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Prise par le travail, une femme a oublié comment rêver. Jusqu’au jour où une version plus jeune d’elle-même vient réveiller son cœur et changer son regard sur la vie.

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Genre : Film en Français Complet, Nouveauté, Comédie Adolescente
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Transcription
00:00Sous-titrage Société Radio-Canada
00:30...
01:00...
01:02...
01:03Must be the book.
01:05I've been remembering things I hadn't thought about in years.
01:11Just all of a sudden I knew exactly what you looked like when you were a little girl.
01:14What if they hate it?
01:32Well, they'll be wrong.
01:34And they'll be wrong.
01:43Come on, Vera.
01:44We did some good work today, don't you think?
01:50It felt good.
01:51You see, Vera.
01:52Do you really think that life is shaped by the yeses and not the noes?
02:01Mm-hmm.
02:02Well, I said yes once and it was a complete disaster.
02:08Mm.
02:10Well, my guess is that you were just saying the word.
02:13What you're really doing is saying no to yourself.
02:16You're a remarkable talent, huh, Miller?
02:22Oh, thanks.
02:23And Robin was right.
02:25You are a great editor.
02:27Susan Stone.
02:27Well, thank you.
02:28Thank you.
02:29Thank you.
02:34Is it that late?
02:36I guess so.
02:37Yeah.
02:38All right, well, um, I'll see you bright and early.
02:42Okay.
02:43All right.
02:44Good night.
02:45Good night.
02:45Good night.
02:45Good night.
02:54Good night.
02:56Bye.
03:08Suze?
03:10Mm-hmm?
03:11I think he wanted to kiss you.
03:13Don't be ridiculous.
03:15This is strictly a working relationship.
03:17Why can't it be both?
03:19Because you don't make your bed where you eat.
03:22Well, I'm sure he's a lot of fun.
03:26Suze?
03:27Hmm?
03:28I love that he plays the trombone.
03:30Now I'm beginning to think that you don't understand Fooey as a character.
03:47I do, too.
03:48Well, then why would you want me to change Fooey's reaction?
03:51Because I just don't believe that any sane woman who's thrown into a squalid jail in Selma
03:55is going to be so serene and calm.
03:58I'm almost happy.
03:59Hmm.
03:59So you really don't understand?
04:01You don't know what you're missing here.
04:03I'm on a diet.
04:04Oh, you don't need to diet.
04:05Come on.
04:05Come on.
04:06Try this.
04:09Hmm?
04:10Hmm?
04:10Hmm?
04:11Now, see, Fooey was one of those rare, wonderful people.
04:15No matter what the disaster, she always saw it as an opportunity.
04:19The glass was always half full.
04:20Of course, that drives the half-empties totally crazy.
04:24Who does that remind you of?
04:26That is wonderful.
04:27Mm-hmm.
04:27This woman is a genius.
04:29Finish it.
04:29Finish it.
04:30Oh.
04:30Thank you.
04:31Thank you.
04:37Hmm.
04:38Wait till you try her Napoleon.
04:41You know, I think Aunt Pru would love my brother Bob.
04:44Yeah?
04:44Well, in that case, I probably will, too.
04:46I told you.
04:47Prince Charming.
04:48Goodbye.
04:50Bye.
04:50Bye.
04:50Bye.
05:17Bye.
05:17Bye.
05:48Good, good. You wouldn't believe all the work we've gotten done in the last two weeks.
05:51You want to patch me through to Dilly?
05:54How you doing?
05:57Oh, that's wonderful, Dilly. Yeah.
06:00Yeah, that was a great review. How about getting another one, huh?
06:05New pages. Oh, Dilly.
06:08That's great. No, that's better than great. That's wonderful.
06:13Yeah. Oh, I'm glad you like her. Robin is sweet, isn't she?
06:17Okay. Yeah. Okay. All right.
06:21Yeah, you know what? I'm just checking in with you, so I'm, uh, I'll just call you back later, okay?
06:27Okay. All right. Bye.
06:32Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes. Yes.
06:39Yes. Yes. Yes. Yes. Yes. Oh, my God. Oh. Yes. Yes. Yes. Yes.
06:45Oh.
06:53Nope. I don't think so.
06:54Well, I think so. No. No. No. No. No.
06:56Yes. No. I won't. I won't. I can't.
06:58No. No. No. No. Forget it. Why should I have to? This is my damn book.
07:02Because I'm not going to let you put your name on anything that isn't your best work. You...
07:06You... You what? What? What?
07:09You do what? I'm really tired.
07:09No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No.
07:13You started really early this morning.
07:14Finish. Finish. Finish.
07:17Doodleberry.
07:19Doodleberry. That's it? I told you. I was tired.
07:21That's it? That's it? That's the best you can come up with?
07:23I'm just the editor, aren't I? I mean, you're the writer, aren't you, you windbagger?
07:27No. No. No. No. No. No. No. You apologize. You apologize.
07:29I'm not going to apologize. You can't make me...
07:31Yes. Yes.
07:50This is a disaster.
07:52This is a disaster.
07:53No. No. No. No. No. It's a little schizophrenic, maybe.
07:56No. This never happened, all right? Say this never happened. Look, I need you to say that this never happened.
08:01I can say that, but it wouldn't be true.
08:04No. No. It never happened, all right?
08:08Let's go. Come on.
08:18What was I thinking?
08:19You weren't thinking. That's a good thing, not a bad thing.
08:23Totally, totally unprofessional.
08:25Baloney. You're just afraid all men are like Peter.
08:28Bob isn't. Dad wasn't.
08:30I finally get myself a damn new decent writer, and I blow it.
08:33So, anyway, if I can make the noon train, I can get it on the weekend read.
08:44Just a little surprise, that's all.
08:47Thought we had a few more days.
08:49Didn't realize we were done.
08:50Well, not done-done, but done enough to get some input.
08:53Mm-hmm.
08:59So, uh, what are you doing for the holidays?
09:03Oh, I'm not sure.
09:04I was actually thinking of just staying at home this year.
09:08Hmm.
09:15Yep, careful. You're stepping on Uncle Hyah on there.
09:17Sorry. I never knew anyone who had their own cemetery.
09:23My mother and father.
09:26Mom.
09:28Dad.
09:30I'd like you to meet Susan.
09:36I think they would have liked you.
09:37You sure you're not running back because of last night?
09:45Tom, um, last night was entirely my fault.
09:48It was a huge mistake.
09:50I mean, we could never, ever, ever possibly become romantically involved.
09:58But we already are.
09:59No, no, it can't happen.
10:01I mean, it would be a disaster for the book.
10:03But I see it happening.
10:06What are you talking about?
10:07I've already seen it.
10:08Oh, please, Tom, come on.
10:10You're being crazy now, okay?
10:11I mean, one indiscreet moment means nothing more than one indiscreet moment
10:14when we were both so tired that we lost it.
10:17I didn't lose it.
10:21Listen to me, okay?
10:23I'm your editor.
10:24That is all. Nothing more.
10:25But Susan...
10:26No, I like you. I do.
10:28Just not in that way.
10:34Oh.
10:34I'm...
10:35I'm sorry. I...
10:37Well, I guess maybe I, uh...
10:42Maybe I don't have the gift after all, huh?
10:49Oh, well, maybe we should get started.
10:52I don't want to be late.
10:53No.
10:54No.
11:14No.
11:14No.
11:15No.
11:15No.
11:15...
11:45...
11:50Well, um, I'll call you as soon as I hear anything.
11:54Okay.
11:55Oh, uh, regarding the title, why don't you make a list and I'll make a list?
12:01Right.
12:03Well, Merry Christmas, Susan.
12:07You too.
12:08Don't worry, I'm sure that everyone will love the book.
12:12Okay.
12:13Here.
12:15Thank you.
12:19oup
12:22Oh, oh, oh, oh, oh, oh, oh, oh.
12:25No, no, no, no, no, no.
12:27Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, holl.
12:33And then you come to come to Cedric and Force.
12:36Sous-titrage MFP.
13:06Sous-titrage MFP.
13:36At least she has a sense of humor.
13:39What about Herbert?
13:40Possibly, yes.
13:41Donald?
13:42He's a definite no.
13:43Mark's another no.
13:44I like it better than anybody.
13:46I'm not even going to give it to that teeny bopper.
13:47He won't think it's hip enough.
13:49You're wrong about Mark.
13:51I wish there was some way of keeping Dorinda off the list,
13:53short of stabbing her in the throat.
13:56What a mess.
13:58Ram at three, like in the old days.
13:59Remember those?
14:01Only vaguely.
14:12Tom could play that better.
14:14I'm Dilly.
14:20Thank you.
14:21May I say something?
14:23Please.
14:24I think that it was brilliant of you to have him read his reviews,
14:27and the work that you did on Phooey is just...
14:28Please don't call it Phooey.
14:30Sorry.
14:32What should I call it then?
14:33Why don't we just call it Untitled for now?
14:37Okay.
14:37Well, you know how much I loved Untitled before, right?
14:40But now it's just...
14:41Susan, it's...
14:42It's...
14:43I got it.
14:45Thank you.
14:46I'm Susan.
14:47Good luck tomorrow.
14:48Good luck tomorrow.
15:18Think positive.
15:46They're all going to love it.
15:48Oh, Susan.
15:55Good.
15:55Are we all here?
15:56Let's get started, people.
15:58I wanted to like it.
16:00My brother and he were practically roommates at Harvard.
16:03In fact, I met with him a few weeks ago,
16:05and it was still called Phooey, and I passed.
16:08I know.
16:09Okay.
16:09You want me to be truthful.
16:11It hasn't improved.
16:12It's still absolutely endless,
16:13not to mention stupid.
16:17Chacun a so good, as the French say.
16:20Herbert?
16:21I, well, actually, I didn't finish it.
16:24I thought the writing was okay, but I found myself wandering.
16:29I didn't finish it.
16:29I didn't finish it.
16:30I didn't finish it.
16:31Gloria, what'd you think?
16:32I had that big party for Wolfgang.
16:34I just didn't have a minute.
16:35I'm really, really sorry.
16:37I'll get to it tonight.
16:38I promise.
16:40Donald, you got a chance to look at it?
16:42It's not my cup of tea, Walter.
16:43I don't know.
16:44It's a little too fantastic, au moins.
16:48What does marketing say?
16:50If we don't spend a lot, we won't lose a lot.
16:52It could even be a wash.
16:57Susan, you haven't said a word.
17:00I only have one thing to say to all of you.
17:17Tom Miller's a superb and unique talent.
17:21And I think that his book is brilliant.
17:24It's funny and charming and very smart.
17:27And on top of that, I think it's going to make money.
17:31And frankly, if Blair House doesn't publish this book,
17:34then I'm not really sure what I'm doing here anymore.
17:40I agree.
17:43Mark, you weren't on Susan's list.
17:46I overheard several assistants raving about it in the kitchen,
17:49so I bootlegged the copy.
17:50And look, this guy may be a little unusual,
17:54but that's the whole point.
17:55I think Susan's absolutely correct.
17:57I mean, wake up.
17:59Would you not say publish John Irving,
18:00because sometimes he's a little fantastic?
18:03And that's just one tiny aspect of it.
18:05I mean, what about the Americana of it all?
18:08And the romance?
18:10And Dorinda?
18:11Don't tell me you didn't at least love all the dirty parts.
18:22Come on, guys, get with it.
18:23If we don't nail this guy down, somebody else will.
18:26And won't we be embarrassed when it gets out that we had him first
18:29and didn't publish him?
18:30Anyway, I'm a strong yes.
18:35Well, Susan, can't wait to read your new guy.
18:39Well, actually, Walter, it was Robin who found him.
18:42Oh.
18:43Good work, Robin.
18:45All right, is that it?
18:46Well, let's get back to work.
18:57Susan, something's happened to you the last couple of weeks.
19:02I like it.
19:03Thank you, Walter.
19:04So do I.
19:05Susan, thank you so much.
19:13You have no idea how much that meant to me.
19:14I mean, I've been wrong about you this whole time.
19:16I thought you hated me.
19:17Did you know that?
19:17And nobody ever, I mean, I'm so sorry that Ben and I called you
19:20the Wicked Witch of the West.
19:21We were completely wrong.
19:22But it's just because I didn't have any idea.
19:23You're so amazing.
19:24And no one ever gives their assistant credit ever.
19:26Did you know that?
19:26Well, you deserve the credit, Robin.
19:28You really do.
19:28I mean, I just found you.
19:29And I only found the book.
19:29I mean, you fixed it, right?
19:31You deserve the credit.
19:31I learned so much from you.
19:32You really do.
19:32You really do.
19:33Now, I want you to run along and come back
19:35in five minutes because we really do have
19:37to have that discussion about run-on sentences, okay?
19:39Okay, but actually, it's lunchtime.
19:42And Ben, I know how much you hate Christmas parties,
19:44but Ben's office is having their party.
19:45It's really important to let I be there.
19:46Go, go, okay?
19:47Are you sure?
19:48Yeah, I'm positive.
19:49Go ahead, go.
19:49Thank you.
19:50Okay.
19:51Thank you so much.
19:52Thank you, thank you, thank you.
19:53Okay, thank you.
19:54Thank you.
19:54Thank you.
20:05Hi, Tom.
20:15It's Susan.
20:15I have wonderful news.
20:18I'm at the office, and I should be here until about 7,
20:20and then I'll be at home.
20:23You have both the numbers, so call me.
20:26Okay.
20:26Bye-bye.
20:27Bye-bye.
20:27Bye-bye.
20:28Bye-bye.
20:29Bye-bye.
20:30Bye-bye.
20:31Bye-bye.
20:32Bye-bye.
20:33Bye-bye.
20:34Bye-bye.
20:35Bye-bye.
21:05You have no messages.
21:10At least you're not getting fired.
21:12Dilly's writing, and I know Tom's book's gonna get published.
21:16Maybe you'll even get a bonus.
21:17I'll bet if you called Bob, he'd invite you over for Christmas.
21:31Just say you're sorry.
21:36You know you're sorry.
21:38You know you're sorry.
21:40You know you're sorry.
21:40Okay.
21:51Okay.
21:54Okay.
21:54Okay.
21:54Sous-titrage Société Radio-Canada
22:24Why doesn't he call?
22:54Come on, it'll be fun!
23:12All right. Glad you're still here. I thought you'd ban Christmas.
23:20Well, I'm having second thoughts.
23:21Good. Give me a little kiss.
23:23Now, listen, I love the book. I hadn't planned on reading it, but once I started, I could not put it down.
23:28It's very good work. I'm very proud of you.
23:30Thank you, Walter. Thank you.
23:32Oh, and, uh, Dilly's back on track. He sent me 30 pages, and they're brilliant.
23:35Oh, great. Good. Good for you. It's going to be a great year.
23:38Yeah. Uh, Walter, um, were you going to fire me?
23:42Absolutely.
23:47Oh, Merry Christmas.
23:49Merry Christmas.
23:50Of course.
23:51Come on.
24:01Mark.
24:02Hey, um, you know, oh.
24:04Here you go.
24:05Thank you so much. Listen, I, I never did get a chance to thank you to you, Dave.
24:10No, no, no, no, not, not necessary. I calls him like I sees him.
24:14Oh, well.
24:14You know what I mean?
24:15Amen.
24:17Say goodbye to the rent there.
24:19No.
24:20So I hear.
24:21Really?
24:22Yeah, Christmas.
24:23Merry Christmas.
24:24Oh, how you doing, babe? I'll see you later.
24:33Susan, how are you?
24:34Oh, hey, Robin.
24:35Where's, uh, where's Ben?
24:36He's, uh, running a little late. I'm glad you decided to stay. Merry Christmas.
24:39Oh, Robin, uh, thank you. Uh, you know, I just, I haven't had any time to do any shopping yet, so.
24:44Don't be silly. I just saw and thought of you. It's nothing, okay?
24:46And I spoke to Tom about the book.
24:48Oh, you spoke to him?
24:48I just got off the phone with him. He sounds so excited.
24:50Oh, good. That's very good.
24:52Okay, I got it.
24:58Well, Susan.
24:59What?
25:00Merry Christmas.
25:01Oh, honey, I read your book, and it's a hooch. I really loved it.
25:03Oh.
25:04And, especially when you included the rest of us.
25:06Gloria, I'm really pleased. Thank you very much for it.
25:08Okay, now, open this when you come home.
25:09It's a little personal.
25:10God, Gloria, you shouldn't have.
25:12Oh, of course I should have. I get a kick out of getting the perfect gift for everybody.
25:15I start Christmas shopping January second.
25:16Oh, thank you very, very much.
25:18You're welcome.
25:19Bye.
25:19Hi, Tom.
25:22Hi, Tom. It's Susan, your editor. At least, I hope I'm still your editor.
25:26Walter loved the book, so we need to start discussing your deal.
25:29I know that you're disappointed with Susan, the woman, but please return the call to Susan,
25:34the editor.
25:34Tom, I'm sorry.
25:35I'm sorry. Susan, the woman, would like a second chance, so maybe you can call her, too.
25:45Tom, I miss you. So, Merry Christmas.
25:52Well done, Susan Stone.
26:01What do you say we go home and open our presents, huh?
26:04Yeah. Come on.
26:13Cool.
26:14Oh, my God. Who wears these and when?
26:17On Christmas, silly.
26:19Let's see what Robin and Ben have given us.
26:22Oh, my gosh. Tiffany's. Is she crazy?
26:31Ha-ha. Now you have to get a tree.
26:33Ha-ha.
26:52It's the most pathetic tree I've ever seen.
26:58It's better than the one that you didn't have last year.
27:00Now continue, please.
27:03On Dasher, on Dancer, on Prancer and Vixen.
27:07On Comet, on Cupid, on Donner and Blitzen.
27:10To the top of the porch, to the top of the wall.
27:14Now dash away, dash away, dash away all.
27:17And as he drove out of sight, I heard him explain.
27:20Merry Christmas to all, and to all, good night.
27:23Oh, my God.
27:37You really enjoyed it.
27:37And now, if you don't like the tree, it's so scary, isn't it?
27:39It is a great, isn't it?
27:40It's a great day.
27:42I'm like, I'm going to take three things.
27:44There's no need to come.
27:45I'm going to take care of this.
27:47I'm going to take care of it.
27:48Sous ?
28:18Merry Christmas, my Suisse.
28:30I love you so much.
28:42I'm Vitaille.
28:48I like the eye.
29:04Oh, God!
29:06Hey, why didn't you call me?
29:07I left you like a hundred messages.
29:09I was in New York.
29:10I didn't check the Connecticut machine until this morning.
29:13Oh, well, wait a minute.
29:14I thought that you had the gift.
29:15But only a teeny gift.
29:17I missed you.
29:21Me too.
29:33This is the best Christmas I've ever had.
29:37Is that good?
29:38So Santa brought you everything you wanted, Alice?
29:40You mean there is a Santa?
29:41Oh, that's a fact.
29:43Right, Bob?
29:43Oh, absolutely.
29:45I bet she looks just the way you did when you were little.
29:47Yeah, she does.
29:48May I propose a toast?
29:50Bob?
29:51David.
29:51Thank you.
29:52Glasses up?
29:53A toast?
29:54A toast.
29:55Up, up, up, up, up.
29:55To friends who can be family and family who can be friends.
30:00Here!
30:01Great, Dilly.
30:01Merry Christmas, my precious, precious doodle bears.
30:09Do you have everything that you need?
30:12Yeah.
30:12Get some more turkeys.
30:14Do you know what?
30:16Did you go see it last week?
30:18Uh, yeah.
30:19I saw her a couple of weeks ago, and she thought I was dead.
30:23How is Danny?
30:24It's good.
30:25Me, I love five.
30:26Merry Christmas, baby Prue.
30:32Ha, ha, ha, ha!
31:26...
31:56...
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