- hace 2 meses
Reparto: Tony Leblanc, Lina Morgan, Manolo Gómez Bur, George Rigaud, Tony Leblanc Jr.
Director: Tony Leblanc
García trabaja de publicitario en una fábrica de cuchillas de afeitar y sale en secreto con Conchita, la hija del director. Un día, aprovechando la vuelta ciclista a España, García pone en práctica un nuevo y arriesgado sistema de hacer publicidad, pero a Raúl, el director, no le ha gustado nada la idea y lo despide. A partir de entonces, se ganará la vida en los más variados trabajos: barbero, limpiabotas y guía del Museo del Prado. Una situación difícil para que su antiguo jefe acepte la relación que mantiene con su hija.
Director: Tony Leblanc
García trabaja de publicitario en una fábrica de cuchillas de afeitar y sale en secreto con Conchita, la hija del director. Un día, aprovechando la vuelta ciclista a España, García pone en práctica un nuevo y arriesgado sistema de hacer publicidad, pero a Raúl, el director, no le ha gustado nada la idea y lo despide. A partir de entonces, se ganará la vida en los más variados trabajos: barbero, limpiabotas y guía del Museo del Prado. Una situación difícil para que su antiguo jefe acepte la relación que mantiene con su hija.
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CortometrajesTranscripción
00:00:00MUSIC
00:00:01MUSIC
00:00:02MUSIC
00:00:03Yes, it's getting close to nine in the morning.
00:00:30We must hurry, we must hurry.
00:00:33During these hours, it's hard to find a person whose comings and goings aren't primarily motivated by work.
00:00:41This kid thinks he's selling his fortune.
00:00:44Ah, if only luck could be bought.
00:00:48Of course you know, as I do, that there are people who have always been lucky in their occupations.
00:00:53For example, here you have this taxi driver.
00:00:55From being an employee who worked himself to death, he became the owner of his own vehicle.
00:01:00However, there are drivers who will never own their vehicle.
00:01:05For example, this one.
00:01:08Others want to make a profession of their, let's call it, manual skills.
00:01:13This man has no luck.
00:01:18The same thing always happens to him.
00:01:20Of course, he has chosen a difficult job to get ahead in life.
00:01:25However, there are people who have never tried to improve themselves in their work.
00:01:33There you have poor Adolfo.
00:01:35Forty years without changing jobs and living poorly.
00:01:37No, I'm not referring to you.
00:01:38Please, would you like to leave the frame?
00:01:40Thank you.
00:01:41This is Adolfo.
00:01:43Forty years as a street vendor, and there has been no one, nor will there be, who can convince him that his profession isn't the best in the world.
00:01:49This is the eternal struggle.
00:01:51Occupations, work.
00:01:54For the lucky one, congratulations.
00:01:57But he who fights and achieves nothing, poor man.
00:02:01Poor.
00:02:02Poor.
00:02:32Thank you!
00:03:02Thank you!
00:03:32Thank you!
00:04:02Thank you!
00:04:32Thank you!
00:04:43Thank you!
00:04:43No, Don Godofredo, no.
00:04:46That my honor will be tarnished
00:04:48Nobody kisses my girlfriend
00:04:50And even less a jogger on roads like that
00:04:52But Zechariah, by God
00:04:54What's wrong with me giving the bouquet of flowers to the winner?
00:04:57What's wrong with a kiss on the cheek?
00:05:00My daughter, Zacarías, is right.
00:05:01How important is a kiss on the cheek?
00:05:03You say this because it's about your daughter, but you wouldn't think the same if it were about your wife.
00:05:07I met her at a flying goal.
00:05:09Well, whatever you want, but nobody kisses my girlfriend, that's it.
00:05:11What a situation I'm in. Why would you think I'd do this?
00:05:16You know I'm one of the directors of this tour.
00:05:18No one better suited than you to deliver the bouquet of flowers.
00:05:21Please, miss, come up to the stands. The runners are coming.
00:05:24For God's sake, Zechariah. Please understand my situation.
00:05:26I understand everything except the kiss.
00:05:31Thanks for watching the video.
00:06:01Thanks for watching the video.
00:06:31Thanks for watching the video.
00:07:01Thanks for watching the video.
00:07:34Razor blades, the first in the world,
00:07:38They could not fail to be the first to achieve this goal.
00:07:50And don't tell me, that's an impostor.
00:07:54Here come the real ones!
00:07:57That's the good stuff!
00:08:04Let's go, kid, they're going to skin us here!
00:08:17That was an imposter.
00:08:18Here, this is the real one.
00:08:20Oh, and don't forget the kiss!
00:08:28And now I can't see.
00:08:32Nothing.
00:08:34I don't see anything.
00:09:03That's the good stuff!
00:09:03You don't have to stop the thing. I won't be long.
00:09:24Luis, here's your bike. I'll trade it for my clothes.
00:09:28What? Did it help you?
00:09:29Phenomenon. If your bike is driven by a brain like mine, it'll always be first.
00:09:32Come on, kid, hurry up. I'll be right there.
00:09:34Fast.
00:09:48Is that the change that came first to the table?
00:09:50Sure, yes.
00:09:53Here it is. And you know that whenever you need it, it's here.
00:09:56Thanks, but I don't want to be lynched one day.
00:09:58I understand you.
00:09:59Doing the things I have done today, there are few who understand me.
00:10:02Goodbye, Luis.
00:10:07Thank you.
00:10:09What? Did you have a lot of fun fooling us?
00:10:11Thug!
00:10:12Bold!
00:10:13Let's sing!
00:10:14Let's sing!
00:10:15One moment!
00:10:16I know that to you I am a scoundrel, but to myself I am a wretch.
00:10:20A man who stumbles through life, not knowing where to fall or where to get up.
00:10:25I never met my parents.
00:10:27My life is marked by hunger.
00:10:29And to make matters worse, a month ago I was bitten by a rabid dog.
00:10:33The first few days I was completely normal.
00:10:35But then...
00:10:36I don't want to worry you, but I feel the urge to bite.
00:10:39Come on, son, he has no voice at all...
00:10:41Paco, shoot, they'll kill us.
00:10:49We have been spared a lucky escape.
00:10:51Yeah.
00:10:51If I don't come with you, you'll have a terrible time.
00:11:01Nothing can happen to me, Paco.
00:11:03Because?
00:11:03Because I am a well-behaved dog.
00:11:05Stop messing around.
00:11:07If it weren't for my motorcycle, I have the best salt motorcycle.
00:11:15What makes me keep quiet?
00:11:17If it wasn't me, it was the motorcycle that was yelled at.
00:11:20A cold in this weather?
00:11:23If it is that he has it very abandoned.
00:11:25If you don't take care of her, Paco.
00:11:26Man, that's good.
00:11:27And why don't you start taking care of yourself?
00:11:29If they get you hooked today, they'll leave you with nothing but the pedals.
00:11:33Don't you think your advertising system is very risky?
00:11:36Come on, in my modest, humble and sincere opinion.
00:11:40It's very effective, Paco.
00:11:41And that's all I care about.
00:11:44I have to show Don Raúl that I am a great publicist.
00:11:47Become a section chief.
00:11:48I can't trust luck.
00:11:52But what am I going to tell you if I already know that you're calling me in the neighborhood?
00:11:56Poor Garcia.
00:11:57If you can't last two days in a job.
00:12:00But this time it's going to be different.
00:12:02You know, Fortunem Fortunetum audaces Ayudatum.
00:12:06As?
00:12:07Well, that's boldness and moving forward.
00:12:10Well, here it is and let's see if you can loosen it.
00:12:12Bold.
00:12:13You have to fix things, Paquillo.
00:12:15You'll see how you, where does this go?
00:12:17Yeah?
00:12:18For God's sake, Zacharias, don't bend down anymore.
00:12:27Your mouth is going to be filled with dirt.
00:12:28Don't be ironic, Elvira, don't be ironic.
00:12:30You are to blame for this situation I find myself in.
00:12:32Or rather, that I don't see.
00:12:33I?
00:12:34You.
00:12:34If you don't deliver the bouquet.
00:12:37If you don't give the kiss, I won't break the glasses and you'll see.
00:12:40You see?
00:12:40You'll see how we lose track of the curb, the crash we're going to take.
00:12:43Come on, take it.
00:12:44Let's see if you can get that rod in there.
00:12:46Come on, come on.
00:12:46What did you say?
00:12:48Put the rod in.
00:12:49Goal, of the goal.
00:12:50I already know her from the goal, Paco.
00:12:53There comes a signpost.
00:12:54Let me know when we arrive.
00:12:56There it is.
00:12:56The sign is in front of you.
00:13:18That?
00:13:18Hey, Elvira.
00:13:35Are they going to tow us with their car?
00:13:37But, Zacarias, they also ride motorcycles.
00:13:40If I don't see, Elvira.
00:13:41If only I didn't see.
00:13:42Oh, if only I could meet the one with the kiss.
00:13:45Well, have a good time, okay?
00:13:48Bye bye.
00:13:49Why did you take away my dessert while I was on the move?
00:13:51We're leaving now.
00:13:54Get a tuner.
00:13:54Zacharias, why don't you start now?
00:14:08Woman, do you want me to run over a poor child?
00:14:10For God's sake, Zacharias, if it isn't a child.
00:14:22Remedies, there is food.
00:14:23He's been waiting for a while.
00:14:24I'm going up there, I'm hungry, I'll have a bite to eat at the cinema and make a killing.
00:14:28How exaggerated.
00:14:29And won by exaggeration.
00:14:30You are standing in front of the winner of today's cycling race.
00:14:33Until now.
00:14:34But it is true that he has won.
00:14:35At what speed must the lions have entered the high ground?
00:14:37That braking has not been able to stop until San Rafael.
00:14:41He's back, he's grabbed the bouquet, he's blown a kiss, he's smoked a cigar and the second one hasn't even arrived yet.
00:14:47What a barbarity.
00:14:48As if it were jet-propelled.
00:14:50Speaking of the jet, I'm going to praise myself, Mr. Remedios.
00:14:53See you later.
00:14:53Bye bye.
00:14:54Bye bye.
00:15:03Dad.
00:15:06Hello, son.
00:15:07Hello, Dad.
00:15:09Have you won the race?
00:15:10No, not the race.
00:15:12What I will have gained is some positions in the office.
00:15:17Are you really looking forward to it?
00:15:19A lot, dad.
00:15:20Well, go on, I...
00:15:20Here I am.
00:15:21Let's eat, it's time.
00:15:23Today you even have dessert.
00:15:26Let's eat, let's eat.
00:15:28Let's eat.
00:15:30Nan, tarín, nan, nan, nan, wow.
00:15:34When you're done, I'll go upstairs and wash the dishes.
00:15:36And tell me more stories.
00:15:38You promised them to me.
00:15:39You already know it all, son.
00:15:41I'll start again with the first one, since you'll have already forgotten that one.
00:15:44I'll think of a new one, because I'm the one who doesn't remember the first one.
00:15:47See you later.
00:15:48Goodbye, remedies.
00:15:53Lord, bless the food we are about to eat.
00:15:57Save my father.
00:15:59And above all, remember my legs.
00:16:03I wish I could walk so much.
00:16:06And you will walk, son.
00:16:08Mom from heaven also asks God for it.
00:16:09Dad.
00:16:15What was my mother like?
00:16:18Wonderful, son.
00:16:20An angelic creature.
00:16:23You and her, the best in the world.
00:16:25You loved her very much, didn't you?
00:16:27I loved her and I love her.
00:16:29But why are you asking me that?
00:16:31Go on, eat.
00:16:35And do you love Conchita?
00:16:36Conchita is my boss's daughter.
00:16:41We are good friends.
00:16:43I feel sorry for Conchita...
00:16:45...what she feels for me.
00:16:50Nieves, what do you want?
00:16:52Have you lost something?
00:16:54Have you seen a letter that was on this table addressed to Ignacio?
00:16:57I'm sure I left it here.
00:16:59Was it yours?
00:17:00Clear.
00:17:00And how will my father find her?
00:17:02But he doesn't know anything yet, because you don't tell him.
00:17:04Why do you throw it in?
00:17:05No.
00:17:06Dad would never let me marry a man with no future.
00:17:09But Ignacio has promised me that he will soon be indispensable.
00:17:12And that my father will know everything he is worth.
00:17:15He has many projects.
00:17:16I trust him.
00:17:17Excuse me.
00:17:20Don't you think there's someone else here who's interested in marrying you?
00:17:23Who?
00:17:24That?
00:17:25Well.
00:17:26Look how wonderful it is.
00:17:28Here is the invention of the century.
00:17:30Millions, my dear Matías.
00:17:31Millions.
00:17:32A revolutionary razor.
00:17:34Imagine, the size of a fountain pen, transistors.
00:17:38You carry it in your pocket and at any time, shave, shave, shave.
00:17:44Hey?
00:17:44What do you think?
00:17:45Perfect, Mr. Raúl.
00:17:47Perfect.
00:17:48Exactly what our company needed to beat the competition.
00:17:51Will you ever know the combination to this box?
00:17:58Ah, of course.
00:18:00For now, not a word of this to anyone.
00:18:02It is not yet patented and the invention would be the first to present it.
00:18:06Don't worry, Mr. Director.
00:18:07You know you can trust me completely.
00:18:10Thank you, Matías.
00:18:11Of course.
00:18:13At your service, Mr. Director.
00:18:14At your service.
00:18:17At your service.
00:18:19At your service.
00:18:19Conchita, would you like to come to my office for a moment?
00:18:42Sit down, Conchita.
00:18:46Please sit down.
00:18:50You were looking for something before, right?
00:18:54But how do you know?
00:18:56Yeah.
00:18:57You were looking for something I have there, in the drawer of that table.
00:19:04A letter that I warn you I have read.
00:19:09How dare you?
00:19:11I could tell you that I thought it was a business letter.
00:19:13But a letter from you, daughter of Don Raúl, addressed to Ignacio García.
00:19:19No, Conchita.
00:19:20No.
00:19:21What you are doing is not logical.
00:19:23It's crazy.
00:19:25A childish thing.
00:19:27You should think of a more educated person.
00:19:29Smarter.
00:19:31Think about this company.
00:19:33You're going to need someone to help you.
00:19:35Someone responsible.
00:19:38Yeah.
00:19:39Someone who entertains themselves by opening other people's letters.
00:19:42Yeah.
00:19:43And he learns the unloving phrases.
00:19:46Almost contemptuous.
00:19:48What a daughter can say about her father.
00:19:50That's not true.
00:19:51I have never said anything bad about my father.
00:19:53Never.
00:19:55Give me that letter, please.
00:19:59Give it to me.
00:20:01Don't worry.
00:20:03Your father will not see that letter.
00:20:04Unless you force me to give it to you.
00:20:07But that will never happen.
00:20:10Because you're going to be good to me.
00:20:12TRUE?
00:20:12TRUE?
00:20:20No.
00:20:21Hello, Dad
00:20:45Hello, queen
00:20:46You hadn't come to see me yet today.
00:20:49I've had a lot of work, Dad.
00:20:51Also, I've been worried
00:20:54Because?
00:20:55By a friend of mine
00:20:56It's nonsense
00:20:57And what nonsense is that?
00:21:00You see, a friend of mine wrote a letter to her boyfriend
00:21:02Who I was in love with
00:21:04And in it he told her that his love was so great that...
00:21:08That?
00:21:09That she put her boyfriend's affection before that of her father
00:21:12Naturally, what he said is not true.
00:21:14Although she is in love with her boyfriend
00:21:17Dad, I assure you she is very sorry for what she did.
00:21:20It seems that he did not do well, daughter.
00:21:23I put myself in his father's place
00:21:25And I think I would die of grief if that happened to me with you.
00:21:28But if it's not true, dad
00:21:30She wrote it without thinking about what she said.
00:21:32You always have to measure what you say
00:21:35Well, daughter
00:21:36Let's leave your friend with her problems
00:21:38Did you make the change in the games I told you about?
00:21:42Yes, dad
00:21:43No, no, no, no, come
00:21:46Something is happening to you.
00:21:50What is it?
00:21:51Nothing, dad.
00:21:52That's what I told you about my friend
00:21:53Stop worrying
00:21:55Your friend will be very good
00:21:59But it's not the same as you
00:22:00You are neither in love nor do you have a boyfriend
00:22:03Besides, you would never underestimate your father.
00:22:06Sure, Dad
00:22:08Wow!
00:22:24Oh
00:22:24We have a visitor
00:22:26Hello
00:22:29Come in, man
00:22:30And your father
00:22:30Now go down
00:22:32Are you coming to play?
00:22:37There's a great game
00:22:38So that?
00:22:40If I can't play
00:22:41But you can watch it if you like.
00:22:43Of course, if he's not going to play
00:22:45It's better not to go down.
00:22:47My father says that when I grow up
00:22:50I will be a great soccer player
00:22:52I have very strong legs
00:22:54If your father says it, it's probably nonsense.
00:22:57Okay
00:22:57See you later
00:22:58Goodbye, remedies
00:22:59Hello, family
00:23:07Hello, Elias
00:23:08What? Aren't you coming down to play?
00:23:10No, the kid doesn't feel like it.
00:23:11Then you'll buy me a glass of wine.
00:23:14Look
00:23:14Sorry, man.
00:23:15But I don't drink wine even at meals.
00:23:17It's strange that a man like you doesn't drink anything.
00:23:19Not even to a wine
00:23:20Don't think I haven't drunk
00:23:21I have drunk and quite a lot
00:23:22So
00:23:23Tony, go outside.
00:23:29Because of wine I lost my wife
00:23:32I don't understand
00:23:33Because of the wine?
00:23:34Yeah
00:23:34We were invited to a friends' wedding
00:23:38I drank too much and made my wife drink
00:23:41I asked a friend for his car keys
00:23:44And I sat my wife behind the wheel, who had done it very few times.
00:23:48I made her push the accelerator harder
00:23:50More and more
00:23:52Until we crashed into a tree
00:23:56I fractured my clavicle and she
00:23:59He died instantly.
00:24:04Do you understand now why I don't drink?
00:24:08That's nonsense
00:24:09It would be written that it would have to happen like this
00:24:11I will never drink again in my life.
00:24:13So don't worry
00:24:14I'll do it for you
00:24:15When I drink, I feel different
00:24:17Hey
00:24:18Are you coming to the motorcycle races tomorrow?
00:24:22Yes I would like to
00:24:22But I promised the boy
00:24:24Go down to hear mass with him
00:24:26To hear mass?
00:24:32But
00:24:32After what happened to your wife
00:24:34And what about your son?
00:24:36You believe in God
00:24:38Yes, Elias
00:24:40Now is when I need to believe in God the most.
00:24:44Come on, kid.
00:24:45This family is crazy
00:24:48Dad
00:24:58Is Elias a friend of yours?
00:25:00I only have one friend, son.
00:25:02Who?
00:25:03You
00:25:03I am your son
00:25:05And you love me?
00:25:06Clear
00:25:06Is that why you're my best friend?
00:25:08So Conchita is your best friend
00:25:10Why do you ask me?
00:25:12Because she says she loves you very much
00:25:14You know I'm getting a bit nosy.
00:25:18A little gossipy
00:25:20The propaganda is certainly sensational.
00:25:27But a little daring
00:25:29We must make original propaganda, Mr. Raúl.
00:25:31And also
00:25:32Since this doesn't cost us a cent
00:25:34In the long run it would cost us more
00:25:36And don't think that because of that it would have more solidity.
00:25:39No, no, I appreciate the intention.
00:25:40But I beg you not to do anything like that again.
00:25:43You are my propaganda agent.
00:25:45And not what the newspapers say here
00:25:47What do they say?
00:25:48Thug
00:25:49They call you a hooligan
00:25:50Well, it's not that bad.
00:25:52In that case
00:25:54Little rascal
00:25:56In any case, please refrain from doing this kind of propaganda.
00:25:59Don Matías and I
00:26:01We would have great regret
00:26:02If for not obeying our orders
00:26:04We would have to do without your services.
00:26:06Don't forget it
00:26:07And put yourself at the disposal of Don Matías
00:26:10Don't worry, Mr. Raúl.
00:26:11I will not forget it
00:26:13Come on, Ignacio
00:26:21I have to talk to you
00:26:23Good
00:26:27What did you think of Don Raúl's sermon?
00:26:30You've heard it before.
00:26:30That if I do it again he will be forced to fire me.
00:26:33You are naive, Ignacio.
00:26:34Why me?
00:26:35Because Don Raúl has lied to him
00:26:37What he has tried to do is stimulate him.
00:26:40Of hurting his self-esteem
00:26:41So that you can undertake larger-scale propaganda campaigns
00:26:44Do you believe?
00:26:46I believe it and I assure you.
00:26:47He has seen in you a great advertising manager
00:26:50What happens is that commercially
00:26:52He has been forced to act like this with you.
00:26:55But the boss
00:26:56He expects great propaganda successes from you.
00:26:59And what do you advise me?
00:27:01I?
00:27:03Will return
00:27:03I have an idea
00:27:05Hey?
00:27:22What do you think?
00:27:23That you are a true friend
00:27:25And friends are for occasions
00:27:27And none better than this one
00:27:29Thank you very much, Mr. Matías.
00:27:31You are welcome
00:27:31Thank you so much
00:27:32Ignacio
00:27:39Ignacio
00:27:42Hi my love
00:27:55If you only knew what I was thinking
00:27:57I love you, Conchita
00:27:59And I have a feeling that this time I'm going to succeed.
00:28:01You're right, sir...
00:28:02Well, you're right.
00:28:03Don Matías?
00:28:05What did Don Matías tell you?
00:28:06I can't tell you
00:28:07It's a secret
00:28:08But you're going to have secrets from your girlfriend.
00:28:10Tell him again, Conchita
00:28:11Your boyfriend
00:28:11Your boyfriend, that's Conchita
00:28:13Now I do want to have the right to be your boyfriend.
00:28:16I feel the advertising in me
00:28:17I am, how should I say it?
00:28:19I am a sui generis publicist
00:28:21That is
00:28:22Ignacio García
00:28:24Sui generis publicist
00:28:26He who does not despise any memorable occasion
00:28:28And you will not despise her when they ask you
00:28:30Do you want to...
00:28:32By...
00:28:34Yes I want
00:28:35And I will say
00:28:36Do you know how I won over this hottie?
00:28:40Shaving with hinge blades
00:28:43Please, Conchita
00:28:45What was the step you taught me yesterday?
00:28:48Because that's not how it was, was it?
00:28:49No, look
00:28:59Just so
00:29:01Look
00:29:02Mambi
00:29:03Mambito frutti cha cha cha
00:29:05Mambi
00:29:06Mambito frutti cha cha cha
00:29:09Mambi, mambito frutti cha cha cha
00:29:39This can't be
00:29:42This is so
00:29:44Mambi, mambito frutti cha cha cha
00:29:47Mambi, mambito frutti cha cha cha
00:29:50Mambi, mambito frutti cha cha cha
00:29:53Mambi, mambito frutti cha cha
00:29:56But what's going on?
00:29:59I would like to remind you that this is not a party room, but an office.
00:30:03It would be very convenient if you did not forget it.
00:30:05It was my fault, Dad, forgive me.
00:30:09Mambi, mambito frutti cha cha cha
00:30:26Mambi, mambito frutti cha cha cha
00:30:27You have to move your hips, dad.
00:30:30You cannot go to the locker room.
00:30:50We are from the press
00:30:51Well, I'm the journalist and this is the photographer.
00:30:54That's it, I'm the one from Rolly Fles
00:30:56That doesn't matter to me
00:30:57Because you are not aware of the photograph
00:31:00Of course, he is not aware of the photography
00:31:01And he doesn't know that now he does it with Rolly Fles
00:31:03And before I did it with Contax
00:31:05And what's it to me?
00:31:06That by doing it with Contax, at the same time he had
00:31:09For example
00:31:10I count, you count, he counts
00:31:13We pass, you don't tell us and we'll see you later.
00:31:16But if it happens
00:31:19And it didn't count
00:31:21My mother
00:31:45What a beast
00:31:46Go on, put the camera in front and see what happens.
00:31:50Press, sir
00:31:53Dude
00:31:54Press
00:31:55That's it, that's it, journalists
00:31:57Excuse me, may I come in?
00:32:00Of course yes
00:32:00They're coming to give me a trillú.
00:32:02Yes, yes
00:32:03That, and some photos
00:32:04Very good, man, very good.
00:32:06I am very pleased to meet you.
00:32:07The pleasure is mine
00:32:08Give him the weight, Paco
00:32:10It weighs a lot
00:32:11Paco, take another picture.
00:32:13That is
00:32:14Ah, yes, very good
00:32:16And now, a little about his sporting life for the rectors
00:32:20Let's see
00:32:20You, since when have you been on the loose?
00:32:22Well, I mean so, so loose-armed
00:32:25Oh, so what was a puppy?
00:32:28Yes, gentlemen.
00:32:29One day I got into a fight with my father's ox.
00:32:32That is, an ox that we had at home
00:32:35Improving the presents
00:32:37That when they took it away from me
00:32:40It wasn't even good for sausages
00:32:42A lot, ox, a lot, a lot
00:32:46Yes, gentlemen.
00:32:48And since then, the only ox in the village
00:32:51A server
00:32:52Adapaco, take another photo
00:32:54And now, taking a breath
00:32:56Get ready, air
00:32:57The weather is going to change
00:33:05What's that?
00:33:09He is the Andalusian who is fighting against the tooth
00:33:11The public has a view
00:33:13The Andalusian is sure to deliver his favorite shot.
00:33:16No, no, no
00:33:46What did I tell them?
00:33:51He already let it go
00:33:52That's a lot of Andalusian.
00:33:53Mr. Ox, what is your favorite hit?
00:33:57What's it going to be?
00:33:59Charging?
00:34:00Hey, Mr. Ox
00:34:01And couldn't we take another photo of him in action?
00:34:04That
00:34:05Right now
00:34:06What's his problem with me?
00:34:09Why don't you do it by charging at the bag from the door?
00:34:12I grab you, you come and boom!
00:34:14Very good
00:34:15You'll see what kind of headbutt I'll give you.
00:34:16That
00:34:17Forewarned, huh?
00:34:21A
00:34:22Two
00:34:23And three
00:34:24It has been skinned
00:34:31Referee, more bitten
00:34:40More bitten, more bitten, more bitten
00:34:44You see
00:34:45There
00:34:48Get in, Marano
00:34:51Marano, out
00:34:53Eight
00:34:53Nine
00:34:55Ten
00:34:56Gold Tower
00:34:58The evening's biggest fight is about to begin right now.
00:35:07To my right, the Barbas
00:35:10The fiercest bearded man of our figures
00:35:12Well, a lot!
00:35:16And to my left, the presentation of a new fighter in this ring
00:35:20The stupid ox
00:35:22Clean fight and no blows.
00:35:49Nothing.
00:35:49No fish tugs.
00:35:50Oh, less.
00:35:51No biting.
00:35:52Don't even think about it.
00:35:53Nothing of...
00:35:54Oh, and for the fight, when the opponent is on the ropes.
00:35:58Let's see if you tell the other guy the same thing, because I'm new, just in case.
00:36:01Don't worry.
00:36:02Listen.
00:36:03You've heard it before.
00:36:04Everything very clean.
00:36:05No violence.
00:36:06Oh, and above all, no...
00:36:09Ah!
00:36:09But, man, have you seen?
00:36:10Out, out.
00:36:11You can't do this.
00:36:12You can't do this.
00:36:13We're off to a bad start.
00:36:15We're off to a bad start.
00:36:16Look, I've already been punished.
00:36:18You know, as soon as the goal is scored, you stand up, greet him, and then...
00:36:23And then what?
00:36:24Oh?
00:36:29Come on?
00:36:33Say hello to each other.
00:36:39Ignacio Garcías, your servant, for what...
00:36:43High!
00:36:44Out, ropes.
00:36:45Out, ropes.
00:36:47Out, ropes.
00:36:47I'm on the ropes.
00:36:48I sanction!
00:36:49I've let go of the strings.
00:36:50Out, ropes.
00:36:51Come on?
00:36:52Federation, what's going on?
00:36:54Come on.
00:36:55Come on?
00:36:56Already?
00:36:57Come on!
00:36:58Come on!
00:36:59These barbarians would disappear with razor blades.
00:37:02Hinge!
00:37:03Hinge!
00:37:03Hinge, hinge, hinge, and hinge.
00:37:09Ah!
00:37:09And abandonment.
00:37:10Don't I continue?
00:37:11Look, if I warn you before, or rather, forbid you from doing so, don't follow Don Raúl.
00:37:16What's done is done.
00:37:18Don't judge me wrong.
00:37:19To hell with the chest and what's done.
00:37:21If he knew you were going to fire him, why did he do it?
00:37:24Because there are circumstances in life in which we set out to succeed and we fail.
00:37:32Do you have any better placement than this?
00:37:34Because I have to fire him.
00:37:36I don't have any placement, I swear.
00:37:39I swear by my son.
00:37:43I'll be damned if I understand!
00:37:45I'll be damned!
00:37:45Your father is right, Conchita.
00:37:47According to his orders I did not obey.
00:37:49It's only natural that I say goodbye.
00:37:51It's the fault of that Don Matías who advised me to do it.
00:37:55Do you know that Don Matías has a letter from me?
00:37:57What? A letter from you?
00:37:59Yeah.
00:38:00In it I told you that I loved you, even more than my father.
00:38:03And he didn't give it back to you?
00:38:04No.
00:38:05He thinks that by threatening to show it to my father I'm going to accept his advances.
00:38:08That evil bug will give me the letter tomorrow.
00:38:10Do nothing, it's better.
00:38:12Neither with that nor with a hundred letters would he get anything out of me.
00:38:15Besides the letter, it seems to me that this Don Matías is not a clean slate.
00:38:18The truth is, if your father hadn't fired me and I'd continued with my atomic propaganda, he would have been thrown in jail one day.
00:38:26You just wanted to help him.
00:38:28Yes, but you can't go that fast.
00:38:30Of course, it's the same.
00:38:32Quickly or slowly, I'll always be poor Garcia.
00:38:36Sometimes I think it would be much better to leave our relationship.
00:38:38And maybe later, when I really am someone and can offer you something...
00:38:42Offering me something, does love seem too little to you?
00:38:45When you are someone, you are my boyfriend and you will remain so until we get married.
00:38:50And that's all that matters.
00:38:51Worries always pass.
00:38:54Do you know that I had a terrible one?
00:38:56Yes, why?
00:38:57Because I had a big mouth complex.
00:39:00And so day after day speaking very carefully.
00:39:02Yes, of course, whatever you say.
00:39:08And above all, friends.
00:39:10Good morning, good afternoon, goodbye.
00:39:12Wow, you're getting prettier every day.
00:39:14Goodbye, dear.
00:39:15A torture.
00:39:16Until I learned that the best in us is always within ourselves.
00:39:20And I started to really laugh with this little mouth that God gave me.
00:39:23And that is more beautiful than any.
00:39:27Thank you, Conchita.
00:39:28It's all over now.
00:39:31You love me and I feel like I own the world.
00:39:34Hey!
00:39:34Let's have a snack.
00:39:36What would you like to drink?
00:39:37I would like some prawns.
00:39:39Take.
00:39:40And to that one, and to that one, and to me.
00:39:44So the usual.
00:39:45That.
00:39:46The usual.
00:39:52You must talk to my father again.
00:39:53As soon as a few days pass and he calms down.
00:39:56Oh.
00:39:56Sir, I don't think your father is angry with me.
00:40:00He fired me because he was right.
00:40:07I'm not buying any more gum.
00:40:08Because?
00:40:11I swallowed it again.
00:40:12Hello.
00:40:17Hello.
00:40:20Do you have a game today?
00:40:22No.
00:40:23I'm going to train.
00:40:24What I'm going to do today is gymnastics.
00:40:26My father says that when I grow up I will be very strong.
00:40:29You do look strong?
00:40:30Especially legs.
00:40:32Of legs and everything.
00:40:33Because of arms...
00:40:34...I throw every punch.
00:40:37You are a strong boy.
00:40:40What a barbarity.
00:40:41What muscles he has.
00:40:44Why don't you give the pony a try?
00:40:46Because I will beat him.
00:40:48Your son is sick.
00:40:49Yeah.
00:40:50My son is sick in his legs...
00:40:52...but not by the arms.
00:40:54Want?
00:40:55Whenever you want.
00:40:56What's up?
00:40:57Let's see.
00:40:58Bring your arms.
00:41:00Put your hands like this.
00:41:01So.
00:41:04Ready?
00:41:04When I say three.
00:41:06Hey?
00:41:09A.
00:41:11Two.
00:41:15Three.
00:41:15Three.
00:41:16Three.
00:41:17Three.
00:41:18Three.
00:41:18Three.
00:41:18Three.
00:41:18Three.
00:41:18Three.
00:41:19Three.
00:41:19Three.
00:41:19Three.
00:41:20Three.
00:41:20Three.
00:41:20Three.
00:41:20Three.
00:41:20Three.
00:41:20Three.
00:41:21Three.
00:41:21Three.
00:41:21Three.
00:41:21Three.
00:41:21Three.
00:41:21Three.
00:41:22Three.
00:41:22Three.
00:41:22Three.
00:41:23Three.
00:41:23Three.
00:41:23Three.
00:41:24Three.
00:41:24Three.
00:41:24Three.
00:41:25Three.
00:41:25Three.
00:41:25Three.
00:41:26Three.
00:41:27Three.
00:41:28Three.
00:41:29Three.
00:41:30Three.
00:41:31Three.
00:41:32Three.
00:41:33Three.
00:41:34Three.
00:41:35Thanks for watching the video.
00:42:05Thanks for watching the video.
00:42:36Dad.
00:42:37What's up, son?
00:42:38Tony, we were arm wrestling and when I had almost won, his father hit me and roared at my arm.
00:42:48And of course, as they were both...
00:42:50Why do you trust that little fly?
00:42:53I don't drink wine.
00:42:54Tomorrow, Sunday, I'm going to mass.
00:42:57He will be unhappy.
00:42:59Tell him to come down if he doesn't want me to come up and get him.
00:43:02He's going to remember me.
00:43:12There you have it.
00:43:13Were you calling me?
00:43:19Come in, man. I need to talk to you.
00:43:23Put an anise.
00:43:24You know I don't like fights here.
00:43:26You shut up!
00:43:27A glass of anise.
00:43:39Thanks, but you know I don't drink.
00:43:44You heard.
00:43:45That doesn't drink.
00:43:46Wait!
00:43:56Another drink!
00:44:03Anise?
00:44:07I don't drink.
00:44:08And give my regards to your disgusting son.
00:44:38I had decided not to argue with you.
00:44:45But I can't help it.
00:44:48I'm going to give you the biggest beating you've ever had in your life.
00:44:50Have you heard?
00:44:51He says he's going to hit me.
00:44:54I'm going to break every bone you have.
00:44:58But first, take what belongs to you.
00:45:06That's not how you hit, coward.
00:45:07Please, Elia.
00:45:08Don't get involved!
00:45:10What did you expect?
00:45:11A little candy?
00:45:17You don't get involved in this.
00:45:21Wow, not bad.
00:45:37That?
00:45:38Do you have enough?
00:45:49No.
00:46:19Does anyone think my son is a creep?
00:46:49Does anyone think my son is a creep?
00:47:19Does anyone think my son is a creep?
00:47:49Does anyone think my son is a creep?
00:48:19Does anyone think my son is a creep?
00:48:21Does anyone think my son is a creep?
00:48:23Does anyone think my son is a creep?
00:48:27Does anyone think my son is a creep?
00:48:31Does anyone think my son is a creep?
00:48:33Does anyone think my son is a creep?
00:48:35Don't you think my son is a creep?
00:48:41It's hell to live like this.
00:48:43All the kids hang up and mine doesn't.
00:48:47I want him to be able to play.
00:48:49I want him to be able to play.
00:48:51Even if it's with crutches.
00:48:53Does anyone think my son is a creep?
00:49:01Don't you think you're speaking too loudly to the gentleman?
00:49:05The gentleman hears you just the same if you speak more quietly.
00:49:09Just think about it, son.
00:49:11I have unwittingly heard your plea and your anger.
00:49:15It's natural that you suffer when you see your son like this.
00:49:19I would suffer too if I were you.
00:49:21But have you ever thought that in the world
00:49:25Are there thousands of children sicker than yours?
00:49:28More than mine, no.
00:49:29Yes, yes.
00:49:30More than yours, yes.
00:49:32Your child suffers from leg problems
00:49:34and many others besides the legs
00:49:36They are blind and one-handed
00:49:38and there are children who will never have the pleasure
00:49:41and the joy of being able to call his father.
00:49:45Have faith in God, son.
00:49:47And don't despair.
00:49:48Don't be angry.
00:49:50That God does not deserve your distrust.
00:49:55Forgive me, father.
00:49:57You are forgiven on one condition.
00:50:00Which?
00:50:02May you never lose faith in God.
00:50:05Whatever happens.
00:50:08Yes, father.
00:50:09I promise.
00:50:12Thank you, son.
00:50:14May God be with you.
00:50:15May God be with you.
00:50:16May God be with me.
00:50:17Thank you.
00:50:18May God be with you.
00:50:19May God be with you.
00:50:20May God be with you.
00:50:43Excuse me, Lord,
00:50:44That he raised his voice to you.
00:50:47I didn't know what I was doing.
00:50:50I know you will take care of this man.
00:50:53I would like to tell you that I would also feel very lucky if that child could walk, even with crutches.
00:51:04You shouldn't be so self-conscious, kid. Luck doesn't just come to you. You have to seek it out.
00:51:08Further?
00:51:08Yes, man, more. And if the next job fails, you'll have to search harder and harder until you find it.
00:51:13Now, I'm tired, Paco, and what's worse, desperate.
00:51:17You have to do it, if only for your child.
00:51:20If it weren't for him...
00:51:21That?
00:51:22I would be capable of anything.
00:51:25What are you laughing at?
00:51:27About you. You say you'd be capable of anything if you didn't have your son. Even stealing?
00:51:32Yes, even stealing.
00:51:34Don't kid yourself, kid. You could never steal.
00:51:37Because?
00:51:37Because you're not a thief. Because you're an honest person, or rather, a normal person.
00:51:42And those who steal aren't normal. But not you, Ignacio. You're a very good person.
00:51:47Of course I think that if there were no honest people, there would be no thieves.
00:51:52I don't understand you.
00:51:53It's clear. If we were all thieves, we'd steal from each other and, consequently, we'd always have the same thing.
00:52:00If, on the other hand, we were all honest, can you imagine how boring it would be?
00:52:05There has to be a bit of everything, because also, tell me, if everyone were decent, do you think there would be this continuous war of international politics?
00:52:12And what's worse, do you think there would be newspapers?
00:52:15No.
00:52:17And it would be a disaster.
00:52:19Because you have to see the performance that a newspaper gives.
00:52:21Above all, what a newspaper must earn with advertising.
00:52:25Don't know.
00:52:25Yes of course.
00:52:26You're sure?
00:52:27I'm tired of seeing it.
00:52:29It's huge.
00:52:30And it will be worth a lot.
00:52:32It cannot be calculated.
00:52:33It is certainly fantastic.
00:52:34Millions, maybe.
00:52:36Now it would be priceless.
00:52:42How wonderful!
00:52:44Do you mean the statue?
00:52:46No, I'm referring to the brilliant art of this painter.
00:52:49What's it called?
00:52:51Is it possible that you don't know this illustrious artist?
00:52:54Glory of Spanish painting?
00:52:56No, I don't know him.
00:52:58Okay, okay.
00:52:58I'm going to help you.
00:52:59This brilliant painter has a street in Madrid.
00:53:03Let's see, let's see.
00:53:03Think, think.
00:53:07Knife-wielders?
00:53:08Please, Ignacio, don't say stupid things.
00:53:11This statue is by the famous Spanish painter Goya.
00:53:15I already told you that a street in Madrid was named after him.
00:53:18There you have the king of Spanish painting, Velázquez.
00:53:26Hey, Paco, didn't you take the wrong street?
00:53:37I'm glad I came.
00:53:39Very happy.
00:53:40This is worth seeing for everyone.
00:53:42What do I owe him?
00:53:43Two hundred pesetas.
00:53:47Come, thank you.
00:53:48Bye bye.
00:53:49Bye bye.
00:53:53What job does this man have who has just earned two hundred pesetas?
00:53:56If it were only two hundred pesetas, there are days when they have up to three or four visits.
00:54:02This man has the job of a guide.
00:54:03For you to understand, their obligation is to explain the museum's interior.
00:54:07Or rather, the history of the paintings.
00:54:11How barbaric.
00:54:13Two hundred pesetas.
00:54:21Do you want me to show you the museum?
00:54:23It's just that we can't see it alone.
00:54:24Yes, but if I explain it to you, you'll understand it better.
00:54:27Besides, it's only two hundred pesetas.
00:54:29Yes, Braulio, explain it to us.
00:54:31You'll explain everything to us clearly, right?
00:54:33Madam, it's not because I'm here, but the way I explain it doesn't explain anything.
00:54:36Oh, come on, come on.
00:54:38Come on, come on.
00:54:39Come in, fatso.
00:54:45Me first, to...
00:54:47This painting is called Las Meninas.
00:54:51It is called Las Meninas because Velázquez named it that way,
00:54:55who was the one who painted it, Las Meninas.
00:54:58Now, look closely at this painting and the dog.
00:55:03Here neither the guy at the door nor the guy in the painting are important.
00:55:07What really matters to my mother here is the dog.
00:55:10Because a person stays still when they are painted.
00:55:14But a dog...
00:55:15And this dog didn't move at all when they painted him.
00:55:19What breed is he?
00:55:21From Angora.
00:55:21From Andorra?
00:55:22Not from Andorra, from Angora.
00:55:24Angora that is hitting Angoulême.
00:55:27Where are elvers from?
00:55:28Ah, well, let's see another one, because that one really has some serious chestnuts.
00:55:32Let's go there, okay?
00:55:33Well, look closely because this painting is something great and extraordinary.
00:55:40The Spears.
00:55:45The Spears.
00:55:47There is an explanation.
00:55:49This painting is called The Lances because it has many lances.
00:55:54OK?
00:55:55Because if I had just one spear, it would be called The Spear.
00:56:00As he has many spears, he has spears.
00:56:01In a row, it's called Las Lanzas.
00:56:05Look, on the right side, it's not wonderful.
00:56:10The fact that?
00:56:12Another spear.
00:56:14Oh, Braulio, we did well to take this guide.
00:56:17If we come alone, we don't see all the spears.
00:56:20And the drunks?
00:56:21That.
00:56:22And what about Velázquez's drunks?
00:56:24No, the bar is on the mezzanine.
00:56:25Hey?
00:56:26And the thanks?
00:56:27What do you say about thanks?
00:56:29No thanks, because it's two hundred pesetas.
00:56:31Yeah.
00:56:33Now I will be able to talk about painting in my town.
00:56:36And thank you.
00:56:37Well, you know where I am.
00:56:39Okay, goodbye.
00:56:40Bye bye.
00:56:40Damn.
00:56:46I had just finished saying...
00:56:48Do you know where I am?
00:56:50When there's a voice behind me asking me...
00:56:53Do you have a guide license?
00:56:55Like the one who asked me, he was a real guide.
00:56:57I gave him the excuse that I had done it on a bet.
00:57:02What do you have for me?
00:57:04No placement again.
00:57:11Ignacio.
00:57:12Have you ever been affected?
00:57:14Clear.
00:57:14Me every day?
00:57:16I mean another person, like a barber.
00:57:19Well.
00:57:20You'll know what's your thing.
00:57:23That's why I'm telling you.
00:57:24Because there's a vacancy at my barbershop.
00:57:26You could take that place.
00:57:29As a barber?
00:57:30Well, of course, yes, it's very easy.
00:57:31You're coming with me to the hairdresser's right now...
00:57:34...and I'm going to show you that it's as easy as sewing and shaving.
00:57:42I'm not following, Paco.
00:57:43I'm getting nervous.
00:57:45I'm not following.
00:57:47Yes, you're doing very well.
00:57:50I would like to be a western cowboy.
00:57:52And I would like to be Joan of Arc.
00:57:55So that?
00:57:55To get my hair cut.
00:57:58Hey, you're very handsome.
00:57:59Will you marry me?
00:58:00I don't understand you.
00:58:01I say if you want to marry me...
00:58:04A woman doesn't have to say that.
00:58:06I'm not your girlfriend anymore.
00:58:08Take.
00:58:12Do you have to pee?
00:58:14Pee?
00:58:15Pee.
00:58:17Do you have pee?
00:58:18Yes, pee.
00:58:19Yeah.
00:58:20So, do you have to pee or not?
00:58:21Come, son, come.
00:58:22Sorry.
00:58:23You are welcome.
00:58:30Aren't we going, son?
00:58:31Yes, dad.
00:58:32It's a shame we can't come every day.
00:58:35Because?
00:58:36I love walking with you so much.
00:58:41What's that, Dad?
00:58:46Excuse me, who are you asking for an autograph?
00:58:47To a very nice artist.
00:58:49Manolo Morán.
00:58:49I've already signed it.
00:58:51Ah.
00:58:54Dad, I saw it in a movie and I laughed a lot.
00:58:57I would like to talk to him.
00:58:59Why don't you tell him?
00:59:01Son, I don't know him.
00:59:02You may think I'm a jerk.
00:59:04Come on, dad.
00:59:05Tell him.
00:59:08By?
00:59:08Do you also want me to sign it?
00:59:24No, sir.
00:59:25Wait, I wish my son could talk to you.
00:59:27And why doesn't he come?
00:59:28I would be delighted.
00:59:30I'll bring it to you right away.
00:59:31It's the one in the chair.
00:59:33Is he impeded?
00:59:34Yeah.
00:59:35Then don't bother.
00:59:36I'm going.
00:59:41Hey?
00:59:44Hello, kid.
00:59:45How are you?
00:59:46Very good.
00:59:46And you, Mr. Morán?
00:59:48Well, as you can see, ugly and fat.
00:59:51What is your name?
00:59:52My name is Toni.
00:59:53Well, Antonio.
00:59:54Wow, kid.
00:59:55Very nice name.
00:59:56And do you know what my name is?
00:59:58Of course.
00:59:59Your name is Manolo Morán.
01:00:00And he is a film artist.
01:00:02Do you go to the movies often?
01:00:03No.
01:00:04I like it a lot, but like most of them, they are not minutes.
01:00:08Hey, would you like to make movies?
01:00:11Clear.
01:00:13But I can't.
01:00:14I'm sick in the legs.
01:00:21Do you know Maria's song?
01:00:22Which Mary?
01:00:23By María Laterrones.
01:00:25Who is this María Laterrones?
01:00:27You don't know who María Laterrones is.
01:00:28Now I'm going to do it to you.
01:00:29That?
01:00:33I am María Laterrones, the one who steals hearts.
01:00:37Oh, gentlemen, what pain!
01:00:39And my mother is Bontevedra.
01:00:44And my Valencian father.
01:00:48I am Spanish, very Spanish.
01:00:55And I also have an uncle in Huelva.
01:00:57And I dance for fandango.
01:00:59And also by caranta.
01:01:00And also for bulería.
01:01:01Did you like it?
01:01:11A lot, I've been king for a while.
01:01:13Oh no, no.
01:01:14This is already known.
01:01:17One moment.
01:01:17What disease do you have?
01:01:25Poliomyelitis.
01:01:26I have operated on him twice, but without success.
01:01:29I know it will never be normal.
01:01:31But if I could walk with crutches...
01:01:36Wait.
01:01:37Wait.
01:01:37Wait.
01:01:37Wait.
01:01:37Wait.
01:01:39Wait.
01:01:41Wait.
01:01:41Wait.
01:01:42Wait.
01:01:42Wait.
01:01:42Wait.
01:01:43Wait.
01:01:44Wait.
01:01:44Wait.
01:01:44Wait.
01:01:45Wait.
01:01:45Wait.
01:01:45Wait.
01:01:46Wait.
01:01:47This is for Dr. Lillo, a polio specialist.
01:01:54We went to high school together and he appreciates me a lot.
01:01:58Please come on my behalf, and I will be happy to assist you.
01:02:02Thank you, Mr. Manuel.
01:02:03Manolo.
01:02:05Simply Manolo.
01:02:06Well, I can't guarantee the outcome, but I know he'll take good care of you.
01:02:13Well, kid, will you give me your hand?
01:02:15Yes sir.
01:02:16And a kiss.
01:02:17Also.
01:02:17Goodbye, friend.
01:02:21Goodbye, Manolo.
01:02:23Without something I can serve you.
01:02:24I work as a hairdresser on Goya Street.
01:02:25Well, unless it's for a shave, because I'm already bitten.
01:02:35I would solve the problem.
01:02:37Goodbye, Tony.
01:02:38Goodbye, Manolo.
01:02:38I would like to be as short as possible.
01:02:43You see, if I cut it any further, it will look like zero.
01:02:46Plus, it doesn't look long this way.
01:02:48No, I mean the heat.
01:02:50And I say this because of the cold.
01:02:51If I cut it further and he gets a cold, what then?
01:02:53What a sneeze.
01:02:54And I say to him Jesus...
01:02:56No, my name is Jesus, my name is Thomas.
01:02:58I say Jesus to his sneeze.
01:03:00You are very attentive.
01:03:01What do I owe him?
01:03:02Twenty-five pesetas and whatever.
01:03:04Whatever?
01:03:05Whatever your will is.
01:03:06How little will he has.
01:03:14Not bad, man.
01:03:15I see you're getting the upper hand.
01:03:16Yeah.
01:03:16Hey, there's another one.
01:03:17Take care of me, that's a good client, you know?
01:03:22Haircut and long live Atleti.
01:03:25Didn't you hear me?
01:03:27I said long live Atleti.
01:03:29Viva.
01:03:30You're new, right?
01:03:32Yeah.
01:03:33Well, you already know my motto.
01:03:34To Atleti and to César what belongs to Elche.
01:03:37Because Atleti is the best team in the world.
01:03:41And what about Madrid?
01:03:41As?
01:03:42No, nothing.
01:03:43That I was born in Madrid.
01:03:45Long live Atleti.
01:03:48And what about bulls?
01:03:50Who do you like?
01:03:51I like the cows.
01:03:52Bulls are very violent.
01:03:53I'm referring to bullfighters.
01:03:55Just one for me.
01:03:56That?
01:03:57Ordoñez.
01:04:01Between!
01:04:02Between!
01:04:03Where does it go?
01:04:05That in sight.
01:04:06I'm going to show you who's the best.
01:04:08In view of me?
01:04:09Why don't you look in the mirror and do it all for yourself?
01:04:11Ordoñez.
01:04:12Where is Luis Miguel, face down, everyone?
01:04:16You have no idea.
01:04:17I'll bite it!
01:04:19Whom?
01:04:19Me?
01:04:20What if I cut his ears and lighten his weight?
01:04:22Oh, me.
01:04:24What's wrong with me, Paco?
01:04:26The best client at the barbershop and he has to be an Atleti fan.
01:04:29You have to be patient.
01:04:31You have to go with the flow of customers.
01:04:33Further?
01:04:34I followed the current, the alternating current, the direct current, until the fuses of patience blew.
01:04:39and the short circuit of temperament is formed.
01:04:42Total.
01:04:43Again on the same street.
01:04:45Well, it is a little piece of paper.
01:04:47Well, what now?
01:04:49What of what?
01:04:51What about working?
01:04:52Well, there is...
01:04:54What do you have to...
01:04:55That?
01:04:56That you have to work on whatever comes out.
01:05:05Paco.
01:05:08What do you think of that?
01:05:12Man, I don't think that's for you.
01:05:15That's for me and anyone who needs it like me.
01:05:18Look, I'd rather shine people's shoes than borrow a penny.
01:05:22I have the best business in Spain.
01:05:25Between boots and shoes he'll get me more than 15 duros tonight.
01:05:30Have I ever told you that you are the most wonderful person I have ever met?
01:05:33No, because you don't tell lies.
01:05:35You are one.
01:05:37Don't say that, Ignacio.
01:05:39Nobody would do what you do.
01:05:41No.
01:05:43You say that because you love me.
01:05:45But there are many men who make more sacrifices for their children than I do.
01:05:48The thing is, since we don't see it, we think bad luck is only for us.
01:05:58What are you looking at?
01:06:00These are the men of tomorrow.
01:06:03Of that tomorrow that my son will never have.
01:06:05You shouldn't think about that, Ignacio.
01:06:11Has the doctor that movie star recommended to you already been to the doctor?
01:06:14Yes, I hadn't told you anything because I'm afraid to talk about it.
01:06:18But what did he tell you?
01:06:21Well, he told me...
01:06:22I can't guarantee that it will cure him, but I hope I can do something for him.
01:06:27Do you realize, Conchita?
01:06:28The doctor just had to say...
01:06:31I have hope.
01:06:32I'm sure of it, Ignacio.
01:06:34This time you'll be lucky.
01:06:35You deserve it.
01:06:37No.
01:06:38I don't.
01:06:42But my son does.
01:06:58Do you like it?
01:07:20It's sad what happens to you.
01:07:22It's sad, but beautiful, right?
01:07:24Yes, it is beautiful.
01:07:28Ignacio, I've forbidden Elias's boy from coming in to talk to your son.
01:07:38Because?
01:07:39Because I don't like it.
01:07:55What's wrong, son?
01:07:56Elias told me that a child like me is good for nothing.
01:08:02Now, you help me, but as an adult.
01:08:07It will be embarrassing.
01:08:09You're right, Dad.
01:08:11I'm always a nuisance.
01:08:13That kid doesn't know what he's saying.
01:08:15You will never be a hindrance.
01:08:17Here I am so you don't be.
01:08:19You mustn't cry, my son.
01:08:23Not for that reason or for anything else.
01:08:25Men don't cry.
01:08:28The women and girls cry.
01:08:31You are a man.
01:08:32Quite a man.
01:08:36Do you promise me?
01:08:36Yes, dad.
01:08:41I won't cry.
01:08:43That's how I like it, son.
01:08:45And for being good, I'm going to put you on TV.
01:08:48I think there is a great program today.
01:08:51Thanks, Dad.
01:08:52How good you are.
01:08:53Prepared?
01:09:16Yes, dad.
01:09:20Ladies and gentlemen, viewers.
01:09:23Gentlemen voyeurs, good evening.
01:09:26This is the famous Argentine announcer Cayetano speaking for you.
01:09:31Cayetano.
01:09:32But before we begin, it's a good idea to know that...
01:09:35Tomas watch, perfect watch.
01:09:41Time Thomas, exact time.
01:09:44Because if the trigeminal nerve is contaminated with the suppuration of the vegetarian system,
01:09:55We deduce that the Valencian artichoke is tastier than the English one, something that is clarified in the book edited by Dr. Pi.
01:10:07Yes, but since the famous Japanese researcher To is not satisfied, it is clear that what Dr. Pito is doing is a joke.
01:10:20And how clean do clothes washed with that smell?
01:10:29Ladies and gentlemen, good evening.
01:10:36Today Siberia recorded its lowest temperature, which is strange because it had been getting quite strong for a few days.
01:10:43The highest number of deaths occurred in Alicante, where a night watchman died of heatstroke last night.
01:10:47The anticyclone that appeared in the northwest has moved east.
01:10:53And this, this is a different story because tomorrow we will have it in Andalusia.
01:10:58And in Andalusia we sing with warmth, we sing with soul.
01:11:02Seville, Sevillilla, golden tower.
01:11:05Where the Arabs already said, he has a handkerchief.
01:11:08He has a handkerchief!
01:11:10To toast, always do so with Lozoyo cognac.
01:11:19Lozoyo cognac is the best.
01:11:22Nothing better than this magnificent cognac.
01:11:38Don't you think it's time to sleep, son?
01:11:39Yes, dad.
01:11:41See you tomorrow.
01:11:48Come on, get a little Cormic.
01:11:50Okay.
01:11:53Dad, Remedios told me that you're going to operate on me again.
01:11:58Why do you ask me?
01:11:59It's just that I suffer a lot, Dad.
01:12:01Well, but this time it will be less painful, you'll see.
01:12:05And will I be okay?
01:12:07Oh, perfectly.
01:12:10So much so that when you are a man, you will be much taller and stronger than me.
01:12:16Your legs will have a strength of fear.
01:12:18I'll race you down this street, but you'll have to give me a head start because you'll always beat me.
01:12:26And I will be proud to have the strongest son, with the legs of an athlete.
01:12:36Everyone will say, Alberti, that's Ignacio's son.
01:12:40And I will be the happiest man in the world.
01:12:52Forgive me, son.
01:12:55Forgive me.
01:12:55Will it be okay, doctor?
01:13:00Something might happen to him.
01:13:02In the worst case, it will remain as it is.
01:13:04If the operation is successful, he will walk on crutches, but he will walk.
01:13:08And we'll have to wait a long time to find out, doctor.
01:13:11You have to be patient, miss.
01:13:12You always have to wait.
01:13:13Calm down, man.
01:13:16God will want everything to go well.
01:13:18You wait here.
01:13:20Doctor.
01:13:24Can I see it?
01:13:26It's better not to do it.
01:13:27Your son is quite a man.
01:13:29And right now I'm not interested in that little man becoming what he is.
01:13:33In a child.
01:13:36Cheer up, man.
01:13:37Cheer up, man.
01:14:07Cheer up, man.
01:14:08Cheer up, man.
01:14:09Cheer up, man.
01:14:10Cheer up, man.
01:14:11Cheer up, man.
01:14:12Cheer up, man.
01:14:13Cheer up, man.
01:14:14Cheer up, man.
01:14:15Cheer up, man.
01:14:16Cheer up, man.
01:14:17Cheer up, man.
01:14:18Cheer up, man.
01:14:19Cheer up, man.
01:14:20Cheer up, man.
01:14:21Cheer up, man.
01:14:22Cheer up, man.
01:14:23Cheer up, man.
01:14:24Cheer up, man.
01:14:25Cheer up, man.
01:14:26Cheer up, man.
01:14:27Cheer up, man.
01:14:28Cheer up, man.
01:14:29Cheer up, man.
01:14:30Cheer up, man.
01:14:31Cheer up, man.
01:14:32Cheer up, man.
01:14:33Cheer up, man.
01:14:34What, doctor?
01:14:44It is too early to say anything.
01:14:46But my impression is frankly optimistic.
01:14:52Good evening, Ignacio.
01:14:54How's Tony doing?
01:14:55Getting better and better, Mrs. Maria.
01:14:57Glad to hear it.
01:14:58And what about your new job?
01:14:59Are you good at shoes?
01:15:00Freak.
01:15:01I clean the park, it looks like a mirror.
01:15:04Hey, what if a foreigner calls you,
01:15:06How do you manage to collect from him?
01:15:07Knowing languages has to be of some use to you.
01:15:10If he's French, I'll tell him.
01:15:11Messi owes me ten pesetes.
01:15:14If he is Russian, two durof for shoe cleaningf.
01:15:19And if he's from Madrid, I'll give him a try.
01:15:22Recognize some non-guinea pig
01:15:23that can be read by two people
01:15:25that will be quickly transferred to me
01:15:27without murmurs of wetness
01:15:29so that from the palm of my shovel
01:15:31come to the bottom of my solitaire.
01:15:32Hey, that language is really difficult.
01:15:36Take it, it seems that it has just been invented.
01:15:37Good night.
01:15:40Okay.
01:15:41Thank you so much.
01:15:42And?
01:15:49Are you happy, Ignacio?
01:15:51Glad.
01:15:52I am the happiest man in the world.
01:15:54Tomorrow I'm going to see the doctor
01:15:55to give me the bill.
01:15:56He has discharged me and promised me
01:15:58that within a week
01:15:59My son will walk with crutches.
01:16:01And your wife, how is she doing?
01:16:02My wife?
01:16:04My wife is a wreck.
01:16:05But a ruin for what?
01:16:06Because it continues as always, without explaining itself.
01:16:09Today, as I left home,
01:16:10I don't know if he told me
01:16:10Felipe, I'm dying
01:16:12or happy new year.
01:16:16Hey, they're calling you from that table.
01:16:17I'll be right there.
01:16:18Don't hesitate.
01:16:23They called me?
01:16:23Yes, clean me up.
01:16:28You see it very easy, Don Manuel.
01:16:31But after the last stumble,
01:16:33It seems like very little money to me
01:16:34the one that gentleman offers.
01:16:36It is no small thing considering
01:16:37simply from some plans.
01:16:39Also, that gentleman
01:16:40is completely solvent.
01:16:41He is the deputy director of that company.
01:16:43And will we have to use the blowtorch?
01:16:45I think so.
01:16:46OK?
01:16:49This being in the middle,
01:16:50What signs are they?
01:16:52Peña Escales 15
01:16:53at 6 in the morning.
01:16:54Don Matías
01:16:55will be waiting for you at the door.
01:16:56According.
01:16:58Conchita,
01:17:00listen,
01:17:00I need to talk to your father.
01:17:02This morning
01:17:03They will try to rob his office.
01:17:05It is very urgent.
01:17:06Van, I thought you were going to ask for my hand.
01:17:08Know?
01:17:09I have told my father
01:17:10about the letter.
01:17:10And what happened?
01:17:11Well, what had to happen.
01:17:13My father has been able to understand
01:17:14that the love I have for you
01:17:16does not steal anything from his own.
01:17:18And he has also realized
01:17:19that this Don Matías
01:17:20it is not clean wheat.
01:17:21Well, he still doesn't know the best.
01:17:23I'm going there.
01:17:24Dear Matías,
01:17:45These are not office hours.
01:17:47My deputy director is really jealous.
01:17:49Until dawn
01:17:50has to do in my office.
01:17:53I'm sorry to disappoint you.
01:17:55But those plans
01:17:56they are no longer there.
01:17:57What should be there,
01:17:59I mean your wallet,
01:18:00It's a letter from my daughter
01:18:01which belongs to Ignacio.
01:18:03Do you want to give it to me?
01:18:04You should read this letter.
01:18:12There are some very interesting things.
01:18:15Everything my daughter writes
01:18:16It's interesting, Matías.
01:18:18Very interesting.
01:18:21Sirs,
01:18:21are at your disposal.
01:18:22Always at your service,
01:18:30Mr. Director.
01:18:32Always at your service.
01:18:33Don Matías,
01:18:42friends are for occasions.
01:18:56My daughter told me
01:18:57that the operation went well.
01:19:00I was very happy about it.
01:19:00Thank you, Mr. Raúl.
01:19:04Conchita,
01:19:06Why don't you tell my employee?
01:19:07to walk you home?
01:19:09It's the least you should do
01:19:11a man with his girlfriend,
01:19:12don't you think?
01:19:14Did you say employee?
01:19:16That's what I said.
01:19:18And his office is across the street from mine.
01:19:21That of your director?
01:19:22But if I am,
01:19:27I know,
01:19:28poor Garcia.
01:19:30But from now on
01:19:31It will be Mr. Garcia,
01:19:33deputy director of this company.
01:19:36The bad thing is that over the years
01:19:38you will become the owner
01:19:39absolute of this factory.
01:19:42What are we going to do?
01:19:44Go away, children.
01:19:45You ask me for the invoice
01:19:49for his son's operation
01:19:50and I'm going to give it to you.
01:19:57Before the operation,
01:19:58a pretty young lady,
01:19:59whom you appreciate quite a lot,
01:20:02came to tell me
01:20:02that she would pay for this
01:20:03with their savings.
01:20:05Yesterday the father came
01:20:06of said young lady,
01:20:07his former boss,
01:20:08and said that the operation
01:20:10he paid for it.
01:20:12But before anyone else,
01:20:13I was warned
01:20:14by my friend Manolo Morán
01:20:15that this bill
01:20:16was on his own.
01:20:20I have been able to verify
01:20:21that there is a small dispute
01:20:23let's see who loves them more.
01:20:25But this tournament,
01:20:26without being a close friend of yours,
01:20:28I'm going to allow myself
01:20:29I win it.
01:20:32The operation
01:20:32it's worthless.
01:20:35But doctor,
01:20:36I don't...
01:20:36No...
01:20:37You asked God
01:20:38that his son would walk
01:20:39with crutches
01:20:39and his son will walk.
01:20:43Glad?
01:20:45Yes, doctor.
01:20:46Very happy, yes.
01:20:59Doctor,
01:21:01I would like to show you
01:21:03my thanks.
01:21:05You have done so much
01:21:06for me
01:21:07and for that son.
01:21:14Thank you, doctor.
01:21:16Thank you.
01:21:18Bye bye.
01:21:18Bye bye.
01:21:30Bye bye.
01:21:31Bye bye.
01:21:42Bye bye.
01:21:43Bye bye.
01:21:43Bye bye.
01:21:43Thank you!
01:22:13Thank you, Lord, for what you have done for me.
01:22:30I don't ask you for anything else.
01:22:35I am happy to be able to sustain myself like this.
01:22:37Dad says you should be spoken to on your knees.
01:22:47Sorry they don't, but you know I can't.
01:22:54Well, sir, you know how glad I am.
01:23:00Thank you very much, sir.
01:23:05Thank you.
01:23:07Have you been thanking us?
01:23:26Sorry, Dad, that I cried, but I couldn't stop myself.
01:23:30Son, the day I told you that men didn't cry,
01:23:38I forgot to tell you that there are moments in life
01:23:39in which it is necessary to cry, no matter how much of a man one is.
01:23:45This one you did is one of the most justified.
01:23:51Let's go, son.
01:23:52You in front.
01:23:54Thank you, sir.
01:24:21Let's go, son.
01:24:27Let's go.
01:24:28Let's go, son.
01:24:31Let's go, son.
01:24:33Let's go.
01:24:36Unleted.
01:24:38Let's go.
01:24:38Thanks for watching the video.
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