still.
00:37:11It's all teeth. Just like Jimmy Carter.
00:37:16I feel faith. Please put me down.
00:37:46Let's go.
00:38:10Stand with the right.
00:38:12Go on! That's it!
00:38:20Kick him in the... kick him in the... you know...
00:38:26Below the belt.
00:38:42Good girl.
00:38:52Play with me, son. You're playing with fire.
00:39:00Does this look like Scotland? Or am I just pissed?
00:39:04Left. Left. Left. Left.
00:39:08Left. Left.
00:39:11Oh, my God.
00:39:13A prehistoric bagpipe.
00:39:16A prehistoric bagpipe?
00:39:18Yes. A prehistoric bagpipe.
00:39:21Once they get their hands on a little oil, you can't shut them up.
00:39:24God in heaven, will these terrors never cease?
00:39:28Prehistoric bagpipe. Like those that wandered the earth thousands of years ago.
00:39:33It's as if in this jungle, time has stood still.
00:39:36Should we hear?
00:39:37No.
00:39:39It'll take the high road.
00:39:41And we'll take the low road.
00:39:43And let's hope we'll get there before it.
00:39:46All right, girls. Forward. March.
00:39:49Left. Left.
00:39:51Come on, girls.
00:39:52I can't stand heights. Please put me down.
00:40:05Nice and slow. That's it.
00:40:09Nice and easy.
00:40:22That's it.
00:40:23Should we go to dinner?
00:40:24Yes?
00:40:25Yes?
00:40:27That's it?
00:40:29No
00:40:31You're doing quinzen could have 15 minutes.
00:40:34Yes.
00:40:35I can't wait.
00:40:36Yes.
00:40:37No.
00:40:39We're going there.
00:40:41Why not?
00:41:42Help!
00:41:43Help!
00:41:44It's a thingy.
00:41:48It's a terry-watch-it.
00:41:49Help!
00:41:50Help!
00:41:58Help!
00:41:59It's a thingy.
00:42:00It's a terry-watch-it.
00:42:02Oh!
00:42:03Help!
00:42:05Help!
00:42:06Help!
00:42:10Help!
00:42:12You went through.
00:42:24Give me soup again!
00:42:29There must be 57 varieties of this shit!
00:42:44Go on, grab him round the beak!
00:42:59That one is much smaller than the other one!
00:43:01Go on, get in!
00:43:29Well done, girl. Thanks very much.
00:43:47This way, girl. Can't move.
00:43:54Raise up at the top.
00:43:59Watch your feet, girls. Ray. I know he's up there.
00:44:19Ray!
00:44:21Ray!
00:44:25Ray, answer me!
00:44:29Ray!
00:44:31Oh, Ray!
00:44:32Saved.
00:44:33Ray?
00:44:34Saved at last.
00:44:35Not now.
00:44:36After this harrowing experience.
00:44:38I think she smells us.
00:44:40I told you to use the deodorant.
00:44:42I didn't think it would matter in the jungle.
00:44:44You should never be careless to offend.
00:44:46Never be careless to offend.
00:45:04What are you doing?
00:45:06Put them down!
00:45:07Look!
00:45:08Look!
00:45:11The bad man is to stare!
00:45:14What will the neighbours say?
00:45:16Oh, I don't know what I'm going to do with that.
00:45:18No!
00:45:19Come on!
00:45:38What are you going to do that for?
00:45:40Friends of mine.
00:45:41No, don't try and make up. It's too late.
00:45:43It's too late.
00:45:44It's too late.
00:45:45It's too late.
00:45:46It's too late.
00:45:47It's too late.
00:45:48I've heard of being kissed off, but this is ridiculous.
00:45:51Oh!
00:45:53Oh!
00:45:55Oh, my God!
00:45:57I can't swim!
00:45:59Oh!
00:46:00Don't worry!
00:46:01Your heroine will save you!
00:46:02Oh!
00:46:04Oh!
00:46:06Oh!
00:46:07Oh!
00:46:08Oh!
00:46:09Oh!
00:46:11Oh!
00:46:12Oh!
00:46:13Oh!
00:46:14Oh!
00:46:16Oh!
00:46:17Your beast.
00:46:19Oh!
00:46:21Oh!
00:46:23Ah!
00:46:24Oh!
00:46:38Oh, my God.
00:47:08Oh, my God.
00:47:38Oh, my God.
00:48:08It's no good.
00:48:10All right, girls, follow me up the tower.
00:48:29Come on.
00:48:36Come on, Ray.
00:48:46Guess who didn't use that mouthwash this morning?
00:48:51Come on, all of you, help!
00:49:00Come on, all of you, push!
00:49:07Push!
00:49:22Push!
00:49:24No!
00:49:29No!
00:49:31No!
00:49:32No!
00:49:37Yeah!
00:49:39No!
00:49:42No!
00:49:43No!
00:49:49No!
00:49:51No!
00:49:52No!
00:49:54No!
00:49:56No!
00:49:57Ah, ah, ah!
00:50:23Oh, my, my!
00:50:27Come on, girls. On the boat. Hurry up.
00:50:38Come on. Quickly. Quickly.
00:50:43My God, she's tricked us.
00:50:46The bombs. Get the bombs. Start throwing the gas bombs.
00:50:50Come on. Come on.
00:50:55Throw the bombs. Hurry up. Come on.
00:50:57She's falling. She's falling this way.
00:51:02Oh, my God. Come on, girls. Run.
00:51:10Even for a 64-foot-high gorilla, you are one royal pain in the arse.
00:51:20There's nothing more to be afraid of, sweet one.
00:51:23We'll take her back to London, where she'll be the greatest attraction the world has ever known.
00:51:29She might have been a queen on this island.
00:51:31But in London, half the guys you meet are queen.
00:51:34Excuse me, sir. Could you tell us something about this female gorilla?
00:51:44It's about time they made some of the monsters.
00:51:47It's a long way to tell.
00:51:48It's all this stuff about burning their brazzlies.
00:51:51Well, let them take the blame.
00:51:52Oh, my God, it's so liberating.
00:51:53Well, I've read the history books.
00:51:55Well, I'm sure some of them are most extreme, they do, you know.
00:51:57Like Godzilla and...
00:51:58Yes, well, thank you very much for your use, Scott.
00:52:01Excellent.
00:52:02Excellent.
00:52:15Mr. Pay, all London is waiting to hear how you felt when you were abducted by Queen Kong.
00:52:20Oh.
00:52:23I would like to thank everyone, great and small,
00:52:26who has made my stardom possible on the international motion picture scene.
00:52:29Ray!
00:52:31The director, the camera woman, the clapper girl...
00:52:33Ray! Ray! Not now. Later.
00:52:36Oh. Er, no comment to the press.
00:52:50Ray!
00:52:52Ray!
00:52:55Ray!
00:52:56Ray!
00:52:58Ray!
00:52:59Ray!
00:53:00Ray!
00:53:02Ray!
00:53:03Ray!
00:53:04Ray!
00:53:05Ray!
00:53:06Ray!
00:53:07Ray!
00:53:08Ray!
00:53:09Ray!
00:53:10Ray!
00:53:11I'm sorry, I could never stand for that.
00:53:13It's disgusting, a travesty, an insult to women everywhere, Mr. Wolfe.
00:53:17Well, as my great-aunt Virginia would have said,
00:53:20tough noogies if she don't hide her boobies,
00:53:23cos if she don't hide her boobies, no show.
00:53:28Ray!
00:53:29Ray!
00:53:30Oh!
00:53:31Ah!
00:53:33Would you please say something?
00:53:35Oh, yes.
00:53:37I would like to thank everyone, great and small,
00:53:40who has made my stardom possible on the international motion picture scene.
00:53:44Not that, speak stupid.
00:53:46What do you think of him insisting that Queen Kong wear bra and panty?
00:53:59Ladies and gentlemen, here is the great Johnny Harris!
00:54:05Thank you very much, ladies and gentlemen.
00:54:06Thank you very much.
00:54:07Thank you very much, ladies and gentlemen.
00:54:08Thank you very much.
00:54:09Get off!
00:54:10I must admit, this is a very unusual engagement for me.
00:54:20I've never actually preceded a lady gorilla before.
00:54:25I followed a few in my time, but that was basically desperation.
00:54:29Um...
00:54:31I tell you, baby, I ain't had one bare booby in not one of my extravagances.
00:54:35But she is an animal!
00:54:37Now look, baby, no one ain't going to pay ten quid a head to see an animal, no matter how big she is.
00:54:42To get ten quid a head, you've got to shove her titties into two big sackets.
00:54:47You get it?
00:54:48That's a showmanship!
00:54:50That's, ha-ha, ugly!
00:54:52Which reminds me, please, when Kong is on, nobody coughs.
00:54:58No, no, please, it's very catchy when somebody coughs.
00:55:00I mean, one person coughs, another person coughs, she coughs, we could lose you in the draft.
00:55:06So now, ladies and gentlemen, to keep you more or less in a simian mood, the orangutan!
00:55:11Queen Kong, Queen Kong, Queen Kong is the chick with all the hair.
00:55:27Queen Kong, Queen Kong, come from I don't know where.
00:55:35Your sexist pig!
00:55:37You wouldn't ask a male gorilla to wear a brassianet, would you?
00:55:41What is the difference between male boobs and female boobs?
00:55:45They're bigger and a little more fun to squeeze.
00:55:51You might have a full house, Mr. Wolfe, but you're not getting a full brass.
00:55:57If you don't go on, you're broke, because I'm not going to pick up the tab for your expedition.
00:56:11Thank you very much. Thank you.
00:56:12Now, ladies and gentlemen, I'd like to introduce you to a noted filmmaker.
00:56:18A lady whose talent is only surpassed by her personality.
00:56:22Miss Luce Habit! Take it away, Lucy!
00:56:23Thank you, Royalty and Persons.
00:56:32Tonight we have a little surprise for you.
00:56:33Or should I say, a big surprise.
00:56:34We have just returned from darkest Africa, and amid the jungle drums...
00:56:39Please!
00:56:40Please!
00:56:41Please!
00:56:42Thank you, Royalty and Persons.
00:56:47Tonight we have a little surprise for you.
00:56:50Or should I say, a big surprise.
00:56:53We have just returned from darkest Africa,
00:56:56and amid the jungle drums...
00:57:04Please!
00:57:07Amid the jungle drums,
00:57:13we discovered something so frightening,
00:57:16so terrifying,
00:57:18that we had to bring it back alive.
00:57:21A film would not do it justice.
00:57:23It had to be seen to be believed.
00:57:26But first, I would like to introduce you
00:57:30to the sweetest, gentlest, bravest little boy in the world.
00:57:34Ray Faye.
00:58:04Let's dig the love.
00:58:06God directionless.
00:58:08In this world,
00:58:09In this world,
00:58:10we've been great.
00:58:11You got the laughter!
00:58:12You are a Belgian!
00:58:13You're about to see though!
00:58:14Yeah!
00:58:15Let's go!
00:58:16I saw Reynolds How what was terrible Kearnbe?
00:58:17How did a God trial sell?
00:58:18Probably!
00:58:19You are so negative.
00:58:21But we obviously are nothing,
00:58:22The time they were mientras him,
00:58:23That's their dangerous male Friend!
00:58:25After the Ph deepen!
00:58:27Through his own people,
00:58:28They may be close,
00:58:29that will matter,
00:58:31we'll bring people to try to get rid,
00:58:32And now, I have another little surprise for you.
00:58:59As you know, well, love blooms on the high seas, and I would like to say that Ray Faye is the only man in the world for me, and I would like to ask him to become my husband, to love, honor, and obeying, in sickness and in health, till he kicks off.
00:59:24Marie, I don't believe in sex before intercourse.
00:59:29Isn't there something you'd like to say, Ray?
00:59:35Oh, yes.
00:59:38I would like to thank everyone, great and small, who has made my stardom possible on the international movie scene.
00:59:47And now, ladies and gentlemen, the moment you've all been waiting for.
00:59:54The eighth wonder of the world, Queen Colt!
00:59:58I'm on your side.
01:00:00I'm on your side.
01:00:04And now, ladies and gentlemen, Ray Faye and Loose Habit will dance the dance of the island.
01:00:10of the Losanga, where they do the conga!
01:00:12And now, ladies and gentlemen, Ray Faye and Loose Habit will dance the dance of the island of Losanga, where they do the conga!
01:00:26And now, ladies and gentlemen, Ray Faye and Loose Habit will dance the dance of the island of Losanga, where they do the conga!
01:00:38And now, ladies and gentlemen, we'll have to thank Mr. Liv.
01:00:42We'll have to leave a little bit, please.
01:01:17Can't you see she's crying?
01:01:33We stuck her in this stupid costume and humiliated her.
01:01:37And now she's crying.
01:01:42We came to make a movie.
01:01:44We created a farce.
01:01:47Please, be quiet.
01:01:51This is dangerous.
01:01:52It's no joke.
01:01:54She's jealous.
01:01:55Can't you see that?
01:01:56She's jealous.
01:01:57And I'm jealous of them.
01:02:17Ray, I don't want to go.
01:02:32Ray, please.
01:02:33She's only breaking those chains because she loves me.
01:02:35Ray, please.
01:02:35George, you're jealous.
01:02:36You're just jealous.
01:02:38Ah!
01:02:45I hope your majesty enjoyed the opening today.
01:02:49We were most certainly not amused.
01:02:51Ah!
01:02:52No, I don't want to go.
01:03:03I want to go with her.
01:03:04I found the girl of my dreams.
01:03:06Big.
01:03:06Big and strong with hair coming out of her nostrils.
01:03:10Don't be crazy, Ray.
01:03:12Come back to the hotel with me.
01:03:14Now listen.
01:03:14That ape played a low scene on that stage tonight that was worthy of an Oscar.
01:03:19But she'll never give it to you.
01:03:20Just like that other ape, she'll give it to the Indians.
01:03:23Get off!
01:03:25Get off!
01:03:26Ray!
01:03:27I didn't take a £49 a night hotel suite for you to go spending the night with some other gorilla.
01:03:44But you're just like all the other women.
01:03:46Just want one thing.
01:03:48She loves me.
01:03:50Purely.
01:03:51Huh!
01:03:52Don't you be so sure.
01:04:00Oh!
01:04:00Oh!
01:04:00Oh!
01:04:01Oh!
01:04:02Oh!
01:04:02Oh!
01:04:03Oh!
01:04:03Oh!
01:04:04Oh!
01:04:05Oh!
01:04:06Oh!
01:04:07Oh!
01:04:08Oh!
01:04:09Oh!
01:04:10Oh!
01:04:11Oh!
01:04:12Oh!
01:04:13Oh!
01:04:14Hello?
01:04:15Hello, police!
01:04:16Hello, police!
01:04:17I know this sounds unusual, but some excessive vandalism is occurring round here.
01:04:23I thought you might be interested.
01:04:25Go ahead.
01:04:26I'll file a report.
01:04:3064-foot gorillas destroying?
01:04:34I say, do you mean a gorilla or ape?
01:04:37I mean, if it's that size, it's probably an ape, not a gorilla.
01:04:41Yes.
01:04:42Quite right.
01:04:43I think ape is definitely more accurate.
01:04:46Does it have any distinguishing characteristics?
01:04:47Does it have any distinguishing characteristics?
01:04:50You know, thoughts or anything?
01:04:53No.
01:04:54Nothing.
01:04:55Except it does have rather long toenails.
01:05:04They are rather long, aren't they?
01:05:06Hello?
01:05:07Hello?
01:05:08Hello.
01:05:09Oh, dear.
01:05:10We've been disconnected.
01:05:13We've been disconnected.
01:05:14Yeah.
01:05:15Oh.
01:05:16What do you mean there's a 60-foot-four career
01:05:46on the loose? What do you mean the 60-foot-four gorilla is walking around St Paul's? What do you mean
01:05:53the 60-foot-four gorilla is looking for a hippie from the Portobello Road? I mean there's a 64-foot
01:05:59gorilla on the loose. I mean the 64-foot gorilla is walking around St Paul's. I mean the 64-foot
01:06:07gorilla is looking for a hippie from Portobello Road. Oh, jolly good. I wasn't quite sure what you
01:06:13meant. Get back to me on this one, will you?
01:06:20Ray, would you please sit down and listen to me? How can I sit down and listen to you
01:06:45when the gorilla I love is out there looking for me? Eh?
01:06:52This is a song, my own composition. I wrote it myself. And the lyrics too.
01:07:15I like flying big planes, little planes, medium-sized planes, all kinds of planes. I like flying
01:07:35eenie weenie weenie planes. Itsy-bitsy planes and grand planes, all kinds of planes. I like flying big planes, little planes, medium-sized planes. All kinds of planes. I like flying.
01:08:02I like flying big planes, little planes. She didn't shut up once on the whole trip. She even sang during the movie.
01:08:09All kinds of planes. I like flying big planes.
01:08:12Yes, we're coming in now. Set for landing at zero, zero. No, no.
01:08:17Wait! What is it? I can't believe it. There's a 64-foot gorilla in front of us. Ladies and gentlemen, I'm pleased to announce that we're about to crash into a 64-foot gorilla. We hope that you've had a smashing flight, and we wish to thank you for taking care of you.
01:08:24What did he say? He said we're crashing into a 64-foot gorilla. What do they expect with a cross-eyed student?
01:08:31Yes!
01:08:32No! Wait! What is it? I can't believe it. There's a 64-foot gorilla in front of us.
01:08:38Ladies and gentlemen, I'm pleased to announce that we're about to crash into a 64-foot gorilla. We hope that you've had a smashing flight, and we wish to thank you for taking care of you.
01:08:47What did he say? He said we're crashing into a 64-foot gorilla.
01:08:52What do they expect with a cross-eyed stewardess?
01:09:09You don't understand, do you?
01:09:12It's all your fault.
01:09:15She wants me.
01:09:17You can hold me here because you're a woman and stronger than me.
01:09:20But, love, we'll find a way.
01:09:25Oh, no, you don't. You're not going anywhere.
01:09:39Let me out! Let me go, you big tut!
01:09:50Chief, the ape has wiped out a thousand years of English history and a year's supply of North Sea oil.
01:10:06Standing by for instructions.
01:10:07Like Churchill.
01:10:08Yes, Mother.
01:10:09Yes, Mother.
01:10:10Yes, Mother.
01:10:11Okay, okay.
01:10:12Yes, Mother.
01:10:13Yes, Mother.
01:10:14Yes, Mother.
01:10:15Okay, okay.
01:10:17What would Churchill do now?
01:10:18Churchill wouldn't be afraid, and neither am I.
01:10:21Stand by all cars, stand by helicopters, stand by fire engines, stand by submarines, stand by Royal Air Force, stand by everything!
01:10:42Screams, scream at Lol ...
01:10:49Small ears, waving with lightning falsies.
01:10:53There are on fan niye waves?
01:10:54No, bad Collins.
01:11:00And while you'repic'n't gonna kosten precisely.
01:11:03In siri, he's scared to ruptured with Mr. Garbuke.
01:11:06What was your favorite?
01:11:07you've always been a good-for-nothing yes dear lying in bed all day yes dear just reading that
01:11:24paper yes dear yes dear
01:11:38oh
01:11:56take that
01:11:58oh
01:12:04ah you want to fight eh
01:12:06all right
01:12:08there
01:12:28oh
01:12:30hey
01:12:32no
01:12:38oh
01:12:40okay queenie
01:12:42take it away
01:12:44so that's guerrilla warfare
01:12:50it's nice to see you again love
01:12:52looking very well
01:12:58don't tread on the people mind the people
01:13:08come back
01:13:10don't be afraid she won't hurt you
01:13:12will you be careful i know some of these people personally
01:13:28oh
01:13:30oh queenie
01:13:32crown jewels
01:13:34how extravagant
01:13:36huh
01:13:38but it's definitely not my colour love sorry
01:13:40oh
01:13:48do you know queenie it really is a shame the empire state building isn't in london
01:13:52hang on
01:13:54big ben
01:13:56we'll go up big ben
01:13:58even better
01:14:00come on
01:14:02crown jewels
01:14:04and now she's heading for a big ben
01:14:06you better get down there quick
01:14:08we shall fight her by land
01:14:10we shall fight her by sea
01:14:12we shall fight her in the air
01:14:14and they shall say that this was england's finest hour
01:14:18we'll crush that guerrilla
01:14:20like we crushed the u-boats willy
01:14:22man your battle stations
01:14:24man your battle stations
01:14:26prepare to meet your enemy
01:14:28follow me men
01:14:30good god
01:14:34take the time
01:14:36doesn't time flying when you're having fun
01:14:38good god
01:14:40take the time
01:14:41doesn't time flying when you're having fun
01:14:46on ones
01:14:48on ones
01:14:50on ones
01:14:52on
01:15:04i think we have been having this problem
01:15:06since we british
01:15:08started to let these bloody foreigners in
01:15:10i mean you don't see an english gorilla behaving like that do you
01:15:14you
01:15:20blasted traffic
01:15:26my god don't the police in this city do anything
01:15:28i wonder
01:15:34no don't shoot
01:15:36please don't shoot be careful
01:15:38steady girls steady steady steady
01:15:48please don't shoot
01:15:50no no queenie
01:15:52put the helicopter down
01:15:54put it down
01:15:56put it down
01:16:02me ray
01:16:04you kong
01:16:06put the helicopter
01:16:08down
01:16:10put me on the helicopter
01:16:12put me down
01:16:14what the hell
01:16:26don't be afraid of her
01:16:28she's just been misunderstood like all women throughout history
01:16:30put away those guns
01:16:32do you think they can affect her
01:16:33go on
01:16:34get away while you can
01:16:35here
01:16:36is there a pa system in here
01:16:37it's up there
01:16:40stop the attack of the planes and helicopters at this moment
01:16:43you cannot destroy her
01:16:45for she represents all women everywhere
01:16:49women
01:16:50forced into a mold
01:16:51to satisfy the images of male chauvinism
01:16:55hallelujah
01:16:57if you destroy this beautiful beast
01:17:00you're destroying
01:17:02a lifetime of female struggle
01:17:05yes
01:17:06she
01:17:07represents woman
01:17:09woman struggling to find her identity in a society
01:17:12viewing her as a kitchen slave and sex object
01:17:15right on man
01:17:16let's go
01:17:17woman
01:17:18subjugated to the whims of man
01:17:21with no consideration for her own personal self expression
01:17:25yeah that's me
01:17:26that's me subjugated to the whims of man with no consideration for my own personal self-expression
01:17:32what you see as a terrifying gorilla i see as the embodiment of the frustrations of all women
01:17:40everywhere it's true it's so true you pigs you're not persecuting her because this poor creature
01:17:50is a dark gorilla but because she is a woman a female a feminine creature oh holy bloody
01:18:02you persecute her like persecute all women you take her from where she can be loved and respected
01:18:11and force her into a costume that you find suitable ladies everywhere this is your chance for
01:18:18emancipation all of you big women small women ugly women beautiful women all of you must now gather
01:18:29together and help save your friend our friend queen
01:18:48oh
01:18:59Oh
01:19:29They're coming
01:19:41They're coming
01:19:45They're actually coming
01:19:49Oh Queenie, Queenie look what you've done
01:19:59The cavalry have arrived
01:20:01Just in the nick of time
01:20:03I don't believe it
01:20:23Kill it, kill it, kill that ape
01:20:25Now, Chief, control yourself
01:20:29Chief, Chief, control yourself
01:20:31Chief, control yourself
01:20:37Chief, control yourself
01:20:44Here's your report
01:20:45You male chauvinistic thing
01:21:00You're no son of mine.
01:21:04What? You, Mama.
01:21:08Okay. Okay.
01:21:10Officer, get that ape off that building and back to Africa,
01:21:14if you value your life.
01:21:18Oh, Queenie, we really have overcome.
01:21:27Soft breezes.
01:21:29Loving squeezes.
01:21:33Amid the bamboo trezes.
01:21:40And if you hold me too tight
01:21:44in the jungle tonight
01:21:49I'll run the risk of a swiftest mile.
01:21:55I wonder if they'd settle for a threesome.
01:22:10The Zanga, here we come.
01:22:13Soft breezes
01:22:20Cosmetic wheezes
01:22:25Amid the bamboo trezes
01:22:30Cosmetic wheezes
01:22:30Cosmetic wheezes
01:22:32And I'll have no curves in your massive head
01:22:46What you've got to work on
01:22:51You say life
01:22:52her love will have to be peptonic
01:22:54Now the situation has become more Корny
01:22:58and the love of the sun
01:23:02Love has found a way
01:23:04I think I'll get a bit
01:23:06But you only play my best
01:23:21If I were just an ordinary gorilla
01:23:25We could take that night boat to Manila
01:23:30Together
01:23:34Clad in the latest pair of Jesus jeans
01:23:39We could tour around the Philippines
01:23:43Together
01:23:47It wouldn't matter what we saw
01:23:51Since everything's under martial law
01:23:55And you would stop your yelling rape
01:23:59If I were just an ordinary household ape
01:24:05We'd spend our nights in a grass shack
01:24:08And we'd never dreamed of coming back
01:24:13And we'd never dreamed of coming back
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