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  • 2 weeks ago
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00:00To be continued...
00:30Told you, piece of cake.
00:31At least just do this and get out of here.
00:33Relax, Clay. I told you, no one's home. The owner's dead.
00:36Stay here and keep watch. We'll get the urn.
00:44Clay doesn't know, does he?
00:46Why spook him? He'd probably believe it actually was the curse that killed the old man.
00:49He was stung to death by a scorpion, Wesley, in the bathroom of an airplane.
00:53Don't tell me you believe in that crap.
00:55You'd think I'd be here if I did.
00:56Is that it?
01:01That's it.
01:06Have you seen any scorpions around?
01:08No, just dollar size.
01:11Let's go.
01:11Hey, man, there's a card coming. You guys must have tripped an alarm.
01:14Let's get out of here.
01:20Over there!
01:26I should have never let you guys talk me into this.
01:28Shut up.
01:29I'm split up and meet in San Francisco.
01:30Take the urn to your friend and honk it right away.
01:32And don't you think about ripping us off, because I'll find you.
01:41What?
01:43What?
01:44What are you?
01:50I'm the guardian of the urn.
01:52The what?
01:56Hey, what are you doing?
02:03You're being punished for your greed.
02:05As were your friends.
02:22New York, Clay?
02:23That Clay?
02:24That's the one.
02:25You said you never wanted to see him again.
02:26Ancient history.
02:27Six months?
02:28Five.
02:29He's just stopping by on his way home.
02:31It's not a big deal.
02:32He was traveling or something.
02:33Who's Clay?
02:34Nobody.
02:34Her ex-boyfriend, the musician.
02:36She met him when she was working at the Rainbow Room.
02:38You remember.
02:39No, I don't.
02:40Nobody told me.
02:41They hired you at the Rainbow Room?
02:42Yeah, she was a hostess until she started working at the Chelsea Pier.
02:45Okay.
02:46Can we talk about this later, please?
02:49A lot later.
02:50We're just friends.
02:51That's all.
02:52You know.
02:53Do I have lips to go, I do?
02:54Yes.
02:55Oh.
02:57That was mean.
02:58It was not mean.
02:59Okay.
03:03Phoebe.
03:06I...
03:06Really good to see you.
03:10You okay?
03:23Huh?
03:26Okay.
03:28I am the sun and the air.
03:45I am human and I need to be loved.
03:52Just like everybody else does.
04:00See, I've already waited too long.
04:07And all my hope is good.
04:11I burn, burn like a wicker cabinet.
04:26Chalk white and oh so frail.
04:29I see our time has gotten stale.
04:32The tick-tock of the clock is painful.
04:37All sane and logical.
04:39I want to tear it off the wall.
04:45I hear words in clips and phrases.
04:48I think sick like ginger ale.
04:50My stomach turns and I exhale.
04:53I would swallow my pride.
04:58I would choke on the lines.
04:59But the lack thereof will lay me on the inside.
05:01I would swallow my doubt.
05:03Turn it inside out.
05:04Find nothing but faith in nothing.
05:07I want to put my tender.
05:08Part in a blender.
05:09Watch this thing around to a beautiful oblivion.
05:13But I'm able to land them through with you.
05:18What else don't I know?
05:21Bruto, take this personally, but sometimes you can be a bit judgmental.
05:25Oh, that is so not true.
05:27All right.
05:31So maybe it's sometimes true.
05:34I just don't understand why Phoebe never even told me about this guy.
05:37People don't like to dwell on things that end badly.
05:40Yeah, well, I wish my relationships ended that badly.
05:43Did you hear them last night?
05:44There was music.
05:45There was wine.
05:47There was...
05:47Talking.
05:48And how do you know there was wine?
05:50Okay, so I peaked.
05:53Well, you know, if nobody tells me anything, I have to get creative.
05:58Stop worrying.
06:00She'll be fine.
06:02She knows what she's doing.
06:05Watch that entrance.
06:06Make sure nobody comes in.
06:06Whoa, Doug.
06:25Easy.
06:26Thanks, Piper.
06:28I hope Shelly didn't see that.
06:30Oh, don't worry about it, Doug.
06:31You just hang in there.
06:32What was that?
06:37What?
06:38That.
06:39You know, the guy, the glass.
06:41Do you do that often?
06:43Freeze time in front of, oh, I don't know, let's say everybody?
06:46Yeah.
06:47I'm finally getting some control over the unfreezing.
06:49The poor guy, he just keeps dropping everything.
06:52Oh, then maybe you should just fire him.
06:54That owner wants me to actually threaten to fire me if I don't, but...
06:58Doug's just going through a hard time right now.
07:00Shelly, the waitress, just dumped him.
07:01After six years of dating.
07:03So, what, you're playing Cupid at the risk of your own job?
07:07Oh, yeah.
07:07I mean, Doug loves her.
07:10He even bought an engagement ring and everything.
07:12He just waited too long to ask.
07:14So now he's a wreck.
07:15Still, you can't just keep, you know, freezing in order to protect him.
07:20I know.
07:22So are you still going back to Buckland's?
07:25Yeah, that's where I work.
07:27I just figured after everything that happened with Rex and Hannah that you would be hitting
07:31the classifieds.
07:32Well, if we don't save the auction house, I might have to.
07:36Rex...
07:36Bankrupt.
07:41What were you saying?
07:43Never mind.
07:44Gotta go.
07:45I wish you could have been there, Phoebe.
07:59You would have loved Egypt.
08:01Pyramids, giant sphinx, Nile River, camel taxis.
08:07It was amazing.
08:09You rode a camel.
08:10Hey, they're friendlier than some of the cab drivers I've met, believe me.
08:13Can't imagine they're faster.
08:19You were right to leave me.
08:21Oh, and the conversation turns.
08:24No, I'm serious.
08:25You're the best thing that ever happened to me, and I blew it.
08:28I know that.
08:29Clay.
08:31What?
08:32Too much too soon?
08:33Yep.
08:34Look, I hope you don't take this the wrong way.
08:43But why are you here?
08:45With me now?
08:47What?
08:48Can a guy visit?
08:50Yeah, but you're not just a guy.
08:53You're Clay, and Clay comes with strings attached.
08:55I never could hide anything from you.
09:00Actually, you could.
09:01That was one of our problems, remember?
09:03I picked up this urn at an overseas market.
09:09Thought it might be worth something.
09:12So you want me to get proof to help you because of the auction house?
09:18Guilty.
09:20Phew!
09:21For a minute there, I thought you were here to win me back.
09:26No, Phoebe.
09:27I think too much of you to still believe you're interested.
09:30Look, it's no secret.
09:36I've been in some trouble.
09:38Gotten in too deep.
09:40I just thought if I could sell this urn, make some money, pay off a little debt, I could make a fresh start.
09:47Hey, think about it.
09:49Please, Phoebe.
10:00Hi.
10:02Oh, hi.
10:03You must be Prue.
10:04And you must be...
10:05Claire.
10:06Claire Price.
10:08The bank assigned me to see if the business is worth salvaging.
10:12I'm looking for inventory records.
10:15The files in my predecessor's office were empty.
10:18Yes, well, Rex and Hannah weren't exactly qualified.
10:21Mm-hmm.
10:22Obviously why Buckland's is in such dire straits.
10:25To be honest with you, Prue, I don't know anything about auction houses, and I know even less about art, but what I do know is the bottom line.
10:36And if we don't move $1.2 million worth of inventory at the auction tomorrow, I'm shutting the place down.
10:43Excuse me, did you say tomorrow?
10:45Did I stutter?
10:45With all due respect, you don't just decide to throw an auction, okay?
10:51You need advance notice, a catalog, buyers.
10:54Mm-hmm.
10:55Then it looks like you've got a lot of work ahead of you, doesn't it?
11:01Oh.
11:04Sorry.
11:06Who was that?
11:08New sheriff.
11:10Hey, Prue.
11:11Hey, Clay, what's up?
11:12Uh, favor, Clay was hoping that maybe you could sell this for him.
11:18Yeah, I picked it up at a market overseas.
11:21Picked it up?
11:22Does that mean you bought it?
11:24What else could it mean?
11:26Well, it's really beautiful.
11:28Gold inlay, 24 carats, a lot of lapis, looks to be from Egypt.
11:33Exactly.
11:33That's where I was traveling.
11:35These etchings are interesting, very unusual.
11:38You think it's worth something?
11:39Oh, well, I would have to determine the urn's origins, its previous owners.
11:44Oh, couldn't you just skip a step or two?
11:47Phoebe, I cannot risk this auction house's reputation on something like this without checking on it, please.
11:51Come on, come on, come on.
11:52I will, uh, what will I do?
11:55I will cook you dinner.
11:56Oh, don't threaten me.
11:57Fine, I'll see what I can do.
11:59Hey, thanks.
12:00Thanks a lot.
12:00Is she the best or what?
12:02Oh, thank you, thank you.
12:04Oh, I love you.
12:09Thanks for doing that, Phoebe.
12:18No problem.
12:19We'll get you a great price for it, too.
12:21She's really good at her job.
12:23Well, it'd be nice if she just liked me a little bit.
12:26She likes you.
12:27She's just real protective of me, that's all.
12:29I remember when that was my job.
12:31Yeah, and then I quit you.
12:32Hey, Clay.
12:36Palmer.
12:37What are you doing here?
12:39I'm bumping into you.
12:41Aren't you going to introduce us?
12:43Oh, yeah.
12:43Sorry, Phoebe.
12:44This is Palmer.
12:45Met him in Cairo.
12:46Hi.
12:47Oh, wow.
12:47Small world, huh?
12:48Yeah, yeah.
12:49Hey, what's going on with that urn?
12:50Wait, you know about the urn, too?
12:51Well, actually, that's where we met.
12:55The marketplace where I bought it.
12:57Yeah, right.
12:58The marketplace.
12:59Right.
12:59I thought you were going to sell it.
13:00Well, actually, Phoebe's sister works at that auction house.
13:02She's looking for a buyer as we speak.
13:04That's good.
13:05That's good.
13:05The sooner the better, I guess, huh?
13:09Hey, are you okay?
13:10Yeah, I'm fine.
13:11I'm fine.
13:12It's just I'm a little tired.
13:14Jet lag, you know.
13:15Are you staying at the Ashcroft like I suggested?
13:17Oh, yeah.
13:18Sure.
13:19Good.
13:19Me, too.
13:19Uh, maybe we'll hook up later?
13:22Mm-hmm.
13:24It's nice to meet you.
13:25Oh, yeah.
13:26You, too.
13:29Ew, creepy guy.
13:33Yeah.
13:36You hungry?
13:49What's up, Hugh?
13:55It was a friend of Wesley's.
13:57His family wanted me to make sure he got home all right.
14:00Sorry.
14:00How'd he die?
14:02I don't know.
14:04Spider bite, I think.
14:07He's off to JFK, right?
14:09First flight in the morning.
14:10Sorry, Wes.
14:19Sorry, Wes.
14:19What am I supposed to think, Piper?
14:47Phoebe's ex pops into town and wants me to sell something for him?
14:51You think that's a coincidence?
14:53Oh, Pru, you wonder why you're out of the loop.
14:55You worry too much about Phoebe.
14:57No, I don't.
14:58I just don't want to see her get hurt.
15:00That's all.
15:01Look, I just get this really bad feeling about Clay.
15:05I can't explain it.
15:06I can.
15:07You don't think he's good enough for her.
15:09Just like you didn't think Jeremy was good enough for me.
15:12Of course, in his case, you were right.
15:13But that's not my point.
15:15No, your point is that it's none of my business, and you're probably right.
15:20Speaking of playing matchmaker, how is Doug?
15:22The same, unfortunately, except I'm getting a little freeze-frazzled.
15:26It's draining.
15:27Don't you think you need to find a better way to deal before you get fired?
15:31I know.
15:33Oops.
15:33I gotta go.
15:34Sorry, Doug.
15:42Too poop to pop.
15:48I'm surprised you moved back here.
15:50I remember a few late nights, a few beers, a few not-so-pleasant conversations about your
15:55sisters.
15:56Here you are, living together here.
16:00Necessity or choice?
16:01I think a little bit of both.
16:03Anyway, things have kind of picked up at the Halliwell Manor.
16:09Yeah, like how?
16:10Oh, well, let's just say San Francisco has been a lot more unusual than New York.
16:16More rice?
16:17No, thanks.
16:19Hmm.
16:20Look, you know, Phoebe, you really haven't said much about what you've been doing.
16:26Protecting the innocent from evil?
16:28Oh, come on.
16:28Be serious.
16:29I mean, you barely had a spare minute in New York.
16:32Three jobs just to afford your social calendar.
16:36Things have changed.
16:38I've changed.
16:43I'm trying to change, too.
16:48One thing that won't change is how I feel about you.
16:51I don't understand you deserve so much.
16:56I'm sorry, I shouldn't mention it.
17:01No, it's not that.
17:04Believe me.
17:04I, uh...
17:07It took me a long time to get over you, and...
17:11I just want to be careful.
17:18I understand.
17:22But if I clean up my act,
17:24would you consider moving back?
17:27Do not go there now.
17:29Oh, sorry to interrupt.
17:36It's okay.
17:36It happens.
17:38I should get back to the hotel anyway.
17:41Clay, stop.
17:41I got it.
17:42I got it.
17:42Okay.
17:44So, how's it going with the urn?
17:45It's going.
17:47I think what he's trying to ask is,
17:49is it going, going, gone?
17:51Well, I put it on the auction block.
17:53Oh, great.
17:54That's great.
17:55Thanks a lot.
17:55Yeah, well, I'm still waiting for the background check
17:58to come through on it,
17:58so I can set a reserve price.
18:00Okay, well, whatever you get for it's fine with me.
18:02As long as it sells, right?
18:04And in a hurry?
18:04Well, from what I understand,
18:06if anyone can do that, it's you.
18:10So, I will call you tomorrow.
18:13Maybe you can show me around the city.
18:15Help me see where I left my heart.
18:17Yeah.
18:22Hey, I really appreciate it.
18:23Thanks again.
18:24Anything for Pheebs?
18:27See you later.
18:28Okay, okay.
18:34What?
18:35Nothing.
18:37I can worry about my little sister, can't I?
18:40I'll never stop.
18:47Hmm.
18:50Are you okay?
18:51Nothing to see here.
18:52Move along.
18:54Welcome to London.
18:55What did you do?
18:57More like, who did you do it to?
18:59I put a charm on Doug, but I doubled the recipe.
19:03It's just a little something to boost his confidence
19:04so he can give love a shot and give me a break.
19:07Go ahead, Prue.
19:08Yell at her.
19:09It's not for personal gain,
19:10and it fits into the whole harm-none thing
19:12we have to live by,
19:13besides Prue, the one who told me to do something.
19:15Did not.
19:16Yes, you did.
19:17I just need Doug to stop dropping things
19:20so I can stop phrasing things.
19:21I'm just exhausted.
19:22You know, maybe he and Shelly aren't meant to be together.
19:25Not everybody's supposed to be.
19:28Oh, that was, that was real subtle, Prue.
19:32Well, we'll never know unless Doug has the guts
19:34to pop the question.
19:36All I'm doing is giving it to him.
19:37Hmm.
19:38It's just like the cowardly lion from The Wizard of Oz.
19:41Well, it is.
19:50Ladies and gentlemen,
19:51this exquisite bronze-plated carving
19:53dates back well over 120 years.
19:56Surely it's worth more than $2,500.
19:58Do I hear 26?
19:5926.
20:00Mark, move the F. Scott Fitzgerald pin
20:03to the next slot, all right?
20:04Our buyer, Mr. Gordonson, is getting restless.
20:06Go.
20:0626, going once.
20:08I think you should see this, Prue.
20:10What is it?
20:11It's the appraisal on the urn you requested.
20:13So, to paddle 68.
20:15Next item up.
20:15The good news is it's worth a fortune.
20:18The bad news is...
20:19It's stolen.
20:20Apparently.
20:21No wonder the auction house is going under.
20:23Selling stolen goods.
20:25No, this is highly unusual and very embarrassing.
20:28Yes, it is.
20:30Yes, now 16...
20:3216,000?
20:33Oh, no.
20:3416,000?
20:3715,000 going once.
20:39Point twice.
20:40Sold for 15,000.
20:43Paddle number three.
20:45Next item up.
20:46Lot number 51.
20:48Five-one.
20:50This beautiful 24-carat gold inlay urn from Egypt.
20:54Oh.
20:56Obviously, there's been some mistake.
20:58Who are you?
21:08You must be Prue, Phoebe's sister.
21:10Same question.
21:10Who are you?
21:12Me?
21:12I'm a friend of Glaze.
21:16Why didn't you sell that urn?
21:18You're supposed to sell it.
21:19I think that you'd better leave.
21:20No!
21:21Don't you understand?
21:21You have to sell it before the curse...
21:23Curse?
21:23What curse?
21:24The urn.
21:25It's cursed.
21:27Never mind.
21:28Forget it.
21:28I'll get rid of it myself.
21:29Oh, my God.
21:33It is cursed.
21:38What's going on?
21:39Curse.
21:41It's happening.
21:43It's too late.
21:44I gotta get out of here.
21:56So, do you believe in giving people second chances?
22:00Absolutely.
22:01That's probably why I wanted to help out Doug so much.
22:04Okay, well, Clay says he can change, and I want to believe him, but...
22:08But you're afraid of getting hurt.
22:10That's totally understandable.
22:11So, I keep my distance, and then what?
22:14Hope that I'm wrong?
22:17Well, you could be.
22:18That premonition of yours was definitely the future.
22:22Yeah, but the problem is, I keep thinking about the past.
22:26When I moved to New York, I was so angry.
22:31All right, I was scared.
22:34And then I met Clay, and he helped me out a lot.
22:37And he was really good to me at a time in my life
22:40when nobody else was.
22:42I'm sorry.
22:43You know what I mean.
22:44I didn't mean it like that.
22:45All right.
22:46That's fine.
22:48So, why did you leave him?
22:50Well, he kept living beyond his means.
22:53He never thought of the future.
22:56Yeah, I know that sounds familiar.
22:57Let's just say he took one too many shortcuts.
23:04Got involved with some bad people,
23:06got in over his head, way over his head,
23:09and finally I just couldn't take it anymore.
23:12I had to leave.
23:13And so now he's back,
23:15hoping to be the man you fell in love with originally.
23:17Yeah, so what do I do?
23:20What if he's the one?
23:22Like you say Duggan and Shelley are.
23:24Do I just walk away?
23:26No, but...
23:27We can't live together forever.
23:29What do we expect?
23:30To be 60 years old
23:31and still be sharing clothes and a cat?
23:34Well, now that you put it that way, no.
23:37I don't want to live with you anymore.
23:39Oh, boy.
23:50I thought your charm was to boost his confidence,
23:54not turn him into Tom Cruise.
23:56Maybe I shouldn't have doubled the recipe.
23:59Uh, yeah.
24:03Doug.
24:05What's going on?
24:06I'm not sure, but whatever it is,
24:10I feel great.
24:11Oh.
24:16Oh, my.
24:19Um, Doug, what about Shelley?
24:21Who cares about Shelley?
24:23When I got Thursday, Friday, and Saturday
24:25all lined up and waiting.
24:28I don't believe I've had the pleasure.
24:30I don't believe you will.
24:32Off limits.
24:36My charm worked.
24:38You've turned Doug into a...
24:39A monster.
24:40Mm-hmm.
24:40What?
24:41Oh, I gotta go.
24:43I told Clay I'd meet him over at the house.
24:45Goodbye.
24:46Oh, my God.
24:50Leaving?
25:05How'd you get here?
25:08I came with your friend.
25:10I waited for your fear to consume you.
25:14Where's the urn?
25:15It's at the Buckland Auction House.
25:18I tried to get it back.
25:19I was gonna return it, I swear.
25:20I tried to make things right.
25:22Please.
25:23Don't.
25:24I'm sorry.
25:26No!
25:27No!
25:28No!
25:29No!
25:30You're being punished for your greed.
25:32So, the band goes on at ten, but if we get there before nine, there's no cover.
25:44You interested?
25:46In anything that involves you.
25:53Okay.
25:56Hmm.
25:57Hmm?
25:58Mm-hmm.
25:58Deja.
26:04Boo.
26:06I miss this.
26:08The day-to-day of us.
26:13Yeah.
26:14Me too.
26:17Okay, well, I'm going to change now.
26:21Okay.
26:23Oh, you want me to leave?
26:24It's kind of a loaded question, but, uh, yeah, I think that that would be best.
26:29Phoebe, we did live together.
26:32It's not like I haven't...
26:33Yeah, I-I-I know, but things have changed.
26:38Come here.
26:40Come sit down.
26:43Very different.
26:45Did it have to be?
26:45Uh, well, you know, when you, uh, okay, stop.
26:54Stop!
26:58Okay, go.
26:59Go!
27:01Oh, God.
27:02What am I doing?
27:03What am I doing?
27:05Okay, you know this isn't fair, because I love it when you...
27:08Oh, Prue, you scared me.
27:19Where's Phoebe?
27:20Upstairs.
27:21But you might want to...
27:23Knock.
27:28Phoebe, we need to talk.
27:31Yes, we do.
27:34Oh.
27:34You know you don't have to leave.
27:47Yeah, I think I should.
27:51I'll call you.
27:57I hope you liked the show.
27:59Phoebe, I am so sorry.
28:00I had no idea.
28:01What, that it was my room that you barged into?
28:04I had more privacy when I lived in New York.
28:07A tiny island, crawling with eight million people.
28:10And at least one thief.
28:13I'm sorry, excuse me?
28:16My new boss handed this to me, thankfully, just before the urn could be sold.
28:22Clay didn't buy it at some outdoor bazaar, Phoebe.
28:26He stole it.
28:28This can't be right.
28:29It looks right, Phoebe.
28:32Seasons change, people don't.
28:34I changed?
28:36Do you remember what you thought of me before I walked back through that door?
28:39That's different.
28:41How is that different?
28:42You're my sister.
28:43Well, there's got to be some mistake.
28:50It gets worse.
28:53If the background information is accurate, there's a curse attached to the urn.
28:59Anyone who steals it ends up dead.
29:01A victim of the guardian who protects it, and she feeds off their greed.
29:07Okay, well, even if that's true, Clay could have never known about it.
29:12Otherwise, he wouldn't have brought it here.
29:14Are you sure, Phoebes?
29:16You wouldn't be the first Hallowell to misjudge a guy.
29:18No, it's not about judging.
29:20It's about knowing.
29:21And I know Clay.
29:22And I know what Clay has done.
29:25Okay, he put my job in jeopardy.
29:27He lied to me.
29:27Phoebe, he lied to you.
29:30You don't know that.
29:33Look, I am not saying that he's perfect.
29:37Okay, and even if he is foolish enough to risk his own life, he would never risk mine.
30:01If I didn't know any better, I'd say this is a scorpion sting.
30:05Scorpion sting in San Francisco?
30:07I know, but that's what it looks like.
30:09Any chance he was killed somewhere else and then moved here?
30:12No.
30:13The lividity is consistent with where he was found.
30:15Well, I buy this place as roaches.
30:17I'm not so sure about scorpions.
30:19Anything else?
30:20Found someone's business card in his pocket.
30:24Buckland's auction house?
30:25Ah!
30:26Let me guess.
30:27Prue Hallowell?
30:28Yeah.
30:28How'd you know?
30:29I'm cursed.
30:32Let me know when you get the report back on that sting.
30:37I didn't see anything.
30:38Oh, you didn't?
30:40Excuse me.
30:41Yeah.
30:50Palmer?
30:51Lot 49, 2600, lot 50, 15,000, lot 51, excluded.
31:09Shouldn't that be turned in to the proper authorities?
31:15I'm contacting customs as soon as we're finished here.
31:17Look, again, I just want to assure you that I didn't have anything to do with-
31:22Just handle it.
31:24How did we do?
31:251.28 million.
31:28We did it.
31:29The auction house lives to see another day.
31:32Congratulations.
31:33Good work.
31:34Thanks.
31:39Hey.
31:42Andy, hi.
31:44Here to arrest me again?
31:45Mmm.
31:47Not this time.
31:50A scorpion.
31:51Why am I not surprised?
31:53I'm afraid I don't.
31:55A young man, uh, died last night of a scorpion sting.
31:59Palmer Kellogg.
31:59You know him?
32:00I don't believe I do.
32:02Well, he obviously knew you.
32:04I found your card on his body.
32:06We did just have an auction.
32:08I met a lot of people.
32:09Oh.
32:11Well, I'll bring a photo by later to see if it jogs anything.
32:14That's fine.
32:15But listen, just because we're not dating anymore, I want you to know I still care about you.
32:26So if you're ever in a jam or you ever need anything, just know you can always call me.
32:33I know that.
32:35Thanks.
32:35Where are you in there?
32:50Phoebe?
32:56You stole the urn, didn't you?
32:58Won't you, uh, come inside?
32:59No, I am not going anywhere until you answer the question.
33:03Okay, yes.
33:03Were you planning on saying goodbye before you skipped town?
33:12Palmer's dead, Phoebe.
33:14What?
33:15He died from a scorpion sting.
33:17I called Wesley to tell him.
33:18That's when his parents tell me he's dead, too.
33:20Spider bites.
33:22I don't know how, I don't know why, but I know one thing.
33:25I'm not going to stick around.
33:26You are such a liar.
33:27Phoebe, I'm not lying.
33:28You knew the urn was cursed when you stole it.
33:31You knew the legend.
33:32What are you talking about?
33:32What legend?
33:33Are you telling me that you didn't know whoever steals the urn dies?
33:37Palmer or Wesley?
33:39I swear I knew nothing about it.
33:41You're right.
33:42Come on, Phoebe, you have to believe me.
33:44No, I don't.
33:46You're a liar, Clay.
33:48You will never change.
33:51You'll always look for the easy way out.
33:53Sorry.
34:08I'll go get the broom.
34:11Good idea.
34:13I see you reversed the spell.
34:15Yeah, and I've been given until tomorrow to fire him.
34:19Maybe Prue is right.
34:20Maybe they just don't belong together.
34:23Seems like the theme of the day.
34:26Uh, Clay?
34:27Uh-huh.
34:28He totally used me, Piper.
34:30He just used me to get to Prue.
34:32I'm sorry.
34:35Thanks for not saying I told you so.
34:39Why didn't I see it coming?
34:44What am I, a sucker for punishment?
34:46No.
34:47You see the good in people, and that's never wrong.
34:49Besides, the wrong guys are usually the most interesting.
34:52Mm.
34:54Until you get your hopes up and let your guard down, and they reveal their true selves.
34:58So true.
34:59I mean, look at Doug.
35:01Great guy.
35:02Kind of boring on the surface.
35:04Easy to overlook, but maybe in the long run we're better off with his type.
35:09Maybe in the way long run.
35:11I think I'm still looking for adventure.
35:14Then you risk paying the price.
35:18I got it.
35:21Maybe it's a price worth paying.
35:23Yeah.
35:24I just don't know anymore.
35:25Thanks for the ear.
35:40Can I come in?
35:40No.
35:41Look, I may have lied about buying the urn, but I swear I didn't know it was cursed.
35:46Well, that still makes you a thief now, doesn't it?
35:49Well, that's why I'm here.
35:50I want to make things right.
35:51I want to turn myself into the police.
35:53I mean it, Phoebe.
35:54Honest.
35:55It's the only way I can redeem myself with you.
35:57And how do I know this isn't just another one of your scams?
36:00Well, I guess you don't.
36:02But I don't want to take shortcuts anymore.
36:03I want to take the urn with me to the police.
36:05There's no way Prue is just going to give it to me.
36:08Not without you there.
36:11I need your help.
36:13It's the last favor I'll ever ask.
36:16I promise.
36:20I don't think so.
36:21Please.
36:32It's a curse.
36:33What?
36:35Let's go.
36:44Phoebe, what is he doing here?
36:45Save it till later.
36:46I have seen the future and it's not bright.
36:48Oh, good.
36:49You didn't give the urn to the police.
36:51Yeah, no.
36:51I thought that it might get you in trouble.
36:52Yeah.
36:53Well, you know that little legend we were talking about?
36:55Well, I...
36:56I think it's true.
37:01What the hell is that?
37:04Clay!
37:05Get him out of here.
37:06Go!
37:12I don't want to harm you.
37:15I came for the thief.
37:16Who are you?
37:18I'm the guardian of the urn.
37:21You cannot destroy me.
37:28Phoebe, run.
37:29So now there are more who will die.
37:48I still don't understand.
37:50You stay down here.
37:51What's going on?
37:52Tell you in the attic.
37:53Hey, where are you going?
37:54Fill her in.
37:55I'll meet you guys upstairs.
37:56Uh, Piper is really into legends and Prue is really good with her mind, so...
38:04Yeah, but that thing, the guardian, she's not even...
38:07Human?
38:08Yeah, I know, but she's real and we have to figure out how to stop her before she gets you.
38:12I don't know what you're thinking, Phoebe.
38:13I do not want you getting hurt because of me.
38:17You know, I think I actually believe you.
38:20Did you find anything?
38:31Nothing about Egyptian urns or greed demons.
38:34Zip.
38:36Well, let's just hope that she didn't follow us here because our powers are useless against her.
38:40How's that possible?
38:41I mean, that's never happened to us before.
38:43Maybe we're not supposed to protect him.
38:46What are you saying?
38:47Look, all I'm saying is that maybe there's a reason.
38:51Like, Piper trying to force Doug and Shelly back together again.
38:54Maybe there are just some things that we're not supposed to save.
38:57No.
38:57We're saving Clay, period.
38:59There's just got to be something that we're missing.
39:02Maybe this is something.
39:04I mean, it doesn't talk about the urn, but it talks about the seven deadly sins.
39:08Greed being one of them.
39:09Wait a minute.
39:11The Guardian punishes the greedy, so maybe if Clay does something selfless, it'll even the score.
39:18Good luck.
39:22Sorry.
39:26Clay!
39:28Clay, where are you?
39:30Clay!
39:30I think he left.
39:33I don't believe it.
39:35I'm sorry, Pheebs.
39:36No, I mean, I really don't believe it.
39:38He wouldn't just leave like that.
39:39Well, do you have a better explanation?
39:41He was worried about me.
39:42He was worried about us.
39:43I am telling you.
39:45Wait.
39:46My vision.
39:47I think I know where he's going.
39:48We've got to stop him.
39:49Hmm.
39:50I knew you'd come back.
40:02Your greed consumes you.
40:04I'm not here for the urn.
40:07You must be punished.
40:09I know.
40:11When you're done with me, that's it, right?
40:14You're not going to hurt anybody else?
40:15Not until somebody steals the urn again.
40:18How do you know anybody will?
40:20Somebody always does.
40:38Clay!
40:39Stay back, Phoebe.
40:40No!
40:41Phoebe, look out!
40:47A selfless act.
40:48Just like the Book of Shadows said.
40:59Where'd it go?
41:00Who cares as long as it's not here?
41:04You okay?
41:06Am I okay?
41:08Who says people never change?
41:10Good thing we didn't have to end up using our powers to vanquish her.
41:27Otherwise, Clay would have seen.
41:29They didn't work anyway.
41:31Not something I hope ever happens again.
41:33Ooh, ooh, forgot about Doug.
41:38This is getting ridiculous.
41:40Oh, tell me about it.
41:41That engagement ring's probably still burning a hole in his apron.
41:46Where are you going?
41:47What are you doing?
41:49Solving your problem and keeping you employed.
41:55Okay.
41:56I'm sorry.
42:06What's that?
42:07I was carrying that around for weeks, trying to find the right time to ask you.
42:16Ask me what?
42:18To, um...
42:20Marry me.
42:23But that's why I broke up with you.
42:28I gave up on waiting.
42:29Maybe this would have happened sooner if I would have kept my little wicked nose out of the business.
42:42I mean, she can't change people.
42:44They have to change themselves.
42:47Oh, speaking of that.
42:48Yum.
42:51Go, baby.
42:52Go, girl.
42:53All right.
42:54You go.
42:54I'm going in.
42:55You can do it.
42:58Hey.
42:59Hey.
43:00I'm glad you stepped by.
43:03Any chance you're going to come back with me?
43:06No.
43:08This is my home now.
43:09You know me.
43:10I had to try.
43:12I know I lied to you about a lot of things.
43:15But one thing I never lied to you about is how much I care about you.
43:21I know, Clay.
43:21I guess I should be going.
43:30Yeah.
43:33Um, you know, I hope the next time we cross paths, I'll be the guy you always think you see.
43:40Good-bye.
43:41Good-bye.
43:55Hey, you okay?
43:56Oh, yeah, yeah.
43:57He was just stopping by on his way home, right?
44:00No big deal.
44:02Heard that before.
44:03Heard that before.
44:03Mm-hmm.
44:04Mm-hmm.
44:04Oh.
44:05Oh.
44:05Oh.
44:06Oh.
44:06Oh.
44:07Oh.
44:07Oh.
44:08Oh.
44:08Oh.
44:09Oh.
44:09Oh.
44:10Oh.
44:11Oh.
44:11Oh.
44:12Oh.
44:12Oh.
44:13Oh.
44:13Oh.
44:14Oh.
44:15Oh.
44:15Oh.
44:16Oh.
44:17Oh.
44:17Oh.
44:18Oh.
44:19Oh.
44:19Oh.
44:20Oh.
44:21Oh.
44:22Oh.
44:23Oh.
44:24Oh.
44:25Oh.
44:26Oh.
44:27Oh.
44:28Oh.
44:29Oh.
44:30Oh.
44:31Oh.
44:31Oh.