- 5 months ago
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🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:29Well, really, Philip, you can't stop here.
00:01:31For pity's sake, either go on or go back.
00:01:33You can't expect me to spend the night like a half-brown rat on a mountainside.
00:01:36It's better to stop than drive the car gently over a cliff, isn't it?
00:01:39Well, it won't help things, losing your temper.
00:01:41I've never been in a better temper in my life.
00:01:44I love driving a hundred miles through the dark practically without headlights.
00:01:48I love the trickle of ice-cold water pouring down my neck.
00:01:51This is one of the happiest moments of my life.
00:01:54Would you like me to drive for a bit?
00:01:56Yes, I was expecting that.
00:01:59Oh, I shall be glad when we get to Shrewsbury.
00:02:12If we get to Shrewsbury.
00:02:14Do you happen to have any idea where we are?
00:02:17I haven't the least idea in the world.
00:02:19That's very comforting.
00:02:21You all right, Pendrel?
00:02:23Fine. Where are we?
00:02:25We don't know. We've lost our way.
00:02:28We're somewhere in the Welsh mountains. It's half past nine and I'm very sorry.
00:02:32Don't think of it.
00:02:33It's ten to one. We don't see Shrewsbury tonight.
00:02:35Oh, well, never mind.
00:02:37Oh, Mr. Waverton, what shall I do?
00:02:40I wanted to go to Shrewsbury, but they took me on to Crewe.
00:02:43Well, as a matter of fact, taking one thing with another, I'm not particularly sure that I want to go to Shrewsbury.
00:02:50Well, as that goes, I don't particularly want to go anywhere.
00:02:53Something might happen here, but nothing ever happens in Shrewsbury.
00:02:56Something certainly might happen here.
00:02:59Well, I'll tell you something that might happen. I don't want to frighten Mrs. Waverton.
00:03:04Well, go on, Mr. Pendrel. I'm not easily frightened.
00:03:06Aren't you? I am.
00:03:08Well, I'm just going to say it. You'll have to be a bit careful.
00:03:12Don't stop.
00:03:27How can I help stopping? Do you think we're in a motorboat?
00:03:30Start for the night. Start for the night.
00:03:33Mr. Pendrel, please.
00:03:35Sorry.
00:03:36Do you think we'll do it?
00:03:41I really don't know.
00:03:44Bon voyage.
00:03:53Well, now, for heaven's sake, stop. Let's look at a map or something.
00:03:57My own view is we're not on a map.
00:04:01Oh, you look, Philip. I can't see anything. It's all a stupid tunnel.
00:04:05Seems to represent this country very well. Everything here is under water.
00:04:10Oh, just drive on. We'll arrive somewhere sometime.
00:04:14Yes, I suppose that's all we can do.
00:04:16Singing in the mountains of the mountains,
00:04:20Singing in the mountains,
00:04:22We're coming on,
00:04:24Just like a bear a time.
00:04:27Like a bear a time.
00:04:30Never take a chance.
00:04:32Oh, look, Bill, light, light, pull in there.
00:04:46It's probably wise us to push on.
00:04:48Well, I'm for staying here.
00:04:56There you are.
00:04:57The whole hilltop has probably fallen off.
00:05:02There you go.
00:05:05Good night.
00:05:32Is there any money there, so Mrs. Ramlin?
00:05:35Knock again, louder.
00:05:36I should have thought that was loud enough to wake the dead.
00:05:40That's an idea.
00:05:41What is?
00:05:41Wouldn't it be dramatic?
00:05:43Supposing the people inside were dead.
00:05:46All stretched out with the lights quietly burning about them.
00:05:49I'm sure it would be very amusing.
00:05:51I'm sure I could do with a drink.
00:05:53If people have to be soaked, they should be soaked inside, not out.
00:05:56Listen.
00:05:57What is it?
00:05:58Well, I heard something.
00:06:05Good evening.
00:06:09We've come to ask for shelter.
00:06:10We've lost our way.
00:06:11We're absolutely cut off.
00:06:13Don't you understand?
00:06:14We can't go forward and we can't go back.
00:06:16The road's blocked on both sides.
00:06:18Landslide.
00:06:28Even well should not sound like that.
00:06:35My name is Femme.
00:07:01Horace Femme.
00:07:03How do you do?
00:07:03I'm very sorry to break in on you like this.
00:07:06My name is Waverton.
00:07:07May I introduce my wife?
00:07:08How do you do?
00:07:10Kimbrel.
00:07:12Charmed, I'm sure.
00:07:13How do you do?
00:07:14Won't you sit down?
00:07:23My sister was on the point of arranging these flowers.
00:07:33I don't know if your man explained the situation to you.
00:07:37He did his best, but I'm afraid I couldn't understand him.
00:07:40You see, Morgan is dumb.
00:07:42Oh, I see.
00:07:43Of course, I didn't realize.
00:07:45We saw your lights and wondered if you'd be kind enough to give us shelter for the night.
00:07:48You see, it's quite impossible to go on.
00:07:50I see.
00:07:50How awkward.
00:07:52How very awkward.
00:07:53What is it?
00:07:54What do they want?
00:07:55Allow me to introduce my sister, Miss Rebecca, Femme.
00:07:58How do you do?
00:08:03What are they doing here?
00:08:07What do they want?
00:08:09How do you do?
00:08:11What do they say?
00:08:12What do they want?
00:08:13What are they doing here?
00:08:14What's all the fuss about?
00:08:15What?
00:08:16You must excuse my sister.
00:08:18She's a little deaf.
00:08:19In fact, sometimes quite deaf.
00:08:22They want to know if they can stay here for the night.
00:08:24Shelter.
00:08:25They've been caught in the storm.
00:08:27Of course they can't stay.
00:08:28We can't have them here.
00:08:29But we only just managed to...
00:08:30But it's pouring down our torrents.
00:08:32Go on.
00:08:33You see, there's a landslide.
00:08:34Half the mountain seems to be crumbling.
00:08:36It only just missed us.
00:08:37The road's blocked behind us, and I'm pretty sure it's blocked in front as well.
00:08:40We hate to intrude, but what else can we do?
00:08:43You see, there isn't anywhere else we can go.
00:08:44Even the road below is underwater, and for that matter, this place itself may be underwater pretty soon, or even buried.
00:08:52What's the matter?
00:08:54Did you hear what he said?
00:08:56There's a landslide and floods.
00:08:58The lake has burst its banks.
00:09:00We're trapped.
00:09:01We're trapped.
00:09:02We've got to go.
00:09:03You hear?
00:09:04We've got to go.
00:09:05And you're afraid, Horace.
00:09:07You're afraid, aren't you?
00:09:08You don't believe in God, and yet you're afraid to die.
00:09:11You've seen his anger in the sky, and you've heard him in the night.
00:09:14And you're afraid.
00:09:15Afraid.
00:09:16Afraid.
00:09:17Where's your mocking now?
00:09:18You may well be afraid.
00:09:19Your time will come.
00:09:21But it hasn't come yet.
00:09:22This house is safe.
00:09:24I know it better than you.
00:09:26Morgan!
00:09:31Do you remember the great storm years ago when we were cut off, and there was a landslide, and floods, and the roads were washed away?
00:09:44Morgan remembers.
00:09:45He means his house is safe, because it's built on rock.
00:09:53You will have to stay here.
00:09:55The misfortune is yours, not ours.
00:09:57No beds.
00:09:58They can't have beds.
00:09:59As my sister hints, there are, I'm afraid, no beds.
00:10:04That's quite all right.
00:10:05If we can just sit around the fire, that will be fine.
00:10:08By all means.
00:10:09I'm not very sure that I want to go to bed myself tonight.
00:10:13Morgan, attend to the fire.
00:10:16Is there any place I can put the car out of the rain?
00:10:19There are some stables around the corner to the right.
00:10:22Morgan will show you.
00:10:26Thanks very much.
00:10:27I'll come along.
00:10:27Get the bag.
00:10:28Right.
00:10:28No beds.
00:10:30You can't have beds.
00:10:50What a storm.
00:10:51We're well out of it.
00:10:52I hope you're right.
00:10:53Though this house gives me the creeps, not to mention it's inmates.
00:10:55Well, it's better than driving along roads that aren't there.
00:10:57At least there's a roof and a fire here.
00:11:12Now, Mr. Penderel, do you think that you could join me in a drink?
00:11:15Mr. Femme, I honestly believe I could join you in a drink.
00:11:18It's only gin, you know.
00:11:30Only gin.
00:11:30Only gin.
00:11:33I like gin.
00:11:34Mrs. Waverton.
00:11:37Mrs. Waverton.
00:11:37Thank you very much.
00:11:38Mr. Penderel, I will give you a toast that you will not appreciate being young.
00:11:43I give you illusion.
00:11:45Illusion?
00:11:46Ha!
00:11:46I am precisely the right age for that toast, Mr. Femme.
00:11:49Oh, I presume you are one of the gentlemen slightly, shall we say, battered by the war.
00:11:55Correct, Mr. Femme.
00:11:56War generation slightly soiled, a study in the bittersweet, the man with a twisted smile.
00:12:01And this, Mr. Femme, is exceedingly good gin.
00:12:06Oh, dreadful night.
00:12:08It seems to be getting worse.
00:12:09Yes, it is pretty bad, but evidently there's no danger here.
00:12:12Your sister was quite definite about that.
00:12:15But supposing we are cut off?
00:12:16Shut up in here.
00:12:17Well, it would be rather a nuisance for you having us billeted on you like this.
00:12:21But it's awful.
00:12:22How can you be so calm?
00:12:24You don't seem to understand.
00:12:25We may be cut off.
00:12:27Shut up in this house.
00:12:29I'm afraid I'm rather nervous.
00:12:31I am rather a nervous man.
00:12:34But the fact is that Morgan is an uncivilized brute.
00:12:39Sometimes he drinks heavily.
00:12:41A night like this would set him going.
00:12:43Once he's drunk, he's rather dangerous.
00:12:45I don't wish to alarm you, Mrs. Waverton, but I don't quite know what we should do.
00:12:50Well, I know what I'm going to do.
00:12:52That is, if Miss Femme will let me.
00:12:54What?
00:12:54I'm dreadfully wet and I would be so glad if I could go and change my clothes.
00:12:58What?
00:12:59I wondered if I might change my things.
00:13:01You look wet.
00:13:01You better go and change your things.
00:13:03Oh, thank you.
00:13:04A good idea.
00:13:05Is there a bedroom or something?
00:13:06It's a dreadful night.
00:13:23What?
00:13:24I say, it's a dreadful night.
00:13:26Yes, it's a very old house.
00:13:28Very old.
00:13:29Very kind of you to let it stay.
00:13:31What?
00:13:31I say, you're very kind.
00:13:33Yes, it is a dreadful night.
00:13:34I'm a little dead.
00:13:36I understand.
00:13:37Yes.
00:13:38No marriage.
00:13:41I'll have none of this electric light.
00:13:43I won't have it.
00:13:58Thanks very much.
00:13:59I can manage quite well now.
00:14:01My sister Rachel had this room once.
00:14:03She died when she was 21.
00:14:05She was a wicked one.
00:14:07Handsome and wild as a hawk.
00:14:09All the young men used to follow her about.
00:14:11With her red lips and her big eyes and her white neck.
00:14:15But that didn't save her.
00:14:17She fell off her horse, hunting.
00:14:19Hurt her spine.
00:14:21On this bed she lay.
00:14:23Month after month.
00:14:25Many of the time I've sat here listening to her screaming.
00:14:27How dreadful.
00:14:28She used to cry out to me to kill her.
00:14:31But I'd tell her to turn to the Lord.
00:14:33But she didn't.
00:14:34She was godless to the last.
00:14:36Well I'd better change my wet thing.
00:14:37They were all godless here.
00:14:41They used to bring their women here.
00:14:43Brazen, lolling creatures in silks and satins.
00:14:46They filled the house with laughter and sin.
00:14:48Laughter and sin.
00:14:49And if I ever went down among them, my own father and brothers, they would tell me to go away and pray.
00:14:57They wouldn't tell Rachel to go away and pray.
00:14:59And I prayed and left them with their lust for red and white women.
00:15:07My father's still alive.
00:15:10He's upstairs.
00:15:11He's very old.
00:15:13Oh is he?
00:15:14He's 102.
00:15:15That's very old, isn't it?
00:15:17He's a wicked, blasphemous old man.
00:15:27You're wicked too.
00:15:29Young and handsome.
00:15:30Silly and wicked.
00:15:31You think of nothing but your long, straight legs and your white body and how to please your man.
00:15:38You revel in the joys of fleshly love, don't you?
00:15:43That's fine stuff.
00:15:44But it'll rot.
00:15:46That's finer stuff still.
00:15:47But it'll rot too in time.
00:15:49Don't!
00:15:51How dare you!
00:16:01What happened?
00:16:21Come on.
00:16:25It's been a long time.
00:16:28It's been a long time.
00:16:29It's been a long time.
00:16:30You have the great loving creatures and soups I'm setting.
00:16:33But lock and sin, laughter and sin.
00:16:36Lustful red and white women.
00:17:00Good for you, Mrs. Waverton. You make it look like a party.
00:17:25You must have thought I was a long time.
00:17:27Matter of fact, I thought you were quicker than usual.
00:17:28Oh, I just thought I'd been rather long.
00:17:34Shut up!
00:17:44Philip.
00:17:44Horace! What are you doing? We aren't all heathens.
00:17:50Oh, I have forgotten my sister's strange tribal habits. The beef will seem less tough when she has invoked a blessing upon it.
00:17:56Horace, femme. If I can't hear, I can see. You're blaspheming.
00:18:01On the contrary, my dear Rebecca. I was merely telling your wandering guests that you were about to thank your gods for their bounty.
00:18:07That'll do. I know your mocking, lying tongue.
00:18:09To thank them for the health and prosperity and happiness granted to this family.
00:18:12For its years of peace and plenty. To thank them for having created Rebecca femme, and Roderick femme, and so...
00:18:18Stop!
00:18:19Bless thou, Lord, this is the house. May they approve a wholesome healing remedy for mankind.
00:18:25Amen.
00:18:26Have a potato.
00:18:28Not this is the house of the house of the house. May they approve a wholesome healing remedy for mankind.
00:18:33Amen.
00:18:35Have a potato.
00:18:38Come on with me, shall I.
00:18:40Don't let me pump you up.
00:18:42You'll let me pump you up.
00:18:45Let me tell you, Lord.
00:18:46Good for you.
00:18:47Amen.
00:18:49Let me tell you.
00:18:49I'll let you know what I've heard you said.
00:18:51I'll let you know.
00:18:53Have a potato.
00:19:23Well, this is a storm and a half.
00:19:25Yes, isn't it?
00:19:27Have a potato.
00:19:29Thank you. I should love a potato.
00:19:39Vinegar, Miss Femme?
00:19:41Ha!
00:19:53It's simply coming down in bucketfuls outside.
00:20:05Thank you, Mrs. Waverton.
00:20:07That's the phrase I've been searching for all evening.
00:20:09No, no pickled onions, thank you.
00:20:23Oh, those lights.
00:20:37They gave me quite a storm.
00:20:39I suppose it's a storm.
00:20:41On the contrary, we make our own electric light here.
00:20:44And we are not very good at it.
00:20:46Pray don't be alarmed if they go out altogether.
00:20:53Run!
00:21:17There's someone outside.
00:21:19They can't come in?
00:21:21But surely they must come in. It's probably dangerous out there now.
00:21:28They're probably half drowned. You know, really, we ought to keep them waiting.
00:21:32No, I'm afraid we shall have to let them in.
00:21:34Morgan, open the door.
00:21:38Come on in, Morgan. Let them in.
00:21:52Oh, what a night!
00:21:56I thought you were never going to open that door.
00:21:58My.
00:22:01There must have been a reservoir buster, Summing.
00:22:04Anyhow, before we knew where we were, Summing had fallen down and smashed the car in.
00:22:10It's a wonder it didn't smash us.
00:22:14Incidentally, this house will probably be washed away any minute.
00:22:21Look at that!
00:22:24Why!
00:22:26Oh!
00:22:27That's a grand fire!
00:22:33I'm sorry to barge in on you like this, but needs must when the devil drives.
00:22:40Well?
00:22:42Who's the owner here?
00:22:44My sister is the owner, Miss Femme.
00:22:47How do you do, Miss Femme?
00:22:48My name is Porterhouse.
00:22:51Sir William Porterhouse.
00:22:53And this lady is Miss Gladys Duquesne, a friend of mine.
00:22:57Glad to know you.
00:22:59Nice weather for ducks.
00:23:01Allow me to introduce you.
00:23:03This is Mrs. Waverton.
00:23:05How do you do?
00:23:07Mr. Penderel.
00:23:09How do you do, Sir William?
00:23:10And Mr. Waverton.
00:23:11How do you do?
00:23:12Sir William Porterhouse.
00:23:14How do you do?
00:23:16I've never seen such a night in all my born natural.
00:23:21I tell you, it's coming down in booking, fools.
00:23:24Pretty well soaked we were, I don't mind telling you.
00:23:26I shouldn't be surprised if we caught our desk.
00:23:29Yeah, you'd better not put those wet shoes on again.
00:23:32Or as Sir William points out, you'll probably catch your death.
00:23:36Here you are.
00:23:37These may not be exactly your size, but at least they're dry.
00:23:42Thanks, they'll do fine.
00:23:44Whee!
00:23:45Ha ha!
00:23:46Pum, pum, pum, pum, pum, pum, pum, pum, pum, pum.
00:23:49Pum, pum, pum, pum, pum.
00:23:50Are you for the opera, Mr. Marjorie Bay?
00:23:56Come and have something to eat.
00:23:59Oh, now you're talking.
00:24:01Morgan, bring up some chairs.
00:24:03Oh-ho! Roast beef!
00:24:09There's nothing like roast beef when a man's hungry.
00:24:16Ha ha!
00:24:18Oh, the roast beef of old England!
00:24:22How does that go?
00:24:24Do you remember that, Mr. Weapon, or was that before your time?
00:24:26Penderel's our song expert.
00:24:28Oh, so you're musical, are you?
00:24:30Well, I've got a bit of an ear myself.
00:24:33Have a potato.
00:24:38Morgan, bring a glass of water for Sir William.
00:24:51Oh, thanks very much.
00:24:56I've got a glass of water for you.
00:24:57Yes, sir.
00:25:06Yes, sir.
00:25:08Yes, sir.
00:25:09I've got a glass of water for you.
00:25:11Take ourselves, for instance.
00:25:13Here we are, six people sitting around,
00:25:16and we've been talking now for nearly two hours.
00:25:19What do we know about each other?
00:25:21Not a thing.
00:25:22If you were a woman, you wouldn't talk about only guesses.
00:25:25Ah, the famous old feminine intuition.
00:25:28Does it ever tell you which horse is going to win the Derby?
00:25:30No, but it tells me quite a lot about you.
00:25:33I wonder, Mrs. Waverton, whether it happens to tell you
00:25:37that I am wanted by the police.
00:25:40Why, no, Mr. Fehm. It tells me nothing so romantic.
00:25:43After all, can you conceive of anybody living in a house like this
00:25:46if they didn't have to?
00:25:48Well, there's no accounting for tastes, you know.
00:25:51Ha-ha!
00:25:53No.
00:25:54Miss Duquesne?
00:25:55Yes?
00:25:56What does your intuition tell you about me?
00:25:58Quite a lot.
00:25:59Hmm, that frightens me a good deal.
00:26:01What does it tell you?
00:26:03It tells me, well, it's not very interesting anyway.
00:26:06Oh, yes, it is. Let's have it.
00:26:08Well, it sounds silly, but I think he doesn't quite fit into these times.
00:26:13You know, factories and cheap advertising and money-grubbing and,
00:26:17well, what I mean is, Bill here's all right with these things.
00:26:21But they make Mr. Pendrel a kind of fish out of water.
00:26:24You should be flattered, Mr. Pendrel.
00:26:26No, I'm not flattered.
00:26:28You see, I've not much sympathy with fish out of water,
00:26:30although I happen to be one myself.
00:26:32My trouble is, I don't think enough things are worthwhile.
00:26:35Now, Sir William here would put tremendous energy into anything
00:26:38to make even a few pounds.
00:26:40No, I don't think it's worth it.
00:26:42No doubt you'll think I'm very fat-headed, my young friend,
00:26:45but maybe I can see through things a bit further than you suppose.
00:26:48That was a very fine speech of yours,
00:26:50but I know, as well as everybody else here,
00:26:52that you're really only getting at me.
00:26:54Well, honestly, I wasn't doing anything of the kind.
00:26:56I envy you. I admire you.
00:26:58Oh, yes, you envy me all right, but you don't admire me.
00:27:01Well, I... I don't admire myself so much.
00:27:05I know that money-making isn't everything,
00:27:08but let me tell you something.
00:27:11I'm a young man, see?
00:27:14Married to a Manchester girl, pretty as paint,
00:27:17the only thing in the world I care about.
00:27:19Well, she dies.
00:27:22It's this way.
00:27:24My directors give a party. They ask us.
00:27:27Red-letter day for us, I can tell you.
00:27:29I buy me first dress suit and Lucy as a new frock.
00:27:34A cotton frock.
00:27:36It seems that Lucy didn't go too well at that party,
00:27:40especially with the women.
00:27:42They snubbed her.
00:27:43Nothing definite, you know.
00:27:45Just didn't think the cotton frock was good enough.
00:27:48Well, Lucy worries about it.
00:27:50Gets it into her head that she's going to hold me back.
00:27:54Well, you may not believe it,
00:27:56but I know that's what killed her.
00:27:59That's what started me making money.
00:28:01I swore I'd smash those fellows and their wives
00:28:03who wouldn't give my Lucy a kind word.
00:28:05Ha!
00:28:06And I have smashed them,
00:28:07at least most of them.
00:28:11Once you've started making money, it's hard to stop.
00:28:14Especially if you're like me.
00:28:16There isn't much else you're good at.
00:28:21Ha!
00:28:22But what Gladys here has to be superior about,
00:28:24I don't know, Miss Duke Kane.
00:28:26Why don't you tell them your real name?
00:28:28My real name is Perkins.
00:28:32And a very nice name, too.
00:28:34I may not be this and I may not be that,
00:28:37but you don't catch me pretending to be what I'm not.
00:28:40I think I'm finding you a little bit offensive.
00:28:43That's all right, Mr. Fendrell.
00:28:44I can take care of myself.
00:28:46At least if I can't by now, I never will be able to.
00:28:49I wasn't trying to put anything across you, Bill.
00:28:52I don't pretend to be what I'm not either.
00:28:54I'm not as dumb as that.
00:28:56These people here know a chorus girl when they see one.
00:28:59Incidentally, not a very good chorus girl at that.
00:29:03If I were better at my job,
00:29:05I probably wouldn't be weekending with you.
00:29:07No.
00:29:08I take that back.
00:29:10I probably would.
00:29:11You're nice enough.
00:29:13We get on, but...
00:29:21Morgan's at the bottle again.
00:29:23I knew he'd begin again tonight.
00:29:25Where'd he get it from?
00:29:26He didn't get it from me.
00:29:28Can't you stop him?
00:29:29He's in the kitchen now drunk.
00:29:31Quite drunk.
00:29:33Oh, it's Morgan.
00:29:37Is he the fellow that waited on us at table?
00:29:40Yes.
00:29:41Morgan is the...
00:29:43the butler.
00:29:44Looks to me as if he could do with a shave.
00:29:47Oh, hello.
00:29:49Hello.
00:29:51Well?
00:29:53Have you come over to help me gaze upon the wrath of God?
00:29:56No.
00:29:57I came to say thank you for trying to take my part just now.
00:30:01Charmed, I'm sure, Mr. Kent.
00:30:04Perkins to you.
00:30:06Nice Perkins.
00:30:08I say, I'd mortgage the old homestead for a drink.
00:30:11Mm, so would I.
00:30:13And we'll have one.
00:30:14I've got some whiskey in the car.
00:30:15I've forgotten all about it.
00:30:16You stay here and I'll go and get it.
00:30:18No, I'll come with you.
00:30:19Whee!
00:30:20Whee!
00:30:21Whee!
00:30:22You better stay here undercover.
00:30:23The car's in the stables and you get soaked.
00:30:24All right, don't be long.
00:30:25Don't be long.
00:30:26Whee!
00:30:27Whee!
00:30:28Whee!
00:30:29Whee!
00:30:30Whee!
00:30:31You better stay here undercover.
00:30:32The car's in the stables and you get soaked.
00:30:33All right, don't be long.
00:30:34You better stay here undercover.
00:30:35The car's in the stables and you get soaked.
00:30:36All right, don't be long.
00:30:37All right, don't be long.
00:31:07Oh, oh.
00:31:14Mr. Panrouk.
00:31:21Hello. What are you doing here? I was just coming.
00:31:24Oh, I thought I saw something.
00:31:27Hey, hey. What's the matter? What's happened?
00:31:30Nothing. Nothing, really.
00:31:33Nothing. Nothing, really.
00:31:36Got a bit scared, that's all.
00:31:41Somebody slammed the door in my face.
00:31:43Probably the wind.
00:31:44No, it wasn't. I know wind when I see it.
00:31:46It doesn't sound much, but, well, you know, it gave me a bit of a turn.
00:31:50Yes, I bet it did.
00:31:51Here, what you want, a drink of this.
00:31:54Thanks.
00:32:00I feel a bit more human now.
00:32:03This certainly is a benighted household.
00:32:05You're right, it is.
00:32:08Look at those.
00:32:13Come on, take them off.
00:32:21I seem to spend most of the evening changing your shoes.
00:32:23You ought to be a nursery maid.
00:32:25Yes, except that the best nursery maids don't drink whiskey out of the bottle.
00:32:29No.
00:32:30The storm's just as bad as ever, isn't it?
00:32:37Worse.
00:32:41That's done it.
00:32:43The light's gone out.
00:32:44I suppose they'll stay out this time.
00:32:46And I wish they'd be miserable all the evening.
00:32:48That's all right.
00:32:49Surely there are some candles somewhere, aren't there?
00:32:54Can I do anything about the lights, Miss Fairman?
00:32:56No.
00:32:57Nobody understands our lights except Morgan.
00:32:59And as an electrician, Morgan is temporally disqualified.
00:33:03You haven't got a lamp by any chance, have you?
00:33:05No.
00:33:06No.
00:33:07We haven't got a lamp.
00:33:08What did they say?
00:33:09Nothing.
00:33:10Nothing important.
00:33:11Oh.
00:33:12Not important.
00:33:13It has happened I heard that time.
00:33:15They want a lamp.
00:33:16Give them the large one.
00:33:17There's oil in it.
00:33:18We used it the last time the lights went wrong.
00:33:20Go on, Horace.
00:33:21You know the one.
00:33:22I don't remember where it is.
00:33:24Suppose you get it, Rebecca.
00:33:26It's too big for me.
00:33:28If you don't know where it is, I'll tell you.
00:33:30You know as well as I do.
00:33:32It's on the top landing on the little table.
00:33:35Do you know where the top landing is, Horace?
00:33:38At least you might believe there is a top landing,
00:33:41although you do believe in so little.
00:33:43It's up there, Horace.
00:33:45Up there.
00:33:46Next roof.
00:33:47Yes, of course.
00:33:48I remember.
00:33:49But I think it's a little too heavy for me.
00:33:51I don't think I could carry it down all those stairs.
00:33:55Why don't you say what you mean, Horace?
00:33:57You mean you're afraid to go up there alone.
00:33:59You go with him.
00:34:00Here, take this.
00:34:01I don't know why I bother myself.
00:34:03Do you all go to sit in the dark?
00:34:15We'd better go up, haven't we?
00:34:16Yes.
00:34:17I suppose we have.
00:34:18We won't be long.
00:34:19That's all right.
00:34:20Mrs. Waverton will see that I don't get nervy.
00:34:24You'd better lead the way.
00:34:26Mmm.
00:34:27Hmm.
00:34:28.
00:34:32.
00:34:34.
00:34:36.
00:34:40This is my room.
00:35:01Oh?
00:35:02There are one or two things that I should very much like for you to see.
00:35:06I should like to very much, but you must show me some other time.
00:35:08We've got to get that lamp.
00:35:10Yes.
00:35:16Listen.
00:35:17Why should we bother about the lamp?
00:35:19Let us wait here for a few minutes and then go back and say that we couldn't find it or that it's broken.
00:35:26I can't see the point.
00:35:27Yes, but why should we trouble about the lamp if we don't want to?
00:35:31But we said we'd get it, so why shouldn't we get it?
00:35:33Yes, but why should we if we don't want to and I don't want to?
00:35:36But this is absurd.
00:35:38Yes.
00:35:40Did you hear that?
00:35:41I did hear something.
00:35:43What was it?
00:35:45It must have been Morgan.
00:35:47He's drunk, you know.
00:35:49He's probably making a disturbance downstairs in the kitchen.
00:35:52I thought that noise came from upstairs.
00:35:55Anyway, what about this lamp?
00:35:57I wondered whether you'd excuse me from coming with you.
00:36:00I'm not very strong.
00:36:02There are rather a lot of stairs.
00:36:04I really should have told you before, but the vanity of age, you know.
00:36:09You'll find it on a little table at the end of the landing, two floors above.
00:36:16I suppose it's not too heavy for me to carry.
00:36:19Oh, no, not at all.
00:36:20It's quite light, really.
00:36:21I see.
00:36:23Thank you very much.
00:36:29Thank you very much.
00:36:37Thank you very much.
00:39:11Mr. Kendall!
00:39:13Mr. King!
00:39:39Mr. Morgan!
00:39:46Mr. Morgan!
00:39:54He's there at the bottom of the stairs.
00:39:56Mr. Morgan!
00:39:57He's there at the bottom of the stairs.
00:40:03Take the carriage.
00:40:04Get back there.
00:40:06Get back there.
00:40:07Get back!
00:40:13Go on!
00:40:14Get back!
00:40:15Go on!
00:40:16Get back!
00:40:22Go on!
00:40:23Get back!
00:40:24Go on!
00:40:25Go on!
00:40:33Go on!
00:40:34Go on!
00:40:35Go on!
00:40:37Is he dead?
00:40:58No, you can see him breathing from here.
00:41:02He's only stunned.
00:41:04He'll be conscious in a minute,
00:41:06though he'll probably fall asleep again.
00:41:07He's very drunk.
00:41:08Oh, Philip, this is an awful house.
00:41:10It isn't very nice, is it?
00:41:17Listen, Margaret.
00:41:18Something happened upstairs just now.
00:41:20Oh, Philip, not something else horrible?
00:41:22No, this was nothing horrible.
00:41:24It was a voice calling from behind a door.
00:41:27Tiny voice, rather like a child's.
00:41:29I think I ought to go and see what it is.
00:41:31You'll have to come with me.
00:41:33I'm not going to leave you alone again.
00:41:36He'll be all right.
00:41:36Take my hand, darling.
00:41:48Oh, Philip!
00:41:49What is it?
00:41:50Sit down here a minute, darling.
00:41:52Thanks.
00:42:01Well, what happened then?
00:42:03Well, then the war ended.
00:42:05What about the girl?
00:42:06Oh, the girl I left behind me?
00:42:08The girl you were in love with.
00:42:09Why, she got married, Gladys.
00:42:11What a beast.
00:42:12No, on the contrary, a lady of rather good judgment.
00:42:14And now let's talk about you for a bit.
00:42:17I know what you're going to say.
00:42:19You're going to ask me about Bill Porterhouse.
00:42:22Clever, Miss Perkins.
00:42:23I don't mind telling you.
00:42:24Bill, I'd rather like to.
00:42:27Bill's all right, really.
00:42:29Of course, I don't love him.
00:42:31And, of course, he gives me money.
00:42:34Oh, not very much.
00:42:35Just enough to keep me going.
00:42:39You probably won't believe me, but Bill doesn't, he doesn't expect anything.
00:42:45Do you know what I mean by anything?
00:42:47Yes, I know what you mean by anything.
00:42:49He likes people to think he's ever so gay.
00:42:52You see, for all his money, he's a bit lonely.
00:42:55Yes, I spotted that when he told us the story of the cotton dress.
00:42:59I think he's in love with that little dead wife still.
00:43:02I'm sure he is.
00:43:03I suppose that's why he only wants me, well, for company.
00:43:07He likes to sit on my bed at night and boast to me about the things he's done during the day.
00:43:12Well, that's harmless enough.
00:43:14Mind you, I'm not pretending to be any better than I am.
00:43:18You're a nice creature, aren't you?
00:43:21I like you awfully.
00:43:25And I you.
00:43:28What are you thinking of?
00:43:30You may not be very pleased.
00:43:32Risk it.
00:43:35I was thinking I'd like to pretend that I was your lover.
00:43:39And that you were mine, Gladys, body and soul.
00:43:42I'd like to take you in my arms.
00:43:45And hold you.
00:43:47And press you to me very gently.
00:43:50Very tight.
00:43:52I'd like it, too.
00:43:53Would you, Gladys Perkins?
00:43:55Why then, let's pretend.
00:44:05Listen.
00:44:08Gladys Perkins has an idea.
00:44:09I think she must have gone mad.
00:44:14She...
00:44:14She...
00:44:15She...
00:44:16She wants to live with you.
00:44:18I'm just flinging myself at your head.
00:44:22I've got a crazy idea that I might help you to be a useful person.
00:44:29Darling Perkins.
00:44:30Do you think I'm mad?
00:44:34Quite mad, my darling.
00:44:36And thank God for it.
00:44:38Well, what do you say?
00:44:49That's what I say, Perkins, darling.
00:44:51But I've got a better idea than yours.
00:44:56An improvement on it.
00:44:57What is it?
00:44:59Well, it's just this.
00:45:01No, I won't tell you here.
00:45:03There's magic here.
00:45:05I'll tell you later on in the house.
00:45:07Perhaps even in the cold light of morning.
00:45:09Tell me now.
00:45:11Come on, let's go back.
00:45:12No.
00:45:13No, let's stay here.
00:45:14You're cold.
00:45:18No.
00:45:18It's just the idea of going back to that house that made me shiver.
00:45:22I've got a funny feeling.
00:45:24Something dreadful might happen to us if we go back to that house.
00:45:27Perkins, Perkins.
00:45:29You've my strong right arm, haven't you?
00:45:32All right.
00:45:34Come on.
00:45:39No, you can't put on those wet shoes.
00:45:41I'm going to try to carry you.
00:45:42I'm a devil of a weight.
00:45:44Well, if you're too heavy for me, I shall drop you in the mud and go on alone.
00:45:47No!
00:46:17Hello. Where have you been?
00:46:35I went out to the car to get a drink.
00:46:37And I went with him.
00:46:47She got her feet wet.
00:46:49Oh, she got her feet wet?
00:46:51Yes, she got her feet wet.
00:46:53What the devil's been happening here?
00:46:55I don't know what the devil's been happening here.
00:46:57Or anywhere else. I don't know what's been happening anywhere.
00:47:00I went into the old girl's room to close a window and came back and found this.
00:47:04Well, where are all the others?
00:47:05I don't know no more than you.
00:47:06Mr. Waverton went upstairs with thingamitite to fetch a lamp.
00:47:10I suppose his wife joined him.
00:47:12I've been asleep.
00:47:15So you got your feet wet?
00:47:18Yes, Bill. And that wasn't all, I...
00:47:20Yes, I didn't suppose it was.
00:47:23I don't quite know how you'll take this, but...
00:47:26Well, I've got to get it off my chest.
00:47:28Come on, let's have it.
00:47:30I've fallen in love, Bill.
00:47:32Oh, you have of you? With him?
00:47:35Yes, with him.
00:47:37Darned fool.
00:47:39Probably. But we don't choose these things.
00:47:41Has he got any money? Not a penny.
00:47:43Not a penny. But you're going off with him.
00:47:45Yes, Bill. Are you angry?
00:47:48I think you're a lunatic. But I'm not angry.
00:47:51He took it pretty well, didn't he, Perkins?
00:47:53I told you. Bill's all right.
00:47:56He is indeed.
00:47:58I wonder where the others can be.
00:48:05Listen, Bill. She hasn't told you everything.
00:48:08Won't she?
00:48:09Why not?
00:48:10Because she doesn't know everything herself.
00:48:13We're going to be married.
00:48:15Oh, are you?
00:48:17At least if she'll have me.
00:48:19I'm going to ask her tomorrow.
00:48:21In the cold light of morning.
00:48:23Will you come to the wedding?
00:48:26I think you're off your head.
00:48:28Do you?
00:48:31No.
00:48:32I don't.
00:48:34I think it's probably the best day's work you've ever done in your life.
00:48:38Ah, Bill.
00:48:40Bill.
00:48:41Who told you you could call me Bill?
00:48:43Well, you try and stop me.
00:48:45Now, look here. Come and make yourself useful and put this table on its feet.
00:48:48That's nowhere to treat roast beef.
00:48:53Miss Perkins, tend the roast beef.
00:48:55Tend it yourself.
00:49:03Sure you feel better?
00:49:04Yes, I'm all right.
00:49:05Well, let's go on.
00:49:18This is the door.
00:49:20This is the door.
00:49:48Who are you?
00:49:52I'm Mrs. Waverton.
00:49:54This is my husband.
00:49:56Are you Sir Roderick Thames?
00:50:00We came in because we thought we heard you calling.
00:50:03Can we get you anything?
00:50:15Can you take it yourself or shall I give it to you?
00:50:19I can take it myself.
00:50:36What was that noise?
00:50:38Was it Morgan?
00:50:40Yes.
00:50:41Morgan is a savage.
00:50:44I...
00:50:45I...
00:50:46I must apologize.
00:50:48But we have to keep him here.
00:50:51You shouldn't have come here.
00:50:54I'm very sorry, but really we couldn't help it.
00:50:57Oh, I...
00:50:58I don't mean that.
00:51:00I was never inhospitable.
00:51:03Never?
00:51:05This house was always filled with guests once upon a time.
00:51:10When you came, what did they tell you?
00:51:15Why, they told us you were an invalid.
00:51:19Was that I?
00:51:20Yes.
00:51:22You've seen my son Horace and his sister Rebecca?
00:51:26Yes.
00:51:27Yes?
00:51:28And...
00:51:29Morgan.
00:51:32I would like to tell you all about it, but there may not be time.
00:51:38You see, when you're as old as I am, at any minute you may just die.
00:51:44Why?
00:51:47Oh, please don't talk if it tires you.
00:51:51This is an unlucky house.
00:51:54Two of my children died when they were twenty.
00:51:59And then other things happened.
00:52:02Madness came.
00:52:05We are all touched with it a little, you see.
00:52:09Except me.
00:52:10Except me.
00:52:12At least I...
00:52:13I don't think I am.
00:52:18Would you like to go to sleep now?
00:52:21No.
00:52:23Not just yet.
00:52:26You see, it may be...
00:52:31It may be what?
00:52:33Dangerous.
00:52:34You mean Morgan?
00:52:35No.
00:52:37Not Morgan.
00:52:39I mean from my eldest son, Saul.
00:52:44Saul?
00:52:46They didn't tell you about Saul.
00:52:50No, they didn't.
00:52:52Saul is the worst, you know.
00:52:54We have to watch him.
00:52:56Because, you see, he wants...
00:52:59He just wants...
00:53:01To destroy.
00:53:03To kill.
00:53:06Poor Saul.
00:53:08Where is he?
00:53:09I know where he is.
00:53:10He's upstairs behind that bolted door, isn't he?
00:53:12Yes.
00:53:13Locked in.
00:53:15Saul is why we have to keep Morgan.
00:53:19But if he did get out?
00:53:22Saul quite certainly would set fire to the house.
00:53:27He tried to once before.
00:53:31He wanted, he said to...
00:53:33To make this house...
00:53:35A burnt offering.
00:53:37But isn't he safely locked in?
00:53:39Yes.
00:53:41But you see, if Morgan is burnt...
00:53:44I...
00:53:46I think he might...
00:53:48Open the door.
00:53:49Philip.
00:53:50I wonder if he's come too.
00:53:51Wait here.
00:53:52I'll go down and look at him.
00:53:53He's gone upstairs.
00:53:54I heard him.
00:53:55He's gone to let Saul out.
00:53:56Wait for him downstairs and kill him.
00:53:57I don't know.
00:53:59He's gone upstairs.
00:54:00I heard him.
00:54:01He's gone upstairs.
00:54:02I heard him.
00:54:03He's gone to let Saul out.
00:54:04Wait for him downstairs and kill him.
00:54:07What are we to do?
00:54:21Can't we stay in here?
00:54:22No, supposing you set fire to the place.
00:54:23Come on.
00:54:32What about Sir Rod scoop?
00:54:33I'm supposing he set fire to the place. Come on.
00:54:35But what about Sir Roderick?
00:54:36We must lock the door.
00:54:42Sir Roderick, I'm going to lock you in.
00:54:45He's asleep.
00:55:00What is it?
00:55:01Listen, there's a madman upstairs.
00:55:02Morgan's let him out and he's dangerous.
00:55:04We've got to do something.
00:55:05Good gosh, where are they?
00:55:06Upstairs, but they may come down any minute.
00:55:08That's all right, my dear.
00:55:09I knew. I felt something dreadful was going to happen.
00:55:11I think we'd better get out of the way.
00:55:12No, we can't do that.
00:55:14We might set fire to the place. He's tried it once before.
00:55:17Well, let him. Let the rotten old place burn.
00:55:19I wish it would.
00:55:20That's all right, but what about the fames?
00:55:23What is it?
00:55:24Your brother's out of his room.
00:55:26What?
00:55:27Sir?
00:55:29Look.
00:55:32Here.
00:55:33Get back.
00:55:34Take him back, Morgan.
00:55:35You hear me?
00:55:36Take him back.
00:55:37You hear me?
00:55:38Take him back.
00:55:39You hear me?
00:55:40Take him back.
00:55:41Whoa.
00:55:42Whoa.
00:55:43Whoa.
00:55:44Oh.
00:55:45Whoa.
00:55:46Oh.
00:55:47Whoa.
00:55:48So mam, come take him back.
00:55:50Oh, God.
00:55:51There's something in town.
00:55:52Here, get back with you.
00:55:54Take him back, Morgan.
00:55:55You hear me?
00:55:56Take him back.
00:55:57Oh.
00:55:58Look.
00:55:59Oh.
00:56:00Take him back Morgan.
00:56:02You hear me?
00:56:04Take him back.
00:56:05What?
00:56:06Oh.
00:56:07Look.
00:56:08Oh.
00:56:09You look like?
00:56:10Take him in the kitchen!
00:56:14Take him this way!
00:56:22Take him in the kitchen!
00:56:26Take him this way!
00:56:30Take him this way!
00:56:34It hurts!
00:56:38Take him!
00:56:42Take him this way!
00:56:52Take him in the kitchen!
00:57:08The sins of the fathers, the sins of the fathers.
00:57:38Come on, you. Hurry to my room.
00:57:41No, I'm going to stay here.
00:57:43Then stay there.
00:57:56There's going to be trouble.
00:58:02Come on, come in here.
00:58:04No, I don't want to be shut up. I'd rather stay.
00:58:07Let us, for heaven's sake, come in here, Mark.
00:58:11No. All right.
00:58:13Wait a minute.
00:58:15You're like this.
00:58:16Oh, I love him so.
00:58:41Oh, I just love him.
00:58:51Please, please don't touch me.
00:58:53Please, please don't touch me.
00:59:07Well, what is it?
00:59:09Listen, don't put me back.
00:59:11Don't let them put me back.
00:59:12I'm not mad.
00:59:14I swear before heaven, I'm not mad.
00:59:16It's just that they've locked me up here.
00:59:18They're all wicked.
00:59:20Why should they lock you up?
00:59:22They're frightened of me.
00:59:23I know something about them.
00:59:25Years ago, they killed their sister, Rachel.
00:59:28But I wouldn't tell.
00:59:29I promised I'd never tell.
00:59:30And they've kept you here all that time for that.
00:59:35And Morgan, I tell you, he's the devil.
00:59:37Morgan beats me.
00:59:40Don't leave me.
00:59:41Stay with me.
00:59:43Well, that's all right.
00:59:44You sit here and wait.
00:59:47I'll be back.
00:59:48The door's locked.
01:00:01Miss Finn must have locked it.
01:00:02It's locked, is it?
01:00:04Yes, it is.
01:00:05I'm glad.
01:00:07Then you can't leave me.
01:00:09Listen, we've got to help the others with Morgan.
01:00:12Isn't there some way of getting through?
01:00:14No, no way.
01:00:15But there must be a back entrance into the house.
01:00:18Stop.
01:00:26I want to tell you a story.
01:00:37Who's in there?
01:00:38Nobody.
01:00:40Friends of yours?
01:00:41I tell you, nobody.
01:00:43Shall we invite them out?
01:00:45You were going to tell me something.
01:00:47Yes.
01:00:48So I was.
01:01:00Won't you...
01:01:00Won't you tell me that story?
01:01:03Yes.
01:01:04Shall we sit down?
01:01:06Yes.
01:01:07Let's.
01:01:08Who's in that cupboard?
01:01:21Nobody.
01:01:23Tell me what you were going to say to me.
01:01:25Are you interested in flame?
01:01:35Why...
01:01:35Why...
01:01:36Why...
01:01:38Yes.
01:01:38Yes, I am, rather.
01:01:40I've made a study of flame.
01:01:42Have you?
01:01:43Well, that must be very interesting.
01:01:45See?
01:01:45I know things about flames that nobody else in the world knows.
01:01:51Well, won't you tell me?
01:01:53I'd like very much to know.
01:01:55Why should I tell you?
01:01:56You wouldn't tell me who is in that cupboard?
01:01:58Well, but I did tell you.
01:02:01Besides, you know it.
01:02:02It isn't fair to make me curious and then just not say anything.
01:02:06You'd like me to tell you all about fire, would you?
01:02:09Yes, I wish you would.
01:02:10Well, then, first of all, I've learned that flames are really knives.
01:02:16And they're cold, my friend.
01:02:18Sharp and cold as snow.
01:02:21They burn like ice.
01:02:28Oh.
01:02:30That certainly is very, very interesting.
01:02:33So they're really like knives, are they?
01:02:36Well, do go on.
01:02:37Tell me what else you found out.
01:02:39Oh, a lot of things, my friend.
01:02:43Sit down.
01:02:48So you thought you could cheat me, did you?
01:02:51You thought you could leave me sitting here and I wouldn't notice.
01:02:55But you see, I am a clever man also.
01:02:58That is why we understand one another.
01:03:02That is why you understood so quickly that I wanted to kill you.
01:03:06We understand each other so well.
01:03:12Don't we, my friend?
01:03:14Yes.
01:03:15Yes, indeed we do.
01:03:17From the start, somehow, I liked you and I thought you liked me.
01:03:21Like you?
01:03:22My friend, I love you.
01:03:25Did you know, did you know, my name is Saul.
01:03:28Saul, my friend.
01:03:30And Saul loved David.
01:03:33Yes, indeed he did.
01:03:34But Saul was afraid of David because the Lord was with him and was departed from Saul.
01:03:39And it came to pass on the morrow that the evil spirit came upon Saul and he prophesied in the midst of the house.
01:03:46And David played upon the harp with his hand.
01:03:49And there was a javelin in Saul's hand.
01:03:53And Saul cast the javelin.
01:03:55And he said, I will smite David even to the wall with him.
01:04:06And David avoided out of his presence twice.
01:04:11Twice, my friend.
01:04:13But a third time.
01:04:15A third time.
01:04:17You must be careful.
01:04:19Listen, I'm your friend.
01:04:21I'm in your side.
01:04:22It's silly to lose me.
01:04:24If you lose me, look, there's Morgan.
01:04:26He's come for you.
01:04:26Morgan.
01:04:27Stop it.
01:04:28Don't move.
01:04:29He's come for you.
01:04:59He's come for you.
01:05:29Let's go.
01:05:59Hee hee hee!
01:06:22Philip! Philip!
01:06:29Philip!
01:06:37Oh, let go! Can't you see? There's tendrils!
01:06:41Let me go to him! Go on! Let me go by!
01:06:45Go on! Let me pass!
01:06:52Oh, you swine!
01:06:54But I'm not afraid of you! I'm going to him!
01:06:57Do you hear?
01:06:59Oh, how could you?
01:07:05Listen, you've got to let me alone, do you hear?
01:07:07I've got to go to Pendrel. He's hurt!
01:07:09Oh, how can I make you understand? He's hurt!
01:07:12I've got to look after him and the other man, too!
01:07:14Saul! They're both hurt!
01:07:27Well, I think...
01:07:34That is right.
01:07:35Hmm...
01:07:37Then come out!
01:07:39Hmm...
01:07:41Oh, my God.
01:08:11Are you all right, Margaret?
01:08:15Yes, I'm all right, darling.
01:08:17Gladys.
01:08:19It's all right.
01:08:21Come on, now.
01:08:23You feeling better?
01:08:24Yes.
01:08:26I'm not so bad.
01:08:27What happened to you?
01:08:28That's Ruth Morgan.
01:08:29He hit her.
01:08:30Come on.
01:08:32I'm all right, now.
01:08:34Where's Pendrel?
01:08:36I've got to look after him.
01:08:38You better not go over there.
01:08:41Come with me.
01:08:45He's alive!
01:08:59What?
01:09:00He's alive, I tell you.
01:09:02He's alive.
01:09:03He's alive!
01:09:03I love you.
01:09:05Oh.
01:09:06Oh!
01:09:08Oh!
01:09:09Oh!
01:09:11Oh!
01:09:12Oh!
01:09:13Oh!
01:09:15Oh!
01:09:15Oh!
01:09:16Oh!
01:09:16Good morning.
01:09:30Good morning.
01:09:35Good morning, Mr. Waverton.
01:09:40Good morning.
01:09:41The floods have subsided considerably.
01:09:48Thank heaven for that.
01:09:53I think it will be possible for you to send for an ambulance now.
01:09:57You mean we can go?
01:09:58Yes, I'm sure we can go now. Come on, darling.
01:10:02You're going to stay here with Gladys, aren't you?
01:10:04I am. Don't be long.
01:10:06We won't. We'll be as quick as we can.
01:10:11Good-bye.
01:10:27Good-bye.
01:10:28Good-bye.
01:10:30So happy to have met you.
01:10:36Ah, shut up.
01:10:41Good morning.
01:10:52That's why really David gone to heaven.
01:10:53No, it's morning.
01:10:54And we've only just left hell behind.
01:10:57Morning?
01:10:58Yes.
01:10:58Cold light of day.
01:11:00Wasn't there something you were going to tell me in the cold light of day?
01:11:04Come to think that there was.
01:11:05Perkins, will you marry me?
01:11:35THE END
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