- 7 weeks ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I think I'm going to be good.
00:01:33I'm going to be good.
00:01:34I'm going to be good.
00:01:35I'm going to be good.
00:01:36I'm going to be good.
00:01:42Shit.
00:01:44Whoa.
00:01:45I can't buy my wallet.
00:01:50The real receipt case?
00:01:52No.
00:01:53I'm going to be somewhere.
00:01:54Maybe it's in my car.
00:01:57What do you think of this?
00:02:13She's lost her purse.
00:02:27Where did you have it last?
00:02:35The train station, I think. The exchange group.
00:02:43Oh, Jamie. I'm sorry.
00:02:47That bastard at the train station started when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think so.
00:03:27It's nice.
00:03:28Yes, I have a credit card. The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:33It's nice.
00:03:34Yes, I have a credit card. The number's on file on my computer.
00:03:37Yes, I have them here.
00:03:38Okay.
00:03:39Five, five, three, three.
00:03:40Seven, six, four, five.
00:03:41Eight, seven, eight, seven, eight, seven.
00:03:42Nine, one, five, seven.
00:03:43Five, seven.
00:03:44Yeah.
00:03:45Expires 12.15.
00:03:46No, she'll definitely need another card sent out immediately.
00:03:47We're here for two weeks.
00:03:48No, she'll definitely need another card sent out immediately.
00:03:49We're here for two weeks.
00:03:50No, I'm working here.
00:03:51No, I'm working here.
00:03:52No, she'll definitely need another card sent out immediately.
00:03:53We're here for two weeks.
00:03:54No, I'm working here.
00:03:55No, I'm working here.
00:03:56Yes, I'll hold.
00:03:59No, she'll definitely need another card sent out immediately.
00:04:01We're here for two weeks.
00:04:04No, I'm working here.
00:04:12Yes, on hold.
00:04:18Here we go.
00:04:23You love how they ask, as if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides, learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:35I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:45And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:48Well, I am going to finally transcribe the tapes.
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:13I think it's a fantastic idea, Jen.
00:05:15I always have, you know that?
00:05:18I just don't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34It has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39Why do you think he killed himself?
00:06:04David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:21Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, do you know?
00:06:40Just so tedious.
00:06:44And of course he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't that...
00:06:50Jane, can I...
00:06:50Can we not talk about this?
00:06:54Just...
00:06:54Just a bit more than...
00:06:56I love you.
00:07:15I love you too.
00:07:20I love you too.
00:07:24Do you feel alright?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:40Are you sure?
00:07:45Mm-hmm.
00:07:54Thanks.
00:08:03Tim.
00:08:07Thanks.
00:08:07And
00:08:12I love you too.
00:08:15I love you too.
00:08:18I don't know.
00:08:48I don't know.
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:39So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26I'll see you later.
00:10:28What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19And this man, he had blood in his hair.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:25Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:35Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:53No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03You want to ask me more boring questions about the war.
00:13:08All right, then.
00:13:08Uh, scusi.
00:13:12Susi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oreganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Sì.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:28My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:45How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming,
00:15:14there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:28You look too young to be married.
00:15:33You newlywed?
00:15:33No.
00:15:36No.
00:15:46Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:51Fuck.
00:15:58One?
00:15:58Damn.
00:15:59All right.
00:16:00Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:30What brought you out of here today?
00:16:35Barry.
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:40They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:53In, like, the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day and it still gets me.
00:17:16If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization
00:17:28dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40You know, I just didn't want to go to college and they paid for me to come over.
00:17:43Four connecting flights is a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:48How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older.
00:18:34He's like deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:46I never left.
00:19:16I never left.
00:19:38Love teaches me to feed on flames and tears.
00:19:43to turn withered hope green through desire,
00:19:48to re-enslave my heart each time love frees
00:19:52his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:04You read that in your guidebook this morning, didn't you, Jane?
00:20:08Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory
00:20:13all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17I thought Michelangelo was gay.
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then. In Italian.
00:20:32Let's hear the poem.
00:20:35Come on.
00:20:37De lacrime a de faco nutria l'alma.
00:20:44Con secca speme reinvedia la voglia.
00:20:49Lega de nuovo il cuor quando de scioglia.
00:20:55Segna maggiore la vista tierra ed alma.
00:21:00I'm impressed.
00:21:08You hungry?
00:21:10Why, you gonna take me out?
00:21:12Yeah.
00:21:18Alright then.
00:21:19Two pastas with the house sauce, please?
00:21:27Red.
00:21:28White?
00:21:29Red, please.
00:21:30Uh-huh.
00:21:32Grazie.
00:21:33So you're really not gonna tell me what you do?
00:21:36I write freelance articles about parties and fashion trends in town and country UK.
00:21:46There's something else.
00:21:51I'm writing a book about my grandmother's experiences in rural England living through two world wars.
00:22:01I recorded her for hours and hours.
00:22:04But now, I don't know.
00:22:08What don't you know?
00:22:11You wanna listen?
00:22:13A little?
00:22:14Yeah.
00:22:15Yeah?
00:22:16Yeah, I know it.
00:22:17I love to listen.
00:22:34All tangled up.
00:22:35Oh God.
00:22:36Okay.
00:22:37Awful as it was, it made you stronger.
00:22:45These days people whine about all sorts of things.
00:22:48I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53We all have our own private wars every era, but it was nothing like...
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:15That is like...
00:23:16It's like a window in time.
00:23:21The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never going to finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:34Bonding over granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:41Buongiorno.
00:23:42Buongiorno.
00:23:43Senori.
00:23:44I got pregnant, so we got married.
00:23:59I lost the baby.
00:24:05I'm sorry.
00:24:06I'm sorry.
00:24:07Excuse me.
00:24:08It was your approval.
00:24:09Yes.
00:24:11Yes.
00:24:14I didn't go back after that to the States.
00:24:18Did you, uh, did you ever hear that story about the red string?
00:24:41I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate
00:24:56or your family or, you know, someone you bump into on the street, we're all connected
00:25:04by this red string.
00:25:06It can be tangled or stretched, but it can never be broken.
00:25:13There's this moment in the tape.
00:25:20I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder,
00:25:28rambling on about how I'm about to embark on this amazing adventure and how I'm gonna show
00:25:34World War II from a totally different perspective.
00:25:37But...
00:25:46I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just wanna write about nothing.
00:26:03Everything is nothing.
00:26:06All the best.
00:26:07Mm-hmm.
00:26:08Mm-hmm.
00:26:13Make a wish.
00:26:14Ah, yeah.
00:26:16Make it great.
00:26:17Okay, bravo, bravo, hey, come on over here.
00:26:30What do you mean am I right now?
00:26:35What?
00:26:36Grab my hand.
00:26:37Wait, go, go, go.
00:26:38Oh my God.
00:26:39Oh my gosh.
00:26:40Oh no, what?
00:26:41What do you mean?
00:26:42Oh my gosh.
00:26:43Oh my gosh.
00:26:44Oh no.
00:26:45What?
00:26:46What do you mean?
00:26:50Stronzo!
00:26:51Hey, hey.
00:26:53It's the carabinerian.
00:26:56Yes, please.
00:26:57Yes, yes, yes, yes.
00:27:03We can't go back.
00:27:05If we go back and get arrested.
00:27:07Look.
00:27:09You can't pay me, I'm getting away!
00:27:11You can't pay me, I'm getting away!
00:27:13You can't pay me, I'm getting away!
00:27:15Oh no, I'm getting away!
00:27:17Oh my God!
00:27:23There you go.
00:27:25There you go.
00:27:27Did it make you feel better if I said I said the whole thing up?
00:27:31Yes, it's true.
00:27:33Yes, it's true.
00:27:35I made the check when I went to the bathroom.
00:27:39You're horrible.
00:27:41You're horrible.
00:27:43You're really horrible.
00:27:45Come on, let's go.
00:27:47Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:27:55I don't know why we're still running.
00:27:57You're so hungry.
00:27:59I'm so hungry.
00:28:01You're so hungry.
00:28:03I don't know why I'm hungry.
00:28:05Oh my gosh.
00:28:07I'm hungry.
00:28:09I'm hungry.
00:28:11It went up my nose.
00:28:13It went up my nose.
00:28:21Do we come back?
00:28:23Maybe.
00:28:26Maybe is not a no.
00:28:29And since I don't have a phone,
00:28:31you're gonna have to give me your number
00:28:34for cheap thrills and future crimes committed.
00:28:37No.
00:28:41Fair enough.
00:28:43I've got to go catch a fairy.
00:28:57Hey.
00:29:02Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:23So they can park in handicapped spots.
00:29:25Oh.
00:29:30Oh.
00:29:32Happy birthday.
00:29:40Let's pray.
00:30:10Let's pray.
00:30:40Let's pray.
00:30:50Are you awake?
00:30:52Yeah, I've got so much of this stuff to get through.
00:30:56Got through.
00:30:58Nice.
00:31:00There are the great big events, the things you think you'll always remember, and you do, but there are other smaller. Picking a blackberry that's been in the sun or brushing the fingertip of someone you didn't know you loved until you touched them.
00:31:18Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat. They stay with me too.
00:31:28Jane.
00:31:30Tony.
00:31:32Got some pastries.
00:31:34You're still asleep?
00:31:36Jane.
00:31:38Tony.
00:31:40Got some pastries.
00:31:42You're still asleep?
00:31:46Jane.
00:31:48Jane.
00:31:52Jane.
00:31:54Jane.
00:31:58Jane.
00:32:00Jane.
00:32:02Jane.
00:32:04Jane.
00:32:06Jane.
00:32:07Jane.
00:32:08Jane.
00:32:09Jane.
00:32:10Jane.
00:32:12my friends had lots of american boyfriends and they used to bring us nylon stockings
00:32:24and chocolates and all sorts of things and we used to go to london and we saw glenn miller
00:32:31one time we used to go all over the place there were wonderful times i never had an
00:32:40american boyfriend i liked some of them they were nice boys but i i didn't i didn't want
00:32:49to leave my mom and dad i wish i had sometimes you know when you were 19 and the world just
00:32:56felt so open and carefree and full of possibility you reminded me of that at that time you were
00:33:06nineteen when we met yeah i wouldn't have described it as carefree back then not at all well i felt
00:33:12nostalgia or something for youth you're not old jane we ran out on the bill you just ran out what do
00:33:22you mean you ran out on the bill perhaps i'm not explaining it well it was it was fun it was just
00:33:30fun
00:33:30how's work the conductor's actually a descendant of water leg which is fascinating the three of us
00:33:49we're going to have to plan a dinner before we leave i'd like that
00:33:51jane oh my god this is caleb hi no no we were just talking about you we were that's so weird
00:34:07sit please sit down join us
00:34:09uh ahhh ahhh ahhh ahhh i have a chance of the rest i know i know i mean i'm obviously going to get back real soon
00:34:19i'm obviously going to get back real soon
00:34:20that's okay i i already ate so i'll just grab a coffee and see you
00:34:27do you have the check please
00:34:28Can I have the check, please?
00:34:37In a cafe, pour for pour?
00:34:43Oh, no, thank you.
00:34:47Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56Didn't know that.
00:34:58Well, I don't do it a lot.
00:35:01Grazie.
00:35:04Grazie.
00:35:08Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke, like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:47Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my ant.
00:36:02Come on.
00:36:03Let's hear one.
00:36:04I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:24You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Did you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:48Yeah, I've got to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:04I'm thinking Tibet.
00:37:06Oh, Tibet, really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17It's so pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:42Okay.
00:37:47I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:05And thanks again for yesterday.
00:38:08No problem.
00:38:08Hey.
00:38:09Ciao.
00:38:10How stoned are you?
00:38:11Come on, man.
00:38:12We're just going to pop.
00:38:13It's not a big deal.
00:38:14So you're saying you smoke back at her?
00:38:17Occasionally.
00:38:18Hey, can we do something fun tonight?
00:38:21Sure.
00:38:22Okay.
00:38:23Okay.
00:38:24Okay.
00:38:25Okay.
00:38:26Okay.
00:38:27Okay.
00:38:28Okay.
00:38:29Okay.
00:38:30Okay.
00:38:31Okay.
00:38:32Okay.
00:38:33Okay.
00:38:34Okay.
00:38:35Okay.
00:38:36I'm fine from here.
00:38:39Okay.
00:38:40See you after work.
00:38:41Yep.
00:38:42I'll be waiting.
00:39:06Hey.
00:39:07God, you scared me.
00:39:08Are you following me?
00:39:09Maybe.
00:39:10Is that weird?
00:39:11Yeah.
00:39:12Yeah.
00:39:13I couldn't sleep last night.
00:39:14You told me you were staying near the port so I got the first ferry this morning.
00:39:19I came looking for you.
00:39:20And I can't believe I found you.
00:39:21I can't believe I found you.
00:39:22I can't believe I found you.
00:39:23I can't believe I found you.
00:39:24I can't believe I found you.
00:39:25I can't believe I found you.
00:39:26I can't believe I found you.
00:39:31I can't believe I found you.
00:39:32I can't believe I found you.
00:39:33I can't believe I found you.
00:39:53I don't know.
00:40:23What are we doing?
00:40:30I think we're making it out.
00:40:33So sexy and beautiful.
00:40:53I can't do this.
00:41:09What?
00:41:09I can't do this.
00:41:11Why?
00:41:22Do you do this a lot?
00:41:24What?
00:41:24Do you do this a lot?
00:41:26What?
00:41:27Do you seduce women?
00:41:28Is this what you do?
00:41:29Look, you need to be less serious.
00:41:39Don't follow me.
00:41:59Don't follow me.
00:42:29There was one boy from Belgium.
00:42:48He was lovely.
00:42:50He had a moustache.
00:42:52My mother hated moustaches.
00:42:56But he was shipped off.
00:42:58I never saw him again.
00:43:04Anyways, I met your grandfather not long after, and we got married.
00:43:09Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:13Stop that thing.
00:43:16I know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:31Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my day.
00:43:40I've got so much stuff to do.
00:43:44Sorry, darling.
00:43:47Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:43:59I'm sorry.
00:43:59I don't know.
00:44:13I don't know.
00:44:45Leonard, can we talk?
00:45:15Say cheese.
00:45:29You should kind of be in the middle.
00:45:35Hold on a second.
00:45:51That's what our living room is missing.
00:46:09What did you do?
00:46:10Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:29CHOIR SINGS
00:46:59Come on, come on, come on!
00:47:29Come on, come on!
00:47:59Come on, come on!
00:48:29Come on, come on!
00:48:59Hi!
00:49:01Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:11Yeah.
00:49:13Let me put my pants on.
00:49:14Okay.
00:49:17Okay.
00:49:17Let me put my pants on.
00:52:52You said that?
00:52:56Were you?
00:52:58You're delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49You make me feel calm.
00:53:50You make me feel calm.
00:53:51You make me feel calm.
00:53:55You make me feel calm.
00:54:06You make me feel calm.
00:54:10Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:40Let's go.
00:55:10Again and again and again
00:55:30Again and again and again
00:55:34Once I was single, my pocket is in jingle
00:55:39I wish I was single again
00:55:43Again and again and again
00:55:47Again and again and again
00:55:51Once I was single, my pocket is in jingle
00:55:56I wish I was single again
00:56:04I didn't sleep at all last night, where have you been?
00:56:17Just walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:23You left your phone here, I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:46People are depending on me.
00:56:47I have to go to work.
00:56:52Okay.
00:57:03If it wasn't the war, it would have been something else.
00:57:18There's always something else, isn't there?
00:57:19That's the thing.
00:57:20That's the thing about struggle.
00:57:24I'm going to make some tea.
00:57:25Do you want some?
00:57:26I'm all right.
00:57:27I'm going to make some tea.
00:57:28Do you want some?
00:57:29I'm all right.
00:57:30I'm all right.
00:57:31You go out like that again.
00:57:32If you go out like that again, just tell me.
00:57:33I'm all right.
00:57:34I'm all right.
00:57:35No, I'm all right.
00:57:36You go out like that again.
00:57:37Just tell me.
00:57:38I don't worry.
00:57:39I'm gonna make some tea, do you want some?
00:57:52I'm alright.
00:57:59If you go out like that again, just tell me.
00:58:02No worry.
00:58:05Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:25Do you think everything we've been through actually does us any good?
00:58:30In the long run?
00:58:35Or do we just make our struggle to be something meaningful because that's all most of us have?
00:58:52I'll tell you, next time we come to Italy, to get a proper kitchen.
00:59:04If one little thing had changed in my grandmother's life, I might not be here.
00:59:21Sometimes I worry I'm not honoring her.
00:59:38With the book?
00:59:39No, with my life.
00:59:55This is it, you know.
00:59:58It ends with me.
01:00:04In the harvest time we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:17The horses.
01:00:22The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up, brass things and little horseshoes.
01:00:37He put braids on them.
01:00:39They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:44There was one.
01:00:47Duke.
01:00:48He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:56They were lovely days really.
01:01:01They're gone.
01:01:02For me.
01:01:03Jane.
01:01:04But not for you.
01:01:05Jane.
01:01:06You know it's different for you.
01:01:07In some ways it's easier.
01:01:08You haven't got the war.
01:01:09People don't die as much as they did back then.
01:01:24But in some ways it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love and you can't be afraid of the time.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade sixty years to have back again.
01:01:55That's the truth.
01:01:58You'll know the truth when you find it.
01:02:00It'll come to you like something you've known before rather than something you're learning
01:02:05for the first time.
01:02:07Sorry.
01:02:09What is it?
01:02:13You alright?
01:02:14You okay?
01:02:15Yeah.
01:02:16Stump my towel.
01:02:17It's bleeding.
01:02:18It's fine.
01:02:19It's fine.
01:02:20It's fine.
01:02:21It's fine.
01:02:22It's fine.
01:02:23You losing it?
01:02:24Yes.
01:02:25Fuck.
01:02:26Fuck.
01:02:27I met these backpackers last night, Frank and Elsa.
01:02:32She's French, he's German.
01:02:33They're going to Tibet.
01:02:34And I'm going with them.
01:02:39I want you to come with me.
01:03:00You're in my mind.
01:03:01You're in my mind.
01:03:02You're in my house.
01:03:03I want you to come with me.
01:03:05I want you to come with me.
01:03:38Hi.
01:04:05Hi.
01:04:07How are you?
01:04:08Long day.
01:04:09God, when are they not?
01:04:10I don't think I'd jump to doing another stint like this.
01:04:24How's the writing going?
01:04:26I'm feeling inspired.
01:04:28It's fantastic.
01:04:33I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:40You found the key to finishing this project?
01:04:46Well, the water here tastes so funny.
01:04:47Have you ever cheated on me?
01:04:48Oh, Jane.
01:04:49Have you?
01:04:50Can we not?
01:04:51Have you ever cheated on me?
01:04:52Oh, Jane.
01:04:53Have you?
01:04:54Can we not?
01:04:55Have you?
01:04:56Have you?
01:04:57Have you?
01:04:58Have you?
01:04:59Absolutely not.
01:05:00Why did you take such a long time to answer that?
01:05:02Because I'm sick.
01:05:03Of what, Leonard?
01:05:04Of it being so hard?
01:05:05Yes.
01:05:06Tedious?
01:05:07Tedious?
01:05:08Tedious.
01:05:09I hate talking about sex with you.
01:05:10No.
01:05:11You are.
01:05:12Not.
01:05:13No.
01:05:15It's ridiculous.
01:05:16I love you.
01:05:17I love you.
01:05:18I love you.
01:05:19What are you?
01:05:20I love you.
01:05:21Go ahead.
01:05:22What are you, Leonard?
01:05:23It's your happiness?
01:05:24I love you.
01:05:25Me.
01:05:26You love you.
01:05:27Can you.
01:05:28You love you?
01:05:29I love you.
01:05:30I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:39Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why? Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:56So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard. I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences, life and death, mostly death.
01:06:23Jane, please.
01:06:24Let me guess. You don't want to talk about it?
01:06:26No, that's not what I'm saying. You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did. Do you want to have children?
01:06:35So did you. But...
01:06:39Say it.
01:06:42Jane...
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:46I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:04It's not your fault.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:11We can adopt.
01:07:15That's not what you want, is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27The one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:29Yes.
01:08:30That kid.
01:08:31That child.
01:08:32That kid you've known for two days.
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:45What do you think?
01:08:47I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:18I'm sorry.
01:09:24For what?
01:09:24I'm sorry.
01:09:26For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:29For losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper.
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do, and then come back to me.
01:10:17No questions asked, no guilt.
01:10:22This is good.
01:10:35The I'm sorry.
01:10:40I'm.
01:10:42Bye-bye.
01:10:43Bye-bye.
01:10:46Bye-bye.
01:10:47Bye-bye.
01:11:50You want some?
01:12:00Oh, thanks.
01:12:33Frank and Elsa are coming over in a couple of hours.
01:12:48Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:12:55I'm thinking of driving through Romania and then Ukraine and down through Russia and through
01:13:10Kazakhstan and then straight to Tibet.
01:14:08Bye.
01:14:10Bye.
01:14:12Bye.
01:14:14Bye.
01:14:16Bye.
01:14:18Bye.
01:14:20Bye.
01:14:22Bye.
01:14:24Bye.
01:14:26Bye.
01:14:28Bye.
01:14:40Bye.
01:14:42Bye.
01:14:44Bye.
01:14:46Bye.
01:14:48Bye.
01:14:50Bye.
01:14:56Bye.
01:14:58Bye.
01:15:00Bye.
01:15:02Bye.
01:15:04Bye.
01:15:05Bye.
01:15:06It's four in the morning, the end of December, I'm riding you now just to see your
01:15:36bed. New York is cold, but I like where I'm living. There's music on Clinton Street all through
01:15:48the evening. I hear that you're building your house deep in the desert. Are you living for
01:16:05nothing now? Hope you're keeping some kind of record. Yes.
01:16:13And Jane came by with a lock of your hair. She said that you gave it to her. That night
01:16:30when you plan to go clear. I wouldn't want to live to be 100. Why not? I'm not telling
01:16:38you why not. Now shut that thing off.
Recommended
2:26
|
Up next
1:16:47
2:23
1:15:55
1:36:03
57:44
0:12
0:11
1:25:49
1:34:21
50:30
30:01
1:23:07
1:59:26
1:38:30
1:12:53
45:17
1:17:26
1:59:00
1:32:37
42:05
Be the first to comment