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Perdido En El Amor - Episodio 48 Completo HD
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02:02And what about Osman?
02:04Where are you going to stay now?
02:06Mom, stop thinking about her.
02:08Please think of yourself.
02:09How could you do it?
02:10Hey?
02:11How could you?
02:12How could you tell him everything?
02:14If you were planning to tell him, why did you ask me to keep quiet?
02:18Hey, Halil, son, I'm asking you.
02:20Not a word of this to my husband.
02:23I'll be the one to tell you everything.
02:25No, mother, of course not.
02:28But I don't even want to imagine what he'll do if he finds out about this.
02:32What will he do?
02:33Well, he'll either have a heart attack or kill my mother.
02:37What else is he going to do if not?
02:38Everyone needs to be warned so they don't find out ahead of time.
02:42Whatever it is, it can no longer be a secret.
02:46It would be much worse if he found out from someone else now.
02:51I'll tell him.
02:52You've ruined us all, Mom.
02:54But to everyone.
02:56Now all we need is to get into the newspaper.
02:58You'll see.
02:59We don't lack that much.
03:01Misfortunes are piling up on us.
03:03What do you want to get out of all this, Mom?
03:05Daughter, where did you get those clothes?
03:08The clothes?
03:11Is that really what worries you most right now?
03:14You never cease to amaze me.
03:16You are something that doesn't exist.
03:36Hello, Ingi.
03:38I thought you wouldn't take it.
03:41I am very surprised.
03:43And if I'm like this, who knows how you are.
03:45Hey, we're really worried about you here.
03:48Don't let them call me.
03:49Ingi, Mr. Atif has spoken badly to my mother.
03:52Well, he wasn't wrong, but I swear I didn't know.
03:55I had no idea.
03:56I didn't know anything about this.
03:58I apologize on behalf of my mother.
04:00Your mother knew it too, but since when?
04:03You've always known.
04:08Okay, fine.
04:12Thank you so much.
04:14Well, I've spoken to Kerem, the geneticist.
04:17I could take genetic samples from your aunt and your grandfather,
04:20but since she is from a later generation,
04:23Dad's sample may have a low probability.
04:27Very well, let him do it anyway.
04:28If they take a sample from me or you,
04:30They could do that too, couldn't they?
04:32But you don't care that the little girl has disappeared.
04:35She's gone away crying and we have no idea where she went.
04:38You found out that you had another brother.
04:40and is now dead.
04:42And that's what worries you?
04:44We're trying to find the right path, Dad.
04:45Fuck the right path!
04:47How shameless!
04:48What do you think?
04:49Are you smarter than that woman?
04:51Do you think he hasn't thought you might want to take a DNA test?
04:53Dad, you're right.
04:55What if he's taking advantage of your kindness?
04:57Do you know that this is a sensitive subject for you?
04:59Of course, you have to think that's a possibility, Father.
05:02Besides, it's been a lifetime.
05:04That woman may not be the same one you knew.
05:07If your father is so willing to believe her
05:09It's probably true, Fusun.
05:11It's very sad.
05:13I can't understand how you could have allowed
05:15that your granddaughter goes through this.
05:16I don't understand.
05:17Look, we can't just base it on possibilities.
05:20Okay, let's say we believe it and that we affect her.
05:23And if it's a lie, what?
05:24What do we do?
05:25But will it be possible?
05:26Didn't you hear what I said?
05:27Tell me what else you need.
05:29Find Ingy first.
05:30I don't care what you think.
05:32Bring me my granddaughter!
05:35What if I call her?
05:37Call her, son.
05:38Let's see if he gets it, because he doesn't get it for me.
05:39Communicate.
05:49Well, that's because he does take it from other people.
05:53But really, does no one have compassion?
05:57I don't know what to do anymore and I don't know what to think either.
06:00I can't think, my heart won't go.
06:02Until now I had always thought that I didn't belong anywhere.
06:08I thought they were my family, but...
06:10Well yes, they are and...
06:11Are they your family?
06:12After so many years, it turns out that you did have a family, do you realize?
06:16No not at all.
06:18Those people are not my family.
06:22I have nothing left to hold on to.
06:24They are all strangers to me.
06:29In fact, I'm even more alone now.
06:31I don't know what to do and I don't know where to go.
06:33I have no other place.
06:35That place...
06:37That room was my refuge, but now they are strangers.
06:41Ingy, come on, don't say that.
06:43Where are you?
06:43Let me come talk to you.
06:51Emine, I have to hang up.
06:53Ingy, don't hang up on me.
06:54Ingy, don't hang up.
06:55Come on, let's talk.
07:11Where are you, Ingy?
07:12We are worried.
07:14Grandpa wants to see you, he wants to talk to you.
07:17Honey, if you don't want to come, just tell me.
07:19And I go.
07:23Angela, why aren't you answering?
07:40I was worried.
07:44Angela, are you okay?
07:47Well no.
07:48What's up?
07:49I'm not well, can you come?
07:52Tell me where.
07:56What's happening?
07:56It's no big deal.
07:59He has read the message, but does not reply.
08:03Let's see if he gets it.
08:09He hung up on me.
08:09We're going to your grandmother's house.
08:12He can't have gone anywhere else.
08:14But you haven't seen how he's dealt with her.
08:16It's not there.
08:20I assure you that if something bad happens to that girl tonight, if someone touches even one hair on her, you're going to have to deal with me, especially you, Feliz.
08:31Dad?
08:31Don't call me, dad.
08:33I don't want to hear you call me that.
08:34Now I want you all to sit down and think for a moment about what you can do to make that girl forgive you.
08:39Understand that from now on my granddaughter Nas and my grandson Sam are like ingila.
08:43And if anyone does anything to him, he'll have to deal with me.
08:45Why are you looking at me?
09:01What do you think?
09:03How can you love someone so much and hurt them at the same time?
09:07How is that possible?
09:08Nobody here understands anything and everyone gives their opinion.
09:11You're all giving your opinion on something you have no idea about.
09:16What do we do? What do we do, Mom? What do we do?
09:19Should we call the police? What if he self-harms? What?
09:21No, honey.
09:23She wouldn't do that, would she?
09:24Don't worry.
09:27No one would harm Ingila except Nas.
09:31I can assure you that I'm leaving here right now because if not, I'll kill you.
09:38None of you understand anything! No one will give you any clue!
09:42She keeps saying that nobody understands her.
09:45As if it were easy to do so.
09:47Osan, don't be so hard on her either.
09:50Ingila.
10:07Ingila.
10:08Are you OK?
10:10My goodness, it's so cold.
10:11You'll be frozen.
10:13Here, put it on.
10:14You're fine, but why didn't you tell me you were outside in this cold weather?
10:19If you had known, you would have come.
10:21Come on, get up from there, it's very cold.
10:23Come on, let's go.
10:23Kadir, can you buy cofte?
10:28Are you hungry?
10:29Of course, right now.
10:31They are for my friend.
10:36Okay, I'll get some.
10:38Good evening, boss.
10:41Good night.
10:42Do you see the little dog over there?
10:43Well, give me three or four cups without bread for him.
10:46Go on.
10:53Thank you.
10:54I've given you some more for free.
10:55Very kind, thank you.
10:56Good night.
11:02For your friend.
11:10Thank you so much.
11:12You've kept me company.
11:18Come on, let's go.
11:24Cover yourself well.
11:26I'll turn on the heating now.
11:42It's a family heirloom.
11:44For being the granddaughter of Atif Kavdalli.
11:47Who are you?
11:49Who are you?
11:50Are these my grandchildren?
11:51What are you doing?
12:18Nas, what have you done?
12:19What are you doing?
12:20Go find her.
12:20Go for Ingila.
12:21Okay.
12:22I'll go get her now.
12:23But we don't know what happened.
12:24You are not worried.
12:25What if he committed suicide?
12:26Go find her.
12:27Come on, go.
12:28What are you waiting for?
12:28Come on.
12:29Okay, okay, okay, okay.
12:29Go see, Nash.
12:30But how do you expect me to leave you like this?
12:32You look at yourself.
12:33Why is it affecting you so much?
12:35But what are you saying?
12:37Why does it affect me?
12:38Is it just Ingila's world that's falling apart?
12:41I'm watching everything that belonged to me go away.
12:44I'm losing everything I had.
12:45Ingila is leaving.
12:46My Ingila is leaving.
12:48Is that really your problem?
12:50Hey?
12:51Have you lost your slave?
12:53That he won't run your errands or massage your feet anymore?
12:56How can you be so crazy?
12:58You are a selfish brat.
13:00Selfish?
13:01Selfish?
13:01What do you mean, selfish?
13:03What are you saying?
13:03She is everything.
13:04It was everything.
13:05To me, my friend, my confidant, my everything.
13:08And now what?
13:08And now what is it?
13:09Everything has changed.
13:11Everything has changed.
13:12She will never be my Íngila again.
13:14He has died.
13:15It is not.
13:15You couldn't understand her.
13:17You can't understand it.
13:18It's over.
13:19Ingila is leaving.
13:20It's over.
13:21It will no longer be there.
13:22It's over.
13:22It is not.
13:23It doesn't exist.
13:24It's over.
13:25It's over.
13:26What's happening?
13:27Face the consequences of what you have done.
13:30I'm going to look for Ingila.
13:31Go away.
13:36Nas.
13:37Nas, are you okay?
13:38Mom, don't ask that again.
13:42I don't want this.
13:45I don't want my Íngila to go away.
13:48And I don't want anything to happen to him.
13:50I don't want anything bad to happen to him.
13:51I don't want him to leave this house.
13:54And I don't want her to be my cousin either.
13:56I want her to be my Íngila.
14:03You'll be frozen, honey.
14:05What were you doing out there in the cold?
14:08You could have at least gone to a coffee shop.
14:11Oh my goodness.
14:13I hope she doesn't get sick, honey.
14:15Mom, let the linden tea finish.
14:17This will warm you up.
14:18In the meantime, I'm going to order some food.
14:19Not for me, I don't want anything.
14:23Thank you.
14:24Has something happened to your grandmother, dear?
14:27Is there any problem at home?
14:31Honey, can you tell me?
14:33It feels like the whole world has fallen on you.
14:36Mom, why don't you go to bed now?
14:43You'll even be sleepy.
14:44Dream?
14:45What's up?
14:45You'll see how I can't sleep a wink tonight.
14:48I won't even be able to sleep.
14:50My goodness.
14:51Mom, you're very tired.
14:53Go on, go to bed.
14:54Come on.
14:55Come on, I'll walk you to your room.
14:56I want to talk to her because she obviously has a problem.
14:59Come on, let's go.
15:00Go to bed now.
15:01Darling.
15:06Come on.
15:24I'm sorry for being a bother.
15:26No way, you're not.
15:31I want to ask you what happened.
15:38Only it is not right to ask and not ask either.
15:42But I worry.
15:45What happened?
15:48Who has hurt you?
15:51Is there anything I can do?
15:59I'm lost.
16:01As?
16:02It's like...
16:04Suddenly the world would have been taken from under my feet.
16:10And now I don't even know who I am.
16:14I'm not who I thought I was.
16:19My whole life has been a lie.
16:23Explain yourself.
16:23I have learned that I am...
16:36Mr. Atif's granddaughter.
16:42That?
16:44As?
16:47Whose?
16:49Whose granddaughter?
16:50Mom, what are you doing?
17:03I was here?
17:04Hey?
17:05From what that guy told me, it was exactly here.
17:07And now?
17:09Where is he now?
17:10Do you think she might have hurt herself?
17:22Getting hurt in public, don't talk nonsense.
17:24Yeah, like that only happens in the middle of nowhere.
17:29Let's see what the seller says.
17:35Good night.
17:36Good evening, gentlemen.
17:38Very good.
17:39Have you seen a woman?
17:41With pale skin.
17:42I was crying.
17:43Does this sound familiar?
17:45Wait.
17:46I have a photo.
17:48She.
17:51Yes, I have seen it.
17:52She's been sitting there crying, poor thing.
17:54Okay.
17:55What have you seen?
17:57Have you ever taken a car to a taxi?
17:58Have you seen the license plate?
17:59Put in.
18:00Let the man explain himself.
18:01Well, they have bought cost.
18:03Have they bought you?
18:04Was he with someone?
18:05A guy with a mustache came, a rather skinny guy, and then they left together.
18:09With a mustache and skinny.
18:11Just a moment.
18:14This?
18:15Yes, that one.
18:16But he had good intentions.
18:17He took off his coat and gave it to her, and then they...
18:20Thanks a lot.
18:21What are you doing, man?
18:22It's not necessary.
18:23Accept it, friend.
18:23We bought everything.
18:24Give it to someone who needs it.
18:26Okay, thanks.
18:27To you.
18:28You have to see it.
18:31He picks up the phone from Kadir.
18:32Have you seen?
18:32Or maybe he called her, who knows.
18:41And her grandmother seemed like a very decent woman, you know.
18:45Mom, it's not a good time.
18:46It's wrong.
18:47Heaven, I've heard stories over the years.
18:50I've heard so many rumors about so many people that, well...
18:54But, of course, I've never heard of anything like this.
18:59So, honestly, I understand why you're so surprised.
19:02What do you say, Mom?
19:03It makes me feel sorry, darling.
19:05So he feels sorry in silence.
19:10It will be possible.
19:13Now everything is starting to fall into place.
19:15I'm sure that was exactly why.
19:19So that's why he invited us to the mansion.
19:21Yes, all that generosity.
19:28Witch.
19:30Who invited her?
19:32Generosity?
19:32No, it's nothing.
19:35Well, he's going to find out.
19:36I'm going to tell him right now.
19:37You have the right.
19:39Darling.
19:40This Phyllis invited your grandmother and me to her house.
19:44AND?
19:45He started asking if Ingela is like a daughter, if we want her to be happy, if we don't want her to get hurt and more, blah, blah, blah, he just kept talking.
19:53Um, and he said that if we both convinced you to get married, he would give you a house, a piece of land, everything you wanted in Dujé.
20:06He looked down on us.
20:09Imagine.
20:10As if we were beggars or something.
20:13In the end, that day I lost my temper.
20:15Stunted blonde.
20:17But what are you doing?
20:18What are you doing?
20:19Oh, and I told Kadir about it.
20:21He knows it too.
20:21I told him, son, so much generosity these days, this has to be for a reason.
20:27But as you see, they haven't been able to hide the truth for long.
20:30I got suspicious of you, darling.
20:33So I accused you unjustly.
20:35Forgive me, dear.
20:38And why do you ask me what I do?
20:41She has to know.
20:42Poor.
20:43You have the right to know.
20:44Also, they stole that necklace and accused her.
20:48And what do we know?
20:49What if this is a trap?
20:50And why would it be a trap?
20:51Nash would never hurt Angela.
20:53I'm sure he didn't do it on purpose.
20:54I didn't know.
20:55I knew it.
20:57That?
20:59Did you know?
21:00And I didn't tell you?
21:02I'm surprised.
21:03Why are you surprised, son?
21:05It's clear that it has helped them.
21:08Has it helped you?
21:09Don't pay attention to him, it's nothing.
21:11Honey, I say that if you isolate yourself from others, if you get angry like this, well, you'll die.
21:19That is, you won't have to eat.
21:21No one will take care of you.
21:22If even the person you considered your sister has now tried to push you away because of money.
21:28What if he asked what that one who was like a sister did for you?
21:32Hey?
21:32Have you thought about that?
21:34If all they care about is the inheritance.
21:37If your enemy is not noble, heaven.
21:40To them, you will be nothing more than rabble.
21:42Nothing else.
21:43Mom, how about you make him another infusion?
21:46She is perplexed.
21:48No, I don't want to drink anything else.
21:50I'm being a burden.
21:51Many thanks for everything.
21:53I'm leaving now.
21:53Where to?
21:54Where to, honey?
21:55No, you can't go.
21:56Enough.
22:03Say.
22:04Good evening, sir.
22:05You have a visitor.
22:06It's Mr. Mete.
22:08Mr. Mete?
22:08That is.
22:10Thank you.
22:10I'll be right down.
22:11Okay, sir.
22:13Have you notified him?
22:15No, I haven't told him anything, but I'm sure he's very worried.
22:19It's normal.
22:20Okay, don't tell him I'm here.
22:22No, not at all.
22:23If he asks me about you, I'll tell the truth.
22:26But I'll take care of it, don't worry, okay.
22:28First you make her cry.
22:29And now you get him to worry?
22:31Good.
22:32Mom, please.
22:33Don't add fuel to the fire anymore.
22:35He will leave.
22:36You calm down.
22:40Oh, sit down, darling.
22:43Sit down, come on.
22:46My little bird.
22:47Oh, my poor thing.
22:48Little angel, calm down.
22:53You calm down.
22:56You're going to make me cry.
23:00Take.
23:01Good night, Mete.
23:13How are you?
23:15What do you mean, how are you?
23:16Is Angela around?
23:18You already know.
23:19Is he around or not, Kader?
23:21Well yes.
23:21So what are you doing chattering away?
23:23Say it now.
23:24Can't you see I'm worried?
23:25Do we have to come for her?
23:27What do I know?
23:28I guess it's normal for these things to happen when no one is concerned about her.
23:31You don't know what the hell you're talking about.
23:33Come on in, calm down, buddy.
23:34I'm just trying to help Angela.
23:36Okay, then take me to her.
23:37I want to talk.
23:38Well no, he doesn't want to.
23:39What are you talking about?
23:40Well, she doesn't want to.
23:41It's not right.
23:42Dude, who do you think you're protecting her from?
23:43Don't you see that you are interfering in family matters?
23:45Put in.
23:46One moment.
23:48Now he's with me up there.
23:49It's okay, safe.
23:50Is it not worth it?
23:51I came to take her home, period.
23:52Come on.
23:53Get in.
23:53I said she doesn't want to.
23:55Can't you hear me or what's wrong?
23:56That's what I say.
23:56What's the matter?
23:57What's your problem?
23:59What's going on here?
24:00What do you care, Angela?
24:01But what do I care?
24:02Look, I love that woman, mate.
24:04That's why it's my duty to be there for her whenever she needs me.
24:07But what's wrong with you?
24:08Listen, things are tense at home.
24:11You haven't made a scene.
24:13I understand.
24:14He's with me up there, okay?
24:15Safe.
24:16Tell us something first thing tomorrow morning.
24:19Soon.
24:20Okay.
24:22Perfect.
24:30And thank you.
24:31Hello, Mom.
24:32Put in.
24:33Get in, honey.
24:34Where are you?
24:34Put in.
24:35Mete, where is your father and Emil, son?
24:37Because I've been to the annex and I haven't seen him there.
24:39Mom, calm down.
24:40I got him out of there.
24:42Things are already pretty messed up.
24:43He didn't want to be found out.
24:44But tell me, darling.
24:46Alright?
24:47Are you safe?
24:48Yes, yes, calm down.
24:49Put in.
24:50Tell me.
24:52I'll be able to talk to him, right?
24:54Mom, I can't take you to him now.
24:55Let things calm down.
24:57Okay, go find him, honey, and video call me.
24:59I can't right now, Mom, but I'll tell Muntaz to go, okay?
25:02No, darling, go yourself, don't leave him.
25:05Don't worry, I won't let him do that.
25:07I'm going to send him to Muntaz.
25:08I told you to go.
25:10Well, have you found Angela?
25:12Well yes, although...
25:14Okay, then keep it.
25:16I will talk to my father.
25:18Yes, I'll tell everything, we'll go to the hospital.
25:20Mother.
25:20What if he dies, son?
25:22Mom, don't tell him anything, just because you love him, okay?
25:25I'll go check on him.
25:26Do you promise?
25:27I promise you.
25:29Thank you, son.
25:32Hey, look, it's safe and sound here.
25:36Come on, go on.
25:49Everything upside down.
25:51I want to destroy the house.
25:52Are you happy?
25:57Now you have a new cousin.
26:00That worries you.
26:02Angela will come back here one way or another.
26:05Now it's her turn and you know it.
26:07You've come to drive me crazy.
26:10No.
26:12But they are realities that you must accept.
26:14And you're going to raise your child alone.
26:16While you spend sleepless nights chasing after your child,
26:21Angela will get dressed, get ready and go out partying.
26:24You're going to suffer alone.
26:27You'll be the new Cinderella of the house.
26:29And she the princess.
26:31You make me feel sorry for you even when I'm so angry with you, you know?
26:36The great Nash.
26:39The sad end of your reign.
26:41Morsan, die!
26:44Go away!
26:45Get out of here!
26:57That's it.
26:58Don't cry, little one.
26:59Don't cry, little one.
27:00That's it.
27:01I've already breastfed you and changed your diaper.
27:03Hello, Anas.
27:03Why are you crying?
27:05Are you leaving?
27:07I'm going out with my friends soon.
27:08They are already waiting for me.
27:10I think I'm going to wear this.
27:11It fits well?
27:12Hey?
27:15That's mine.
27:17Come on, what's yours?
27:18No, everything that's yours is mine, Nash.
27:20And you already know it.
27:21Let's see, let's see how it looks on you.
27:24Oh no, no.
27:26You're a mess.
27:27The face, the eyes.
27:28You look very pale.
27:29Nothing fits you anymore.
27:31I feel sorry for you, I really do.
27:32But look, it does to me.
27:35Although being a mother suits you much more.
27:36Nash, I'm serious.
27:37Hey, the baby is crying.
27:39You hit him on the back.
27:40He has gas, he wants to burp.
27:42Well, have a good one.
27:43I will upload stories.
27:44Mrs. Tiff, I haven't been able to go ask you for a recommendation.
28:10I haven't had the guts.
28:13I hope it goes very well for you.
28:16Excuse me.
28:20Gemile.
28:23Call Fife.
28:24Why do you hesitate, Gemile?
28:32Don't you owe me?
28:41Come on, mark.
28:42Hello, Gemile.
28:51Hello, Gemile.
28:52I'm worried about you.
28:54It's me, Azife.
28:57Atiff?
29:00I need to see you.
29:03I would like to talk face to face.
29:05Tomorrow.
29:06Talk about what, Atiff?
29:07What else is left for us to talk about?
29:10Don't you think you've been silent for too long?
29:13We have a lot to talk about.
29:15I'll give you my number and you tell me what time you can.
29:18Okay.
29:19To Tiff.
29:22Don't be angry with Gemile.
29:24It's not his fault.
29:26There is only one innocent person.
29:30There is only one person left alive.
29:33And my son's grave, Endusle?
29:36No.
29:38It's here.
29:40Next to my father's.
29:42Take me to see her.
29:43What was his name?
29:50Gian.
29:52Atiff.
29:54Atiff, are you there?
29:58Give me his number.
30:02Azife, I'll call you later.
30:05Very well, Gemile.
30:13Wouldn't you like to have a girl?
30:27You just wouldn't want her.
30:29How could I not love her?
30:31We are going to have a baby girl as beautiful as her mother.
30:34What's more, there will be two boys and two girls.
30:37But if we have already been thinking about a name for a child and we couldn't think of one,
30:42How are we going to think in four?
30:43And how's Gian?
30:47Gian.
30:51Well, I think I like the way that name sounds.
30:54I love it.
30:56Okay, decided.
30:57It will be Gian.
31:02And will all this ever come true?
31:05Of course, if we are predestined.
31:07You haven't touched anything.
31:34I'm going to wake up my mother.
31:37No, you better not wake her up.
31:41Thank goodness he was falling asleep.
31:44It's like they've unplugged it, you know?
31:46You came to me like a madman.
31:51Nas was worried about you for some reason.
31:53And this one is also turned upside down.
31:57You know, Nas told me that I can't understand the bond between you two.
32:01Why did he tell you?
32:05Don't know.
32:07Now that you mention it, I don't remember.
32:12Angela, I'd like to offer you something.
32:16Yes, you get angry.
32:17Don't get me wrong.
32:18That?
32:20You just left.
32:21From home and I don't know how you're doing.
32:24The thing is, I was thinking about giving you a credit card.
32:28No.
32:29One second.
32:30Yes, it would be a loan.
32:31At least so you can get by.
32:33No, Kadir, there's no need.
32:35Really.
32:35Don't reject it so quickly, okay?
32:38Depresto.
32:39You'll have to pay me back, okay?
32:41But without hurry.
32:42Don't worry.
32:43When you can, there's no rush.
32:46It's a loan.
32:47What do you say?
32:48You would spend money you don't have.
32:52This is the second time you've taken my hand when I fall.
32:56Tonight I felt very, very alone.
32:58I didn't know what to do or where to go.
33:00And the truth is that I still don't know.
33:02But at least now I'm getting my head working, even if it's just a little at a time.
33:11I wouldn't even want to forget the love and generosity you've shown me, Kadir.
33:15I had never had friends outside of that house.
33:19And I really don't know what they are to me right now.
33:23With you it's different because you've never let me down.
33:26You never.
33:29Thank you.
33:30Really.
33:31Peaceful.
33:45I understand you very well.
33:48It's very hard to be stabbed by someone you trust.
33:52But that's life.
33:59There is no more.
33:59He's testing us.
34:02And we gave up.
34:05We must continue.
34:07And I think you're lucky.
34:09If your life takes a turn, let it be for something like this.
34:13Something like that how?
34:14I mean...
34:16Look, understand me, but...
34:20I think going from Cinderella to princess is better than the other way around, by far.
34:25Where will it end?
34:26And why run away from it?
34:27Why run away from it?
34:27Why run away from it?
34:57And you're going to raise your child alone.
35:20While you spend sleepless nights chasing after your child,
35:23Injila will get dressed, get ready and go out partying.
35:26You're going to suffer alone.
35:29I think I'll put this on.
35:30It fits well?
35:32Let's see, let's see how it looks on you.
35:34Oh no, no.
35:35You're a mess.
35:36The face, the eyes.
35:37You look very pale.
35:39Nothing fits you anymore.
35:40I feel sorry for you, I really do.
35:42But look, it does to me.
35:43The face, the eyes.
35:44The face, the eyes.
35:45Bye bye!
35:45The face, the eyes.
35:46Thanks for watching the video.
36:16Thanks for watching the video.
36:46Thanks for watching the video.
37:16More? What are you doing?
37:18You can't gain weight, darling.
37:20I want to move the furniture to this place.
37:21What are you going to change about that? Nothing.
37:23What are you doing? You can't lift weights.
37:25If not, weigh.
37:26Hey, what if we put the bed there?
37:28What do you think?
37:28Listen to me, don't even take a glass of water.
37:30What do you intend?
37:31Let me!
37:33For!
37:33Now my head hurts.
37:36Bring me a pill.
37:36You can't just take whatever pills you want, daughter.
37:39I'm going to ask the doctor what you can take.
37:41Don't lift weight.
37:42Hey, wait.
37:43Don't do this, but don't do that either.
37:45Don't do this, don't do that.
37:46Don't do this, don't do that.
37:47What is this?
37:48A baby or a sentence.
37:49I can't do it.
37:54I can't do this, Mom.
37:56I won't be able to.
37:57I know I won't be able to do it because I really can't do it anymore.
38:01I don't want to be a mother.
38:03I don't want to be a mother, mom.
38:05I don't want to have this baby, mommy.
38:10Are you doing all this to have an abortion?
38:13I don't want it!
38:14No!
38:15I don't want it, and I don't want it now!
38:19I feel very lonely, mommy.
38:23I don't want it, Mom!
38:25I don't want it, I don't want it, I don't want it!
38:28I don't want it!
38:49Thank you so much.
39:05Still don't know anything about Íngela?
39:07I found her, but she didn't want to see me.
39:08Well, you've seen what Mr. Silla is capable of.
39:12But why doesn't he answer your calls?
39:14Why don't you come here?
39:15Why does he blame you for what your grandfather did?
39:17She's angry.
39:20And the worst part is that he's right.
39:22I'm angry with my grandfather, Inás.
39:24But she's also mad at me because I didn't tell her.
39:28I kept quiet.
39:33Honestly, it scared me.
39:35I don't know, I thought things would get more complicated.
39:40Maybe I would have chosen to remain silent too if I had had the opportunity.
39:44I don't know anymore.
39:45Maybe we have ruined his life.
39:56I guess you don't want my advice, but...
39:59If you ask me, let the girl go.
40:04It's the best thing for everyone.
40:06That's what's going to end up happening.
40:08I'll call mom, I promised her.
40:10Hello, Gemil. How are you feeling?
40:27Good, good.
40:28I was worried.
40:29I thought you'd left again.
40:31No, I'm here. Don't worry.
40:33Get in. Are you taking good care of him?
40:35You're not being mean to yourself, are you?
40:40Voltan?
40:43Who are you talking to?
40:53Ah, Mete.
40:54Any news?
40:56What's wrong? Can't I just talk to my son alone?
40:58Go on, Tansu. I'll tell you what's new.
41:02Let me stay.
41:03No, Tansu, come out.
41:04Please go away. Go on.
41:07Okay. Come in, I'll wait for your call.
41:09Yes, I'll call you later.
41:10Oh, how do I eat you?
41:13See you later.
41:18This is it.
41:19Leave that to me.
41:20I put it another way.
41:21I can do it now.
41:22Sure, you do it. Okay.
41:24Ah, well, that's it.
41:26My mother doesn't like the sheets in this hotel very much,
41:29so we always bring extra when we go home.
41:32Look, I've left you some clean clothes so you can get more comfortable.
41:36And nothing else, I'll leave you alone now.
41:39Where are you going to sleep?
41:42Listen.
41:43Do you hear it?
41:45Do you hear that music?
41:47There's a festival right next door.
41:48There I go, I'll curl up in a little ball.
41:50You turn off that head.
41:55Try to rest.
41:57But if you need anything,
41:58if you can't sleep or I don't know,
42:00If you are afraid or if you want to talk,
42:02I am your servant.
42:04I apreciate it.
42:05It doesn't matter.
42:07I'm here for you.
42:09Good night.
42:11Likewise.
42:11Thank you!
42:12Thank you!
42:13Thank you!
42:14Thank you!
42:44Thank you!
43:14Thank you!
43:44Thank you!
44:14Thank you!
44:16Thank you!
44:17Thank you!
44:19Thanks for watching the video.
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