"Kinds of Kindness", parlano Margaret Qualley e Mamoudou Athi

IO DONNA

Kinds of Kindness è una favola in tre atti: un uomo senza scelta che cerca di prendere il controllo della propria vita; un poliziotto preoccupato dal fatto che la moglie scomparsa in mare sia tornata e sembri un’altra persona; e una donna determinata a trovare una persona specifica con una speciale abilità, destinata a diventare un prodigioso leader spirituale.    Kinds of Kindness è diretto Yorgos Lanthimos, con protagonisti la due volte vincitrice del Premio Oscar® Emma Stone, insieme al candidato all’Academy Award® Jesse Plemons, al candidato all’Academy Award® Willem Dafoe, Margaret Qualley, alla candidata all’Academy Award® Hong Chau, Joe Alwyn, Mamoudou Athie e Hunter Schafer. La sceneggiatura originale è scritta da Lanthimos e Efthimis Filippou, segnando così la loro quinta collaborazione dopo The Lobster, Il sacrificio del cervo sacro, Dogtooth, Alps. Il film è prodotto da Ed Guiney, Andrew Lowe, Yorgos Lanthimos e Kasia Malipan.

Transcript

00:00La cosa che posso parlare è come quanto riguarda il mio lavoro è reckoning con l'acca di controllo,

00:09come, you know, la only way to protect yourself è

00:15is to make sure that the hands that you're in, you trust,

00:21and you feel like they know better than you and like they're gonna protect you and put the,

00:30you know, maybe it's not even the best, just like the version that works and that it'll all work, right?

00:36But, I mean, from like a very like macro life POV, I don't know, I'm just trying to figure it out.

00:47Like in my room reading like Celtic wisdom books and like, you know, being like,

00:51I can make it what I want it to be, you know, so I don't know.

00:58For this movie, 100%, and I talked to him a couple of times before, you know,

01:03and I wanted to work with him since like I saw The Lobster back in 2015,

01:08but at the end of the day, you know, I felt like the movie was asking a lot from everyone,

01:14and if I were to do that, no matter how badly I wanted to work with a director,

01:18I needed to, you know, make sure I was putting myself in safe hands and, you know, just talking with him.

01:23I was like, okay, I certainly feel that way.

01:26And I was, and watching the movie and having, you know, conversations afterwards,

01:33I was like, yeah, this is the only way to like give yourself over in this way,

01:37to acquiesce control over your image and, you know, how you're presenting to the world,

01:42because it's going to be seen by people, and it's important, especially for me.

01:46Yeah, it was a big deal, and I greatly appreciate the respect and the tenderness

01:56with which everything was handled throughout this entire process.

02:06I don't know, it's interesting, I mean...

02:09Well, this isn't the way, you know.

02:12Like, this, yeah.

02:14Don't do that.

02:15It doesn't have to be like this.

02:17Yeah, there's another option.

02:19There's a lot much more hopeful, like...

02:23Don't do that.

02:25Orally sound version of life.

02:27Yeah.

02:28Yeah, yeah.

02:29You can give, give, give, and it'll never be enough.

02:31Yeah.

02:32It's, it's, yeah, it's an interesting, yeah.

02:38It was really special.

02:39It was really special to be, it was a huge opportunity,

02:42and I feel really lucky and grateful to have been able to make this film.

02:46Yeah.

02:48Likewise.

02:49Yeah.

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