- 2 months ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:55¡Abrr!
00:01:55Well, it was really great.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09Salam.
00:02:25Darling.
00:02:43Hello, hello, hello.
00:02:45Ciao.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:53Thanks.
00:02:53Bye, Criona.
00:02:55Ciao.
00:02:55Try to have a nice trip.
00:02:57I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:09It really is beautiful.
00:03:22Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:38I feel strange.
00:03:40I feel strange all of a sudden.
00:03:45I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:53I just cannot imagine what it is like to do it here, you know?
00:03:59I just cannot imagine what it is like to do it here, you know?
00:03:59I just want to know what it is like to do it in the air.
00:04:00Yeah.
00:04:06Hi.
00:04:07Hey, Mike, hey!
00:04:09Hey, Mike, hey!
00:04:23Hi.
00:04:24Hi.
00:04:36Hey, Priola!
00:04:37Ah, ciao!
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No, nothing yet.
00:04:43I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54Pense lo que yo expulsaba era mi amor.
00:04:59Me dicen de tus traiciones.
00:05:24I don't know.
00:05:54Ha, ha, ha.
00:06:12Ha, ha, ha.
00:06:24I thought you'd never get here.
00:06:32It seemed like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:54Let's go.
00:07:24Will you place the same number again?
00:07:41Sure.
00:07:42It's better for you.
00:07:44Number 13, right there.
00:07:51Number 13, right there.
00:08:09Let's go.
00:08:10Let's, ladies and gentlemen.
00:08:16Let's please, ladies and gentlemen.
00:08:18Let's go.
00:08:26Let's go.
00:08:29Let's go.
00:08:37Hey, excuse me, have you, have you ever seen this girl?
00:08:55No, I'm sorry, never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay, here, will that do?
00:09:02Sure, keep the literature, that might help you spiritually.
00:09:07Are you trying to get me drunk?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:24Let's see.
00:09:30If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No, he's got other things to worry about.
00:09:40He's looking for his fiancée, that's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:49Just think, they were going to get married, and not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here, to Santo Domingo, as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on, really?
00:10:03Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:08She never contacted anyone.
00:10:11But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:28This music can make you think again.
00:10:32And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only a fiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:50Hmm, be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to?
00:11:00Okay.
00:11:02Marco.
00:11:09How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:13What?
00:11:14Very kind of you.
00:11:15Would you like something to drink?
00:11:19Yeah, I'll have what you're having.
00:11:21Whatever it is.
00:11:24How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39You two carry on.
00:11:41Excuse me, I'll be right back.
00:11:43Where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:47My magazine editor wants that weekly report.
00:11:52Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59I'm not too good a dancer.
00:12:01Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:24Listen, Criella, maybe we should go back to the table, huh?
00:12:26Why?
00:12:28Why?
00:12:28Your dancing is...
00:12:29Great.
00:12:36Come on, loosen up.
00:12:37I feel uncomfortable.
00:12:50Well, there's no need.
00:12:52What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:18Okay.
00:13:19You mean that he...
00:13:23Yes.
00:13:27It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:49He likes to think I'm quite faithful.
00:13:55Please, help me.
00:14:01I understand.
00:14:03You know, love can be a strange thing.
00:14:05I know.
00:14:06You know.
00:14:06I know.
00:14:08Sous-titrage MFP.
00:14:38Well, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:56Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Huh, huh.
00:15:23Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for you to do.
00:15:37What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49This boat.
00:15:51That man up there.
00:15:52Have you noticed he hasn't said a word since we left?
00:16:00We hired him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:10I've been told he's a very good sailor.
00:16:14Honest and completely trustworthy who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:24Oh.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey, it's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:14This is two.
00:17:15Keep it.
00:17:16One's enough.
00:17:23Adios.
00:17:33Is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:39I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:17:59I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long.
00:18:16Bye.
00:18:16Bye.
00:18:16Bye.
00:18:41Bye.
00:18:43Hi.
00:18:44Hi.
00:18:45Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:02Good morning.
00:19:03Good morning.
00:19:04Good morning.
00:19:12No, thanks.
00:19:13Hey, hey, let me take a picture.
00:19:17That's it.
00:19:34Good morning.
00:19:59Good morning, Consuelo.
00:20:00What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:08For instance, would you like some alcohol
00:20:10or would you prefer some soft drinks?
00:20:13Well, a little of both.
00:20:14I won't be long.
00:20:30Here are some models.
00:20:45Who's that woman there?
00:20:47A very well-known American writer.
00:20:50Joanne Sullivan?
00:20:52I know her.
00:20:53The two of us were at the same school.
00:20:55I think I'll say hello.
00:21:00Joanne?
00:21:05Who is it?
00:21:07Remember Andy the Nerd?
00:21:10Oh.
00:21:12Andy the Nerd.
00:21:13Oh, my God.
00:21:15Is it really you?
00:21:16Uh-huh.
00:21:18How are you?
00:21:20Fine.
00:21:21Great to see my old valedictorian.
00:21:22Great to see you.
00:21:24What are you doing here?
00:21:25I'm taking pictures for a magazine.
00:21:27Oh, fantastic.
00:21:28Come and sit down.
00:21:30What are you doing?
00:21:32Escaping.
00:21:33But don't ask me from what.
00:21:34Because I don't know.
00:21:36Maybe from myself.
00:21:38I imagine you're writing something now?
00:21:39Checks, that's all.
00:21:41As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:46Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:55I read.
00:21:58Don't you like long for New York at all?
00:22:04No.
00:22:05America is in an advanced state of decomposition, Andy.
00:22:09Like the whole of the West.
00:22:11It's no good.
00:22:13I have no nostalgia.
00:22:15Only for company, that's all.
00:22:16Here there aren't any men that I like.
00:22:21That's probably a good thing.
00:22:23I like everything sophisticated or complicated.
00:22:28I suppose I'm in a crisis.
00:22:31Is that a plea for help, I guess?
00:22:33Oh, come on.
00:22:34It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39What kind?
00:22:40Like I told you, I'm working for a magazine.
00:22:43I'm doing a story on this island.
00:22:45And you know it pretty well.
00:22:47Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:52My pleasure.
00:22:54Great.
00:22:59Here comes the food.
00:23:01Good, we can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:05Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:12Oh, that looks good.
00:23:14Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:25If I could only get used to going to bed so easily.
00:23:29Yes.
00:23:31It's knowing how to start it up.
00:23:32Yeah.
00:23:34The warm-up.
00:23:37It's simple as to make it with someone you know.
00:23:40The first up's taken already.
00:23:42Are you making advances?
00:23:46I'm attempting to find you an answer.
00:23:49I don't think Criella thinks it's such a good idea.
00:23:54It might be more fun if we didn't leave her out.
00:23:57Since when's three of the crowd?
00:23:59Oh, Andy, come on.
00:24:00I thought you were emancipated.
00:24:03But you're still stuck in the 70s.
00:24:05Sex, lib, dreaming.
00:24:07That's all, Dad.
00:24:08You disappoint me.
00:24:09Hey.
00:24:18That woman has a hard heart.
00:24:20With MFP.
00:24:21It's very much fun.
00:24:22You're the only one who's going to be.
00:24:24Yes.
00:24:25You're the only one who's going to be.
00:24:27Yes, you're the only one who's going to be.
00:24:29Come on.
00:24:30Yes.
00:24:31You look at the same place.
00:24:32Yes.
00:24:33Yes.
00:24:34Yeah, I'm very at home here in this setting.
00:24:45Been here long, do you know?
00:24:47Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Well, not bad.
00:24:57You dance almost like a native.
00:25:04Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for him.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:23Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then...
00:25:34It must be her on the plane, I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:03Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:12Me?
00:26:13Yeah, he's a savage.
00:26:15But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:29I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:43Ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:46I've had enough.
00:26:50I'm going to go.
00:26:51This music's getting on my nerves.
00:27:09Sorry.
00:27:09I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:31I love you too.
00:27:33Oh, my God.
00:27:39It's okay.
00:27:42If you're tired.
00:27:45It's happened before.
00:27:49It'll pass.
00:28:03It'll pass.
00:28:22It's okay.
00:28:23It'll pass.
00:28:25Let's go.
00:28:55Let's go.
00:29:25Let's go.
00:29:55Let's go.
00:30:25Let's go.
00:30:26Let's go.
00:30:27Let's go.
00:30:28Let's go.
00:30:29Let's go.
00:30:30Let's go.
00:30:31Let's go.
00:30:32Let's go.
00:30:33Let's go.
00:30:34Let's go.
00:30:35Let's go.
00:30:36Let's go.
00:30:37Let's go.
00:30:38Let's go.
00:30:39Let's go.
00:30:40Let's go.
00:30:41Let's go.
00:30:42Let's go.
00:30:43Let's go.
00:30:45Let's go.
00:30:46Let's go.
00:30:47Let's go.
00:30:48Let's go.
00:30:49Let's go.
00:30:50Let's go.
00:30:51Let's go.
00:30:52Let's go.
00:30:53Let's go.
00:30:54Let's go.
00:30:55Let's go.
00:30:56Let's go.
00:30:57Let's go.
00:30:58Let's go.
00:30:59Let's go.
00:31:00Let's go.
00:31:01Let's go.
00:31:02Here, let's go.
00:31:04Let's go.
00:31:04Let's go.
00:31:04Let's go.
00:31:05What . . .
00:31:06. .
00:31:09What are you doing?
00:31:11Offering you a little hospitality.
00:31:14Here, have a drink.
00:31:18Offering you a little hospitality.
00:31:21Here, have a drink.
00:31:48Gryola?
00:31:51Gryola?
00:32:05You there?
00:32:10Gryola?
00:32:12Gryola?
00:32:18Gryola?
00:32:22Gryola?
00:32:24Gryola?
00:32:39Have you seen Gryola?
00:32:40Gryola?
00:32:41No.
00:32:44There's no sign of her on the beach. The bungalow's empty. She's disappeared.
00:32:48She's probably gone off exploring the island.
00:32:52I expect you're right. Thanks, Gryola.
00:32:54Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along. So I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures. Things I'd never have found without her.
00:33:27Andy.
00:33:28Yeah?
00:33:29I got to tell you something.
00:33:30Go ahead, shoot.
00:33:31Let's go away from here.
00:33:32Why?
00:33:33Something the matter?
00:33:35Yeah.
00:33:36Let's go away.
00:33:37We can't yet.
00:33:38I still have photos to do.
00:33:39Besides, I got a little money in advance.
00:33:40I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:44Well, I can't forget it. I want to go away. I want to go back to America.
00:33:50You are not being reasonable.
00:33:53I know, but I can't stay here for a minute.
00:33:56I suppose it's my fault, huh?
00:33:57No, of course not.
00:33:58I'll be all right again soon, I swear.
00:33:59I'll be all right again soon.
00:34:00I swear.
00:34:01I can't stop watching.
00:34:02I won't be all right soon.
00:34:03But I won't be all right again soon.
00:34:12I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you.
00:34:21I don't know. It's just...
00:34:24Look, I'm counting on the erotic atmosphere of this place
00:34:27to do the trick, and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:39We'll be happy again.
00:34:41And then I'll be able to give you what you need so badly.
00:35:11Let's go.
00:35:11Let's go.
00:35:12Let's go.
00:35:13Let's go.
00:35:43Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right, but who remembers that anymore?
00:36:04I do.
00:36:10One day, I guess I'll get another chance.
00:36:13One day, I guess.
00:36:38Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk, but I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:02What is this?
00:37:04The game of truth?
00:37:05No one ever tells the truth.
00:37:09Even jokingly, I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course, you include yourself in that sweeping statement.
00:37:19Don't you tell the truth?
00:37:30I don't know, but I'm trying to.
00:37:34Since I quit writing that crap about love,
00:37:37I've stopped looking for it.
00:37:50The broken hearts.
00:37:51I was sure you'd come.
00:38:14You were?
00:38:15Do you want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:51You're quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuelo.
00:39:00Okay.
00:39:01I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always lying.
00:39:08It's not true.
00:39:11I'm not going to stay around and talk about it.
00:39:13Goodbye.
00:39:14I'll be yours.
00:39:15I'll be yours.
00:40:16Sorry, Joanne, but the places you've shown me have been so dazzling.
00:40:22I was too busy to talk.
00:40:25You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:32I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid I'm bound to lose her.
00:40:39You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:18I wouldn't recommend it to my friends, but I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or a model.
00:41:28But I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:34Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagined bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris, you mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I'm leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:55I am.
00:42:57Leon.
00:42:58Leon.
00:42:58Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:07Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:18Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:02To get this straight, this time, it must be forever.
00:44:23I know.
00:44:26So, stay.
00:44:32She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:02Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:20I've got to be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24Bye-bye.
00:45:46Bye-bye.
00:45:52Have you seen Leon?
00:46:00Sorry.
00:46:11Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You don't want Iris.
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29You don't want Iris.
00:46:29You don't want Iris is free to do what she wants.
00:46:34You don't want Iris.
00:47:38No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:47:59I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:17He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:48:43Oh, Christ.
00:48:43The End
00:49:13Get out of here and stop bothering the customers
00:49:15So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past
00:49:26Playing with fire
00:49:28One can be burned in the end
00:49:30I blame myself
00:49:34My unnatural desire to see the excitement men get in seeing a...
00:49:38In seeing a naked woman
00:49:40I'm perverted, I guess
00:49:42I proposed it to her
00:49:45I must be an asshole
00:49:47Because now she's gone for good
00:49:49She did it because she knew you liked it
00:49:53Not for herself
00:49:54She's not the kind of woman who sleeps around a lot
00:49:58Are you serious?
00:50:00Yes, I am
00:50:02Whatever she became
00:50:03Was to please you
00:50:05She realized simply that she had to go to bed with other guys
00:50:09In order to try to keep your interest in her going
00:50:11And look what happened
00:50:13Fate set a trap for her
00:50:15Oh, God
00:50:15Now I'm the one who went and trapped her
00:50:18Yep
00:50:21Now you're trapped
00:50:22It started as a game, that's all
00:50:25It wasn't serious
00:50:28Games can be dangerous to play if you don't keep to the rules
00:50:33Good evening
00:50:38Good evening
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen
00:50:41Thanks
00:50:43Hey, you've forgotten?
00:50:45We met one night in Santo Domingo
00:50:47I'm married to Creole
00:50:49Oh, yes
00:50:50Now I remember you
00:50:51Hi
00:50:52I'm, uh
00:50:53I'm sure she'll be delighted to know you're here
00:50:55She already knows
00:50:57But you mean to say you
00:50:59You've seen her?
00:51:01Yes
00:51:01Briefly
00:51:03Yeah, but where?
00:51:04You haven't said
00:51:05I have to know immediately
00:51:07Surely you can guess
00:51:16She's on Leon's boat
00:51:20Don't go
00:51:25Don't go
00:51:25I have to
00:51:26I have to
00:51:36I have to
00:51:37I have to
00:51:37You're hurting me
00:52:02You're hurting me
00:52:03Where can I find Leon?
00:52:26Leon's gone fishing, senor
00:52:27In his boat
00:52:29Thanks
00:52:30I have to
00:52:32You're hurting me
00:52:42I have to
00:52:48You are hurting me
00:52:49I don't think it's
00:52:51This is
00:52:52Go
00:52:52You're hurting me
00:52:53...
00:52:53...
00:52:54...
00:52:54...
00:52:56...
00:52:56Oh, my God.
00:53:26Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:53:56Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:45No, it's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No, no.
00:55:24I don't believe it.
00:55:27I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:40My life is meaningless without you.
00:55:42I'm sorry.
00:56:05I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:11I don't mind having a break.
00:56:15Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:39I invented this.
00:56:40I call it gin-balling.
00:56:42It's a very silly game.
00:56:44Hmm?
00:56:46Well, what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:50Tell mother everything.
00:56:58I'm all ears.
00:57:02Look.
00:57:02I have no intention of fighting with you.
00:57:06You're a kind, sweet, patient.
00:57:08Okay.
00:57:08Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:16She's bound to tire of it.
00:57:17She's bound to tire of it.
00:57:18She always does.
00:57:23This place plays tricks on one sometimes.
00:57:29Even I fell once, you know?
00:57:31There's no truth in all that shit.
00:57:33I surely don't need to prove it, do I?
00:57:36You're up against an example.
00:57:38And you know it.
00:57:40It's not a person who casts a spell on one at all, but this island.
00:57:45It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:50God only knows happiness.
00:57:51It's hard enough to find anywhere.
00:57:53But it's a narcotic that makes them feel they found paradise.
00:57:57Yeah.
00:57:59It's blinded Eve in Creole.
00:58:01She used to hate dirt.
00:58:03The invention of squalor made her sick for days.
00:58:06Mm-hmm.
00:58:06A Puritan.
00:58:08It's usual when they eventually rebel, that's it.
00:58:12They reject the previous moral values they had.
00:58:15And abandon themselves, falling into the arms of someone like Leon.
00:58:19But you see, I can't understand how she could learn to make love like that.
00:58:25Oh, yes, you can.
00:58:27Please.
00:58:29Right.
00:58:30Let's not say anymore.
00:58:31You want to sit here all night?
00:58:40I...
00:58:45That's not going to do any good.
00:59:01Hey, what's the matter?
00:59:02You've suddenly developed morals?
00:59:04I'm as immoral as you are.
00:59:09But there is such a thing as the right moment.
00:59:14Night.
00:59:15It's way past my bedtime.
00:59:16Is it ready?
00:59:38Is it cooked?
00:59:39There's a time for love.
00:59:45There's a time for food.
00:59:48Now we eat.
00:59:49Oh, my God.
00:59:49Don't give an hour.
00:59:54Mm-hmm.
00:59:59Oh, my God.
01:00:04, dear Lord.
01:00:10Come on, girl.
01:00:13Oh, my God.
01:00:14I'm merci.
01:00:15I'm not.
01:00:16Oh, my God.
01:00:46Oh, my God.
01:01:16Oh, my God.
01:01:46Oh, my God.
01:02:16Oh, my God.
01:02:46Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:00I'll never give Leona, for any reason.
01:03:05I'll never give Leona.
01:03:07I'll never give Leona.
01:03:10I'll never give Leona.
01:03:14Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard.
01:03:56Fucks our women.
01:03:58And we are here.
01:04:01Getting drunk.
01:04:06If only we had any guts, we'd do something about it.
01:04:09Hello.
01:04:29Hello.
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:56I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:20What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey.
01:05:32What do you want?
01:05:37I need you, Leon.
01:05:38A ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:48You win.
01:06:51Okay.
01:06:51Come on.
01:07:21Come on.
01:07:51I hope it's enough.
01:08:07Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Martin out here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:35Let me in on it.
01:08:38Let me in on it.
01:08:38Let me in on it.
01:08:38Let me in on it.
01:09:05Let me in on it.
01:09:12Let me in on it.
01:09:28Let me in on it.
01:09:29Let me in on it.
01:10:03Shit.
01:10:17There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:33Come on, let's go.
01:10:51Come on, let's go.
01:11:21Come on, let's go.
01:11:23Consuelo?
01:11:28Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:32Cruella?
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:47Iris!
01:11:48Iris!
01:11:49Iris!
01:11:50Iris!
01:11:51Iris!
01:11:56Iris!
01:11:57Iris!
01:11:58Iris!
01:11:59Iris!
01:12:00Iris!
01:12:01Iris!
01:12:02Iris!
01:12:03Iris!
01:12:09Iris!
01:12:10Iris!
01:12:11Iris!
01:12:12Iris!
01:12:16Iris!
01:12:17Iris!
01:12:18Stop it.
01:12:28You've got no call.
01:12:30Exactly what are you trying to do to me?
01:12:33Leon, just stop and think of the position he's in.
01:12:36That man's finished because of you.
01:12:38Losing the one thing he cared about, he risked losing his mind.
01:12:41And I risk losing my life.
01:12:44Parker didn't really mean to kill you.
01:12:45It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:07Come on.
01:13:19They must have burned themselves up into a jealous frenzy.
01:13:21I'm sure of it.
01:13:23I don't think they're meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:39He's changed, you know.
01:13:42You think so?
01:13:43You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:03You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:13You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:31I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:49Hello, Andy.
01:14:56We thought...
01:14:57Well, he thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:12Come here.
01:15:12You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long,
01:15:36something wonderful will happen to us.
01:15:38They say these islands cast a spell and love us.
01:15:51We get...
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