00:00Mr. Professor, welcome to INS.
00:03Mr. Professor, I want you to know how you feel for 40 years of living in the 40th century and what do you feel for a legendary actor who motivates you for every film?
00:13Thank you very much to INS. It's a pleasure to be with you.
00:17I've been more than 40 years. I've been more than 45 years in this business, in this acting profession.
00:26And I always say that I'm very fortunate.
00:30And I'm proud of that I'm working in this film industry for 45 years in the theater, films, television, whatever I do, I say in the industry.
00:42Motivation, I don't think I've been so many years old.
00:47I remember that you've been 45-50 years in the industry.
00:51I'm just joking.
01:00But motivation, motivation, motivation, I've always felt motivated in this work.
01:06Because I'm like, I said, this was my hobby and it was my profession.
01:15So there's no day I think I'm going to be a job.
01:18I think I'm in the work, how going to be, I'm in the work.
01:21I am grateful that I am in my heart
01:51hobby that's it's me I can make a living and it's me I can make a living and it's me
01:56I can't do a living and work they are working and now I've been saying that you plan B
02:02can't do it so I tell him that I thought plan A should go and plan A will not go
02:07to plan B can't be so much.
02:09Sir, I have a lot of time to change.
02:15What do you think in the old or new approach?
02:17There is no tension.
02:19Do you balance both?
02:21I have never kept a fixed approach.
02:25My style is not acting.
02:27The style is what you say.
02:29So I try to do my whole thing.
02:33My whole thing is that I don't have any style.
02:37I go further from style.
02:39My whole thing is that I don't have any style.
02:43So I try to be relevant in the scene.
02:57I try to play a scene for the moment and the interaction in the scene.
03:01And I don't think about any style.
03:03I'm going to do it with this style.
03:06So I try to play a scene for the moment.
03:16I try to play a movie.
03:18You've been working on a film, TV, state, digital, every person, so what do you think about the difference in one medium and the other medium?
03:29I miss the theatre because I believe that theatre is an actor's lifeblood.
03:36There's a lot of theatre in the theatre that you can't say, you can't say, you can't say, you can't say, you can't say.
03:46The audience and actors are the chemistry, you can say, you can say, they are one on one, and the reaction is the same time.
04:01But the reward of films and film acting is a great thing.
04:07Because the film acting is a craft for me, it's a craft that you can connect with every point by point,
04:20every point by point, every point, you can connect with a performance.
04:25It's also a benefit and sometimes a loss.
04:28But the benefit of films, the benefit of your environment is a great thing.
04:35If your environment is a scene, then you can go to the scene.
04:41You can go to the scene.
04:43So your surroundings, your location is a great thing.
04:47You can help the actual location.
04:50It's the scene.
04:52Stop it.
04:53You can do the scene.
04:54You can do the scene.
04:55You can do the scene.
04:57If I'm in the theatre, I'm in a hot outlet.
05:00But I'm in an hotline.
05:02You can do the scene.
05:03You can do the scene.
05:05The scene.
05:07You can do the scene.
05:09This is a great deal.
05:10Because then the aspect that you create a place where you create a location is not your responsibility.
05:21So it has a lot of advantages. I enjoy film acting.
05:25And in film acting, we all come from web series.
05:28Where the camera looks, whether it's OTT, television, 16mm, 8mm, 35mm,
05:35that all comes under the broad umbrella of film acting because you're facing a camera.
05:42And missing-wise, I enjoy all of it.
05:52And when I get a chance, I do everything.
05:54Today I'm playing OTT, so I'm doing OTT.
05:57I've done two feature films, I've done a lot.
05:59So I've been fortunate. I've been working in all formats for a very long time now.
06:10Recently, you've done a special OTT.
06:14How was your experience?
06:16And do you think that your character is more complex and layered?
06:21First of all, I think it's a privilege for me to work with a director like Neeraj Pandey, who I admire a lot.
06:31I think he's a wonderful director.
06:33And he called me two times for special ops.
06:36He called me in season one, but he didn't have a role.
06:39Now he called me in season two.
06:42And he once said,
06:43that this has to be very complicated and complicated.
06:49So if you're the director of this character has to be approved.
06:54I think that this is under the power of honor.
06:56And he said to you to not-shall that character has to be developed.
06:59He needs to be a character,
07:01and he want us to introduce it.
07:03This character is also possible.
07:05It depends on the situation or how the character fits you.
07:09the situation or how
07:10this character
07:10can perceive the audience
07:11and how
07:12and how it is
07:13in the story
07:13so I take a leap of faith
07:16that when they have
07:18called me
07:19I go and do it
07:20play the scene
07:21as they play the scene
07:22then there is a story
07:23that is on the story
07:24that is edited
07:24and tell them
07:25how it is
07:26and where it is
07:28special ops
07:28I think my character
07:30has worked
07:31you said
07:31that we have
07:32introduced a character
07:33and where I have
07:35feedback
07:36it is
07:36it is absolutely
07:37correct
07:38it is absolutely
07:38successful
07:39because the truth
07:40comes to this character
07:41but you know
07:42that this man
07:43is not
07:43there is no other
07:44so now
07:45the track is okay
07:46what will happen
07:48you have to ask
07:49to the writer
07:50this is OTT medium
07:52this is the writer's
07:53game
07:53they control
07:55the writers
07:56and the director
07:59I don't know
08:11I mean this is
08:11challenging
08:12of course
08:12like
08:13I said I really
08:15admire Neeraj
08:16as a director
08:17and that's why
08:17I took a leap of faith
08:18in special ops 2
08:22Neeraj
08:24as a director
08:27as a director
08:27as a director
08:28who has worked
08:29so there is a challenge
08:30and the comfortability
08:33that is right
08:34and the
08:35as a leap of faith
08:37that you have not done
08:38as a director
08:39as a director
08:39as a director
08:39but you think
08:41that you have to
08:42get started
08:43and get started
08:44if you don't have
09:06risk
09:06in this profession
09:08then you will never
09:10be able to do it
09:10I am so much
09:11I am actor
09:12you are writer
09:13director
09:14this is the work
09:17that you have
09:18the boundaries
09:19that you have
09:20the boundaries
09:20that you have
09:21the boundaries
09:21that you have
09:22to go
09:23and go
09:23and go
09:24and go
09:25and go
09:26and go
09:27and go
09:27and go
09:28and explore
09:28if you don't
09:30and don't have
09:30your strength
09:31in your life
09:32then you have
09:33your profession
09:34not for you
09:35and don't have
09:36all the qualities
09:36in Neeraj
09:37this is why
09:39it is so
09:39special ops 2
09:41I am so
09:42the first film
09:42Friday
09:43and I have
09:44every Wednesday
09:45every Wednesday
09:46and I have
09:48made so many
09:48good movies
09:49that they have
09:50so he is a courageous
09:51director
09:51and if you have
09:52this is not
09:53the courage
09:53that you have
09:53just said
09:54I have to say
09:55again
09:55so I have to
09:56I'm going to roll a book in the classical costume.
10:17He was a bad guy.
10:19He was a good set.
10:21He was so good.
10:23The location and the place was so good.
10:25He was so good.
10:27In those aspects of my work.
10:29I had a scene.
10:31I had a scene.
10:33I had a scene.
10:35I had a scene.
10:37I had a character.
10:39I had a character.
10:41He had a character.
10:43He had a diamond.
10:45kit.
10:47The character was still a person.
10:49He had a character who had to multiply yourself.
10:51He had to make a character.
10:55There was a character who has a character with a character.
11:01This character defamed a character with a character.
11:05He had to exchange them by mission.
11:08He had to boxing.
11:10He had to comeTo-ملant.
11:12He picked it out by making a character
11:13So that is a character.
11:15Now you will say that I became a king,
11:18so I am going to be a king,
11:20so I am going to be a king.
11:23Sir, Pavan Kalian Ji's work,
11:27do you have any new perspective
11:32in the direction of Jyoti Krishna?
11:35Sir, Pavan Kalian Ji's work?
11:39It's a great experience with Pavan Ji's work.
11:41First of all,
11:43Pavan Ji,
11:45when I went first,
11:46Krish,
11:47who was the director,
11:48called me for this film.
11:50When I went to Hyderabad,
11:52I wanted to go to Pavan Kalian Ji's work.
11:57So I said,
11:58wow,
11:59there are so many superstar Pavan Kalian Ji's work.
12:02I went to time.
12:04I thought,
12:05that they will say,
12:06but Pavan Kalian Ji won't come.
12:08But why?
12:09We are in the theater.
12:11We had gone out on time.
12:12We had to block the scene.
12:14We had to block the scene.
12:15We had to block the scene,
12:16and you meant,
12:17it meant I confirmed,
12:19who will be below me,
12:20and it was in a set.
12:21There was a set.
12:22He is near to it,
12:23and here is all.
12:24It blocked the scene,
12:25it was the whole block.
12:26We live all in general blocking,
12:29but it went out.
12:30We reached the scene.
12:31This was really good.
12:32I really enjoyed doing the film and thanks to the director Krish
12:57who shot a big scene and made a big picture of Krishna and Jyoti Krishnan
13:06who made a complete picture and made an old picture
13:10both worked on a big scale and it's very good technologically and as a story
13:19positive
13:35it is a it is a it is a it is a it is a कानी कोबहेरा की है
13:39लालच की है ग्रीट की है कैसे लोग इतले लोग करप्ट होते हैं
13:46and they make money to make money,
13:53so this is not the case,
13:57but this is a modern style and a new presentation.
14:01Sheikhar Kamula Ji, who is the director of his work,
14:03is the director of his work and the director of his work,
14:07is the director of his work,
14:08his producer of Mr. Sunil Narang and Rao Saab,
14:13who was the director of his work and the director of his work was very good.
14:19And the children of Mr. Sunil Narang have been very good work.
14:28He was very young and very big producer.
14:32So all and all, my experience in Kubera has been very big.
14:35And congratulations, I tell you the whole unit,
14:38the picture is so good and so much for people.
14:41And I was very happy to do Kubera.
14:47And I was very happy to do Kubera.
14:57Sir, different languages do you have to film and work?
15:02How many challenges do you have to do?
15:04How many languages do you have to do?
15:06How many languages do you have to do?
15:08How many languages do you have to do?
15:10How many languages do you have to do?
15:22How many languages do you have to do?
15:24How many languages do you have to do?
15:34How many languages do you have to do?
15:36How many languages do you have to do?
15:38How many languages do you have to do?
15:47How many languages do you have to do?
15:49How many languages do you have to do?
15:51So if I do Hindi, I do not learn how much I do not learn how much I do not learn how much I do in a short period of time, or acting in my mind only in dialogue, I do not learn how much I do in India, so I do it in Hindustani, so I do it in performance, so I do it in performance, and I have done it in Kubera, and I have done it in Rariyara, Vira Malou, so I have done it in Rariyara,
16:21and I do not stop the language of Rariyara.
16:51I mean, I mean, this is good, it means that you have to do it in Rariyara.
16:57It is good that you have to do it in Rariyara.
17:03It is good that you have to do it in Rariyara.
17:05It is good that you have to do it in Rariyara.
17:07It is good that you have to do it in Rariyara.
17:13It is good that you have to do it in Rariyara.
17:19It is good that I am happy to do it in Rariyara.
17:21Now I am happy that Rishikapur tells me that I am an actor.
17:25It is good that the hero is a tag, which is the hero.
17:29It is a good thing that you have to do it in every kind of role.
17:33It is good that you do it in Rariyara.
17:35The hero is a hero that you have to do it in Rariyara.
17:39You have to do it in Rariyara.
17:43It is good that you have to do it in Rariyara.
17:45where I have a character that I can sing and I can sing myself.
17:52Now I'm waiting for that.
17:54Today, the Indian cinema landscape has changed a lot.
17:59Do you feel that this is positive change in film industry?
18:04Or the old identity is lost?
18:06There is no identity changes.
18:10When the 60's films were made, the musical was made,
18:19the Superstars were made,
18:22the single screen format was made.
18:24So, when people said that our 40's and 50's films were made,
18:30the 60's films were made,
18:34the 70's, the 80's, the 90's,
18:37the time changes.
18:40The audience's taste changes.
18:42Automatically, you can see OTT,
18:45it's all about her story.
18:47The audience's taste changes.
18:49The audience's experience,
18:51the horizons,
18:52the audience's films were made,
18:55the audience's films were made.
18:57The audience's films were made.
18:59It's good for films.
19:02The audience's experience,
19:04the audience's films were made so that all things
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