- hace 5 meses
Parte 1 de 2: https://dai.ly/x9psb6q
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00:00:00¡Suscríbete al canal!
00:00:30That's the one I was telling you about.
00:00:39Daddy.
00:00:39Don't touch him.
00:00:40The doctor says no touching.
00:00:42We mustn't forget that our hands are playgrounds for germs, microbes,
00:00:46spirochese, and who knows what other kinds of contamination.
00:00:49I just wanted him to know that I was here.
00:00:52He knows you're here.
00:00:53How can you tell?
00:00:55How can I tell?
00:00:58She asked.
00:01:00How I can tell.
00:01:01Put those flowers in the icebox.
00:01:03He can tell because he's a doctor.
00:01:06Dig?
00:01:07Then you think he's going to be all right?
00:01:09Well, let's put it this way.
00:01:12Your father will live.
00:01:13Oh, thank goodness.
00:01:15The question is for how long?
00:01:16Oh, you mean he might...
00:01:18I don't mean anything.
00:01:19You must remember that, scientifically speaking,
00:01:23the only difference between life and death
00:01:25is that death lasts a lot longer.
00:01:28Hey, look at this.
00:01:33Max brought his radio.
00:01:34Yes, let's have some dancing.
00:01:36I've got to find an outlet for this thing.
00:01:37Is he in pain?
00:01:44Oh, now that is an interesting question.
00:01:47Let me try to answer you this way.
00:01:50Now, pain is very difficult to measure.
00:01:53For instance...
00:01:54Oh!
00:01:55What are you doing?
00:01:56Well, that was painful, right?
00:01:58Oh, it certainly was.
00:02:00Well, how painful?
00:02:01Well, I don't know.
00:02:03More painful than a firm handshake?
00:02:04Yes.
00:02:05Ah, but not as painful as being crushed
00:02:07under the wheels of a two-ton truck.
00:02:09I guess not.
00:02:10Ah!
00:02:11Well, now that should give you some idea
00:02:13of the area in which your daddy's pain is measured.
00:02:16Let me direct your attention to this.
00:02:18What is it?
00:02:20It's one of my own developments.
00:02:24A giant stride forward in neuroencephalography.
00:02:27I call it the crankite subcutaneous electro-degenerator.
00:02:32The patient's brain is a storehouse of energy.
00:02:35I've implanted a small female socket
00:02:38in the cranial cavity.
00:02:40The male plug is inserted here
00:02:43and the excess electrical energy
00:02:46is thus drained off.
00:02:49Without this safety valve,
00:02:51your daddy might suffer a serious short circuit
00:02:53and, in the language of the layman,
00:02:55and the blow is cool.
00:02:59But that's not going to happen.
00:03:09But Dr. Crankite!
00:03:14Hello there, sweetheart.
00:03:17You come on and have a little dance with your old uncle.
00:03:19Oh, wait a minute, wait a minute.
00:03:23Hey, hang on there.
00:03:25What's the matter?
00:03:26Too much party?
00:03:27Yeah, just sit down right here.
00:03:32Come on.
00:03:34Now, you just settle down here.
00:03:37Right next to you, old man.
00:03:40Just fix the room.
00:03:42There we are.
00:03:51Nice and cozy.
00:03:54Old family.
00:03:56Right here together in the old sack.
00:03:58Just the way it should be.
00:03:59Oh, I'm so tired.
00:04:01Well, why don't you...
00:04:02Why don't you take off those shoes, huh?
00:04:06There we are.
00:04:07Maybe, girl.
00:04:12And loosen this tight dress a little.
00:04:16There.
00:04:17There.
00:04:18Now, just...
00:04:20Put this nice, clean sheet up over us.
00:04:24There.
00:04:27Now, you just...
00:04:28You just rest your head against my shoulder
00:04:31and get some shot at it.
00:04:33There.
00:04:33I just wish you were my little girl.
00:04:42I know how rough it must be sometimes.
00:04:46I know your daddy's not the easiest man in the world to live with.
00:04:50Things will be a lot different with your Aunt Livia and me.
00:04:55We believe in a sort of informality.
00:04:57What I like to think of it is
00:05:00it's our own kind of family planning.
00:05:04What's going on in here?
00:05:13Animals.
00:05:13That's what they are.
00:05:14A pack of wild animals.
00:05:16Oh, come on.
00:05:16You can't fool around with people's bodies all day long
00:05:18and then pretend you don't know the score.
00:05:20That's the one.
00:05:20She's the troublemaker.
00:05:21I suppose, young lady,
00:05:31you have an excellent reason
00:05:33for being caught
00:05:35in the bed of a critically injured patient,
00:05:38your half-naked body writhing and twisting,
00:05:41held in the grip
00:05:42of an insane and shameless passion.
00:05:45I just wanted to get some sleep.
00:05:47Besides what business...
00:05:48This hospital is my business.
00:05:50I am Dr. Calvin Dunlap,
00:05:53executive director of this establishment.
00:05:55And I consider it my business
00:05:57when one of its rooms is used
00:05:58as the setting for a lewd, disgraceful orgy.
00:06:02Honestly, there wasn't any orgy.
00:06:05Don't tell me.
00:06:06I majored in abnormal psychology
00:06:09and I know orgies when I see them.
00:06:11I also know depravity
00:06:13and indecency
00:06:15and, I might add,
00:06:17in flagrante delicto.
00:06:19I don't know what that means.
00:06:21It means that you are to leave this place immediately.
00:06:23I will not have it turned into a bordello
00:06:25by you or any other social outcast.
00:06:28In my book,
00:06:29you are a tart,
00:06:31a tramp,
00:06:33a trollope,
00:06:33a teenager.
00:06:42What do you think you're doing, Dunlap?
00:06:46Why is that girl on the floor?
00:06:48She fell there.
00:06:49A victim of Newton's law?
00:06:51Eh?
00:06:51Hmm?
00:06:53I don't suppose the fact
00:06:54that you were subjecting her
00:06:55to some of your psychotic abuse
00:06:56had anything to do with it, did it?
00:06:59No need to get any pet bronchite.
00:07:01Let me remind you, Doctor,
00:07:04this is my patient.
00:07:06This is my patient's room
00:07:08and that is my patient's daughter.
00:07:10Now, let's get her up off the floor.
00:07:11Come on.
00:07:12Now, Mr. Christian,
00:07:27you've just been through
00:07:28a very serious operation.
00:07:30You got the wrong Christian, lady.
00:07:33Better let go of me
00:07:35or I'll break every bone
00:07:36in your pelvis.
00:07:37There.
00:07:38There.
00:07:49Well,
00:07:50any
00:07:51notions, Doctor?
00:07:54She's, um,
00:07:55apparently unconscious.
00:07:57Brilliant diagnosis.
00:07:57Now, just,
00:08:00how do you propose
00:08:00that we
00:08:01deal with this
00:08:02situation?
00:08:03Any hot ideas?
00:08:05She's a young,
00:08:06apparently
00:08:06healthy girl.
00:08:08Right.
00:08:08We're licensed physicians.
00:08:10Oh, right again.
00:08:12Let's, uh,
00:08:13examine her.
00:08:14Get a grip on yourself,
00:08:15you done, lad.
00:08:18What's the matter
00:08:18with a little examination?
00:08:20She wouldn't even know about it.
00:08:22I suggest you
00:08:24return to your office,
00:08:26take some tranquilizers
00:08:27and a cold,
00:08:28hip bath.
00:08:30Hmm?
00:08:32It's been a long time
00:08:33since I examined anyone.
00:08:36Good night,
00:08:36Mr. Administrator.
00:08:40Good night,
00:08:41Mr. Big Time
00:08:42Peace Flipper.
00:08:44Pleasant dreams,
00:08:45Mr. Moneybag.
00:08:46Same to you,
00:08:47Mr. Sawbones.
00:08:49Thank you,
00:08:50Mr. Fundraiser.
00:08:51Don't mention it,
00:08:52Mr. Bloodsucker.
00:08:54I won't,
00:08:55Mr. Capital Gaines.
00:08:57Okay,
00:08:58Mr. Booker.
00:09:00Up yours,
00:09:01Mr. Scheister.
00:09:06I must have fainted.
00:09:08Yes.
00:09:10Now it's up to us
00:09:11to find out
00:09:11just exactly
00:09:12why you fainted.
00:09:13A step, please.
00:09:16Yes,
00:09:17fainting is
00:09:17basically
00:09:18one of nature's
00:09:19warnings to us
00:09:19to watch our step.
00:09:21Breathe in.
00:09:22Turn, please.
00:09:32Yes.
00:09:33Could be
00:09:34on the threshold
00:09:34of one of a dozen
00:09:35highly dangerous diseases.
00:09:39Slip out of your things.
00:09:40What?
00:09:42Your things.
00:09:43Slip out of your things.
00:09:45Can't you understand
00:09:45plain English?
00:09:46I'm going to examine you.
00:09:47But there's nothing
00:09:48wrong with me.
00:09:49I don't think
00:09:49that's for you to say,
00:09:50is it?
00:09:52Your little girl
00:09:53who's not even
00:09:53out of high school yet
00:09:54and whose IQ
00:09:56is probably not
00:09:57genius level.
00:09:59You're trying to
00:10:00out-diagnose
00:10:00a world-renowned surgeon
00:10:01who's attended
00:10:02eight institutions
00:10:02of higher education
00:10:03and who has
00:10:04more degrees
00:10:04than a thermometer.
00:10:06Well,
00:10:07all right.
00:10:08of course
00:10:10it's all right.
00:10:10What were you
00:10:20examined last?
00:10:21At school
00:10:21a month ago.
00:10:23No, no.
00:10:23I mean by a physician.
00:10:25Yes.
00:10:26Well,
00:10:26did he tell you
00:10:27your entire lumbar
00:10:27origin was out of line?
00:10:29No.
00:10:30In a real quack.
00:10:31Well,
00:10:36it's not reoriented.
00:10:37By the time
00:10:37you're 42 years old
00:10:38you'll look like
00:10:39a laundry bag.
00:10:42Now then,
00:10:43now,
00:10:44turn around.
00:10:51Now bend
00:10:52forward
00:10:53slowly.
00:10:56Ooh.
00:10:57I'll tell you
00:10:57when to say ooh.
00:10:59But doctor,
00:11:00are you sure
00:11:00you know?
00:11:01Oh,
00:11:01slowly.
00:11:02Slowly.
00:11:03But doctor,
00:11:04Cronkorn.
00:11:06This has got to stop.
00:11:07Come on,
00:11:08loosen up.
00:11:09Where's that old
00:11:09sense of humanity?
00:11:11Whoop.
00:11:13Ooh.
00:11:13Ah!
00:11:17This is not
00:11:18the patient.
00:11:19Of course not,
00:11:20Dumbo.
00:11:20That's his brother.
00:11:22He never did
00:11:23have much staying power.
00:11:28Who has taken
00:11:29the patient?
00:11:30Bullock,
00:11:31Bullock,
00:11:40how many times
00:11:41must I tell you
00:11:42not to interrupt me
00:11:43when I'm performing
00:11:43an examination?
00:11:44You may be interested
00:11:45in knowing that...
00:11:46This examination
00:11:46is terminated.
00:11:47My God,
00:11:48she's at it again.
00:11:49Listen,
00:11:50honey,
00:11:50why don't you put
00:11:51a meter on it
00:11:51and we'll all get rich?
00:11:53Well,
00:11:54I don't know
00:11:55about you people,
00:11:55but I have work to do.
00:11:57Out of my way,
00:11:57Bullock.
00:11:59Get out of my way.
00:12:02Stop following me around.
00:12:04Stop spying on me.
00:12:05I'm warning you,
00:12:06whoever you are.
00:12:07Hey, doctor.
00:12:16Oh,
00:12:17wait for me.
00:12:18I think we should
00:12:18have a little talk.
00:12:19Don't lie.
00:12:20Lying won't do you
00:12:21any good.
00:12:22Why should I lie?
00:12:23Listen,
00:12:24Tootsie,
00:12:24we all know
00:12:25who you're after.
00:12:26We all know
00:12:26what you've got in mind.
00:12:27Why does everyone
00:12:28think that...
00:12:29The doctor is not
00:12:29available,
00:12:30understand?
00:12:31Not available.
00:12:32So you can try
00:12:33to sell your stuff
00:12:34somewhere else
00:12:35because the doctor
00:12:36is already spoken
00:12:38for.
00:12:41And now?
00:12:43Come on.
00:12:45You'll hardly feel this.
00:12:47Oh!
00:12:57Oh!
00:12:57Oh!
00:12:59Oh!
00:12:59Oh!
00:12:59Oh!
00:12:59Oh!
00:13:00Oh!
00:13:00Oh!
00:13:00Oh!
00:13:00Oh!
00:13:00Oh!
00:13:00Oh!
00:13:01Oh!
00:13:01Oh!
00:13:01Oh!
00:13:01Oh!
00:13:01Oh!
00:13:01Oh!
00:13:02Oh!
00:13:02Oh!
00:13:02Oh!
00:13:02Oh!
00:13:03Oh!
00:13:03Oh!
00:13:03Oh!
00:13:04Oh!
00:13:04Oh!
00:13:04Oh!
00:13:05Oh!
00:13:06Oh!
00:13:07Oh!
00:13:08Oh!
00:13:09Oh!
00:13:10Oh!
00:13:11Oh!
00:13:12Oh!
00:13:13Oh!
00:13:14Oh!
00:13:15Oh!
00:13:16I don't suppose
00:13:16you give a damn,
00:13:17but while you were
00:13:18getting your pulse
00:13:19taken,
00:13:19your critically injured
00:13:20daddy has wandered
00:13:21off into the night.
00:13:24Daddy!
00:13:25Daddy!
00:13:26Daddy!
00:13:27Huh?
00:13:28Oh!
00:13:29Oh!
00:13:30Oh!
00:13:31Oh!
00:13:32Oh!
00:13:33Oh!
00:13:34Oh!
00:13:35Oh!
00:13:36Oh!
00:13:37Oh!
00:13:38Oh!
00:13:39Oh!
00:13:40Oh!
00:13:41Oh!
00:13:42Oh!
00:13:43Oh!
00:13:44Oh!
00:13:45Oh!
00:13:46Oh!
00:13:47Oh!
00:13:48Oh!
00:13:49Oh!
00:13:50Oh!
00:13:51Oh!
00:13:52Oh!
00:13:53Oh!
00:13:54Oh!
00:13:55Oh!
00:13:56Oh!
00:13:57Oh!
00:13:58Oh!
00:13:59Oh!
00:14:00Oh!
00:14:01Oh!
00:14:02Oh!
00:14:03Oh!
00:14:04¡Gracias por ver!
00:14:34¡Gracias por ver!
00:15:04¡Gracias por ver!
00:15:34¡Gracias por ver!
00:15:36¡Gracias por ver!
00:15:38¡Gracias por ver!
00:15:40¡Gracias por ver!
00:15:42¡Gracias por ver!
00:15:44¡Gracias por ver!
00:15:46¡Gracias por ver!
00:15:48¡Gracias por ver!
00:15:50¡Gracias por ver!
00:15:52¡Gracias por ver!
00:15:54¡Gracias por ver!
00:15:56¡Gracias por ver!
00:15:58¡Gracias por ver!
00:16:00¡Gracias por ver!
00:16:02¡Gracias por ver!
00:16:04¡Gracias por ver!
00:16:06¡Gracias por ver!
00:16:08¡Gracias por ver!
00:16:10¡Gracias por ver!
00:16:12¡Gracias por ver!
00:16:14¡Gracias por ver!
00:16:16¡Gracias por ver!
00:16:18¡Gracias por ver!
00:16:20¡Gracias por ver!
00:16:22¡Nos!
00:16:23¡Pero cancelamos!
00:16:32¡Gracias por ver!
00:16:32¡Gracias por ver!
00:16:34Here I'm looking at the door in the wall.
00:16:36Here are my eyes, staring one at a time.
00:16:39The left one, now the right one.
00:16:42My mouth, feet, dunce, lips, everything.
00:16:47And my throat.
00:16:49Excuse me.
00:16:51And now you.
00:16:53Do it. Do it.
00:16:55Do what?
00:16:56Again.
00:16:57Cut.
00:17:00G3?
00:17:01Yeah.
00:17:02What does it mean?
00:17:02It's me, G3, G3, GGG, John Giovanni Gemini.
00:17:07That's your name?
00:17:09You're not familiar with it?
00:17:10I've only been to New York a day and...
00:17:11You never seen my films?
00:17:12Well, no.
00:17:14Wait a minute. I want to get your answer.
00:17:16No.
00:17:16Again, again.
00:17:17No.
00:17:18Cut. Good.
00:17:20I have now filmed 112 people saying the word no.
00:17:23Why?
00:17:24Because it's all part of life.
00:17:27Part of being and seeing, understanding.
00:17:29But has anyone seen this film?
00:17:31No.
00:17:32113.
00:17:34Did you have any of a gumbo?
00:17:36What?
00:17:36Gumbo.
00:17:38I shot it last year.
00:17:40In color and black and white.
00:17:42Two hours of soup.
00:17:44Beans, rice, lentils, carrots.
00:17:48The essence, the spirit.
00:17:50Very soupness of soup.
00:17:52Got him.
00:17:55Man going out of the door.
00:17:57And now we are going to do you.
00:18:00Come on.
00:18:01But where are we going?
00:18:02I have an idea.
00:18:03I don't understand what you want me to do.
00:18:09I want you to be yourself.
00:18:12Listen.
00:18:13I want you to be part of all human experience.
00:18:17Buildings, clouds, trombons, garbage.
00:18:20Listen to me.
00:18:22I've been looking for you.
00:18:24You are my next film.
00:18:25Stick with me and you will be as famous as...
00:18:29What's her name?
00:18:30Elizabeth Taylor.
00:18:31Who?
00:18:32Ah, no.
00:18:33Now we start.
00:18:34Go.
00:18:37But I don't know anything about acting.
00:18:40Neither does the Grand Canyon.
00:18:42But that doesn't keep anyone from looking at it.
00:18:44Don't move.
00:18:46Fantastic.
00:18:47Girl sitting down on the job.
00:18:50And now I want to see those paws.
00:18:54Like this.
00:18:56That's it.
00:18:58Good.
00:19:01And now, now I need your pupils.
00:19:06Where are they?
00:19:08Where are they for crying out loud?
00:19:11Watch out for the guy.
00:19:12He's got a camera.
00:19:17Ah, that's perfect.
00:19:19Perfect.
00:19:20I'm getting arms and legs.
00:19:22The whole thing.
00:19:24And now, let's get through it.
00:19:28Ah, you see?
00:19:30Beautiful.
00:19:31You are a sex.
00:19:33Sounds like an infraction to me, Sarge.
00:19:35What about it?
00:19:36And now, I want the frog.
00:19:38Give me some frog.
00:19:41Don't move.
00:19:42Are you an infraction or not?
00:19:43Lock the door.
00:19:48Get ready to beat someone to a pulp.
00:19:50Whatever the good people are doing in there, it's got to stop.
00:19:53This is the law talking.
00:19:54Thigh.
00:19:55Thigh.
00:19:55Give me thigh.
00:19:57That's a definite infraction.
00:19:59Shall we break it down?
00:20:01Yeah.
00:20:01Yeah.
00:20:01Perfect.
00:20:10We cops.
00:20:11That's the first for cinema reality.
00:20:13Keep coming.
00:20:14Keep coming.
00:20:17You put your last men's room job, mister.
00:20:19What do we book him on, Sarge?
00:20:21Making a film without a permit.
00:20:25Using the men's room as a place of business.
00:20:28And a proper flood control procedure.
00:20:30Where'd the girl go?
00:20:31Did you see what happened to the girl in the blue dress?
00:20:36Who directed it?
00:20:43Men passing out.
00:21:01And some were the little different.
00:21:01Let's to dad...
00:21:03Let's do this.
00:21:04Let's get together.
00:21:05Let's get to it.
00:21:05Let's do it.
00:21:06Let's do it.
00:21:06Let's go.
00:21:07Let's do it.
00:21:07Let's do it.
00:21:08Let's go.
00:21:18You're welcome.
00:21:18Let's go.
00:21:19Let's go.
00:21:19Let's do it.
00:21:24Let's go.
00:22:33¿No te vayas?
00:22:35No sé.
00:22:37No sé.
00:22:39No sé.
00:22:41No sé.
00:22:43No sé.
00:22:45No sé.
00:22:47No sé.
00:22:55No sé.
00:22:57No sé.
00:22:59No sé.
00:23:01No sé.
00:23:03No sé.
00:23:05¿Esto es donde vivas?
00:23:25No sé.
00:23:36No sé.
00:23:40No sé.
00:23:41No sé.
00:23:55¿Estás seguro que sabes lo que estás haciendo?
00:24:13¡Qué hermoso gusto!
00:24:25¡Gracias!
00:24:55¡Qué hermoso!
00:25:25¡Gracias!
00:25:55¡Gracias!
00:25:57¿Qué?
00:26:01¿Qué?
00:26:03¿Qué?
00:26:05¡I can't quite understand you!
00:26:07¿Qué tienes que hacer?
00:26:09¡Ay!
00:26:11No te debes jugar, Peephan!
00:26:13Es no es bueno.
00:26:15No?
00:26:17¡Yup, mamá!
00:26:23¡Jun利!
00:26:24Pero no crees que...
00:26:26¿Sabes qué?
00:26:28Solo que agradezco tu hospitalidad.
00:26:30¿Por esto?
00:26:31No, no tiene nada que ver con eso.
00:26:47¿Por esto?
00:26:50No, no, honestamente.
00:26:52¿Por qué?
00:26:53Eso no es nada.
00:26:54Es como tener una mala posición.
00:26:57Es siempre por esto.
00:27:00Oh, pobre hombre.
00:27:02No tiene que pensar eso.
00:27:08¿Por qué?
00:27:08¿Por qué?
00:27:11¿Por qué?
00:27:20¿Por qué?
00:27:22No tiene lo que mayor de un hospital.
00:27:31No tiene lo que más.
00:27:35No tiene lo que menos.
00:27:37¡Suscríbete al canal!
00:28:07¡Suscríbete al canal!
00:28:37¡I'll give you three seconds to throw down those weapons and cover that Steinway!
00:28:40¡Ah!
00:28:42¡Suscríbete al canal!
00:29:12¡Suscríbete al canal!
00:29:14¡Suscríbete al canal!
00:29:16¡Gosh!
00:29:18¡Suscríbete al canal!
00:29:20No, no, no.
00:29:50But I'll tell you this, before this night's over, you'll wish you never set foot in my precinct.
00:29:54But I never saw these people.
00:29:57Anything you say will be held against you.
00:29:59But all I mean...
00:30:00Held against you, you understand?
00:30:02I'd like to hold something against her.
00:30:05You stick to the road.
00:30:10But you can see your weapons?
00:30:11Of course not.
00:30:13Carry any dope? Any goofballs? Any speed? Marijuana?
00:30:16No!
00:30:17Why should I believe you, you little lump of pervision?
00:30:21Get your hand to the dashboard!
00:30:23What are you gonna do?
00:30:26You're gonna get frisked, lady.
00:30:28Like you've never been frisked before.
00:30:33Frisk her, Sarge.
00:30:37Frisk her.
00:30:37And now we present, for your pleasure, coming from nowhere, Ahmed, the magician.
00:30:55Frisk her, you're gonna get frisked.
00:31:02Ah!
00:31:04Ah!
00:31:04Ah!
00:31:05Ah!
00:31:05Ah!
00:31:05Ah!
00:31:05Ah!
00:31:08Ah!
00:31:14Ah!
00:31:16Ah!
00:31:16Ah!
00:31:17Ah!
00:31:18Ah!
00:31:18¡Gracias!
00:31:48¡Gracias!
00:31:56¡Gracias!
00:31:57¡Gracias!
00:31:58¡Gracias!
00:32:00¡Gracias!
00:32:01¡Gracias!
00:32:02¡Rud for it!
00:32:03¡It's a nest of comi, bad trap-guards!
00:32:07¡Aaah!
00:32:08¡Shoot the kill!
00:32:09¡Shoot the kill!
00:32:10¡Gracias!
00:32:11¡Gracias!
00:32:12¡Gracias!
00:32:16¡You fascist monster!
00:32:18What are you kidding! I'm irish.
00:32:28Hey, why don't you fight like a man!
00:32:32Why don't you like some more of that?!
00:32:34Yes, yes, give me some more!
00:32:36You blue eyed bitch!
00:32:40Sarge, hey Sarge!
00:32:48¡Oh! ¡Ouch! ¡Oú, yo! ¡biequeco! ¡Oh, Danko!
00:32:57¡Oh! ¡Oh! ¡Aa de toos!
00:33:02¡Oh! ¡Oh! ¡Oh!
00:33:07¡Oh! ¡Oh! ¡Oh! ¡Oh!
00:33:09¡Oh! ¡Oh! ¡Oh!
00:33:18¡Gracias!
00:33:48¡Gracias!
00:34:06¡Advance!
00:34:18¡Pen Fiel!
00:34:22¡Gracias!
00:34:24¡Em desen!
00:34:28¡Kan Fiel!
00:34:32¡espite el cefón de muñejo,
00:34:34¡iyos navid permissions!
00:34:35¡Kan Fiel, redo zijn!
00:34:38¡Maybe diese姿 PHILAKI!
00:34:39¡No!
00:34:41¡Estra fuels suct laid!
00:34:43¡Muy pa difíkej!
00:34:45¡Susquit德 recomal Bryce!
00:34:46¡Kan Fiel, Peraian!
00:34:48¡Vamos!
00:34:50¡Vamos!
00:34:52¡Vamos!
00:34:54¡Vamos esos material corruptos!
00:34:56¡Vamos!
00:34:58¡Vamos!
00:35:02¡Vamos!
00:35:04¡Vamos!
00:35:18¡Vamos!
00:35:20¡Vamos!
00:35:22¡Vamos!
00:35:24¡Vamos!
00:35:26¡Vamos!
00:35:28¡Vamos!
00:35:30¡Vamos!
00:35:32¡Vamos!
00:35:34¡Vamos!
00:35:36¡Vamos!
00:35:38¡Vamos!
00:35:40¡Vamos!
00:35:42¡Vamos!
00:35:44¡Vamos!
00:35:46Bien, por supuesto que soy. Mi nombre es...
00:35:48Wait, wait. No diga esto de nuevo. Es un nombre de nombre.
00:35:51Es uno de los unspoken.
00:35:53No entiendo.
00:35:55Listen.
00:35:56C-A-N-D-Y.
00:35:59Cinco, el nombre de las letras.
00:36:00Cinco, el nombre de la magia.
00:36:02Cinco, el pentagram.
00:36:05El primer nombre de nombre es C.
00:36:08C, el signo de la eagle, el signo de la tabla, el signo de la masculina de la fuerza.
00:36:12El último nombre de nombre de nombre.
00:36:14C, el signo de la yoni, el all-pervading female.
00:36:21Y el middle letters.
00:36:23A-N-D, C-N-Y.
00:36:28Ahora lo entiendes.
00:36:30No estoy seguro.
00:36:32Wait. No diga. No diga. No diga.
00:36:34No diga. No diga. There's further proof.
00:36:44Oh, my gosh.
00:36:48I thought...
00:36:48Yes, you thought perhaps I was suspended in the air.
00:36:51Oh, well, it looked like it.
00:36:52Ha, ha, ha, ha.
00:36:54Yes, my plastic seat.
00:36:56Appearances.
00:36:57They always deceive.
00:36:58But to be truly suspended in air is a cheap trick.
00:37:02In my country, they sell such deceitfulness in the neighborhood joke stores.
00:37:07How to climb a rope and disappear.
00:37:09How to walk across a bed of burning coal.
00:37:11How to fool around with poisonous snakes.
00:37:15These are games for children.
00:37:16Can you do all those things?
00:37:18My dear, innocent girl.
00:37:21By the time I was nine years old, I could...
00:37:23I could do things that would shake the foundations of your naive Western beliefs.
00:37:27I could lift huge weights with my tongue.
00:37:33I could see through seven layers of zinc.
00:37:37And I do not like to brag.
00:37:40But, uh...
00:37:42I...
00:37:44I could converse with vegetables.
00:37:47Oh, that's wonderful.
00:37:49No.
00:37:50These things are nothing.
00:37:52They are as one grain of sand as compared to the great mountain that guards the Camindanda Pass.
00:37:57Compared to what we are about to do.
00:38:00Together.
00:38:02Together?
00:38:03Oh, yes.
00:38:05Together we shall ascend the trail of true selfishness.
00:38:09Selfishness.
00:38:10Up.
00:38:11Up past the valley of material concerns.
00:38:13Past the rocky cliffs of negative sensation.
00:38:17Climbing.
00:38:18Struggling.
00:38:20Until we have attained...
00:38:22The void.
00:38:24The void?
00:38:25Beyond time.
00:38:26Beyond space.
00:38:29Beyond self.
00:38:31The void.
00:38:33Pure energy and light.
00:38:37Gosh.
00:38:40Gosh.
00:38:42Gosh isn't the half of it.
00:38:44Come on.
00:38:45How do we start?
00:38:47First I may teach you how to breathe.
00:38:49What?
00:38:49Yes, and you'll love the American simplicity.
00:38:53You're thinking perhaps that you already know how to breathe.
00:38:56But let me tell you this.
00:38:58You only know one method of breathing.
00:39:01In and out.
00:39:03Can you deny it?
00:39:04No, I can't.
00:39:04In and out is only one of a thousand ways of breathing.
00:39:09There's also back and forth.
00:39:11There's up and down.
00:39:12There's breathing like the camel.
00:39:14There's breathing like the grass.
00:39:15You mean like photosynthesis?
00:39:17What?
00:39:19You know, the carbon cycle.
00:39:21Plant life.
00:39:21No, no, stop.
00:39:22You must forget about these things.
00:39:24You must thrust them from your mind.
00:39:26You must leave science behind.
00:39:27It is corrupt.
00:39:29Leave behind your pathetic high school jargon.
00:39:32Leave behind formulas and theorems.
00:39:35And leave behind prefabricated houses and chewing gum and hairspray and credit cards and Wall Street.
00:39:42And lie down.
00:39:43I beg your pardon.
00:39:44Lie down.
00:39:45We're going to begin to breathe.
00:40:04Wow.
00:40:05That's beautiful.
00:40:08Thank you.
00:40:08Wait.
00:40:13When I came in here one minute ago, it was morning, you know.
00:40:17Midnight.
00:40:18What have you done to me?
00:40:20To you, nothing.
00:40:21But to time.
00:40:23Plenty.
00:40:27Now, we must find that place.
00:40:30Lie down.
00:40:31Which we call the center of all breath.
00:40:34My lungs?
00:40:35No, no.
00:40:36It is not that simple.
00:40:36It is a place where the immutable self resides.
00:40:41We must search.
00:40:43Now, could it be here?
00:40:47No, I do not think so.
00:40:51Perhaps it was here.
00:40:53No, wrong again.
00:40:56Or here.
00:40:59No.
00:41:03Or here.
00:41:04No, I think, I mean, it seems to me it couldn't be there.
00:41:08I think it is.
00:41:10So soon.
00:41:11We found it so soon.
00:41:13It must be a sign.
00:41:14I hate to disagree, but...
00:41:16Lie down.
00:41:16Who's the guru here?
00:41:17You or me?
00:41:18More breathing?
00:41:32No.
00:41:32That is the first stage.
00:41:34We must move beyond that now.
00:41:35How many stages are there?
00:41:37The second one.
00:41:38The first is a sense of cosmic rhythm.
00:41:41Wait a minute.
00:41:42No, wait.
00:41:43We cannot wait.
00:41:44My buttons.
00:41:45Your buttons, as you call them, these are only a reflection of that secret self which you're
00:41:50leaving behind you.
00:41:51They're meaningless.
00:41:52They're corrupt.
00:41:53Without them, you'll be able to move forward to stage two and three and four and five and
00:42:00six and finally the ultimate.
00:42:03Now, we must prepare to embark on stage two.
00:42:11The body's essential worthlessness.
00:42:16This is worthless.
00:42:18Worthless.
00:42:20And this.
00:42:21And this.
00:42:25More.
00:42:26Yeah.
00:42:27And this.
00:42:28Oh.
00:42:29Yeah.
00:42:29Oh.
00:42:31And this.
00:42:33And now for stage.
00:42:37Now for stage two.
00:42:38Two?
00:42:39Two.
00:42:40Two.
00:42:53Oh.
00:42:53I don't think I can breathe like this much longer.
00:42:56Have patience.
00:42:57The way is difficult, but it's worth the effort.
00:43:00Oh, yeah.
00:43:01They say in my country that the centipede has a thousand legs, but it cannot tap dance.
00:43:05I don't quite see the connection.
00:43:08Well, it loses a little something in the translation.
00:43:10I wonder where we are.
00:43:28It does not matter.
00:43:31Space is an illusion.
00:43:33It curves back on itself like an autijoke.
00:43:35Oh, I sure would like an autijoke right now.
00:43:38I'm starving.
00:43:39Is that all you can think about?
00:43:41Your body and its critical desires?
00:43:44I can't help it.
00:43:45I'm so hungry.
00:43:47We must travel beyond thirst, beyond hunger.
00:43:49To the legend of the pig and the flower.
00:43:57The legend of the pig and the flower is a very beautiful story told by my people in song and dance.
00:44:15Then the pig came upon a bush.
00:44:17Then the pig came upon a bush.
00:44:18And on the bush he saw a flower growing, a very large purple flower, the only one for miles around.
00:44:25And then the pig shall deeply in love with the flower.
00:44:28And then the pig confessed his love and then the flower said to the pig, you're a pig and you're extremely dirty, even for a pig.
00:44:40Then the pig began to weep, and the flower took pity on the filthy animal, and he said, I will love you when you are clean.
00:44:51And the pig's heart swelled with joy, and he went down to the river to wash himself.
00:44:56Oh, and he stepped into the water, and he got eaten by a crocodile.
00:45:08But what does the story mean?
00:45:11You got me.
00:45:12What stage are we in now?
00:45:27Stage three.
00:45:29What is it called?
00:45:30A condition of the positive man's self.
00:45:33You know so far, it's awfully hard for me to tell one stage from another.
00:45:42I think we'd better stop now.
00:45:47Oh, look, it's snowing.
00:45:51I'd really like to take a break.
00:45:53You don't mind.
00:45:55It looks like floating stars.
00:45:58Look, look, if you're just a...
00:46:00Is anything wrong?
00:46:01Oh, no, it's just a...
00:46:04Mom, you're catching a cold.
00:46:08Oh, that's impossible.
00:46:11Portal flesh means nothing.
00:46:13In the midst of the realization of the libertinous vortex.
00:46:17Vortex?
00:46:18Stage five.
00:46:20What happened to stage four?
00:46:24Skipped it.
00:46:25What, can we do that?
00:46:27I mean, don't we have to follow the age-old eternal mirror of our pattern?
00:46:32Yeah, but I'm a reformed mystic.
00:46:35Listen.
00:46:47Listen.
00:46:47This is getting serious.
00:46:57Don't you have a thermometer or anything?
00:46:59No, no, no, no, no, no.
00:47:29How will I know him?
00:47:31By the sacred bird.
00:47:33What sacred bird?
00:47:35Any sacred bird.
00:47:37Hey, the door's open.
00:47:59Oh, no, no, no, no, no.
00:48:29Oh, no, no, no, no, no, no.
00:48:59Check the back.
00:49:05I'll talk to the driver.
00:49:07You got any fruit, flowers, plants, firearms, liquor, or parakeets?
00:49:10There's a roof.
00:49:11A what?
00:49:11There's a roof.
00:49:12What's that, a fruit or a plant?
00:49:16Hey, George, you can't bring a frozen guru into California.
00:49:20Come on.
00:49:24Ah!
00:49:25Ah!
00:49:25Ah!
00:49:26Ah!
00:49:27Ah!
00:49:27Ah!
00:49:38¡Gracias!
00:50:08¡Gracias!
00:50:24¡Gracias!
00:50:28¡Charlie!
00:50:32¡Charlie, get me out of here, ¿verdad?
00:50:35¡Charlie!
00:50:37You alright?
00:50:38¡Suscríbete al mi cambio! ¡Suscríbete al mío!
00:51:04¡Sacred bird!
00:51:08¡Suscríbete al mío!
00:51:38¡Suscríbete al mío!
00:52:08¡Suscríbete al mío!
00:52:38¡Suscríbete al mío!
00:53:08¡Suscríbete al mío!
00:53:38¡Suscríbete al mío!
00:54:08¡Suscríbete al mío!
00:54:38¡Suscríbete al mío!
00:54:40¡Suscríbete al mío!
00:54:42¡Suscríbete al mío!
00:54:44¡Suscríbete al mío!
00:54:46¡Suscríbete al mío!
00:54:50¡Suscríbete al mío!
00:54:52¡Suscríbete al mío!
00:54:54¡Suscríbete al mío!
00:54:58¡Suscríbete al mío!
00:55:02¡No! ¡No!
00:55:04¡No! ¡No!
00:55:06¡No! ¡No!
00:55:32What, what, what's happening?
00:55:36What, what are we doing now?
00:55:44Aren't you, aren't you even going to tell me your name?
00:56:02¡No!
00:56:16¡My God!
00:56:18¡It...
00:56:20¡It's starting!
00:56:22¡No!
00:56:32¡No!
00:56:38¡No!
00:56:40¡No!
00:56:42¡No!
00:56:44¡Gracias!
00:57:14¡Gracias!
00:57:44¡Gracias!
00:58:14¡Gracias!
00:58:44¡Gracias!
00:59:14¡Gracias!
00:59:44¡Gracias!
01:00:14¡Gracias!
01:00:44¡Gracias!
01:01:14¡Gracias!
01:01:44¡Gracias!
01:02:14¡Gracias!
01:02:44¡Gracias!
01:03:14Or did she exist?
01:03:24Vision of an untouched grace
01:03:27Walking gaily through the sun
01:03:32No one else could take her place
01:03:38Know the work that she'd begun
01:03:43Love for anyone who needs her
01:03:50Innocence is all that feeds her
01:03:54Loaded through the mist
01:03:59Knowing what is understanding
01:04:04Patience that is undemanding
01:04:08Oh, did she exist?
01:04:19Oh, did she exist?
01:04:22Oh, did she exist?
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