- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54Well, anything else is gonna come to mind.
00:04:55Let's say we meet our performers.
00:04:56Let's say we meet our performers.
00:04:57We have outplaying Giants.
00:04:58We have to read your fortress.
00:04:59We have to read it every month.
00:05:00We have to read it every month.
00:05:01Very nice.
00:05:02We have to read that effort.
00:05:03We'll have to read them for a long time.
00:05:13What ever Guess who's got to need?
00:05:15It's not fue.
00:05:16We have to read it all the people who can come to love.
00:05:17They can't hardly believe me...
00:05:21Where are we coming from?
00:05:22Oh, my God.
00:05:52Oh, my God.
00:06:22Oh, my God.
00:06:51Oh, my God.
00:07:21Oh, my God.
00:07:51Oh, my God.
00:08:21Oh, my God.
00:08:51Hey, excuse me, have you, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:55Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay.
00:09:00Okay.
00:09:00Here.
00:09:02Will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to make for the Children of the Sun?
00:09:11Are you trying to get me drunk?
00:09:18Well, it's not a bad idea.
00:09:20Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:25Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40Well, he's looking for his fiancee.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Mm.
00:09:48Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only a depiction.
00:10:45Love is everywhere.
00:10:46If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:02Marco.
00:11:02How are you?
00:11:05This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:18Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:29But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43And where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:12No, I haven't danced in years.
00:12:14Well, we're gonna have to make up for lost time then.
00:12:19Listen, Criela, maybe we should go back to the table, huh?
00:12:27Why?
00:12:28Your dancing is great.
00:12:36Come on, listen up.
00:12:37I feel uncomfortable.
00:12:50Well, there's no need.
00:13:03What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please help me.
00:13:55I understand you.
00:14:03You know, love can be a strange thing.
00:14:05You know, love can be a little.
00:14:07I love you.
00:14:07I love you.
00:14:08You know, love can be a little.
00:14:17I love you.
00:14:17I love you.
00:14:22Oh, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:20Huh?
00:15:22Huh?
00:15:23Sometimes you're a real asshole.
00:15:25Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:33What a warping.
00:15:35What's wrong?
00:15:39Are you nervous?
00:15:41Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:46I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:57Haven't you noticed?
00:15:58He hasn't said a word since we left.
00:16:00We hired him to keep up a conversation with us, alright?
00:16:05Look at him.
00:16:06Look at him.
00:16:07The hat.
00:16:08His base.
00:16:09He's a pirate.
00:16:10I've been told he's a very good sailor.
00:16:13Honest and completely trustworthy who knows these islands.
00:16:16He looks like he doesn't watch.
00:16:18He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Aw.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:02Looks like Florida.
00:17:03What a disappointment.
00:17:07We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:24Uh-huh.
00:17:34Is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:55I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:58Whatever you like.
00:18:06Can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:09All right.
00:18:11Bye.
00:18:16Bye.
00:18:28Bye.
00:18:34Bye.
00:18:35Hi.
00:18:44Hi.
00:18:46Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:03Wait, good morning.
00:19:04Good morning.
00:19:05Good morning, sir.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17Eh, that's it.
00:19:19Hey.
00:19:20Hey, hey.
00:19:20You have robbed all my feelings, and I have no remedy to love you more.
00:19:40Dime, muñeca linda, que tú me hiciste, que cada día que pasa te quiero más.
00:19:44Dime si son tus besos o tus caricias, o tu forma de caminar.
00:19:48Dime si son tus sentimientos, o tu forma de acariciar.
00:19:52Dime si son tus sentimientos, un poco más de menos que amarte más.
00:19:59Good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol, or would you prefer some soft drinks?
00:20:13Mmm, well, a little of both.
00:20:15I won't be long.
00:20:18Here are some bottles.
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:20:57Mm-hmm.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08You remember Andy the Nerd?
00:21:10Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:21Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:33Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:47And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you, like, long for New York at all?
00:22:04No.
00:22:06America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:15Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I hear?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:23:00Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is.
00:23:04The chef's special.
00:23:05Enjoy your food.
00:23:10I'm starving.
00:23:13Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35The warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53Criella.
00:23:54It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's old hat.
00:24:09You disappoint me.
00:24:10That woman has a hard heart with MFP.
00:24:22Yeah, it's very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:49The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57You dance almost like a native.
00:24:59Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:20Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:41Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16Could it be terribly easy for you to make an oaf like that?
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanizer, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33Hmm, it's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:27:02Sorry.
00:27:09Sorry.
00:27:10I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:21Me too.
00:27:27Me too.
00:27:31I love you too.
00:27:34God.
00:27:38It's okay.
00:27:41If you're tired.
00:27:45It's happened before.
00:27:46It'll pass.
00:28:16It'll pass.
00:28:46It'll pass.
00:29:16It'll pass.
00:29:46It'll pass.
00:30:14Stop it! Leave me alone!
00:30:17Put me down!
00:30:23Vamos!
00:30:32It's a good thing you came.
00:30:35I guess I should say thanks.
00:30:38You don't have to.
00:30:41Thanks, anyway.
00:30:44You know, you shouldn't go around by yourself.
00:30:49It's asking for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:58Do what you want.
00:31:14What are you doing?
00:31:18Offering you a little hospitality.
00:31:20Here, have a drink.
00:31:50Viola?
00:31:59You there?
00:32:04You there?
00:32:09Viola!
00:32:16Viola!
00:32:21Viola!
00:32:23Viola!
00:32:24Viola!
00:32:38Have you seen Criola?
00:32:40No.
00:32:41There's no sign of her on the beach.
00:32:44The bungalow is empty.
00:32:45She's disappeared.
00:32:47She's probably gone off exploring the island.
00:32:51I expect you're right.
00:32:52Thanks, Consuelo.
00:32:53Ciao.
00:33:02Ciao.
00:33:04Where the hell have you been?
00:33:05Where the hell have you been?
00:33:06I looked all over for you.
00:33:07I got bored here all along.
00:33:09So I took off to look around, alright?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures.
00:33:25Things I'd never have found without her.
00:33:27It's a little louder.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah.
00:33:43Let's go away.
00:33:45We can't yet.
00:33:47I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down.
00:33:53I'd never work again.
00:33:54No way, forget it.
00:33:55Well, I can't forget it.
00:33:58I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:08I know.
00:34:09But I can't stay here another minute.
00:34:11I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be alright again soon, I swear.
00:34:19No, it's...
00:34:20There's nothing to do with you.
00:34:21I don't know.
00:34:22It's just...
00:34:23Look.
00:34:25I'm counting on the erotic atmosphere of this place to do the trick,
00:34:27and I'm sure it will.
00:34:29It's only a question of time.
00:34:31I know it.
00:34:34All you have to do is be patient.
00:34:37Just a little longer.
00:34:39We'll be happy again.
00:34:40And then...
00:34:42I'll be able to give you what you need so badly.
00:34:44Me, I know it's killing badly.
00:34:48Yeah!
00:34:50Something badly.
00:34:56Oh, God.
00:34:58Oh, God.
00:34:59I'm bad.
00:35:00Oh, God.
00:35:01He's hurting me.
00:35:02I'm bad.
00:35:03I know it's coming too short.
00:35:05I can't hold you, man.
00:35:06I know it's coming badly.
00:36:07One day I guess I'll get another chance.
00:36:12One day I guess I'll get another chance.
00:36:42One needs a good motive to get drunk, but I guess I'm the only one who hasn't got one.
00:36:54Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:06No one ever tells the truth.
00:37:09Even jokingly.
00:37:10I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course you include yourself in that sweeping statement.
00:37:19Don't you tell the truth?
00:37:29I don't know.
00:37:31But I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:38I've stopped looking for it.
00:37:40The broken hearts.
00:37:51I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:34Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here in King Consuelo.
00:38:58I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always high.
00:39:08It's not true.
00:39:09I'm not going to stay around and talk about it.
00:39:13Goodbye, I'll be yours.
00:39:28Goodbye, I'll be yours.
00:39:58Goodbye, I'll be yours.
00:40:08It's exactly four hours.
00:40:10What?
00:40:10Have we been driving around?
00:40:14Since you made a sound change.
00:40:17Sorry, Joanne,
00:40:18but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:25You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed, and if I don't get her away from this place,
00:40:36I'm afraid I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:43I'll take you back.
00:40:58I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends,
00:41:22but I'm not complaining.
00:41:24I asked because when I was a little girl,
00:41:26I dreamed of being a dancer or a model,
00:41:28but I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagined bumping into you here.
00:41:48Did you just get here?
00:41:49Yeah, wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:55I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:02Okay, that's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:12I may know where your girlfriend is.
00:42:14Iris, you mean you found her?
00:42:16Yeah.
00:42:17Oh, God.
00:42:18You.
00:42:19Where is it?
00:42:20Don't worry.
00:42:21What do you want?
00:42:22I came to take you back.
00:42:23You made the trip for nothing.
00:42:25I'm sorry.
00:42:26Leon, where are you going?
00:42:27I'm leaving.
00:42:28But why?
00:42:29You're not the one who has to leave.
00:42:30Go away.
00:42:31Go back where you came from.
00:42:32Go on, get out.
00:42:33Leon, throw him out.
00:42:34Do something.
00:42:35I am.
00:42:36I am.
00:42:37Leon, Leon, go away.
00:42:38Leon, go away.
00:42:39Leon, go away.
00:42:40Why?
00:42:41Why?
00:42:42Don't go away.
00:42:43Why?
00:42:44Why?
00:42:45Why?
00:42:46Why?
00:42:47Why?
00:42:48Why?
00:42:49Why?
00:42:50Why?
00:42:51Why?
00:42:52Why?
00:42:53Why?
00:42:54Why did you come here?
00:42:55Why?
00:42:56Why did you come here?
00:42:57I'm sorry.
00:42:58You made the trip for nothing.
00:43:00I'm sorry.
00:43:01Leon, where are you going?
00:43:03I'm leaving.
00:43:04But why?
00:43:05Why?
00:43:06why did you come here because i still love you and i'm not leaving without you
00:43:14don't you understand marco i'm no longer the girl that you knew
00:43:20now i'm another person i love another man i'll wait i'm patient iris you'll get over
00:43:28it once we're together again i'm not leaving this island without you
00:43:36can i stay on board
00:44:06i get this straight this time must be forever
00:44:24i know so stay
00:44:36she's not a consuelo she's not on the beach she's gone there's no other explanation
00:44:45i knew it she's gone back to the states
00:44:51how wearing a pareo andy look she hasn't gone her stuff's still here
00:45:06andy you're not to worry i'm sure that creola will soon come back do believe me
00:45:15andy i gotta be off now so long see you at dinner
00:45:27andy
00:45:29andy
00:45:37andy
00:45:39andy
00:45:41Have you seen Leon?
00:45:58Sorry to the stern I want a word with him I'll leave you two together wait
00:46:18What do you want iris iris you got her you don't want iris iris is free to do what she wants
00:46:28adios
00:46:58Oh
00:47:00Oh
00:47:02Oh
00:47:04Oh
00:47:06Oh
00:47:08Oh
00:47:10Oh
00:47:12Oh
00:47:14Oh
00:47:16Oh
00:47:18Oh
00:47:20Oh
00:47:22Oh
00:47:24Oh
00:47:26Oh
00:47:28Oh
00:47:30Oh
00:47:32Oh
00:47:34Oh
00:47:36Oh
00:47:38No
00:47:40It's not true
00:47:42I don't believe you
00:47:44You're only saying that to convince me to come with you
00:47:48I tell you I saw them with my own eyes it's true
00:47:52Forget him
00:47:56You'll suffer a little at first but then but then it'll pass
00:48:02I'll help you to forget
00:48:04No I don't want to forget
00:48:06It doesn't make sense why don't you believe me he's with someone else now
00:48:12It's over
00:48:14Don't you understand
00:48:16He'll get tired of her quickly
00:48:18It's already happened other times
00:48:22I
00:48:24Know him
00:48:26It's me he loves
00:48:28I'll wait
00:48:30Oh
00:48:32Christ
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