The Lady Killers by William Rose

Oldtuberadio

Cinema 100: Saturday Playhouse: The Ladykillers Sat 13th Jan 1996, 14:30 on BBC Radio 4 FM Bruce Bedford's adaptation of the Ealing comedy screenplay by William Rose.  Director:…..Andy Jordan Piano:…..Roger Limb The Professor:…..Edward Petherbridge The Major:……Donald Sinden Louis:……Gary Waldhorn Harry:…….Daniel Peacock One Round:……Martin Hyder Mum:…..Margot Boyd General Gordon, the Parrot:…..Johnny Morris Sgt MacDonald:……Stratford Johns Other Parts: John Hartley, Ross Livingstone, Stephen Critchlow, David Timson, David Collings, Zulema, Dene, Tessa Worsley, Patience Tomlinson, Jonathan Keeble   Do you enjoy the variety on Oldtuberadio? Like, Share and Subscribe to be notified of our new shows #radio #crime #thriller #drama To Support this channel please visit https://www.buymeacoffee.com/oldtuberadio https://ko-fi.com/oldtuberadio98 https://www.patreon.com/oldtuberadio https://locals.com/Oldtuberadio

Transcript

00:00:00The Lady Killers

00:00:30Adapted for radio by Bruce Bedford

00:00:35from the Ealing Comedy screenplay by William Rose.

00:00:44With Margot Boyd as Mum,

00:00:47Johnny Morris as the Parrot,

00:00:49and Stratford Johns as Sergeant MacDonald.

00:00:53The Lady Killers.

00:01:00The Lady Killers.

00:01:29Good morning, Mr Ferris.

00:01:35Good morning, Mum.

00:01:36Lovely haddock you've got there.

00:01:39Shall I save you one?

00:01:40Quite possibly.

00:01:43Quite possibly.

00:01:50Sergeant.

00:01:51Yes, Constable?

00:01:54What do you spy?

00:01:56It's Mrs Wilberforce.

00:01:57What?

00:01:58And closing fast.

00:02:00Oh, why is it always me?

00:02:04Good morning, Sergeant.

00:02:06Mrs Wilberforce.

00:02:08Sergeant, it's about my friend Amelia and her spaceship.

00:02:13Spaceship.

00:02:14Thank you, Constable.

00:02:16The one she saw in her garden last Wednesday afternoon.

00:02:19She's, uh, seen it again?

00:02:22Sergeant, she never saw it in the first place.

00:02:26Oh, I'm very relieved to hear that.

00:02:29Amelia had her wireless on,

00:02:30and they were doing a little play.

00:02:32Visitors from another world or something.

00:02:35And the silly girl just dropped off to sleep

00:02:37and dreamt the whole thing.

00:02:40I do hope all sorts of official wheels

00:02:43haven't been set in motion, Sergeant.

00:02:45Well, don't you worry about wheels, Mum.

00:02:48If there are any beings on other worlds,

00:02:52I can't think why they would want to come to our world.

00:02:55Now you come to mention it.

00:02:57We seem so terribly overcrowded already, don't we?

00:03:00Goodbye, Sergeant.

00:03:02The Constable?

00:03:03Mrs Wilberforce.

00:03:06Your umbrella.

00:03:08Oh, I'm always leaving it.

00:03:10The truth is, I don't like it very much, really.

00:03:14Perhaps that's the reason.

00:03:16Goodbye.

00:03:16Oh, dear.

00:03:25Whichever one, is it?

00:03:27Oh, yes.

00:03:28Yes.

00:03:46Oh, yes.

00:03:59Oh, yes.

00:04:00Oh, yes.

00:04:01Oh, yes.

00:04:02Oh, yes.

00:04:03Oh, yes.

00:04:04Oh, yes.

00:04:05Oh, yes.

00:04:06Oh, yes.

00:04:07Oh, yes.

00:04:08Oh, yes.

00:04:09Oh, yes.

00:04:10Oh, yes.

00:04:11Oh, yes.

00:04:12Oh, yes.

00:04:13Oh, yes.

00:04:14Oh, yes.

00:04:15Oh, yes.

00:04:17Here we are.

00:04:18Here we are.

00:04:19Come on then, come on.

00:04:21Here we are.

00:04:22Oh, right there you are.

00:04:24Here we are.

00:04:26A band of hope.

00:04:27Where?

00:04:28Oh, right, my dear.

00:04:31I haven't been gone so very long, have I?

00:04:34Oh, darling, no water.

00:04:46Help! Help!

00:04:57Where's the gun?

00:04:59Shush, shush, it's coming.

00:05:03Help! Help! Help! Help!

00:05:06Help! Help!

00:05:09Mrs. Wilberforce?

00:05:17Yes?

00:05:18I understand you have rooms to let.

00:05:20I saw your charming card in the shop window.

00:05:24Oh, the rooms, yes.

00:05:27Yes.

00:05:28Won't you come in, please?

00:05:30Ah, thank you.

00:05:33My name is Marcus.

00:05:35How do you do, Mr. Marcus?

00:05:37Professor.

00:05:39Ah, how do you do, Professor?

00:05:43Rooms, yes.

00:05:44Well, now I have two up those stairs and...

00:05:49Oh, I'm sorry.

00:05:51I seem to have a kettle.

00:05:54Yes, yes.

00:05:56Please, come on.

00:05:59You live here all alone?

00:06:03Yes.

00:06:07Hmm.

00:06:08This is the sitting room, and through there, the bedroom.

00:06:19Oh, dear.

00:06:21These rooms do need an airing, don't they?

00:06:25I'm afraid the view is...

00:06:29Well...

00:06:32I must exhilarate him.

00:06:36The rooms will suit me admirably, Mrs. Wilberforce.

00:06:41Oh.

00:06:42And I shall move in tomorrow, if that is convenient to you.

00:06:46Tomorrow?

00:06:47Oh, of course.

00:06:49Oh.

00:06:53Hello.

00:06:55Hello.

00:06:55Who's that?

00:06:56Oh, it's only General Gordon.

00:06:58He belonged to my late husband.

00:07:00I had four.

00:07:02A husband?

00:07:03Oh, parrots.

00:07:07Parrots.

00:07:09Oh.

00:07:10Mrs. Wilberforce.

00:07:12Some friends and I have formed a small, um, musical group.

00:07:17A string quartet, in fact.

00:07:18Then you're a musician.

00:07:21A professor of music.

00:07:24Oh, no, no, no.

00:07:26Merely an amateur, you understand.

00:07:28But we have been looking for somewhere to practice.

00:07:31Would it be agreeable if...

00:07:33Oh, if you were to practice here?

00:07:34Oh, Professor Marcus, I should be delighted.

00:07:38I have always loved music.

00:07:41Now, just one moment.

00:07:45I have a spare key somewhere here in the sitting room.

00:07:49Oh.

00:07:51Excellent.

00:07:52I shall be able to let my friends in of an evening.

00:07:55They can come and go without...

00:07:57Help!

00:07:58Help!

00:07:59Disturbing you.

00:08:00Oh, here it is.

00:08:02Oh, it wouldn't disturb me in the least.

00:08:05I have very few friends.

00:08:06It could be very pleasant to have someone in the house again.

00:08:11Sweet bird.

00:08:13My little companion, General Gordon.

00:08:16You are most kind.

00:08:17And if I may say so, you have a very charming house.

00:08:22Oh.

00:08:22Such, um, pretty windows.

00:08:26I always think the windows are the eyes of a house.

00:08:29And didn't someone say the eyes are the windows of the soul?

00:08:34I don't really know.

00:08:35But it's such a charming thought.

00:08:38I do hope someone expressed it.

00:08:41Mrs. Wilberforce.

00:08:42Au revoir.

00:08:43Good morning, Professor Marcus.

00:08:45Till tomorrow.

00:08:47It's all right, Mrs. Wilberforce.

00:09:06I'll answer it.

00:09:07It must be my friend.

00:09:08Oh, yes.

00:09:10Yes.

00:09:10Ah.

00:09:13Good evening, Major Courtney.

00:09:15What?

00:09:16Oh, yes.

00:09:17Good evening, Professor.

00:09:19I hope I'm not too early.

00:09:21Not at all.

00:09:22Mrs. Wilberforce.

00:09:24May I present it, Major Courtney?

00:09:26How do you do, Mrs. Wilberforce?

00:09:28I'm honoured.

00:09:29How do you do?

00:09:30Come in, gentlemen.

00:09:36Come in.

00:09:37May I introduce Mr. Lawson.

00:09:39Mr. Lawson?

00:09:40Aye.

00:09:41And Mr. Robinson.

00:09:43How do you do?

00:09:44Yeah, all right, sir.

00:09:46So you're the cellist, Mr. Lawson?

00:09:49Aye.

00:09:49The what?

00:09:51Indeed.

00:09:51He's the cellist.

00:09:53Mrs. Wilberforce knows her music.

00:09:55You see, Mr. Lawson, can tell by your instrument case.

00:09:59Oh.

00:09:59Er, yeah, I'm the, er...

00:10:02So.

00:10:03So.

00:10:04There's only Mr. Harvey to come.

00:10:06So I think we might go upstairs, gentlemen.

00:10:09Indeed.

00:10:10Yes.

00:10:11Ha, ha, ha.

00:10:12Do excuse me, Mrs. Wilberforce.

00:10:15And get by with my...

00:10:16No, I'm so sorry, Major.

00:10:18Sorry.

00:10:19No, no.

00:10:19I don't have it.

00:10:21Thank you, sir.

00:10:25Hmm.

00:10:37What's all this about then, Doc?

00:10:39Not dark this time, Harry Professor.

00:10:42Oh, I didn't.

00:10:43Take out your instruments and place them ready to hand.

00:10:46Aye.

00:10:47Where you can reach it quickly, one round.

00:10:51Oh, Lord.

00:10:52Ah, good evening, Mr. Harvey.

00:10:57It is Mr. Harvey, isn't it?

00:10:59What did you say?

00:11:01Yes, yes, it is Mr. Harvey.

00:11:03Come in.

00:11:05Come in.

00:11:08Professor Marcus has told me so much about you.

00:11:11What have you been...

00:11:12Upstairs, Mr. Harvey.

00:11:14Great music calls.

00:11:16Who is she?

00:11:25What did she mean, you've told her so much about me?

00:11:28Are we supposed to make noises with these things?

00:11:31Not noises, one round.

00:11:32Music.

00:11:33Eh?

00:11:34Blimey.

00:11:35I said, what did she mean?

00:11:36Not what you think, Louis.

00:11:38Gentlemen, we shall now make music.

00:11:40Let's see.

00:11:44Ah.

00:11:45Boquerini's minuet, I think.

00:11:47Now, look, poor Fardano, one end of this fiddle from the other.

00:11:50Fortunately, others do.

00:11:59Oh, clever.

00:12:01Damn clever.

00:12:02To the bedroom, gentlemen.

00:12:04We have a plan to discuss.

00:12:06It makes no sense we should bring out the money ourselves or get a professional.

00:12:23Make a spectacular getaway, you mean, at 70 miles an hour in the heart of London in broad daylight with all the traffic?

00:12:29Or take it into the railway station and send it out by train?

00:12:34Hmm, you've quite a flair, Louis, for the obvious.

00:12:36Just like any intelligent policeman, and there are going to be plenty of those there, believe me.

00:12:40They'll have the whole area sealed so tight, you couldn't...

00:12:43I shall explain.

00:12:49In detail, in small words, and you will appreciate that Mrs. Wilberforce is not a mere appendage to my plan.

00:12:57She is the very core of it.

00:12:58That love-sided old...

00:13:02Grandma.

00:13:04Yeah.

00:13:05Just like my grandma.

00:13:07I don't like old ladies.

00:13:09I don't like having them around.

00:13:11I can't stand them.

00:13:14Your places, please.

00:13:19One round.

00:13:21Eh?

00:13:21Take your position.

00:13:23Oh, yeah.

00:13:24Yeah.

00:13:24Do come in.

00:13:43I thought perhaps, before you all became too absorbed, you and your guests might like a cup of tea.

00:13:51Oh, you shouldn't have.

00:13:53Very kind.

00:13:54You are most kind.

00:13:56You know, Professor, you didn't tell me the truth about yourself.

00:14:00What?

00:14:00Or these other gentlemen.

00:14:02Old ladies, I warned you.

00:14:05Why, you're not in the least bit like amateurs.

00:14:09You really must be professionals.

00:14:11You're every bit as good.

00:14:13Oh, not quite.

00:14:16Though we are rather proud of Mr. Harvey's timbre.

00:14:19And that pizzicato passage, Mr. Lawson, it's quite delightful.

00:14:24May I ask where you studied?

00:14:26I, er, didn't really study no place, lady.

00:14:30Just picked it up.

00:14:31I was so surprised when I heard what you were playing.

00:14:35It brought back something I'd completely forgotten about.

00:14:41My 21st birthday party.

00:14:44My dear father engaged a string quartet to come in and play in the evening.

00:14:49And while they were playing boccarini, someone came in and said the old queen had passed away.

00:14:59You really ate, sir.

00:15:00Then everyone went home.

00:15:03And that was the end of my party.

00:15:05All that time ago, in Pangborn, boccarini.

00:15:15Oh, look, I've forgotten the sugar.

00:15:18I won't be a moment.

00:15:20Of course.

00:15:23What old queen.

00:15:25That's it.

00:15:26I don't care how we do this job, but we leave her out of it.

00:15:29We better discuss it later.

00:15:31No discussion.

00:15:32I want it settled here and now.

00:15:34All right, Louis.

00:15:36I'll put it to the vote.

00:15:37But understand this.

00:15:38No one is indispensable.

00:15:40And certainly not you.

00:15:43Only the plan is essential.

00:15:46The plan.

00:15:48This plan.

00:15:50My plan.

00:15:53Major.

00:15:54Yes.

00:15:54A word.

00:15:56If we don't use Mrs. W, if we call in someone else, we'll each have to take a smaller cut, eh?

00:16:02Yeah.

00:16:02I take your point.

00:16:04Yes, completely.

00:16:04We see eye to eye.

00:16:06I want her out of it.

00:16:08Two for her, one against.

00:16:09Harry?

00:16:10Well, I just don't think we can depend on a screwy old dame like that.

00:16:14It's up to you, one round, for your fine mind to decide.

00:16:17Uh, I don't, uh...

00:16:21You're going to leave a decision like this to a thick-eared moron?

00:16:24Well, I've got to vote, too, ain't I?

00:16:26I'm with you, Prof.

00:16:28Mum just got elected.

00:16:29Bravo.

00:16:30A majority decision to do the intelligent thing.

00:16:33And you accept it, Louis.

00:16:35Or pack your fiddle and play elsewhere.

00:16:37All right.

00:16:38All right.

00:16:40But you'd better worry about your plan, because her part in it sounds to me like...

00:16:47like something someone dreamt up in the booby hatch.

00:16:51Shh, shh, shh, shh, shh, shh.

00:16:53What, Eddie, Prof, did you say?

00:16:59Now, shall I be mother?

00:17:02The train now arriving at Platform 1 is the 1-5 from Cape.

00:17:10One minute and...

00:17:1335 seconds late.

00:17:17One minute...

00:17:1935...

00:17:21late.

00:17:23Four policemen, two by bullion band doors.

00:17:29Two by train.

00:17:34And doors opened immediately.

00:17:40Train door opened.

00:17:44As first cases approach.

00:17:49Picture two.

00:17:53He's a-taking his time, isn't he?

00:17:58No, reconnaissance is the essential part of any campaign.

00:18:02And the Doc, the Professor, is never surpassed at that.

00:18:06He says something happens at quarter past three.

00:18:08It does, see?

00:18:09Catch me hooking up with an amateur.

00:18:11No chance.

00:18:12Yeah, see?

00:18:13Oh, no.

00:18:14Oh, excuse me, Major Courtney.

00:18:23Would you care for some tea?

00:18:28I thought perhaps you'd like some tea, Major Courtney.

00:18:31Uh, no, no, thank you, Mrs. Wilberforce.

00:18:36Please don't bother.

00:18:37Um, you English and your damn tea.

00:18:40Oh, I like tea.

00:18:41I could make some cocoa, if you prefer.

00:18:47Uh, no, no, thank you.

00:18:48You're very kind, but, uh, thank you.

00:18:50Yes, Mrs. Wilberforce?

00:18:58So sorry to bother you, Major.

00:19:01But before you start again, would one of you hold General Gordon for me?

00:19:06I beg your...

00:19:07Oh, the parrot!

00:19:10I have to give him his medicine, you see.

00:19:12It's very difficult to manage by myself.

00:19:15Mr. Robinson, would you mind giving Mrs. Wilberforce a hand?

00:19:21It's a pleasure, Mrs. Wilberforce.

00:19:24Lead me to him.

00:19:25If you three gentlemen will excuse me a tick.

00:19:28Tea, cocoa, mend the plumbing.

00:19:32Give the parrot his medicine.

00:19:33She will be the death of us.

00:19:36Ow! Ow!

00:19:37Oh, I'm so sorry.

00:19:39I do apologise.

00:19:40No, no, it's all right, Mrs. Wilberforce.

00:19:43No, it's nothing.

00:19:45I assure you, he's never bitten anyone before.

00:19:48A fact.

00:19:49Very nice.

00:19:51I wonder how we're to get him down.

00:19:53What?

00:19:54Well, from the top of the cabinet.

00:19:57Oh, you wicked boy!

00:19:58It's true, I was only trying to help.

00:20:00No, no, Miss Robinson, I...

00:20:02Oh, look at that finger.

00:20:04Oh, I'll get a band-aid.

00:20:06No!

00:20:06No, no, no, no, don't bother, Mrs. Wilberforce.

00:20:09It's all right.

00:20:10Ah, swab the deck!

00:20:11Swab the deck yourself, you filthy-looking toad.

00:20:15Is there a problem, Mrs. Wilberforce?

00:20:18We heard a cry.

00:20:20I'm so sorry, Major Courtney, but I'm afraid General Gordon has bitten Mr. Robinson's finger.

00:20:26Oh, dear.

00:20:28Now he's on top of the cabinet and refuses to come down.

00:20:32Mr. Robinson is on top of your cabinet?

00:20:35Oh, no, Mr. Harvey, General Gordon.

00:20:39Mr. Lawson, you're by far the tallest.

00:20:43Do you think you could try to get him down for us?

00:20:46For us?

00:20:47For us?

00:20:49Aye!

00:20:49Sure.

00:20:50I'll get him down, Mum.

00:20:52I feel I'm being such a bother.

00:20:55Ah!

00:20:55Yes, I've always been very fond of parrots.

00:21:02Yeah?

00:21:03All four were at sea for many years with my husband, you see.

00:21:07Not the only one at sea.

00:21:09And now there's just General Gordon left.

00:21:11Oh!

00:21:13Up there, next to the ship's bell.

00:21:15You've got something I can climb up on, Mum?

00:21:18Oh, no, ladders were something I could never...

00:21:20Oh, this chair.

00:21:23Though it's rather frail for a man of yours.

00:21:25Don't you worry.

00:21:26I'll get him down.

00:21:30Come here, Birdie.

00:21:32Repel, Mona!

00:21:33Birdie?

00:21:34It might be better not to hold on to the cabinet.

00:21:38That chair isn't as sound as if...

00:21:41Oh!

00:21:42Ah!

00:21:43Ah!

00:21:44Ah!

00:21:45Ah!

00:21:46Ah!

00:21:47Ah!

00:21:48Ah!

00:21:49Ah!

00:21:50Ah!

00:21:51Ah!

00:21:52Ah!

00:21:53Ah!

00:21:54Ah!

00:21:55Ah!

00:21:56Ah!

00:21:57Ah!

00:21:58Ah!

00:21:59Ah!

00:22:00Ah!

00:22:01Ah!

00:22:02Ah!

00:22:03Ah!

00:22:04Ah!

00:22:05Ah!

00:22:06Ah!

00:22:07Ah!

00:22:08Ah!

00:22:09Ah!

00:22:10Ah!

00:22:11Ah!

00:22:12Ah!

00:22:13Ah!

00:22:14Ah!

00:22:15Ah!

00:22:16Ah!

00:22:17Blue water ahead!

00:22:26Where?

00:22:28Major.

00:22:29I'm terribly sorry about opening the...

00:22:31Ah, there he is, at the window.

00:22:34Oh, dear.

00:22:35It'll be all right if you just tiptoe and stretch up your hand.

00:22:41But very quietly.

00:22:43He's terribly sensitive.

00:22:45Polly, Polly.

00:22:47General Gordon.

00:22:49Come on, then.

00:22:51Come on.

00:22:55Sorry about the chair.

00:22:57And one escaped paratom.

00:23:03Yes, there he is.

00:23:05Perched on top of the roof.

00:23:07Blimey.

00:23:08Do you have such a thing as a ladder, Mrs. Wilburforst?

00:23:11I'm afraid not.

00:23:12Then I don't really see...

00:23:14Hold on, look.

00:23:16Outside of Professor's window.

00:23:18There's the flat roof.

00:23:20You're right, dear boy.

00:23:21And from there, you could reach the top section of the roof.

00:23:24Hang on, what's this you?

00:23:25Well, I mean you, you're...

00:23:26Look, I'm wounded in the finger, see?

00:23:29Get him yourself.

00:23:30You really mustn't travel anymore.

00:23:32It was the last time I just telephoned the police.

00:23:35And they came round with a fire brigade and long ladders and everything.

00:23:38The police?

00:23:39No, no, no, no, no, no, no, no, no, no, no, no, really.

00:23:42No, no, no need for that, Mrs. Wilburforst.

00:23:45We'll manage.

00:23:49Blast that bird.

00:23:51It's gone to the roof.

00:23:52I have to work with you and the three of you can't even catch a parrot.

00:23:56Then we can reach the roof through this window.

00:23:59Then along that fat bit...

00:24:01Oh, no.

00:24:03Louis doesn't chase any parrot.

00:24:05I don't care if he's a field marshal.

00:24:08Actually, he's a general.

00:24:10What?

00:24:11Come on, I'm...

00:24:13I'm not too keen on heights, you know.

00:24:16Oh, okay.

00:24:19Okay.

00:24:20But you help me.

00:24:37Good morning, Louis.

00:24:39Nice view from the roof.

00:24:43Good morning to you, General.

00:24:45You've been taking a spin, have you?

00:24:47Morning!

00:24:48Morning!

00:24:49Morning!

00:24:50Don't nibble my ear.

00:24:52That's a good chap.

00:25:04A delivery for you, madam.

00:25:06Why, there he is.

00:25:09Sound as a bell, Mrs. Wilburforst.

00:25:11Look at that.

00:25:12Straight onto her shoulder.

00:25:13That's nice, though.

00:25:15Good darling.

00:25:16He does so dislike taking his medicine.

00:25:19Oh, he's been so upset.

00:25:21I think I'll leave it till tomorrow.

00:25:23Is that all right with you, Mr. Robinson?

00:25:25No, I...

00:25:27Yeah, tomorrow.

00:25:29Professor, your gentleman's musical practice has been so interrupted.

00:25:33And I believe several are still on my roof.

00:25:37Would you like me to make...

00:25:38No.

00:25:39Thank you, Mrs. Wilburforst.

00:25:41No tea, thank you.

00:25:42All the same.

00:25:43There are several tricky passages we must really get a grip with before we are at performance pitch.

00:25:49How tricky, Professor.

00:25:51Oh, another fortnight should do it nicely.

00:25:54There.

00:26:14Oh, beware!

00:26:16What?

00:26:17Yes.

00:26:17Your assistance would be invaluable, but you are sure it is not inconvenient.

00:26:22Not at all, Professor.

00:26:24My time is my own.

00:26:26You're so kind.

00:26:27Naturally, I shall reimburse the taxi first.

00:26:30It will help me more than you could know in a particularly busy day.

00:26:35Oh, the time.

00:26:37Au revoir, Mrs. Wilburforst.

00:26:39Au revoir.

00:26:40This all right, Prof?

00:26:59Perfect.

00:27:03One round, if you'd be so good as to stick this notice firmly to the phone box door.

00:27:08Out of order.

00:27:11Bravo.

00:27:13Uh, Professor, this phone box, it's important to your plan later on, right?

00:27:20That is correct.

00:27:21Well, if it's out of order, uh, don't worry about that one round.

00:27:29The Professor will have something up his sleeve.

00:27:32Right.

00:27:32All that ox has between his ears is muscle.

00:27:40And it's muscle duking to pain, Don.

00:27:42Thank you, Harry.

00:27:43I choose all my men with care.

00:27:45Me, you can't count, Don.

00:27:48Look.

00:27:50He stuck it on upside down.

00:27:52And now has corrected it.

00:27:58Sorry.

00:28:02I think a moment's communion.

00:28:09Communion?

00:28:10Look.

00:28:11I let go let back it through.

00:28:14Gentlemen.

00:28:16I see that we are about to...

00:28:18bake a cake.

00:28:21Baking?

00:28:21What's he on about?

00:28:22Why, it's his way.

00:28:24A moment of start of every job, old chap.

00:28:26When he shares his overall vision.

00:28:28The man's a genius, but now he's a baker.

00:28:33You know your tasks to the second, but now know my vision.

00:28:38We are about to bake a cake.

00:28:40Louis drives the decoy getaway car, which, at the hit, is the bottom layer of the cake.

00:28:47Louis drives a cake.

00:28:48Shh.

00:28:48One Ryan and I are at the top of the cake in our taxi, to which we shall shortly transfer.

00:28:55And between us will be the jam, the bullion van, on its way to King's Cross Railway Station.

00:29:02Our oven is Ulysses Street, with the major slamming shut the oven door when he releases

00:29:08the handbrake on the, ready and park?

00:29:10Parked and ready, Professor.

00:29:11On the park lorry in the conveniently sloping side street.

00:29:16Slam.

00:29:17No way in or out.

00:29:19We provide the cake's bottom layer and the top layer, while a certain prosperous factory

00:29:25provides unwittingly the jam.

00:29:28My plan is foolproof, and we have generous minutes in which to be culinary.

00:29:32That is my vision, gentlemen.

00:29:37Let us bake.

00:29:39Bravo.

00:29:52Louis, in the decoy car, forget driving gently.

00:29:55Cut in hard, so you're in front of the bullion van, just before it enters Ulysses Street.

00:29:59And when you swerve sideways to block the street in front of it, do it suddenly.

00:30:04You think I've forgotten all this?

00:30:06Then you will forgive this reminder from a pedantic perfectionist.

00:30:10One round.

00:30:11Yeah?

00:30:11Our taxi has to cut in immediately behind the bullion van, at the same moment Louis cuts

00:30:17in, in front.

00:30:18No problem.

00:30:19I'll just drive it like a taxi.

00:30:22Very good.

00:30:22Except, when we filled the trunk with the money cases and loaded it onto the taxi, you

00:30:28then drive it away as steadily as a, as a hearse.

00:30:32Got you, prof.

00:30:34I've done hearses.

00:30:35Major.

00:30:36Yeah, I'm ready.

00:30:37When you release the handbrake on the lorry, it will take eight seconds before it hits the

00:30:42wall and seals off Ulysses Street behind us.

00:30:44Yes, I've got that.

00:30:45At the speed Louis will be holding in front, you must release the handbrake as his car

00:30:50passes the end of the side street any later and it could allow any traffic following our

00:30:54taxi to slip through.

00:30:55I'll be spot on.

00:30:57When the money becomes ours, Louis, no attention must be drawn to our sedately departing taxi

00:31:02so you will drive the decoy car away like a bat out of hell.

00:31:07Your English phrases.

00:31:10What is that supposed to mean?

00:31:13Like a man with a great deal of stolen money in his possession.

00:31:17Harry, a small detail.

00:31:18Yeah.

00:31:19For a British Railway Porter's uniform, your buttons are a shade bright.

00:31:24Dirt them down a bit, that's a good chance.

00:31:26I'll see what you mean, yeah.

00:31:29And I am starting the stopwatch.

00:31:33Now, first tick.

00:31:37Once we leave this car, we get the timing right or we don't.

00:31:47True, Louis.

00:31:48But think of this clipboard as an examination paper.

00:31:52Examination?

00:31:53For what?

00:31:55Let's say who will work for me again.

00:31:57Oh, good.

00:31:58Very good.

00:31:59Very good.

00:32:00Yeah.

00:32:01Ready, gentlemen.

00:32:02And Major to start his walk to lorry.

00:32:07Five, four, three, two, one, go.

00:32:11See you, chaps, later.

00:32:17Tick two.

00:32:18Ready, Louis.

00:32:28Let's bake a cake.

00:32:29Oh, ready.

00:32:31And five, four, three, two, one, go.

00:32:42And good cooking.

00:32:44And tick.

00:33:01Tick tock, eh, Professor?

00:33:03That's it, Harry.

00:33:03Tick tock.

00:33:05Ready for your very brief period of employment as a railway porter?

00:33:08Brief order better.

00:33:10Splendid.

00:33:10The token gun, please, Harry.

00:33:12Yeah.

00:33:15I'd better do up that top button on the raincoat.

00:33:18Just a touch of uniform still showing.

00:33:20Right, yeah.

00:33:20Right.

00:33:21And six, five, four, three, two, one, go.

00:33:30Cheerio, then.

00:33:38What would you make of that Louis, Professor?

00:33:40Seems, well, edgy to me.

00:33:44Which is why he'll make a very convincing job of driving the decoy car away.

00:33:49And why he and his cosh can be counted on to persuade the bullion driver to take a short but rather convincing nap.

00:33:55Don't worry about the driver's mate, Professor.

00:33:58I'll only do a forty-winks job with me fist.

00:34:02That will do nicely.

00:34:03Now, I think it's time for us to take a taxi.

00:34:07And look, there's one part conveniently in front of us.

00:34:11Now, I'm not going to be very long, General Gordon, so you don't worry.

00:34:20Just a small errand of mercy to run for the Professor.

00:34:23Mercy!

00:34:24Mercy!

00:34:25Where did I put that umbrella?

00:34:28How much longer, Professor?

00:34:36Seven, six, five, four, three, two, one, voila.

00:34:45Dick.

00:34:45One round, I see a bullion van in our mirror.

00:34:50If it'd be so good as to engage gear.

00:34:52And as soon as it goes, bye.

00:34:57Now.

00:35:01Excellent.

00:35:06Clear in front of Louis.

00:35:07And, uh, quite a good gap behind.

00:35:12Good.

00:35:15Right.

00:35:17Ulysses Street coming up.

00:35:20And turn in.

00:35:22And there's the Major already reaching into the lorry's handbrake.

00:35:26Tick.

00:35:27Excellent.

00:35:29Couple of cars turning in behind us, Prof.

00:35:31Mm-hmm.

00:35:33Not to worry.

00:35:35There's a decent gap.

00:35:37And the lorry should be starting to roll.

00:35:39Four.

00:35:40Three.

00:35:41Two.

00:35:42One.

00:35:43Now.

00:35:46Now.

00:35:48Come on, Major.

00:35:50Now.

00:35:52Come on.

00:35:53Oh.

00:35:54Damn.

00:35:55Break.

00:35:58Go.

00:36:02Car's behind closing up, Prof.

00:36:05What'll we do?

00:36:07Yes.

00:36:08Will you give way?

00:36:13Ah-ha!

00:36:26We shall bake a cake one round.

00:36:29Our oven door is closed.

00:36:31Now fall back just a little.

00:36:35The van will break sharply when Louis locks them in.

00:36:39Five.

00:36:40Four.

00:36:41Three.

00:36:43No.

00:36:47Impatient van.

00:36:49Modified dick.

00:36:51And to work.

00:36:52Pull up your mask.

00:36:53Oh, right.

00:36:54Oh, right.

00:37:00Oi!

00:37:01Shift that car.

00:37:02We want to get past here.

00:37:03If you take his mate.

00:37:04Yeah.

00:37:06Hey!

00:37:07What are you...

00:37:07It is very loaded.

00:37:09Out!

00:37:09Hey!

00:37:11Oh!

00:37:12Thank you, Louis.

00:37:14Always keen.

00:37:15Oof!

00:37:16Spot on 40 wins for his mate.

00:37:19Crowbar.

00:37:19Here.

00:37:20Here.

00:37:20Do the bottom hinge first.

00:37:22One round.

00:37:31Cutters.

00:37:33Cut the grill close to the lock.

00:37:39What's happening back there?

00:37:40There's a smaller crowd.

00:37:42They're trying to push the lorry clear.

00:37:44Are they succeeding, Louis?

00:37:45Not yet, but others are helping.

00:37:47Aye!

00:37:48One of them's a copper.

00:37:49I see.

00:37:50Nice work one round.

00:37:52Keep it steady.

00:37:56Pass the cases out one at a time and...

00:37:58They're starting to move in the lorry.

00:38:01Someone's looking down this way.

00:38:03They can't see anything until we drive away.

00:38:05Now open the trunk and place the cases in.

00:38:07Time to leave, gentlemen.

00:38:19And Louis...

00:38:20I know.

00:38:20Like your owl out of hell.

00:38:22Like a bat, Louis.

00:38:34Say like a bat.

00:38:36King's Cross Station, please.

00:38:38And do mind the luggage.

00:38:40Like a nurse.

00:38:40But this facility will be available for passengers joining the train and all other stations beyond that point.

00:39:01Keep the change.

00:39:03Uh, tar.

00:39:04Tar very much.

00:39:05And three, two, one.

00:39:08Ah, porter.

00:39:10Just this one trunk?

00:39:11What you are.

00:39:18Slower, Harry.

00:39:20Remember, you're working for the Great British Railways.

00:39:23All right.

00:39:29The train platform north is at 1-5 from Cambridge.

00:39:35Splendid.

00:39:36See you shortly, Harry.

00:39:38Bye-bye.

00:39:45This the parcels from Cambridge, then?

00:39:46Stick on with the rest, mate.

00:40:03Stand now to part for platform...

00:40:05Look, I'm sorry, Sergeant.

00:40:08Detective.

00:40:09It's the only way we'll...

00:40:10Detective or not, you can't hold up trains in a mainline station.

00:40:15It'll disorganise the entire network.

00:40:18It's chaos.

00:40:18But we're certain they're in here with the money.

00:40:21The getaway car was found abandoned and empty a few minutes ago in Field Street.

00:40:24They're just outside, I know.

00:40:26But I can't stop the trains.

00:40:29Anyway, they could have gone somewhere else.

00:40:31Not the way we've got the area sealed off.

00:40:41Telephone's still out of order.

00:40:42How convenient.

00:40:43And five, four, three, two, one.

00:41:02Tick.

00:41:03Major?

00:41:05Here, Professor.

00:41:06You have a clear view of the station entrance?

00:41:08Quite clear.

00:41:09Splendid.

00:41:11Mrs. W's taxi should be coming into view just about...

00:41:14Now.

00:41:24Here you are, ma'am.

00:41:25King's Cross.

00:41:26Thank you, driver.

00:41:28I wonder if you wouldn't mind waiting a few minutes for me to take me back.

00:41:34No trouble at all.

00:41:38Very well.

00:41:39As stationmaster on your head be it.

00:41:41Oh, no.

00:41:42Oh, but it would be if I stopped the trains.

00:41:46Anything else?

00:41:46How many pieces of luggage have you booked in in the last ten to fifteen minutes?

00:41:50I wouldn't have a clue.

00:41:52Ask that clerk over there.

00:41:54He'll know.

00:41:55You!

00:41:57How much luggage have you booked in in the last ten...

00:41:59What's into you?

00:42:00Police.

00:42:01Oh?

00:42:02Coming in or going out?

00:42:03Going out, dimwit.

00:42:05Leaving by train.

00:42:06All right.

00:42:06Keep your hair on.

00:42:07I wonder if you can help me.

00:42:10I'm looking for a...

00:42:11Oh, I'm here.

00:42:14There's your sign.

00:42:15Just a tick, lady.

00:42:16Luggage going out.

00:42:17I'll have to check.

00:42:18It's a trunk.

00:42:19Professor Marcus, who lodges with me, is having a trunk sent up from...

00:42:23Where was it?

00:42:24Cambridge.

00:42:25Madam, I'm on very urgent police business.

00:42:27He's leaving today, and he's so busy that he asked me...

00:42:31Of course, lady.

00:42:32Let's see.

00:42:33From Cambridge.

00:42:35Name of Marcus.

00:42:37Oh!

00:42:38Yeah, here it is.

00:42:39Will you sign for it, please, Mum?

00:42:41That's it.

00:42:42Glad to help.

00:42:43Now let me get a porter for you.

00:42:46I'm waiting to make a tick, Major.

00:42:48Tick away.

00:42:49She's coming out now.

00:42:52And?

00:42:52And a porter's got our trunk.

00:43:02A taxi's driving away.

00:43:04Trunk safely on board.

00:43:06To be stopped at the police check, which I assume is now in place, hmm?

00:43:10Absolutely.

00:43:12Oh, good Lord.

00:43:14Now, a policeman's opened the door to have a word with her.

00:43:17And why shouldn't he?

00:43:19Keep calm, Major.

00:43:20Trust my judgment.

00:43:21Sorry to bother you, Madam, but...

00:43:28Oh, dear.

00:43:30No, I know what this is all about.

00:43:33How could you?

00:43:34Amelia and that wretched spaceship.

00:43:37I'm so sorry.

00:43:38I explained it all to the sergeant at the station,

00:43:41and he assured me that wheels wouldn't turn,

00:43:44but it seems, oh, dear, that they have.

00:43:47What a waste of time.

00:43:48It was the wireless, you see.

00:43:49Actually, that's, uh, that's, that's quite all right.

00:43:53Sorry to have helped you up, Madam.

00:43:55Well, I'm blessed.

00:44:08I don't know what she said, but they couldn't wave her through quickly enough.

00:44:12Blessed, Mrs. W.

00:44:14Verify that she's clear,

00:44:16and we'll follow her back to the house at a discrete distance when she passes us.

00:44:20The taxi's approaching the roundabout.

00:44:23Mm-hmm.

00:44:23It's going around it, and now it's...

00:44:26You...

00:44:27Oh, oh, no.

00:44:29Well?

00:44:29Well, it...

00:44:29It...

00:44:30It...

00:44:31It...

00:44:31Major, speak.

00:44:33The taxi's gone right around the roundabout,

00:44:36and it...

00:44:36It's coming back.

00:44:37What?

00:44:39It's pulled up the entrance again.

00:44:41She's walking back into the station.

00:44:43It's crawling with police.

00:44:46What?

00:44:46What is that woman doing?

00:44:50What is it?

00:44:52What's going on?

00:44:52God.

00:44:53Give me the phone.

00:44:54You will let go.

00:44:55Wait, you...

00:44:56Major, Major, let go.

00:44:59What's all this about?

00:45:01Give us a listen, no way.

00:45:02Will you give me that phone?

00:45:05Hey, what's going on?

00:45:07These fools, they've broken my line of communication.

00:45:10Right.

00:45:15There you are, Prof.

00:45:16Thank you, one round.

00:45:21Major.

00:45:22Major!

00:45:23But, hello, hello.

00:45:26She's...

00:45:26She's walking out again.

00:45:28She's getting back into the taxi.

00:45:30She...

00:45:30She'd forgotten her umbrella.

00:45:33She could have shopped us all, silly old.

00:45:41What are you knocking her for?

00:45:42She's got the lolly for us, ain't she?

00:45:44We're nearly home now, Louis.

00:45:45Nothing can possibly go wrong.

00:45:49What's she stopped for?

00:45:51And right outside the nick.

00:45:53Keep calm, everybody.

00:45:56Blimey, she's marching over to that fruit barrow,

00:45:58waving her bully like a sword.

00:46:00What's her game now?

00:46:01Knowing Mrs. W., I fear it may be something to do with that horse eating most of the produce,

00:46:05or more particularly, that barrow boy hitting it over the head with a grapefruit.

00:46:08Stop that at once!

00:46:09What are you doing to that horse?

00:46:11Get out of it!

00:46:12Leave my...

00:46:12It's your horse, Mrs.?

00:46:14It doesn't matter whose it is.

00:46:16You have no right to treat it like that.

00:46:18No right!

00:46:19No right!

00:46:19He's had three pounds of my best pippings,

00:46:21plus whatever else takes his fancy.

00:46:23Shoo!

00:46:23Get out of it!

00:46:24Will you leave that horse alone?

00:46:26Don't prop me with that brolly, Mrs.

00:46:28Whose horse is it?

00:46:29Clear off!

00:46:30Get her!

00:46:31Driver, I insist you do something to stop this vicious brute.

00:46:35Listen, lady, this ain't no business of mine.

00:46:37I shouldn't really have left the cab.

00:46:39So keep out of it and get this old witch out of here.

00:46:41You brute!

00:46:42Ow!

00:46:43Now look, you, if you prop me again...

00:46:45Now, don't you threaten her.

00:46:46Oh no!

00:46:47Oh no!

00:46:48All right, my business goes down some nags cob, is it?

00:46:50Oh, I only said...

00:46:51This your taxi, is it?

00:46:52Yeah.

00:46:52Your business premises, is it?

00:46:54Right!

00:46:55Hey!

00:46:56What do you think you're doing?

00:46:57All right, horse!

00:46:58I'm what's your leg now!

00:46:59You're judging it!

00:46:59I'm sorry!

00:47:01This rough here must be in the...

00:47:03Are you doing some great stuff?

00:47:04Right, you stay over there.

00:47:06You get back to your cab!

00:47:07The boogies!

00:47:08I knew it!

00:47:09Let's get out of here!

00:47:10No, slowly, honey.

00:47:12Just drive round the corner for a while and then we'll come back.

00:47:15All the ladies!

00:47:17I hate all the ladies!

00:47:19It's not the men who have heard of us!

00:47:22It doesn't matter.

00:47:22That's good.

00:47:24That's really true.

00:47:25It's dangerous.

00:47:26Where's everybody gone?

00:47:34I suspect inside to help the police with their inquiries.

00:47:37How'd they get the horse in?

00:47:39Prof, tell me I don't see that.

00:47:41I'm rather afraid you do, Harry. Our trunk of money.

00:47:45On the front steps of the police station.

00:47:48It's just sitting there. Couldn't we go and...

00:47:50No one, I hope, is going to suggest that we steal it.

00:47:57Drive round for a while, Harry. I need to reconsider.

00:48:08Well, Professor, have you hatched another brilliant plan yet?

00:48:13Look, Louis.

00:48:13Stop the car.

00:48:16There's the Major.

00:48:19Thank goodness.

00:48:21Thank goodness I stopped you in time.

00:48:23Before what, Major?

00:48:25Before you went back to the house.

00:48:26I was just approaching it myself a few minutes ago,

00:48:29when I saw two policemen leaving it,

00:48:31and Mrs. W waving them happily goodbye.

00:48:35Major, two policemen entering a house might well be a matter for our concern.

00:48:40Two policemen being waved from it happily could be quite otherwise.

00:48:45You English.

00:48:46Where to now, Professor?

00:48:50Home, Harry.

00:48:52Home.

00:48:56Ah, Professor.

00:49:01Mrs. Wilberforce.

00:49:02Good afternoon, gentlemen.

00:49:04Your last rehearsal here.

00:49:07Possibly.

00:49:08Possibly.

00:49:09Oh, how did you manage with the little task you were going to have with?

00:49:14All done.

00:49:16There it is.

00:49:16What?

00:49:21But, how on earth?

00:49:23You're drunk.

00:49:24Safe and sound.

00:49:25It's impossible.

00:49:26Just sit in there.

00:49:28Well, I'm afraid it was beyond me to carry it upstairs to your room.

00:49:32You had no problems?

00:49:36To be honest, a slight one on the way home.

00:49:38But two nice policemen from the station brought it here for me in their car.

00:49:44Oh!

00:49:45In a police car!

00:49:48Open the trunk, Harry.

00:49:58Tell.

00:49:59And four silver nest eggs.

00:50:13Which one first, Major?

00:50:15Oh!

00:50:15Well, um, I rather fancy the look of that one.

00:50:21One round.

00:50:22If you are persuaded to become unlocked, please.

00:50:25Right.

00:50:26Should I lift the lid?

00:50:34Oh, my God.

00:50:36Patience.

00:50:37If you'll be so kind, one round.

00:50:42Cool.

00:50:43What about that?

00:50:46How about that indeed?

00:50:49Louis, Major, help me transfer the notes to the instrument cases.

00:50:53Harry.

00:50:53Yeah?

00:50:53Stand by the door, in case Mrs. W decides to leap in with another tray of tea.

00:51:11Well, that seems to be everything.

00:51:15Mrs. Wilberforce, our musical tour awaits.

00:51:18You know, I was hoping you'd be able to play for my friends.

00:51:22They'll be so disappointed to have missed you by just a few minutes.

00:51:25Alas.

00:51:26Are the performance obligations.

00:51:28Got to get my cello prof, Essel, up there.

00:51:31Oh, dear.

00:51:32Oh, I'm so sorry.

00:51:34Goodbye, Major Corley.

00:51:36And I wish you good fortune.

00:51:38Oh, yes.

00:51:38Thank you, dear lady.

00:51:40Goodbye, madam.

00:51:42Goodbye, gentlemen.

00:51:44Come on.

00:51:45Come on.

00:51:45Come on, man.

00:51:47Oh.

00:51:48Come on.

00:51:50Come on.

00:51:54Come on.

00:51:56The sooner we're clear of that old...

00:51:58Now then, Louis.

00:52:00She served us very well.

00:52:02Very well indeed.

00:52:04Where is one, man?

00:52:05Bringing down a rather valuable cello case.

00:52:07Mr. Lawson, when I was listening to your playing of that Andante passage a while ago,

00:52:19I thought it the most sensitive playing I've ever heard.

00:52:25Sorry.

00:52:26You thought it was good, eh?

00:52:28Yes.

00:52:29Oh, yes, indeed.

00:52:32Bye-bye, Mrs. Wilberforce.

00:52:35Thanks for the nice tea and everything.

00:52:37Not at all.

00:52:39Goodbye.

00:52:46What's that moron playing at?

00:52:49Why is he just standing by the door?

00:52:51It's the strap on the case.

00:52:53It's stuck in the door.

00:52:57Well, ring the bell, brains.

00:52:59Don't try and pull it out.

00:53:03Careful, you'll break the case open.

00:53:07Oh, Mr. Lawson.

00:53:13What ever's happened to your cello case?

00:53:17And what is all...

00:53:19That's it.

00:53:20She's seen the money.

00:53:22Oh, Margot.

00:53:23Everybody out.

00:53:24Get that money quickly.

00:53:25It's all right, Mrs. Wilberforce.

00:53:38Everything's under control.

00:53:41Shut the door, Major.

00:53:42But what is all that money?

00:53:44It must do something.

00:53:45She knows.

00:53:46She saw the money.

00:53:48Is that the lot?

00:53:50Yeah, that's it.

00:53:51Dear Mrs. Wilberforce.

00:53:56Professor Marcus, I don't understand what is going on.

00:54:00Of course.

00:54:02May we come in?

00:54:03You're wondering about the money in Mr. Lawson's cello case.

00:54:09Certainly natural, but you sure?

00:54:11Mr. Lawson sold his butcher's shop in Hammersmith.

00:54:17That's right, I did.

00:54:18And he got cash for it because there wasn't time to write a check.

00:54:23I still don't quite understand.

00:54:25We must get her out of here.

00:54:27Snatch.

00:54:28Get her into the car.

00:54:29Good afternoon, Louisa.

00:54:36Amelia.

00:54:38Oh, a tea party.

00:54:40Oh, yes.

00:54:41Do come in.

00:54:44These are the tea.

00:54:45You were able to stay to tea after all.

00:54:49We'll have to take them both.

00:54:50We've got to get away.

00:54:55Constance.

00:54:56Good afternoon.

00:54:58How are you?

00:54:59I'm so sorry I'm late.

00:55:01Or am I early?

00:55:03Oh, Amelia.

00:55:04You're here.

00:55:06Let me present these gentlemen.

00:55:08This is Professor Marcus.

00:55:10Oh, how wonderful.

00:55:12What do we do?

00:55:13What do we do?

00:55:13Shut up the bus.

00:55:14How do you do?

00:55:15How do you do?

00:55:18Let us here.

00:55:20Come in.

00:55:20We're going to need a double-decker.

00:55:22Louisa, dear.

00:55:24Have you seen the evening papers?

00:55:26Look, there's been a terrible robbery at King's Cross Station.

00:55:32At one o'clock this afternoon, the paper says...

00:55:35Oh, have you a paper?

00:55:38May I see the latest test score, please?

00:55:42A robbery at King's Cross Station.

00:55:46Why, I was there.

00:55:47What is the score?

00:55:51Australia, at all I've heard.

00:55:52£60,000.

00:55:56At one o'clock?

00:55:59I mean, 310.

00:56:01Out of the 310.

00:56:02And the police say they can't tell how the money was taken from the station.

00:56:08Can't they?

00:56:09Ladies, ladies, please, do you mind stepping into the drawing room for a few minutes.

00:56:18I have something of a very private nature to say to these gentlemen.

00:56:24But I want to talk to Major Court.

00:56:25Just for the moment, Constance.

00:56:28Professor Marcus, I take it there's no need for me to look at the newspaper?

00:56:45Madam.

00:56:47I thought not.

00:56:49I am shocked by this revelation.

00:56:52Shocked and appalled.

00:56:54And I must tell you, all of you...

00:56:56Oh, Louisa, you've only laid four places.

00:57:00Surely these gentlemen are staying to tea.

00:57:02Yes, in a moment, Constance.

00:57:04Please.

00:57:05We'll bring our own questions.

00:57:08Well, there's nothing for it.

00:57:10You'll have to come in.

00:57:12But these are some of my oldest friends.

00:57:14They mustn't get the slightest inking of this disgraceful affair.

00:57:19This is most embarrassing.

00:57:21Embarrassing.

00:57:22And humiliating.

00:57:24Simply try for one hour to behave like gentlemen.

00:57:29All right, Mum.

00:57:30You peddle the pianola beautifully, Professor.

00:57:50Do I?

00:57:52Do I?

00:57:53I don't believe this is happening.

00:58:02Right, son.

00:58:03Yes, my darling, you will be, you will be, always young and fair to me.

00:58:11Yes, my darling, you will be, always young and fair to me.

00:58:24Goodbye, ladies.

00:58:34Goodbye.

00:58:36Goodbye.

00:58:43I thought they'd never go home.

00:58:46Those cups, please, Major.

00:58:48You're coming.

00:58:48It would do no good to take the money back, Mrs. Wilberforce.

00:58:53Nobody wants the money back, you see.

00:58:55This particular shipment of money was insured.

00:58:58Will you dry?

00:58:59Will I what?

00:58:59Oh, yeah.

00:59:00So, now the insurance company simply pays to the factory £60,000, and then, in order

00:59:07to recover its money, it puts a farthing on all the premiums, on all the policies for

00:59:12the next year.

00:59:13So, how much harm have we done anybody?

00:59:16One farthing's worth, Mrs. Wilberforce.

00:59:19I never thought of it like that.

00:59:20Shut up, you fool.

00:59:22But surely it can't be as simple as all that.

00:59:25If we tried to take the money back now, it would simply confuse the whole issue.

00:59:30They wouldn't even take it back.

00:59:32That's perfectly true.

00:59:33Oh, but this is quite ridiculous.

00:59:35And has it occurred to you to wonder why five such men as ourselves should have been driven

00:59:39to this?

00:59:40Well, I did.

00:59:41There is not one amongst us, alas, who is not burdened with enormous responsibilities to

00:59:46others.

00:59:48Major?

00:59:48Yes?

00:59:49Tell her.

00:59:50Tell her your own story.

00:59:52All right.

00:59:53What?

00:59:53Oh, no.

00:59:54Please, please.

00:59:55Really?

00:59:56Claude.

00:59:57Yeah.

00:59:57All right.

00:59:57At this very moment, Mrs. Wilberforce, there is waiting an invalid, a dear, sweet old lady,

01:00:09not, may heaven bless her, not unlike yourself, waiting with patient serenity, but with high

01:00:17hope that she has nothing more to fear of unpaid doctor's bills.

01:00:23Mrs. Wilberforce, I wanted to spare you this, but I'm afraid the police are out of the way.

01:00:35Mrs. Wilberforce, I wanted to spare you this, but I'm afraid the police are after you, too.

01:00:54You're as hot as the rest of us, ma'am.

01:00:56As hot?

01:00:57If they pick her up, there's no saying what they might do to her.

01:01:02Pick me up?

01:01:04Would you mind explaining?

01:01:08Job planned in her house.

01:01:10And she carried the lolly for us.

01:01:13I know I carried the lolly, but I...

01:01:17Oh, this is ridiculous.

01:01:18I shall deny any knowledge.

01:01:21She'll never stand up to it, of course.

01:01:22The grilling, the bubba hoses.

01:01:24The rest of her life sewing mailbags.

01:01:27Mailbags?

01:01:28And no one to look after General Gordon.

01:01:31Oh.

01:01:32If they get us, I'll tell them she planned the job, and I'll tell them she planned the big one.

01:01:39Oh.

01:01:40The East Castle Street job.

01:01:44Oh, dear, dear.

01:01:45What am I going to do?

01:01:47Check that.

01:01:58It's a bogey!

01:01:59A bogey?

01:02:01Quick, out the back way.

01:02:02She's got to answer it.

01:02:03The lights are on.

01:02:04Listen to me, Mrs Wilberforce.

01:02:05Go to the door.

01:02:07Ask him what he wants.

01:02:08Yes.

01:02:09If he asks about me, say I left this afternoon for Manchester.

01:02:13Manchester?

01:02:14Don't let him in.

01:02:15He can't come in without a search warrant.

01:02:16If you don't want to rot and stir for the rest of your life, stay buttoned up.

01:02:23Buttoned up?

01:02:25Yes.

01:02:30Yes?

01:02:31Evening, Mrs Wilberforce.

01:02:33What do you want?

01:02:34It's Sergeant MacDonald.

01:02:36I know who it is.

01:02:37What do you want?

01:02:38Well, just to let you know, we've sorted out that rumpus, the horse and taxi business.

01:02:43You'll not be wanted.

01:02:44I won't be wanted.

01:02:45I won't come in.

01:02:46I'm all wet.

01:02:47You can't come in.

01:02:49I'm going to bed early.

01:02:51Professor Mark has left this afternoon for Manchester.

01:02:54You can't come in without a search warrant.

01:02:56Search warrant, ma'am?

01:02:58You haven't got a search warrant, have you?

01:03:00No, ma'am.

01:03:02Then good night.

01:03:03What has she done?

01:03:07Oh, dear.

01:03:08Don't let him in.

01:03:09Just tell him to buzz off.

01:03:13You're quite sure you're all right, Mrs Wilberforce?

01:03:16Of course.

01:03:17Now, will you please buzz off?

01:03:21Is that all right?

01:03:22Get your instrument cases ready.

01:03:27As soon as he's cleared the street, we'll go.

01:03:31Madam, a piece of advice.

01:03:34Don't go near a police station, any police station, ever again.

01:03:38Just lie low and stay buttoned up, understand?

01:03:43Surely you don't intend to take the money.

01:03:46We must send it back.

01:03:48No, not again.

01:03:49I agree we must stay low and buttoned up, but it wouldn't be right to keep the money.

01:03:55Now, listen.

01:03:57And with both ears, we've had all we're going to take from you.

01:04:02No.

01:04:03It isn't any good.

01:04:05I know I carried the lolly for you, but even if they do make me so mailbags,

01:04:10I would rather go to the police station and give myself up.

01:04:15Now, I really must sit down.

01:04:19Gentlemen, let us retire to my rooms.

01:04:38Well, come on.

01:04:41Decide.

01:04:42She could be putting on her coat right now.

01:04:44It ought to look like an accident.

01:04:47Who's going to do it?

01:04:49Oh, no, no, no.

01:04:50I simply couldn't.

01:04:52I'd be terrified of muffing it.

01:04:55I mean, say...

01:04:56Someone experienced.

01:05:00Why look at me?

01:05:01You've told her so often that you hate little old ladies.

01:05:03And why not you?

01:05:05You're the one who masterminded this lunatic mess.

01:05:09What did you say?

01:05:11You...

01:05:12If we are going to the police station, Professor, we ought to go now.

01:05:19Well, we'd sooner not go now.

01:05:21Oh, not in this rain.

01:05:23It's Mr. Harvey here.

01:05:24He's got a bit of a bad chest.

01:05:27A what?

01:05:27A bit of a bad chest.

01:05:29Oh.

01:05:30Oh, very well.

01:05:34As soon as the rain stops.

01:05:37But I think in the meantime, I'd better lock these instrument cases away in the bedroom.

01:05:42Out of temptation.

01:05:44Would you please bring them through?

01:05:48Gentlemen.

01:05:48We should have done it while she was up here.

01:05:58One round.

01:05:59The bedroom door, if you please.

01:06:06I'm obliged.

01:06:07Now, we'll settle this the old way.

01:06:10Louis, if you cup one of these matches in half.

01:06:18Choose.

01:06:23Harry.

01:06:28Oh, thank God.

01:06:31One round.

01:06:34Boo.

01:06:36That's a long match.

01:06:38One round.

01:06:39It's between you and Louis, Major.

01:06:41Oh.

01:06:42Oh, dear.

01:06:43Oh, I...

01:06:44Oh, no.

01:06:47No.

01:06:47I won't.

01:06:49I can't.

01:06:50Come along, Major.

01:06:51Enough of that.

01:06:53All right.

01:06:54Louis, put that away.

01:06:56I'll do it.

01:06:57But not down there.

01:06:59Not in front of the parent.

01:07:01For God's sake.

01:07:02You all go down and send her up.

01:07:05Then I'll...

01:07:06Then I...

01:07:07Yes, I will.

01:07:08Yes.

01:07:09Don't take too long about it.

01:07:15Oh, my goodness.

01:07:15Goodness.

01:07:17I've got to be quick about it.

01:07:29Mrs. Wilberforce.

01:07:31Oh, good.

01:07:32You're here.

01:07:33Shall we go?

01:07:34Oh, now, now.

01:07:35Where's my umbrella?

01:07:37Uh, first.

01:07:39Major Courtney would like to speak to you privately, if you don't mind.

01:07:43Upstairs.

01:07:44But what can you...

01:07:45I think you'll find he has the solution to all our problems.

01:07:49It won't take a minute.

01:07:50One moment.

01:08:02Come in.

01:08:06What is it you wish to see me about?

01:08:09Madam, listen carefully.

01:08:12They have no intention of letting you take them to the police.

01:08:15Oh, but Professor Marcus...

01:08:17He was lying.

01:08:19At this very moment, they believe me to be...

01:08:21To be bargaining for your silence.

01:08:26But that's disgraceful.

01:08:27These men are criminals.

01:08:31And I, too, am one of them.

01:08:33Alas, yet a spark of decency remains.

01:08:37I was moved, madam, by your appeal.

01:08:39I, myself, shall go to the police.

01:08:43Right now.

01:08:47But I shall need your help.

01:08:50My help?

01:08:51Stay here.

01:08:53Guard the money.

01:08:54Give me time to reach the officers of the law.

01:08:59And, uh...

01:09:00Bring them back with me.

01:09:02Yes, but...

01:09:03What's taking him so long?

01:09:08Be quiet.

01:09:09Major.

01:09:14Major.

01:09:18Still here.

01:09:20Be quiet.

01:09:21I'm still talking to Major Courtney.

01:09:23Wait downstairs.

01:09:24What's he playing at?

01:09:27Let me pass.

01:09:30He's gone.

01:09:32He's crossed us.

01:09:34The lolly's gone.

01:09:35What?

01:09:36He's packed it all into a cello case and scarped us to the window.

01:09:38I'm going to stay buttoned up.

01:09:42He must be still on the roof.

01:09:43Harry, cover the backyard.

01:09:45One round, cover the front.

01:09:47Louis, get out of the window after him.

01:09:49Do whatever is necessary.

01:09:51I have nothing to say.

01:09:58Come on down, you old fool.

01:10:05Go.

01:10:06Go.

01:10:06Go away.

01:10:08There's no other way down.

01:10:11Slide the case down to me.

01:10:14No.

01:10:15No.

01:10:16No.

01:10:16Then it's just you and me, Major.

01:10:20Leave me alone.

01:10:22Leave me alone.

01:10:23I warn you.

01:10:25You warn Louis with a chimney pot behind you.

01:10:29And this in front.

01:10:32Here's the money.

01:10:41I didn't mean to drop it.

01:10:45Louis.

01:10:46Louis.

01:10:51Well fielded, Harry.

01:10:53Professor Marcus.

01:10:55No tea, thank you, Mrs.

01:10:56Wilberforce.

01:10:58I mean.

01:10:59What are you all doing?

01:11:01Where did you get that cello case?

01:11:03It just fell from up to...

01:11:04I'll have that, Mr.

01:11:06Robinson.

01:11:07I gave Mrs.

01:11:08Wilberforce our word that no attempt will be made to remove the money.

01:11:13Shall we all go in?

01:11:18Pirates!

01:11:19Now, please place it in this chest, Professor.

01:11:24It'll be safer down here.

01:11:28Quite.

01:11:31And I'll keep the key in my pocket.

01:11:37Whatever's that?

01:11:39I'll expect something fell from the roof, now.

01:11:41See what it is, Harry.

01:11:44Oh, I really must sit down.

01:11:47It's long past my bedtime, and I've had a most exhausting day.

01:11:53The police will be here shortly.

01:11:57We'll talk about it all.

01:11:59All this, then.

01:12:00Shall we?

01:12:01Hmm.

01:12:07Well?

01:12:08Where's the Major?

01:12:09Still up there?

01:12:10No, no.

01:12:10He, uh...

01:12:11He come down.

01:12:12Well, bring him in.

01:12:13He come down with a chimney pot.

01:12:16Is he hurt?

01:12:17I shouldn't think he felt a thing.

01:12:26Go on, one round.

01:12:28Choose a match.

01:12:29No.

01:12:30I've changed my mind.

01:12:32I ain't gonna do it.

01:12:34What?

01:12:34You're in this just as much as us.

01:12:36Too late now to have a mind to change, one round.

01:12:39Listen, I took my chances last time we drew, didn't I?

01:12:42I'm all being stupid.

01:12:43Okay, I'm stupid.

01:12:45But nobody touches Mrs. W.

01:12:46Nobody.

01:12:49Maybe one round is right.

01:12:51What?

01:12:53Anyway, the first thing to do is to lose the poor old Major.

01:12:56There's a wheelbarrow in the shed one round.

01:12:59Would you mind taking him to the backyard?

01:13:01What for?

01:13:02To convey the Major to the bridge at the back.

01:13:04He has a train to catch.

01:13:07All right.

01:13:10No one is running out now.

01:13:14That goosehead is...

01:13:15Unreliable and dangerous, yes.

01:13:18That leaves the three of us.

01:13:21Harry, choose your match.

01:13:24Right.

01:13:24Oh, stoofe!

01:13:32Steady the wheelbarrow, Harry.

01:13:35And lift.

01:13:42At least tuck the Major's arms in, Harry.

01:13:47I'll give one round a hand.

01:13:49You stay with Louis to tidy up.

01:13:52I know.

01:13:53Come along one round.

01:13:54The Major's train is due.

01:13:58Steady.

01:14:15This is the perfect spot.

01:14:17What we do now?

01:14:19The advantage of this bridge one round

01:14:21is that it lies directly over the main line

01:14:23and carrying empty trucks day and night.

01:14:27Get the Major onto the parapet.

01:14:34I shall take this ankle.

01:14:37You did that.

01:14:39That's it.

01:14:40Hold it very tight.

01:14:42Until a train comes and I give you the word.

01:14:47Myrond!

01:14:59Myrond!

01:15:01Myrond!

01:15:02Myrond!

01:15:02Shut up, you.

01:15:04Listen, Mum.

01:15:06We're in a tough spot.

01:15:08Don't shout out or nothing.

01:15:11Myrond!

01:15:12Blimey, she's in the land and nod.

01:15:17Where's she got that key?

01:15:24Nice.

01:15:29Ready to let go?

01:15:30I can't see a thing in this smoke.

01:15:35One, two, three, go!

01:15:39Bon voyage, Major.

01:15:58Let's get inside.

01:16:00No, no.

01:16:01You'd better fetch the car.

01:16:02There's no need to go through the house.

01:16:05You wouldn't be trying to keep me out of there, would you?

01:16:07Don't be stupid, one round.

01:16:09Don't call me that.

01:16:11Don't call me...

01:16:13Hey.

01:16:14What are they doing in there?

01:16:15I assure you.

01:16:18Harry's done her.

01:16:19But Scarpet with the money.

01:16:21He's what?

01:16:22You've done her?

01:16:23You've done her in?

01:16:24No.

01:16:25Put me down.

01:16:27It wasn't me.

01:16:28Harry, it was Harry.

01:16:30Get down the front, one round.

01:16:31You'll catch him there.

01:16:33Which way, which way?

01:16:42No.

01:16:43You've done her.

01:16:44You've done Mrs. W.

01:16:45No, no, no, I never, I never, I never.

01:16:47Louis said you've done her.

01:16:48Listen, no, listen, listen to me, listen to me one round.

01:16:50Listen to me, listen to me.

01:16:51I left her fast asleep.

01:16:52Here, look now, here, I'll take the money, eh?

01:16:55No, no, no.

01:16:57You put that plank down one round.

01:16:58No, stop!

01:17:03See?

01:17:10He strangled her in the chair, then took the money.

01:17:13I can see that for myself, Louis.

01:17:15You'd better get out and see.

01:17:16I said nobody was to do her!

01:17:18Oh, oh, oh, Mr. Lawson.

01:17:24Oh, I fell asleep.

01:17:28Where's Mr. Robinson?

01:17:30He's, he's outside.

01:17:33The cello case, it's gone.

01:17:36Out there too?

01:17:37Then bring it in immediately.

01:17:40I thought she was done.

01:17:41Somebody took the key out of my pocket.

01:17:44I'm very angry.

01:17:46As you have every right to be, Mrs. Wilberforce.

01:17:48Mr. Robinson will answer for it.

01:17:50Excuse me a moment.

01:17:54Let me have that.

01:17:55I'll take the cello case, thank you.

01:17:58Here you are, Mum.

01:18:00What happened out there?

01:18:02I thought, I thought Harry done her in.

01:18:05So?

01:18:06So, all right.

01:18:07I made a mistake.

01:18:12Put him in the barrow.

01:18:13No.

01:18:14You lose, Harry.

01:18:15I'm staying with Mark.

01:18:20Now what does your master plan say?

01:18:23That you and I have a goods delivery to make.

01:18:28Don't.

01:18:29Let him drop till I say.

01:18:31Look.

01:18:31I'll make a proposition to you.

01:18:36I'll take care of him if you take care of her.

01:18:41That's a straight 50-50 split, no?

01:18:43Oh, no.

01:18:44Let me have one round.

01:18:46You take care of Mrs. W.

01:18:47If you think I'm...

01:18:51Ready?

01:18:53No!

01:18:54No!

01:19:01And guess who's next?

01:19:05Don't shoot one round!

01:19:07That...

01:19:08That's Harry's gun, isn't it?

01:19:10Didn't reckon he'd be needing it no more.

01:19:13Shoot him!

01:19:14He got you into this.

01:19:16Been standing here all the time.

01:19:18Heard you both.

01:19:19Okay, so who looks stupid now, eh?

01:19:23Shoot him!

01:19:25We'll do a deal!

01:19:26It's both of you.

01:19:28And now...

01:19:29The fool had the safety catch on.

01:19:43I'll take the gun.

01:19:44That knife is more your style.

01:19:46You know, I don't think so.

01:19:50Man the guns!

01:19:53Shush now.

01:19:56I think just another 40 winks.

01:19:59My hand is aching.

01:20:07One round's a big man.

01:20:10There'll be a train.

01:20:14It was a good plan, you know.

01:20:18The best.

01:20:20Except for the human element.

01:20:22All good plans include the human element.

01:20:25But then...

01:20:26No really good plan could include...

01:20:30Mrs. Wilberforce.

01:20:32Unless, of course, we had more men.

01:20:36There were only...

01:20:37Only five of us.

01:20:39Take it easy, will you?

01:20:47But it would take 30 or 40, perhaps, to deal with her.

01:20:50Because we'll never be able to kill her, Louis.

01:20:54What's the matter with you?

01:20:55She'll always be with us.

01:20:57Forever and ever.

01:20:59Ah, man.

01:21:08You're crazy.

01:21:10You mustn't say things like that, Louis.

01:21:12You mustn't make me angry.

01:21:17Crazy!

01:21:18Crazy!

01:21:19I'm back!

01:21:20The master plan!

01:21:22Master plan!

01:21:24With three dead bodies!

01:21:27And soon to be four, my little Sicilian friend.

01:21:39Where are you?

01:21:40You can...

01:21:44Trust me!

01:21:52You mad dog.

01:21:57Where are you hiding?

01:22:02Over here, Louis.

01:22:04Look!

01:22:10Professor!

01:22:11We'll do a deal!

01:22:14I know you're in that bush.

01:22:16But I won't shoot.

01:22:19Just come out!

01:22:21We'll go back and split the money!

01:22:29Wrong again, Louis!

01:22:34But not for much longer, you old fool.

01:22:46Come on back up, Professor!

01:22:49I know you're stuck under the bridge!

01:22:51This ladder doesn't go to the ground!

01:22:56Coo-ee!

01:22:57Loo-ee!

01:23:01Then I come and plug you in, you damn...

01:23:04You messed!

01:23:12Let's stop this stupid game!

01:23:16Where are you?

01:23:18Over here!

01:23:23Thank you, Louis.

01:23:25It seems to sit better in my hand, don't you think?

01:23:28And still one bullet left.

01:23:30If my audition is up to scratch?

01:23:32No!

01:23:35Look!

01:23:36I was scared!

01:23:39It wasn't you!

01:23:40It...

01:23:40It was a beautiful plan!

01:23:44Let's...

01:23:45Let's settle this!

01:23:46Aha, I intend to.

01:23:48I should imagine...

01:23:49Oh, that third wagon along will be yours.

01:23:53Well, that's you.

01:23:53No!

01:24:05No!

01:24:06Every good plan must be open to modification, Louis!

01:24:10At least...

01:24:16You deserve a wave goodbye!

01:24:20Goodbye!

01:24:21Goodbye!

01:24:23Goodbye!

01:24:23Death!

01:24:25I...

01:24:25I can't...

01:24:27I must...

01:24:28I can't hold on.

01:24:30I...

01:24:31Help anyone!

01:24:32Is there...

01:24:33Oh, no!

01:24:34Ah!

01:24:35Ah!

01:24:55It's true I carried the lolly, but I...

01:24:58I wasn't really one of the gang, Sergeant.

01:25:01So you wouldn't allow a cup of tea, Mum?

01:25:02Oh, and I admit the caper was planned in my house, but it wasn't I who planned it.

01:25:11And I certainly had nothing to do with the East Castle Street job.

01:25:15Didn't you, Mum?

01:25:17I don't even know where East Castle Street is.

01:25:20Well, in that case, I think...

01:25:22But I...

01:25:23I do have all the lolly...

01:25:26Oh, I beg your pardon.

01:25:27I'm so confused.

01:25:29I...

01:25:29I have all the money back at the house.

01:25:31And the rest of the...

01:25:33The gang.

01:25:34That's the funny thing.

01:25:36They all disappear during the night.

01:25:39Well, didn't have a spaceship, did they?

01:25:40Thank you, Constable.

01:25:43Well, Lieutenant, you...

01:25:44You must think my mind is wandering.

01:25:46No, no, Mrs Wilberforce.

01:25:49It's just that, for various reasons,

01:25:52the force wants you to forget all about the matter.

01:25:57Don't mention it to anyone.

01:26:00Oh, I see.

01:26:02But you'll send someone for the money.

01:26:05Well, I think as far as we're concerned, Mum,

01:26:08why don't you just keep it?

01:26:11Keep the money?

01:26:12Oh, I know it's only a farthing on everybody's policies,

01:26:16but...

01:26:18Yes.

01:26:19They said it would only confuse the issue.

01:26:22Exactly.

01:26:24Now, if you don't mind,

01:26:26I have some other very pressing business to attend to.

01:26:31Yes.

01:26:32Oh, of course.

01:26:34Well, good morning, Sergeant Constable.

01:26:37Remarkable, really.

01:26:46Only a farthing.

01:26:50Mrs Wilberforce,

01:26:52just one moment.

01:26:54Oh, dear.

01:26:55I knew this would happen.

01:26:58You forgot something.

01:26:59I did?

01:27:01Oh, yes.

01:27:02Your umbrella.

01:27:04So I did.

01:27:06Oh, no.

01:27:10No, I never liked it.

01:27:11For a rainy day?

01:27:15Good morning, Sergeant.

01:27:18A very good morning.

01:27:19Good morning.

01:27:36In The Lady Killers,

01:27:53adapted for radio by Bruce Bedford

01:27:55from the Ealing Comedy screenplay by William Rose,

01:27:58you heard Edward Patherbridge as the professor,

01:28:01Donald Syndon as the major,

01:28:02Gary Waldhorn as Louie,

01:28:05Martin Hyder as One Round,

01:28:07and Daniel Peacock as Harry.

01:28:10Margot Boyd was Mum,

01:28:12Johnny Morris, General Gordon, the parrot,

01:28:14and Stratford John's Sergeant MacDonald.

01:28:17Other parts were played by John Hartley,

01:28:20Ross Livingston,

01:28:21Stephen Critchlow,

01:28:23David Timpson,

01:28:24David Collings,

01:28:25Zulema Dean,

01:28:27Patience Tomlinson,

01:28:28Tessa Worsley,

01:28:29and Jonathan Keeble.

01:28:31The pianist was Roger Lynn.

01:28:35The Lady Killers was directed by Andy Jordan.

01:28:37The 18able

01:28:45The Lady Killers

01:28:47The感謝 our people

01:28:48theverständ

01:28:49Thead

01:28:51The 18able

01:28:52The 18able

01:28:53The 18able

01:28:53The 19able

01:28:54The 19able

01:28:55The Blind

01:28:56New

01:28:56The 15able

01:28:56The 18able

01:28:57The 18able

01:28:572

01:28:58to Adobe

01:28:58Now

01:28:59The 18able

01:29:00The 18able

01:29:00The 19able

01:29:02The 21able

01:29:03Teil

01:29:03The 20able

01:29:04The 21able

01:29:04The 20able

01:29:05The Fund

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