- il y a 1 an
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Prise par le travail, une femme a oublié comment rêver. Jusqu’au jour où une version plus jeune d’elle-même vient réveiller son cœur et changer son regard sur la vie.
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Genre : Film en Français Complet, Nouveauté, Comédie Adolescente
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#ComedieFR #FilmComplet
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Genre : Film en Français Complet, Nouveauté, Comédie Adolescente
© Tous Droits Réservés
#ComedieFR #FilmComplet
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Court métrageTranscription
00:00Sous-titrage Société Radio-Canada
00:30...
01:00...
01:02...
01:03Must be the book.
01:05I've been remembering things I hadn't thought about in years.
01:11Just all of a sudden I knew exactly what you looked like when you were a little girl.
01:14What if they hate it?
01:32Well, they'll be wrong.
01:34And they'll be wrong.
01:43Come on, Vera.
01:44We did some good work today, don't you think?
01:50It felt good.
01:51You see, Vera.
01:52Do you really think that life is shaped by the yeses and not the noes?
02:01Mm-hmm.
02:02Well, I said yes once and it was a complete disaster.
02:08Mm.
02:10Well, my guess is that you were just saying the word.
02:13What you're really doing is saying no to yourself.
02:16You're a remarkable talent, huh, Miller?
02:22Oh, thanks.
02:23And Robin was right.
02:25You are a great editor.
02:27Susan Stone.
02:27Well, thank you.
02:28Thank you.
02:29Thank you.
02:34Is it that late?
02:36I guess so.
02:37Yeah.
02:38All right, well, um, I'll see you bright and early.
02:42Okay.
02:43All right.
02:44Good night.
02:45Good night.
02:45Good night.
02:45Good night.
02:54Good night.
02:56Bye.
03:08Suze?
03:10Mm-hmm?
03:11I think he wanted to kiss you.
03:13Don't be ridiculous.
03:15This is strictly a working relationship.
03:17Why can't it be both?
03:19Because you don't make your bed where you eat.
03:22Well, I'm sure he's a lot of fun.
03:26Suze?
03:27Hmm?
03:28I love that he plays the trombone.
03:30Now I'm beginning to think that you don't understand Fooey as a character.
03:47I do, too.
03:48Well, then why would you want me to change Fooey's reaction?
03:51Because I just don't believe that any sane woman who's thrown into a squalid jail in Selma
03:55is going to be so serene and calm.
03:58I'm almost happy.
03:59Hmm.
03:59So you really don't understand?
04:01You don't know what you're missing here.
04:03I'm on a diet.
04:04Oh, you don't need to diet.
04:05Come on.
04:05Come on.
04:06Try this.
04:09Hmm?
04:10Hmm?
04:10Hmm?
04:11Now, see, Fooey was one of those rare, wonderful people.
04:15No matter what the disaster, she always saw it as an opportunity.
04:19The glass was always half full.
04:20Of course, that drives the half-empties totally crazy.
04:24Who does that remind you of?
04:26That is wonderful.
04:27Mm-hmm.
04:27This woman is a genius.
04:29Finish it.
04:29Finish it.
04:30Oh.
04:30Thank you.
04:31Thank you.
04:37Hmm.
04:38Wait till you try her Napoleon.
04:41You know, I think Aunt Pru would love my brother Bob.
04:44Yeah?
04:44Well, in that case, I probably will, too.
04:46I told you.
04:47Prince Charming.
04:48Thank you.
05:04Thank you.
05:05Hmm.
05:05Thanks.
05:06C'est parti !
05:36Julie, hi, it's Susan. Would you please get Robin for me?
05:45Hi, Robin. What's going on?
05:48Good, good. You wouldn't believe all the work we've gotten done in the last two weeks.
05:51You want to patch me through to Dilly?
05:54How you doing?
05:57Oh, that's wonderful, Dilly. Yeah.
06:00Yeah, that was a great review. How about getting another one, huh?
06:02New pages. Oh, Dilly. That's great. No, that's better than great. That's wonderful.
06:12Yeah. Oh, I'm glad you like her. Robin is sweet, isn't she?
06:18Yeah.
06:18Okay. All right. Yeah, you know what, I'm just checking in with you, so I'm, uh, I'll just call you back later, okay?
06:27Okay. All right. Bye.
06:29Yes. Yes, yes, yes, yes, yes, yes, yes, yes, yes.
06:41Yes, yes. Oh, my God. Oh.
06:43Yes, yes, yes, yes.
07:15C'est fini !
07:16Doodleberry !
07:18Doodleberry !
07:19Je t'ai dit !
07:20Je t'ai dit !
07:21C'est le meilleur que tu peux faire !
07:23Je suis juste l'éditor !
07:25Je suis l'adresse !
07:26Tu as l'adresse !
07:27Non, non, non !
07:28Tu ne m'as pas à l'apologer !
07:29Je ne m'as pas à l'apologer !
07:30Tu ne m'as pas à l'apologer !
07:31Je ne m'as pas à l'apologer !
07:45C'est un déceit !
07:52C'est un déceit !
07:53Non, non, non !
07:54C'est un peu schizophrenique !
07:55Non !
07:56Non !
07:56Ça ne m'a pas à l'apologer !
07:57Ça ne m'a pas à l'apologer !
07:59Je veux que ça ne m'a pas à l'apologer !
08:01Je peux dire ça !
08:02Mais ça ne m'a pas à l'apologer !
08:04Non !
08:04Ça ne m'a pas à l'apologer !
08:08C'est parti !
08:09C'est parti !
08:15Je te dis, regarde !
08:18Je ne me déceit !
08:19Je me déceit !
08:21C'est un bon, pas un mauvais !
08:23C'est un peu de mal.
08:25Je ne m'as pas à l'apologer !
08:26Tu ne m'as pas à l'apologer !
08:28Tu ne m'as pas à l'apologer !
08:29Tu ne m'as pas à l'apologer !
08:30Je m'as pas à l'apologer !
08:31Je m'as pas à l'apologer !
08:32Et je me dis, on a l'apologer !
08:38Donc si je peux faire le train,
08:41je peux le faire le déceit sur la journée !
08:43Just a little surprise, that's so.
08:46Thought we had a few more days.
08:49Didn't realize we were done.
08:50Well, not done-done, but done enough to get some input.
08:59So, uh, what are you doing for the holidays?
09:03Oh, I'm not sure.
09:04I was actually thinking of just staying at home this year.
09:08Hmm.
09:13Yep, careful, you're stepping on Uncle Hire on there.
09:18Sorry.
09:19I never knew anyone who had their own cemetery.
09:23My mother and father.
09:26Mom.
09:28Dad.
09:30I'd like you to meet Susan.
09:36I think they would have liked you.
09:37You sure you're not running back because of last night?
09:45Tom, um, last night was entirely my fault.
09:48It was a huge mistake.
09:51I mean, we could never, ever, ever possibly become romantically involved.
09:58But we already are.
09:59No, no, it can't happen.
10:01I mean, it would be a disaster for the book.
10:03But I see it happening.
10:05What are you talking about?
10:07I've already seen it.
10:08Oh, please, Tom, come on.
10:10You're being crazy now, okay?
10:11I mean, one indiscreet moment means nothing more than one indiscreet moment
10:14when we were both so tired that we lost it.
10:18I didn't lose it.
10:21Listen to me, okay?
10:23I'm your editor.
10:24That is all.
10:24Nothing more.
10:25But Susan...
10:26No, I like you.
10:28I do.
10:28Just not in that way.
10:34Oh.
10:34Well, I guess maybe I, uh, maybe I don't have the gift after all, huh?
10:49Um, well, maybe we should get started.
10:51Um, I don't want to be late.
10:53No.
10:53Um, well, Amy...
10:56Uh-uh.
10:57Um, well...
10:58We want to go there.
11:14Um, wait.
11:18Hey.
11:19Hey.
11:20Hey.
11:20...
11:50...
11:51Well, um, I'll call you as soon as I hear anything.
11:54Okay.
11:55Oh, uh, regarding the title, why don't you make a list and I'll make a list?
12:01Right.
12:03Well, Merry Christmas, Susan.
12:07You too.
12:08Don't worry, I'm sure that everyone will love the book.
12:11Okay.
12:12Here.
12:20...
12:30...
12:35...
12:47...
12:51...
12:57...
12:59...
13:00...
13:01...
13:05...
13:07...
13:08...
13:09Sorry.
13:10Make 15 copies.
13:11I want to distribute them personally and change the title page to untitled, alright?
13:15Did Tom Muller call?
13:17No, is he supposed to?
13:19Good morning, Robin.
13:20Morning, Susan.
13:21Who the hell do we give these to?
13:22Who do we think's a definite yes?
13:23Nobody.
13:24Huh, probably yes, maybe Gloria.
13:25At least she has a sense of humor.
13:26What about Herbert?
13:27Possibly yes.
13:28Donald?
13:29He's a definite no.
13:30Mark's another no.
13:31I like it better than anybody.
13:32I like it better than anybody.
13:33I'm not even going to give it to that teeny bopper.
13:34He won't think it's hip enough.
13:35You're wrong about Mark.
13:36I wish there was some way of keeping Dorinda off the list, sort of stabbing her in the throat.
13:39What a mess.
13:40Grandma three, like in the old days.
13:41Remember those?
13:42Only vaguely.
13:43Only vaguely.
13:44Oh, no.
13:45I don't know.
13:46I don't know.
13:47I don't know.
13:48I don't know.
13:49I don't know.
13:50I don't know.
13:51I don't know.
13:52I don't know.
13:53Mark's another no.
13:54I like it better than anybody.
13:55I'm not even going to give it to that teeny bopper.
13:56He won't think it's hip enough.
13:57You're wrong about Mark.
13:58I wish there was some way of keeping Dorinda off the list, sort of stabbing her in the throat.
14:00What a mess.
14:01Grandma three, like in the old days.
14:02Remember those?
14:03Only vaguely.
14:13Tom could play that better.
14:18I'm Dilly.
14:20Thank you.
14:21May I say something?
14:23Please.
14:24I think that it was brilliant of you to have him read his reviews, and the work that you did on Fooey is just...
14:28Please don't call it Fooey.
14:30Sorry.
14:31What should I call it then?
14:33Why don't we just call it Untitled for now?
14:36Okay.
14:37Well, you know how much I loved Untitled before, right?
14:40But now it's just Susan.
14:41It's...
14:42It's...
14:43I got it.
14:44Thank you.
14:45I'm Susan.
14:47Good luck tomorrow.
15:10Thank you.
15:12C'est parti.
15:42Think positive. They're all going to love it.
15:54Oh, Susan, good. Are we all here? Let's get started, people.
15:58I wanted to like it. My brother and he were practically roommates at Harvard.
16:03In fact, I met with him a few weeks ago when it was still called Fooey, and I passed.
16:08I know. Okay, you want me to be truthful.
16:10Okay. It hasn't improved. It's still absolutely endless, not to mention stupid.
16:17Chacun est au goût, as the French say.
16:20Herbert?
16:21I... Well, actually, I didn't finish it. I thought the writing was okay, but I found myself wandering.
16:29Gloria, what did you think?
16:32I had that big party for Wolfgang. I just didn't have a minute.
16:36I'm really, really sorry. I'll get to it tonight. I promise.
16:40Donald, you get a chance to look at it?
16:41It's not my cup of tea, Walter. I don't know. It's a little too fantastic for moi.
16:48What does marketing say?
16:50If we don't spend a lot, we won't lose a lot. It could even be a wash.
16:53Susan, you haven't said a word.
17:00I only have one thing to say to all of you.
17:17Tom Miller's a superb and unique talent, and I think that his book is brilliant.
17:22It's funny and charming and very smart, and on top of that, I think it's going to make money.
17:31And frankly, if Blair House doesn't publish this book, then I'm not really sure what I'm doing here anymore.
17:40I agree.
17:43Mark, you weren't on Susan's list.
17:46I overheard several assistants raving about it in the kitchen, so I bootlegged the copy.
17:50And, um, look, this guy may be a little unusual, but that's the whole point.
17:55I think Susan's absolutely correct.
17:57I mean, wake up. Would you not say publish John Irving?
18:00Because sometimes he's a little fantastic, and that's just one tiny aspect of it.
18:05I mean, what about the Americana of it all?
18:08And the romance?
18:10And Dorinda?
18:12Don't tell me you didn't at least love all the dirty parts.
18:20Come on, guys, get with it.
18:23If we don't nail this guy down, somebody else will.
18:26And won't we be embarrassed when it gets out that we had him first and didn't publish him?
18:31Anyway, I'm a strong yes.
18:35Well, Susan, can't wait to read your new guy.
18:39Well, actually, Walter, it was Robin who found him.
18:41Oh, good work, Robin.
18:45All right, is that it?
18:48Now let's get back to work.
18:57Susan, something's happened to you the last couple of weeks.
19:02I like it.
19:03Thank you, Walter.
19:04So do I.
19:05Thank you.
19:05Thank you.
19:11Susan, thank you so much.
19:13You have no idea how much that meant to me.
19:14I mean, I've been wrong about you this whole time.
19:16I thought you hated me.
19:17Did you know that?
19:17And nobody ever, I mean, I'm so sorry that Ben and I called you the Wicked Witch of the West.
19:21We were completely wrong.
19:22But it's just because I didn't have any idea.
19:23You're so amazing, and no one ever gives their assistant credit ever.
19:26Did you know that?
19:26Well, you deserve the credit, Robin.
19:28You really do.
19:29And I only found the book.
19:29I mean, you fixed it, right?
19:31No, you deserve the credit.
19:31I learned so much from you.
19:32You really do.
19:32You really do.
19:33Now, I want you to run along and come back in five minutes,
19:36because we really do have to have that discussion about run-on sentences, okay?
19:39Okay, but actually, it's lunchtime,
19:42and Ben, I know how much you hate Christmas parties,
19:44but Ben's office is having their party.
19:45It's really important to let I be there.
19:46Go, go, okay?
19:47Are you sure?
19:48Yeah, I'm positive.
19:49Go ahead, go.
19:49Thank you.
19:50Okay.
19:51Thank you so much.
19:52Thank you, thank you, thank you.
19:53Okay, thank you.
19:54Thank you.
19:54Thank you.
20:06Hi, Tom, it's Susan.
20:15I have wonderful news.
20:18I'm at the office, and I should be here until about 7,
20:20and then I'll be at home.
20:23You have both the numbers, so call me.
20:26Okay, bye-bye.
20:27Bye-bye.
20:36Bye-bye.
21:06You have no messages.
21:10At least you're not getting fired.
21:12Dilly's writing, and I know Tom's book's gonna get published.
21:16Maybe you'll even get a bonus.
21:28I'll bet if you called Bob, he'd invite you over for Christmas.
21:31Just say you're sorry.
21:38You know you're sorry.
21:40Bob, it's your sister, Sue's the Scrooge.
22:10Je m'appelle pour m'a pardonné, donc...
22:14...je m'appelle.
22:16Goose-breath.
22:22Happy?
22:24Very.
22:30Why doesn't he call?
22:40Hello.
22:44...
22:50...
22:54...
22:56...
22:58...
23:00...
23:02...
23:06...
23:08Sous-titrage Société Radio-Canada
23:38Sous-titrage Société Radio-Canada
24:08Sous-titrage Société Radio-Canada
24:38Sous-titrage Société Radio-Canada
25:08Sous-titrage Société Radio-Canada
25:10You shouldn't have.
25:12Of course I should have. I get a kick out of getting the perfect gift for everybody. I start Christmas shopping January 2nd.
25:16Thank you very, very much.
25:18You're welcome. Bye.
25:20Hi, Tom. It's Susan, your editor. At least I hope I'm so your editor. Walter loved the book, so we need to start discussing your deal. I know that you're disappointed with Susan the woman, but please return the call to Susan the editor.
25:34Tom, I'm sorry. Susan the woman would like a second chance, so maybe you can call her too. Tom, I miss you. So, Merry Christmas.
25:52Well done, Susan Stone.
25:58What do you say we go home and open our presents, huh? Yeah. Come on.
26:04Cool. Oh my God, who wears these and when? On Christmas, silly. Let's see what Robin and Ben have given us. Oh my gosh, Tiffany's. Is she crazy?
26:24Ha ha. Now you have to get a tree.
26:54It's the most pathetic tree I've ever seen. It's better than the one that you didn't have last year. Now continue, please.
27:03On Dasher, on Dancer, on Prancer and Vixen. On Comet, on Cupid, on Donner and Blitzen. To the top of the porch, to the top of the wall. Now dash away, dash away, dash away all.
27:17And as he drove out of sight, I heard him explain. Merry Christmas to all, and to all, good night.
27:47Suze?
28:17Suze?
28:26Merry Christmas, my Suze.
28:31I love you so much.
28:42On Vita.
28:47I like the eye.
29:04Oh, God!
29:06Hey, why didn't you call me? I left you like a hundred messages.
29:09I was in New York. I didn't check the Connecticut machine until this morning.
29:12Oh, well, wait a minute. I thought that you had the gift.
29:15Yes, but only a teeny gift.
29:19I missed you.
29:21Me too.
29:33This is the best Christmas I've ever had.
29:36You look good.
29:37So, Santa brought you everything you wanted, Alice?
29:40You mean there is a Santa?
29:41Oh, that's a fact.
29:43Right, Bob?
29:44Oh, absolutely.
29:45I bet she looks just the way you did when you were little.
29:48Yeah, she does.
29:49May I propose a toast?
29:50Bob?
29:51Here you go.
29:52Thank you.
29:53Glasses up?
29:54A toast?
29:55Up, up, up, up, up, up, up, up.
29:56To friends who can be family, and family who can be friends.
30:00Cheers!
30:01Great, Bailey.
30:02Merry Christmas, my precious, precious doodle bears.
30:05Doodle bears.
30:10Do you have everything that you need?
30:11Do you have everything that you need?
30:12Yeah.
30:13Got to get some more turkeys.
30:15Do you know what?
30:16Did you miss me at Millie last week?
30:18Uh, yeah.
30:19I saw her a couple of weeks ago, and she thought I was dead.
30:23How is Danny?
30:24He's good.
30:25Um, last I heard he pulled up a coin and they got it.
30:27Merry Christmas, baby Prue.
30:33Ha, ha, ha, ha!
30:57Henry, I'm sorry.
31:00Woo, I'm sorry.
31:04I'll be here in trance of the Dunin.
31:08He's been a TV-man of an artist.
31:10I need to dream with you.
31:11That's what he needs to do.
31:12He's been a kid.
31:15He's been a kid.
31:17He's been a kid, too.
31:18I did a kid when he was you.
31:22He's been a kid, too.
31:24He's been a kid, too.
31:55...
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