- 2 months ago
Category
🎥
Short filmTranscript
00:02:05Uh, did you lose your license registrations again, Shireen?
00:02:09No.
00:02:10No, no.
00:02:11It's in my purse.
00:02:12It's gotta be yours somewhere.
00:02:15Was I speeding again?
00:02:17Oh.
00:02:18No.
00:02:19No, you weren't speeding.
00:02:20Not this time.
00:02:21Well, let me answer your question.
00:02:23Does that big red sign mean anything to you back there?
00:02:26Now look, we don't want any accidents out here, do we?
00:02:29I forgot to stop again, didn't I?
00:02:32Uh-huh.
00:02:33I'm sorry.
00:02:36How's the writing going?
00:02:39Well, I'm still gonna write you this ticket.
00:02:41I know.
00:02:42It's just, all the writing's so...
00:02:50Go on.
00:02:51Different, you know?
00:02:53Definitely has potential.
00:02:56Potential?
00:02:57I gave you the ninth draft.
00:02:59I know that.
00:03:00It's really, you know, raw.
00:03:02You know, fresh is what I mean.
00:03:04But, I thought we agreed that Harry can't just kill his wife because he's unhappy.
00:03:11Well, maybe Harry, he does need to do something.
00:03:16You know what, maybe he kills her, then he tries to kill himself, but through some way he survives somehow.
00:03:23Or maybe he just lets her go.
00:03:26Yeah, maybe he just lets her go.
00:03:28That'd be, maybe he just lets her go.
00:03:34Maybe he just lets her...
00:03:35Get the hell out of here.
00:03:36Dang.
00:03:51I got it.
00:03:53I...
00:04:04Up until tonight.
00:04:06Then you'll be hearing from our lawyers.
00:04:14I read all the books.
00:04:16You read them all in one week?
00:04:18Mm-hmm.
00:04:19And I wrote a review on each of them.
00:04:21Yeah, although only one was worth reading, the rest were the usual fluff.
00:04:26You say that like it's a bad thing.
00:04:34In the Storm, it's the new Rachel Harsin novel.
00:04:37I'm sure it'll be a bestseller too, but I don't get it.
00:04:41Have some kebab.
00:04:43You must wait.
00:04:49I have an offer for you.
00:04:51We'll have the wedding here.
00:04:53A big wedding.
00:04:55A beautiful wedding.
00:04:57In return, you will do a big feature on Miss Harsin.
00:05:05And we'll put it on the cover of the online issue,
00:05:09as well as three pages in the print publication.
00:05:15You've been asking to write feature stories.
00:05:17Here's your chance.
00:05:19Rachel Harsin.
00:05:21The real story.
00:05:23Darling, go and interview her.
00:05:25Write classy stuff.
00:05:27And I promise, we won't change a word.
00:05:31You know she doesn't give an abuse.
00:05:34She hasn't met my daughter.
00:05:37Right.
00:05:41Shireen!
00:05:43My dress!
00:05:45Shireen!
00:05:51Oh, shoot!
00:05:53Azizam, is that beer coming?
00:05:57Coming!
00:05:59Thank you!
00:06:01Hey, Vicky, it's me.
00:06:03Um, I have an emergency.
00:06:05No, not another fire.
00:06:07Um, do you have any beer?
00:06:21Hello, boys.
00:06:23Hello!
00:06:25Hi, Vicky.
00:06:27Hi, Vicky.
00:06:37Who is this blondie?
00:06:39Take it easy, man.
00:06:40She's a patient.
00:06:41She's a patient?
00:06:42Yeah, I wouldn't mind giving her a filling, huh?
00:06:44I would love to adjust her tailbone.
00:06:46You're not even a doctor.
00:06:48You're a chiropractor.
00:06:49That's a glorified masseuse.
00:06:50I make people walk with beautiful forms.
00:06:52What do you do?
00:06:53Fill up their phenomenals?
00:06:55Thank you so much.
00:06:56Of course.
00:06:57Oh, how romantic.
00:07:00After all these years, Mike still sends you flowers.
00:07:04Yeah.
00:07:05American men never do that.
00:07:07Here, guys.
00:07:08Thanks, beautiful.
00:07:09Thanks, beautiful.
00:07:10I'll give you a gift.
00:07:11Bye, bye.
00:07:12Taste so good.
00:07:13Oh.
00:07:14Oh.
00:07:15Oh.
00:07:16Oh.
00:07:17Oh.
00:07:18Oh.
00:07:19Oh.
00:07:20Oh.
00:07:21Oh.
00:07:22Oh.
00:07:23Oh.
00:07:24Oh.
00:07:25Oh.
00:07:26Oh.
00:07:27Oh.
00:07:28Oh.
00:07:29Oh.
00:07:30Oh.
00:07:31Oh.
00:07:32Oh.
00:07:33Oh.
00:07:34Oh.
00:07:35Oh.
00:07:36Mike is so adorable.
00:07:40He did such a great job on these.
00:07:43You should feel them.
00:07:45Oh.
00:07:46Oh.
00:07:47No.
00:07:48I'm good.
00:07:49I'm good.
00:07:50Are you sure?
00:07:51Yeah.
00:07:52Okay.
00:07:53Okay.
00:07:54The tall one.
00:07:55The other doctor.
00:07:56Is he married?
00:07:57No.
00:07:58He's not married.
00:07:59I'm Iranian.
00:08:00I got a chandelier in my car.
00:08:01Hang it.
00:08:02Just chandelier.
00:08:03Just hang it.
00:08:04Tone it down, man.
00:08:05You're a little creepy right now.
00:08:06She's married too.
00:08:07I love her.
00:08:08I could look at her in one of her hair all day and just wonder why did it wave like this
00:08:13instead of like that.
00:08:15What are you reading now?
00:08:16Huh?
00:08:17Oh.
00:08:18It's the new Rachel Harsin novel.
00:08:19Oh.
00:08:20She has a new one?
00:08:21Yeah.
00:08:22In the Storm.
00:08:23It's an advanced copy.
00:08:24I love her.
00:08:25It's her best yet.
00:08:26Once I'm done reading it, I'll let you borrow it.
00:08:27And I'll bring you some more beer.
00:08:28Forget the beer.
00:08:29Just bring the book.
00:08:30And the tall doctor.
00:08:31And the tall doctor.
00:08:32And the tall doctor.
00:08:33And the tall doctor.
00:08:34And the tall doctor.
00:08:35And the tall doctor.
00:08:37And the tall doctor.
00:08:38And the tall doctor.
00:08:44And the tall doctor.
00:08:45It's a shame.
00:08:46Be careful.
00:08:47Slow.
00:08:48Please, I don't know what a night.
00:08:49Not too much.
00:08:50Slow.
00:08:51No.
00:08:52slow.
00:08:53Slow.
00:08:54Sit down.
00:08:55Saw!
00:08:56Yeah, yeah, yeah.
00:08:57Go enjoy the food.
00:08:59Can we get out of here, please?
00:09:03Yes, honey.
00:09:04We will surely.
00:09:05I just want you to meet Ali.
00:09:06Ali.
00:09:07We call him Ali Dore.
00:09:08I'm glad you found something to look at.
00:09:11Desiree. Pleasure to meet you.
00:09:13Great.
00:09:14She's pretty cute.
00:09:15Uh, well, I was a human rights attorney,
00:09:18and I gave it up to write.
00:09:20She's a booker here for the magazine.
00:09:23This one?
00:09:23Mm-hmm.
00:09:25I'm a big fan of Rachel Harsin.
00:09:27You do whatever you want, honey.
00:09:29As long as you quit when we have children.
00:09:31And you know I want a lot of children.
00:09:34Here's to Rachel Harsin.
00:09:36And in the storm.
00:09:36How many 350 is the best for you?
00:09:39I'll tell you about it.
00:09:41I'll tell you.
00:09:42I'll tell you about it.
00:09:49Darling, I promised Roya that we're going to have grandchildren before too long.
00:09:53Now, you're not going to disappoint us, are you?
00:09:55I'll do my best.
00:09:56Don't keep on touching your hair.
00:09:58Dr. June.
00:09:59Sherry.
00:10:00What are you talking about?
00:10:01Sherry, come on, come on.
00:10:02That's okay.
00:10:03She's just so nervous about the wedding.
00:10:05Let's have the music louder.
00:10:09All right, thanks for bringing me.
00:10:11It's interesting.
00:10:13She, you go wash your face.
00:10:16I'm going to get you a water, okay?
00:10:17I'll be right back, okay?
00:10:22Don't you just love this music?
00:10:26She's amazing by Andy.
00:10:27Daddy.
00:10:32Uh-huh.
00:10:33Hiya.
00:10:39Whoa!
00:10:41Whoa.
00:10:46Uh, yeah?
00:10:47Help me.
00:10:48I escaped.
00:10:49Um, it's raining.
00:10:51You should probably go through...
00:10:51I'll close the door.
00:10:52Yeah, okay. All right. Um...
00:10:59Wait.
00:11:01Where do you want to go?
00:11:02Please don't send me back.
00:11:05Okay, but you just want me to go?
00:11:08Okay.
00:11:13Just go.
00:11:15Just go.
00:11:16Okay.
00:11:22So, where are we escaping to?
00:11:30Just go straight.
00:11:33If I go back, I'm gonna kill them.
00:11:36Or I'm gonna kill myself.
00:11:40Okay. Straight it is.
00:11:52I miss my home, I miss my mom.
00:11:57Now, hell, I ain't been silly.
00:12:02Lookin' down on Robinson's...
00:12:04And we're out of straight.
00:12:06Okay.
00:12:08Any other suggestions?
00:12:10No.
00:12:13Awesome.
00:12:18Um...
00:12:19Come on.
00:12:24Come on.
00:12:25Pick up the phone.
00:12:27Watch in the dress.
00:12:28See, check it out.
00:12:30Do you want me?
00:12:34Dude, I got a girl in my car right now.
00:12:36She's passed out in the front seat.
00:12:38It's the pretty book reviewer in the purple dress
00:12:40that was drinking too much tonight at the party.
00:12:42But long story, I need your help.
00:12:44Okay, because I don't know what to do with her.
00:12:46And she's beautiful.
00:12:48So, please, call me back.
00:12:55Oh, my gosh.
00:12:56Look at that.
00:12:58She's so drunk.
00:12:59You were that drunk last night.
00:13:01Oh, yes you were.
00:13:16I'm sorry.
00:13:17Thanks.
00:13:19Okay.
00:13:21Yes, anything else you need?
00:13:23You know, my hands are full.
00:13:24Oh, yeah.
00:13:25No worries.
00:13:26Next time.
00:13:27For sure.
00:13:28Yeah.
00:13:31Rick, Rick, it's Will.
00:13:32Please pick up.
00:13:33Please.
00:13:34I've got...
00:13:35This girl is in my room.
00:13:36Right now.
00:13:37Okay.
00:13:38Yeah.
00:13:39This girl is in my room.
00:13:40Okay.
00:13:41Yeah.
00:13:42This girl is in my room.
00:13:43Right now.
00:13:44Okay.
00:13:45Yeah.
00:13:46This girl is in my room.
00:13:47Right now.
00:13:48Okay.
00:13:49Yeah.
00:13:50No worries.
00:13:51No worries.
00:13:52Next time.
00:13:53For sure.
00:13:54Yeah.
00:13:56Okay.
00:13:57This girl is in my room.
00:13:59Right now.
00:14:00Okay.
00:14:01Yeah.
00:14:02The girl from the party.
00:14:07She's now in my bed.
00:14:08So, um, you gotta come here and you gotta help me handle this right now.
00:14:12Please.
00:14:16Hey.
00:14:17Hey, you need to wake up, please.
00:14:26Hey.
00:14:33Hey.
00:14:34Hello.
00:14:36There ya go.
00:14:44Okay.
00:14:45I...
00:14:46Ho, ho, ho ho.
00:14:48I've gotta take your clothes off.
00:14:51Because you're gonna get pneumonia if I don't, okay?
00:14:54So, I'm just doing that.
00:15:05An engagement ring?
00:15:11Oh man.
00:15:16Okay, there you go.
00:15:18I can't.
00:15:24I can't, there we go.
00:15:29There we go.
00:15:54You don't drink whiskey.
00:15:55There was a guy here.
00:15:56I'm gonna kill him.
00:15:57No, you're not.
00:15:58What do you mean, no I'm not?
00:15:59My fiance was in bed with someone.
00:16:01Calm down.
00:16:02Let me explain.
00:16:03Calm down?
00:16:04My fiance is in somebody's bed.
00:16:05Oh my God, I'm going dizzy.
00:16:06Here.
00:16:07Where is he?
00:16:08I'm gonna kill him.
00:16:09I don't know how this happened, Mike.
00:16:10I swear.
00:16:11What am I gonna do?
00:16:12I had a call from Rick Davidson this morning.
00:16:14Shireen had a little too much to drink, so she asked me to ask him to ask him to ask him to
00:16:19help me.
00:16:20I don't know how this happened, Mike.
00:16:21I swear.
00:16:22What am I gonna do?
00:16:23I had a call from Rick Davidson this morning.
00:16:27Shireen had a little too much to drink, so she asked Rick to give her a lift home.
00:16:43And then ended up in bed with him.
00:16:45Oh my God!
00:16:46Here.
00:16:48Dr. Jun, you'll be very happy to know that as soon as he brought her back to his hotel,
00:16:52he went straight to his boyfriend, Trevor.
00:17:01You should never let her drink in public.
00:17:05Calm down.
00:17:22Oh.
00:17:27Ha.
00:17:28I knew it.
00:17:29Hmm?
00:17:33Sweetheart, that's her red hair.
00:17:36Do you see any other redheaded Asians walking around here?
00:17:49Major health code violation.
00:17:51I am not eating this.
00:17:52Helena, I need to talk to you about something kind of important.
00:17:59I just found out that my mother's really sick.
00:18:02I'm sorry.
00:18:04Yeah.
00:18:05That's terrible.
00:18:07They don't think she's gonna make it to her next birthday.
00:18:14I need more wine.
00:18:18It's empty.
00:18:21Can I have some?
00:18:22Are you gonna eat that?
00:18:23Yeah, I have it.
00:18:24Yeah?
00:18:25Okay.
00:18:27Broccoli.
00:18:28The long ones.
00:18:29It's like a combination between asparagus and broccoli.
00:18:30This is so good.
00:18:31Thanks, babe.
00:18:32All right.
00:18:33Please be careful and don't drive fast.
00:18:34Oh, Dad.
00:18:35She couldn't drive fast even if she wanted to.
00:18:39I can't believe you'd rather drive seven hours on this piece of junk instead of taking a one-hour flight.
00:18:40You know I hate to fly.
00:18:41And please don't call Zuzu a piece of drunk.
00:18:42You know I don't want to put my first car to sleep.
00:18:46The keys are in the ignition, honey.
00:18:47Oh, yeah.
00:18:48And you got the GPS, too?
00:18:49Uh, yep.
00:18:50And I have this just as backup.
00:18:51Where's your ring?
00:18:52Oh, uh, I'm sure it'll pop up somewhere.
00:18:53Oh, my God.
00:18:54You lost it.
00:18:55How could you lose?
00:18:56Oh, my God.
00:18:57Oh, my God.
00:18:58What did you do?
00:18:59You got the GPS, too?
00:19:00Uh, yep.
00:19:01And I have this just as backup.
00:19:02Where's your ring?
00:19:03Oh, uh, I'm sure it'll pop up somewhere.
00:19:06Oh, my God, you lost it.
00:19:07How could you lose?
00:19:08Oh, my God.
00:19:09Oh, my God.
00:19:10What did you do?
00:19:11You lost it?
00:19:12This just is back up.
00:19:13Where's your ring?
00:19:15Oh, uh, I'm sure it'll pop up somewhere.
00:19:18Oh, my God, you lost it?
00:19:19How could you lose...
00:19:20Oh, my God, do you know how long that ring's been in my family?
00:19:24It says my great-great-great-grandmother, five generations more.
00:19:26Then I'm out of me, push it.
00:19:28Doctor, don't let your blood pressure go up.
00:19:32I didn't lose it.
00:19:34I just can't find it.
00:19:35She didn't lose it.
00:19:37She lost it.
00:19:38No, she can't find it.
00:19:41That's stupid.
00:19:42But she lost it.
00:19:43What's the difference?
00:19:44No, no, no.
00:19:46She didn't lose it.
00:19:47She just can't find it.
00:19:48But it's the same thing.
00:19:49She lost it.
00:19:50No, no, no, it's not the same thing.
00:19:52She just can't find it.
00:19:53Watch out.
00:19:54Watch out.
00:19:57She lost it.
00:20:08Oh, as it goes again, stop the car.
00:20:10Stop the car.
00:20:11You know what?
00:20:21Let me handle this.
00:20:27Good morning, Officer Henderson.
00:20:28It's coffee, okay?
00:20:30It's coffee.
00:20:31And I spilled it chasing you.
00:20:33I stopped at the stop sign.
00:20:35No, ma'am.
00:20:36No, ma'am.
00:20:36No, you didn't stop.
00:20:37You didn't stop at the stop sign.
00:20:41No, sir.
00:20:42Okay.
00:20:42I sent your manuscript to an agent friend of mine.
00:20:53You know what?
00:21:00My new partner is sitting back in the car there.
00:21:03It's not going to work this time.
00:21:05Oh.
00:21:07It's all right.
00:21:08Oh, oh.
00:21:09I know the number.
00:21:15Oh, six.
00:21:15Let me tell you.
00:21:16Are you leaving town?
00:21:21Yes, sir.
00:21:23Are you leaving for a long time?
00:21:25Yes, sir.
00:21:26Good.
00:21:30Officer Henderson, have you thought about changing that ending?
00:21:33Well, I thought about, you know, when he kills her.
00:21:44I thought maybe I'd make that a dream sequence.
00:21:46Well, dream sequences are kind of a movie thing, so.
00:21:54I don't know.
00:21:57You let me think about it, all right?
00:22:00Promise me.
00:22:01If you stay off my streets for a few weeks,
00:22:04I'm not going to write your ticket, okay?
00:22:07I promise.
00:22:09Promise.
00:22:10You promise?
00:22:11Promise.
00:22:12Because I don't want to see you anymore.
00:22:15Thank you, Marvin.
00:22:31I don't know.
00:22:47I'm just not...
00:22:48Floating in space
00:22:51Hey there
00:22:55Scoot a little closer
00:22:58What's your favorite color?
00:23:04Posies in May
00:23:06So lovely on my pillow
00:23:13Spinning whites with rainbow
00:23:16Sending telegrams to Mars
00:23:21Just my luck
00:23:25Turn left in 500 feet
00:23:33There is no left
00:23:35Recalculating, recalculating, turn left
00:23:39What, you want me to drown in the ocean?
00:23:42There's no left
00:23:43Turn left
00:23:43Turn right
00:23:59Where am I?
00:24:04You had arrived at your destination
00:24:06She lives in the middle of nowhere
00:24:09Where the hell are we?
00:24:26Man
00:24:27You had arrived in the middle of nowhere
00:24:32You had arrived in the middle of nowhere
00:24:33You had arrived in the middle of nowhere
00:24:34You had arrived in the middle of nowhere
00:24:35You had arrived in the middle of nowhere
00:24:36You had arrived in the middle of nowhere
00:24:37You had arrived in the middle of nowhere
00:24:38You had arrived in the middle of nowhere
00:24:39You had arrived in the middle of nowhere
00:24:40You had arrived in the middle of nowhere
00:24:41You had arrived in the middle of nowhere
00:24:42You had arrived in the middle of nowhere
00:24:43You had arrived in the middle of nowhere
00:24:44You had arrived in the middle of nowhere
00:24:45You had arrived in the middle of nowhere
00:24:46You had arrived in the middle of nowhere
00:24:47You had arrived in the middle of nowhere
00:24:48You had arrived in the middle of nowhere
00:24:49You had arrived in the middle of nowhere
00:24:50You had arrived in the middle of nowhere
00:24:51You had arrived in the middle of nowhere
00:24:52You had arrived in the middle of nowhere
00:24:53Yes, may I help you?
00:24:58Hi. Yeah, my car broke down.
00:25:00Can I use your phone?
00:25:02Oh, sure. Come on in.
00:25:05Oh, no.
00:25:07I locked myself out of my car.
00:25:09Oh.
00:25:10You better wipe yourself off before you get pneumonia.
00:25:13Yeah, clearly that's not going to work,
00:25:15so I'll get you a bigger towel.
00:25:17Thanks.
00:25:21Here.
00:25:24Oh, you're welcome.
00:25:27Oh.
00:25:28You know, why don't you make the call later?
00:25:30Come on with me.
00:25:32It's just...
00:25:33Yeah, just follow me.
00:25:34It's good.
00:25:35Okay.
00:25:46Yeah, come on in.
00:25:47Suit by the fire.
00:25:48I don't want to bother you.
00:25:50If you could just give me a number for a taxi,
00:25:52I'll go to a hotel and find somebody to help me with my car.
00:25:56You're not from around here, are you?
00:25:58No.
00:25:59Los Angeles.
00:26:00Because the closest hotel is about 20 miles away,
00:26:03no one is going to come out here in this weather.
00:26:06Stay here tonight.
00:26:07You can take care of everything in the morning.
00:26:09Oh, that is way too much trouble.
00:26:12No.
00:26:13Shh.
00:26:14I don't want to hear about it.
00:26:15Please, sit down.
00:26:19Oh.
00:26:20Oh, no.
00:26:21I really shouldn't be drinking.
00:26:23You know, if you have just one, it keeps you very warm.
00:26:29Okay.
00:26:32There you go.
00:26:34Thanks.
00:26:36You're welcome.
00:26:36So, what are you doing around here?
00:26:44Work.
00:26:45I'm a journalist.
00:26:47You're a journalist?
00:26:48Well, not really a journalist.
00:26:51I'm more of a book reviewer for a magazine.
00:26:53I'm looking for someone.
00:26:55She's an author.
00:26:56Her name's Rachel Harsin.
00:26:59Hmm.
00:26:59Hmm.
00:27:03May I ask why?
00:27:04Um, I'm writing a story on her.
00:27:09Although I'm pretty sure she won't talk to me.
00:27:13She seems like a pretty difficult woman.
00:27:17You know, that's funny.
00:27:18I've heard the same thing about her.
00:27:20Yeah.
00:27:24What magazine did you say you wrote for?
00:27:27B.H. Style.
00:27:29Have you heard of it?
00:27:30No, but I'm...
00:27:32I'm not a magazine person, I'm sure.
00:27:34It's very nice.
00:27:36Uh, truth is, it's my first big assignment,
00:27:38so I'm a little...
00:27:40So you're nervous.
00:27:42Yeah.
00:27:45Let's not talk about work anymore tonight.
00:27:47You're tired, you need your rest.
00:27:49Take that with you.
00:27:51Okay.
00:27:52You're very kind.
00:27:54Oh, you have found me out.
00:27:56This is my son's room.
00:28:11Oh.
00:28:12Well...
00:28:13At least it was his room.
00:28:14Oh, he's so cute.
00:28:27Yes, he is cute.
00:28:29Yes.
00:28:29He is cute.
00:28:29I'm so sorry.
00:28:45I am so sorry. I didn't even recognize you.
00:29:00Why would you? See that picture? That was taken 30 years ago.
00:29:05Anyway, you need to get your sleep.
00:29:10Good night.
00:29:12Good night.
00:29:15Good night.
00:29:45Good night.
00:30:15I don't want to put it back there and it's still there.
00:30:18Just bring them back.
00:30:20Everything's looking so raggedy and I've been out there every day.
00:30:24Hi, Mrs. Mars.
00:30:26Oh, hi.
00:30:28No.
00:30:29No, not you again.
00:30:32Uh-uh.
00:30:33You two know each other?
00:30:34Yeah, I'm sorry.
00:30:35I don't want to be rude, but we don't want any journalists in my house.
00:30:38I don't know what you're talking about.
00:30:40Wait, don't strain your voice.
00:30:41You know, this is my house.
00:30:42She's a guest.
00:30:43Mom, she is a journalist.
00:30:44You know what that means?
00:30:45She's not.
00:30:46She told me she's a book critic.
00:30:47Really?
00:30:48Can I talk to you alone for a second?
00:30:49Just wait a minute.
00:30:50Just sit down.
00:30:51First of all, I'm going to take Shirin and put her back into the bedroom.
00:30:53Go on, honey.
00:30:56You are really embarrassing me in front of my guest.
00:31:00Really?
00:31:01Shirin, how do you even know her name?
00:31:04Why is she here?
00:31:06She is not feeling well.
00:31:13I think she has a little bit of a temperature, so she might have to stay a night or two.
00:31:19Another night or two?
00:31:20I don't want to talk anymore about it, okay?
00:31:31She's cute, isn't she?
00:31:36She thinks you're cute.
00:31:41Here.
00:31:42Take that perfect tray and be nice.
00:31:45Yes, ma'am.
00:31:56Hey.
00:31:59I'm sorry to intrude.
00:32:02I'll leave.
00:32:03No.
00:32:04I'm sorry.
00:32:05I, um...
00:32:07You know, what happened back there was...
00:32:10Let me see if I can...
00:32:11I...
00:32:12Oh, man.
00:32:13You know, I knew that was going to happen, too.
00:32:14I'm sorry.
00:32:15It's over.
00:32:16It's kind of been one of those things.
00:32:18Oh.
00:32:22I'm sorry.
00:32:24I'll, um,
00:32:25I'll get you some more orange juice.
00:32:26I'll get you...
00:32:27Oh, no.
00:32:30Sorry, I can't.
00:32:33Why have I seen you before?
00:32:35Um, I think...
00:32:37I think we might have had a party one time.
00:32:39Please sit down. I don't want you to hear your voice.
00:32:42Thanks.
00:32:43Yeah, um, great.
00:32:48Thanks.
00:32:50Yeah.
00:32:52Happy boy.
00:32:56Oh.
00:32:58Yeah, I don't know why my mom has that.
00:33:02Yeah, no, I wasn't, uh,
00:33:05I wasn't quite as happy as I look here.
00:33:10But I was an amazing chess player, so, you know,
00:33:12a bit of a loner, though.
00:33:19Zuzu.
00:33:21What'd you call me?
00:33:22Zuzu. My car.
00:33:24Oh, you dropped it. Great.
00:33:28It's a five-second rule. You can still eat that.
00:33:31Yeah, I noticed that you got the blue beetle.
00:33:33Yeah.
00:33:34I used to have a beetle. Um, it's my first car, so...
00:33:42Oh, shit.
00:33:43Um...
00:33:45I gotta take off.
00:33:46Okay.
00:33:47Yeah, but, um...
00:33:50Thanks. Okay.
00:33:52Yeah, feel better. Take it easy.
00:33:53Okay.
00:34:06Please, tell your friend not to honk.
00:34:08Her name's Helen.
00:34:09Mom, it's been that way for seven years.
00:34:11But I'll tell her.
00:34:12Okay.
00:34:13Bye.
00:34:14It's not a problem.
00:34:15Go.
00:34:16No.
00:34:17It's not a problem.
00:34:18You're right, I need to tell her.
00:34:19Okay.
00:34:20Well, it's a problem.
00:34:21I'm not a problem.
00:34:23It's a problem.
00:34:24Yes, it's a problem.
00:34:25I'm not an animal problem.
00:34:26This is a problem.
00:34:27I want to say a problem.
00:34:28No, the problem.
00:34:30You're not a problem.
00:34:31It's a problem.
00:34:32Answer it! I'm too hysterical.
00:34:51Hello?
00:34:54Yes?
00:34:58Is she okay?
00:35:02Thank you. Thank you very much for calling.
00:35:05Goodbye.
00:35:08Well?
00:35:11She is fine. That was Rachel Harsin.
00:35:16Rachel Harsin? A cell?
00:35:20Shirin is sick. She has a high fever.
00:35:24Great.
00:35:26Great? Are you out of your mind?
00:35:30Don't you get it? It's Rachel Harsin, the writer.
00:35:35She got her. That's my daughter.
00:35:39Harsin's latest work is a literary sensation,
00:35:43combining a magical illumination of the ordinary
00:35:46with exquisite lyricism laced with elegance and compassion.
00:35:50A tragic love story which brings to mind the best of Annie Poole.
00:35:53Well, hey, the best. She gives it four stars.
00:35:58Hey, you're not supposed to be out of bed.
00:36:03Oh, I'm feeling much better. Thank you.
00:36:06Here, let me, uh, get your chair.
00:36:09Yes, have something to eat.
00:36:12Thanks.
00:36:13You want some meatloaf?
00:36:14Oh, yeah.
00:36:16Some, some meatloaf.
00:36:18Thanks.
00:36:24Um, I almost forgot.
00:36:26You, uh, you left these.
00:36:29Oh, thank you, thank you, thank you.
00:36:31I'm always losing things. I'm hopeless.
00:36:34No, you are not. And I'm gonna tell you why, Missy.
00:36:37See this? We just read the review.
00:36:41You're a fantastic writer. William, tell her how good she is.
00:36:44You're good.
00:36:46Where did you go to school?
00:36:48Um, Oxford for undergrad.
00:36:50Oxford.
00:36:52Columbia Law.
00:36:54Now I'm learning how to write.
00:36:56Hey, don't be so modest.
00:36:57You are a very good writer.
00:37:00Um, that means so much coming from you. Thank you.
00:37:04Do you write too?
00:37:06Um, me?
00:37:08No, I, um, why?
00:37:10Uh, your room. All those books.
00:37:13Oh, that's my fault.
00:37:14See, I used to be an English teacher, so I made him read all the books that I love.
00:37:18And it was horrible?
00:37:19It was not!
00:37:21Yeah, I didn't think a teenage boy would read all the classics.
00:37:24Especially the ones written by women.
00:37:25He's a very unusual man.
00:37:28Elizabeth Bishop is one of my favorite poets.
00:37:31I hope you don't mind, but I was going through your collection of poetry in your room and...
00:37:36love the notes and the margins.
00:37:39This is not like the big city, you know.
00:37:41He had a lot of problems as a teenager.
00:37:43I don't mean problems, it was a...
00:37:45I know. Not for me, but, you know, for William.
00:37:47Mmm.
00:37:48It's good, huh?
00:37:49Mmm.
00:37:50I'd love to get the recipe.
00:37:51Oh!
00:37:52Well, I just put it together.
00:37:53It's his recipe.
00:37:54He is the chef.
00:37:55Oh, you know.
00:37:56My father's the chef in our house, too.
00:37:57Really?
00:37:58Um...
00:37:59Shoot, you know what?
00:38:00I gotta go.
00:38:01I gotta work.
00:38:02Yeah.
00:38:03Um...
00:38:04You guys enjoy.
00:38:05Okay?
00:38:06And, uh...
00:38:07Have a good tea.
00:38:08I love you.
00:38:09I love you.
00:38:11And, um...
00:38:12Yeah.
00:38:13Goodnight.
00:38:14Goodnight.
00:38:15Goodnight.
00:38:17Here.
00:38:19I have some veggies.
00:38:21When did I go to now?
00:38:34I have some veggies here, too.
00:38:35some veggies. Then we'll have some tea. He's so good-looking. He lives in that
00:38:49lighthouse down the road. When the weather is really, really stormy, he
00:38:56listens to the radio in case somebody needs help. Interesting. His father died 12
00:39:09years ago, in a horrible storm.
00:39:16The Coast Guard couldn't pick up the signal because it was too weak. And William
00:39:23left New York, moved back here and bought a whole bunch of high-tech radio
00:39:30equipment, and he sits there, and he listens to the radio, and he can hear even
00:39:42the weakest signal. I am so sorry. I had no idea.
00:39:53Oh, just like the character from Mid the Storm. I suppose I'm revealing some family
00:40:03secrets. Oh, no. I am definitely off-duty tonight. No, you write. You write what you
00:40:11want. You write the truth. I don't have a problem with that. And I wish William would
00:40:17just stop hiding.
00:40:18Oh, I'm sure that's for you. Do you mind answering it? Okay.
00:40:28Hello, Ms. Harrison? It's me, Mom. How come you called Mike and not me? Be professional. Don't
00:40:40forget why you're there. Yeah, yeah. I'm feeling a lot better. I have to go now. I'll call you
00:40:47tomorrow. And no. Please don't worry.
00:40:50Make sure you take some good pictures.
00:40:52You happy for me, Miguel. I'm going to wait
00:40:57to the police station for a while. Not me either, but I can't read this information. I
00:41:06don't опьяcipes. It seems so little. I know, I'll talk about that. I think at
00:41:09all the hours, I just drove the night out to a very good night, and I noticed that, we
00:41:12are looking for an appropriate opportunity to be against my friend. I'll tell her about
00:41:16what I was expecting for a while. My son. cannot 야 Aqu fascist call me or
00:41:19Good morning.
00:41:26Hi.
00:41:27So I stopped by the store this morning.
00:41:29I got cinnamon and hazelnut coffee.
00:41:31We're all set.
00:41:31Honey, you didn't have to go to all that trouble.
00:41:34That's fine.
00:41:35You look like you're feeling better.
00:41:37Yeah, I am.
00:41:38Thanks.
00:41:39Good.
00:41:42You know what, William?
00:41:44Why don't you take Shireen out for a lovely drive?
00:41:48Oh, no.
00:41:48I have to...
00:41:49I have to get back to L.A., so...
00:41:51Yeah, it's a long drive.
00:41:53Yeah.
00:41:54Honey, she came all the way up here.
00:41:57Now, don't you want to see how beautiful everything is?
00:42:00What a good idea it is.
00:42:01Get out, get some air.
00:42:03What a great idea.
00:42:04Mom, there's not much to see, really.
00:42:06What are you talking about?
00:42:07She's all the way up here, and you're not going to show her around?
00:42:10Honey, wait till you see the beauty of the landscape and the flowers.
00:42:14So what do you think?
00:42:15A good idea?
00:42:16Okay.
00:42:17Good.
00:42:17Good.
00:42:18Good.
00:42:18Good.
00:42:19Good.
00:42:19Good.
00:42:20Good.
00:42:20Good.
00:42:21Good.
00:42:21Good.
00:42:22Good.
00:42:22Good.
00:42:23Good.
00:42:23Good.
00:42:24Good.
00:42:25Good.
00:42:25Good.
00:42:26Good.
00:42:26Good.
00:42:27Good.
00:42:27Good.
00:42:28Good.
00:42:28Good.
00:42:29Good.
00:42:29Good.
00:42:30Good.
00:42:30Good.
00:42:31Good.
00:42:31Good.
00:42:32Good.
00:42:32Good.
00:42:33Good.
00:42:33Good.
00:42:34Good.
00:42:34Good.
00:42:35Good.
00:42:35Good.
00:42:36Good.
00:42:36Good.
00:42:37Good.
00:42:37Good.
00:42:38Good.
00:42:38Good.
00:42:39Good.
00:42:39Good.
00:42:40Good.
00:42:40Good.
00:42:41Good.
00:42:41Good.
00:42:42Good.
00:42:42Good.
00:42:43Good.
00:42:43Good.
00:42:44Wow. I see why Rachel's work is so inspired.
00:42:55This is magnificent.
00:42:58This is the main setting for Under Blue Skies, isn't it?
00:43:01Yeah.
00:43:07So what do you want to write about?
00:43:10Come on, you got a novel in there, don't you?
00:43:15What makes you say that?
00:43:17Maybe it helps that I have a writer in the family.
00:43:24So why'd you stop?
00:43:26Who says I ever started?
00:43:30Really?
00:43:36Okay, I've written 600 pages, but I haven't touched it in nearly two years.
00:43:40Why not?
00:43:41A fear of failure, probably.
00:43:45What if no one wants to read it? What if it's bad?
00:43:48Just write another one.
00:43:52Easy for you to say.
00:43:52I need to move somewhere peaceful so I can write.
00:43:58Definitely old enough to live on your own.
00:44:03How'd you know I live with my parents?
00:44:04I guess. I'm sorry. I, um, well, you were dressed and, uh, your mannerisms, it was...
00:44:12Well, just so you know, I didn't have much of an income after I graduated, so I had no choice.
00:44:17Just say, just say, just say.
00:44:18Yeah, I, uh, I'm sorry.
00:44:20That was, it's none of my business, really, so...
00:44:24good to see anything.
00:44:56You are so lucky.
00:45:15Yeah, it's not too bad.
00:45:18So, Mr. Adventure, why do you still live with your mother?
00:45:26I don't live with my mom, I live next to her.
00:45:30Right.
00:45:31Like, right next to her.
00:45:35Next to her.
00:45:36And if you must know, the truth is, is that I live next to her because she's not well.
00:45:45Oh.
00:45:46I'm sorry.
00:45:48Perhaps you're right.
00:45:50Maybe I miss her cooking.
00:45:52Just a little bit.
00:45:54Anything else you want to pick on?
00:45:58Well, I mean, since you asked.
00:46:02You should really get some new clothes.
00:46:04You don't dress very well.
00:46:05No, you're gonna go there.
00:46:07All right, well, at least I don't look like a dentist assistant, so.
00:46:12A dentist assistant?
00:46:13Really?
00:46:14Mm-hmm.
00:46:15Because this is your sweater.
00:46:17And you wear it well.
00:46:18Thanks.
00:46:19Thanks.
00:46:20And I love to feel you shaking, your head upon my chest, and your eyes won't let you
00:46:46break in.
00:46:47You know it's saying this.
00:46:48And you wear my own T-shirt.
00:46:49And only wear it well.
00:46:50Baby.
00:46:51And I guess you can walk over here.
00:46:53Forgive me if I don't.
00:46:54Cause where I'm at, I like you.
00:46:55So I'm on.
00:46:56I'm on.
00:46:57I'm on.
00:46:58I'm on.
00:46:59I'm on.
00:47:00I'm on.
00:47:01I'm on.
00:47:02I'm on.
00:47:03I'm on.
00:47:04I'm on.
00:47:05I'm on.
00:47:06I'm on.
00:47:07I'm on.
00:47:08I'm on.
00:47:09I'm on.
00:47:10I'm on.
00:47:11I'm on.
00:47:12I'm on.
00:47:13I'm on.
00:47:14I'm on.
00:47:15So I'm on.
00:47:16I'm on.
00:47:21Baby."
00:47:26William has created his own little world.
00:47:29And Helen is one of the few people in it.
00:47:32She doesn't really meet new people.
00:47:34How long have they been together?
00:47:38I'd say about seven years, give or take.
00:47:42you see when he came back from New York his spirits were really low he was
00:47:50drinking too much and he knew Helen from high school she was the manager of the
00:47:57local bar which was his favorite hangout she was really a good influence she was
00:48:02his friend she kind of brought him back to life so what about you I mean you have
00:48:15a boyfriend or you I'm actually engaged I lost my ring I'm an idiot his name's Mike
00:48:27our families have known each other since we were kids now he's a plastic surgeon
00:48:34really nice guy my mom really loves him I'm very happy for you thanks
00:48:46okay I'm gonna pry why are you writing for BH style because my mom's the owner
00:48:57and because I'm a coward I think you're very special
00:49:05I'm gonna get some coffee I don't know if you want any
00:49:13Rachel Rachel
00:49:27you know I was always afraid that something like this would happen when I wasn't with her
00:49:31I'm grateful you were there for her
00:49:38you can't be there all the time
00:49:42I'm glad I was there too
00:49:48I know you smoked
00:50:03I don't
00:50:05you can't be there
00:50:09I don't know if I'm afraid we're missing
00:50:11give me that
00:50:13it's a hospital
00:50:16it's a hospital
00:50:18it's a hospital
00:50:25you know the dialogue in Rachel's novels feels so authentic
00:50:32in Rachel's novels feel so authentic.
00:50:37She must rely on your help, right?
00:50:41Next question.
00:50:44I'm sorry, I didn't mean to pry.
00:50:47It's just Rachel really knows how to capture this place,
00:50:49you know?
00:50:51The sea, the villages where the fishermen live.
00:50:55She has such strong insight into the pain
00:50:57our characters are feeling and yet,
00:50:59there's such optimism and romance in her writing.
00:51:03I'm sure she'll be happy to hear your analysis.
00:51:07You, on the other hand,
00:51:11I can't quite figure you out.
00:51:14I mean, if Rachel bases all her characters on real people,
00:51:20where do you fit in?
00:51:23You're James from In the Storm.
00:51:26Absolutely not, no.
00:51:28There's no way Rachel bases a sailor on me
00:51:31because I put one foot into a boat and I turn green.
00:51:35Yeah.
00:51:37And my father, on the other hand.
00:51:42That guy was a fisherman.
00:51:46So Rachel wrote about your dad?
00:51:48I don't know, maybe.
00:51:52I mean, can you imagine?
00:51:54I have to grow up in this fishing town.
00:51:57I mean, my father's this great fisherman
00:51:58and I get seasick the minute I step in a boat.
00:52:07It was a disaster.
00:52:11I think you turned out all right.
00:52:18Will you come sit next to me?
00:52:19You just seem so...
00:52:25Far away.
00:52:33Please?
00:52:38I don't bite, you know.
00:52:39Just...
00:52:40So, William, where did we meet before?
00:52:49What party?
00:52:51Most guys don't greet me with, oh no, not you again.
00:52:55Yeah, it was, uh, it was like a month ago.
00:52:59Some fancy Persian party in Beverly Hills mansion.
00:53:03Darling, I promised Roya that we're gonna have grandchildren before too long.
00:53:08You're not gonna disappoint us, are you?
00:53:11I'll do my best.
00:53:12Don't keep on touching your hair.
00:53:14Oh, yeah.
00:53:16My mother's party.
00:53:18I had way too much to drink that night.
00:53:20Yes, you did.
00:53:22I don't know why my mom buys all these dreadful paintings when there are such great artists in L.A.
00:53:27I couldn't agree more.
00:53:30I'm Sylvia Nelson, the purveyor of a second-rate drivel you tore apart in your magazine.
00:53:37Oh, gosh.
00:53:39What, what, did I do something stupid?
00:53:42No, I mean, yeah, you were a little wobbly, but, uh...
00:53:46I'm glad you found something to look at.
00:53:48You see her in.
00:53:49Pleasure to meet you.
00:53:50Great.
00:53:51She's pretty cute.
00:53:52Uh, well, I was a human rights attorney, and I gave it up to write.
00:53:58She's the book reviewer for the magazine.
00:54:00This one?
00:54:01Mm-hmm.
00:54:02I'm the big fan of Rachel Hersey.
00:54:06You are a terrible liar.
00:54:08You're just like my dad.
00:54:09Your left eyebrow goes up when you lie.
00:54:11What do you mean?
00:54:12Yeah.
00:54:13Look, you're doing it again, right now.
00:54:15No, I'm not doing it right now.
00:54:17Silly.
00:54:22Uh, great.
00:54:23Excuse me, but what about me, Mr. Truthful?
00:54:27Uh...
00:54:28I think we just established that you can't handle your alcohol, so...
00:54:32Good.
00:54:33Whatever.
00:54:34To new friends.
00:54:47To loveless marriage.
00:54:52Wow.
00:54:53I mean, sorry, I, um...
00:54:56There's nothing worse than a relationship that's convenient, comfortable, and boring.
00:55:06Right?
00:55:09I'll drink to that.
00:55:18Man, so what's our problem?
00:55:20I don't know.
00:55:24I don't know.
00:55:27But I do know you don't need any more of that.
00:55:29No, I do not need any more of that.
00:55:37I told my fiancé about you.
00:55:40He asked me why I'm so interested in a guy who lives off his mother's income
00:55:45and sits around playing with his radios all day.
00:55:49Sounds like a smart guy.
00:55:52I'd listen to him if I were you.
00:55:55I'm not stupid.
00:56:01It's just...
00:56:02The reporter.
00:56:03And you're just trying to get more out of me.
00:56:05Oh, my God, will you stop with all the reporter crap?
00:56:13Look at me.
00:56:14You always avoid looking me directly in the eye.
00:56:20No, I'm looking at you right now.
00:56:24No, you're not.
00:56:27Look at me.
00:56:28Look at me.
00:56:58Mike?
00:56:59Sure as I'm. Is everything all right?
00:57:02I'm on my way.
00:57:04That's not a good idea.
00:57:06What?
00:57:08I'm having trouble hearing you.
00:57:09Don't worry.
00:57:10Everything is taken care of.
00:57:11Triple A will tow your car back to LA.
00:57:12I'll be there within an hour.
00:57:13And then...
00:57:14That's definitely not a good idea.
00:57:15What?
00:57:17Are you okay?
00:57:18Yeah, I'm fine.
00:57:19Will you stop rushing me?
00:57:20You always do that to me.
00:57:21No, really?
00:57:22What's going on?
00:57:23Nothing.
00:57:24No, no, no.
00:57:25No, no.
00:57:26No, no.
00:57:27No, no.
00:57:28No, no.
00:57:29No, no.
00:57:30No, no.
00:57:31No, no.
00:57:32No, no.
00:57:33No, no.
00:57:34No, no.
00:57:35No, no.
00:57:36No, no.
00:57:37No, no.
00:57:38Siri, what's going on?
00:57:40Nothing.
00:57:41I'm just having a really tough day.
00:57:44It's really busy here, and...
00:57:46Can you just come tomorrow?
00:57:47What?
00:57:48No, I can't come tomorrow.
00:57:50I'm already on my way.
00:57:51Just meet me at the local hospital, okay?
00:57:53What hospital?
00:57:55Siri, what's the matter?
00:58:08Hi.
00:58:09Hi.
00:58:10Sorry I'm late.
00:58:11Late for what?
00:58:12I'm not going anywhere.
00:58:13These are for you.
00:58:14Oh.
00:58:15Wildflowers.
00:58:16They're my favorite.
00:58:17William picks them for me.
00:58:18I had a feeling about that.
00:58:19Oh.
00:58:20No.
00:58:21No.
00:58:22No.
00:58:23No.
00:58:24No.
00:58:25No.
00:58:26No.
00:58:27No.
00:58:28No.
00:58:29No.
00:58:30No.
00:58:31No.
00:58:32No.
00:58:33No.
00:58:34No.
00:58:35No.
00:58:36No.
00:58:37I had a feeling about that.
00:58:38Mm-hmm.
00:58:39You look a lot better.
00:58:40Compared to what?
00:58:42Did they scare you?
00:58:44Yeah.
00:58:45You did.
00:58:46You look...
00:58:49I don't know.
00:58:50Different, beautiful, rosy.
00:58:52Your cheeks are all...
00:58:54Flush.
00:58:55Must've been the rush to get over here.
00:58:57Oh.
00:58:58My fiancé, Micah, is coming to pick me up.
00:59:01So...
00:59:02I came to say goodbye.
00:59:04Goodbye?
00:59:05How about the interview?
00:59:06the interview oh no you don't worry about the interview please just
00:59:10concentrate on getting better you saved my life I want to do the interview I do
00:59:18write down your questions and put them on a piece of paper give them to William
00:59:23he's my right-hand man it'll be fine Rachel I do not argue with me it's a
00:59:29losing battle I thought you knew that
00:59:36thank you for everything I'm gonna be fine I wish I had some coffee and some
00:59:43cookies you know what get me a vase from that nurse that has that mustache don't
00:59:50tell her it's for me she doesn't like me oh gosh okay all right I'll get her okay
00:59:54okay bye-bye
01:00:06I'm looking for miss Rachel Hartson one second yes room 241 to the left and
01:00:16immediate right
01:00:27hi what what do you want no just okay
01:00:40I'm
01:00:47I'm
01:00:49I'm
01:00:51I'm
01:00:53You're right on a typewriter.
01:01:23What are you doing here?
01:01:27Came to say goodbye.
01:01:30Oh.
01:01:35Wow.
01:01:36It's pretty, isn't it?
01:01:41You should see it at night.
01:01:43If the sky is clear, you can see every star in the sky.
01:01:53I don't know what to say.
01:01:56You don't have to say anything.
01:01:58I, um...
01:02:02I want to say something.
01:02:05Ever since I met you, I...
01:02:09It's my fiancee.
01:02:14Yeah.
01:02:15Of course it is.
01:02:18He's probably trying to make sure he gets you to the church on time.
01:02:22I'm always in a hurry, so...
01:02:24I would be too if I was young.
01:02:27What are you writing?
01:02:33Um...
01:02:35This is, uh...
01:02:37This is my mother's manuscript.
01:02:39I'm pretty much your official typer now.
01:02:41Can I take a peek?
01:02:42Can I trust you?
01:02:44You already have.
01:02:46It's your most recent work.
01:03:01That's beautiful.
01:03:03Oh.
01:03:08I really have to go.
01:03:11Yeah.
01:03:13I'm glad you like this.
01:03:38You had something you wanted to give me, right?
01:03:40Um...
01:03:42It's not where you came.
01:03:45No.
01:03:46Of course.
01:03:51I know there's something going on here.
01:03:53I just don't know what it is.
01:03:58Yet.
01:04:01Goodbye.
01:04:05Bye.
01:04:12Bye.
01:04:14Bye.
01:04:15Bye.
01:04:24Bye.
01:04:25Bye.
01:04:29Bye.
01:04:30I've got my teeth ready for it
01:04:34I'm the song to the song
01:04:36I'm the song to the end of the world
01:04:47Let me say the song that goes on
01:04:50I'm your love at the end of the world
01:04:52I'm your love at the end of the world
01:04:56I want you my love at the end of the world
01:05:30I'll show you the best
01:05:32I'll show you the best
01:06:00This is crazy, you're moving into the apartment of somebody you just met, you don't even
01:06:29know her. What if she's a serial killer? Mom, you need to relax. We've been Skyping, it's all
01:06:35fine. Skyping? That's not talking. Nader, do something. What can I do? My color is fine. Give me a hug. Bye.
01:06:59I should have done this years ago. Did you see the way she was dressed? She gave away
01:07:10all her beautiful clothes. What have we done to deserve this? Thank you so much.
01:07:21You're welcome. We'll see you in six months. Yeah. Have a good time, you guys.
01:07:26You have a simple, exciting concept. For a novel, that's not enough. But for a movie,
01:07:34it could be just what the studios want. High concept.
01:07:39Ooh, that's what I've got? High concept?
01:07:44Mm, I've got concept. High concept.
01:07:50High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High concept. High
01:08:20The first one, very successful, and the second one, married but not so rich.
01:08:35Kind of.
01:08:36I mean, he's got a long-term girlfriend, so...
01:08:39I knew it.
01:08:40I knew it.
01:08:41You know why?
01:08:42Because we police officers, we got a good sense of psychology.
01:08:45So what do I do, Dr. Freud?
01:08:47What do you do?
01:08:48Hell, you just run off with me.
01:08:51Marvin.
01:08:52Okay.
01:08:53Only if you let me drive.
01:08:55Oh, hell no.
01:08:56Not the way you drive, bills off.
01:08:58Mm-mm.
01:08:59Mm-mm.
01:09:00That ain't happening.
01:09:02Maybe I need more courage.
01:09:05Well, hell, let's drink the courage.
01:09:12And to all the writers in the world.
01:09:15You said you're leaving today.
01:09:22You know, in all the years I've known you, I've never seen you looking like this.
01:09:27Everything okay between you and Helen?
01:09:30No shit.
01:09:32I thought you two were gonna get married.
01:09:36You got another one, huh?
01:09:41I do.
01:09:43And she's getting married to somebody else.
01:09:46Is she pretty?
01:09:47Oh, Dale.
01:09:49She's gorgeous.
01:09:50You know, she's...
01:09:53She's pretty and she's clumsy.
01:09:56Wow, sounds like you're really into her.
01:09:59Does she live around here?
01:10:01No.
01:10:02No.
01:10:03No, it's tough.
01:10:05Hold on to her.
01:10:06This one sounds like the one you don't wanna let slip away.
01:10:09Hi, boys.
01:10:11Down to town.
01:10:12For one more chance I'd like to take.
01:10:15Make all the plans we had to bring.
01:10:19But where'd you go?
01:10:22I don't know.
01:10:23I don't know.
01:10:32Hey, it's me.
01:10:33Listen, I have some bad news about my mom.
01:10:37I, um, wish I could have heard your voice.
01:10:41I miss you.
01:10:43I wasn't expecting you today.
01:11:08Rachel died last night.
01:11:11Darling, I'm so sorry.
01:11:19Why are you smiling?
01:11:21Do you think the sun will give you an exclusive?
01:11:26Why don't you send a photographer with you?
01:11:30Mom, put the phone down.
01:11:32Mom?
01:11:35This is a private funeral.
01:11:36No press.
01:11:37No television.
01:11:39Nothing.
01:11:40I'm invited and I'm going.
01:11:44I'll get a driver to take you.
01:11:46No.
01:11:47You don't get it, do you?
01:11:48I don't want a camera and I definitely don't want one of your photographers posing as a driver.
01:11:52But how are you going to get there?
01:11:53Don't worry.
01:11:54I'm Sasha Kapalov from Russia.
01:11:55I take care of you.
01:11:56I'm Sasha Kapalov from Russia.
01:11:57I take care of you.
01:12:02This is homemade vodka.
01:12:03You relax.
01:12:04You don't feel a thing.
01:12:05I don't drink.
01:12:06I don't drink.
01:12:07I'm Sasha Kapalov from Russia.
01:12:09I'm Sasha Kapalov from Russia.
01:12:11I take care of you.
01:12:12This is homemade vodka.
01:12:13You relax.
01:12:14You don't feel a thing.
01:12:15I don't drink.
01:12:16You don't?
01:12:17I can't hold my liquor.
01:12:19I hold it for you.
01:12:20Don't be silly.
01:12:21Everybody drinks, huh?
01:12:22No.
01:12:23Thanks.
01:12:24Okay.
01:12:25Na zdrovie.
01:12:26Please fasten your cheat belt.
01:12:27Flight attendants return to your station.
01:12:28We are expecting you to get out of your room.
01:12:29I call you the phone.
01:12:30You don't feel a thing.
01:12:31I don't drink.
01:12:32You don't?
01:12:34I can't hold my liquor.
01:12:35I hold it for you.
01:12:38Don't be silly.
01:12:40Everybody drinks, huh?
01:12:41No.
01:12:42Thanks.
01:12:43Okay.
01:12:44Na zdrovie.
01:12:48Please fasten your cheat belt.
01:12:51Flight attendants return to your station.
01:12:54and we're expecting some serious turbulence up ahead.
01:13:12I'm sorry about Rachel.
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