{NW} 2016 - 2 friends from a northwest London housing estate are reunited when one of them faces a messy personal crisis. - video Dailymotion

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Watch HD  Based on Zadie Smith's 2012 novel, two friends from a northwest London housing estate are reunited when one of them faces a messy personal crisis.   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00To be continued...

00:00:30There is an image system at work in the world.

00:00:39To behave in accordance with these images balls us.

00:00:46To deviate from them fills us with anxiety.

00:00:52And we wait for an experience brutal enough to break it open completely.

00:01:01I had to break it.

00:01:22Fuck.

00:01:45Fuck.

00:01:51Oh my god help me please, please help me, I'm a local yeah, and I live on Rigby Avenue.

00:02:15My mum's had a heart attack and I was, I was asking them is she dying and she goes in the

00:02:20ambulance and I don't get no answer do I?

00:02:22I've got three kids that's home alone innit?

00:02:24I have to get to hospital.

00:02:25What are they talking about a car for?

00:02:27I ain't got no car.

00:02:28I don't have a car.

00:02:29No I need a taxi.

00:02:30And I ain't got the money for that.

00:02:33What was it?

00:02:3420 quid.

00:02:35Don't worry about it.

00:02:36Don't worry about it.

00:02:37Where have they taken her?

00:02:38Which hospital?

00:02:39I don't know.

00:02:40Somewhere in Middlesex or just farther.

00:02:42Well the central Middlesex in Acton.

00:02:44Yeah it could be yeah.

00:02:46Yeah yeah yeah no that's it yeah the Middlesex.

00:02:48Won't be long.

00:02:49Do you want a cup of tea?

00:02:52This is nice.

00:02:53It's not ours.

00:02:55We only ran to council.

00:02:58Nice for a council though innit?

00:03:01Wait I know you.

00:03:05You weren't Brayton.

00:03:07You off the call?

00:03:08Well what's your name again?

00:03:10Leah Hammel.

00:03:11Yeah Leah.

00:03:12I'm shy yeah.

00:03:13Oh my god.

00:03:14Remember that time when Jake Fowler had his head put in her vice?

00:03:16No.

00:03:17Must be different years.

00:03:19Natalie Blake.

00:03:20Used to be Keisha Blake.

00:03:22She was my year.

00:03:23She's a barrister now.

00:03:24She lives in the posh bit.

00:03:26By the park.

00:03:27Yeah I remember her.

00:03:28She was right up herself.

00:03:29Coconut innit?

00:03:30She was my best friend.

00:03:32Celise.

00:03:33Is there someone you want me to call?

00:03:35Your partner?

00:03:36Good luck with that.

00:03:37I ain't seen him in two years.

00:03:39I ain't sorry.

00:03:40It's wrong in the head.

00:03:41I broke my arm once.

00:03:42Broke my collar bone.

00:03:43Broke my face one time.

00:03:45Used to rape me and everything.

00:03:46It was crazy.

00:03:47I'm so sorry.

00:03:49Ain't your fault.

00:03:50It is what it is.

00:03:54You got kiddies?

00:03:55No.

00:03:56I work.

00:03:57I work for a charity.

00:03:59Oh.

00:04:00That'll be the count.

00:04:02How much do you want?

00:04:0430.

00:04:0540 be safe.

00:04:06I'll come back tomorrow yeah and I'll pay you back.

00:04:09You're a really good person.

00:04:14It was meant to come to your door.

00:04:16Really.

00:04:17You're really good.

00:04:18Thanks.

00:04:19Yeah.

00:04:48It's a scam. It's a scam.

00:04:53Exactly. This is what I tell her. It's a scam.

00:04:56This is the word. Scam.

00:04:58Scam.

00:04:59What is it your mother say?

00:05:00She'll cry some self to be back quicker than she would.

00:05:04Leah, darling, when did you get so soft?

00:05:08Leah is the nicest person you will ever meet.

00:05:10Why does that sound like a curse?

00:05:12I've known Leah for...

00:05:1430 years.

00:05:1530 years.

00:05:16Almost our whole lives.

00:05:18I never knew you were so green.

00:05:20Well, I thought she was genuine. She seemed desperate.

00:05:24I'm sorry, I have absolutely no time for people like that.

00:05:28That sort always fail the health visitor test.

00:05:31That's what my mum calls it.

00:05:33If you ring the doorbell and they turn out the light and lie on the floor, they're no good.

00:05:37It's true. It is true.

00:05:39Sorry, people, Michelle, who don't want to be investigated by social services, never answer the door.

00:05:45Oh, yes.

00:05:46Yes.

00:05:47I know these people.

00:05:48I know.

00:05:49Sorry, what do you do?

00:05:50Wait, we're going to have to move.

00:05:52I'm so sorry, we are talking about schools.

00:05:54Oh.

00:05:55Sorry.

00:05:56Sorry.

00:05:57Do you guys have children?

00:05:58Were you trained?

00:05:59No, they've swerved this whole bloody problem.

00:06:00I'm going to have to start going to church.

00:06:02I swear, after all the arguments I've had with my mother, I am now a church goer.

00:06:07But they aren't getting these church schools.

00:06:09I mean, do you know what I need, Leah?

00:06:11The name of the church your mum goes to.

00:06:13Mmm.

00:06:14We tried for a long time, didn't we, darling?

00:06:16We know how hard it can be.

00:06:17But you won in the end.

00:06:19Yes.

00:06:20Yes, we've got two now.

00:06:21We've got Milo and Flo.

00:06:22Sorry.

00:06:23Need a loop.

00:06:24Should we make a toast?

00:06:25Yes, we shall.

00:06:26Sente.

00:06:27Sente.

00:06:28Sente.

00:06:29Sente.

00:06:30Sente.

00:06:31Sente.

00:06:32Sente.

00:06:33Sente.

00:06:34Lee?

00:06:35You've been gone ages.

00:06:37Lee?

00:06:38Lee?

00:06:39What's the matter?

00:06:40Lee?

00:06:41Lee?

00:06:42Lee?

00:06:43Lee?

00:06:44Lee?

00:06:45Lee?

00:06:46What's the matter?

00:06:47Lee?

00:06:48Lee?

00:06:49Lee?

00:06:50Lee?

00:06:51Lee?

00:06:52Lee?

00:06:53Lee?

00:06:54What's the matter?

00:06:55Umm…

00:06:56Mommy!

00:06:57Mommy!

00:06:58It's all right, darling?

00:06:59Mommy's coming!

00:07:00I'm so sorry I'm right now.

00:07:01Mommy!

00:07:02I'm coming, I'm coming.

00:07:03Hey, mommy's here.

00:07:05Mother's here.

00:07:06Did you know the fact?

00:07:07I'm pregnant, and I don't want…

00:07:12And I don't want...

00:07:26We have to be a bit more organized, make a plan.

00:07:29You know, we are not so young and there are only so many days in which a woman is total.

00:07:34Three, I think.

00:07:36Milo and Flo?

00:07:38Give us proper names, huh?

00:07:40I mean, do we have to go to every dinner party that she gives? It's like every weekend.

00:07:44No, it's not every weekend.

00:07:45No, we don't have anything in common with these people.

00:07:47We're only there for local color. She thinks that we make her more interesting.

00:07:51Authentic. She thinks that we make her more authentic.

00:07:53Talk about your oldest friend like this.

00:07:55I've never had dinner parties on the court work.

00:07:57It's beautiful for me, okay?

00:08:00This girl, she's black like me.

00:08:02In France, no one wants to know there is no opportunities.

00:08:05But here, this girl, she changed her name. What was it?

00:08:09Keisha.

00:08:10Keisha.

00:08:11Keisha.

00:08:12Now, Natalie.

00:08:13She made herself into a lawyer. She transformed.

00:08:16Now, she'll live like this.

00:08:18With this beautiful house, with this beautiful man.

00:08:21I want to cheer for her shout. She has done it. She's wrong.

00:08:26It makes me...

00:08:28Inspired.

00:08:30Yeah.

00:08:31Oh.

00:08:32Oh.

00:08:33Oh.

00:10:54Spike, no splashing in the holy water.

00:10:59Oh, wow.

00:11:01Same sculptor fashion in the tomb of Elizabeth III.

00:11:05Spike, stop splashing.

00:11:08The Black Madonna.

00:11:21Destroyed in the Reformation.

00:11:24Burnt at the stake.

00:11:33Lee?

00:11:35Lee?

00:11:37You didn't need to come over, Mum.

00:11:40I'm fine.

00:11:43And if you weren't, you wouldn't tell.

00:11:47Mind, I used to faint a lot.

00:11:50A lot?

00:11:51They thought it was a sign of a delicate constitution.

00:11:54Sensitive.

00:11:56A bit artistic.

00:11:57Everyone went into the nursing or the secretarial then.

00:12:00There were no other opportunities.

00:12:02It's just too hot.

00:12:04Give it.

00:12:05No, me.

00:12:06No, you give it back to Spike.

00:12:07It's Spike's turn, isn't it?

00:12:08Oh, little angels.

00:12:13Don't suppose there's any news on that front?

00:12:16On the grandmother front.

00:12:20Michelle and I, we may have had our differences, but he loves you.

00:12:23And you love him.

00:12:24A lovely flat.

00:12:26Both got work.

00:12:27It's the next thing, isn't it?

00:12:28Then that's the best reason to have them.

00:12:30Of course.

00:12:31It's time to share.

00:12:32Good boy.

00:12:33It's time to share.

00:12:35Do you remember?

00:12:35You promised.

00:12:35You know some women don't want children at all.

00:12:38No, me.

00:12:39Don't.

00:12:39So.

00:12:39Hi, Dad.

00:12:41She's getting tired.

00:12:43Olive, come here, baby.

00:12:45Oh, not near me.

00:12:46I don't want my eyes going up.

00:12:49That's my grandchild there.

00:12:51The only one I'm likely to get if things go on the way they are.

00:12:53Oh, Mum.

00:12:55Bless me.

00:12:56And I'm allergic to it.

00:12:59Allergic to my only grandchild.

00:13:04I love you.

00:13:15See you later.

00:13:16Goodbye.

00:13:16Have fun.

00:13:17See ya.

00:13:18Bless you.

00:13:19See you.

00:13:20Bye.

00:13:21Bye.

00:13:22Hey.

00:13:23Hey.

00:13:24White cats.

00:13:25Oh, so, there's Claire, Beverly, me, your next girl.

00:13:35Yeah, trying.

00:13:36It's not so easy.

00:13:37I'm trying.

00:13:38It's half the fun.

00:13:39With this beautiful man, sometimes I'm thinking, where did all the good brothers get to?

00:13:44And then I think, at least there's Michelle.

00:13:46Yeah, but they're all already taken.

00:13:48By the white girls.

00:13:51Great.

00:13:52Joking.

00:13:53All right, I'll finish this tomorrow.

00:13:54Yeah.

00:13:55Bye.

00:13:56See you.

00:13:56Goodbye, gorgeous.

00:13:57Bye.

00:13:57See you.

00:13:58Take care.

00:13:59Bye.

00:14:00Thanks.

00:14:03See you later.

00:14:11You okay?

00:14:13You fainted.

00:14:15Your mother called me.

00:14:17Yeah, I'm all right.

00:14:18It's nothing.

00:14:19You faint like this, you call the doctor.

00:14:22Well, it's not normal.

00:14:25It's not normal.

00:14:25You don't even know.

00:14:27Maybe connected to a baby problem.

00:14:30Maybe some reason why you don't conceive.

00:14:33Okay.

00:14:34We make an appointment.

00:14:38I'm your husband.

00:14:40It's my job to look after you.

00:14:44That's her.

00:14:45That's her.

00:14:47Thief!

00:14:47No, wait.

00:14:49Wait.

00:14:50You're a thief.

00:14:52Hey!

00:14:53Hey!

00:14:55No, wait!

00:14:57You're a thief.

00:14:58You took our money.

00:14:59What is our money?

00:15:00Stop.

00:15:01Stop.

00:15:02Stop.

00:15:04Hey!

00:15:05Please.

00:15:08Push!

00:15:09Push!

00:15:09You know what is the true difference between these people and me?

00:15:15They don't want to have nothing better than this.

00:15:18But I am always moving forward.

00:15:21From the first day I was stepping into this country, I have my head on right.

00:15:25I'm going up the ladder.

00:15:26One step at least.

00:15:27and you know what you have to work hard to separate yourself from this this is my point

00:15:35i don't let it in but that girl you let her in she is off the call while she went to my school

00:15:42she's from the same place as me

00:15:57you took your time you're feeling okay you look a bit peaky still yeah we'll take the bus to the tube

00:16:26will we

00:16:56you've got a pound please you've got a pound

00:17:11wait a minute what if i don't want my pass

00:17:16excuse me as well how many columbia please sorry i just need to get to tottenham please

00:17:21no sorry nathan nathan borden is it

00:17:27it's his hand we're here

00:17:30look at you you remember leah she's married now

00:17:37that's good man

00:17:40sorry it's been a long time

00:17:45so how are you nathan surviving

00:17:52well i should go nice to see you

00:18:00hey bubba can you lend me a pound please

00:18:11is it one pound

00:18:12now what was the name of that guy again

00:18:15nathan bodele

00:18:16went inside for a few years i think

00:18:19he beat his dad up one time i remember that

00:18:22so that man had it coming

00:18:24nathan bodele was he the one called importing heroin

00:18:28no that was robbie jordan nathan bodele was never in that league

00:18:31yeah he dropped out to become a footballer

00:18:33spike spike don't do that baby

00:18:36and did he become a footballer

00:18:38no i suppose

00:18:40he was a sweet kid

00:18:42his mum was solution

00:18:44i think

00:18:45it's really nice looking

00:18:47played the drums

00:18:49very well

00:18:50sat next to natalie

00:18:51back when she was quesha

00:18:52oh i was jealous of that when i was eight

00:18:54any quiche

00:18:56why is it everyone from your school is a criminal crackhead

00:18:58i mean

00:18:59why is everyone from you is a tory minister

00:19:01very well

00:19:09i

00:19:10oh

00:19:11now

00:19:14now

00:19:16now

00:19:19now

00:19:26now

00:19:27Actually, I'm moving into your region, thank you.

00:19:37My region?

00:19:38Yeah.

00:19:39Banking, 20.

00:19:40But online.

00:19:42Really?

00:19:43Yeah, yeah, yeah.

00:19:44I've been trying with just a small amount to begin, you know?

00:19:51Good luck, Michelle.

00:19:53If I were you, I'd put something back first.

00:19:56Yeah.

00:19:57I mean, companies like mine, we have a sort of safety net.

00:20:00But individual traders...

00:20:01Yeah, yeah, that's it.

00:20:02I bought a book.

00:20:03Look, Michelle, I just don't want to be responsible for you losing your shirt.

00:20:06I keep seeing her.

00:20:10Char.

00:20:11Who?

00:20:12The girl with the headscarf came to my door.

00:20:16The headscarf?

00:20:17The little red and white scarf, you know, it's a gang thing.

00:20:20I told you, she went to Braden.

00:20:22And?

00:20:23Did she pay you back?

00:20:24Not that I need to ask.

00:20:25She had a black eye.

00:20:27Bad.

00:20:28I think it's a cricket ball.

00:20:29I don't know what she's into.

00:20:30Some street stuff.

00:20:31The squat is like...

00:20:34Run by pimps, maybe.

00:20:41Sorry I'm boring you.

00:20:42Leah, Leah, Leah.

00:20:43Always trying to save somebody.

00:20:45Wasn't that your job?

00:20:46Defending someone is very different to trying to save them.

00:20:53Can I be excused?

00:20:54I think Olive needs a shit and I don't want her to mess up your perfect laundry.

00:20:57Leah.

00:20:58Come on.

00:20:59Leah.

00:21:00No, it's fine, Michelle.

00:21:01Leah and I have known each other a very long time.

00:21:03Yeah, it's like I don't know you at all.

00:21:05She's so fucking bourgeois.

00:21:06This is the only French word you know and it's a curse.

00:21:20Picnic hamper.

00:21:21What was she wearing?

00:21:22Oh, be careful.

00:21:23You'll become one of these English people who hate their friends.

00:21:27I mean, who is she?

00:21:29Who is this person?

00:21:31Dressed up like some fucking African queen.

00:21:34It's like she's just cast it all off.

00:21:38Brayton, Galwell.

00:21:41Too good for it now.

00:21:44I've got to go.

00:21:46It's early?

00:21:47Yeah, I've got to catch up on some work.

00:21:57I love you.

00:21:59I love you too.

00:22:17I love you too.

00:22:26You're welcome.

00:22:31I love you too.

00:22:38Oi! Oi! You! Back off, yeah? Just back the fuck off, alright?

00:23:07I don't need you or your brethren fucking with me every day. Your man shouting at me across the street.

00:23:12And what you be coming round my ends for? Don't be coming round there. What would you want?

00:23:17What do you want from me? I robbed you. I'm an addict. I stole your money, alright?

00:23:21Alright, but I ain't got your money. I can help you. Oh, you don't know. You don't know nothing.

00:23:26What do you want? I just want to help you. I don't need no help. I don't want you.

00:23:33I ain't got nothing for you, yeah? Nothing. I can't take no more grief. Fucking can't take it.

00:23:42What the fuck are you looking at?

00:23:44What the fuck are you looking at?

00:23:46What the fuck are you looking at?

00:24:09Hello?

00:24:10That goes my business.

00:24:12Don't be coming round there pushing shit through the door.

00:24:15Watch for me. I know you.

00:24:17Who is this?

00:24:18Come round here again. Watch for me.

00:24:20Fucking bitch-stack.

00:24:31Lee, you okay?

00:24:33Hey.

00:24:35What's happened?

00:24:40How much is it?

00:24:50We take it.

00:24:51Okay. Cheers.

00:24:52Cool.

00:24:53See you soon.

00:24:57Shit.

00:24:58That's him.

00:25:00It was him?

00:25:02Yeah, but...

00:25:04No, no.

00:25:06I don't know.

00:25:08No, I thought...

00:25:09Michelle.

00:25:10Please just leave it.

00:25:11Did you call my wife?

00:25:13What?

00:25:14Did you call my wife?

00:25:15I know what you're chatting about, bro.

00:25:17But you best not be stepping to me.

00:25:18Please just leave it.

00:25:19You understand me?

00:25:20Don't be stretching it to me, man.

00:25:21I said you've got to kick your ass.

00:25:22You want some, yeah?

00:25:23Huh?

00:25:27You want?

00:25:28Please, please.

00:25:29What?

00:25:30It's all my fault, alright?

00:25:31I'm not pregnant!

00:25:32Oh, my God.

00:25:37No, baby.

00:25:38You step to me again!

00:25:39Boo!

00:25:40Boo!

00:25:41You'll be gone!

00:25:42Fuck!

00:25:43Fuck you.

00:25:44I'm not scared of you.

00:25:46Fuck!

00:25:47Fuck!

00:25:48Fuck!

00:25:49Fuck!

00:25:50Fuck!

00:25:51Fuck!

00:25:52Fuck!

00:25:53Fuck!

00:25:54Fuck!

00:25:55Fuck!

00:25:56Fuck!

00:25:57Fuck!

00:25:58Fuck!

00:25:59Fuck!

00:26:00Fuck!

00:26:01Fuck!

00:26:02Fuck!

00:26:03Fuck!

00:26:04Fuck!

00:26:05Fuck!

00:26:06Fuck!

00:26:07Fuck!

00:26:08Fuck!

00:26:09Fuck!

00:26:10Fuck!

00:26:11Fuck!

00:26:12Fuck!

00:26:13Fuck!

00:26:14Fuck!

00:26:15It was not true what you said.

00:26:41No, I'm not pregnant.

00:26:48I just said it to stop him.

00:27:00She'll be alright.

00:27:11No, I'm not pregnant.

00:27:20No, I'm not pregnant.

00:27:23No, I'm pregnant.

00:27:27No, I'm pregnant.

00:27:43No, I'm pregnant.

00:27:57No, I'm pregnant.

00:28:09And then he just kicked her.

00:28:12Like he was taking a penalty.

00:28:14I mean, with all the force of his whole leg.

00:28:17Well, you know, at least it was Michelle.

00:28:22Olive is dead.

00:28:26Oh, God.

00:28:29She's dead.

00:28:32I know it's mad.

00:28:35Don't know how I'm supposed to feel,

00:28:37but how are you supposed to grieve for a dog?

00:28:39How long is normal?

00:28:44Maybe a couple of weeks, Miss.

00:28:49A couple of weeks.

00:28:50It's not a fucking court case.

00:28:56It's just a dog.

00:29:00They...

00:29:01It's very sad, but it's just...

00:29:05a dog.

00:29:14You just don't care about anything, do you?

00:29:19I care.

00:29:22I care about a lot of things.

00:29:25Why are you taking Ambien?

00:29:29Having some trouble sleeping.

00:29:30What?

00:29:31What's going on?

00:29:34Nothing.

00:29:35Nothing is going on.

00:29:36I'm tired.

00:29:37You know, I'm overtired.

00:29:38I'm a barrister with two small kids.

00:29:40I'm very busy all the time.

00:29:42C'mon!

00:29:43Madeleine.

00:29:57It's just a fog.

00:30:00It's just a book.

00:30:30You might see me in a Lambo.

00:30:32Camel snapback, Rambo.

00:30:34500 horses, Django.

00:30:36Tutu chicken, Nando.

00:30:38You might see me in a Rari.

00:31:00Keisha, come in.

00:31:22Wow, beautiful place you've got.

00:31:30You're beautiful.

00:31:58Shall we?

00:32:00Before you.

00:32:10Oh.

00:32:12Hello, Leah.

00:32:14Hello, Leah. I'm Mrs. Soprani, your anesthetist. I just need to ask you a few more questions.

00:32:32Have you ever been pregnant before?

00:32:35Yes.

00:32:36Have you ever had a termination before?

00:32:40Yes.

00:32:40And I need you to sign right here, please.

00:32:52So, Leah, if you'd like to count backward from ten.

00:33:11Ten, nine, eight, nine, six.

00:33:23Ten, nine, nine, six.

00:33:44you're working today no this is they only needed me Friday they need to start guaranteeing you

00:34:06Saturday the zero-hour shit it's disrespectful you've got skills you're trained yo my god

00:34:15let's check out that little energy first up on the road so proud of you baby so listen yeah I'm gonna

00:34:24go stay at Angeline's tonight and go carnival from her what she can't sleep by herself no she's a big

00:34:30woman was a helpful Felix I promised her that we get done up together it's tradition she's on our

00:34:36now in it you and me we've got each other you gotta be kind to them it's done what are you smiling at

00:34:45hmmm yeah there is that look I'm not the one you gave me the first time I made you mmm you said I had a face

00:35:10that was intensified yeah you said I got a face like somebody chirps this girl's

00:35:18at bus stops

00:35:20mmm later yeah oh it's arrived make sure you take around your dad's yeah yeah

00:35:50so

00:35:57so

00:36:02so

00:36:05so

00:36:08so

00:36:12Hey!

00:36:24Hey!

00:36:26Hey!

00:36:28Hey!

00:36:42Hey!

00:36:46That's right, man. It's like a sauna in here. What's going on?

00:36:50Where's Sylvia?

00:36:51She's gone. Woman gone.

00:36:54I'm celebrating.

00:36:56Right. Well, look, Dad, I just came to bring you this.

00:37:00I can't stay long because I've got to be in town up to her,

00:37:02but look, Grey's good for you.

00:37:04You like it? It's a book about Garvey House.

00:37:08All right. Let me take a piss first.

00:37:30I know them. That's an eater.

00:37:33Prissy.

00:37:35Vicky.

00:37:37Queen Vicky.

00:37:39Look, buddy, man.

00:37:43That's where the real man.

00:37:47You see?

00:37:49Always reading.

00:37:51That's mad.

00:37:53I was always reading.

00:37:55That's really, yeah.

00:37:57Lines.

00:37:59Hard times, boy.

00:38:01You lot don't even know.

00:38:09Who said they could take a load of pictures?

00:38:11We weren't in no zoo.

00:38:14How much this thing cost?

00:38:18You take a man's image.

00:38:20That's copyrighted.

00:38:22That don't wear a chip, you know?

00:38:24You just got here.

00:38:25got here yeah but i got some things to do so for you or for she don't start that all right

00:38:33don't start that i'm trying to train you up but why are you still chasing after the females

00:38:39like they can save your life the woman is a black hole the woman will suck your dry look at your

00:38:47mother and that jasmine of yours and now grace the finer they are the worse it is dad i'm gonna chip

00:38:53all right felix come here look here this is your mother that dress

00:39:12them flowers was purple that's jackie 120 percent jackie

00:39:22that i'm gonna go now yeah but i'm gonna come back

00:39:28i'm gonna come see you later all right yeah i love you dad all right

00:39:51so

00:41:08Tom.

00:41:09Felix.

00:41:10Yeah.

00:41:11Hi.

00:41:12Nice to meet you.

00:41:13Yeah.

00:41:14What's going on?

00:41:15Well, here she is.

00:41:16She is an MG midget, 1,275 cc engine, 100,000 on the clock, manual petrol two-door roadster.

00:41:28Oh, it's a two-door, is it?

00:41:30Oh.

00:41:31It's my father's list.

00:41:32I'm not really a car man myself.

00:41:34I'm messing with you.

00:41:35I'm messing with you.

00:41:36Don't worry about it, mate.

00:41:37Alright.

00:41:38Do you mind if I...

00:41:39Oh, yeah.

00:41:40Go for it.

00:41:41Yeah, I can't talk now.

00:41:42I'm in the middle of a thing for Dad.

00:41:46So, I'll call you back.

00:41:51Can we look under the hood?

00:41:52Yeah, yeah, of course.

00:41:53It's, um...

00:41:54Oh, this is some bad news.

00:42:09How much are you trying to get for it?

00:42:11I'm instructed around a thousand, Mark.

00:42:13Oh, no, no, no.

00:42:14We get better than this for 600 all the time.

00:42:17Six?

00:42:18Oh, yeah.

00:42:19Look, it's no skin off my nose, but if I get less than seven for it, I'll never hear the end of it.

00:42:28Hi, Soph.

00:42:29Yeah.

00:42:30No, no, no.

00:42:31It's not that I don't care.

00:42:32It's just...

00:42:36Yes.

00:42:37Uh, a portal, and what'll you have?

00:42:50Uh, ginger beer, thanks.

00:42:52My father says there's only two sentences a self-respecting Englishman should accept in this situation.

00:43:01I'm on antibiotics, or I'm an alcoholic.

00:43:05So, what is that?

00:43:06Is that Polish?

00:43:07Yeah.

00:43:08It says, I love Polish girls.

00:43:09In Polish.

00:43:10Are you Polish?

00:43:11No, no.

00:43:12No, it's just an idea we had.

00:43:13Like, me and my dad.

00:43:14Like, I love Russian girls in Russian, I love Swedish girls in Swedish, Norwegian, Spanish, and then, um, yeah, we just basically printed out free files and then took it down to IB for...

00:43:35How did you get into the t-shirt business?

00:43:38Oh, no, no, no, no.

00:43:39That was just like a one-off.

00:43:40I've done all sorts, mate.

00:43:41I was a chef in, run a pro-production company, worked for the Royal Mail, and then, uh, yeah, I got into the drug thing, and then I've just been picking myself off the floor since that.

00:43:52And a mechanic.

00:43:53Obviously.

00:44:00Cheers.

00:44:01Oh, what, is that your missus keeps spelling you?

00:44:05Oh, Christ, no.

00:44:07No, we've only been going out six months.

00:44:10I'm only 25.

00:44:11Is it?

00:44:12I had two kids your age.

00:44:13Yeah, look.

00:44:14That's Felix Junior and Whitney.

00:44:18Yeah.

00:44:19I don't see much of them, to be honest, because they live with their mum, and we don't really get on.

00:44:24She's, like, one of them real oppositional type women.

00:44:28Yeah.

00:44:29Yeah.

00:44:30It's all good, though.

00:44:31Like, I've never been happier, to be honest, Tom.

00:44:33Yeah, for real.

00:44:34Like, my God, Grace, she just changed up for me.

00:44:37Like, she's a lifesaver.

00:44:38I tell her all the time, you're a lifesaver.

00:44:41I fear I'm stuck with a life destroyer.

00:44:44Tom, nobody can do that to you.

00:44:47Only you've got the power to destroy your life.

00:44:50And that's how my girl, she's changed up my whole outlook, because she sees my potential.

00:44:55And at the end of the day, that's all you can be, the best you can be.

00:44:58After that, everything's going to follow.

00:45:01You know, and I know, because I've been through it.

00:45:05You seem to have it all figured out.

00:45:12Yeah.

00:45:13But you know what?

00:45:14I've got to go, so, you know, I've got things to do, so.

00:45:16Mm.

00:45:17You need to make me an offer.

00:45:18Yeah, well, you've got to give me a reasonable price, mate, because you're just talking silly

00:45:21money right now.

00:45:22You can't seriously be offering less than 600.

00:45:25Four's more like it.

00:45:26You know, you're not going to get that much for scrap, and I'm going to get it told for

00:45:29you.

00:45:30Five.

00:45:31At least.

00:45:36Ah.

00:45:37Four fifty.

00:45:38And that ain't going no higher.

00:45:47I got it.

00:45:48Four fifty.

00:45:49I knew you'd get it.

00:45:50Four fifty dollars, that's a steal.

00:45:51I'm a boss, isn't it?

00:45:53You asked the universe, and the universe answered, yeah?

00:45:55Yeah.

00:45:56Yeah, it did.

00:45:57It did.

00:46:02It did.

00:46:17Sorry, could you ask your friend to make his feet?

00:46:22Hey, bro.

00:46:23Bro.

00:46:24The lady's trying to sit down.

00:46:27Yeah?

00:46:28Why are you asking me?

00:46:29What?

00:46:30Why are you touching me, man?

00:46:31Why are you asking?

00:46:32Yo, your boy's got his feet on the seat, bruv.

00:46:34Bruv.

00:46:35What are you calling bruv?

00:46:36All right, all right, all right.

00:46:37Calm down.

00:46:38Hey, calm, man.

00:46:39Shut up, fool.

00:46:40You know what?

00:46:41You know what?

00:46:42Take my seat.

00:46:43I'm getting off next stop anyway.

00:46:45Nah, you're all right.

00:46:46It's bliss.

00:46:47You should be ashamed of yourself.

00:46:49You should be ashamed of yourself.

00:46:50Yes, sir.

00:46:51No, no, no.

00:46:52No, no, no.

00:46:53No, no, no.

00:46:54You're all right.

00:46:55No, no.

00:46:56No, no.

00:46:57No, no, no.

00:46:58You're all right.

00:46:59No, no, no.

00:47:00I'm going to get out of here.

00:47:01No, no, no.

00:47:02Please and surely our air will be locked in.

00:47:27Please stand clear of the clue.

00:47:32Please stand clear of the clue.

00:47:36Please stand clear of the clue.

00:47:38Please walk or use the rule while visiting outside the station.

00:47:42Oh my God.

00:47:45Oh my God.

00:47:47Oh my God.

00:47:49Oh my God.

00:47:52Oh my God.

00:47:57Oh my God.

00:47:59Oh my God.

00:48:00Oh my God.

00:48:01Love.

00:48:02Shout it.

00:48:03L-O-V-E.

00:48:04Love.

00:48:05I'm a liar!

00:48:26I'm going to fall now, blood!

00:48:27Fall now, blood!

00:48:28Alright, alright, alright!

00:48:29Hold on, hold on, hold on, hold on, hold on, alright, alright!

00:48:32Take it!

00:48:35You should have caught me a few hours ago, bruv, I was loaded!

00:48:37Is it?

00:48:38Them stones, huh?

00:48:39Them stones!

00:48:40Oi, they ain't stones, alright?

00:48:42They're zirconia, alright?

00:48:44Give me stones now!

00:48:45They're worth 30 quid, mate, alright?

00:48:46My girl gave me them.

00:48:47Look, you're not getting them, bruv.

00:48:48Just chill out!

00:48:49Shut up!

00:48:50Big man on the train ain't a big man now, innit?

00:48:57Nice, they're nice, bruv!

00:49:00Oh, quick, quick!

00:49:02Run!

00:49:02Run, man!

00:49:05Ah!

00:49:06I, they're gonna shoot my hair now!

00:49:07Ah!

00:49:08Ah!

00:49:08Shit!

00:49:09His face!

00:49:09Just go.

00:49:10Uh...

00:49:11Uh!

00:49:12Uh!

00:49:13Uh!

00:49:16Oh!

00:49:17Uh!

00:49:18Oh!

00:49:19Uh!

00:49:20Uh!

00:49:21Uh!

00:49:28Uh...

00:49:29Uh!

00:49:30Uh!

00:49:31Uh!

00:49:32Uh!

00:49:33Uh!

00:49:34Uh!

00:49:35Uh!

00:49:35Grace.

00:50:05Grace.

00:50:35Grace.

00:51:05Grace.

00:51:35Grace.

00:51:36Oh, my days.

00:51:38Oh, my days.

00:51:40I told you, Dinesh, I told you ain't no bloke.

00:51:43She's fit and all.

00:51:45Come in.

00:51:50Come upstairs, lovely.

00:51:51That's it.

00:52:00Dinesh, man, there's no sheet.

00:52:05You like me on watch, lovely?

00:52:26Whatever.

00:52:27Well, what do you like?

00:52:29Just tell us.

00:52:30We'll do it.

00:52:32Just do what you want.

00:52:34It's him.

00:52:35It's because he's looking at me.

00:52:36He's messing with my groove.

00:52:37He ain't got no groove.

00:52:39Don't move or touch me unless I tell you do.

00:52:40You're quite strong-minded, isn't it, Keisha?

00:52:42You know what you want and that.

00:52:43They say that about sisters, don't they?

00:52:44They say that about sisters, don't they?

00:52:45I give a fuck what they say.

00:52:46I give a fuck what they say.

00:52:47I give a fuck what they say.

00:52:48I give a fuck what they say.

00:52:49Don't move or touch me unless I tell you to.

00:53:01You're quite strong-minded, isn't it, Keisha?

00:53:04You know what you want and that.

00:53:07They say that about sisters, don't they?

00:53:12I don't give a fuck what they say.

00:53:22Don't touch me.

00:53:27Hey Dennis, man, where are you going?

00:53:36You've come already, yeah?

00:53:40You know what?

00:53:43I don't think I'm going to get there right at the moment, Keisha.

00:53:46I feel a bit hot and bothered right now, if I'm honest.

00:53:55Oh, man.

00:53:57We should worship this girl, man.

00:53:59She's a goddess.

00:54:01You're a goddess in my eyes.

00:54:05Oh, yeah.

00:54:20Oh, you scared me.

00:54:48What is this?

00:54:54Keisha NW, what is this?

00:55:01Is this real?

00:55:04I mean, who are you?

00:55:06You fucked someone.

00:55:08Some guy up an ass.

00:55:09It wasn't like that.

00:55:12It wasn't about that.

00:55:15And what was it about Natalie?

00:55:16I don't know.

00:55:20I don't know.

00:55:23How dare you listen to my face?

00:55:26Where are you going?

00:55:32Where are you going?

00:55:33Where are you going?

00:55:56Oh

00:56:15Some of the G-10

00:56:26Keisha Blick, hold up.

00:56:38It's me, Nathan.

00:56:44You trying to break back in?

00:56:48You don't look too good.

00:56:52You don't look good at all.

00:56:56I've got to walk, man.

00:57:00You ain't even going to ask me how I am, though.

00:57:03That's cold.

00:57:04I've got to walk.

00:57:07Arguing with your mans, ain't it?

00:57:10Yeah.

00:57:10Yeah, well, you ain't got no real problems.

00:57:16Oh, look, come on, now.

00:57:18Your mans not that harsh.

00:57:21He'll take you back, yeah?

00:57:23Yeah, he shouldn't.

00:57:26Luck, baby.

00:57:31We was luck.

00:57:33Remember?

00:57:36People don't even know me from them luck days.

00:57:40I was good, remember?

00:57:41I was good with the numbers, man.

00:57:44Gold stars all day long for that shit.

00:57:46You were good at everything.

00:57:50You had to trial.

00:57:53See?

00:57:54See, no one knows that.

00:57:56Everyone said that they had to trial, but they didn't have a real trial.

00:57:58No one told me.

00:58:01No one told me.

00:58:01A lot of things could have been different, you know, Keisha.

00:58:17I've done some bad things, you know Keisha, I'm not gonna lie, but you know me, and you

00:58:30know that that ain't really me.

00:58:34You know me from back in the days, right?

00:58:39Wait here, it's from the blaze, me too, I'm on the streets Keisha, her mum she ain't gonna

00:59:05tell people the truth, I'm not gonna lie, I've got some bad luck, bad luck follows me.

00:59:21There's one truth that my mum didn't speak, everyone loves a bedroom when he's ten, he's

00:59:27cute like a boy that all, all lively, but after that, he's a problem, and there's no way to

00:59:34live in this country, once you've grown, no, not at all, they don't want you, your own

00:59:41people don't want you man, no one wants you, who are they?

00:59:51Oh shit, that stupid little chief, he always has to take things too far man, this ain't even

00:59:59long me, I don't need them.

01:00:06Move, please be dear man.

01:00:21Remember I told you yeah, hey don't make me have to say shit twice all right

01:00:51Who those girls nobody I come in the headscarfed ashah

01:01:11Maybe but I ain't an English is with me. What's the name when she's with you?

01:01:15I call my girls all sorts all right. Your girls? What do you mean your girls? What you run them?

01:01:20You pimp them, send them back to Thieve, what?

01:01:22Well just slow down okay? You've got the whole thing twisted.

01:01:27Me and those girls, we stick together. We're family.

01:01:33Strange family.

01:01:45X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X, X

01:02:16You got your nice house and your nice kids. What will you do?

01:02:22What have you got to fly for?

01:02:27Keisha

01:02:34Keisha, what are you doing, man?

01:02:37Keisha, man, I'm talking to you. Why?

01:02:47I don't know why.

01:02:51I don't know why.

01:02:55I don't know why.

01:03:02Start at the beginning.

01:03:05One.

01:03:08Those auburn pigtails.

01:03:15Leah Hanwell.

01:03:17Keisha, go faster!

01:03:20She was my best friend.

01:03:22Faster, Keisha!

01:03:27She is my best friend.

01:03:34He's good at that, huh?

01:03:36He's got a trial with QPR.

01:03:38Really?

01:03:39Yeah, I think so.

01:03:41He's well fit, though.

01:03:43So fit!

01:03:45I wish.

01:03:47Brilliant.

01:03:49He's well fit, though.

01:03:51So fit!

01:03:53I wish.

01:03:59Brilliant.

01:04:00Brilliant.

01:04:01Oh!

01:04:02Oh!

01:04:03Oh!

01:04:04Oh!

01:04:05Oh!

01:04:06Oh!

01:04:07Oh!

01:04:08Oh!

01:04:10Oh!

01:04:12Oh!

01:04:13Oh!

01:04:14Oh!

01:04:16Oh!

01:04:18Oh!

01:04:19Oh!

01:04:21Oh!

01:04:23Is Nathan there?

01:04:24Nathan!

01:04:25Tell Nathan that she loved him!

01:04:29Nathan!

01:04:30I love you, Nathan!

01:04:31She loves you, Nathan!

01:04:32Yeah!

01:04:33What is this madness here now?

01:04:38Keisha, listen to me.

01:04:41Whatever you do in life, you have to do twice as well as they do.

01:04:46Just to break even.

01:04:50Work hard.

01:04:52Study hard.

01:04:54It's down to you, Keisha.

01:04:57No one else.

01:05:01Two.

01:05:02Ambition.

01:05:04She was going to be the first person in her family to become a professional.

01:05:07Life was a problem that could be solved by means of professionalization.

01:05:10Life was a problem that could be solved by means of professionalization.

01:05:12How does that big space for her to go?

01:05:13The that simple heart,

01:05:14That's a big space to avoid passing away from home,

01:05:15Is a marvelous for her to the Barbra Quincy.

01:05:17That's no proof of connection.

01:05:18The withdrawal would be no longer we have to do some content-building symbol.

01:05:193. Studying for the bar.

01:05:47Lincolns Inn, the first sponsorship night dinner of the Micklemas term.

01:05:55I heard on the radio, I am the sole author of the dictionary that defines me.

01:06:02I am the sole author.

01:06:05Lovely, isn't it? Like Pemberley or somewhere.

01:06:09It's amazing.

01:06:10Hello, I'm Polly.

01:06:11Oh, I'm Natalie.

01:06:15Nice to meet you.

01:06:22God, I miss you.

01:06:24You'll survive.

01:06:25Do you two know each other?

01:06:27No, we're an endangered species around here. We stick together.

01:06:34There's another one. That's six of us, all told.

01:06:40Actually, we have a very effective diversity scheme here. We're very proud of it.

01:06:47This is Theodora Lewis Lane, Queen's Council, and my sponsor.

01:06:56I apologize unreservedly for embarrassing you in front of Theodora Lewis Lane. QC.

01:07:03I don't think I've ever had an apology from a man before. Mate, my shoes are killing me. I think I need to get a cab.

01:07:10We don't need a cab. We don't need a cab. My driver's just here. Your driver? Yeah.

01:07:17So you really are the son of an African prince? No train driver from Trinidad. My mum's the top. Italian nobility.

01:07:24Low status person with no surplus wealth seeks high status person of substantial surplus wealth for enjoyment of mutual advantage.

01:07:53Female individual seeks male for loving relationship.

01:08:04Natalie Blake, you are wanted in court number one with Johnny Hampton Roe.

01:08:09You won't have to do anything. Just look pretty.

01:08:24Just to reiterate, Mr. Robertson, as the prosecuting barrister, I'll ask the questions, but could you please direct your answers to our jury?

01:08:45Now, can I ask you to describe how far away you were from the assailant?

01:08:50He couldn't have been no more than about ten metres away from me. He was just on the other side of the road.

01:08:55And nothing in the way? Nothing to obscure your view?

01:08:58No, he was about as clear as to me as you are now.

01:09:01Broad daylight?

01:09:03Yes.

01:09:04Can you describe the man you saw?

01:09:07About five, ten. Lust for the build. He looked like he went to the gym a lot.

01:09:11Anything else?

01:09:13Anything else?

01:09:26Well done.

01:09:27Oh!

01:09:28Oh!

01:09:29Oh, fuck.

01:09:30Oh, fuck.

01:09:31Oh, fuck.

01:09:32Oh, fuck.

01:09:35Fuck off.

01:09:36Fuck off, you fuckhead.

01:09:40Never do ghetto work.

01:09:43Police brutality.

01:09:45Human rights.

01:09:47None of that.

01:09:49When I first started appearing before a judge, I kept being reprimanded from the bench.

01:09:55I lost all my cases.

01:09:58And I couldn't understand why.

01:10:01And then I realised, when a floppy-haired chap from Surrey stands before a judge, his passionate arguments are seen as pure advocacy.

01:10:11They recognised each other, they went to the same school.

01:10:16But my passion, or yours, as a person of colour, reads as aggression.

01:10:23And a woman.

01:10:26Aggressive hysteria.

01:10:28And so the first lesson is, turn yourself down.

01:10:34Because this is never neutral.

01:10:47Four.

01:10:48Semi-detached.

01:10:49Natalie Blake and Francesco DeAngelis, Incorporated.

01:10:55Here we are.

01:11:00It is so cute.

01:11:07Amazing.

01:11:08And, look at this.

01:11:09Ready?

01:11:10Can she have one for our family?

01:11:11Oh.

01:11:12Oh.

01:11:13Oh.

01:11:14Oh.

01:11:15Oh.

01:11:16Oh.

01:11:17Oh.

01:11:18Oh.

01:11:19Oh.

01:11:20Oh.

01:11:21Oh.

01:11:22Oh.

01:11:23Oh.

01:11:24Oh.

01:11:25Oh.

01:11:26Oh.

01:11:27Oh.

01:11:28Oh.

01:11:29Oh.

01:11:30Oh.

01:11:31Oh.

01:11:32Oh.

01:11:33Oh.

01:11:34Oh.

01:11:35Oh.

01:11:36Oh.

01:11:37Oh.

01:11:38Oh.

01:11:39Oh.

01:11:40Oh.

01:11:41Oh.

01:11:42Oh.

01:11:43Oh.

01:11:44Oh.

01:11:45Oh.

01:11:46Oh.

01:11:47Oh.

01:11:48Oh.

01:11:49Oh.

01:11:50Oh.

01:11:51Oh.

01:11:52Oh.

01:11:53Oh.

01:11:54Oh.

01:11:55Oh.

01:11:56Oh.

01:11:57Oh.

01:11:58No!

01:12:25Five.

01:12:26Perfection.

01:12:28I am the sole author of the dictionary that defines me.

01:12:43I am the sole author.

01:12:48Leah said to me,

01:12:53You have your work, you have Frank, you're so successful.

01:13:00You're never lonely, she said.

01:13:04I am a fake.

01:13:14I am a forgery.

01:13:17I had this need to slip into the lives of other people.

01:13:24I wanted to know them intimately.

01:13:28I wanted some shape to my dull, straight lines.

01:13:43They said you have to be twice as good as everyone else.

01:13:51They said you have to turn yourself down.

01:13:54Hi.

01:13:55I'm Keisha.

01:13:56I don't know what I want.

01:13:57Come and crash for a bit.

01:13:58I don't know what I'm doing.

01:14:01I don't know who I am.

01:14:03Come and crash for a bit.

01:14:04I don't know what I'm doing.

01:14:06I don't know who I am.

01:14:11I can't take a seat.

01:14:28So what do you do Keisha?

01:14:30I'm a hairdresser.

01:14:33Oh, that's nice.

01:14:34Have you ever done this before?

01:14:36Yeah, well there's nothing else to do, yeah.

01:14:44You got nice hair.

01:14:46You should come down, man.

01:14:59Look, you ain't doing that.

01:15:16I'm out of here, man.

01:15:19You're a liability.

01:15:30There is an image system at work in the world.

01:15:34To behave in accordance with these images.

01:15:37Bored me.

01:15:39To deviate from them filled me with anxiety.

01:15:44We wait for an experience large or brutal enough to break it open completely.

01:15:53I had to break it.

01:16:14You're lying out here all the morning.

01:16:29Lee, I don't understand.

01:16:33What's wrong?

01:16:37I'm lying out.

01:16:53All right, what's wrong?

01:16:56Frank?

01:17:15I'm going there.

01:17:18Please.

01:17:20Please, Rita.

01:17:26All confessions are self-serving.

01:17:56I'm going there.

01:18:26I'm going there.

01:18:57Mummy, what happened?

01:19:01Someone died.

01:19:13Let's go.

01:19:16Shall we go?

01:19:26Come on, come on. Come on, come on.

01:19:46I've done some bad things, you know, Keisha, I'm not gonna lie.

01:19:50It's all even on me.

01:19:52It's on you.

01:19:56Num-num? Spike?

01:20:02Num-num? Spike? Naomi?

01:20:09Spike? Naomi?

01:20:13Excuse me, I'm looking for my children.

01:20:15Naomi! Spike?

01:20:22Naomi? Spike?

01:20:26Excuse me, have you seen two children?

01:20:32Oh, God!

01:20:33Oh, my God!

01:20:35Oh, baby, I'm so sorry!

01:20:38Oh!

01:20:40Silly mummy!

01:20:42Silly mummy!

01:20:43Silly mummy!

01:20:45I'm so sorry!

01:20:47I'm so sorry!

01:20:48I'm so sorry!

01:20:49I'm so sorry!

01:20:50I'm so sorry!

01:20:51I'm so sorry!

01:20:53Yeah!

01:20:54Look at the baby!

01:20:56No!

01:20:57Oh!

01:20:58Oh!

01:20:59Oh!

01:21:01Oh!

01:21:02Oh!

01:21:04Oh!

01:21:06Michelle?

01:21:07Michelle?

01:21:09Uh, uh, calm down, calm down.

01:21:10I can...

01:21:12I can't hear you properly.

01:21:13I don't know what she wants. She won't move. She won't speak to me.

01:21:18Why does she hate me?

01:21:19Come on, she doesn't hate you. I'm going to talk to her. It'll be fine.

01:21:23Just really look after the kids.

01:21:25Kids, you'll be good for Michelle, okay?

01:21:27It'll be fine.

01:21:43Lee, what's the matter?

01:21:49Last night I tried to call you, but it just rang out.

01:21:52So I called Frank and he said that he didn't know where you were.

01:21:57And that he didn't care.

01:22:02What's going on with you two?

01:22:03Oh, universal feminine law always states that no weakness may be shown by one woman to another.

01:22:14Well, I'm not the one lying in a hammock refusing to speak.

01:22:22Mummy!

01:22:26Oh, look at you, mother and child.

01:22:29Look like the fucking Madonna.

01:22:31Do you want to go and buy me some tea?

01:22:34Yeah.

01:22:39I'm not going to apologise for my choices, Lee.

01:22:41Who's asking you to?

01:22:47Frank and I are breaking up.

01:22:50What?

01:22:55Why?

01:23:01Now you.

01:23:12I don't understand why I have this life.

01:23:19You, me, all of us.

01:23:21Why Shah, not me?

01:23:24Why that poor bastard on Alpha Road?

01:23:26It doesn't make any sense to me.

01:23:29It's because we worked harder.

01:23:31Oh, no.

01:23:32Because we were smarter and we wanted to get out.

01:23:35People like Bodle.

01:23:39They just don't want it enough.

01:23:42I'm sorry if that answer sounds ugly to you, Lee, but it's the truth.

01:23:44I'll never believe it.

01:23:45You know, the one advantage of having kids is you don't have time to sit around in hammocks getting depressed about stuff like that.

01:23:56I don't want to have kids.

01:24:03I don't want it.

01:24:05Why do I have to want them?

01:24:07People seem to think I should have them because it's the next thing or, you know, we're moving forward.

01:24:17I don't want to move forward.

01:24:23I like it here.

01:24:24I don't want to have kids and watch them grow up while I grow old and die.

01:24:39I know it's stupid.

01:24:42I just want to be here, in this place, in this moment, with him.

01:24:51I don't want anything else.

01:24:52I don't want anything more.

01:24:54I just want me and him, forever.

01:25:07Well, why don't you talk to him, Lee?

01:25:15I'll lose him.

01:25:20Hey, come here.

01:25:24I miss you.

01:25:37I miss you.

01:25:46Don't she speak?

01:25:47She's easy.

01:25:59Oh, thank you.

01:26:01I think I know what happened in half the road.

01:26:18Police are asking two men to come forward, one in his 20s, one older, known to be in the area at the time.

01:26:38At the very least, Nathan's the person of interest, right?

01:26:40At the very least.

01:26:42It's the right thing to do.

01:26:45It is.

01:26:47Gilbert Police Station.

01:26:49Hello?

01:26:50Mm.

01:26:51Hello?

01:26:53I've got something to tell you.

01:26:54The author of NW, Zabie Smith, joined BBC Radio 6 Music, talking about her favourite tracks.

01:27:12You can download paperback writers and more using the iPlayer radio app.

01:27:17Let's do it.

01:27:27What is the name?

01:27:30Let's do it.

01:27:31Maybe I'll be with started.

01:27:31Maybe I'll be with you 15 minutes later.

01:27:34Video songs out there.

01:27:34bipartite telling you,

01:27:38You always missed your earliest version of this presentation so that, to be quite wise,

01:27:40этот voice,

01:27:42What is your favorite part?

{NW} 2016 - 2 friends from a northwest London housing estate are reunited when one of them faces a messy personal crisis.

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