- 5 months ago
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🎥
Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59I might say disgustingly rich and very good for you, Miss Barbara.
00:02:05Why is it so many things you don't like are good for you?
00:02:09I couldn't say offhand, Miss Barbara, but you must eat some more of your spinach.
00:02:13Why do I have to?
00:02:14Well, you see, your lunch calls for so many vitamins, and you must have them.
00:02:20All right.
00:02:27My goodness, that was an awful big vitamin.
00:02:31Have you finished, Miss Barbara?
00:02:32But definitely...
00:02:34Achoo!
00:02:37Achoo!
00:02:37Achoo!
00:02:41Achoo!
00:02:49Achoo!
00:02:54The third sneeze.
00:03:03Let me see your tongue.
00:03:06I'm afraid you'll have to go to bed.
00:03:09I'm not sick.
00:03:10I feel fine.
00:03:12Oh, Colin, she's perfectly well.
00:03:14A sneeze has nothing to be alarmed at.
00:03:16Perhaps not, but I'm responsible for the child.
00:03:19Come, my dear.
00:03:21Phone for Dr. Palmer.
00:03:24The child sneezes, and you think the world was coming to an end.
00:03:36Good heavens, can't they leave her alone?
00:03:37She's a perfectly normal, healthy child.
00:03:40The way they carry on here, you think she was made of glass.
00:03:43Something ought to be done with Collins.
00:03:46How, Mr. Barry, can stand that female is beyond me.
00:03:50Well, you can't expect a widower and a man as busy as Mr. Barry.
00:03:54is to notice everything that's going on in the house.
00:03:59Better do your telephone him.
00:04:03No, it just seems to be a slight cold.
00:04:06But Mr. Barry always wants us to notify him.
00:04:10Just got a message from Barry's home.
00:04:12His child is ill.
00:04:14Maisie, just got a message from Barry's home.
00:04:16His child is ill.
00:04:17Okay, I'll see that he gets the message.
00:04:23Mr. Barry is running at home at once.
00:04:25He's child is quite ill.
00:04:26Really?
00:04:32Do you know where Mr. Barry is?
00:04:33Yes, he's over at the household.
00:04:34We've got to get in touch with him right away.
00:04:36His daughter is seriously ill.
00:04:37Well, I'll go over to the show and pick him up.
00:04:39She phones in the meantime.
00:04:40Can I have my mom on my way?
00:04:41Yes.
00:05:07Thank you, ladies.
00:05:09Ready for the opening of the exhibit at 215?
00:05:10Yes, Mr. Barry.
00:05:40May I help?
00:05:47Seems I can't go anywhere or do anything without Barry making trouble for me.
00:05:51I hate that man.
00:05:53He causes me more sleepless nights.
00:05:55Sleepless nights?
00:05:56Mm-hmm.
00:05:56What does he do?
00:05:58Play a slide trombone under your window or something?
00:06:00Everything but that.
00:06:01I lay awake half the night, picking up new ideas.
00:06:04The next morning, I find that Barry's not only beaten me to them,
00:06:07he's taught me in a thousand ways.
00:06:08I wish he'd drown in his own soap soap.
00:06:11But I shouldn't be boring you with my trouble.
00:06:13Oh, that's all right.
00:06:15You in this business?
00:06:17Yes, I'm with the pet company.
00:06:21Advertising.
00:06:23I see.
00:06:25I'm sorry you dislike this fellow Barry, though.
00:06:27He's really not a bad sort.
00:06:29Oh, do you know him?
00:06:30Slightly.
00:06:31My barber cuts his hair.
00:06:33Maybe I could bribe him to cut his throat.
00:06:35Oh, Mr. Barry, did you think she'll be all right?
00:06:38Well, no, let me see.
00:06:41Yes, she'll do very nicely.
00:06:43Thank you, Mr. Barry.
00:06:44That's just what I thought.
00:06:47Well, of all the rotten tricks.
00:06:49Letting me talk my head off without telling me.
00:06:51Oh, now.
00:06:52Just another example of Barry cleverness, I suppose.
00:06:54What is she burning about?
00:07:04I keep her awake tonight.
00:07:07Mr. Barry!
00:07:08Mr. Barry!
00:07:09You want her to go home right away.
00:07:10Barbara's very ill.
00:07:10Oh, me, oh, my, I'm so sad that I could cry, with a very good reason why.
00:07:28I've no one to be gay with.
00:07:31That's why I wear a crown.
00:07:34No children I can play with.
00:07:37London, they're just falling down.
00:07:39My little lady.
00:07:42I want to make mud pies.
00:07:45In fact, I'd like to be a mess.
00:07:49I want to make mud pies.
00:07:51I know that I'd find happiness.
00:07:54If I got jam on my fingers,
00:07:58chocolate on my face,
00:08:00and glasses all over my dress,
00:08:03you're the only friends I've ever had.
00:08:08But one minute you're good,
00:08:13and the very next minute you're bad.
00:08:16At times I ought to hate you.
00:08:19You make me feel so blue.
00:08:22But honest, I can't hate you
00:08:25when you smile at me the way you do.
00:08:28Oh, my goodness.
00:08:31Sometimes I want to leave you.
00:08:33You tell such awful lies,
00:08:36but I could never leave you
00:08:39when I look into those great big eyes.
00:08:43Oh, my goodness.
00:08:45I love you.
00:08:47Do you love me?
00:08:48Honey, if you don't, why don't you?
00:08:51Honey, if you won't, why won't you?
00:08:54Am I gonna have trouble with you?
00:08:56I really ought to scold you.
00:08:59You'll have me old and gray,
00:09:02but when it's time to scold you,
00:09:04I hold you in my arms and say,
00:09:08Oh, my.
00:09:09Oh, my.
00:09:12Oh, my goodness.
00:09:13Oh, my goodness.
00:09:13Sometimes I am too Haitian
00:09:43You make me feel so blue
00:09:46But honest, I can't hate you
00:09:49When you smile at me, my lovely pooch
00:09:52And I'm mine mootness
00:09:55You are my everything-a-vitch
00:10:00You're like a day in spring-a-vitch
00:10:03And you make my heart sing-a-vitch
00:10:06Lookie, lookie, look-ski, here comes Crooksky
00:10:09Oh, cha, torn ya
00:10:13I love you, do you love me?
00:10:17Mya-ka-ya-ka-ka-ka-si-n-si
00:10:20Meenny, meenny, moot-bat-meen-si
00:10:22Am I gonna have trouble with you?
00:10:30Honey, child, I really ought to scold you
00:10:33You have your mammy all embrace
00:10:38Pick a nitty, when it's time to scold you
00:10:42I just hold you in my love and arms and say
00:10:47Oh, my, high, high, high, high, high
00:10:52Oh, my goodness!
00:10:55How are you feeling, honey?
00:11:05I wouldn't know how to feel any better
00:11:07Will you read to me from this?
00:11:15All right, which one is it to be?
00:11:18It's the one where Betsy runs away from the orphan asylum
00:11:22And meets Tony, the organ grinder, and his monkey
00:11:25Betsy Ware was two years old when her mother died
00:11:30Because the family was poor, Betsy couldn't stay at home
00:11:34So she was sent to an orphan asylum
00:11:37Which was an ugly red brick building
00:11:40Far, far away from where Betsy used to live
00:11:43Yes, from where Betsy used to live
00:11:45A young man came dancing around the corner
00:11:48In a green coat and bumped right into her
00:11:51Excuse me, said the young man
00:11:53I'm always bumping into people
00:11:56That's why they call me Puddin' Head
00:11:58So Mary couldn't play that afternoon
00:12:06She had lessons to do
00:12:08No, no
00:12:09Wait, what happened after Betsy met Puddin' Head?
00:12:13Oh, excuse me
00:12:14Why, I must have skipped a page
00:12:16How is she?
00:12:20She's fine
00:12:20The doctor was here
00:12:22And he says there isn't the slightest thing the matter with her
00:12:24Now, you see, Mr. Berry, she's perfectly all right
00:12:37Collins just gets panicky every time the child sneezes
00:12:41Collins is right
00:12:42I want every precaution taken
00:12:44Of course, I know it's none of my business, Mr. Berry
00:12:48But did you ever stop to consider
00:12:51That the constant piling up of precautions and attentions
00:12:54Was bad for the child
00:12:56Why, she's pampered and watched over and babied to death
00:13:01Would you mind if I'd offer a suggestion?
00:13:06No, go ahead
00:13:07If I were you
00:13:08I'd send Barbara to school
00:13:10Where she'll be with other children
00:13:12Well, there may be something in that
00:13:15Perhaps school's the thing for her
00:13:17Tell Collins I wish to speak to her
00:13:19I'll ask her about it
00:13:20I know what Collins will say
00:13:22Collins always says
00:13:26No
00:13:26Hello, Daddy
00:13:28Hello, sweet
00:13:30Daddy, why do I always have to play alone?
00:13:35Why can't I play with other children?
00:13:38Honey, how would you like to go to school?
00:13:40Goody, goody
00:13:41Well, I guess that's settled
00:13:43Yes, Mr. Berry
00:13:44Oh, Collins, I'm sending Barbara to school up in the Adirondacks
00:13:47The school her mother used to go to
00:13:48But, Mr. Berry, the child's much too young for a summer camp
00:13:51Didn't I tell you Collins always said no?
00:13:55I've only been following your instructions, Mr. Berry
00:13:57I'm sorry if you feel that I...
00:13:59Nonsense
00:13:59She needs the companionship of other children
00:14:01Get in touch with the Forest Grove school
00:14:02And make arrangements for her entrance right away
00:14:04Take care of all the details
00:14:05Yes, sir
00:14:07Mr. Berry
00:14:08You wanted to listen to the changes being made on your radio hour
00:14:12The program's on now
00:14:13Oh, yes
00:14:14B-A-R-R-Y
00:14:30Why don't you buy a bar of berries
00:14:36Every grocer carries berries
00:14:40You will find the berries, little bubbles
00:14:43Make you kind of laugh and you'll watch in trouble
00:14:47Find a bar of berries
00:14:50It's the berries
00:14:52That's berries
00:14:54So run, don't walk to the nearest banks
00:14:58And find a bar of berries
00:15:01And now, the bari-baritone will sing that new hit tune
00:15:09When I'm with you
00:15:10Every street I walk on
00:15:16Becomes a lover's name
00:15:19When I'm with you
00:15:21I can see the sun
00:15:26Though we're out in the rain
00:15:28Though we're out in the rain
00:15:29When I'm with you
00:15:33To lose you would be tragic
00:15:38Here is my heart and heart
00:15:43You have that certain magic
00:15:48You're the seven wonders of the world
00:15:53Snow is on the ground
00:15:55But the leaves are on the trees
00:15:59And when I'm with you
00:16:01Flowers sing a love song
00:16:05There's music in the breeze
00:16:08And I'm with you
00:16:10Hmm
00:16:11Please let me make this confession
00:16:16You are my magnificent obsession
00:16:22The world is all in right
00:16:25Lovely one when I'm with you
00:16:30You know, Daddy
00:16:39This house wouldn't be so lonesome
00:16:42If you'd stay home once in a while
00:16:44If I'd stay home all the time
00:16:48There wouldn't be any house
00:16:50You know, Daddy
00:16:52I can sing that song
00:16:54And I've got my own words
00:16:55Want to hear them?
00:16:56Hmm
00:16:57An ordinary day
00:17:03Becomes a holiday
00:17:05When I'm with you
00:17:08I have lots of toys
00:17:13But I don't want to play
00:17:15When I'm with you
00:17:18Oh, Daddy, how do I miss you?
00:17:25You're busy all your life
00:17:28I love to hug and kiss you
00:17:33Marry me and let me be your wife
00:17:38Every word I hear
00:17:41Sounds like a lullaby
00:17:44When I'm with you
00:17:47Even funny spinach
00:17:51Tastes like pumpkin pie
00:17:53When I'm with you
00:17:56In every dream I caress you
00:18:02And every night I pray
00:18:05The Lord will bless you
00:18:08The world's nursery rhyme
00:18:11Daddy, dear, when I'm with you
00:18:16Are you going to be in school with me?
00:18:34No, my dear
00:18:35I'm going to take a little vacation
00:18:36What's a vacation?
00:18:39It's a rest, dear
00:18:40It means getting away from people
00:18:42You've been with every day
00:18:43And seeing new faces
00:18:44You'll really become another person
00:18:46On a vacation
00:18:46What person are you going to be?
00:18:50Oh, just another person
00:18:51Is going to school a vacation?
00:18:55Hardly
00:18:55It's just the opposite
00:18:57You think Collins is strict
00:18:58But wait till you get to school
00:19:00There'll be no running to Woodward
00:19:02Or to your daddy
00:19:03You'll do just what you're told
00:19:05I don't think I'm going to like school
00:19:08May I take Snoopy with me?
00:19:11No, my dear
00:19:12You're not allowed to have dogs from school
00:19:14No
00:19:15No, indeed
00:19:17That settles it
00:19:19All right, darling
00:19:21We'd better get started
00:19:22Come, my dear
00:19:23Goodbye, Snoopy
00:19:25Are they expecting you at school this evening?
00:19:34No, I told them we'd be out sometime this week
00:19:36Then you'd better wire them your arriving
00:19:38And have a car meet you
00:19:39I'll do it from the station
00:19:41You're going to be very happy at school, aren't you, sweetheart?
00:19:45Maybe
00:19:45Maybe
00:19:46Sure you're going to be happy
00:19:49I'll be up and spend every weekend with you
00:19:51Goodbye, sweetheart
00:20:00Aren't you coming into the station with us?
00:20:03Oh, I'm sorry I can't
00:20:04I'm late for a business appointment already
00:20:06Seems as if I'm always running away from you, doesn't it?
00:20:09Well, I'll make up for it Saturday and Sunday
00:20:12I'll spend every minute with you
00:20:13We'll have lots of fun
00:20:15Goodbye
00:20:16Take good care of her, Carla
00:20:18Yes, sir
00:20:19What's this for?
00:20:22Oh, it weighs you for a penny
00:20:23I want to be weighed
00:20:25Well, I haven't a penny
00:20:27I have a penny
00:20:28All right
00:20:30Now, here
00:20:35On this side is your weight
00:20:45Fifty-eight pounds
00:20:46And on this side is your fortune
00:20:48What does it say?
00:20:52What does it say?
00:20:54It says you're going away on a long trip
00:20:56And you're going to meet a lot of strange people
00:20:58What a smart machine
00:21:01Come, my dear
00:21:03Walter
00:21:15Yes, ma'am
00:21:16I have to send a telegram
00:21:17My purse
00:21:29It's gone
00:21:30I must have dropped it when I got out of the car
00:21:33Keep an eye on her
00:21:34I'll be back in a minute
00:21:35Yes, ma'am
00:21:47What's your name?
00:22:12Rufus Washington, Jackson Lee
00:22:14All by yourself?
00:22:19My name's Betsy Ware
00:22:20That's a mighty pretty name
00:22:23Did you ever have a vacation?
00:22:28Oh, yes, missy
00:22:29Lots and lots of them
00:22:30Are they fun?
00:22:32Yeah, if you don't have too many of them
00:22:33I'll bet they're more fun than going to school
00:22:36I never had a vacation
00:22:39But I'm thinking about having one
00:22:42Look
00:22:45Why don't you help your brother?
00:22:51Brother?
00:22:53All right, little missy
00:22:54You just wait right here
00:22:55Till I'll come back
00:22:56There was a lady and a little girl with these
00:23:13They went away and didn't come back
00:23:15And the train there was a take is done gone
00:23:16All right
00:23:17Has the woman been identified?
00:23:21No, no pocketbook
00:23:22No long remarks
00:23:23Nothing
00:23:24Well, you'd better call up the Bureau of Missing Persons
00:23:26And have a general description set up
00:23:28Okay, darling
00:23:29Go on
00:23:30It's Tony!
00:23:37It's Tony!
00:23:40Yeah!
00:23:46And it's Monkey!
00:23:47Gee, that's a swell hat
00:24:06I wish I could have one like it
00:24:09Here, take it
00:24:10Oh, thanks!
00:24:11And you may have these, too
00:24:12Thank you
00:24:13I know who you are
00:24:40You're Tony
00:24:40That's right
00:24:41Andonia is my middle name
00:24:43I'm on my vacation
00:24:45Do you want to come along?
00:24:46Oh, you're a very nice little bambino
00:24:48You go home to your mama, huh?
00:24:50I have no mama
00:24:51Oh, that's too bad
00:24:53Then go home to your papa
00:24:55Say, what's your name?
00:24:58Betsy Ware
00:24:58I used to live in an orphanage
00:25:00But they were mean to me
00:25:02Awfully mean
00:25:03And now I'm on a vacation
00:25:05Huh?
00:25:05I'm on a vacation
00:25:06To see new faces
00:25:08Your face doesn't look very new
00:25:11Well, that's a good nap for me
00:25:12Goodbye
00:25:13Goodbye
00:25:13Hi, my baby
00:25:19Hey, you're joking
00:25:20Here comes Papa
00:25:26Hey, you're joking
00:25:31Hey
00:25:35Hey
00:25:40Hey
00:25:42Come on
00:25:42But why are you chasing me for?
00:25:57I'm Betsy Ware.
00:25:58I used to live in the orphanage, but they were awful mean to me.
00:26:01And now I'm on a vacation.
00:26:03I know, I know.
00:26:04You told me that.
00:26:05And you don't like my face.
00:26:07Yes, I do.
00:26:12Ma, Ma.
00:26:28Who is she?
00:26:32Mama, maybe she's hungry.
00:26:36I go get her?
00:26:38All right.
00:26:42Come, you stay in my house tonight.
00:27:02Put to the spaghetti, they're good.
00:27:05Look, look, like this, look.
00:27:27Yeah.
00:27:31Hey, this is a glass.
00:27:32We answer them in the cup of tea.
00:27:46Achoo.
00:27:48I sneezed.
00:27:49Salute.
00:27:50Salute.
00:27:53Don't I have to go to bed?
00:27:55What's the matter?
00:27:56You're sleeping?
00:27:57You eat the first.
00:28:00I like it here.
00:28:10So little.
00:28:12And so sweet.
00:28:14Maybe we keep her.
00:28:16Yes.
00:28:17Are you crazy?
00:28:18What do you want to do?
00:28:19Do you want to go to jail for the kidnap?
00:28:22Five children you have already.
00:28:24Six with a monkey.
00:28:25Then I take her to the police and men in the morning, eh?
00:28:31I'm going to go to bed.
00:28:32I'm going to go to bed.
00:28:32What?
00:28:33Hey.
00:28:39Come, baby.
00:28:41All right.
00:28:42I'm going to go to bed.
00:28:42I'm going to bed.
00:28:50I'm going to bed.
00:28:51I'm going to bed.
00:28:51I'm going to bed.
00:28:51I'm going to bed.
00:28:55I'm going to bed.
00:29:15That girl is so fat she's sleeping.
00:29:18Maybe we'll keep her, eh?
00:29:20Come on.
00:29:50Hey, this music certainly comes in handy for rehearsing.
00:30:08Rehearsing for what?
00:30:10Well, you never can tell when somebody will ask you to play a benefit.
00:30:13Oh, don't forget.
00:30:14We've got another radio edition tomorrow.
00:30:16You know, this radio racket is a lot tougher than Baudrill used to be.
00:30:22Remember when we got married?
00:30:24No, and don't remind me.
00:30:26And by the way, I'm getting tired of these radio auditions.
00:30:29If we don't land a sponsor soon, I'm going home to my mother.
00:30:33Well, that's better than bringing the old bat legs here.
00:30:35I'm only kidding.
00:30:39You know, honey, I've been working on a step that's going to start Bill Robertson talking himself.
00:30:43Watch this.
00:30:50If I could see anybody tie that.
00:31:13I'm going downstairs and see who that hooker is.
00:31:35Yeah, while you're down there, take a few lessons.
00:31:37It's a kid.
00:31:47Jerry, Jerry.
00:31:51Are you the one who was answering my steps?
00:31:58Tony, who is she?
00:32:00She's an orphan.
00:32:01She'll run away and she'll follow me here.
00:32:04Jerry, she's a natural.
00:32:08Look at her.
00:32:09Did you ever see a better bet?
00:32:11Who is she?
00:32:12She's part of our rag, kid.
00:32:14Dolan, Dolan, and Dolan.
00:32:20Say, what's your name?
00:32:24Betsy Ware.
00:32:26Are you Puddin' Head?
00:32:27I'll say he's Puddin' Head.
00:32:32Come on.
00:32:39Now, what's this all about?
00:32:41Don't you see?
00:32:42That kid in there is a novelty.
00:32:43Just what we need for the act.
00:32:45What's the matter?
00:32:45Are you crazy?
00:32:46What do you know about the child?
00:32:47All there is to know.
00:32:48She ran away from an orphan asylum.
00:32:50Orphan asylum?
00:32:51Your aunt, did you notice her hands?
00:32:53Well, they don't manicure them in orphan asylums.
00:32:55Well, I don't know.
00:32:56A friend of mine got his hair cut in Sing Sing.
00:33:04You're always making mountains out of mothballs.
00:33:08Supposedly, kid's story does turn out to be a phony.
00:33:11All right, so we believed it.
00:33:12We fed her.
00:33:13Took good care of her and put her on the air.
00:33:15They can't hang her for that, can they?
00:33:16They can try.
00:33:20Wait a minute.
00:33:24I want the police department.
00:33:32Bureau of Missing Persons.
00:33:35Bureau of Missing Persons?
00:33:38Is anybody missing?
00:33:42Oh, thousands of people.
00:33:47That's very interesting.
00:33:49Did anybody report a kid missing by the name of Betsy Ware?
00:33:52But, Jimmy, what...
00:33:54Shh!
00:33:55No record?
00:33:57Oh.
00:33:58No, no, I don't want to make a report.
00:34:00No, thanks.
00:34:01But if I should ever lose a kid by that name,
00:34:04I'll let you know.
00:34:06What?
00:34:08Oh, wise guy, eh?
00:34:10Well, you'd better turn her in anyway.
00:34:12I tell you, it's okay.
00:34:13Okay.
00:34:13Okay.
00:34:13Okay.
00:34:22Oh, wait a minute.
00:34:25Listen, sweetheart.
00:34:26Remember, you're Bonnie Dolan, the radio star.
00:34:28Don't use your real name around here.
00:34:30Don't even think of it.
00:34:31Just forget that you're Betsy Ware.
00:34:34Are we playing a game?
00:34:35Mm-hmm.
00:34:35Yeah, let's hit a game.
00:34:37Will you play along with us?
00:34:38Mm-hmm.
00:34:38I love games.
00:34:40All right.
00:34:40Now, don't forget, Betsy.
00:34:42The name's Bonnie Dolan.
00:34:44We're Dolan, Dolan, and Dolan.
00:34:52We have an appointment here with Dan Ward
00:34:54of the Ward and Wallace Advertising Agency.
00:34:56Oh, yes, for an audition.
00:34:57Room be to your right, please.
00:35:07Hello, Mr. Ward.
00:35:08Hello.
00:35:08Mr. Ward.
00:35:09Yes?
00:35:10This is my wife, Jerry.
00:35:11And this is, uh, our kid, Bonnie Dolan.
00:35:14Have we got an act?
00:35:16Have we got an act?
00:35:17I'm asking you.
00:35:18Don't ask me.
00:35:19Show me.
00:35:22Bong.
00:35:24This is station L-O-V-E.
00:35:29Bong.
00:35:30I'm Cupid's assistant.
00:35:32Please listen to me.
00:35:35My boss, Mr. Cupid, told me
00:35:37to make hearts lose a loop.
00:35:40Never, ever, to sing about
00:35:43the goose, chip, lollipop,
00:35:46or animal crackers in my soup.
00:35:49So if the one you idolize is near you,
00:35:54a song of love will help you find the way.
00:35:58Cuba says a welling heart will hear you.
00:36:02If you move a little closer, thank you.
00:36:06Press his little hand.
00:36:08You are an angel without any wings,
00:36:21a vision so lovely to see.
00:36:25Are you the reason my happy heart sings?
00:36:30But definitely, will I forever be faithful to you?
00:36:39You're mine and you always must be.
00:36:44Do I adore you?
00:36:46Oh, you know that I do, but definitely, so definitely.
00:36:53You are the moon, the stars, the sun.
00:36:56You're repeating my heart.
00:36:59You're so supreme.
00:37:00But if it all turns out to be
00:37:05Only a beautiful dream,
00:37:08Let's keep on dreaming.
00:37:11Millions of billions can equal your worth.
00:37:16Your love is a blessing to me.
00:37:20Are you an uncle of heaven here on earth?
00:37:24You are, but definitely.
00:37:27When you are crooning the blue of the day
00:37:38And whistling the gold of the dawn,
00:37:41Bing, bing.
00:37:43Are you my favorite?
00:37:45You know that you are, but definitely.
00:37:50Bo, bo, bo, bo, bo, bo.
00:37:53Will I forever be?
00:37:54Bo, bo, bo, bo, bo, bo, bo, bo, bo, bo, bo, bo, bo.
00:37:58You always must be, beep, beep, beep, beep.
00:38:02Do I adore you?
00:38:05You know that I do, but definitely, so definitely.
00:38:12You are the moon, the stars, the sun.
00:38:16You're every beat of my heart, so supreme.
00:38:20But if it all turns out to be
00:38:25Only a beautiful dream,
00:38:28Let's keep on dreaming.
00:38:32Millions or billions can equal your worth.
00:38:37Your love is a blessing to me.
00:38:40Are you an uncle of heaven here on earth?
00:38:46You are, but definitely, the name of the song ain't Dinah, the name of the song ain't Dinah, the name of the song ain't Dinah, it's but definitely, ha!
00:39:06Not bad. I'll be right out.
00:39:16I have a client who might be interested. You wait here.
00:39:24Didn't he like what we did?
00:39:26Sure. I guess he's gone in the next room to applaud.
00:39:33Margaret, this is Dan. Listen, I've got the greatest act that's ever been offered to radio.
00:39:39It's no use, Dan. Mr. Peck just won't go on the air.
00:39:43Wait a minute. I know he won't go for girls, and I know he won't go for crooners, but he'll go for this.
00:39:49But you said we were good.
00:39:51Never pay any attention to what he says.
00:39:56Maybe we were too good.
00:40:04Oh, uh, yes?
00:40:06Uh, this client of mine.
00:40:08Yeah?
00:40:09That I was telling you about.
00:40:11Yes.
00:40:12We'll see you this afternoon.
00:40:15We're good.
00:40:16We're good!
00:40:17We're good!
00:40:18We're good! We're good! We're good!
00:40:19Can you be there at 3?
00:40:20Can we be there at 3?
00:40:21Can we be there at 3?
00:40:22We'll be there at 5 minutes 2-3.
00:40:27Good afternoon, Peck Soap Company.
00:40:32Good afternoon, Peck Soap Company.
00:40:34I don't care how good they are.
00:40:37I tell you, I don't want a radio show.
00:40:41But, Mr. Peck, if you'd only give them an audition, it would...
00:40:44It's a most unusual act, Mr. Peck.
00:40:46They'll be up here in a few moments.
00:40:47Shut up!
00:40:48There!
00:40:49Oh!
00:40:50Mr. Barry of the Barry Soap Company is here.
00:40:51Says he has an appointment.
00:40:52You know what that young upstart wants?
00:40:53Telephoned me this morning.
00:40:54Said he wanted to see me.
00:40:55I have no idea.
00:40:56Well, I have.
00:40:57He wants me to buy him out.
00:40:58Buy him out?
00:40:59By Mr. Peck.
00:41:00The Barry sale...
00:41:01By Mr. Peck, the Barry sale...
00:41:02I know he's been selling soap.
00:41:04But he's been spending 11 cents on Ballyhoo for every 10-cent cake he sold.
00:41:08But the figures show that...
00:41:09Figures.
00:41:10It takes no genius to offer $5 bills for $480 and do a volume of business.
00:41:14But the debtors were to get his money out.
00:41:16The roll is the money out, Mr. Peck.
00:41:17I don't know why.
00:41:18I don't know why.
00:41:19I don't know why he's been selling soap.
00:41:20I know he's been selling soap.
00:41:21I mean, I don't know why.
00:41:22I don't know why.
00:41:23I don't know why.
00:41:24I don't know why.
00:41:25I don't know why, I don't know why.
00:41:26I don't know why.
00:41:27I don't know why.
00:41:28I don't know.
00:41:29him a business. But the day of reckoning is always around the corner, and it's caught
00:41:36up with Barry. Shall I, um, shall I show him in? Yeah, show him in. You stay, Gooch. Well,
00:41:47well, if it isn't Peck's bad girl. Oh, Mr. Barry, Mr. Peck wants you to go right in.
00:41:52That's mighty white of you, old man. Listen, why would you like to have lunch with your
00:41:58boss? With my boss? Sure. I'll go in there and buy out the whole shebang. It's on its
00:42:04last legs, and Peck will probably be glad to sell it for the song. What's funny about
00:42:09that? Yes, sir, I'll tell him. Mr. Peck wants to know what's delaying you. The old boy can't
00:42:16wait. See you later. Well, Mr. Peck wants to know what's delaying you.
00:42:28Mr. Peck. Yes, Mr. Barry. Just what can I do for you today? Well, Peck, I understand
00:42:36that this place is going to, going to pot. Now, I might consider taking it off your hands.
00:42:45But, do I understand you to say? You understand me to say that I'll buy you out? How much?
00:42:52Well, have you the colossal insolence to suggest that I sell my business to you? Why not? You've
00:42:59been losing money for the past two years. You're practically broke. Get out. Get out before
00:43:04I kick you out. Now, get out. I gather that he doesn't want to sell. Is that your impression,
00:43:09too? Definitely. Very well. Good day. Okay. Hello, boss. Boss or no boss. How about the date for lunches? Oh, well, I, I couldn't possibly. Oh, come on. Be a sport. You're even with me, aren't you?
00:43:36I'm ahead of you. When will it be? Oh, Friday at one. Fine. At the subway? Say, Margaret, isn't he one of our competitors? As far as I'm concerned, he has no competition.
00:43:43Where can I be the airport? What a great deal. What a great deal, dear. That's good.
00:43:46How far am I doing? Let's get out of here. Wow. Be a happy place, dearie.
00:43:49Say, Margaret, isn't he one of our competitors? As far as I'm concerned, he has no competition.
00:44:13It'll take me.
00:44:26Check soap company.
00:44:29Uh, where Dolan, Dolan, and Dolan?
00:44:33The radio star.
00:44:34Oh yes, Dolan, Dolan, and Dolan.
00:44:37And which one are you?
00:44:40I'm the one in the middle.
00:44:42Miss Allen's busy at the moment. Will you wait in her office?
00:45:02Darling, don't do that. Be a good little girl and sit down over there.
00:45:06I want to talk to Puddinghead in a minute.
00:45:08I wish you would do me a favor and stop worrying.
00:45:10You're beginning to look terrible.
00:45:12Well, why wouldn't I?
00:45:14I dozed off this morning at 3.30 and slept like a log till 4.
00:45:22You've got nothing to worry about.
00:45:24The way you're acting, you think we were kidnappers.
00:45:28That's what I'm afraid the judge will think.
00:45:30If we get a nice fair trial, we may get off with life.
00:45:40Hello.
00:45:52How'd you get in here? Who are you?
00:45:54I'm Bonnie Dolan, the big radio star.
00:45:58You know Dolan, Dolan, and Dolan.
00:46:00And are we good?
00:46:02Ah.
00:46:04So they sent you in here to soften me up, did they?
00:46:06Well, young lady, you're wasting your time. Now get out of here.
00:46:18Why have you got so many doors?
00:46:20To keep out nuisances that one door won't stop.
00:46:22But they all open.
00:46:24What's this?
00:46:26Nothing to do with you.
00:46:28Now get along with you.
00:46:30Why do you want me to go?
00:46:32You're all alone, and I'm not doing anything either.
00:46:36Tell me a story.
00:46:38I don't know any stories.
00:46:40You know, you remind me of old Mr. Spindleshanks.
00:46:42Who?
00:46:44Mr. Spindleshanks.
00:46:46He's the old grouch in the Betsy Ware stories,
00:46:48who helps Betsy when she's hungry.
00:46:50Hungry? You're not hungry, are you?
00:46:52No, I just had lunch.
00:46:54And I did something bad, too.
00:46:56What are you doing?
00:46:58What are you doing?
00:47:00What are you doing?
00:47:02What are you doing?
00:47:04What are you doing?
00:47:06I did something bad, too.
00:47:08What did you do?
00:47:10Well, we had spinach.
00:47:12And while Jimmy wasn't looking,
00:47:14I put mine on his plate.
00:47:16No, no, no.
00:47:18That is wrong.
00:47:20No, you should have eaten your spinach.
00:47:22It's good for you.
00:47:24So I've heard.
00:47:26Where are you going?
00:47:28I'm going to get along.
00:47:30Why?
00:47:32You said for me to.
00:47:34I didn't say anything of the kind.
00:47:36I said was that spinach was good for you.
00:47:38Come back here.
00:47:44Sit down over there.
00:48:06You like these pictures?
00:48:16Do you know something?
00:48:18What?
00:48:20I didn't think I was going to like you at first.
00:48:22No?
00:48:24But I like you now.
00:48:26Do you hear?
00:48:28Yes.
00:48:30Your eyebrows are so nice and ragged.
00:48:32Yeah.
00:48:33My...
00:48:34Uh-huh.
00:48:35Uh-huh.
00:48:36All right.
00:48:38Say, so you're a singer, are you?
00:48:40Mm-hmm.
00:48:41Mm-hmm.
00:48:42You sing a song for me, huh?
00:48:44All right.
00:48:46Buy a bar of berries.
00:48:47Every grocer carries berries.
00:48:48Yes.
00:48:49Stop it.
00:48:50Stop it, I say.
00:48:51What's the matter?
00:48:52Why'd you learn that trash?
00:48:53On the radio.
00:48:54I heard it on the radio.
00:48:55I heard it on the radio.
00:48:57Eh.
00:48:58Radio.
00:48:59There ought to be a law against it.
00:49:00Now, come on.
00:49:01I'll have a picture.
00:49:02There.
00:49:03Here.
00:49:04You know what's the matter?
00:49:05You know what's the matter?
00:49:06Why'd you learn that trash?
00:49:07On the radio.
00:49:08I heard it on the radio.
00:49:09Ah, the radio.
00:49:10There ought to be a law against it.
00:49:12Now, come on.
00:49:13Have a picture.
00:49:14Here.
00:49:15Here.
00:49:16You know what I'm talking about?
00:49:18You understand?
00:49:19Yes.
00:49:20I'm saying, I'm telling you,
00:49:21you're telling me,
00:49:22you're telling me?
00:49:23You're telling me,
00:49:25you're telling me,
00:49:26You know how to play piggyback?
00:49:28Yes, no, I don't think I do.
00:49:32Oh, it's easy.
00:49:38Stand up.
00:49:40Stand up.
00:49:42Turn around.
00:49:44Now I put my arms around your neck like this.
00:49:48Now go like this.
00:49:50Ride a cock horse to Banbury Cross
00:49:52To see a fine lady upon a white horse
00:49:54Rings on her fingers and bells on her toes
00:49:56She shall have music wherever she goes
00:49:58Now you run around and around while you sing it.
00:50:00Take my legs.
00:50:02Uh-huh. Now.
00:50:04Ride a cock horse to Banbury Cross
00:50:06To see a fine lady upon a white horse
00:50:08Rings on her fingers and bells on her toes
00:50:10She shall have music when...
00:50:12Get out!
00:50:14Can't you see I'm in conference?
00:50:16Uh-huh.
00:50:18Ride a cock horse to Banbury Cross
00:50:20Oh!
00:50:22Do you always tell people to get out?
00:50:24I do when I'm engaged in important business.
00:50:26Get right a cock horse to Banbury Cross
00:50:28To see a fine lady on a white horse
00:50:30Sorry folks to keep you waiting.
00:50:32I'm Miss Allen.
00:50:34Oh, where's the child?
00:50:36Good heavens, you haven't forgotten her.
00:50:38She was just here.
00:50:40Mr. Peck wants to see you in his office at once.
00:50:42Well, you'd better go right in.
00:50:44I'll look for the child.
00:50:46Right in there.
00:50:48meant her fingers and bent on her toes
00:50:50She shall have music wherever she goes.
00:50:52Come in.
00:51:04Ah!
00:51:05So, you thought you tricked me into going on the air, did you?
00:51:08Oh no.
00:51:09on the air, did you? Oh, no. Yeah, you deliberately sent this child to influence me. Well, I'll
00:51:16let you know it didn't work. As a matter of fact, I made up my mind a long time ago to
00:51:27go on the air. Yeah, but she had nothing to do with it, nothing whatever. She didn't influence
00:51:34me the slightest. Now, understand that. Oh, yes, of course. Now, you will arrange for
00:51:40time on the air at once. I want these folks to start on a series of 15-minute programs
00:51:46five nights a week starting tomorrow night. Tomorrow night? Oh, but, but, Mr. Peck, I
00:51:52couldn't possibly do that. Then make it possible. Didn't I tell you all we needed was a break?
00:52:0113 weeks on the dotted line. Oh, it's wonderful, Jimmy. I hope we quit. Why,
00:52:08we'll knock them dead. Do we have to kill people? No, we won't kill them. We'll just
00:52:13slay them. Oh. They'll be on in a few minutes. And if you want to see a radio show that'll
00:52:25make yours look sick. Oh, they, they can't be that good. All right, I'll listen. I'll tell
00:52:33you about it at lunch tomorrow. Goodbye.
00:52:37Ginsburg's troubadour's on just a moment, sir. Now, now, now, my dear, remember, there,
00:52:55there are a lot of people out there, and, and you mustn't be nervous. You, you mustn't
00:52:59be afraid. Afraid of what? Well, that's just it, my dear. There's nothing to be afraid
00:53:05of, really, but, uh, this is all going to be new to you. Do you want me to be afraid?
00:53:11Yeah, heavens no, darling. That's why I'm telling you. If I do get afraid, it'll be on account
00:53:19if you're talking so much. You're, you're, you're right, my dear. You're perfect. Let's have
00:53:25less chatter.
00:53:30Don't, don't, don't, don't. Ready.
00:53:43Tonight, we are inaugurating the Peck Soap Hour over the federal broadcasting system.
00:53:47And so it is with great pleasure that I present Dolan, Dolan, and Dolan, with Donald Hastings
00:53:52Orchestra.
00:53:53August 24th, don't let her welcome you.
00:54:16Hello?
00:54:24Yes?
00:54:26What?
00:54:28I'm sorry I can't hear you.
00:54:31Just a minute.
00:54:39Yes, Holloway?
00:54:41Wash your necks with a cake of pecks, the soap that can't be big.
00:54:47It's best by far, so try a bar and give your skin a treat.
00:54:53It will give old Mr. Germ a wild and merry chase.
00:54:58So join a club and pick one scrub that frown right off your face.
00:55:03Though your eyes are full of bubbles and the darkness you must grow,
00:55:08Please remember this, where there's life there's soap.
00:55:17I'll be right over.
00:55:20Oh, I was only going to listen to a radio program, but I guess I'm not missing anything.
00:55:24Every street I walk on becomes a love's lane
00:55:30When I'm with you
00:55:34I can't see the sun, though we're out in the rain
00:55:39When I'm with you
00:55:43To lose you would be tragic
00:55:48Here is my heart unfurled
00:55:53You have that certain magic
00:55:57You're the seven wonders of the world
00:56:01You're the seven wonders of the world
00:56:05Snow is on the ground
00:56:07But the leaves are on the trees
00:56:10When I'm with you
00:56:12Now sing a love song
00:56:17There's music in the breeze
00:56:20When I'm with you
00:56:22Hmm
00:56:24Please let me make this confession
00:56:29You are my magnificent obsession
00:56:33The world is all in rhyme
00:56:36The world is all in rhyme
00:56:38Lovely one when I'm
00:56:41With you
00:56:43Ooh
00:57:01I want your cheeks to be rosy
00:57:05Your lips like the color of wine
00:57:08Darling, the way that people will say that
00:57:10My, but you're looking so high
00:57:13Ooh, I wasn't as strong as a hollow
00:57:18A sturdy and masculine she
00:57:21Darling, the way that people will say that
00:57:25My, what a gorgeous physique
00:57:27If you want to be like I want you to be
00:57:32Follow this carefully
00:57:37You've got to eat your spinach, baby
00:57:40That's the proper thing to do
00:57:43It'll keep you kind of healthy too
00:57:46And what it did for Popeye it will do for you
00:57:49You've got to eat your spinach, baby
00:57:52To give you love to TMT
00:57:55For whenever you're caressing me
00:57:58Then you'll eat every vitamin from A to Z
00:58:01Please take my advice
00:58:04Kissing is dangerous, doctors all agree
00:58:07I'll take your advice
00:58:10Don't ever kiss anybody but me
00:58:14You've got to eat your spinach, baby
00:58:16If you do, you can't go wrong
00:58:19For it's gonna make you nice and strong
00:58:22And the stronger you are
00:58:24The longer you live
00:58:26And the longer I'll have to love you
00:58:28Pardon me, did I hear you say spinach?
00:58:34Spinach!
00:58:36I represent all the kids of the nation
00:58:39Who sent me to say you about it
00:58:41I bring a message from the kids of the nation
00:58:44To tell you we can't do without it
00:58:47Kindly listen to me
00:58:50I'm not alone in my play
00:58:54There are dozens and dozens and dozens of us
00:58:58Nephews and nieces and cousins of us
00:59:01They want me to say hallelujah
00:59:07Hallelujah
00:59:09No spinach
00:59:13Take away that all for greenery
00:59:16No spinach
00:59:18Give us lots of jellyfinery
00:59:21We positively refuse to budge
00:59:25We like lollipops
00:59:26We like budge
00:59:27But no spinach
00:59:29Hosanna
00:59:32You've got to eat your spinach, baby
00:59:35No, no, no, no
00:59:37I'm singin' to ya
00:59:38No, no, no, no
00:59:40Hallelujah
00:59:41Spinach
00:59:42Stay away from my door
00:59:46We'll tell the boogeyman
00:59:49The big, big, bad, bad, boogey boogeyman
00:59:52Oh, that's just a bluff
00:59:54You know we don't believe that stuff
00:59:58You've got to eat your spinach, baby
01:00:01Children have to do as they are told
01:00:03Yes, sir
01:00:05Yes, ma'am
01:00:06Children shouldn't be so very bold
01:00:09Yes, sir
01:00:10Yes, ma'am
01:00:12Oh, you grow up to be a meanie when you're old
01:00:15Yes, sir
01:00:16Yes, ma'am
01:00:17I will tell all the kids of the nation
01:00:21Who sent me to see you about it
01:00:23Children have to do as they are told
01:00:26Children shouldn't be so very bold
01:00:29Or you will be a meanie when you're old
01:00:32So, okay
01:00:34Spinach
01:00:35And you didn't hear our broadcast last night
01:00:50No, I was called away before it started
01:00:53How did it go over?
01:00:56Oh, beautifully
01:00:57The child in the act's marvelous
01:00:59Besides being talented, she's the sweetest little thing imaginable
01:01:02I'm crazy about her
01:01:04Yes, you ought to see my youngster
01:01:06She's away at school now
01:01:07I'm going up there tomorrow and spend the weekend with her
01:01:10I believe I have a picture with me
01:01:11You know you have
01:01:12Oh, I guess I left her in another suit
01:01:16However, I'll bring it along next time
01:01:18Next time?
01:01:21What next time?
01:01:23Oh, haven't I told you?
01:01:25You're having dinner with me tonight
01:01:27I'm going to be home listening to our radio broadcast
01:01:30Fine
01:01:31We'll both listen while we're having cocktails
01:01:33And then we'll go out to dinner
01:01:34Are you, by any chance, giving me what's known as the rush act?
01:01:39No
01:01:40No, I'm doing this for my insomnia
01:01:42You see, you've turned the tables on me
01:01:44Now where do you work?
01:01:46I mean
01:01:46Now you're keeping me awake nights
01:01:49In their last night's premiere
01:02:05Dolan, Dolan and Dolan's radio act
01:02:08Proved to be sock entertainment
01:02:10Yeah
01:02:11So is this
01:02:13Oh, you're always belittling
01:02:16And you can heave that stuff in the ash can
01:02:18We're on top of the world now, baby
01:02:20People don't walk on top of the world in darn socks
01:02:23That's just the place to wear them
01:02:25Your feet don't slip so easy
01:02:27Oh
01:02:28Gee, that's swell
01:02:32Dolan, Dolan and Dolan
01:02:34Are you happy with this, darling?
01:02:39Mm-hmm
01:02:40Achoo
01:02:42My goodness, you sneezed
01:02:44Get the doctor, quick
01:02:45Maybe we ought to put her to bed
01:02:47Maybe we should
01:02:48Why don't you just say saluti?
01:02:50Huh?
01:02:50How about gesundheit?
01:02:52Dankeschön
01:02:53Hey, what is this?
01:02:55Oh, she's not sick
01:02:56Well, it's nearly time to get down to the broadcasting station, big shot
01:03:00Will I have time to go down and see Tooney and the kids?
01:03:04Sure, we'll pick you up on the way out
01:03:05Hello
01:03:08Hello
01:03:08Hello
01:03:09Hello
01:03:10What's your name?
01:03:12Bunny Dolan
01:03:13Go on, don't give me that
01:03:15You don't belong to those folks
01:03:18What's your real name?
01:03:21You like peppermint candy?
01:03:23Mm-hmm
01:03:24Walk down to the corner with me and I'll buy you some
01:03:27Hey!
01:03:32Where you going with that kid?
01:03:34Well, just taking her down the street to buy her some candy
01:03:36Yeah?
01:03:37Well, if anybody's going to buy a candy, it'll be me
01:03:39Well, I was just trying to be friendly
01:03:40Cute little trick, ain't she?
01:03:43Yeah
01:03:44Come on
01:03:47There you go hmm he's using the
01:03:57That you're making it real Moxie, right?
01:03:59Thank you
01:04:00I want to get me home
01:04:00He'll want you
01:04:03My money for her
01:04:04Oh, nice
01:04:05You're young
01:04:06This is what you're feeling
01:04:07Oh, I'm sorry. I got tangled in a deal for another factory.
01:04:33Always another factory.
01:04:37You'll drown in your own substance yet.
01:04:40I'm afraid I can't afford to drown now.
01:04:43You know, you look very lovely tonight.
01:04:46Here, have a cocktail.
01:04:49It'll help sustain the illusion.
01:04:52Have I missed all the program?
01:04:54Most of it.
01:04:55But Bonnie goes on again after this orchestra finishes.
01:04:59And now, ladies and gentlemen, America's new sweetheart of the year.
01:05:03Little Bonnie Dolan will sing her own version of When I'm With You.
01:05:10An ordinary day becomes a holiday When I'm With You.
01:05:19It's a candy.
01:05:22Isn't she wonderful?
01:05:24I mean, her voice, it's just like Barbara's.
01:05:28Oh, if I didn't know my child was at school, I'd... I'd swear that...
01:05:33All children's voices sound about alike.
01:05:36It's just that slight difference that makes Bonnie stand out.
01:05:39And a proud father probably wouldn't even notice that difference.
01:05:42Marry me and let me be your wife.
01:05:48It's Barbara.
01:05:49It is Barbara.
01:05:50Are you losing your mind?
01:05:51That Bonnie Dolan.
01:05:52But I tell you, it's my daughter.
01:05:53Where's your phone?
01:05:54Right there.
01:05:55Even the funny spinach tastes like pumpkin pie.
01:06:01When I'm with you.
01:06:05Look, you're just making a complete idiot of yourself.
01:06:10That child is...
01:06:12Be quiet.
01:06:13Central, 88632.
01:06:14I will not be quiet.
01:06:15Oh, you must be crazy.
01:06:16I know the child and I know her parents.
01:06:18I tell you, I'm her parents.
01:06:20Hello.
01:06:21This is Richard Barry talking.
01:06:23You have my daughter over there.
01:06:25The little girl singing on the peck hour.
01:06:27Hold her.
01:06:28I'll be right over.
01:06:29Your daughter.
01:06:30Hello.
01:06:31Hello, operator.
01:06:32Give me the Forest Grove School.
01:06:34A Ferncliff.
01:06:35Yes, quick.
01:06:36Oh, look.
01:06:37This is Columbus 8514.
01:06:39You're just stirring up a mental trouble for yourself.
01:06:41Now, why are you so stubborn?
01:06:42You're the one that's being stubborn.
01:06:44Oh, why do I have to marry a girl like this?
01:06:46Good night, folks.
01:06:47Who said you have to?
01:06:48Who said you're going to?
01:06:49Why, I wouldn't marry you.
01:06:50You'll marry me if I want you to.
01:06:52Hello.
01:06:54This is Richard Barry talking.
01:06:55I...
01:06:56Is my daughter Barbara there?
01:06:58No, Mr. Barry.
01:06:59We're waiting for her.
01:07:01Haven't you received a wire from a nurse?
01:07:03No, Mr. Barry.
01:07:04Shall we?
01:07:05She never got to the school.
01:07:06Really?
01:07:07Come on.
01:07:08And were you good?
01:07:09We certainly slayed him, didn't we?
01:07:11Come on, darling.
01:07:12Great little trooper that kid.
01:07:13Just like her father.
01:07:14I taught her all she knows.
01:07:15When she was six months old, the name of the act was Dolan and Dolan.
01:07:18Then she used to...
01:07:19Mr. Peck!
01:07:20Mr. Peck!
01:07:21Mr. Peck!
01:07:22Mr. Richard Barry just phoned, said Bunny Dolan is his daughter.
01:07:23And what's Mr. Holder here?
01:07:24He was very excited.
01:07:25Barry, huh?
01:07:26Yes.
01:07:27Trying to put something over on me again.
01:07:28The nerve.
01:07:29What else did he say?
01:07:30That's all?
01:07:31That's all.
01:07:32That's all.
01:07:33That's all.
01:07:34That's all.
01:07:35That's all.
01:07:36That's all.
01:07:37That's all.
01:07:38That's all.
01:07:39That's all.
01:07:40That's all.
01:07:41That's all.
01:07:42That's all.
01:07:43That's all.
01:07:44That's all.
01:07:45That's all.
01:07:46What else did he say?
01:07:47That's all.
01:07:48Except that he was on his way over.
01:07:49Good.
01:07:50I'll tell that cheap upstart just where he gets off.
01:07:54Trying to steal my talent, is he?
01:07:57I'll sue him.
01:07:58Here.
01:07:59You get your wife and child and get them out of here.
01:08:00Yes, sir.
01:08:02I know how to handle Barry.
01:08:05Let's get out of here.
01:08:06Don't ask me questions.
01:08:07Where are we going?
01:08:16Taxi!
01:08:17Taxi!
01:08:18Taxi!
01:08:21Taxi!
01:08:23Listen, honey.
01:08:24Tell us the truth.
01:08:25Do you know Mr. Barry?
01:08:27You won't be angry if I kill you?
01:08:29No, sweetheart.
01:08:30Mr. Barry's my daddy.
01:08:34Didn't I tell you she didn't jump out of a hat?
01:08:36Didn't I tell you they'd catch up with us?
01:08:37What do we do now?
01:08:38There's only one thing to do.
01:08:40Take her to the apartment, telephone Barry where she is and then duck.
01:08:43Take a taxi.
01:08:44Taxi?
01:08:45Oh, I should have known better than listen to you.
01:08:47There's nothing to be afraid of.
01:08:48All we've got to do is...
01:08:50Oh.
01:08:54That's an awfully nice kid you have there.
01:08:56Yeah.
01:08:57Oh, yeah.
01:09:08Taxi!
01:09:10Taxi!
01:09:13Thanks.
01:09:24We've got to go.
01:09:26Something has come up and we've got to go right away.
01:09:28Can I go with you?
01:09:29No.
01:09:30No, no, you stay here.
01:09:32But I don't want to stay here all alone.
01:09:36Honey, do us a big favor.
01:09:39Stay right here.
01:09:40Listen, sweet. You stay here, and we'll call your daddy, and he'll come for you in a few minutes.
01:09:48Oh. Here, sweet. Play with your toys.
01:10:02Goodbye, darling.
01:10:06Goodbye.
01:10:10Goodbye, Puddenhan.
01:10:12Oh, come on.
01:10:40A fine cock and bull story. If she's your daughter, what's she doing here? Is she a radio performer?
01:10:45No, no, no, no. But I have no time to explain. Now, where is she?
01:10:47She's gone. And don't any of you tell him where she is?
01:10:50But listen...
01:10:51Can't you see that I'm telling you the truth?
01:10:53Yes?
01:10:55Yes.
01:10:56Yes. It's for you, Richard.
01:10:59Yes?
01:11:01What's the number of the house?
01:11:03Yes? What floor?
01:11:05The parlor floor. The first door to your left.
01:11:08I don't know where she is. She's all alone.
01:11:12Great heavens, is she really your doctor?
01:11:14Isn't that what I've been telling you for the past half hour, you crazy old buzzard?
01:11:17Right, right, right.
01:11:18Right, right, right.
01:11:20You know, we're a couple of heels running out on the kid like this.
01:11:23I know, honey, but...
01:11:24Yeah, and a couple of saps as well. They're bound to get us.
01:11:27I guess you're right. Everybody knows Dolan and Dolan. They know we had the kid, too.
01:11:32Of course. And if we run away, it'll look worse.
01:11:36Come on. Let's go back and face it.
01:11:40Come on, now. Be a nice little girl.
01:11:43I'll buy you a pretty present if you tell me who your father is.
01:11:48I won't tell you. I don't like you.
01:11:51You'd better tell.
01:11:52I won't. I won't. You let me go.
01:11:55No, you don't. You're coming with me.
01:11:57I am not. I am not.
01:11:59I'm waiting. I'm waiting. I'm dropping Jerry.
01:12:02Hey!
01:12:03Where you going with that kid?
01:12:10Jerry, leave with your left.
01:12:12Where's the way of...
01:12:13I can't...
01:12:19Ah!
01:12:21Ah!
01:12:22Ah!
01:12:23You...
01:12:30Ah!
01:12:31Ah!
01:12:33Ah!
01:12:34Ah!
01:12:35Ah!
01:12:36Ah!
01:12:37Ah!
01:12:38Get him hard-putting here!
01:12:48Wait a minute!
01:12:51Jimmy!
01:12:53Are you all right, Jimmy?
01:12:55How did you get here? Who brought you here?
01:12:57They did.
01:12:59Well, where's Collins? What happened to her?
01:13:01I don't know. She lost her purse and went away.
01:13:03So I thought I'd go on a vacation.
01:13:05And I found Tony, and then Mr. and Mrs. Puddenhead found me.
01:13:10What are they doing, Daddy?
01:13:12They're hurting them, and they're my friends.
01:13:15They're my best friends.
01:13:17They saved me from that bad man.
01:13:20She told us she ran away from an orphan asylum.
01:13:22What do we mean to her?
01:13:23And we believed her.
01:13:24Didn't you tell us that, Barney?
01:13:26Yes, I did.
01:13:27But I wasn't telling a lie.
01:13:29I was just playing the game.
01:13:31And they played with me.
01:13:32I see.
01:13:33I've never had so much fun in my whole life.
01:13:37But I'm glad to be back with you, Daddy.
01:13:40Oh, no.
01:13:42Officers, I'm afraid I put you through a lot of bother.
01:13:44You needn't hold those people any longer.
01:13:45Wait a minute.
01:13:46Where do I come in on this?
01:13:47I've got a contract.
01:13:48You know what that contract's worth.
01:13:49Listen, you two.
01:13:50You've been battling around trying to buy each other out.
01:13:53Why don't you merge the two companies?
01:13:55Then between you, you can wash the neck of the whole nation.
01:13:58That's a thought.
01:13:59Merged with him?
01:14:00Never.
01:14:01I don't know what that means, but why don't you do it?
01:14:05When I hear the blast of a mule go, I know I soon will see a military man.
01:14:22When I hear the sound of the drum, drum tum tum tum tum, I know I soon will see a military man.
01:14:35I love a military man.
01:14:36I love a military man.
01:14:37I love a military man.
01:14:39I love a military nurse.
01:14:42But it's so good to see a military man.
01:14:48Every boy should want to be a military man.
01:14:53What a treat to marching feet, the role of a drum.
01:14:58What a treat to marching feet, the rum tum.
01:15:02The rum tum.
01:15:03The rumy tum tum tum.
01:15:04In the crowd he looked, so proud the military man.
01:15:09In the vision of the bomb, so stick and spin.
01:15:13Hearts are filled with joy and they're thrilled with joy whenever a march is played.
01:15:18Oh, everybody don't see a soldier parade.
01:15:23In the wind.
01:15:24I love you.
01:15:25God.
01:15:26I love you.
01:15:28In the wind.
01:15:35In the wind.
01:15:37In the wind.
01:15:39In the wind.
01:15:40In the wind.
01:15:42It's so good.