Whispers of a Distant Dawn

Rita

Whispers of a Distant Dawn unfolds a poetic journey through time, hope, and destiny. Set against the twilight of uncertainty, it captures the quiet voices of dreams and the promise of a new beginning that lies just beyond the horizon. A story that blends mystery, reflection, and the beauty of change.

Transcript

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00:03:57I SAID

00:03:59Michael does this mean my sight getting too strong huh?

00:04:01Well. It's no. heating, Margaret.

00:04:03Well, I'll be darned.

00:04:05I suppose this means I'm getting decrepit.

00:04:09No, I try to find a black snake crip for you, but I had to take that instead.

00:04:13When you're not shaking that over our heads to make us work, you can hobble around on it and enjoy your sciatica.

00:04:19Now, come on boys. Do me a favor and clear out this mess.

00:04:21up this mess i'd hate the van ripers to know that i lived with a couple of heathens who worked on

00:04:27christmas eve that's right by joe i forgot they were gummy often ripers coming here yes and i

00:04:33was lucky to get them too they're fascinating people they're world traveled they'll give you

00:04:37all the latest news about india chad so come on we'd better be getting dressed

00:04:44joseph see that the living room gets cleared up and mix the tom and cherries yes mr

00:04:51it's a lot of charlie's nonsense

00:05:13and liqueurs a short dress and cream demand don't forget brandy for major chadwick yes

00:05:25excellency joseph remember the last christmas in saint petersburg just before the war yes

00:05:32the order of stanislav for me you were a great friend to follow me to america it was no longer my

00:05:53worship without you very excellent joseph when i had jewels and lands and palaces

00:06:09i was often weary and discontent when everything was taken away except my life

00:06:16i learned that the way to be really happy is to serve others to be needed so don't be sorry for me

00:06:28or for what was lost come the guests will be here and nothing will be ready

00:06:35madame tanya hear me sir brian will you please fix my tie you know i'm all thumbs when it comes to tying

00:06:42a proper bow and the table oh it's magnificent thank you sure it is magic how you do it

00:07:03yes it really seemed like christmas in those days what we should have george he's a troop of

00:07:13grandchildren yeah blowing horns and beating drums all over the place not for me oh well here's a

00:07:20a merry christmas to you anyhow merry christmas merry christmas good evening christmas christos

00:07:25was crazy that's for easter oh christmas oh so it is well a merry christmas to you then

00:07:32you're looking very festive madame tanya thank you major chatter and here is your present such a big

00:07:39best whatever can it be

00:07:55i sure have to sit down well we thought it would surprise you but we didn't think it would knock

00:08:00it out george get a dormitory for the coats come now you must try it on and see how it looks

00:08:11it's beautiful but it will keep me no warmer than your kindness has all these years

00:08:21it's

00:08:25zdarovia and don't tell me that doesn't mean your health it does vasha zdarovia and mary christmas

00:08:32mary christmas

00:08:36and don't you try to duck out and have a tray in your room you're sitting at the table i'll be there

00:08:43and now i must be looking after things the guests are very distinguished and as the hostess i must see

00:08:49that everything is perfect

00:09:11hey telegram sir

00:09:20oh what's wrong now the van ripers they can't come oh

00:09:26well that's odd at the last moment can't be helped illness in the family illness in the family

00:09:33you shouldn't have let them know i'd be here

00:09:37don't be ridiculous george you had nothing to do with it didn't i oh i can hear them george vale

00:09:46meltdown isn't he the fellow was mixed up in the shreve case acquitted lack of evidence oh for pity's

00:09:53sake george don't be so sensitive that's all past and forgotten sure it is and don't flatter yourself

00:10:00that anybody remembers

00:10:03to tell you the truth i'm relieved that the van ripers are not coming

00:10:07he's telling the same jokes he told 20 years ago and she dyes her hair i think it's a shrimp pink now

00:10:14i don't know why i asked them to come at all at all

00:10:20the trouble with us is we're in a rut too much work no play

00:10:29we don't take time to see our old friends yes not so many of our old friends left michael

00:10:37but then we ought to make new ones what we ought to do is what we ought to do is oh come on have a drink

00:10:53confusion to our critics and to us a merry christmas merry christmas

00:11:06uh

00:11:16well there must be some lonely souls out in that crowd you're a sentimentalist

00:11:23huh i have an idea chad get out your cards gentlemen what are you up to now

00:11:29these are some of the gift wallets that were left over with ten dollars in each of them

00:11:33put your cards in them gentlemen we'll throw them out of the window and maybe they'll bring back

00:11:37somebody to have dinner with us what strangers out of the street oh there are no strangers on christmas

00:11:42eve besides it's better than sitting around and hooting at each other like three old owls in a band

00:11:48not one of them comes back i'll take you up on that dinner appears for all of us and the loser pays

00:11:55you heard chad it's a bet that's all right i can't lose how long do we wait win or lose we dine at seven

00:12:02saint anthony send us back an honest soul

00:12:12with an appetite

00:12:22mine goes first

00:12:24it's gone your turn chad

00:12:32i can't see without my glasses all right you're next george come on come on let it go

00:12:46well i doubt if you'll find anybody worth feeding but if it gets unbearable george and i can pop

00:12:51around to the club for a rubber of bridge don't worry nobody will come back with them

00:12:55you're a man of very little faith george come away from the window before you break the charm

00:13:12well finders keepers any money in it ten dollar bill george vale melton engraved by uh

00:13:21tiffany he'll never miss the money here you are robin merry christmas thank you madam you have a

00:13:27heart of gold with other people's money i tell you england's territorial expansion has quite a

00:13:33different significance no matter how thin you slice it a grab is a grab grab that's a specious term

00:13:41england carried civilization into the wilderness what was australia before she redeemed it from the

00:13:46aborigines she made it a thriving territory a ranking continent for her own special benefit of course

00:13:53for the benefit of the whole world for the benefit of australia itself

00:13:59the proof is there isn't an acre of the empire that isn't proud to fly the british flag

00:14:03and furthermore let me down oh will you stop that noise noise is it what do you two think you're

00:14:15making the next thing you'll be digging trenches in the rung yes but i'm bound to refute his

00:14:20unenlightened bias bias my foot he always takes the other side of the argument to get your goat

00:14:25well it looks like you pay for the dinner o'brien maybe i do and then again maybe i don't

00:14:40know what's going on oh good evening to you good evening sir somebody here lose a wallet yes yes

00:14:53come in come in which one did you i mean my name is o'brien that's the name all right there's ten

00:14:59dollars in it ten dollars it is here you are sir well merry christmas wait wait stay and have a

00:15:07bit of cheer with us well i'll come along come along uh what is your name lad uh james houston sir

00:15:14houston is mighty nice of you what is nice of you sir i mean to bring back my wallet come along

00:15:22come along mr melton mr chadwick this is mr houston good evening proud to know you sir mr houston brought

00:15:28back my wallet and now he's going to have a drink with us what do you have lad oh whatever you're

00:15:33having sir i'm having tom and jerry myself how about you chad well just a spot and you george no

00:15:40thanks i gotta watch out for my back it really feels like christmas eve in here a mighty nice bar

00:15:47oh everyone another log oh let me do that sir

00:15:54nothing like an open fire we always have them down home

00:15:58hey uh you're from the west texas sir i'm from oklahoma myself oklahoma well i declare howdy neighbor

00:16:12that's a small world isn't it here sit down thank you sir tad thank you michael merry christmas

00:16:19merry christmas been up here long it was since september i came up with a rodeo to madison square

00:16:27garden thought i'd stay around and look the town over stayed a little too long i guess

00:16:34now i'm working for a steak to get back to texas

00:16:38were you going someplace dinner perhaps no no sir no place in particular just walking around

00:16:44uh i've never been away from home on christmas before well so long as you're not going anywhere

00:16:50why not have dinner with us well now that's right kind of you sir but i don't well after all michael

00:16:56it's no inducement for a young fellow to dine with three old fogies like us you know well now if

00:17:03if you put it that way i i can't very well refuse major chadwick this young lady says she found your

00:17:11wallet oh yes of course of course good evening oh good evening are you mr chadwick yes oh i believe

00:17:25it's customary to describe lost articles oh yes that's right of course of course well it was a sort of a

00:17:33wallet a square wallet with my card inside any money of course oh yes ten dollars here you are oh

00:17:49yes yes thank you thank you very much you're very welcome merry christmas merry christmas wait a minute

00:17:55wait a minute don't go come over to the fire it's cold outside get a tom and jerry for the young lady

00:18:00george it'll warm you up oh you didn't what's your name jean lawrence my name is james houston man

00:18:07how do you do mr houston yes mr houston put those two places back i believe mr o'brien will have

00:18:16guests for dinner after all yes the last time i had a tom and jerry was back home in new hampshire

00:18:23new hampshire then you're not spending christmas eve with your family no i was just going out to the

00:18:28movies why don't you stay and have dinner with us oh well thank you very much but i could why not

00:18:34have you had dinner no but i had a late lunch and dinner yourself that settles it come along we'll not

00:18:42take no for an answer come along now it's all planned it's a little game we're playing i'll tell you all

00:18:48about it you see there were three of us here and we made a bet and uh one of us lost

00:19:05the poor christian men be sure rank or wealth possessing ye who would now bless

00:19:23the poor shall yourselves be blessed

00:19:32hey boy you can sing hey fellas come up we want some music up here

00:19:38i dream of genie with the light brown hair born like a vapor on the summer air

00:19:59i see her tripping where the bright streams play happy as the daisies that dance on her way

00:20:17many were the wild notes her merry voice would pour many were the blithe birds

00:20:28birds that warbled them o'er i dream of genie with the light brown hair floating like a vapor

00:20:54i dream of genie with the light brown hair

00:20:56i dream of genie with the light brown hair

00:20:58my boy you have a grand voice he's a real singer oh it's nothing so much i used to sing a bit down on the range

00:21:02come on let's all sing yeah it's a good idea joseph alfonso and catherine come here we're all going to sing

00:21:08sure come on uh how about jingle bells jingle bells

00:21:12jingle bells oh

00:21:14jingle bells

00:21:16jingle bells

00:21:18jingle bells

00:21:20jingle bells

00:21:22jingle bells

00:21:46Chakrada staka kesila nam chata massa nya

00:21:50Haa

00:21:50Peehle plaka, peehle plaka, peehle fina bay

00:21:54Ouah que joia cure con l'alcita er seba

00:21:57Fingela fang, fingela fang, chibela fang

00:22:01Ola ta'rna, tingela fang, noan, noan, noan, noan

00:22:05Fingela fang, chibela fang, chibela fang

00:22:08Ola ta'rna, tingela fang, noan, noan, noan!

00:22:12Ah, Colleen, sure you make me wish I was 22 again.

00:22:17I like you the way you are.

00:22:18Good night.

00:22:19Good night, young lady.

00:22:20Don't forget, we have a date tomorrow.

00:22:21Three o'clock at the clinic.

00:22:22Good night, gentlemen.

00:22:23Good night.

00:22:23Good night, gentlemen.

00:22:24Good night, Madame Tanya.

00:22:25I had a lovely time.

00:22:26Bless you, child.

00:22:27We'll all date.

00:22:28Good night, ma'am.

00:22:29Good night, Jimmy.

00:22:31Wait.

00:22:32You're forgetting your overcoat.

00:22:34Oh, I didn't have an overcoat.

00:22:39Well, that's not my overcoat.

00:22:42Your overcoat.

00:22:42You have a good tailor.

00:23:06Good night, Madame.

00:23:07Ah, they're grand youngsters.

00:23:30That boy reminds me of David.

00:23:34I thought you two were going out to the club to play bridge.

00:23:37Now, Michael, don't gloat.

00:23:40Look at the Irish.

00:23:41I'm turning in.

00:23:46Good night.

00:23:47Good night, Doug.

00:23:48Good night.

00:23:52Tough guy.

00:23:53Gave the lad his pet overcoat.

00:23:55Well, here we are.

00:24:06I can hardly believe it's all been dreaming.

00:24:06Neither can I.

00:24:08Neither can I.

00:24:08Maybe we're dreaming.

00:24:14You know, I wouldn't be a bit surprised to see Santa Claus.

00:24:18Reindeers and all sliding right down the sky any minute.

00:24:21But you.

00:24:22But you.

00:24:29His name's Gallagher.

00:24:31He's Officer Johnson's horse.

00:24:33He loves sugar.

00:24:35Well, I declare that's really something.

00:24:38One ever expected to find a girl in New York carried sugar around for a horse.

00:24:42Oh, good evening, Miss Lawrence.

00:24:43Oh, good evening, Officer Johnson.

00:24:44This is Mr. Houston.

00:24:46Oh, so I am.

00:24:47He's just admiring your horse.

00:24:48Yeah, I raise him myself down in Texas.

00:24:51Oh, you do, huh?

00:24:51Sure is a pretty coat.

00:24:53What do you feed him?

00:24:54Rolled oats?

00:24:55Yep.

00:24:55Yeah, sure.

00:24:56You know, I haven't been on a horse for three months.

00:24:59I used to live on one, practically.

00:25:01I.

00:25:02I sure would like to ride him.

00:25:04Oh, I'm sorry, son.

00:25:06But if the sergeant ever caught me letting anybody ride my horse, I'd be found in a beaten flatwood.

00:25:11Yeah, sure.

00:25:12I understand.

00:25:13Well, it's mighty fine seeing him anyway.

00:25:16He sure is pretty.

00:25:18Shh, shh, is it all clear?

00:25:33All clear.

00:25:44Hey, the sergeant's coming.

00:25:46Good evening, sergeant.

00:26:02Evening.

00:26:04Anything wrong?

00:26:05Oh, nothing at all.

00:26:06Oh, it's a lovely evening, isn't it?

00:26:08Huh?

00:26:08I mean, after the snow.

00:26:09I love the snow, don't you?

00:26:11It makes everything seem more like Christmas, doesn't it?

00:26:13I was, uh...

00:26:14Yeah, well, good evening.

00:26:15Sergeant, um, would you mind awfully if I asked you a few questions?

00:26:18All right.

00:26:19What is it?

00:26:20Uh, have you ever been to Texas?

00:26:23I have never been south of the battery.

00:26:24Oh, that's too bad.

00:26:25You ought to travel, you know.

00:26:26It's really quite broadening.

00:26:27Yes, well, I'm broad enough now.

00:26:29Oh, sergeant, um, do you like children?

00:26:32Well, I bet I had.

00:26:33I've got six of my own.

00:26:35Oh, you don't say.

00:26:36You know, I've got 20.

00:26:37What?

00:26:38That isn't the clinic.

00:26:39I work there.

00:26:40Oh.

00:26:42Well, good night, sergeant.

00:26:44It's nice to meet you.

00:26:46Phew.

00:26:46It was that close.

00:26:47Hello, Texas.

00:26:52How'd you like the ride?

00:26:54Oh, I liked it.

00:26:57Fine.

00:26:59And as for you, Johnson.

00:27:01Yes, sir.

00:27:03Merry Christmas.

00:27:06Well, Merry Christmas to you, sergeant.

00:27:11Merry Christmas.

00:27:12Merry Christmas.

00:27:13What else do you do besides feeding sugar to a horse?

00:27:18Oh, I'm sort of a kindergarten teacher.

00:27:21I keep the children busy and amused while they're calm unless you know it helps me get

00:27:24well quicker.

00:27:25Do I have to get sick to join your class?

00:27:27I afraid you're much too young for that.

00:27:30I hate to let you go.

00:27:33I'll see you tomorrow at three.

00:27:37Good night.

00:27:39Good night.

00:27:41Oh, Jimmy.

00:27:42Your coat.

00:27:47Thanks very much for letting me work.

00:27:48You're sure welcome.

00:27:53Good night, Jesus.

00:27:55Good night, teacher.

00:28:00Oh.

00:28:01Oh, here.

00:28:01Oh.

00:28:03Yes.

00:28:12How are your children, Mr. Brown?

00:28:34They're just fine with the little one has the measles and the big one has the mum.

00:28:38Oh, I'm sorry to hear that.

00:28:39That's a pity, isn't it?

00:28:41Yes, it is.

00:28:42You take sugar?

00:28:43Yes, please.

00:28:44Merry Christmas.

00:28:45Merry Christmas, everybody.

00:28:46Merry Christmas, everybody.

00:28:48Merry Christmas, big cheese cream at the face himself.

00:28:51Come on.

00:28:52Join the tribe.

00:28:54Hello.

00:28:55Hello.

00:28:55And who might you be?

00:28:57I'm Hans and I'm Paul and Irish.

00:28:59Well, I'm Michael and I'm 64 and I'm Irish too.

00:29:02And Irish too.

00:29:03Who's an Irish too?

00:29:04I am.

00:29:05Oh, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho, ho.

00:29:07And then the elephant said, through his big, long nose,

00:29:14I want to be the king.

00:29:37I want to be the king.

00:30:07Oh, they all fell down.

00:30:29You bet your life they did.

00:30:31It's a ringer.

00:30:32A ringer.

00:30:34Hey, Madame Sanya, where do you think you're going?

00:30:37Don't I have to pick up the bottles?

00:30:40The violin's back.

00:30:42We have to pick up the bottles.

00:30:44Jeannie, come on, Jeannie, you're back.

00:30:51Here, hold my coat.

00:30:53I'll show you what a bowler I am.

00:30:55Never mind, bragging.

00:30:57Right, old fella.

00:30:58Shoot the works.

00:30:59Stand clear.

00:31:03What a champion.

00:31:08One, two.

00:31:09Ever so humble, there's no place like home.

00:31:25And he's for thee, collateralbars.

00:31:33You never mind.

00:31:34Three, two, one.

00:31:38You never mind.

00:31:43You never mind.

00:31:43I've never seen them have such a good time.

00:32:03I'm grateful to you both.

00:32:13Ah, you know, we're going to have a lot of good times together.

00:32:20Goodbye.

00:32:21Goodbye, Jeannie.

00:32:22Goodbye, dear.

00:32:25You're just like the daughter I always wish for.

00:32:27Come on, let's get going.

00:32:28Cheerio, lad.

00:32:28Happy landing, sir.

00:32:29Goodbye, madame.

00:32:31And don't be gone too long.

00:32:34We're going to miss you.

00:32:35We'll be back, and you take good care of yourself, and don't go into those bowling alleys.

00:32:39Mr. O'Brien, can't you gentlemen please take the train?

00:32:44Oh, there she goes.

00:32:46I suppose you'd like to have us take a stagecoach.

00:32:49Now, don't worry.

00:32:51We'll be back before you know it.

00:32:53Goodbye.

00:32:54Bye.

00:32:55Bye.

00:33:09I wish they were taking the train.

00:33:14Oh, don't you worry.

00:33:16They'll be all right.

00:33:17Come on, Gallagher.

00:33:44Tea or coffee?

00:33:45Coffee.

00:33:47Dogs.

00:33:50Cats.

00:33:54Sugar and cream.

00:33:56Brussels sprouts.

00:33:58Oh, that's bad.

00:34:00But it's the only one you've missed so far.

00:34:02Everything else we like alike.

00:34:07You know, I had a hunch there was something to keep me here in New York.

00:34:10And you're it.

00:34:12Do you have somebody back in Texas?

00:34:14Oh, sure.

00:34:15Do you like her?

00:34:18Oh, crazy about her.

00:34:19Oh.

00:34:21Well, you must tell me more about her.

00:34:23What's she like?

00:34:24Well, she's pretty.

00:34:27About your coloring.

00:34:30Brown eyes.

00:34:31I suppose she's crazy about you, too.

00:34:33Oh, yeah.

00:34:34Every night when I come home, she runs clear to the gate to meet me.

00:34:38What's she going to say about me?

00:34:40Well, I don't know.

00:34:42She'll probably say, uh...

00:34:44Jimmy, you and your old horses.

00:34:50Yeah.

00:34:50How many fellas you got on the street?

00:34:52Oh, not many.

00:34:54Who?

00:34:56Just Mr. Chadwick, Mr. Belton, Mr. O'Brien.

00:34:59And you.

00:34:59As soon as I'll get a decent job, we can get married.

00:35:06Jimmy, you just proposed to me.

00:35:08What?

00:35:09I did.

00:35:11Well, it's...

00:35:11It's all right, isn't it?

00:35:14Darling.

00:35:19Paper, mister?

00:35:19Not just now, Sonny.

00:35:23Extra, extra, extra, ain't that all about it.

00:35:28I'm still pretty worried about those Brussels sprouts.

00:35:30Oh, Lily.

00:35:32Well, is that it for spinach?

00:35:33Okay.

00:35:35Come on, I gotta tell somebody.

00:35:37Our friend should be back.

00:35:39Let's go.

00:35:44Hey!

00:35:49We had hope until an hour ago.

00:36:00I knew I would never see them again.

00:36:09Somehow, I knew.

00:36:19We had hope since we were here.

00:36:42Sir, sir, did you hear?

00:36:56What, excellency?

00:37:12Keep the tobacco jar filled, Joseph, and bring the hot tuggies as you usually do.

00:37:42I know you are here, I cannot see you or touch you, but I know you've come home.

00:38:12She didn't see us.

00:38:26I remember now.

00:38:28We were flying.

00:38:29There was a storm, a mountain top.

00:38:36We crashed.

00:38:38Yes.

00:38:39Everything went black for a moment.

00:38:43Then we were here.

00:38:44I seem to feel all right.

00:38:49How are you, Chad?

00:38:52Splendid.

00:38:53Light as air.

00:38:56My glasses.

00:38:58They're gone.

00:39:01I don't seem to need them.

00:39:07So this is it.

00:39:09Sure, it's no more than walking from one room into the other.

00:39:12Chad, how's your back?

00:39:17Oh, look at him.

00:39:20And my feet don't hurt.

00:39:22And I can see right through you, George.

00:39:25You always could.

00:39:28And now do you believe in the immortal spirit of man?

00:39:32It's just the hammer of being here that brought us back for a while.

00:39:36For a while.

00:39:36And then what?

00:39:39You're not afraid, Chad.

00:39:41No.

00:39:42Only curious as to what comes next.

00:39:45We'll find that out when the time comes.

00:39:48Oh, are we still in partnership?

00:39:51Looks like we're out of business.

00:39:53Yes, and good riddance, too.

00:39:54Oh, Jim, don't be ridiculous.

00:40:00You can't have three best men.

00:40:02Who says I can't?

00:40:03Why can't I have three best...

00:40:04Joseph?

00:40:05Joseph, do you see why I can't have three best men if...

00:40:09What's the matter, Joseph?

00:40:11You have not heard.

00:40:13Jimmy.

00:40:36It can't be, Jim.

00:40:39It can't be.

00:40:40It can't be.

00:40:43Evening, ma'am.

00:40:52Madam Daniel!

00:40:58They loved you both...

00:41:01very much.

00:41:04You were good to her.

00:41:08They were our friends.

00:41:09They brought us together.

00:41:18We came to tell them.

00:41:22Oh, Jim.

00:41:26Jamie.

00:41:26Ah, poor kids.

00:41:31They've come to tell us their good news.

00:41:33Strange seeing it from this side.

00:41:36There's no pain for us.

00:41:38Except our grief.

00:41:41Everything seems faint and far away.

00:41:45Except loving people.

00:41:49Madam Daniel.

00:41:52Madam Daniel.

00:41:53In the library.

00:42:10In the library.

00:42:11In the library.

00:42:11The disk.

00:42:41what's going on left them a couple of bonds enough to get married on shouldn't have done

00:43:04it money's bad for kids don't forget you still owes the dinner from the last time you were wrong

00:43:11dear jimmy and jean accept this gift for the happy day i can see their eyes is not far off you have a blessing

00:43:34just like them to do this for a couple of strangers

00:43:37you are not strangers you feel the very lonely place in his heart

00:43:50but won't you need these no jimmy i think i'm well provided for

00:43:57is there anything i can do

00:44:06perhaps jimmy you would come and live here for a while

00:44:10so joseph and i would have someone to look out oh i'd be glad to ma'am

00:44:19go now you have a blood to talk about

00:44:33i could swear i see them up there so could i

00:44:50i beg your pardon are you related to the men who lived here they were our friends could you give

00:45:00me some idea what they were like the report is that they were eccentric old hermit that's not true

00:45:04i should say not they were swell well i'm on the daily press my paper wants human interest won't you

00:45:10come along and talk it over this is station wrc national network new york city you've just heard

00:45:21your radio reporter giving you the latest news flash from the wrc tower the time is 15 minutes

00:45:26you want me here's a story for our next week's personalities on the news program i'll get those

00:45:32kids every wednesday evening at 7 30 p.m which brings for the air people who have

00:45:40i think he should madam tanya don't you jim they might give you a chance to sing and all you need

00:45:55is a chance that's right jimmy opportunities don't come every day what about gene says in the telegram

00:46:04they want her too oh i couldn't are you too scared go ahead and see what they say darling

00:46:10if they let you sing i know you'll be a hit you'll be famous we'll be rich you'll be able to buy that

00:46:15big ranch with a million horses and that time you can come stay with us yeah we can all live happily

00:46:20ever after i still say he'd be better off back in texas on the ranch where he belongs well i agree

00:46:26with michael the boy's got talent why shouldn't he do something with his voice sure and why not what's

00:46:33wrong with him being a singer the world needs music just as much as it does buildings and bridges

00:46:38well all right have it your way and i'm not in favor of it

00:46:44uh my name's james houston i received this telegram from mr barrett i'll tell him you're here thank you

00:46:51mr barrett mr houston you may go right in thank you very much oh i'm

00:47:06oh aren't you going to pick it up

00:47:14i sure hope i didn't do any damage miss terry oh that's all right

00:47:19where have i seen you before oh probably in the paper

00:47:28well texas are you anything on the air oh i hope so well let me know when you go on

00:47:34i'd like to hear you my telephone number's on there good luck why thank you ma'am

00:47:50where can i phone right here use this one thank you

00:48:06oh jimmy really yeah they're going to put me on the broadcast tonight

00:48:10yeah i'm going to sing oh darling i know you'll be good would you call madam tanya and tell her

00:48:17i've got to go practice i mean rehearse yeah i'll come by and pick you up after it's over and

00:48:24we'll go celebrate bye honey i'll i'll be singing to you goodbye and good luck darling

00:48:31churchill he's gonna sing sing no not him i mean jimmy he's singing tonight at 7 30 wrc i gotta tell

00:48:47all the nurses is my wife here and if she's over nine years old this is a children's hospital

00:48:54hello mom mama yeah mom what i called you about is is a surprise yeah i want you to tune in on wrc

00:49:09at 7 30 new york time tonight yeah what oh no mama i don't need him no but mom it's not cold enough for

00:49:22them but mom people don't wear them in new york yet now don't forget mom 7 30 tonight yeah goodbye mom

00:49:38thank you uh do you mind no it's quite all right thank you

00:49:46miss terry's apartment who's calling no she isn't in right now i don't know when she'll be back

00:49:57i'll tell you call mr houston hello hello miss terry this is jimmy houston yeah i met you at the radio

00:50:08station you remember well i'm calling you like you said because i'm going to be on the air tonight

00:50:14at 7 30. you are yes oh you must be swell because barrett's tough sure i'll be listening in thanks for

00:50:22letting me know goodbye mr houston

00:50:39sounds pretty good pretty good it's a hit we can go into a fast rehearsal just as soon as tony marshall

00:50:46returns from florida oh poor old tony he'll be making his entrances in a wheelchair pretty soon

00:50:52don't worry he's had his face lifted besides he still brings them in

00:50:56what about some dinner oh it's quarter to eight quarter to eight wait a minute there's something

00:51:02i want to hear if i missed it so why should we run let's get drenched in moonbeams the blossoms of romance

00:51:22need showers to start don't shelter your heart it's raining dreams i heard the thunder crash

00:51:38the moment we kissed and now that we've kissed it's raining dreams

00:51:46i saw the lightning flash and light up the skies or was it your eyes it's raining dreams

00:52:03we're caught in a moon shower with no place to run

00:52:10so why should we run so why should we run let's get drenched in moonbeams the blossoms of romance

00:52:23need showers to start don't shelter your heart it's raining dreams

00:52:40that is worse than heading off a stampede how was it all right

00:52:55here they come hello oh yes miss terry yes he's here you're doing fine

00:53:06hello oh thank you well it's nice of you to say so oh i mean it really well just a minute my producer

00:53:19phil hubert wants to talk to you hello mr houston yes this is phil hubert

00:53:27well you're very good thank you very much

00:53:30well i'd be glad to sir yes i have the address i'll be up there directly goodbye well we can't go

00:53:41very far wrong with a voice like that let's see we could build him up on the radio and then i get

00:53:46kelly busy on the publicity and if he looks like you say he does i think maybe we've got something

00:53:52jimmy darling you're marvelous oh thanks honey but you don't know the half of it i'm on my way now

00:54:06to see a fella about my singing yeah i just came by to tell you i can't stay i gotta go right away

00:54:11goodbye i'll phone you later goodbye i'll be waiting

00:54:15well hello evening ma'am this is mr hubert mr houston proud to meet you sir hello congratulations

00:54:26you stopped the show oh no ma'am i reckon it was fixing to stop anyway i came on at the end

00:54:33well how did you like the applause oh fine sir i figured half of it was good manners and the rest

00:54:38was on the station payroll it's a crime to spoil modesty like that boy you are a natural

00:54:45miss terry and i are going over the book of our new show our old leading man is beginning to

00:54:49creak a little we thought perhaps you might fit in with our plans well i declare you you mean on the

00:54:56stage sir yes oh no i don't think that oh come on have a drink have something to eat let's get better

00:55:02acquainted i feel lucky tonight to success

00:55:14well hello oh i'm sorry dr brown is on day dukey

00:55:31my sweet louisiana lady joseph i'm a success i'm gonna sing in a

00:55:54show lovely music

00:56:01you better go to bed it's after three i'm all right joseph i'm all right

00:56:07good night joseph good night

00:56:20oh well why not who wouldn't celebrate he's getting his chance yeah chance to get mixed up

00:56:30with a lot of cheap people who turn his head and make a fool of him he'll drink too much and he'll

00:56:35laugh too much he'll lose his way well two sides to it george the way i see it he'll give people a lot

00:56:43of pleasure ah he's a good lad and he's in love with the fine girl she'll keep him steady to be born

00:56:51innocent is natural but to die pure of heart that's a gift well stick to your faith michael you may

00:57:01need it before you're through ah you're always looking at the black side of things

00:57:15so

00:57:45George, no matter what you did, if you're sorry for it, no power of darkness can touch

00:58:04you, if you'll only say you're sorry, George. But I did need a doing. I have no remorse. I never did have. I'd be a hypocrite to say I'm sorry now.

00:58:34I don't know.

00:59:04I don't know.

00:59:34I don't know.

00:59:41Come in.

00:59:53Come in.

01:00:00Come in.

01:00:07Come in.

01:00:14Come in.

01:00:21Come in.

01:00:28Come in.

01:00:29Come in.

01:00:30Come in.

01:00:31Come in.

01:00:32Come in.

01:00:33Come in.

01:00:34Come in.

01:00:35Come in.

01:00:36Come in.

01:00:37Come in.

01:00:38Come in.

01:00:39Come in.

01:00:40Come in.

01:00:41Come in.

01:00:42Come in.

01:00:43Come in.

01:00:44Come in.

01:00:45Come in.

01:00:46Come in.

01:00:47Come in.

01:00:48Come in.

01:00:49Come in.

01:00:50Come in.

01:00:51Come in.

01:00:52Come in.

01:00:53Come in.

01:00:54Come in.

01:00:55Come in.

01:00:56Come in.

01:00:57Come in.

01:00:58Come in.

01:00:59Come in.

01:01:00Come in.

01:01:01Come in.

01:01:02Come in.

01:01:04Come in.

01:01:05Come in.

01:01:06Come in.

01:01:07Come in.

01:01:08Come in.

01:01:09fe程.

01:01:10shot down.

01:01:11Good.

01:01:12It said,

01:01:13oh, she's the smooth one.

01:01:14Smooth as silk that one is.

01:01:15Every move.

01:01:16Every word is figured.

01:01:18I want someone who really loves me the way woman wants to be loved.

01:01:22Oh.

01:01:23And him taking it hook line and sinker.

01:01:28Oh, I made an awful mess of it.

01:01:31You've got to help me, Chad.

01:01:33You've got to help me bring the boy back.

01:01:36Chad.

01:01:38I heard something.

01:01:40Sure you heard something.

01:01:42I've been talking to you right now.

01:01:48It's the old bugle call.

01:01:50The last first.

01:01:56It's from me, Michael.

01:01:58Dad.

01:02:00Dad.

01:02:02David.

01:02:04David.

01:02:06Dad.

01:02:08David.

01:02:10David.

01:02:14This is my boy, Michael.

01:02:16My boy, David.

01:02:18I thought I'd never see you again.

01:02:22We all think that.

01:02:24I've come for you, Dad.

01:02:26Where now?

01:02:28What's it like?

01:02:30What do you want it to be like?

01:02:32I remember the old army post.

01:02:36It's similar.

01:02:38Without the reins, of course.

01:02:42Ah, we were happy there.

01:02:44Great country.

01:02:46Splendid regiment.

01:02:52Good horses.

01:02:54Good sport.

01:02:56Keen men.

01:02:58Then that's it.

01:03:00Every man gets his dream.

01:03:02Let's go.

01:03:04Mother's waiting.

01:03:06Molly.

01:03:08Good luck, Michael.

01:03:10Goodbye, Alan.

01:03:12No, no.

01:03:14Not goodbye, old fellow.

01:03:16We'll be seeing you.

01:03:18Won't we, David?

01:03:20That's right, Dad.

01:03:22Good luck, Michael.

01:03:24Good luck, Michael.

01:03:26Good luck.

01:03:28Good luck.

01:03:30Good luck.

01:03:32Michael.

01:03:33Good luck.

01:03:43Good luck.

01:03:48Good luck.

01:03:49Good luck.

01:03:54Good luck.

01:03:56Oh, don't cry, Jeannie.

01:04:25Don't cry, Colleen.

01:04:26That does no good.

01:04:29Get your Irish up.

01:04:33You're prettier than she is.

01:04:36And sweeter, too.

01:04:38And younger.

01:04:41Are you going to sit back and let her run off?

01:04:45Not if you're the girl I think you are.

01:04:51Sure enough, he's worth loving at all.

01:04:53At all he's worth fighting for.

01:04:55Now go to him.

01:04:58And when he sees you, his heart will remember.

01:05:04Pretend you're pretty things and go to him.

01:05:07Go now, Jeannie girl.

01:05:10And good luck.

01:05:15Good luck.

01:05:16Sometimes I get homesick for the prairie.

01:05:26Stars and quiet.

01:05:29Sound of a dog barking way off in the distance.

01:05:34Say, do you like horses?

01:05:35My father used to practically live at the tracks.

01:05:39I went with him a lot.

01:05:41Before I was ten, I knew every racehorse in the country by his first name.

01:05:45No fooling.

01:05:48Say, you know, you're a pretty wonderful girl.

01:05:51Am I?

01:05:56I'm just a hick.

01:05:58I don't know why you've been so nice to me.

01:06:01I think a lot of you.

01:06:03You know that, don't you?

01:06:09Don't answer.

01:06:10Colleen.

01:06:12My ex-husband, drunk as usual.

01:06:14Colleen.

01:06:15Let me in.

01:06:18No, you'd better go out the back way.

01:06:20But I can't sneak out.

01:06:21We don't want to go out.

01:06:23Pleasant things have a way of getting into the papers.

01:06:25Think of the show.

01:06:26But I can't leave you here with me.

01:06:28I can handle him better alone.

01:06:29Please.

01:06:33You're sure you'll be all right?

01:06:36Oh, Jimmy.

01:06:38Let's go away for a few days to the country.

01:06:41I need a rest, and you do too, before we start rehearsal.

01:06:45Well, what about Mr. Hubert?

01:06:48Oh, I'll talk to him and make all the arrangements.

01:06:50You go home and pack a bag,

01:06:51and I'll telephone you when I'm ready to leave.

01:06:57Open the door!

01:07:09I thought so.

01:07:15You're Houston, aren't you?

01:07:18That's right.

01:07:21Well, you don't look like you've been sneaking out of back doors very long.

01:07:27She doesn't want to see you.

01:07:32Get going.

01:07:36Okay.

01:07:36You'll find out.

01:07:54Hello, Jimmy.

01:07:56Hello, Jeannie.

01:07:57I was worried about you.

01:08:01I just wanted to make sure you were all right.

01:08:03Oh, I'm fine.

01:08:06I've been awful busy.

01:08:08I wanted to talk to you, but it seems like I haven't had a minute.

01:08:13You're looking mighty fine, Jeannie.

01:08:27You're looking well, too.

01:08:29I'm sorry about not seeing you, Jeannie.

01:08:32I understand.

01:08:33Oh, Jimmy.

01:08:36I'm so glad about your success.

01:08:39It's just what I wanted for you.

01:08:42Thanks.

01:08:49Everything happened so suddenly, Jeannie.

01:08:52Jeannie, I...

01:08:53Maybe later on, when things quiet down,

01:08:56I sort of get my breath again.

01:08:57I...

01:08:58I guess I'd better go now.

01:09:13Goodbye, Jim.

01:09:14Good luck.

01:09:20Jimmy,

01:09:21if things ever go wrong for you,

01:09:23or people don't treat you right,

01:09:24or you'll get sick or something,

01:09:25don't forget my friend.

01:09:26Well, let me know if you need me, won't you?

01:09:46You fool.

01:09:47Go after her.

01:09:48Don't let her get away, Jimmy.

01:09:56Hello.

01:10:05Oh, hello.

01:10:07I talked to Hubert.

01:10:08Everything's all set.

01:10:09We can stay until Tuesday.

01:10:10Isn't that wonderful?

01:10:11It gives us three days.

01:10:13I'll pick you up in about 20 minutes.

01:10:14Will you be ready?

01:10:15You bet I will.

01:10:18Goodbye.

01:10:20Goodbye.

01:10:22Goodbye.

01:10:26Goodbye.

01:10:41Goodbye.

01:10:42Goodbye.

01:10:44If there's anything important,

01:10:46you can reach me at the Pinewood Inn.

01:10:47But I mean important.

01:10:48If you don't stop annoying me

01:10:53I'll have you put away where you belong

01:10:55Arlene

01:10:55I've been trying to see you

01:10:57To tell you I've got a chance of a comeback

01:10:58Miller's got a show

01:11:00He's

01:11:01He's going to give me the lead

01:11:02If I can get on my feet again

01:11:04And

01:11:04Well, I can't do it alone

01:11:06Miller's going to give you a lead

01:11:09Yes

01:11:09What are you trying to do?

01:11:10Kid me?

01:11:11Look at you

01:11:11I knew you wouldn't care

01:11:14I know there's someone else now

01:11:17There's always been someone else

01:11:21But no one loves you the way I do

01:11:27Arlene

01:11:29Arlene

01:11:32Take your hands off me

01:11:33But Arlene, please

01:11:34Adam Tanya

01:11:43I'm worried about Jimmy

01:11:45It's not right for him to go away

01:11:47With that Terry woman

01:11:48No good will come of it

01:11:50Nothing but trouble

01:11:51Do everything you can

01:11:53To stop him

01:11:54There he is now

01:11:58I'm Arlene Terry

01:12:15Is Mr. Houston ready?

01:12:18I shall see

01:12:19So long, madam Tanya

01:12:27Jimmy

01:12:28Please don't go

01:12:29What's the matter?

01:12:32You look worried

01:12:33I am

01:12:33That girl

01:12:34Those stories in the paper

01:12:36Oh, that's nothing but publicity

01:12:39It don't mean anything

01:12:40Jimmy

01:12:41A man can't spoil his life for a woman

01:12:43I know our friends

01:12:45Wouldn't like you to go away

01:12:46With that girl

01:12:47She's fine

01:12:49She

01:12:50She gave me a part in her show

01:12:52And

01:12:52And we both want to get away

01:12:54To the country for a few days

01:12:55Before rehearsals begin

01:12:56Jimmy

01:12:57Mr. Melton

01:12:59Lost everything

01:13:00Home

01:13:01Family

01:13:02Reputation

01:13:02Over such a woman

01:13:04Oh, now you're making it sound

01:13:06Much more serious

01:13:07Than it really is

01:13:08Now, don't you worry

01:13:10I'll be all right

01:13:11I'll be back by Tuesday

01:13:12Goodbye

01:13:13What was that?

01:13:31Just the luggage

01:13:32What's the matter?

01:13:33You seem nervous

01:13:34I do

01:13:35Say

01:13:36Do you believe in hunches?

01:13:39Sometimes

01:13:40Why?

01:13:41I got a funny feeling

01:13:42We're going in the wrong direction

01:13:43On the trail

01:13:45When I feel like that

01:13:46I usually turn back

01:13:47Oh, I can see

01:13:49You were cut out

01:13:49For the stage, Jimmy

01:13:50Superstitions and everything

01:13:52Do they have superstitions

01:13:53On the stage, too?

01:13:54Heavens, yes

01:13:55Hundreds of them

01:13:56Madam Tanya

01:13:58Is the one

01:13:58That has hunches

01:13:59And she's not usually wrong

01:14:01Is she the disagreeable

01:14:02Old lady

01:14:03Who answered the door?

01:14:05Well, she's not disagreeable

01:14:06She's just been through a lot

01:14:07You know

01:14:09I don't think

01:14:09I should have run off

01:14:10And left her

01:14:11The way I did

01:14:12Oh, nonsense, Jimmy

01:14:13You shouldn't be living

01:14:14In that musty old house

01:14:15With a couple of musty old servants

01:14:17You should have an apartment

01:14:18Of your own

01:14:19Where you can do as you please

01:14:20I'll find you one

01:14:22Is that wind too much for you?

01:14:28Snuggle down

01:14:28Oh, you're so nice, Jimmy

01:14:31Maybe you won't think that

01:14:32After you know me better

01:14:33Why not?

01:14:34Oh, I've got a lot of

01:14:35Old-fashioned

01:14:36Backwoods ideas

01:14:38Oh, we'll soon get rid of those

01:14:40We'll have a lovely time

01:14:42In Pinewood

01:14:42We'll walk

01:14:43And ride horseback

01:14:44And roast chestnuts

01:14:45By the fire

01:14:46No crowds

01:14:47No autograph hounds

01:14:49There aren't many people up here

01:14:51This time of year

01:14:51I'll have you all to myself

01:14:54How part of Pinewood in?

01:15:02About five miles

01:15:03Where can I get a drink?

01:15:05Right around the corner

01:15:05Fill it up

01:15:06I'll be right by you

01:15:08Yes

01:15:08Feeling any better?

01:15:32A little

01:15:33I don't know what's wrong with me tonight

01:15:36I feel sort of strange

01:15:38Oh, come on

01:15:39Cheer up

01:15:40We're on a holiday

01:15:41Your dinner is ready to serve, Miss Tatt

01:15:45Good

01:15:46Food is what you need

01:15:49And plenty of it

01:16:08Michael

01:16:13Michael O'Brien

01:16:16I'm here

01:16:20It's time, Michael

01:16:26Right now?

01:16:31Yes

01:16:32Now

01:16:33I can't go now

01:16:36You're called only once

01:16:41But I can't leave Jimmy

01:16:44He needs me

01:16:45There's trouble coming

01:16:48I got him into this

01:16:51I must get him out

01:16:53It means

01:16:56You will linger in the shadows of Earth

01:16:58For all time

01:16:59I can't go now

01:17:03I can't

01:17:06So be it

01:17:10Michael

01:17:11It gives me great pleasure to announce

01:17:38Ladies and gentlemen

01:17:39That we have with us this evening

01:17:41Two very distinguished Broadway personalities

01:17:43Miss Arlene Terry

01:17:45And Mr. James Houston

01:17:46You're not going to take a bow

01:17:53Go on

01:17:55It'll be good for the show

01:17:57If we try hard enough

01:18:03We may get Mr. Houston

01:18:04To give us a song

01:18:05Oh, Jimmy

01:18:31Jimmy

01:18:32You're a doctor

01:18:36An ambulance

01:18:36Quick

01:18:37Sponge

01:18:40Quit the heart

01:18:44Let's try and suit you

01:18:46One chance in a thousand

01:18:47Take his blood pressure, nurse

01:18:51Thank you

01:19:02Gesundee

01:19:02Jenny

01:19:05també

01:19:05You're a doctor

01:19:06More than any

01:19:06A doctor

01:19:07Give us a second

01:19:08Give us a second

01:19:08We might

01:19:09Please

01:19:11Give us a second

01:19:11Do we not

01:19:12Бог

01:19:13ati

01:19:14Let's go

01:19:14Can you

01:19:15turn us

01:19:16caminho

01:19:16I should

01:19:17Jimmy, Mr. O'Brien.

01:19:22Oh, Jimmy, why didn't you listen?

01:19:25I tried to warn you.

01:19:28Jeannie.

01:19:35Jeannie.

01:19:47She shouldn't cry like that for me.

01:20:00She loves her, Jimmy.

01:20:04Whatever happened to me anyway?

01:20:08You were too young and thoughtless.

01:20:12And success came too sudden.

01:20:14And that woman, she...

01:20:17She's gone.

01:20:20She had no soul at home to go home with.

01:20:30Jeannie.

01:20:33I'm sorry.

01:20:38If I could only tell her.

01:20:42We make mistakes sometimes that can never be remedied.

01:20:48It's myself, I'm blaming Jimmy.

01:20:50Not you.

01:20:51Michael.

01:20:52Michael O'Brien.

01:20:55Michael O'Brien.

01:20:56Michael O'Brien.

01:20:57Michael O'Brien.

01:21:04Mike O'Brien.

01:21:07Michael, Michael O'Brien, you've come back.

01:21:22Your mother would give us no peace until we came back for you.

01:21:28If it isn't asking too much, could you be doing me a favor before we go?

01:21:34Could you give the boy another chance?

01:21:37He's a good lad, and he's learned his lesson.

01:21:42Give him a chance to live.

01:21:45So be it.

01:21:47Let him go back.

01:21:51Come along, O'Brien.

01:21:53You're the stubbornest soul we ever loved.

01:21:56I'm sorry.

01:21:58Let's go.

01:22:14Go.

01:22:15It's George.

01:22:32George, I'm glad to see you.

01:22:37What happened? How did you get here?

01:22:40I've come a long way out of darkness.

01:22:44Darkness is a terrible thing, Michael.

01:22:47I thought of you and Chad and your faith and loyalty and friendship.

01:22:53And then the bitterness began melting out of my heart.

01:22:58And I saw a light.

01:23:01And I followed it.

01:23:02And it brought me here.

01:23:05Sometimes we have to go to the darkness alone before we can see the light.

01:23:13There's no rejoicing in heaven over one sinner at prependant.

01:23:19Mother.

01:23:24Mother.

01:23:30Mother.

01:23:31It's my mother.

01:23:33Mother.

01:23:35Mother.

01:23:36Mother.

01:23:37Mother.

01:23:38Mother.

01:23:39Mother.

01:23:40Mother.

01:23:41Mother.

01:23:43Mother.

01:23:44Mother.

01:23:45Mother.

01:23:46Mother.

01:23:47Mother.

01:23:48Mother.

01:23:49Mother.

01:23:50Mother.

01:23:51Mother.

01:23:52Mother.

01:23:53Mother.

01:23:54Mother.

01:23:55Mother.

01:23:56Mother.

01:23:57Mother.

01:23:58Mother.

01:23:59Mother.

01:24:00Mother.

01:24:01Mother.

01:24:02Mother.

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