- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I think it's gonna be the most important thing.
00:01:35I don't know.
00:01:36I don't know.
00:01:37I don't know.
00:01:43Shit.
00:01:45Whoa.
00:01:46Camp on my wallet.
00:01:51Ho il mio c-c-c-c-c-c?
00:01:52No, ho il mio c-c-c-c-c.
00:01:54No, ho il mio c-c-c-c-c.
00:01:56In un'alternet.
00:01:57Dovente.
00:01:58What's up?
00:02:12She's lost her purse.
00:02:15No, it's nothing. She was not here.
00:02:20Can I just give her a minute?
00:02:21You were seated.
00:02:22One minute, a moment.
00:02:24Okay, okay, okay, okay.
00:02:26Okay, okay, okay.
00:02:27Okay, okay, okay, okay.
00:02:33Where did you have it last?
00:02:35Um, the train station, I think?
00:02:38The exchange group?
00:02:42Oh, Jamie, I'm sorry.
00:02:47That bastard at the train station started
00:02:49when you dropped all your stuff.
00:02:54This is 170, not 70.
00:02:57Where do we need to go?
00:02:58We need to, we need, we need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thanks, Ash.
00:03:42It's nice.
00:03:44Yes, I have a credit card.
00:03:45The number is on file on my computer.
00:03:49Yes, I have them here.
00:03:52Okay.
00:03:53Five, five, three, three.
00:03:56Seven, six, four, five.
00:03:59Eight, seven, eight, seven.
00:04:01Nine, one, five, seven.
00:04:04Five, seven.
00:04:07Yeah.
00:04:08Expires 12.15.
00:04:11No, she'll definitely need another card sent out immediately.
00:04:13We're here for two weeks.
00:04:14No, I'm working here.
00:04:17Yes, I'll hold.
00:04:20You love how they ask.
00:04:21As if I have a choice.
00:04:23Do you know what I'm gonna try to do while I'm here?
00:04:25Besides learn Italian.
00:04:26I don't know why you think that's so ridiculous.
00:04:28I don't at all.
00:04:29I admire you.
00:04:30I just think it's too late for me.
00:04:32That's not true.
00:04:33You can't teach an old dog new tricks.
00:04:35And besides, what's the point?
00:04:36The whole bloody world speaks English.
00:04:38Well, I...
00:04:39Want to finally transcribe the tapes.
00:04:42Yes.
00:04:43All right.
00:04:45Okay.
00:04:47Well, if we can see it through to the end.
00:04:48I think that's wonderful.
00:04:50And we're all going to finish.
00:04:51Okay.
00:04:52Good.
00:04:54I'm going to see you.
00:04:55I'm not going to finish.
00:04:56I'm not going to finish the tape.
00:04:58How long are you?
00:05:00I'm not going to finish.
00:05:01I'm not going to finish the tape.
00:05:04I'm going to finish the tape.
00:05:05How long are you?
00:05:06What does that mean?
00:05:09Nothing.
00:05:10Nothing.
00:05:11I think it's a fantastic idea, Jane.
00:05:15I always have, you know that?
00:05:20She doesn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:31I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:40Why do you think he killed himself?
00:05:42Who?
00:05:43David Foster Wallace.
00:05:44Who?
00:05:45David Foster Wallace.
00:05:46Who?
00:05:47Who?
00:05:48Who?
00:05:49Who?
00:05:50Who?
00:05:51Who?
00:05:52Who?
00:05:53Who?
00:05:54Who?
00:05:55Who?
00:05:56David Foster Wallace.
00:05:57Who?
00:05:58I don't know.
00:05:59Why do you think he killed himself?
00:06:08David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't you?
00:06:21Do you think he recognised a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, John.
00:06:40Just so tedious.
00:06:44And then of course he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't...
00:06:50Jane, can I, can we not talk about this?
00:06:53Just, just, just a bit more, then.
00:07:12Love you.
00:07:15Love you too.
00:07:20Love you too.
00:07:35Do you feel alright?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:41Are you sure?
00:07:46Mm-hmm.
00:07:50Mm-hmm.
00:07:52No.
00:07:57And they're not.
00:08:01Okay.
00:08:06Mm-hmm.
00:08:10Mm-hmm.
00:08:11Mm-hmm.
00:08:17Mm-hmm.
00:08:18I don't know.
00:08:48I don't know.
00:09:18You'll be so busy.
00:09:22We get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:33Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:39So I can worry about you.
00:09:44Okay.
00:09:49I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56Yes.
00:10:20Testing, testing.
00:10:22Okay.
00:10:25Do you have any stories for my book?
00:10:28What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Or I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:40We went into an air raid shelter.
00:10:42My mother, your great-grandmother,
00:10:44she was shaking.
00:10:46Sirens wailed and...
00:10:48And then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:53I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:15And this man,
00:11:18he had blood in his hair.
00:11:20He had blood in his hair.
00:11:21Who was it?
00:11:21He said,
00:11:23Come on.
00:11:26Cappuccino.
00:11:26What for?
00:11:27Anything that's good?
00:11:28He had pain.
00:11:29Oh, my God.
00:11:45Good night, sir.
00:11:46I, um, was there?
00:11:48Is there a way to go?
00:11:50Yeah.
00:11:51Is it?
00:11:52Yes.
00:11:53We were riding our bikes to school when the Germans started firing at us.
00:12:02We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:22I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:49You're all alone now that your parents are gone.
00:12:53No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:03No one to ask me more boring questions about the war.
00:13:07All right, then.
00:13:10Excuse me.
00:13:11Excuse me.
00:13:12Excuse me.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:17No, no, no.
00:13:18No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:24Andare?
00:13:25Andare?
00:13:26Andare?
00:13:27Grazie.
00:13:28They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the allied side.
00:13:44When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:51I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:58That's great.
00:13:59That's cool.
00:14:00Hey, hey, hey.
00:14:01Where are you from?
00:14:02London.
00:14:03No, in America.
00:14:04Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13Oh.
00:14:14Are you?
00:14:15What?
00:14:16Are you here on vacation?
00:14:17Oh.
00:14:20Sorry.
00:14:21I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:24So come on.
00:14:26My husband is working in Naples.
00:14:29What does he do?
00:14:31He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:38Mm-mm-mm.
00:14:39The viola.
00:14:41Any good?
00:14:43Yes.
00:14:44Very.
00:14:45How do you keep your violin from getting stolen?
00:14:51A coffin.
00:14:52You put it in a viola case.
00:14:55Right?
00:14:56That's not funny.
00:14:58What's the difference between a viola and a coffin?
00:15:01A coffin has a dead person on the inside.
00:15:04Because viola players are dead?
00:15:06No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:10Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes and I went to this music slash nerd summer camp when I was like ten and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:35No.
00:15:36No.
00:15:47Stop making me feel like a stalker.
00:15:49Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:34What brought you out of here today?
00:16:36Fairy?
00:16:37Ha!
00:16:38Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:45They lock you in there until you turn up bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In like the 1300s, thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:23I came out here a few months ago with this volunteer organization
00:17:28dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college and they paid for me to come over.
00:17:43Before connecting flights, it's a 72-hour plane ride.
00:17:45But you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:48How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after like a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry, anyway.
00:18:21So this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:27He answers the door and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older, he's like deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:19:02END
00:19:21GROUND
00:19:23Love teaches me to feed on flames and tears, to turn withered hope green through desire,
00:19:49to re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:57Who is that?
00:19:59Vittoria Colonna.
00:20:02The woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane? Sneaky.
00:20:11Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:18Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:24But that didn't stop her from loving him.
00:20:28Let's hear it then.
00:20:30In Italian.
00:20:32Let's hear the poem.
00:20:34Come on.
00:20:36I'm impressed.
00:20:55You hungry?
00:20:56Why, you gonna take me out?
00:20:57Yeah.
00:20:58Yeah.
00:20:59Alright then.
00:21:00Okay.
00:21:01Two pastas with the house sauce, please.
00:21:03Red.
00:21:04Red.
00:21:05Red.
00:21:06Red.
00:21:07Red.
00:21:08Uh-huh.
00:21:11You hungry?
00:21:12Why, you gonna take me out?
00:21:13Yeah.
00:21:14Alright then.
00:21:15Okay.
00:21:16Two pastas with the house sauce, please.
00:21:17Red.
00:21:18White?
00:21:19Red.
00:21:20Red.
00:21:21Uh-huh.
00:21:23Grazie.
00:21:24So you're really not gonna tell me what you do?
00:21:26I write freelance articles about parties and fashion trends in town and country UK.
00:21:31There's something else.
00:21:33I'm writing a book about my house sauce, please.
00:21:36I'm gonna take me out of my house sauce, please.
00:21:38I'm gonna take you out of my house sauce, please.
00:21:39Red.
00:21:40Red.
00:21:41Red.
00:21:42Red.
00:21:43Red.
00:21:44Red.
00:21:45Red.
00:21:46Red.
00:21:47Red.
00:21:48Red.
00:21:49Red.
00:21:50Red.
00:21:51Red.
00:21:52Red.
00:21:53Red.
00:21:54Red.
00:21:55Red.
00:21:56Red.
00:21:57Red.
00:21:58Red.
00:21:59Red.
00:22:00Red.
00:22:01Red.
00:22:02Red.
00:22:03Red.
00:22:04Red.
00:22:05Red.
00:22:06Red.
00:22:07Red.
00:22:08Red.
00:22:09Red.
00:22:10Red.
00:22:11Red.
00:22:12Red.
00:22:13Red.
00:22:14Red.
00:22:15Red.
00:22:16Red.
00:22:17Red.
00:22:18Red.
00:22:19Red.
00:22:20Red.
00:22:21Red.
00:22:22Red.
00:22:23Red.
00:22:24Red.
00:22:25Red.
00:22:26Well, it's tangled up.
00:22:35I won't learn.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:49I'm not one of those old people who think my time had the only joy and the only problems.
00:22:54We all have our own private wars.
00:22:56Every era, but it was nothing like.
00:23:00It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:08Well, if not for ourselves, then for the people we'd lost.
00:23:12I'll shut that thing off.
00:23:13Would you get it out of my face?
00:23:18That is like a window in time.
00:23:21I mean, the sort of thing you wish you always did before someone died, you know?
00:23:27My husband thinks I'm never going to finish it.
00:23:30I shouldn't care what anyone thinks.
00:23:32We met while I was recording her.
00:23:35Bonding over Granny, huh?
00:23:38Make it sound perverse.
00:23:40That's what it was, right?
00:23:41I got pregnant, so we got married.
00:24:01I lost the baby.
00:24:02I didn't go back after that to the States.
00:24:31Did you, uh, did you ever hear that story about the Red Strain?
00:24:43I think I might have.
00:24:44Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like your soulmate
00:24:56or your family or, you know, someone you bump into on the street, we're all connected
00:25:04by this red string.
00:25:05It can be tangled or stretched, but it can never be broken.
00:25:12There's this moment in the tape.
00:25:21I'm sitting, waiting in the airport bar for my flight.
00:25:24And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing
00:25:32adventure and how I'm going to show World War II from a totally different perspective.
00:25:37But...
00:25:38I don't know if it's that interesting.
00:25:50That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:57Maybe.
00:26:00Maybe I just want to write about nothing.
00:26:02Everything is nothing.
00:26:06All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:13Make a wish, huh?
00:26:16Make it great.
00:26:21Okay.
00:26:25Bravo.
00:26:26Bravo.
00:26:27Hey.
00:26:28Come on.
00:26:28Come on.
00:26:28Come on.
00:26:32What do you mean?
00:26:37We're here.
00:26:38What?
00:26:38Grab my hand.
00:26:39Wait.
00:26:40Go, go, go.
00:26:41Oh my God.
00:26:41Oh my gosh!
00:26:42Oh my gosh!
00:26:42Come on!
00:26:42Oh my gosh!
00:26:43Oh my gosh!
00:26:44Oh no!
00:26:44What?
00:26:45What do you mean?
00:26:46Stronzo!
00:26:48Hey, hey, hey!
00:26:50It's the carabineries!
00:26:52Hey!
00:26:53Hey!
00:26:53Hey!
00:26:54Hey!
00:26:54Hey!
00:26:54Hey!
00:26:55Hey!
00:26:55Hey!
00:26:55Hey!
00:26:56Hey!
00:26:57Hey!
00:26:57Hey!
00:26:58Hey!
00:26:59Hey!
00:26:59Hey!
00:27:00Hey!
00:27:00Hey!
00:27:00Hey!
00:27:01Hey!
00:27:02We can't go back!
00:27:04If we go back, we can't go back!
00:27:06We can't go back!
00:27:08We can't go back!
00:27:10We can't go back!
00:27:12Oh, God!
00:27:14Oh, God!
00:27:16Oh, God!
00:27:26It'd make you feel better if I said I said the whole thing up.
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:46Let's go.
00:27:48Let's go.
00:27:52Why are we still running?
00:27:54I don't know why we're still running.
00:28:00I don't know why we're still running.
00:28:06Oh, my God.
00:28:14It went up my nose.
00:28:20We come back?
00:28:22Maybe.
00:28:26Maybe is not a no.
00:28:28And since I don't have a phone,
00:28:30you're going to have to give me your number.
00:28:32For cheap thrills and future crimes committed.
00:28:36No.
00:28:40Fair enough.
00:28:42I've got to go catch a fairy.
00:28:58Hey.
00:29:03Why do violists keep their viola cases on their dashboards?
00:29:10Why?
00:29:12So they can park in handicapped spots.
00:29:14Oh.
00:29:16Happy birthday.
00:29:20Have a great day.
00:29:24So they can park in handicapped spots?
00:29:26Oh.
00:29:30Happy birthday.
00:29:34Happy birthday.
00:29:38Let's pray.
00:30:08Let's pray.
00:30:38Let's pray.
00:30:45Are you awake?
00:30:51Yeah, I've got so much of this stuff to get through.
00:30:55Got through.
00:30:57Nice.
00:30:58Nice.
00:30:59There are the great big events.
00:31:05The things you think you'll always remember, and you do, but there are other smaller.
00:31:11Picking a blackberry that's been in the sun or brushing the fingertip of someone you didn't
00:31:16know you loved until you touched them.
00:31:20Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle
00:31:26seat.
00:31:28They stay with me too.
00:31:29Jane.
00:31:30Tony.
00:31:31Got some pastries.
00:31:35You're still asleep?
00:31:36Jane.
00:31:37Tony.
00:31:38Got some pastries.
00:31:42You're still asleep?
00:31:56You're still asleep.
00:32:07my friends had lots of American boyfriends and they used to bring us nylon stockings and chocolates
00:32:25and all sorts of things and we used to go to London and we saw Glenn Miller one time
00:32:32we used to go all over the place there were wonderful times I never had an American boyfriend
00:32:41I liked some of them they were nice boys but I I didn't I didn't want to leave my mom and dad
00:32:51I wish I had sometimes you know when you were 19 the world just felt so open and carefree and full
00:32:59of possibility you reminded me of that at that time you were 19 when we met yeah I wouldn't have
00:33:09described this carefree back then at all well I felt nostalgia or something for youth you're not old
00:33:16Jane we ran out on the bill you just ran what do you mean you ran out on the bill perhaps I'm not
00:33:24explaining it while it was it was fun it was just fun
00:33:30how's work the conductor's actually a descendant of water leg which is fascinating the three of us
00:33:49we're going to have to plan a dinner before we leave I'd like that
00:33:51Jane
00:33:56oh my god this is Caleb
00:34:02hi no no we were just talking about you
00:34:05we were that's so weird sit please sit down join us
00:34:09oh
00:34:10oh
00:34:11oh
00:34:12well the chance of a wreck
00:34:14I know right
00:34:15I'm actually going to get back pretty soon
00:34:21that's okay I already ate so I'll just grab a coffee
00:34:25I'll just grab a coffee
00:34:34grab the check please
00:34:36okay
00:34:36In a cafe, pour, pour, pour?
00:34:42Oh, no, thank you.
00:34:47Jane, you don't smoke.
00:34:51Yes, I do.
00:34:53Sometimes, at parties.
00:34:56You didn't know that.
00:34:58Well, I don't do it a lot.
00:35:01Grazie.
00:35:04Grazie.
00:35:07Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:21I went to this party the other day in this villa,
00:35:23owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything,
00:35:29and they were serving this, like, loaf of meat
00:35:33covered in sauce with all these other loaves.
00:35:35And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:43That is disgusting.
00:35:46True story.
00:35:47Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59You're selling my ant.
00:36:00Come on.
00:36:02Let's hear one.
00:36:04Um...
00:36:06I have one.
00:36:09What is the definition of perfect pitch?
00:36:16What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:24You didn't just make that up.
00:36:26I did.
00:36:27It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:35Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What time to go?
00:36:47Already?
00:36:49Yeah.
00:36:50I've got to get back to work.
00:37:00So, what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:06Oh, Tibet?
00:37:07Really?
00:37:08Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:18So pretty.
00:37:20How do you support yourself?
00:37:22You know, a bit of this, a bit of that.
00:37:29All right, then.
00:37:31I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:41Okay.
00:37:48I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:52I'll take you somewhere fun, you know.
00:37:54But don't knock on the front door.
00:37:55Come around the side.
00:37:57I need Regina.
00:37:59Vizquia.
00:38:01There you go.
00:38:05And thanks again for yesterday.
00:38:07Oh, no problem.
00:38:08Hey.
00:38:13Ciao.
00:38:21How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him to pop.
00:38:25It's not a big deal.
00:38:27So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:40Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:39:08Hey.
00:39:09God, you scared me.
00:39:10Are you following me?
00:39:11Maybe.
00:39:12Is that weird?
00:39:13Yeah.
00:39:15I couldn't sleep last night.
00:39:16You told me you were staying near the port so I got the first ferry this morning.
00:39:23I came looking for you.
00:39:24And I can't believe I found you.
00:39:25And I can't believe I found you.
00:39:31...
00:39:32I.
00:39:33I.
00:39:34I.
00:39:35I.
00:39:36I.
00:39:37You.
00:39:38so I got the first furry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:40:08What are we doing?
00:40:29I think we'll make it out.
00:40:33So sexy and beautiful.
00:41:03I can't do this.
00:41:08What?
00:41:09What?
00:41:10I can't do this.
00:41:11Why?
00:41:12Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:25What?
00:41:26Do you seduce women?
00:41:27Is this what you do?
00:41:29You need to be less serious.
00:41:33Don't follow me.
00:41:39Don't follow me.
00:41:43I can't do it.
00:41:47If it doesn't go away.
00:41:48I can't do it.
00:41:51I can't do it.
00:41:52You can't do it.
00:41:54I'm going to go away.
00:41:55I can't do it.
00:41:56You, you, you, you.
00:41:59What?
00:42:00What?
00:42:01What?
00:42:02What?
00:42:33There was one boy from Belgium, he was lovely, he had a moustache, my mother hated moustaches, but he was shipped off, I never saw him again.
00:43:03Anyways, I met your grandfather not long after and we got married.
00:43:08Was it love at first sight with grandpa?
00:43:11Love at first sight? Stop that thing.
00:43:15I know. You're home early.
00:43:22I do deserve that.
00:43:27I do deserve that.
00:43:29And I just left my husband.
00:43:35Jane I'm sorry, just give me a minute. I have a hell of a rest of my day. I've got so much stuff to do.
00:43:44Sorry darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:48Yeah, absolutely.
00:43:49I've had lots of dinner, I thought we'd just stay in here. The two of us.
00:43:54I've just got to work this thing out for tomorrow.
00:43:56Okay.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59Okay.
00:44:00I'm sorry.
00:44:01Welcome.
00:44:06Okay.
00:44:18Let's go.
00:44:22I don't know.
00:44:52Leonard, can we talk?
00:45:22Say cheese.
00:45:29No, you should kind of be in the middle.
00:45:35Hold on a second.
00:45:40That's what our living room is missing.
00:45:52What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:25What did you do?
00:46:39What did you do?
00:46:44What did you do?
00:46:56What did you do?
00:47:00ORCHESTRA PLAYS
00:47:30ORCHESTRA PLAYS
00:48:00ORCHESTRA PLAYS
00:48:30ORCHESTRA PLAYS
00:49:00Did I wake you?
00:49:03No.
00:49:06I think I need to be less serious.
00:49:11Yeah, will you put my pants on?
00:49:16Okay.
00:49:30Okay.
00:52:30Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:56Were you?
00:52:58They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:33You want a drink?
00:53:45You want a drink?
00:53:49You want a drink?
00:53:50You want a drink?
00:53:57You want a drink?
00:53:58You want a drink?
00:54:07You want a drink?
00:54:08You want a drink?
00:54:09You want a drink?
00:54:13You want a drink?
00:54:14You want a drink?
00:54:15You want a drink?
00:54:19You want a drink?
00:54:20You want a drink?
00:54:21You want a drink?
00:54:24You want a drink?
00:54:25You want a drink?
00:54:26You want a drink?
00:54:27You want a drink?
00:54:28You want a drink?
00:54:29You want a drink?
00:54:30You want a drink?
00:54:30You want a drink?
00:54:31You want a drink?
00:54:32You want a drink?
00:54:32You want a drink?
00:56:13I didn't sleep at all last night. Where have you been?
00:56:15Just walking.
00:56:17All night.
00:56:21I've been thinking.
00:56:23You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:29I have to go to work.
00:56:31Can you be late?
00:56:33No. I can't be late.
00:56:35I never tell you.
00:56:37Jay.
00:56:39Whatever you have to say to me, I want to hear it.
00:56:43I've committed myself.
00:56:45People are depending on me.
00:56:47I have to go to work.
00:56:51Okay.
00:56:53I've got a vacancy for you.
00:56:55I've got a vacancy for you.
00:56:57I can have a vacancy for you.
00:56:59I've got a vacancy for you.
00:57:01I'm fine.
00:57:03I'm fine.
00:57:05If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:33Well, that's the thing. That's the thing about struggle.
00:57:48I'm gonna make some tea. Do you want some?
00:57:51I'm all right.
00:57:53If you go out like that again, just tell me. Don't worry.
00:58:04Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:10Do you think everything we've been through actually does us any good?
00:58:28In the long run?
00:58:34Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:39I tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:06If one little thing had changed in my grandmother's life, I might not be here.
00:59:27Sometimes I worry I'm not honoring her.
00:59:28With the book?
00:59:29No, with my life.
00:59:34This is it, you know.
00:59:35It ends with me.
00:59:36In the harvest time we all went to the food.
00:59:37If the harvest time we all went to the fever.
00:59:38We have to be doing food.
00:59:39It is.
00:59:40We're doing food.
00:59:42We're going to be sorry.
00:59:43We've been drinking milk on water and we can't get hungry.
00:59:44What are you eating well?
00:59:45I'm a rich one when I'm a rich one at the same time?
00:59:46I'm always going to care.
00:59:47I'm not, but I'm not.
00:59:48If we can't get a very good meal.
00:59:49I'm not going to be able to be a healthy one at the same time.
00:59:51I love you, but I might be able to meet your family.
00:59:52Sometimes I worry I'm not honoring her.
00:59:54With the book?
00:59:55No, with my life.
00:59:57This is it you, you know.
00:59:58It ends with me.
00:59:59in the harvest time we all went to the field where they were cutting the corn
01:00:08everyone was chasing rapids and then we had our tea in the harvest fields
01:00:16the horses
01:00:21the horses back then
01:00:29they were kept beautifully dad used to dress them all up brass things and little
01:00:36horseshoes he put braids on them they used to be gorgeous what are your plans for tomorrow
01:00:44there was one duke he was a clydesdale i used to ride down to the marshes every night when
01:00:54he finished working they were lovely days really
01:01:01they're gone for me
01:01:10jane
01:01:11but not for you
01:01:14jane
01:01:15you know it's different for you in some ways it's easier you haven't got the war people
01:01:22don't die as much as they did back then but in some ways it's more disjointed
01:01:29you've got to make your own life one that you love and you can't be afraid
01:01:35of the time time is shiftable
01:01:50there are moments in my life that i would trade sixty years to have back again that's the truth
01:01:57you know the truth when you find it it'll come to you like something you've known before rather
01:02:03than something you're learning for the first time
01:02:10what is it oh
01:02:17oh you all right
01:02:21oh you okay yeah it's on my toe
01:02:26oh it's bleeding
01:02:28oh it's fine it's fine it's fine it's fine it's fine
01:02:33are you losing it
01:02:35yes
01:02:37fuck
01:02:39i met these backpackers last night frank and elsa she's french he's german
01:02:52they're going to tibet and i'm going with them
01:02:59i want you to come with me
01:03:09go
01:03:21please
01:03:23go
01:03:25please
01:03:27subscribe
01:03:29please
01:03:32subscribe
01:03:35Oh, my God.
01:04:05Hi. Hi. How are you? Long day.
01:04:14God, when are they not? I don't think I'd jump to doing another stint like this.
01:04:24How's the writing going? I'm feeling inspired.
01:04:28It's fantastic. I think I've figured out the key to finishing the project.
01:04:38Are you listening?
01:04:43You found the key to finishing this project?
01:04:55Well, the water here tastes so funny.
01:05:01Have you ever cheated on me?
01:05:04Oh, Jane.
01:05:05Have you?
01:05:06Can we not?
01:05:08Have you?
01:05:15Absolutely not.
01:05:16Why did you take such a long time to answer that?
01:05:19Because I'm sick.
01:05:22Of what, Leonard? Of it being so hard?
01:05:24Yes.
01:05:25Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:51Is there anything you want to ask me?
01:05:53Why? Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:02I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No.
01:06:27That's not what I'm saying.
01:06:28You're just...
01:06:29Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:40Say it.
01:06:42Jane.
01:06:43Say it.
01:06:45I can't have children, Leonard.
01:06:49I never will.
01:06:51And if we keep trying, they keep dying.
01:06:53Please, Jane.
01:06:54Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:01How does it make you feel, Leonard?
01:07:02How does it make you feel?
01:07:03You will never be a father.
01:07:04We can adopt.
01:07:05That's not what you want.
01:07:06Is it?
01:07:07Is that what you want?
01:07:08Hmm?
01:07:09Because I think about it all the time.
01:07:10That the one thing you always wanted, I will never be able to give you.
01:07:17What are you trying to do, Jane?
01:07:18I just want to know that there's a reason for it all.
01:07:19What are you trying to do, Jane?
01:07:20I just want to know that there's a reason for it all.
01:07:24What are you trying to do, Jane?
01:07:25What are you trying to do, Jane?
01:07:26I just want to know that there's a reason for it all.
01:07:31You're not curious about me, Leonard.
01:07:32Not really.
01:07:33What are you trying to do, Jane?
01:07:34I just want to know that there's a reason for it all.
01:07:38What do you want me to know?
01:07:39You shouldn't have to ask.
01:07:40I feel as if you want me to be someone I'm not.
01:07:41I just want to know that there's a reason for it all.
01:07:42What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:45You're not curious about me, Leonard.
01:07:46Not really.
01:07:47What do you want me to know?
01:07:48You shouldn't have to ask.
01:07:49I feel as if you want me to be someone I'm not.
01:08:04Someone that I've never been.
01:08:13I'm leaving you.
01:08:15I've been seeing someone else.
01:08:20See you.
01:08:25Caleb.
01:08:27That kid.
01:08:28Yes.
01:08:29That kid?
01:08:30That child?
01:08:31That kid you've known for two days?
01:08:33It's been longer than that.
01:08:34Please tell me you're joking.
01:08:36Time is shiftable.
01:08:38I don't get it.
01:08:39Leonard.
01:08:40I don't get it.
01:08:41He's asked me to travel with him.
01:08:43Are you sleeping with him?
01:08:45What do you think?
01:08:48I kept waiting for you to see it, to smell it, to sense it!
01:08:59So what?
01:09:00I failed your test?
01:09:01You don't see me!
01:09:02I'm sorry.
01:09:03For what?
01:09:04I'm sorry.
01:09:05For what?
01:09:06I'm sorry.
01:09:07For what?
01:09:08I shouldn't have done that.
01:09:09No.
01:09:10For losing my temper.
01:09:11I shouldn't have done that.
01:09:12You had every right to lose your temper.
01:09:13No, no, no, no.
01:09:14If you think that this is what's going to make you feel better then you should go.
01:09:19You should go with him.
01:09:20You should go with him.
01:09:21You've been through a terrible, terrible thing Jane.
01:09:22No.
01:09:23That is not what this is about.
01:09:24Of course it is.
01:09:25You don't love me anymore Leonard.
01:09:26You don't love me.
01:09:27That's rubbish.
01:09:28That's rubbish.
01:09:29This is your ticket.
01:09:30The day after my performance meet me at the train station.
01:09:31I'm sorry I should have done that.
01:09:33The train is at 4th and 4th and 6th.
01:09:34I have three.
01:09:35That's just your right to lose your temper.
01:09:37No, no, no.
01:09:39If you think that this is what's going to make you feel better then you should go.
01:09:41You should go with him.
01:09:43You've been through a terrible, terrible thing Jane.
01:09:44No.
01:09:45That is not what this is about.
01:09:46Of course it is.
01:09:47You don't love me anymore Leonard.
01:09:48You don't love me.
01:09:49Yes.
01:09:50That's rubbish.
01:09:51This is your ticket.
01:09:56The day after my performance meet me at the train station.
01:09:59our training's at 4.30
01:10:02we'll go home together
01:10:05I want you to do what you need to do
01:10:09and then come back to me
01:10:15no questions asked
01:10:18no guilt
01:10:19this is good
01:10:29I want you to do what you need
01:10:59I want you to do
01:11:29I want you to do what you need
01:11:45hi
01:11:47hi
01:11:48hi
01:11:49you want some?
01:12:00you want some?
01:12:01oh thanks
01:12:03hi
01:12:04hi
01:12:05hi
01:12:06hi
01:12:07hi
01:12:09hi
01:12:13hi
01:12:14hi
01:12:15hi
01:12:16Bring it out, sir.
01:12:46Coming over in a couple of hours.
01:12:49Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:13:01I'm thinking of driving through Romania, and then Ukraine, and then down through Russia,
01:13:09and then through Kazakhstan, and then straight to Tibet.
01:14:55You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:25It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:11Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:21She said that you gave it to her.
01:16:27That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:41No, shut that thing off.
01:16:44Oh, the last...
01:16:45And I don't need to go up here.
01:16:47That night.
01:16:48Sorry.
01:16:48I had to add you vinegar.
01:16:51You can see what it is.
01:16:52I don't want to be…
01:16:53I don't want to have a walk guilty.
01:16:55Oh, okay.
01:16:55If you want to be you, someone will press it.
01:16:56You can see what it is.
01:16:57I don't need a walk about it.
01:16:57You can see what's happening.
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