- 5 months ago
Episode 443 of Prisoner Cell Block H. The end gate slam, pre-advert gate slams, incidental music and Network 10 logo have been restored as originally broadcast. The officer locking up has also been replaced with one wearing the correct uniform! Phyllis attacks Glora, but Myra takes the blame: thanks to Joan!
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TVTranscript
00:00I'll be getting some pretty interesting merchandise in here real soon.
00:04Happy dreams in little packets.
00:07But I'll only be selling to customers who like me.
00:10So think it up.
00:12Oh yeah, that excess baggage.
00:15Where is she?
00:16Blubbering mess in the basement.
00:19Put her out of her misery.
00:24This one I'll think about for a while.
00:30It's a pity, really.
00:40She's experienced.
00:42Seems a waste to get rid of her when she could be good money for us.
00:45Don't type her a dime a dozen.
00:47Maybe.
00:50But she's smart enough to play it straight.
00:56And talk, if she's offered enough.
00:58She doesn't know anything.
01:00Besides, it'd be good to have her on the streets.
01:08There's every chance that the police will spot her.
01:11And you want the word to get out there when we're in Sydney?
01:13She's obvious bait.
01:14They spot her, then they know I'm here.
01:16That is what you want, isn't it?
01:18Yeah, that's what I want.
01:20We can make sure they know you're here without the girl.
01:24Are you sure you're not just trying to save a life?
01:26She's nothing to me, like you said.
01:28Her type of a dime a dozen.
01:32Precisely.
01:35You know, Cass, I've been thinking.
01:37You're probably right.
01:39Well, Mr Manning must get very lonely.
01:41I mean, he doesn't seem to have much of a private life.
01:43Well, not that he talks about anyway.
01:45Perhaps the details don't bear repeating.
01:47Oh, don't be awful, Doreen.
01:48Well, you know, Pixie was pretty shaken up over that business with young Bobby.
01:52Yeah, and you can't blame him.
01:53I mean, he might be scared someone else might have a go.
01:56Mind you, I could be tempted.
01:58I think he has very sexy eyes.
02:01You're wasting your time on that thing, Mr Manning.
02:04Everything in this place is at least a hundred years old.
02:07Present company exclude.
02:08There's never any bloody thing worth watching anyway.
02:11Oh, there was a very good film on the other night.
02:13It was the one about the little boy who lost his parents and he had to find homes for his
02:16brothers and sisters.
02:17I cried my eyes out.
02:19Well, did you watch it, Mr Manning?
02:21No, I must have missed that one, Pixie.
02:23You good with your hands, Mr Manning?
02:25I can slap someone down if I have to.
02:28Do you watch a lot of telly, Mr Manning?
02:31Don't get much time, Pixie.
02:32Seem to spend all my time working.
02:34Oh, well, you must have other interests outside your job.
02:37It can get very lonely, you know.
02:39Well, being lonely is just a part of being alive, I suppose.
02:42Where's the culprit?
02:46Fellas hasn't wasted any time sucking up to Margo.
02:49Two of a kind.
02:52Lara, could I have a word with you?
02:54Yeah, sure.
02:55Alan's contacted me.
03:01Kay's left home.
03:03Oh, no.
03:04Where is she?
03:05Well, we don't know, but she's probably with one of her friends.
03:08Oh, God.
03:09It never rains, but it pours.
03:11You know I'll do what I can for your kids.
03:14Yeah, I appreciate that, Mrs M. Thanks.
03:16I mean, I can't do anything in here.
03:18Let Kay down, but I won't let the women down.
03:21I'll be in touch with Alan, okay?
03:22Thanks a lot.
03:23I've got contacts.
03:27Yeah, well, I want to be good.
03:28It's not easy getting drugs in here these days.
03:30It'll happen.
03:31Terrific.
03:31It's not going to be cheap and it'll be cash on the knuckle when I deal.
03:35Well, that cuts me out.
03:37It's not going to be easy for me to make the contacts.
03:41Oh, Ma Morris is watching me like a hawk and bloody Desmond's a pain in the arse already.
03:46I could probably use someone to take the orders.
03:48Yeah, well, what's in it for me?
03:50Free snort.
03:51If and when you bring the orders in.
03:52Well, you're on.
03:54Did you have a good thing going at Barnhurst, did you?
03:56Yeah, pretty good.
03:58Yeah?
03:58Well, I reckon you'll do all right here.
04:00It's a long time since we've had anything stronger than grass.
04:03You'll have to watch Ferguson, though.
04:04She's really down on drugs.
04:06And I can't afford to get on the wrong side of her right now.
04:10Always get someone else.
04:11Look, I said I'd be in it, didn't I?
04:13When's the supplier coming in?
04:14Could be today.
04:16Just one word.
04:17Oh, come on, we're partners, aren't we?
04:19Correction.
04:20I'm none of this outfit.
04:22You take your orders from the women and me.
04:25Got it?
04:29I don't understand.
04:31Eddie Stevens was killed in a car accident.
04:33The police made it look that way to protect him.
04:35You've no idea where Mitchell and Stevens might be?
04:38Possibly in the state.
04:39If they're still alive.
04:42Yeah.
04:42You wanted to see Myra Desmond.
04:45Shall I bring her in?
04:46Yes, please.
04:50Myra?
04:55Now, what is this go slow all about?
04:58To draw attention to the conditions in here.
05:00To get things the women really need.
05:02You don't think you ought to be concentrating on your own problems before you start all this?
05:05I know I've got to face whatever's coming to me, but while I'm in here, I can't sit back and see what's happening.
05:10Or not happening, to be more precise.
05:11Such as?
05:13Rehabilitation.
05:14Look, I'll get it all written down and presented properly, but Mrs. Reynolds, when the women come in here, no one finds out what they can do.
05:21They're shoved into the kitchen, the laundry, wherever.
05:24I agree, Myra, but it's been tried and the results weren't very encouraging.
05:27But it's all been so hit and miss.
05:28The department talks about preparing prisoners for when they get out.
05:33But where's the apprenticeships?
05:34Where's the training?
05:35The department isn't exactly easy to approach at the moment.
05:38When have they ever been?
05:39Oh, be fair.
05:40Our track record's been pretty poor during the last few months.
05:43We've shown trust and it's been abused.
05:45However, if you'd like to make out the report and give it to me, I'll see what I can do.
05:48I'd like to see a lot of improvements myself.
05:50Yeah, I know you would.
05:51Thanks.
05:52But I have to be honest, Mrs. Reynolds, we can't wait indefinitely.
05:55Meaning?
05:56If the department doesn't do something soon, we will.
06:00And they're going to have real industrial problems on their hands.
06:07Why don't you flip a bloody coin?
06:10Or does it take two of you creeps to bump off one, Sheila?
06:13Shut up.
06:16What's the matter?
06:17You're going to do that to me permanently, aren't you?
06:23You've got to admit she's got guns.
06:26I bet she's a good lady, too.
06:30Nah.
06:33It's skinny.
06:35Still, there's only one way to find out.
06:39Might be a lizard, of course.
06:41You know what happens in them female prisons.
06:43Yeah.
06:45Maybe we want to show her what it's really like, eh?
06:48Give her a last big thrill.
06:50Boys!
06:52Get her out of here.
06:56Get lost.
07:13Don't give me orders, lady.
07:16And don't get any funny ideas about making a break for it.
07:19We'll be right outside.
07:21Are you okay, Blondie?
07:31Let's go.
07:32Let's go.
07:32I don't get it.
07:45They were just going to wipe me out.
07:46Maybe they changed their mind.
07:48How come?
07:50I persuaded Mr. Renner you might be useful.
07:52Yeah, well, I'm not sticking around for him to bloody change his mind again.
07:55Listen, I did a lot of fast talking to get them to keep you around here.
07:58Use your brain.
07:59You try something like that and we've both had it.
08:04Why'd you stick your neck out for me?
08:06You got unlucky.
08:09I don't like to set up any more than you do, but those guys out there mean business.
08:13So we go along with it until we can work out something else.
08:16What happens now?
08:18Renner's going to set me up with three girls.
08:19I'm going to work out of here.
08:21And another half dozen that are going to do the streets.
08:25You'll be one of them.
08:26No way!
08:27Oh, don't play coy with me.
08:28You've done it before.
08:29Yeah, when I had to.
08:30And now it's time again.
08:32Now, if you want to keep breathing, you play it straight and you grab anybody who can pay cash.
08:38I don't have much of a choice either.
08:41So you play it the way it is.
08:42I open that door right now and I'll let those guys back in to pick up where they left off.
08:45It's like you said.
08:50There's not much choice.
08:54I guess I owe you one.
08:56Remember.
08:58One mistake and they wipe us both out.
09:03I miss.
09:07Count your blessings.
09:08We're alive.
09:08What are you doing, Cass?
09:13I'm folding sheets, door.
09:15But look at how you're doing it.
09:17Yep, I'm doing it the same way I always do it, door.
09:19But we're on a go slow, Cass.
09:22Oh, yeah.
09:22We've got it.
09:23Aw, it feels funny, door.
09:30You know, Ma, I hope we don't have to keep this up too long.
09:32I reckon it's harder to work slow than it is to work normal.
09:35Well, from what Reno said, we might have to take it a step further.
09:39At a strike?
09:40Yeah, generally.
09:41Might make her sit up and listen.
09:42Does that mean all the working areas would go out?
09:45That's right, Pixie.
09:46Well, I reckon it'd be easier to stop altogether than go slow.
09:49Well, it's all in the way you do it, Cass.
09:51Now, you've seen it in the movements.
09:53Watch.
09:56Oh, it's lovely.
09:58It's just like an underwater ballet.
10:00Yeah, it is.
10:01It's a bloody nut house around here.
10:03In for a penny.
10:05Well, if you can't beat them, join them.
10:09What is this, a bunch of bloody poofters?
10:12You lot better get your orders into Phyllis if you want some of my happiness, Dust.
10:16Get in a supply in real soon.
10:18I've told you before, Gaffney, no drugs.
10:21That's right, forget it.
10:22It's a waste of time.
10:23Nobody'd buy it off you anyway.
10:24There'll always be customers.
10:25Not while I'm here.
10:27All right.
10:27You made your point.
10:30It'll be coke.
10:31Real good stuff, too.
10:32So get your orders in, girls.
10:34She's not going to back down.
10:37I'm going to have to make her.
10:41Feels strange having a shower without a screw breathing down your neck.
10:43Classy joint.
10:49Bet he pays a fortune for it.
10:52He doesn't pay for anything he takes.
10:57How about some booze?
10:59I'll push your luck, Bobby.
11:03This is how you used to live, isn't it?
11:05Before they put you in the slammer.
11:07Yes.
11:08I used to call the shots.
11:09It makes a difference.
11:15Wonder what Renault and the screws are thinking back at Wentworth.
11:18Mrs. Reynolds and the officers are too busy hanging on to their jobs to worry about us.
11:24How'd you fix it?
11:26You know, get now.
11:27The less you know about that, the better.
11:29Make sure you remember that.
11:32Does she understand why she's been allowed to stay alive?
11:35Oh, yes.
11:37Good.
11:37You start work now.
11:42The Minotti brothers look after your area.
11:45Don't give them any trouble.
11:46You're very replaceable.
11:50You'll, uh, need some clothes for yourself and the girl.
11:55But don't get any ideas about going shopping on your own.
11:58Take Keith or one of the other boys.
12:00They'll organise transport for you when you want it.
12:02And I'm sure you're both aware that you're on probation.
12:10Move.
12:14I'll be back.
12:15Myra's points are valid, Meg.
12:21I don't doubt you put together a very good report for the department.
12:24Yes, that's some constitution she's got.
12:27Taking on the women's problems when she's got so many of her own.
12:30And now her daughter's left home.
12:32I've had to tell her.
12:33Oh, God.
12:34Well, perhaps worrying about the women and the conditions is helping to blot out her own worries.
12:38She must be frantic about that.
12:39Yes.
12:40She's only 16.
12:41I mean, she loves Myra.
12:43She also loved her father.
12:44And she's the one that's got to give incriminating evidence at her own mother's trial.
12:48God, I don't think I could have handled that at 16.
12:50Me either.
12:53I was wondering if I could move Bryant in with Myra.
12:56I mean, they're old friends and she could be a steady influence at a time like this.
12:59No objection as far as I'm concerned.
13:01But Myra looked pretty stable to me when she was practically threatening to blow the union whistle.
13:06And I'm worried about Payne being in the same block as Myra.
13:09I've spoken to Alan Desmond.
13:11He thinks Payne could be called as a witness against his mother.
13:14What?
13:15We should have been told that.
13:17Well, she only came in on a drug and assault charge.
13:19I mean, I thought you knew that Hayne...
13:20No, and that's a very serious situation.
13:22I don't know what the hell I'm going to do about it.
13:23There's a rotation for what it, Governor.
13:24And I'll fix the telly in the wreck room.
13:26Despite Pixie Mason's help.
13:28It's good to have her back, though, isn't it?
13:29Yes, it is.
13:30What do you think of her claim that she was lured away on false pretenses?
13:34Well, if there's any truth in it, it must make a big difference to her hearing.
13:37Surely it wouldn't be that hard to find that Ralph Cranter.
13:39Leave it to the police, Meg.
13:41It's up to Mason's lawyer to bring out the truth at her hearing.
13:44In the meantime, let's remember our job's here.
13:46Finding Ralph Cranter or our missing prisoners is strictly for the police.
13:52Oh, jeez, this is boring.
13:54I'm almost glad I'm not going to be here much longer.
13:57I never knew you to complain about taking it easy before.
14:01That's crap.
14:02Either we go on strike or we forget the whole friggin' idea.
14:05Oh, look, I've told you.
14:06I laid it on the line with Mrs. Reynolds.
14:08Now let's give her a chance to do something about it.
14:11Do you know what the bloody department's like, though?
14:14It takes them a month to change their typewriter ribbons.
14:17Yeah, Myra's right.
14:18We've got to give Mrs. Reynolds a fair go.
14:19Anyway, Myra's top dog.
14:21We do as she says.
14:22If I want to do my own thing, I will.
14:24Yeah, why not?
14:25Everyone should do their own thing if they want to.
14:27There are rules around here.
14:28We've got to learn to stick by them.
14:29Besides, Myra's trying to make things better for us.
14:32Yeah.
14:33Myra, you really reckon I'll get a chance to learn all about engines and stuff?
14:37If I have my say, Cass, you'll get a proper apprenticeship.
14:39Make it a lot easier for you when you get out.
14:41Oh, that'll be the day when they let her out.
14:44Three murders and an escape rap.
14:46You realise you're locked up in here with three legs on a murder rap?
14:50Yeah, I need to go to the room.
14:55Watch the press, Jude.
14:56I have to go, too.
14:59You really believe that, don't you?
15:01What?
15:02About people doing their own thing.
15:04Yeah, so what's wrong with that?
15:05Oh, come on, you know.
15:07What?
15:08You put the idea into her head, but you're a bit stupid gloating about it.
15:12Listen, I tell you, I don't know what you're talking about.
15:14Kay has left home and you can take full credit.
15:16Why blame me?
15:17I didn't even know, all right?
15:22Now, I took you in off the street, you lousy little bitch.
15:26Hey.
15:28I took you into my home.
15:30In with my family.
15:32And how did you repay me?
15:34Climbed into bed with my husband.
15:36And then turned him against his own son.
15:38But that wasn't enough, was it, Gloria?
15:39Oh, no.
15:40You had to muck up my daughter's life the way you've mucked up yours.
15:42Because of you, she got picked up by the cops.
15:44But if she turns out like me than a murderess like your mother.
15:47You're going to regret you said that, slut.
15:49You just can't get over your old man dumping you when he found someone who could really give
15:52him what he wanted in bed.
15:54And don't blame me for what your little girl's done.
15:56She wiped you a long time ago.
15:58You're just the rotten bitch who killed her father and she can't wait to get up in court
16:02until I'm just fed.
16:03I'm going to do you a big favor, Gloria.
16:13I'm going to make sure that you never get into any trouble with a married man again.
16:20Or any man, for that matter.
16:23I mean, what have you got to offer better?
16:25Pretty face.
16:28What a thing.
16:32Well, it's not going to be pretty for very much longer.
16:35Desmond, you wouldn't be here if Mrs. Morris hadn't thought you were threatening Payne.
16:50She didn't see me strike, Payne.
16:53Meg?
16:54No, I didn't.
16:55But it was obvious you weren't having a friendly chat.
16:58Payne looked terrified.
16:59I had no choice but to report it.
17:01But you heard no actual threat being made?
17:04No.
17:05But I am aware that there's a lot of tension between the two women.
17:09Yes, I'm making arrangements for Payne to be transferred to another block.
17:12Myra, I simply cannot understand your behavior.
17:15After all the work you've done for the PIG and knowing your trial was coming up,
17:19I thought you'd be too intelligent to get yourself into this sort of trouble.
17:23Now, reorganizing things so I can move Payne is going to be difficult and time-consuming.
17:28So I want your word of honor that there'll be no more trouble with her before a transfer.
17:33Will you give me that?
17:34Yes.
17:35Right.
17:36But if you let me down...
17:37I won't let you down, Mrs. Reynolds.
17:39I promise.
17:40Good.
17:40I wouldn't accept that from a lot of the women, but in your case, I believe your word really does mean something.
17:46You're hurting my arm.
17:51I'll hurt a lot more than that if you give me trouble, baby.
17:54Look around.
17:55This is my territory.
17:57And anything that Gino and his brother Mario says around here goes.
18:00Got it?
18:01Yeah, I got it.
18:02Good.
18:02Good.
18:03Because we'll be watching you.
18:04And don't get any ideas about holding back on the cash.
18:08We don't like that.
18:10We don't like that at all.
18:11Hey, get it back on the walk.
18:20What's this dump?
18:27This is where you operate and where you stay.
18:30Come on.
18:30We'll get you settled in.
18:31I thought I had to start work now.
18:34I always test the merchandise before it goes out on the street.
18:37And you'd better be good.
18:39I like a little imagination.
18:41I'm like girls.
18:49Wasn't aware you had a sister, Gaffney?
18:51Maybe you just forgot, Mrs. Morris.
18:54How come she's never visited before?
18:56I think that's when she was overseas.
18:58She gets around a fair bit, you know.
19:00G'day, sis.
19:01Good to see you.
19:01And no physical contact, please.
19:04Sorry.
19:05Glad to see you, hon.
19:06Let's go and take a stroll.
19:11Okay.
19:12Who are you?
19:13Brenda, Mr. Hughes.
19:14How's he making out?
19:16Fine.
19:17Seems to think he's going to have a very good year.
19:20Let's have all his contracts work out.
19:22I'm sure they will.
19:23You want to know how you were?
19:25If you're still finding a few old friends around the place.
19:27Oh, yeah.
19:28And making some new ones, too.
19:29Everything's fine.
19:30Right, I'll have a look at that.
19:34Sure.
19:35Not very trusting, are they?
19:39Thanks.
19:40Just about x-rayed me while I was signing the visitor's book.
19:44I suppose they're doing the same to the soap and powder I brought in for you.
19:47Probably.
19:49God, anyone would think I wanted to come back to this bloody dump.
19:52Can you believe it?
19:53Next thing you know, they'll be giving us a breathalyser before they chuck us in the lock-up for the night.
19:57Hey, Picks, it's a go slow, not knock-off time.
20:03Oh, I was just thinking.
20:05The important, Bernsie, hand delivered.
20:07Probably a bloody summons with my luck.
20:09Oh, I've been looking through the paper, Mr. Manning.
20:11There are some lovely films on, aren't there?
20:14Yeah.
20:14Well, why don't you take some time off and go and see one?
20:17With a friend, of course.
20:18It makes all the difference if you have someone to share it with.
20:21You could be right.
20:23All the flame and cheek bloody hands has gone and asked me to his wedding.
20:26Oh, well, it's not that funny.
20:29I'm stuck in here because of him and now he's got the nerve to send me an invite.
20:33Well, I hope he falls out of bed and breaks his bloody leg.
20:36Yeah, before or after.
20:38Now, come along, Dory, and the least you can do is send him a telegram.
20:41Yeah, good one, Jude.
20:43Perhaps I could say, if you can't keep it up, use your paintbrush.
20:46Oh, yeah, what about good screws are hard to follow?
20:48Oh, that's just not nice.
20:51Hey, they're only clowning around.
20:54Pixie, are you all right?
20:55I'm fine.
20:57Something's bothering you.
20:59Oh, well, it worries me, Jude, that no one believes my story.
21:02I wouldn't have gone away with Ralph if I hadn't got the card from Mrs. Powell,
21:05but now I can see that Ralph wrote the card himself.
21:09It wasn't very nice, was it?
21:11No, it wasn't.
21:13And I believe you.
21:15So do I, Pixie.
21:17Just a pity you still haven't got that card, though.
21:19Oh, I have. It's in the room I was renting.
21:22I wouldn't throw away a wedding card, would I?
21:24No, I suppose you wouldn't.
21:26No, I suppose you wouldn't.
21:27Oh, well, I'll see you.
21:38I don't know.
21:39Oh, well, I can see you.
22:39Put them away and get back to work.
23:47What do you mean?
23:48If Desmond's going to try and pull this strike, she's going to need all the women behind her.
23:52If she cuts off their dope supply, she'll look over her shoulder and find there's no one there.
23:57Right.
23:58So we play along with her crummy union for now.
24:01Here's your cut, Hunt.
24:02What's it like?
24:03Try it for yourself.
24:04Where do you keep the rest of it?
24:06Where do you reckon I keep me brains?
24:08In me ass?
24:11Get out of here.
24:12So you see, that was the clincher.
24:20When she got the card, she thought it really was from Mrs. Powell that she really was being released.
24:25It's true.
24:27It's true.
24:28Well, I know it seems a bit batty, but then Pixie's record is a bit unusual.
24:32Is this true, Mason?
24:34Oh, yes, it is, Mrs. Reynolds.
24:36Can't you see why it's important to get it back now for evidence to prove that she was tricked into a scam?
24:41I see that, Bryant.
24:43All right, where's the card now?
24:45Oh, it's in my place.
24:46Oh, well, it must be because the police didn't take me back there.
24:49I didn't have a chance to pack anything.
24:51Well, perhaps if I went back there after my shift, I could try and find this card.
24:54Oh, that would be very sweet of you.
24:56Thank you very much.
24:57Yes, well, let's get this settled once and for all.
24:59Write down the address, Mason.
25:00Right.
25:01Oh, Mrs. Morris, do you think while you were over there you'd be able to pack up a few of my things?
25:05I have a lot of make-up there in my jewellery and the sweetest little peasant skirt I bought just the day before.
25:10It's blue.
25:11Oh, it's sort of a cornflower blue.
25:12Oh, well, not.
25:13No, it's a bit darker than that.
25:14Mason.
25:14It has a full skirt and the cutest little black tie around the waist.
25:16Mason.
25:17Yes, Mrs. Reynolds.
25:19Goodbye.
25:20I'll take you back to the gates.
25:21Yeah, thanks, Mrs. Morris.
25:22Come on, Pixie.
25:23Mrs. Reynolds, I'd just like to say thank you very much.
25:26Don't push your luck.
25:26Thank you, Mrs. Reynolds.
25:28Come on, Pixie.
25:31Yeah, well, let's hope Mrs. Morris finds that card, eh?
25:34At least that'll take a bit of the heat off.
25:36Oh, she will.
25:37I know she will.
25:38I just hope she doesn't forget my skirt.
25:40Well, you've got to have something to wear to court.
25:43And you've got to have something to take your mind off sharing with Margot.
25:46She's not very nice, you know.
25:47Not very nice?
25:48Well, that's the understatement of the year.
25:49She's a bloody creep.
25:51I'll tell you one thing.
25:52She gives you any trouble, any trouble at all, you tell me and I'll look after you.
25:55Oh, I'll be all right.
25:57Yeah, I know you'll be all right.
26:00What are you doing?
26:01I'm just taking my photos down.
26:02Why?
26:03Because I don't want them up anymore.
26:06But, Pixie, you're beautiful.
26:09Well, not to me, not anymore.
26:12Hey, have you let Ralph get you down?
26:14Now, that's not like you to let one guy get you down.
26:18Well, I expect I've changed.
26:21Well, I expect you'll be changing back to your old self again when you get out of here.
26:24I'll meet up with some other guy.
26:26No, no, no, that's all finished.
26:29Besides, there are other things, like friendship.
26:34Yeah, sure.
26:36Julie, I love this.
26:39And you made it for me, even though you thought you may never see me again.
26:45Why?
26:47Well, pink isn't my colour, Pixie.
26:51Why are you so good to me?
26:58I don't know.
27:00You're my friend.
27:03Yeah.
27:05Well, do you ever remember Gaffney having a visit from a sister?
27:08No, I don't.
27:09Right.
27:10Where's she been hiding herself these last four or five years?
27:13Well, if she is anything like Gaffney, hopefully under a rock.
27:16Is the governor going to do anything about this go slow nonsense?
27:20We run its course.
27:21Run is hardly the word.
27:23I'd say it's only a matter of time before Desmond gets the same thing underway in the kitchen and the workshop.
27:28Oh, I doubt whether it'll come to that.
27:30Mind you, her ability at organising things is pretty good.
27:34Top dog material.
27:35Oh, we're better off without a top dog.
27:38It's better the women.
27:40At least it keeps Mara's mind off Gloria Payne.
27:42That way everyone's better off.
27:44Why?
27:44Something happened.
27:45I was about to and I stepped in.
27:47Because O'Mara really meant business.
27:50You've got to keep those two apart.
27:51Well, I'll watch it.
27:56This top staff, can you try it?
27:58I'm going to have a line now.
27:59You'd be a bad enough to try it.
28:00Listen, just go and see Mara, but make sure you tell her that I've seen her.
28:03Hunt!
28:04Come on, the rest of you.
28:05Get a move on.
28:06Quick smile.
28:06Come on.
28:13Well, that must be the fastest you lot have moved all day.
28:17Yes, Miss Ferguson.
28:18You must have a bit of energy, Hunt.
28:22Eh?
28:23Well, this goes slow business.
28:25Now, if you don't expend energy, you conserve it.
28:28Therefore, you must have energy.
28:30I guess so.
28:31That's good, because I've got a little job for you.
28:33Doing what?
28:34I thought you'd like to get back at Payne for putting you in over the book.
28:38No one likes a lagger, do they?
28:40No.
28:41What do I have to do?
28:43Just mess her up a little.
28:45What's in it for me?
28:46Hey, I'll make sure that you stay as sweet as you are.
28:51Why don't you get Mara to do it?
28:53She'd sort her out for you.
28:54I said I had a job for you.
28:57Ferguson, I might get copped.
28:59Oh, I can't afford that to have.
29:00I'm not after being the bookie.
29:02You know, I think Desmond would be real grateful if you took care of Payne.
29:05In fact, I think she'd be so grateful, she'd take the rap herself.
29:08A good luck card from Poe Face?
29:21Sure, she sends one to everyone who escapes.
29:23But I didn't know I was escaping.
29:25Yeah?
29:26Who's going to believe that?
29:27I sure don't.
29:28They will when they see the card.
29:30I get too comfortable, you're leaving.
29:32No, I thought I'd write some letters.
29:34Get out.
29:34Well, I like that this isn't even your door.
29:39Yeah, she's a pushy bitch, isn't she?
29:41Come on.
29:43Piss off.
29:45How much?
29:50Ten bucks a line.
29:52Two forty a gram if you're a big spender.
29:55Not giving anything away, are you?
29:57You want a deal or not?
29:59Take a line.
30:00Take a line.
30:04Better be good.
30:08Trust me.
30:09Think I could.
30:11What's that supposed to mean?
30:13You're smart.
30:14You're going to have this place sewn up.
30:15That is the general idea.
30:18Maybe you could use some help.
30:20From you?
30:21Why not?
30:22I don't want to see Desmond on top or that fat dyke.
30:25Could use some help getting the coke in, selling it.
30:29Phyllis is useless.
30:30Yeah.
30:31She's a sneaky bitch too.
30:33Well, what about it?
30:38It's the joke.
30:39You!
30:41You are.
30:42What are you talking about?
30:44Talk that gets round this hole.
30:46Talk that gets all the way out to Barnhurst.
30:49Talk about you.
30:51About Reb Keene.
30:53You think I'm not onto you?
30:55You're a hustler.
30:57A two-timer, right?
30:59Yeah.
31:00Sure I am.
31:01Call again.
31:05Only next time, don't try and sell me a line.
31:07That's my business.
31:13Oh, it's just not fair.
31:14They had no reason to kick me out of my own dorm.
31:17They had a reason, all right.
31:18They're just not going to get away with it.
31:19Judy, I don't want you sorting out my problems all the time.
31:22It's not just your problem, Pixie.
31:24Margot is everyone's problem.
31:25What do you mean?
31:27She's dealing in cocaine.
31:29That's why she wanted you out of the dorm.
31:31Oh.
31:32I think I'll go and talk to Phyllis.
31:34No.
31:35She's with pain.
31:36We've got to keep away from her.
31:38But I don't have to.
31:39Well, it's nice to know you've developed a sense of humor at last, Phyllis.
31:48I'm going to need it if you're going to prop him.
31:51So Margot's decided to deal, right?
31:53And the guy don't care who deals as long as we play cats.
31:56Well, I'm glad you think it's funny.
32:02Because you are going to be laughing out of the other side of your face
32:05when the inside of your nose starts to rot from sniffing that stuff.
32:10What's the point?
32:12Come on, we're going visiting.
32:13Oh, we'll be visiting.
32:14No, you stay here.
32:16Get out of your door.
32:25Ten bucks.
32:26On the knocker.
32:28Yeah, well, I probably won't be buying too much of it at the price.
32:30Probably just as well.
32:31They reckon it's not too good for you.
32:33Phyllis said it was uncut.
32:34For once you can believe her.
32:35It's good stuff.
32:39How's business?
32:41Private.
32:42Better hurry up, Frances.
32:43You'll miss the news.
32:52Okay, Margot.
32:54Where's the dope?
32:54Where is it?
32:58Like I said before, it's private.
33:00So forget it and butt out.
33:02Where is the dope?
33:04You screw this up, you'll screw yourselves.
33:06Oh, how's it?
33:07The women like their dope.
33:09You mess up their supply, you think they're going to follow you?
33:12They won't even spit on you.
33:14You'll be out in the cold, both of you.
33:15We'll take our chances.
33:16Yes, yes.
33:30How about I just leave you to it?
33:33Hang on.
33:34Get your dyke paws off me.
33:48Well, well, well.
33:51And what are you charging for these little things?
33:53How much?
33:55Ten.
33:56Oh, you're making a lovely profit out of that.
34:00Well, where's the rest of it?
34:02Okay, okay.
34:03Mrs. O'Regan keeps a stash moving.
34:05No, no, no.
34:06Kidding.
34:06She's the coat queen.
34:08Stashes it with her baking powder.
34:10You want to try one of her lamingtons sometime?
34:12What do you say, Jude?
34:13Oh, you bitch!
34:14The only thing I have to say to you, the only thing, is that you have just gone out of business.
34:22Is it working on you yet?
34:23Yep.
34:23I feel real nice.
34:24I wish I had the cash to buy, Grandma.
34:26It grabs me off by the line.
34:28Oh, quick, it's about Bobby and Sonia!
34:30...that Mitchell was caught up in the escape.
34:33Mitchell was a last-minute transfer from Wentworth to Barnhurst,
34:36and police have not discounted the possibility that she might be in some danger.
34:40The police escorting the woman were found bound and gagged
34:44in what was a highly professional operation.
34:48And now, let's cross to Jeff...
34:49Well, they think Bobby might be in danger.
34:50I managed to muddle through.
34:52Oh, this is a bit different, Pixie.
34:53They only wanted to take Sonia, but they got Bobby as well.
34:56They'll probably just let her go, though.
34:57Oh, sure they will.
34:59They'll let her go so she can get picked up and put the finger on them.
35:02Well, anyone can see that.
35:04That's enough, fellas.
35:06They'll waste her.
35:08That's what they'll do.
35:09That's enough.
35:09Oh, poor Bobby.
35:11As if it isn't bad enough being with Sonia,
35:13but imagine being with Sonia and her friends.
35:16Pixie, I'm afraid you're going to have a little bit of housekeeping to do.
35:19We messed up your cell looking for Margot's dope.
35:21Did you find anything?
35:23Oh, just a bit.
35:23We don't know where the main stuff is, though.
35:25Look, I could find it.
35:26Even if she carries it on her, what does it look like?
35:28No, Pixie, you stay right out of it.
35:31That's right.
35:32Leave it to the big girls.
35:34Oh.
35:34Oh.
35:39Oh, I'm beat.
35:44That's all that work you're doing for Margot.
35:47What's it like being her flunky?
35:49I'm not her flunky.
35:50We're partners.
35:51Oh, yeah.
35:53Maybe we could be partners.
35:55You know where she keeps the dope.
35:57I'd rather team up with a death adder.
35:59Do you know where she's got the coat?
36:00Of course I do.
36:01We're partners, aren't we?
36:03Where?
36:05Tell you.
36:06Come on.
36:07Where do you think I keep me brains in me bum?
36:11Maybe.
36:13It's enough like your face.
36:17Right.
36:18Lock up, ladies.
36:19Sleep well.
36:20Thank you, and thanks for the cell shuffle.
36:21Yeah, thanks a lot.
36:22No trouble.
36:23Well, we got rid of Sonia.
36:24Now all we have to do is get rid of Gaffney and Payne.
36:26Well, Mrs Reynolds is having her transferred to another block.
36:28And you gave your word.
36:31Yes, I know.
36:31But the sooner she's gone, the better.
36:33I never want to see her again.
36:34Good night.
36:35Good night.
36:35Oh, Mrs. Em, any word from Ellen about Kay?
36:38No, I'm sorry.
36:39But I'm sure if he hears anything, he'll be in touch with us.
36:42If he does get in touch, no matter how late, you'll get word through.
36:44Yes, you can count on me.
36:45Good night.
36:46Good night.
36:49Oh, God, Jude, where the hell is she?
36:55Sixteen years of age, and she thinks she knows everything.
36:58She's just a kid.
36:59She doesn't know anything.
37:01That bitch, Gloria.
37:03What sort of scum can lead a kid astray with dope and booze?
37:07I swear, Jude, if I crack, I'm going to kill Gloria.
37:09As soon as she's away from here, the better.
37:11Now, Myra, you mustn't think like that at all.
37:13I can't help it, Jude.
37:14Not until I know that Kay is safe and that she can forgive me.
37:17She can forgive you?
37:19You said yourself she's just a kid.
37:21One day she's going to realise that what you did was because you loved her.
37:24I'm glad you're in here.
37:30I got crazy on my own.
37:31Thanks.
37:33Hey, you know what we should do?
37:35We should try and get transferred to a three-bed cell.
37:37That way we could get little Pixie to share with us.
37:39That would enliven us up a bit.
37:40Yeah, we should get her away from Margot.
37:43Yeah, it's not just Margot.
37:45Something else is bothering her.
37:47Why do you say that?
37:49I don't know.
37:50She's still bright and cheerful and everything, but something's bothering her.
37:54Something's hurt her.
37:57You're very fond of her, aren't you?
38:00Yeah, I am.
38:01She's got, uh, she's got what you said, you know, innocence.
38:05She has that.
38:08Did you tell me to, uh, mind my own business, but you're not getting involved, are you?
38:13I'd hate to see you get hurt.
38:17She just brings out the maternal instinct in me, that's all.
38:20She's, uh, someone I want to look after and help over the bumpy patches, that's it.
38:25I'll have that.
38:33You know, you should invest in some of this stuff.
38:35I think you'd like it.
38:36I'd rather not.
38:38Oh, well, I've got plenty of customers.
38:39I don't need to hear you.
38:41You wouldn't dare.
38:43What are you talking about?
38:44Oh, sure.
38:46Bloody Judy.
38:47Is she a dyke girlfriend looking after you?
38:49Judy's my friend.
38:50She's not my girlfriend.
38:52Wait till she's been through here a couple of times.
38:54You won't be so prissy or pure.
38:56I'm not prissy and I've never pretended to be pure.
38:59I've never pretended to be anything that I'm not.
39:01Come on.
39:02I can see straight through that little girl lost act.
39:06I can see the way Judy laps it up, too.
39:08You're wrong.
39:09Suit yourself, Snow White.
39:11Don't call me that.
39:13I've never set myself up to be anything special.
39:16But I'm certainly better than you with your bullying and your dope peddling.
39:19I hate sharing with you.
39:21I wish they'd come and pack all of your drugs up and send you back to Barnhurst with them.
39:24Would you keep your voice down?
39:26Why?
39:26Everybody knows you're selling drugs.
39:28A whole prison does.
39:29Shut up.
39:30The bloody screws don't.
39:32I don't want another word out of you.
39:34I'm going to be top dog of this crap heap.
39:36Screw Judy and Myra.
39:38The women will stick with me because I can supply what they want.
39:41And no one's going to get in my way.
39:50Got any more stuff?
39:52Sure.
39:52You got any money?
39:53Well, no, not right now.
39:54But I might be getting a visitor later.
39:56That saves a couple of lines, will ya?
39:58What's it here to?
39:59Nothing.
40:00Nothing?
40:01Good.
40:01That's what we like to hear.
40:02Brian, Mason, Cain, Gaffney, Martin, Fisher, Combs and Lime in the laundry.
40:08Harvey, Hunt, Desmond and Payne in the kitchen.
40:11What's wrong with Gloria?
40:12Excuse me, Miss Ferguson.
40:13It's okay, it's okay.
40:14What?
40:15Miss Ferguson, couldn't we have Myra in the laundry?
40:17She's rusted in the kitchen, Brian.
40:19Yeah, I know that, but she's really useful in the laundry.
40:21She's got it on the press.
40:22You can handle that, Brian.
40:25Desmond stays in the kitchen.
40:26But Miss Ferguson...
40:27She stays in the kitchen.
40:30Right, everybody out.
40:31Quick smile.
40:31It's all right, Jude.
40:32I won't know your hand on the bitch.
40:33All right, but you be careful.
40:35If she goad you, you just ignore her.
40:36I promise you there'll be no trouble.
40:38I hope so.
40:40Well, once we get in the kitchen, you don't see nothing, you don't say nothing.
40:42Understand?
40:43What are you talking about?
40:44You see, just keep your mouth shut.
40:49To Pixie regards Mrs. Pearl.
40:52You really think she fell for this?
40:54Yes.
40:55Anyone else and I just couldn't believe it, but Pixie, I believe it.
40:58Well, the only other explanation is that she wrote the card herself, and that she was going
41:02to use it to strengthen her story about being tricked.
41:04Can you see Pixie looking that far ahead?
41:06No, not unless she was focused on a wedding.
41:09Right.
41:10Now, I really believe she thought the card came from you.
41:13Okay.
41:14I'm convinced, but I don't think it's going to help her case.
41:17Why not?
41:17Well, we know her.
41:19Come on, we know how batty she can be.
41:21But who else is going to believe that Pixie Mason thought she was going to be released
41:25from prison because her boyfriend told her so, and that he gave her a card from the acting
41:30governor?
41:31It's mad.
41:32Doesn't sound too rational.
41:34Well, I think it'd be worse for her if they did believe it.
41:37Why?
41:38Because they would put her in a home for the mentally bewildered.
41:41Or bewildering.
41:42If only we'd find this Ralph Cranton.
41:44Forget it, Meg.
41:45I don't want you tracking down accomplices.
41:47It's not your job.
41:49Look, even if you did find him, I doubt whether he'd admit to it.
41:52He'd end up in a slammer himself.
41:54Well, I still say that that card is the key to getting Pixie off the hook.
41:57I hope so.
41:58Otherwise, we'll throw the other key away.
42:00Oh, God, I'm nearly asleep working at this pace.
42:07Well, Myra said we go slow, so we go slow.
42:10It's going to wear the screws down a lot quicker than it's going to wear us down.
42:13You want a bet?
42:15I don't know what you're complaining for, Margot.
42:17You've always worked at this pace.
42:19Have a word with you, Meg.
42:23Listen, how are you going sharing with Margot?
42:25Oh, she's awful.
42:26She was rubbing her drug deals in her little packages last night.
42:29Did you see where she was getting them from?
42:31She got them out of her pockets, but I'm sure I can find them.
42:33She sleeps heavily.
42:34I almost got up and had a look around.
42:36Pixie, for God's sake, you mustn't do that.
42:39Margot's a very dangerous person, now I mean it.
42:42Oh, but I can help.
42:42What are you going to do about it?
42:45Nothing.
42:45What?
42:46Well, not at the moment.
42:47Right now, my main concern is Myra and Gloria being put in together.
42:51But you said Myra promised to behave herself.
42:52She did.
42:53But she also hates Gloria's guts.
42:55All Gloria has to do is say one little thing that's not right, Myra could go with a cleaver.
43:00Hey, Pixie, you want to do a pick-up?
43:06You're so good at it.
43:08And what the hell does that mean?
43:10Kick it around.
43:11I'll kick you around, mate, if you don't give me a straight answer.
43:14But straight, you can't use it.
43:15Isn't that right, Pixie?
43:17Why are you saying all of these things?
43:19They're just not true.
43:20Settle down.
43:21Well, I don't care if you're a liar.
43:23And I don't care if I lie you.
43:26Now, hey!
43:26Now you go and do your own dirty work and mind your own bloody business.
43:37You're sure giving Myra a wide booth.
43:39Don't trust that mad bitch.
43:41Especially if she's got a knife.
43:43You'll be okay.
43:44I'll keep an eye on that.
43:45Yeah.
43:46Wish I had some coke.
43:48Keep my mind off her.
43:49Yeah, well, I reckon you're on her mind, too.
43:52Yeah.
43:53Why don't they roster me somewhere else?
43:55She's giving me the creaks.
43:57Don't worry about her.
43:58She's nothing.
43:59You'll be all right.
44:00Come on, get her move on.
44:01We want this stuff for lunch, not supper.
44:04Oh, yeah.
44:05She's right.
44:06Better get this on or we won't have any tucker.
44:10Oh, God!
44:11My butterfingers!
44:12Don't worry.
44:13They don't know what to do, eh?
44:14It's what I say.
44:15You bitch!
44:21You stupid cruel bitch!
44:23Oh, my God!
44:23What's happening?
44:24She's mad!
44:24She's got evasion of caught water over a cloud of water!
44:27I'm standing over there!
44:28I have begun to...
44:29Why do you have two fellas?
44:30She's going to go away from her!
44:32I'm going to tell her, for God's sake!
44:34I'm disciplined.
44:35You're on her charge.
44:37A warranted and sadistic attack on a fellow prisoner.
44:39He used to give me roses
44:49I wish he could again
44:54But that was on the outside
45:00And things were different then
45:05On the inside
45:06The sun still shines
45:10And the rain falls down
45:15But the sun and rain are Christmas too
45:20When morning comes around
45:24Last night I dreamed we were together
45:30Sharing all the love with more
45:35Till I had to face the nightmare
45:41Of waking up alone
45:45On the inside
45:47On the inside
45:47The roses grow
45:49They don't land the stony ground
45:55But the roses here are Christmas too
46:00When morning comes around
46:05On the inside
46:07On the inside
46:08On the inside
46:08On the inside
46:09On the inside
46:09On the inside
46:10On the inside
46:10On the inside
46:11On the inside
46:11On the inside
46:12On the inside
46:12On the inside
46:13On the inside
46:13On the inside
46:14On the inside
46:14On the inside
46:15On the inside
46:15On the inside
46:16On the inside
46:16On the inside
46:17On the inside
46:18On the inside
46:18On the inside
46:19On the inside
46:19On the inside
46:20On the inside
46:21On the inside
46:22On the inside
46:23On the inside
46:24On the inside
46:25On the inside
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46:32On the inside
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46:34On the inside
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