- 6 weeks ago
Category
🎥
Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con Pai, pero con Coco.
00:00:08La negra pola me dijo que se iba a pasar mamá y que iba a haber la marrumba con Checha y la Coco van.
00:00:35¿Qué será que tú salas de las bolas que se van?
00:00:42El amor que le brindé era el amor en la noche y mi negrita se fue, que eso me pasó de noche.
00:00:49¿Qué será que tú salas de las bolas que se van?
00:00:55Pero, pero nosotros nos quisimos con un amorcito a tiempo, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú salas de las bolas que se van?
00:01:06¿Qué será que tú salas de las bolas que se van?
00:01:10Mi corazón está triste, se acabó ya mi alegría.
00:01:14Si mami le brindan por la bien fuera, la vida mía.
00:01:17¿Qué será que tú salas de las bolas que se van?
00:01:20¿Qué será que tú salas de las bolas que se van?
00:01:24¿Qué será que tú salas de las bolas que se van?
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01Now I'm going to show you what's going to be like.
00:02:06You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09So long.
00:02:31I'm going to show you what's going to be like.
00:02:41Darling.
00:02:42Hello.
00:02:43Hello.
00:02:44Hello.
00:02:45Ciao.
00:02:46Mmm.
00:02:47All go according to plan?
00:02:49Not bad.
00:02:50You look great.
00:02:52Thanks.
00:02:53Bye, Criona.
00:02:54Ciao.
00:02:55Try to have a nice trip.
00:02:56I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:05No.
00:03:06Hmm.
00:03:07I know that look.
00:03:08It really is beautiful.
00:03:20Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:46Hmm?
00:03:47I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah.
00:03:52It's beautiful.
00:03:53You were right.
00:03:54I just cannot imagine what it is like to do it here.
00:03:59You know?
00:04:24Hi.
00:04:25Hi.
00:04:36Hey, Priola.
00:04:37Ah, ciao.
00:04:38Hi.
00:04:39How's it going?
00:04:40How?
00:04:41Any news?
00:04:42No.
00:04:43Nothing yet.
00:04:44I can't find anyone who recognizes her name or her picture.
00:04:46Sorry.
00:04:47I know.
00:04:48Good luck.
00:04:54But anyways.
00:04:58Good luck.
00:04:59Cheers.
00:05:14Oh.
00:05:19Ah.
00:05:24I love you.
00:05:54Ha, ha, ha, ha, ha, ha.
00:06:24I thought you'd never get here.
00:06:32Seems like an eternity.
00:06:40Now that's more like it.
00:06:42Where are you taking me tonight?
00:06:54Here we go.
00:07:02Here we go.
00:07:06Let's go.
00:07:36Will you place the same number, madame?
00:07:41Sure.
00:07:42I'm sorry.
00:07:44Number 13, right there.
00:08:06Ladies and gentlemen, let's please, ladies and gentlemen.
00:08:18Ladies and gentlemen, let's go.
00:08:48Hey, excuse me, have you ever seen this girl?
00:08:55No, I'm sorry.
00:08:55Never seen her before in my life.
00:08:58You got an offer to make for the Children of the Sun?
00:09:00Okay.
00:09:01Here.
00:09:02Will that do?
00:09:02Sure.
00:09:03Keep the literature.
00:09:04That might help you spiritually.
00:09:05Are you trying to get me drunk?
00:09:19Well, it's not a bad idea.
00:09:21Twist my arm.
00:09:24Let's see.
00:09:25If I'm not mistaken, that man sitting over there is the one you spoke to at the airport.
00:09:35So it is.
00:09:36Did he make love to you?
00:09:37No.
00:09:38He's got other things to worry about.
00:09:40He's looking for his fiance.
00:09:42That's why he's here.
00:09:43And how did he lose her?
00:09:44It's an interesting story.
00:09:45I adore interesting stories.
00:09:47Mm.
00:09:49Just think.
00:09:50They were going to get married.
00:09:52And not long before the wedding, she went on holiday with some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:02Come on.
00:10:03Really?
00:10:04Mm-hmm.
00:10:04Yeah.
00:10:06Just up and deserted the others?
00:10:08Apparently.
00:10:09She never contacted anyone.
00:10:12But he's convinced she's still here somewhere.
00:10:14It's quite possible.
00:10:15The tropics can do funny things.
00:10:18Especially to anyone who's been under some kind of stress.
00:10:21The misery and anguish of living in what we laughingly call civilization.
00:10:25Taxes, overwork, crime, pollution, traffic.
00:10:29This music can make you think again.
00:10:31And besides, who knows?
00:10:35She might have met a guy she, um, liked more.
00:10:39You know, simple islander.
00:10:41Oh, come on.
00:10:43That's only a depiction.
00:10:45Love is everywhere.
00:10:47If it's there, it's there.
00:10:49If it's not, it's not.
00:10:51Mm.
00:10:52Be nice to the guy.
00:10:53Wouldn't hurt if you asked him to join us.
00:10:55I bet you'd think he'd be very lonely.
00:10:58Ready to talk to him?
00:11:00Okay.
00:11:00Marco.
00:11:08How are you?
00:11:10This is my husband.
00:11:11Hi, love.
00:11:14Very kind of you.
00:11:17Would you like something to drink?
00:11:19Yeah, I'll have what you're happy.
00:11:21Whatever it is.
00:11:22How's the search going?
00:11:26Did I find anything yet?
00:11:28No, I'm afraid nothing much yet.
00:11:30But they remember seeing her around.
00:11:35I'm sure that sooner or later I'll find her.
00:11:37Well, I sure hope you do.
00:11:39Uh, you two carry on.
00:11:41Excuse me, I, uh, I'll be right back.
00:11:43And where are you going?
00:11:44Oh, I have to make a telephone call to New York.
00:11:46Um, my magazine editor wants that weekly report.
00:11:49Well, that was rather sudden, wasn't it?
00:11:58Let's dance.
00:11:59Uh, I'm not too good at dancing.
00:12:01Just let the music do the work.
00:12:02No, I haven't danced in years.
00:12:14Well, we're going to have to make up for lost time then.
00:12:20Yeah.
00:12:23Uh, listen, Criella.
00:12:25Maybe we should go back to the table, huh?
00:12:26Uh, why?
00:12:28Your dancing is...
00:12:29Great.
00:12:36Come on, loosen up.
00:12:48Uh, I feel uncomfortable.
00:12:50Well, no need.
00:12:56What is it?
00:13:04I don't know.
00:13:04It's just that your Andy could be watching us.
00:13:08Well, the truth is that I'm doing it so that he can watch us.
00:13:15Let's keep dancing like this.
00:13:17Like lovers, okay?
00:13:22You mean that he...
00:13:23Yes.
00:13:26It's his way of loving me.
00:13:30He likes to watch and thinks I don't know.
00:13:33That's ridiculous.
00:13:34Yeah, I know.
00:13:40But you see, I love him.
00:13:42And I'll do anything.
00:13:43He likes to think I'm quite faithful.
00:13:55Please, help me.
00:14:01I understand, Criella.
00:14:03You know, love can be a strange thing.
00:14:05You know, love can be a strange thing.
00:14:06You know, love can be a strange thing.
00:14:07You know, love can be a strange thing.
00:14:08You know, love can be a strange thing.
00:14:09You know, love can be a strange thing.
00:14:10You know, love can be a strange thing.
00:14:11You know, love can be a strange thing.
00:14:12You know, love can be a strange thing.
00:14:13You know, love can be a strange thing.
00:14:14You know, love can be a strange thing.
00:14:15You know, love can be a strange thing.
00:14:16You know, love can be a strange thing.
00:14:17You know, love can be a strange thing.
00:14:18You know, love can be a strange thing.
00:14:19You know, love can be a strange thing.
00:14:20You know, love can be a strange thing.
00:14:21You know, love can be a strange thing.
00:14:22You know, love can be a strange thing.
00:14:24Oh, the light is not the best, but we shall do what we can.
00:14:48It's a beautiful island, an absolutely amazing place, full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it, I feel like I know it by heart.
00:15:05It's in the form of a turtle, a turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:13Well, you better start praying that you don't end up reincarnated as a turtle.
00:15:21Ha, ha.
00:15:22Sometimes you're a real asshole.
00:15:27Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for you to do.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:49And this boat.
00:15:51And that man up there.
00:15:57Haven't you noticed he hasn't said a word since we left?
00:16:00I'd hire him to keep up a conversation with us, all right?
00:16:05Look at him.
00:16:06Look at him.
00:16:08The hat, his base.
00:16:09He's a pirate.
00:16:10I've been told he's a very good sailor, honest and completely trustworthy, who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aw.
00:16:26Like it?
00:16:46What a place.
00:16:47Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey.
00:16:55It's wide open.
00:16:57There's no key.
00:16:58Nobody locks doors here.
00:17:01Looks like Florida.
00:17:03What a disappointment.
00:17:06We said $100, right?
00:17:08Uh-huh.
00:17:08Uh-huh.
00:17:14This is too.
00:17:15Keep it.
00:17:18One's enough.
00:17:23Adios.
00:17:24Uh, is it far to the fishing village?
00:17:36500 meters.
00:17:38Down that way.
00:17:39Okay.
00:17:39Okay.
00:17:39I'm going to go to the village.
00:17:56Okay.
00:17:57I prefer to stay here.
00:17:59Whatever you like.
00:18:05I can't wait to take a swim.
00:18:07Go ahead.
00:18:08See you later.
00:18:08All right.
00:18:15So long now.
00:18:16Bye.
00:18:16Bye.
00:18:36Bye.
00:18:37Bye.
00:18:37Bye.
00:18:37Bye.
00:18:38Bye.
00:18:38Bye.
00:18:38Bye.
00:18:43Bye.
00:18:45Bye.
00:18:46Bye.
00:18:46Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, sir.
00:19:01Woo.
00:19:03Good morning.
00:19:04Good morning.
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Hmm, well, a little of both.
00:20:15I won't be long.
00:20:35Here are some models.
00:20:45Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:50Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:57I think I'll say hello.
00:20:57Mm-hmm.
00:21:05Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the Nerd?
00:21:11Oh, Andy the Nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:19Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:33Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:37Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you like long for New York at all?
00:22:04No.
00:22:05America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I guess?
00:22:34Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:53Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Mmm.
00:23:06Enjoy your food.
00:23:10I'm starving.
00:23:12Oh, that looks good.
00:23:15Consuela's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:21She's already had the cream of the young men on the island.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:34Yeah.
00:23:35Warm-up.
00:23:36It's the simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criela thinks it's such a good idea.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:04But you're still stuck in the 70s.
00:24:06Sex-lib-dreaming.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:18Esa mujer tiene el corazón duro.
00:24:21Con MFP.
00:24:36Yeah, I'm very at home here in this setting.
00:24:45Been here long, do you know?
00:24:46Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Oh, not bad.
00:24:57Oh, you dance almost like a native.
00:24:59Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for us.
00:25:13I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation, took one look and got stuck.
00:25:19Stuck on him.
00:25:20Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:41Leon is like a drug.
00:25:44He doesn't conquer, he dominates.
00:25:47Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this aisle, it wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy,
00:26:11why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized, and your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole, I completely, Joanne.
00:26:39And besides, you'll just have to fake it, right?
00:26:43Go on, ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52I love you, Andy.
00:27:02I love you, Andy.
00:27:04I love you more than anything else in the world.
00:27:08Sorry.
00:27:11I wasn't serious.
00:27:13It was a joke.
00:27:15I love you, Andy.
00:27:18I love you more than anything else in the world.
00:27:26Me too.
00:27:27I love you too, my God.
00:27:38It's okay.
00:27:41If you're tired.
00:27:44It's happened before.
00:27:48It'll pass.
00:27:57It'll pass.
00:28:27It'll pass.
00:28:30It'll pass.
00:28:32It'll pass.
00:28:34It'll pass.
00:28:39It'll pass.
00:28:41It's okay.
00:28:43It'll pass.
00:28:49Very good.
00:28:51You're right now.
00:28:52Oh, my God.
00:29:22Oh, my God.
00:29:52Oh, my God.
00:30:22Oh, my God.
00:30:24Oh, my God.
00:30:32It's a good thing you came.
00:30:36I guess I should say thanks.
00:30:38You don't have to.
00:30:40Thanks, anyway.
00:30:42You know, you should go around by yourself.
00:30:48It's asking for trouble, especially dressed like that.
00:30:52I can't have any fun shutting a bungalow.
00:30:56It's your life.
00:30:58Do what you want.
00:31:00What are you doing?
00:31:02Offering you a little hospitality.
00:31:06Here.
00:31:16Have a drink.
00:31:30Here.
00:31:32Here.
00:31:34Here.
00:31:36Here.
00:31:38Here.
00:31:48Here.
00:31:50Here.
00:31:51Here.
00:31:52Here.
00:31:54Here.
00:31:56Here.
00:31:58Here.
00:32:00Here.
00:32:02Here.
00:32:04Here.
00:32:06Here.
00:32:08Here.
00:32:10Here.
00:32:12Here.
00:32:14Here.
00:32:16Here.
00:32:18Here.
00:32:20Here.
00:32:23Criola!
00:32:38Have you seen Criola?
00:32:40No.
00:32:43There's no sign of her on the beach. The bungalow is empty. She's disappeared.
00:32:47She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Criola. Ciao.
00:33:02Ciao.
00:33:04Where the hell have you been? I looked all over for you.
00:33:07I got bored here all along, so I took off to look around, all right?
00:33:11Well, you'd have had more fun if you'd been with me.
00:33:20Joanne knows the island like the back of her hand.
00:33:23I took some magnificent pictures. Things I'd never have found without her.
00:33:27It's a little louder.
00:33:33Andy.
00:33:34Yeah?
00:33:35I got to tell you something.
00:33:36Go ahead, shoot.
00:33:38Let's go away from here.
00:33:40Why, something the matter?
00:33:42Yeah. Let's go away.
00:33:45We can't yet. I still have photos to do.
00:33:49Besides, I got a little money in advance.
00:33:52I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:56Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:03You're not being reasonable.
00:34:04I know, but I can't stay here another minute.
00:34:11I suppose it's my fault, huh?
00:34:13No, of course not.
00:34:16I'll be all right again soon, I swear.
00:34:19No, it's... there's nothing to do with you. I don't know. It's just...
00:34:23Look, I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:29It's only a question of time. I know it.
00:34:32All you have to do is be patient. Just a little longer. We'll be happy again. And then, I'll be able to give you what you need so badly.
00:35:02You and I will be able to get out your life or your sleep.
00:35:05I will be able to get back now.
00:35:09I'll be able to get back now because I have trouble.
00:35:12You can't be able to go to the end, you know what you need so badly.
00:35:21You're not sure you're Bible. You're not sure you're Jill.
00:35:24You're not sure. I'll be able to turn.
00:35:26You're not sure you've got it.
00:35:28You're not sure you're going to be able to get into life.
00:35:30Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:00All right, but who remembers that anymore?
00:36:05I do.
00:36:10One day, I guess I'll get another chance.
00:36:12One day, I'll get another chance.
00:36:14Do you want a drink?
00:36:41No, not for me.
00:36:44How come?
00:36:48One needs a good motive to get drunk.
00:36:51But I guess I'm the only one who hasn't got one.
00:36:56Does that mean you think I have one?
00:37:00Criola.
00:37:03What is this?
00:37:04The game of truth?
00:37:07No one ever tells the truth.
00:37:09Even jokingly.
00:37:11I don't know why you two should be a flagrant couple of exceptions.
00:37:16Of course, you include yourself in that sweet statement.
00:37:25Don't you tell the truth?
00:37:28I don't know, but I'm trying to.
00:37:33Since I quit writing that crap about love, I've stopped looking for it.
00:37:40I've stopped looking for it.
00:37:50It's a broken heart.
00:37:51It's a broken heart.
00:38:10It's a broken heart.
00:38:11It's a broken heart.
00:38:12It's a broken heart.
00:38:13I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17Do you want to make love with me again?
00:38:19Yes.
00:38:20Well, not today.
00:38:21Yes.
00:38:27Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:38Well, answer me.
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:50You're quite sure you don't want to come with us?
00:38:52No.
00:38:53I'd prefer to stay here and keep consuel about the day.
00:38:56Okay.
00:38:57I'll try not to be late.
00:38:58I told you that's the way it was.
00:38:59Bye.
00:39:00Hey, I'm always I.
00:39:01It's not true.
00:39:02I'm not going to stay around and talk about it.
00:39:03Goodbye, I'll be yours.
00:39:04Bye.
00:39:05Bye.
00:39:06Bye.
00:39:07Bye.
00:39:08Bye.
00:39:09Bye.
00:39:10Bye.
00:39:11Bye.
00:39:12Bye.
00:39:13Bye.
00:39:14Bye.
00:39:15Bye.
00:39:16Bye.
00:39:17Bye.
00:39:18Bye.
00:39:19Bye.
00:39:49Bye.
00:39:50Bye.
00:39:51Bye.
00:39:52Bye.
00:39:53Bye.
00:39:54Bye.
00:39:55Bye.
00:39:56Bye.
00:39:57Bye.
00:39:58Bye.
00:39:59Bye.
00:40:00Bye.
00:40:01Bye.
00:40:02Bye.
00:40:03Bye.
00:40:04Bye.
00:40:05Bye.
00:40:06Bye.
00:40:07Bye.
00:40:08Bye.
00:40:09Bye.
00:40:10Bye.
00:40:11Bye.
00:40:12Bye.
00:40:13Bye.
00:40:14Bye.
00:40:15Bye.
00:40:16Bye.
00:40:17Bye.
00:40:18but the places you've shown me have been so dazzling
00:40:21that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed, and if I don't get her away from this place,
00:40:37I'm afraid I'm bound to lose her.
00:40:40You better hurry, or you'll be too late.
00:40:44I'll take you back.
00:40:48I bet you're enjoying it.
00:41:07Joanne gave me one too with a dedication.
00:41:09I sobbed my eyes out.
00:41:12For a romantic novel, it's not bad.
00:41:14It's a model a fun thing to be, Criola.
00:41:20I wouldn't recommend it to my friends,
00:41:22but I'm not complaining.
00:41:24I asked because when I was a little girl,
00:41:26I dreamed of being a dancer or model,
00:41:28but I ended up with overweight tits.
00:41:32So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:38Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:44Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine, if it isn't too expensive.
00:41:59Don't worry, it won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay, that's a bit of good luck.
00:42:06More than you bargained for.
00:42:07Listen, I have some important news for you.
00:42:11Very important.
00:42:13I may know where your girlfriend is.
00:42:15Iris?
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29What is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:42Leon, where are you going?
00:42:43I am leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:08Because I still love you.
00:43:10And I'm not leaving without you.
00:43:12Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00Can I stay on board?
00:44:02To get this straight, this time, it must be forever.
00:44:23I know.
00:44:26So, stay.
00:44:32She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:46I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:44:58Andy, you're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:16I've got to be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24Well, let's go.
00:45:48have you seen Leon sorry to disturb I want a word with him I'll leave you two
00:46:16together wait what do you want iris iris you've got her you don't want iris iris is free to do what
00:46:27she wants adios
00:46:57you
00:47:00you
00:47:04you
00:47:06you
00:47:38No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:48:03I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:13It's over.
00:48:16Don't you understand?
00:48:18He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:34I know him.
00:48:49Oh, Christ.
00:48:50Get out of here and stop bothering the customers.
00:49:20So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past.
00:49:26Playing with fire. One can be burned in the end.
00:49:32I blame myself. My unnatural desire to see the excitement men get in seeing a naked woman.
00:49:41I'm perverted, I guess. I proposed it to her. I must be an asshole.
00:49:48But now she's gone for good.
00:49:50She did it because she knew you liked it. Not for herself.
00:49:55She's not the kind of woman who sleeps around a lot.
00:49:58Are you serious?
00:50:00Yes, I am. Whatever she became was to please you.
00:50:06She realized simply that she had to go to bed with other guys in order to try to keep your interest in her going.
00:50:11And look what happened. Fate set a trap for her.
00:50:14Oh, God. Now I'm the one who went and trapped her.
00:50:19Yep. Now you're trapped.
00:50:22It started as a game, that's all. It wasn't serious.
00:50:28Games can be dangerous to play if you don't keep to the rules.
00:50:37Good evening.
00:50:38Good evening.
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen.
00:50:42Thanks.
00:50:43Hey, you've forgotten? We met one night in Santo Domingo. I'm married to Creole.
00:50:49Oh, yes. Now I remember you.
00:50:51Hi.
00:50:52I'm, uh, I'm sure she'll be delighted to know you're here.
00:50:55She already knows.
00:50:57But you mean to say you... you've seen her?
00:51:00Yes. Briefly.
00:51:02Yeah, but where? You haven't said. I have to know immediately.
00:51:14Surely you can guess.
00:51:17She's on Leon's boat.
00:51:21Don't go. Don't go.
00:51:25Don't go.
00:51:26I have to.
00:51:51What you think.
00:51:56You're hurting me.
00:51:59You're hurting me.
00:52:01It hurts me.
00:52:02Hello?
00:52:03where can i find leon leon's gone fishing senor in his boat thanks
00:52:33on
00:52:40on
00:52:47on
00:52:52on
00:52:57on
00:53:30Put it in the pail.
00:53:47You know how to cook it?
00:53:50You'll have to learn.
00:54:00Hey, what are you doing here?
00:54:20Criola?
00:54:23Criola?
00:54:26Criola?
00:54:28What do you want?
00:54:29I've come to get her.
00:54:32Leon!
00:54:33No, what are you doing?
00:54:35Criola, I never thought it would come to this.
00:54:38Please, I know it's all my fault, but please don't humiliate yourself like this.
00:54:44It's too late.
00:54:46It's not too late.
00:54:48It's not.
00:54:49It's too late, Andy.
00:54:51No, it's not.
00:54:53Please, we must begin again.
00:54:55I can't.
00:54:56No.
00:54:57Don't tell me you're going to stay here.
00:54:59Jesus, Criola, with a bastard like that.
00:55:03I have no more strength.
00:55:05No more desire to go on.
00:55:07It's finished.
00:55:08You don't know what you're saying.
00:55:10You're coming back.
00:55:10No.
00:55:11Yes.
00:55:12No.
00:55:12It can't be finished.
00:55:14God damn it.
00:55:15Leave me alone.
00:55:18It's finished.
00:55:20With Leon, I'm alive.
00:55:21He satisfies me.
00:55:22No.
00:55:23No.
00:55:23I'm terribly sorry, Andy.
00:55:31Really.
00:55:32It's ridiculous.
00:55:36Ridiculous.
00:55:40My life is meaningless without you.
00:55:44It's ridiculous.
00:55:45I'm sorry.
00:56:05I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem.
00:56:11Really.
00:56:12I don't mind having a break.
00:56:13Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks.
00:56:24But not tonight.
00:56:26Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:29Are you still in the best of moods?
00:56:43Well, it's a very silly game.
00:56:45For what?
00:56:47Serve to calm the nerves.
00:56:49Try it.
00:56:49Okay.
00:56:54Okay.
00:56:56Tell Mother everything.
00:56:58I'm all ears.
00:57:01Look.
00:57:03I have no intention of fighting with you.
00:57:06You're a kind, sweet patient.
00:57:08Okay. Get to the point.
00:57:10The question is, will she tire of that dope?
00:57:13That's what you want to know.
00:57:15Is that it?
00:57:16She's bound to tire of it. She always does.
00:57:22This place...
00:57:25Plays tricks on one sometimes.
00:57:28Even I fell once, you know?
00:57:30There's no truth in all that shit.
00:57:32I surely don't need to prove it, do I?
00:57:35You're up against an example.
00:57:37And you know it.
00:57:39It's not a person who casts a spell on one at all, but this island.
00:57:44It intoxicates people's minds.
00:57:47It may not be happiness.
00:57:49God only knows happiness.
00:57:50It's hard enough to find anywhere.
00:57:52But it's a narcotic that makes them feel they've found paradise.
00:57:56Yeah.
00:57:57It's blinded Eve in Creole.
00:57:59She used to hate dirt.
00:58:01The invention of squalor made her sick for days.
00:58:04Mm-hmm.
00:58:05A Buridan.
00:58:06It's usual when they eventually rebel, that's it.
00:58:10They reject the previous moral values they had.
00:58:14And abandon themselves falling into the arms of someone like Leon.
00:58:18But you see, I can't understand how she could learn to make love like that.
00:58:23Oh, yes, you can.
00:58:26Please.
00:58:27Right.
00:58:29Let's not say anymore.
00:58:30You want to sit here all night?
00:58:39I...
00:58:53That's not going to do any good.
00:58:57Hey.
00:58:58What's the matter?
00:58:59You've suddenly developed morals?
00:59:03I'm as immoral as you are.
00:59:08But there is such a thing as the right moment.
00:59:12Night.
00:59:13It's way past my bedtime.
00:59:16Is it ready?
00:59:36Is it cooked?
00:59:39There's a time for love.
00:59:43There's a time for food.
00:59:45Time for food.
00:59:47Now we eat.
01:00:15We should eat.
01:00:17It's~~~~ so period.
01:00:18It's the memory ofboy's bad, isn't it?
01:00:21Happy birthday.
01:00:22What?
01:00:23Oh my God.
01:00:24It's okay.
01:00:25Soppy Привет and all fish left.
01:00:27limits.
01:00:28Now we face it on the diciendo.
01:00:30It's fine with soy sauce.
01:00:31We can't stand up.
01:00:33You're welcome.
01:00:34It's amazing.
01:00:35Three or three...
01:00:36And I'm allign for the ladies even before.
01:00:37There's no way.
01:00:38Oh, my God.
01:01:08Oh, my God.
01:01:38Oh, my God.
01:02:08Oh, my God.
01:02:38Oh, my God.
01:03:08Oh, my God.
01:03:10Oh, my God.
01:03:12Oh, my God.
01:03:14Oh, my God.
01:03:16Oh, my God.
01:03:22Oh, my God.
01:03:24Oh, my God.
01:03:26Oh, my God.
01:03:30Oh, my God.
01:03:32Oh, my God.
01:03:34Oh, my God.
01:03:36Oh, my God.
01:03:40Oh, my God.
01:03:42Oh, my God.
01:03:44Oh, my God.
01:03:46Oh, my God.
01:03:50Oh, my God.
01:03:52Oh, my God.
01:03:54Oh, my God.
01:03:56Oh, my God.
01:04:00Oh, my God.
01:04:02Oh, my God.
01:04:04Oh, my God.
01:04:06Oh, my God.
01:04:08Oh, my God.
01:04:10Oh, my God.
01:04:12Oh, my God.
01:04:14Oh, my God.
01:04:16Oh, my God.
01:04:18Hello.
01:04:43Don't look at me like that.
01:04:45I was just admiring you.
01:04:47Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:08Nothing can make me change ever.
01:05:12I, uh, I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it.
01:05:25I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:33I need you, Leon, a ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:35Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:06:51Okay.
01:06:51Let's go.
01:07:21Let's go.
01:07:35Let's go.
01:07:44Let's go.
01:07:47I hope it's enough don't worry no problem it's surely more than enough I'm looking for Mark not
01:08:11here he left with Leon and Andy oh my god I have a terrible feeling he came to me this morning and he had a
01:08:20strange evil look in his eyes he said some awful things about Leon yesterday when he was drunk but
01:08:27when I saw him this morning he wasn't drunk hey what's all the mystery let me in on it
01:08:41so
01:08:48so
01:08:50so
01:09:00Oh, my God.
01:09:30Oh, my God.
01:10:00There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:22I'm going down to have a look.
01:10:52I'm going down to have a look.
01:11:22I'm going down to have a look.
01:11:24Consuelo?
01:11:26Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:31Cruella?
01:11:32What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:49Iris!
01:11:50Iris!
01:11:58Iris!
01:12:00Iris!
01:12:02Iris!
01:12:03Iris!
01:12:04Iris!
01:12:05Iris!
01:12:06Iris!
01:12:07Iris!
01:12:08Iris!
01:12:09Iris!
01:12:10Iris!
01:12:11Iris!
01:12:12Iris!
01:12:13Iris!
01:12:14Iris!
01:12:15Iris!
01:12:16Iris!
01:12:17Iris!
01:12:18Iris!
01:12:19Iris!
01:12:21Iris!
01:12:22Iris!
01:12:23Iris!
01:12:24Iris!
01:12:25Stop it!
01:12:26You've got no call.
01:12:28You've got no call.
01:12:29Exactly what are you trying to do to me?
01:12:32Leon, just stop and think of the position he's in.
01:12:35That man's finished because of you.
01:12:37Losing the one thing he cared about, he risked losing his mind.
01:12:40And I risk losing my life.
01:12:43Marco didn't really mean to kill you.
01:12:46It was pure desperation.
01:12:47Surely even you can comprehend that.
01:12:49You must have been in love at least once in your lonely life.
01:12:52So much it made a fool of you, Leon.
01:12:55No.
01:12:58Funny.
01:12:59I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:13They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:22I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:35He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:40You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:51Thanks.
01:13:54Joanne.
01:13:57Don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:18What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:23Sounds like a banal line from one of your books.
01:14:26Yes, it is banal.
01:14:29But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:49Hello, Andy.
01:14:50Hello, Andy.
01:14:56We thought...
01:15:00We thought that island would help us escape from reality.
01:15:06We must accept the place the scientists on this earth.
01:15:12Come here.
01:15:20Come here.
01:15:25You were right, Jack.
01:15:26There's magic everywhere here.
01:15:27Kiss me.
01:15:31It's in the very air.
01:15:32Can't you feel it?
01:15:34I know that if we stay here long, something wonderful will happen to us.
01:15:40They say these islands cast a spell on lovers.
01:15:50We get...
01:15:51We get...
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