- 5 months ago
Prepare to discover cinematic treasures that flew under your radar! Join us as we count down the most captivating movie moments you probably haven't seen. From mind-bending sci-fi twists to heart-wrenching emotional exchanges, these hidden gems deserve your attention. Some spoilers ahead, but these unforgettable scenes might just inspire your next movie night!
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00:00I wonder what it's like out. It looked like rain before.
00:04The video said it would be clear by the afternoon.
00:13The premiere, sir.
00:15Welcome to WatchMojo, and today we're counting down our picks for the best scenes from films you might not know.
00:21Some spoilers ahead for the following movies.
00:24There is a storm coming!
00:26Like nothing you have ever seen, and not a one of you is prepared for it!
00:38Number 100, Therapeutic Ritual, First Reformed.
00:43Questioning his life and faith, Reverend Ernst Toller goes on a psychedelic ride with parishioner Mary.
00:48Both take a wild and unexpected journey through the natural world.
00:56Number 99, The Id Monster Attacks, Forbidden Planet.
01:15Despite the dated effects, Forbidden Planet keeps the thrills coming in this scene.
01:19The sci-fi foe proves to be much more sophisticated than the crew could have imagined.
01:23Number 98, William Tell Game, Naked Lunch.
01:41For anybody squeamish, this scene is especially tough to watch.
01:45David Cronenberg's adaptation of the Burroughs novel doesn't stop pushing buttons or rattling your psyche.
01:50Number 97, Demonic Cave, The Wailing.
02:15The demon's unsightly appearance throws Yong Issam for a loop.
02:19We don't blame him either, because that's one terrifying sight.
02:23Masaichi.
02:33Watashita.
02:34Number 96, Car Ride, In a Lonely Place.
02:48Humphrey Bogart's troubled man bursts at the seams here.
02:52The car scene finds him ready to fight, perfectly encapsulating all of the pent-up aggression.
02:56I'd have drank you out of a slanted fortune.
02:59Ditch!
03:01Stop it!
03:02Stop it!
03:03Let him alone!
03:07Ditch, don't you!
03:14Ditch, stop!
03:15You'll kill him!
03:16Number 95, Starting the Shootout, Free Fire.
03:20With a misplaced gunshot, the events of Free Fire take off in style.
03:25Everyone goes to their corners as hotheads and inflated egos reach their tipping point.
03:30Hurry, hurry, hurry, hurry, no!
03:31Number 94, Football Game, Bottoms.
03:56The fight club tests their skills versus the rival football team.
03:59With absurd comedy, the characters prove their strength in an outrageous brawl.
04:03No!
04:04No!
04:05No!
04:06No!
04:07No!
04:08No!
04:08No!
04:09No!
04:09No!
04:10No!
04:10No!
04:11No!
04:11No!
04:12No!
04:13No!
04:13No!
04:14No!
04:15No!
04:16No!
04:17No!
04:18No!
04:19No!
04:20No!
04:21No!
04:22No!
04:23No!
04:24No!
04:25No!
04:26No!
04:27No!
04:28No!
04:29No!
04:30No!
04:31No!
04:32No!
04:33No!
04:34No!
04:35No!
04:36No!
04:37No!
04:38No!
04:39No!
04:40No!
04:41No!
04:42I'm not going to tell you to get back in the car.
04:43is he under arrest get back in the car you're going to jail too i am an attorney and i demand
04:47to know why this man is under arrest sir sir sir we don't have to why is he under arrest what is
04:52your name back in the car what is your badge number i'm not gonna tell you get back in the
04:56car get back in the car get back in the car we got this number 92 the pool george washington
05:01a kid tries to be a hero in this triumphant scene with every second that goes by you might
05:07find yourself biting your nails
05:30number 91 a series of strange weddings a boy and his dog the inner workings of an underground
05:36cult come to the surface the group's nefarious schemes are never more disturbing than in this
05:41torturous scene they may be abundantly enriched by the tokens of thy everlasting favor
05:48amen by authority vested in me by the committee i hereby pronounce you husband and wife
05:55number 90 jane and john predestination sarah snook pulls double duty here in this time traveling film
06:03able to pull off the dual role the actress carries the trippy and warm scene you know what they say
06:08about good things happening to those who wait
06:10but only the things left behind by those who hustle
06:19i was thinking the exact same thing what are the odds number 89 car scene the toxic avenger
06:35this sequence is an example of what makes trauma films so wacky it's non-stop unexpected and unafraid
06:42to shock
06:49i can't get him off the car slug i can't get him off
06:53i can't get him off
06:55slug i'm gonna die
06:57slug i'm gonna die
07:01number 88 life at last phantom of the paradise
07:05this underseen musical is bold with its musical choices and campy visuals in this particular number
07:11the film roars with a vibrant energy
07:18number 87 the reveal the orphanage laura comes to realize the truth surrounding simone's fate
07:37finding his body the pain and horror of the moment can't be overstated
07:44number 86 fighting in the beginning brotherhood of the wolf
08:00in this period film a brutal fight takes place the weather costumes and slow motion make it all the more impressive
08:07number 85 a fiery end fight the omega man charlatan heston survivor battles it out against the head of a plague cult the enemy has much better aim than anybody might expect making this escape scene much more interesting
08:14number 85
08:21number 85 a fiery end fight the omega man charlatan heston survivor battles it out against the head of a plague cult the enemy has much better aim than anybody might expect making this escape scene much more interesting
08:36number 84
08:47number 84 the wrong scepter the score
08:50in this fun switcheroo robert de niro's character is prepared for everything
08:54the tables are turned and this film gives you one more awesome twist
08:58what have you got what have you got you know what i've got
09:19number 83 the arrest waves this scene creates a cacophony of sounds and flashing lights
09:26it's a sobering and disturbing one depicting the breakdown of a family
09:49number 82 resentment marvin's room
09:52diane keaton and meryl streep are on their a-game in this family drama
09:55for this scene
09:56their characters finally let their resentment spill out
09:59it's an enthralling watch
10:00you can find work down here
10:01please
10:02no
10:03why not
10:04just
10:05no
10:06well then give me one good reason
10:07cause i don't want to
10:08i made this decision once already
10:09when daddy had his first stroke i made this decision then i was not going to waste my life
10:13number 81
10:14hysteria
10:15millions
10:16director danny boyle brings sharp visuals and energetic editing to the scene
10:20if that's not enough there's also some help from the band muse
10:23the train stays here
10:24an ambulance comes
10:25takes the driver to hospital
10:26they get another driver
10:27c.i.d. count the bags
10:28there's only one missing
10:29then
10:30rapid response calling it out
10:31number 80
10:33talking to mom
10:34imagine me and you
10:35this rom-com makes you remember that sometimes you just need to talk to your mom
10:51in a quiet scene the film dishes out some important knowledge about life
10:55she's with someone else
10:58and does she love you
11:01i don't know
11:03no
11:08yes
11:12but it doesn't matter
11:14oh it's all that matters
11:16number 79
11:18dancing to rihanna
11:19american honey
11:20this gritty tale about america capitalism and youth comes together thanks to rihanna
11:26the use of we found love captures the characters and their free spirit
11:30number 78 starting to forget hiroshima mon amor a couple come together in a moving exchange about love passion and memory with an open-ended finale this drama makes some complex statements about this relationship
11:57Hiroshima
12:00is your name
12:01is your name
12:03is my name
12:04yes
12:08and your name
12:09is never
12:12never
12:13never
12:14in france
12:19number 77
12:20Stuart's death
12:22backbeat
12:23the tragic story of Stuart Sutcliffe comes to a sudden end
12:26without much time to say goodbye
12:27the artist has a heart-wrenching send off
12:30ASTRIN!
12:32ASTRIN!
12:33ASTRIN!
12:36ta da!
12:38I'm sorry
12:41you're free
12:45number 76
12:47Last Race
12:48Hidalgo
12:49a sandy horse race comes to a smashing conclusion
12:51with a skilled rider and a trusty steed
12:53this thrilling scene makes you believe in hard work
12:56this thrilling scene makes you believe in hard work
12:57the
13:16podcast says
13:18number 75
13:20Lost Thumb
13:21the Pope of Greenwich Village
13:22After delivering compelling work, Mickey Rourke and Eric Roberts' heroes reach a low point.
13:27A missing thumb creates one of the movie's most disturbing moments.
13:44Number 74, Opening the Box, Coherence.
13:48When dinner party guests find a mysterious box, the tables turn in this underrated gem.
13:52The contents of the container only make you want to keep watching.
14:10Number 73, Destroying Timeline, Time Crimes.
14:14A break-in has earth-shattering repercussions.
14:17This scene gives the sci-fi plot another interesting surprise, with Clara's fate altering everything.
14:22Number 72, Favorite Color, In the Mouth of Madness.
14:41This unassuming bus scene takes a dramatic turn.
14:44Sam Neill gives the moment an extra jolt, belting out one of his best horror performances.
14:48God's not supposed to be a heck or a writer.
14:52But maybe I can help you believe.
14:55Look around when you wake up.
14:59Did I ever tell you my favorite color was blue?
15:08Number 71, The Bath, The Handmaiden.
15:12This intimate setting finds the two lead actresses testing their electric chemistry.
15:16In the end, their characters grow closer in this arresting scene.
15:20Number 70, Explaining Brother's Death, Frailty.
15:43Matthew McConaughey plays against type in this eerie scene.
15:46It lets the actor show his range, while also being super scary.
15:50You see, God asked Dad to destroy his son, much like he asked Abraham to sacrifice his son Isaac.
15:58But Dad couldn't do it.
16:01And God didn't take pity on Dad like he did Abraham.
16:08Number 69, Kelly Affair Performance, Beyond the Valley of the Dolls.
16:12This scene allows the film to take a campy and musical detour.
16:16It's catchy, crazy, and another highlight of this wild experience.
16:20Warm this bed kept him fed, oh, I loved him so.
16:26But I got to cry alive whenever he would go.
16:32I guess I was just too young to really understand.
16:38A sweet-talking, oh, a good candy man.
16:42Sweet-talking candy man.
16:45Number 68, Putting Down the Horse, The Rider.
16:49This realistic scene explores the pain of letting go of an animal.
16:53The beautiful cinematography is juxtaposed with a poignant goodbye.
17:12Number 67, Minstrel Show, Bamboozled.
17:16Spike Lee's confrontational film boldly tackles stereotypes in this scene.
17:20It's nothing short of an unforgettable take on race relations in America.
17:24This here's my best friend, Sleep and Eat.
17:28Mm-hmm, and this here's my best friend, Man-Tan.
17:32Number 66, End Chase, THX 1138.
17:37Early in his career, George Locust shows off his talent for visionary worlds and action.
17:42The chase feels like a fitting way to end this imaginative sci-fi film.
17:45Number 65, Sex Pistols.
18:15For this dramatized vision of music history, the filmmakers reenact an iconic Sex Pistols gig.
18:24The scene uses humor, performance, and meta-commentary in an effective way.
18:28Number 64, Confrontation, The Women.
18:46This legendary cast gets to take some verbal shots at each other.
18:49The film doesn't need special effects or elaborate sets, opting instead to let these actresses do what they do best.
18:56You won't have to hear about her anymore, because you and my husband aren't going on seeing each other.
19:03That's rather up to Stephen, don't you think?
19:06Completely.
19:07So you better start making other plans, Miss Ellen.
19:10Listen, I'm taking my marching orders from Stephen.
19:14He seems to be satisfied with this arrangement.
19:16So don't force any issues unless you want to cause plenty of trouble.
19:22Number 63, The Jump.
19:24Eddie the Eagle.
19:26This scene channels all of the exhilaration of watching sports.
19:29Using crowd reactions and slow motion, the movie makes you want to cheer.
19:32No, he's on his back.
19:34Can he recover?
19:35Come on, Eddie.
19:56Number 62, Village Raid, The Northmen.
19:59For this epic adventure, director Robert Eggers presents a captivating set piece.
20:04The character of Amleth will likely stun listeners with his strength.
20:22Number 61, First Kill.
20:25Blood and Black Lace.
20:27A masked killer stalks and dispatches a victim.
20:30Without wasting any time, Mario Bava sets the mood with a spooky setup.
20:34Number 62, Julian's Death.
20:59At a low point, Julian confronts his boss in this unsettling scene.
21:09The startling result shapes the drama in unexpected ways.
21:29This modest 50s drama turns into something much more scandalous here.
21:38With the cries of a baby, a man and his lies start to crumble.
21:59Filmmaker Kathryn Bigelow gives viewers an experience not unlike a video game.
22:11It's both groundbreaking and visually stunning.
22:14Number 57, Opening Robbery, Hell or High Water?
22:32Two brothers have a slick and troubled plan of robbing banks.
22:36The start of this film illustrates this perfectly, setting up a tale about family and criminal
22:41lifestyle.
22:44Number 56, The Crash, Amores Peros.
23:03Director Alejandro Gonzalez Inarritu starts off with a literal bang.
23:08This frenetic car chase sets the story in motion, bringing together diverse stories into one
23:13hypnotic cocktail.
23:26Number 55, Mentalist Act, Nightmare Alley.
23:30Tyrone Power paints a complex portrait of a carnival barker.
23:33This scene shows him trying a more sophisticated act, with Power's antihero captivating the audience
23:39on and off screen.
23:41The lady wishes to know if she will ever see her daughter again.
23:46The answer is yes.
23:49If she believes in the hereafter.
23:52A life beyond the grave.
23:54Is that true?
23:55Has your daughter passed on?
24:01Yes.
24:02Number 54, Finishing Blow, Troll Hunter.
24:06The monster is weak, and there's only one thing left to do.
24:09This fantasy film reaches its most exciting scene, with Hans turning the troll to stone.
24:14The monster is weak, and there's only one thing left to do.
24:35Number 53, Subway Scene, Possession.
24:38A terrifying subway sequence explains Anna's pain.
24:42Isabella Gianni offers up some career-defining work.
25:04Number 52, Moses Attacks.
25:07Attack the Block.
25:08Armed with fireworks, Moses plans a strategic assault on the monsters.
25:12It's a scene full of impressive visuals and exciting action.
25:37Number 51, The Tape Recorder, Session 9.
25:44If you weren't scared enough, Session 9 brings out a tape to make things worse.
25:49The voice recordings might be enough to completely creep you out.
25:52Who am I speaking with?
25:53Mary got a china doll from her mommy, and we can't find it now.
26:01No princess, I haven't seen it.
26:03Maybe Billy knows where your china doll is.
26:05Oh, Billy's silly.
26:09Number 50, The Final Chase, Westworld.
26:12The sci-fi film includes a third-act chase with lots of suspense.
26:16In a clever move, the human gets won over on his robotic pursuer.
26:20Number 49, Christiane's Escape, Eyes Without a Face.
26:33In a wicked tale about facial reconstruction, Christiane finally takes a stand.
26:51The haunting end still shocks all these decades later.
27:12Number 48, The Heist, The Killing.
27:16Stanley Kubrick's early film features an electrifying robbery.
27:19With masks on, the criminals make this unsettling scene stick in your brain.
27:24Be awful, awful careful, how you doing?
27:33Now drop it.
27:35Kick it over here.
27:38Number 47, Auditions, Waiting for Guffman.
27:42Eccentric characters stop by to audition for a show, giving the judges a difficult task.
27:46Each one is more comically surprising than the next.
27:49Brown hair floating like a vapor on the soft summer hair.
28:01Look out!
28:02Camptown races sing this song.
28:04Doo-dah, doo-dah.
28:06Camptown racetrack five miles long.
28:08Oh, doo-dah-day.
28:09Number 46, Dancing in the Bar, Moonlight Mile.
28:14A grieving man makes a jukebox selection, creating a stunning moment in a bar.
28:18The somber scene says so much, without the need for dialogue.
28:22Rain feels cold, with a head full of snow, with a head full of snow.
28:32And no end, though.
28:35And a face, though, don't matter as slow.
28:43Number 45, Poetry, Make Way for Tomorrow.
28:47This tragic film takes a small moment for a poetic aside.
28:51Enjoying their time together, the two older characters show their love through a common appreciation.
28:56The more I think of it, the fellow who wrote that poem, you know, your favorite.
29:03I think he must have got a peek into our future.
29:07You know the poem in the book where you mark the place with the room spread?
29:14Or did the bank get that killed?
29:17They took the book, but they couldn't take the poem from me.
29:21Number 44, Amy's Last Flight, Fly Away Home.
29:25For a movie about geese migration, this conclusion will satisfy animal lovers of all kinds.
29:30The young hero, Amy, leads the flock in this heartwarming scene.
29:34A thousand miles aboard.
29:41The rocks may be made.
29:49A huge favor.
29:56Number 43, Family Dinner, Pariah.
30:00Taking aim at a universal concept, this scene examines what can happen when a family gets
30:05around a dinner table.
30:06The meal ends up being realistic about all of the usual highs and lows.
30:10What do you mean you're not going?
30:13It's your junior year.
30:15Leave her alone, Audrey.
30:16If she doesn't want to go, she doesn't have to go.
30:18But she's a junior.
30:19She's not going to have any memories.
30:21I like all those boys buzzing around my daughters anyway.
30:23That's right, and they better stay that way.
30:26Matter of fact, I don't know if I'm going to let you go.
30:28My dad?
30:29Shut up.
30:31Number 42, Running Away to Disney, The Florida Project.
30:35When all seems lost, Mooney and her friends run away to the happiest place on earth.
30:40Sean Baker's drama reaches a devastating conclusion with a healthy dose of fantasy.
30:45Number 41, Moan and Low, Key Largo.
31:06Claire Trevor may have won an Oscar for this scene alone.
31:08Singing the song Moan and Low, the actress plays the scene with both an impressive and
31:13terrified demeanor.
31:15Well, go ahead, sing.
31:20Moaning low, my sweet man, I love him so, though he's mean as can be.
31:36Number 40, Dr. Ledgard's Demise, The Skin I Live In.
31:41After everything that's happened, Ledgard's death might not seem all that surprising.
31:45This scene still ends up being shocking through the strength of the acting and writing.
31:50But what did you promise me?
31:52I promise.
31:54I promise.
31:57Oh!
32:04Oh!
32:05Number 39, Split in Two, Bone Tomahawk.
32:09Sheriff Hunt watches in horror as his deputy is killed.
32:12The filmmakers make it all look believable, pushing this western to the limit with both gross sights and sounds.
32:18The gun silhouettes.
32:19Don't let the camera.
32:21Nick.
32:22Wake up.
32:24Nick.
32:25Wake up.
32:26Nick.
32:27Wake up.
32:29Nick.
32:30Wake up.
32:31Nick, Wake up.
32:32Nick.
32:33Wake up.
32:34Nick.
32:35Wake up.
32:37Number 38. Failed Truce. Brick. The Pin and Tugger almost settle things, but then this crime thriller gives you another twist.
32:49Rian Johnson knows how to give mystery fans yet another reason to stay tuned.
32:53Brick is gone. Make peace, huh? Talk it out? Get your boys in my den so you can snag it under my nose.
33:03It's not that. Was it bad, Tug? Snag it so I don't know or sell it off to flat the war odds.
33:08It's all right. I didn't eat it all day.
33:12Tug!
33:25Number 37. The Fire. The Devil's Backbone.
33:28This Spanish Civil War drama, which is a fiery point with this alarming scene.
33:34With Lives on the Line, this historical film takes a dramatic turn.
33:40Doctor Casares!
33:42For the army!
33:52What's going on?
33:53Number 36. Reconciling. Indiscreet.
34:08Cary Grant and Ingrid Bergman prove why they're two of Hollywood's greatest performers.
34:13Their characters come back together with a mix of humor and raw emotion.
34:17Just listen to me. I have the most astonishing news. Darling, we can be married.
34:22I've just had word for my wife. She's willing to give me a divorce.
34:25She's fallen in love with a ski instructor in Sun Valley.
34:28Darling, will you marry me?
34:32What is it, darling?
34:38Number 35. Wig in a Box. Hedwig and the Angry Inch.
34:42Bringing this stage musical to the screen, John Cameron Mitchell captures the show's heartfelt spirit in this scene.
34:48The number, Wig in a Box, explores the depth of the hero's transformative journey.
34:52I look up from Ivermuth on the rocks.
34:57The gift-wrapped wigs lit in the box.
35:02Of toweling velveteen.
35:04I'm pulling some makeup.
35:08Some like a makeup.
35:12I'm pulling the weight down from the cells.
35:16Number 34. Almost Crashing.
35:19The Straight Story.
35:20Alvin Strait's tractor journey almost hits a snag, but he ends up making out okay.
35:25David Lynch's low-key adventure lets this scene be both endearing and captivating.
35:30Mr. Are you okay?
35:52Number 33. Standoff. Wind River.
35:55A criminal case builds to this standoff between law enforcement and guards.
36:01The tension is almost too much, but the resulting gunfight is especially ferocious.
36:05Jane! Get away from the door!
36:07Number 32. Recording the title song, The Harder They Come.
36:24Jimmy Cliff shows off his acting and singing talents, bringing this reggae tune to the screen.
36:29This scene mixes fact and fiction with a legendary soundtrack.
36:32Number 31. Fighting the Hunters. Hunt for the Wilder People.
36:56The unlikely duo encounters Hunters, but the scene doesn't go the way you might think.
37:01Sam Neill's character charges one of the guys in a funny burst of energy.
37:05You're going to jail, you pervert.
37:07You want to say that again?
37:10Say it again.
37:12Going to jail.
37:17You pervert.
37:18Number 30. Goodbye to the Robots. Silent Running.
37:33Bruce Dern gives a tender performance opposite some robots.
37:37Near the end of Silent Running, the cool concept also offers up some moving moments.
37:41Take care of yourself, Dewey.
37:43You have to come with me because you're just not working well enough to help, Dewey.
37:59Number 29. Car Chase. Ronan.
38:02Director John Frankenheimer crafts one of the best car chases of the 1990s.
38:06He makes you feel like you're really there, with cameras and cars weaving through tight corners.
38:13Number 28. Shootout. Matawan.
38:39A labor dispute builds to this thrilling shootout.
38:42In a storm of violence, the townspeople take up arms, and the filmmakers create a towering achievement.
38:48You can't get things to do.
38:50No.
38:51No.
38:51No.
38:51Number 27. Catherine moves to oust Peter, the Scarlet Empress.
39:16Catherine II prepares her coup against Peter III, prompting a notable line from Count Alexei.
39:20The hair, costumes, and set design couldn't be better.
39:24We soldiers in the service of the Holy Russian Empire do hereby solemnly swear to acknowledge and to defend with our lives the authority of Catherine, our Empress, and to destroy her enemies.
39:40Number 26. Three Possible Futures. Mr. Nobody.
39:51As a young Nemo passes by three girls, each one of them presents a different future.
39:56This scene playfully toys with the concept of time and the decisions that shape our lives.
40:01Number 25. Fly Me to the Moon. Dogtooth.
40:27An overbearing father explains a song to his children, showing the lengths he'll go to control them.
40:32It's an effective and sinister scene, with hints of dark comedy.
40:35Fly Me to the Moon.
40:37O Babas mas agapai.
40:39Y mama mas agapai.
40:43Let me see what spring is my heart.
40:45Emees tus acapaame.
40:47Nei tus acapaame.
40:49Agapau ta a dèrfia me.
40:51In other words.
40:52Yatiii ma agapun ki aftaa.
40:56Number 24. Noriko's Goodbye. Tokyo Story.
40:59Shukichi thanks his daughter-in-law Noriko, making for a moving scene between family members.
41:04The profound emotions arguably compel the audience to examine their own lives.
41:18Number 23. Visions of Ghoul. Carnival of Souls.
41:34Following an accident, Mary begins to see creepy figures.
41:37This scene brilliantly captures the experience of a nightmare you can't seem to escape.
41:42You can't seem to be a nightmare you can't ever face to death.
41:44Number 22.
41:48WandIGHT trawps.
41:52A flashing terrible torment.
41:56Must also be a nightmare you can't ever face to death.
42:00pony's ironie tyrrr poe day.
42:04Shukichi do no home娘 who bothers you.
42:07Shukichi, he suffers from combat.
42:10Number 22. Beast in New York. The Beast from 20,000 Fathoms.
42:15What happens when the titular monster reaches the Big Apple?
42:18This scene blends terror and entertainment into one fun package.
42:40Number 21. Escaping POW Camp. La Grande Illusion.
42:55When French prisoners escape a German camp, two characters must confront their allegiances.
43:00The exciting scene mixes real-world turmoil with the end of a complicated relationship.
43:04Poigie! Poigie! Have you really gone insane?
43:11I am perfectly sane! Poigie! Poigie!
43:17You understand that if you do not obey my order now, I'll have to shoot.
43:25I dread to do that. I beg you.
43:31Number 20. Fake Out. Brazil.
43:34Just when things look rosy for Sam Lowry, he ends up back in the torture chamber.
43:39Terry Gilliam's sci-fi vision ends with a bang and doesn't give you a fairytale ending.
43:43He's got away from us, Jack.
44:13I'm afraid you're right, Mr. Heltman.
44:16Number 19. The Twist. Audition.
44:19Tekashi Miike's crazy ride messes with your mind.
44:22On the edge of their seats, viewers can't believe it as the hero wakes up and returns to a terrifying state.
44:28I don't think so. I don't think I'm looking for the same thing.
44:34I was always waiting for the phone.
44:36Number 18, Dinner Scene, Pig.
45:01Nicolas Cage's restraint makes the scene especially powerful.
45:04His character, Rob, takes down a chef with some well-written words.
45:09They're not real.
45:11You get that, right?
45:13None of it is real.
45:15The critics aren't real.
45:17The customers aren't real.
45:20Because this isn't real.
45:24You aren't real.
45:27Number 17, Thanksgiving.
45:30She's Gotta Have It.
45:31Nola Darling invites her boyfriends for a meal.
45:34Bringing her feelings to the table.
45:36Spike Lee's debut uses a fun ensemble to dissect gender issues in an entertaining scene.
45:41Before we enjoy this meal, I'd like to know whose brilliant idea this was.
45:48Who invited you?
45:49And who invited you?
45:51I invited all you fools.
45:53You were gonna meet sooner or later, so why let it be an accident?
45:56Number 16, Doctor or a Priest, Sleepers.
46:00This intimidating scene showcases Robert De Niro's acting talent.
46:04Using one key phrase, his character, Father Carrillo, makes a memorable threat.
46:09You're a big guy.
46:10How much do you think John Rodney weighs?
46:1380?
46:1385?
46:14That's not even a featherweight.
46:17If this were a fight, you'd be way out of your division.
46:19Look, it was a slap.
46:22It was nothing.
46:22The next time you'll be meeting me, and I may not be in your division, but I do weigh more
46:29than 85 pounds.
46:31And you don't need a doctor when I'm done.
46:33You'll need a priest to pray over your body.
46:40See you in church.
46:41Showing off his directorial talents, Alfred Hitchcock makes a key the star of the scene.
46:50The audience waits with bated breath as a master moves his camera.
46:54Well, I think we might join the rest of the party now.
47:14I think all our guests are here.
47:16Number 14, Cop Standoff, Lehane.
47:19The cycle of violence continues after a run-in with the cops.
47:22With the final moments, Lehane wraps up its masterful thesis about crime, the police,
47:28and social upheaval.
47:48Number 13, A Vision of Dave.
47:512010, The Year We Make Contact.
47:54Harkening back to the original, this sequel takes one giant leap for this scene.
47:58Dave returns to provoke more questions, and give this movie a better mystery.
48:05You see, something is going to happen.
48:10You must leave.
48:13What?
48:16What's going to happen?
48:19Something wonderful.
48:21Number 12, Climatic Monster Meetup.
48:25A Monster Calls.
48:26Instead of scaring the hero, the monster reappears during a poignant part of Connor O'Malley's
48:31life.
48:32The touching scene brings a new meaning to the tree's presence in the story.
48:35I don't want you to go.
48:36I don't want you to go.
48:37Number 11, Arrow Dance, Hero.
49:06With their nimble maneuvers, they both deflect and dodge the incoming fire with grace.
49:12The scene is also choreographed to perfection.
49:36Number 10, The Dance, Metropolis.
49:43In this classic film from Fritz Lang, a sci-fi film reaches an abstract high point.
49:48Apocalyptic visions mix with dancing to create an editing and directing masterclass.
49:54Number 9, Confronting Call, Paris, Texas.
50:09In an emotional scene, Travis finally explains himself to his wife, Jane.
50:13The unorthodox reunion makes for a heartfelt reveal.
50:16For the first time, he wished he were far away, lost in a deep, vast country where nobody knew
50:28him, somewhere without language or streets.
50:34And he dreamed about this place without knowing its name.
50:40And when he woke up, he was on fire.
50:46There were blue flames burning the sheets of his bed.
50:50He ran through the flames toward the only two people he loved.
50:55But they were gone.
51:00Number 8, Getting Rid of the Bomb, Stalker.
51:04The central trio let a bomb get between them, but then they finally settle down.
51:08This contemplative scene shows the extent of Tarkovsky's skill with quiet moments.
51:13Ticko как, слышите.
51:30А что?
51:32Бросить всё?
51:33Взять жену, мартышку и перебраться сюда?
51:36Навсегда.
51:41Number 7. Kangaroo Court . Peter Lorre's killer meets his match in a stirring
51:49scene. Before he can be dealt with, the police arrive in a stunning surprise.
52:11Number 6. The Strangers. Dark City. From the mouth of Dr. Schreber, the plot of this underrated
52:28film expands. Kiefer Sutherland's breathless delivery only highlights the movie's greater
52:33mysteries. Number 5. Mark's Death. Peeping Tom. The villain creates one last disturbing film,
53:01making himself the final victim. It's a genius reversal for a bad individual.
53:31Number 4. Revenge. In the bedroom. This moody scene builds to a shocking moment of revenge.
53:40It feels incredibly realistic, but also provokes a fascinating discussion about morality.
53:45He tried to run. We were gonna wait and take him out in the woods. I couldn't wait.
54:02I better get the ATV. Number 3. Final Phone Call. Failsafe. Sidney Lumen's direction builds to the
54:18unforgettable sound of a phone line going out. Leading a terrific ensemble, Henry Fonda's
54:24performance speaks to the pain of this moment.
54:27It's all that stands between us. We put it there, Mr. Chairman, and we're not helpless.
54:32What we put between us, we can remove.
54:37Mr. President. Yes, Jay.
54:41I can hear the sound of explosions from the northeast. The sky is very bright.
54:46Number 2. Church Burning. Come and see.
55:06This examination of World War II features horrifying sights.
55:10German troops enter a village and lock people in a church.
55:13While the building burns, the scary event reaches a haunting crescendo.
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56:01Number 1. Gas Station Scene
56:04Primer
56:04Contemplating time travel, both heroes discuss their plans at a gas station.
56:09The simple setup starts to illustrate the complexity of their choices.
56:13Oh, maybe things aren't right, you know, like, maybe your life isn't just rare, just not what you would like.
56:18And you start to wonder, you know, what caused this? How did things get like this?
56:22You know, people are always blaming their parents, you know, as if their mom would have breastfed them, their lives would have turned out different.
56:28Bunch of whiners.
56:29Yeah, they're a bunch of whiners. I mean, but what if it wasn't the thing you wonder about, you know, what if you knew for sure?
56:33This is, this is not the way things are supposed to be.
56:36See, man, I'm not like that. I'm not, I'm not into the whole destiny, there's only one right way.
56:40Abe, I'm not either, okay, but what's worse, you know, thinking you're being paranoid or knowing you should be?
56:44Did we forget another awesome and under-scene film clip? Let us know in the comments below.
56:49Sleep well in your beds, because if this thing comes true, there ain't gonna be anymore.
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