- 6 months ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I think it's gonna be good.
00:01:32I think it's gonna be bad.
00:01:33I think it's gonna be bad.
00:01:34I don't know.
00:01:35Yeah, no.
00:01:36I don't know.
00:01:37Come get it.
00:01:38I don't know.
00:01:39I'm looking for the other person's place.
00:01:40I don't know.
00:01:41Shit.
00:01:42Whoa.
00:01:43I can't buy my wallet.
00:01:44What?
00:01:45I can't buy my wallet.
00:01:51Are you a S-C-Pace?
00:01:52No.
00:01:53Non, no, no, no.
00:01:54I can't stop with the Pace in the S-C-Pace.
00:01:56Somewhere.
00:01:57Maybe it's my car.
00:02:00What's up?
00:02:10What do you think?
00:02:12She's lost her purse.
00:02:14She's lost her purse.
00:02:15He hasn't caught anything.
00:02:17Can you just give her a minute?
00:02:21She's not here sitting here.
00:02:23One moment, one moment.
00:02:25I don't know if I can't.
00:02:28Where did you have it last?
00:02:30The train station, I think?
00:02:32The exchange group?
00:02:34Oh, Jamie.
00:02:36I'm sorry.
00:02:38That bastard at the train station started when you dropped all your stuff.
00:02:42This is 170, not 70.
00:02:44Where do we need to go?
00:02:46I don't know.
00:02:48I don't know.
00:02:50I don't know.
00:02:52I don't know.
00:02:54I don't know.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22I think it's nice.
00:03:26It's nice.
00:03:28Yes, I have a credit card.
00:03:30The number's on file on my computer.
00:03:32Yes, I have them here.
00:03:345533.
00:03:367645.
00:03:388787.
00:03:44957.
00:03:46on file on my computer yes i have them here okay five five three three seven six four five
00:03:58eight seven eight seven nine one five seven five seven yeah expires 12 15. no she'll definitely
00:04:12need another card sent out immediately we're here for two weeks no i'm working here
00:04:21yes i'll hold you love how they ask as if i have a choice
00:04:27do you know what i'm going to try to do while i'm here besides learn italian i don't know why
00:04:32you think that's so ridiculous you don't at all i admire you i just think it's too late for me
00:04:39that's not true you can't teach an old dog new tricks and besides what's the point the whole
00:04:47bloody world speaks english well i'm going to finally transcribe the tapes yes all right okay
00:05:02well if you can see it through to the end i think that's wonderful
00:05:05what does that mean nothing nothing i think it's a fantastic idea jen i always have you know that
00:05:21shouldn't sound very supportive
00:05:25you have my support i'm sorry if that came out wrong
00:05:29i just know how emotional listening to them can be has been for you i think enough time has passed
00:05:38well that's great
00:05:59i don't know why do you think he killed himself
00:06:08um
00:06:10david foster wallace
00:06:13oh um i don't know
00:06:17you can't get a sense by his writing
00:06:20you have to read it when i'm done though
00:06:21do you think he recognized a blank infinity just stretching out
00:06:34he got to this point maybe where it was just day after day after day
00:06:38i really don't know just so tedious
00:06:42and then of course he felt guilty most people think life is too short and there he was all the
00:06:48talent in the world and it wasn't that
00:06:50jane can i can we not talk about this
00:06:54just just just a bit moment
00:07:12you know
00:07:35do you feel all right you feel okay
00:07:38Yeah.
00:07:40You sure?
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26I'll see you later.
00:10:28What kind of stories?
00:10:30Stories that you've prepared.
00:10:32Or I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy.
00:10:56And half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England,
00:11:10miles from Germany, from Russia, from Italy,
00:11:13from any front lines.
00:11:14And this man, he had blood in his hair.
00:11:25Buonight, cappuccino, bubba.
00:11:27Here we go.
00:11:52We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:22I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:48You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:06All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato anglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oreganese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Grazie.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything, now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:54Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:24So, come on.
00:14:28My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:43Any good?
00:14:44Yes.
00:14:45Very.
00:14:45How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:01A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:17I can't help it.
00:15:19I've got this weird, autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You knew we went?
00:15:33No.
00:15:34No.
00:15:34No.
00:15:35No.
00:15:35Stop making me feel like a stalker.
00:15:48Fuck.
00:15:48Stop making me feel like a stalker.
00:15:49Fuck.
00:15:50One.
00:15:51One.
00:15:51All right.
00:15:52Oh, hey, have you got 50 cents?
00:15:53I'm sorry.
00:15:54I'm sorry.
00:15:55I'm sorry.
00:15:56I'm sorry.
00:15:57I'm sorry.
00:15:58I'm sorry.
00:15:59I'm sorry.
00:16:00I'm sorry.
00:16:01I'm sorry.
00:16:02I'm sorry.
00:16:03I'm sorry.
00:16:04I'm sorry.
00:16:05I'm sorry.
00:16:06Oh, hey, have you got 50 cents?
00:16:08If you can catch it.
00:16:09Grazie.
00:16:10Grazie.
00:16:11Grazie.
00:16:31Grazie.
00:16:32Grazie.
00:16:33Grazie.
00:16:34Grazie.
00:16:35Grazie.
00:16:36Grazie.
00:16:37Alan Taylor.
00:16:38Grazie.
00:16:39Grazie.
00:16:40Grazie.
00:16:42Grazie.
00:16:43Grazie.
00:16:44What brought you out of here today?
00:16:45Barry.
00:16:47Harry.
00:16:48Harry.
00:16:49I like it.
00:16:50They have this device down in the basement.
00:16:52It's like a torture cage.
00:16:53They lock you in there until you turn to bones.
00:16:55But can you imagine dying by just sitting there?
00:16:57In, like, the 1300s, thousands of families lived in this castle.
00:17:02It doesn't smell pretty bad.
00:17:04All those people crammed onto this rock.
00:17:09Wow.
00:17:11I know.
00:17:12I've been coming here every day, and it still gets me.
00:17:15If only we could kill off all the tourists.
00:17:19You're a tourist.
00:17:21No, I'm not.
00:17:23I came out here a few months ago with this volunteer organization
00:17:28dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:34I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:39No, I just didn't want to go to college, and they paid for me to come over.
00:17:42Four connecting flights is a 72-hour plane ride, but, you know, it was worth it.
00:17:46My first time out of the U.S.
00:17:48How old are you?
00:17:49I'm 19. It's my birthday today.
00:17:51Is it really?
00:17:52Uh-huh.
00:17:53Happy birthday.
00:17:54Thank you very much.
00:17:55Yeah, so I left the program after, like, a month.
00:17:58Fuck the relic dolphins!
00:18:01I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:17I'd love to hear the long version.
00:18:19Sorry.
00:18:20Anyway, so this relative gave me the name of this great-uncle who lives on the island, so I show up.
00:18:26He answers the door, and he's like the oldest fucker I've ever seen, easily pushing a hundred.
00:18:31A hundred?
00:18:32Yeah, if not older.
00:18:33He's like deaf and blind and about four feet tall.
00:18:36He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment.
00:18:43And, uh, yeah, I never left.
00:19:13Love teaches me to feed on flames and tears.
00:19:31Love teaches me to feed on flames and tears,
00:19:38to turn withered hope green through desire,
00:19:44to re-enslave my heart each time love frees his noble face
00:19:49from that heavy disdain.
00:19:52Who is that?
00:19:55Vittoria Colonna.
00:19:59Ah, the woman who lived here.
00:20:03You read that in your guidebook this morning, didn't you, Jane?
00:20:07Sneaky.
00:20:09Yeah, I've decided to learn Italian by committing to memory
00:20:12all the sonnets she wrote to Michelangelo in English and Italian.
00:20:16I thought Michelangelo was gay.
00:20:18Ah, according to history and the muscular thighs of his sculptures, yes,
00:20:23but that didn't stop her from loving him.
00:20:27Let's hear it then, in Italian.
00:20:31Let's hear the poem.
00:20:33Come on.
00:20:35Okay.
00:20:36De lacrime a de faco nutria l'alma.
00:20:42Con secca speme reinvedia la voglia.
00:20:48Lega de nuovo il cuor quando de scioglia.
00:20:54Segna maggiore la vista tierra ed alma.
00:21:01I'm impressed.
00:21:07You hungry?
00:21:09Why, you gonna take me out?
00:21:11Yeah.
00:21:12Alright then.
00:21:13Okay.
00:21:14Two pastas with the house sauce, please.
00:21:27Red.
00:21:28Red, please.
00:21:29Uh-huh.
00:21:30Grazie.
00:21:31Yeah.
00:21:32So you're really not gonna tell me what you do?
00:21:38I write freelance articles about parties and fashion trends in town and country UK.
00:21:45There's something else.
00:21:50I'm writing a book about my grandmother's experiences in rural England living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:08What don't you know?
00:22:11You wanna listen?
00:22:12A little?
00:22:13Yeah.
00:22:14Yeah?
00:22:15Yeah.
00:22:16No.
00:22:17I love to listen.
00:22:33All tangled up.
00:22:34Hold on.
00:22:35Okay.
00:22:36Awful as it was, it made you stronger.
00:22:45These days people whine about all sorts of things.
00:22:48I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53We all have our own private wars, every era, but it was nothing like...
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:04We had to laugh, we had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:12Would you get it out of my face?
00:23:18That is like...
00:23:19It's like a window in time.
00:23:22The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never gonna finish it.
00:23:29I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:34Bonding over Granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:41Buongiorno.
00:23:42Buongiorno.
00:23:43Signori.
00:23:44I got pregnant, so we got married.
00:24:00I lost the baby.
00:24:04I'm sorry.
00:24:05I'm sorry.
00:24:28I didn't go back after that to the States.
00:24:30Did you, uh, did you ever hear that story about the Red Strain?
00:24:40I think I might have.
00:24:43Tell me.
00:24:45It's like this Asian proverb says that anyone you're destined to meet, like, uh, your soulmate, or your family, or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:04It can be tangled or stretched, but it can never be broken.
00:25:13There's this moment in the tape, I'm sitting, waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure, and how I'm gonna show World War II from a totally different perspective.
00:25:36But...
00:25:46I don't know if it's that interesting.
00:25:49That's the whole point, isn't it?
00:25:52Keeping it interesting for yourself.
00:25:56Maybe.
00:25:59Maybe I just wanna write about nothing.
00:26:02Everything is nothing.
00:26:03All the best.
00:26:06Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:12Make a wish, huh?
00:26:14Make it great.
00:26:20Okay.
00:26:24Bravo!
00:26:26Bravo!
00:26:27Hey!
00:26:28Bravo!
00:26:29What do you mean I'm gonna have it?
00:26:30What?
00:26:31Grab my hand.
00:26:32Wait, go go go!
00:26:33Oh my god!
00:26:34Oh my gosh!
00:26:35Oh my gosh!
00:26:36Oh my gosh!
00:26:37Oh my gosh, oh my god!
00:26:38Oh my gosh!
00:26:40Oh my gosh!
00:26:41Oh my gosh!
00:26:42Oh no!
00:26:43What?
00:26:44What do you mean?
00:26:45What do you mean?
00:26:50Stronzo!
00:26:52Hey, hey, hey!
00:26:54It's the carabinerie!
00:26:56It's the police!
00:27:04We can't go back!
00:27:05We can't go back!
00:27:09We can't pay!
00:27:15We can't go back!
00:27:23Hey, hey, hey!
00:27:27Did it make you feel better if I said I said no one day off?
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I paid the check when I went to the bathroom.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:43You're horrible.
00:27:44Come on, let's go.
00:27:45Come on.
00:27:47Quick.
00:27:48Let's go.
00:27:51Why are we still running?
00:27:52I don't know why we're still running.
00:27:53Let's go.
00:27:54Come on.
00:27:55Come on.
00:27:56Come on.
00:27:58Come on.
00:28:07Oh my gosh.
00:28:13It went up my nose.
00:28:14up my nose we come back maybe maybe is not a no and since I don't have a phone
00:28:31you're gonna have to give me your number for cheap thrills and future crimes
00:28:36committed or enough
00:28:49I'm gonna go catch a fairy
00:28:57hey
00:29:00why do the old lists keep their viola cases on their dashboards
00:29:19why
00:29:20so they can park in handicapped spots
00:29:30happy birthday
00:29:35thank you
00:30:00so
00:30:07for your proposal
00:30:09thank you
00:30:11it's a very nice
00:30:17heart
00:30:20who
00:30:23Are you awake?
00:30:53I've got so much of this stuff to get through.
00:30:56Got through. Nice.
00:31:23I wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:28They stay with me too.
00:31:30Jane.
00:31:31Tony.
00:31:32Got some pastries.
00:31:37You're still asleep?
00:31:39Jane.
00:31:40Jane.
00:31:41Tony.
00:31:42Got some pastries.
00:31:47You're still asleep?
00:31:52Jane.
00:31:54Jane.
00:31:55Jane.
00:31:57Jane.
00:31:59Jane.
00:32:00My friends had lots of American boyfriends and they used to bring us Nylon stockings and chocolates
00:32:01My friends had lots of American boyfriends, and they used to bring us nylon stockings
00:32:24and chocolates and all sorts of things. And we used to go to London, and we saw Glenn Miller
00:32:31one time. We used to go all over the place. They were wonderful times. I never had an
00:32:40American boyfriend. I liked some of them. They were nice boys, but I didn't want to leave
00:32:50my mom and dad. I wish I had sometimes. You know when you were 19 and the world just felt
00:32:56so open and carefree and full of possibility? You reminded me of that at that time. You
00:33:06were 19 when we met? Yeah. I wouldn't have described you as carefree back then, not at all. Well,
00:33:12I felt nostalgia or something for youth. You're not old, Jane. We ran out on the bill.
00:33:20You just ran out? What do you mean you ran out on the bill? Perhaps I'm not explaining
00:33:25it well. It was... It was fun. It was just fun.
00:33:30How was work? The conductor's actually a descendant of Walter Lake, which is fascinating. The three
00:33:49of us will plan a dinner before we leave. I'd like that. Jane? Oh, my God. This is Caleb.
00:34:02Hi. No, no, we were just talking right here. We were? That's so weird. Sit, please. Sit down.
00:34:08Join us. What? You had the chance of a win. I know, right? I'm obviously going to get
00:34:19back pretty soon. That's okay. I already ate, so I'll just grab a coffee.
00:34:24Can I have the check, please? In a cafe, play, play? Oh, no, thank you. Jane, you don't smoke.
00:34:49Yes, I do. Sometimes, at parties. You know that. Well, I don't do it a lot.
00:34:56Okay? Grazie. Grazie.
00:35:08Italian food's so overrated.
00:35:10I love it.
00:35:11There's no variety.
00:35:13English food, on the other hand.
00:35:15Say what you like about it. There's nothing like a good steak and kidney pie.
00:35:19I went to this party the other day in this villa owned by this old, drunk ex-pat. They had
00:35:26like a private chef and everything. And they were serving this, like, loaf of meat covered
00:35:32in sauce with all these other loaves. And this girl came over to me and said it was cat.
00:35:37No.
00:35:38No joke. Like, a roasted mommy cat and her kittens.
00:35:43That is disgusting.
00:35:45True story.
00:35:47Why don't you tell Leonard one of your viola jokes?
00:35:54Come on.
00:35:58You're selling my ant.
00:36:01Come on.
00:36:02Let's hear one.
00:36:07Um...
00:36:08I have one.
00:36:11What is the definition of perfect pitch?
00:36:16What?
00:36:19When you throw a viola into the dumpster without hitting the rim.
00:36:24You didn't just make that up.
00:36:26I did.
00:36:27It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:31You can pretty much make that joke about any instrument.
00:36:34Did you play anything, Caleb?
00:36:39This and that, you know.
00:36:42Shall we?
00:36:44What, time to go? Already?
00:36:47Yeah, I'm gonna get back to work.
00:36:50Hmm.
00:36:51So what's next on your agenda, Caleb?
00:37:02Um...
00:37:03I'm thinking Tibet.
00:37:04Oh, Tibet.
00:37:05Really?
00:37:06Yeah, there's this thing called the shopping festival at the end of the summer.
00:37:09Yeah, I've heard about that.
00:37:10That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:14The monks, the monks, the monks.
00:37:16It's so pretty.
00:37:17How do you support yourself?
00:37:20You know, a bit of this, a bit of that.
00:37:24All right, then.
00:37:26I'll walk you.
00:37:27Does anybody have a pen?
00:37:28You got a pen?
00:37:29Yeah, I have a pen.
00:37:31I have a pen.
00:37:32Okay.
00:37:34I have a piece of paper.
00:37:37You guys should definitely come over to the island.
00:37:38I'll take you somewhere fun, you know.
00:37:54Don't knock on the front door, come around the side.
00:37:56Don't need Regina, Lucia, here we go.
00:38:05And thanks again for yesterday.
00:38:07Oh, no problem.
00:38:09OK.
00:38:12Ciao.
00:38:20How stoned are you?
00:38:22Come on, I wish it's home to pop, it's not a big deal.
00:38:26So you're saying you smoke back at her?
00:38:30Occasionally.
00:38:31Hey, can we do something fun tonight?
00:38:34Sure.
00:38:38I'm fine from here.
00:38:40OK.
00:38:41See you after work.
00:38:42Yep, I'll be waiting.
00:38:56Hey.
00:38:57God, you scared me.
00:38:58Are you following me?
00:38:59Maybe.
00:39:00Is that weird?
00:39:01Yeah.
00:39:03Ooh.
00:39:04Yeah.
00:39:05Yeah.
00:39:06Yeah.
00:39:07Hey.
00:39:08God, you scared me.
00:39:09Are you following me?
00:39:10Maybe.
00:39:11Is that weird?
00:39:12Hey.
00:39:14God, you scared me.
00:39:16Are you following me?
00:39:18Maybe.
00:39:20Is that weird?
00:39:22Yeah.
00:39:30I couldn't sleep last night.
00:39:36You told me you were staying near the port,
00:39:38so I got the first ferry this morning.
00:39:40I came looking for you.
00:39:44And I can't believe I found you.
00:40:10What are we doing?
00:40:12I think we're making it out.
00:40:14So sexy.
00:40:16And beautiful.
00:40:18What are we doing?
00:40:20I think we're making it out.
00:40:22So sexy.
00:40:24And beautiful.
00:40:26What are we doing?
00:40:28I think we're making it out.
00:40:30So sexy.
00:40:32And beautiful.
00:40:34And beautiful.
00:40:36And beautiful.
00:40:40I can't do this.
00:40:42What?
00:40:44I can't do this.
00:40:46Why?
00:40:48Why?
00:40:50I can't do this.
00:40:52I can't do this.
00:40:54Why?
00:40:56I can't do this.
00:40:58Why?
00:41:00Do you do this.
00:41:02What?
00:41:04I can't?
00:41:05I can't do this.
00:41:06What?
00:41:07I can't do this.
00:41:08Why?
00:41:09I can't do this.
00:41:10Why?
00:41:22Do you do this a lot?
00:41:23What?
00:41:24Do you do this a lot?
00:41:25What?
00:41:26Do you seduce women? Is this what you do?
00:41:30You need to be less serious.
00:41:38Don't follow me.
00:41:40Don't follow me.
00:41:42Let's go.
00:41:44No.
00:41:45No.
00:41:46No.
00:41:47No.
00:41:48No.
00:41:49No.
00:41:50No.
00:41:51And we'll see you next time.
00:41:52Bye.
00:41:53Bye.
00:41:54Bye.
00:41:55Bye.
00:41:56Bye.
00:41:57Bye.
00:41:58Bye.
00:41:59Bye.
00:42:00Bye.
00:42:02Bye.
00:42:03Bye.
00:42:05Bye.
00:42:06Bye.
00:42:07Bye.
00:43:08Was it love at first sight with Grandpa?
00:43:12Love at first sight?
00:43:14Stop that thing.
00:43:15I know.
00:43:19You're home early.
00:43:27I do deserve that.
00:43:29Can I just move for your husband?
00:43:36Jane, I'm sorry.
00:43:37Just give me a minute.
00:43:38I have a hell of a rest of my bed.
00:43:40I've got so much stuff to do.
00:43:45Sorry, darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolutely.
00:43:50I've got some dinner.
00:43:51I thought we'd just stay in here.
00:43:53The two of us.
00:43:53I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58I'm sorry.
00:43:59I've got to work this way.
00:44:29You're welcome.
00:44:51Leonard.
00:44:55Leonard.
00:44:57Can we talk?
00:44:59Say cheese.
00:45:29You should kind of be in the middle of mine.
00:45:37Hold on a second.
00:45:51That's what our living room is missing.
00:45:57What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:15What did you do?
00:46:27What did you do?
00:46:29What did you do?
00:46:45What did you do?
00:46:47What did you do?
00:46:49What did you do?
00:46:51What did you do?
00:46:53What did you do?
00:46:55What did you do?
00:46:57What did you do?
00:46:59What did you do?
00:47:01What did you do?
00:47:07What did you do?
00:47:11What did you do?
00:47:13All right.
00:47:43All right.
00:48:13All right.
00:48:43All right.
00:48:45All right.
00:48:47All right.
00:48:49Oh, hi.
00:48:59Did I wake you?
00:49:03No.
00:49:04I think I need to be less serious.
00:49:09Yeah.
00:49:12Will you put my pants on?
00:49:15Okay.
00:49:17Okay.
00:49:19Okay.
00:49:21Okay.
00:49:27Okay.
00:49:29Okay.
00:49:31Okay.
00:49:37Okay.
00:49:39Okay.
00:49:41Okay.
00:49:43Okay.
00:49:45Okay.
00:49:47Okay.
00:49:49Okay.
00:49:51Okay.
00:49:53Okay.
00:49:55Okay.
00:49:57Okay.
00:49:59Okay.
00:50:01Okay.
00:50:03Okay.
00:50:05Okay.
00:52:47Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:56Wait.
00:52:58They were delicious.
00:52:59You make me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49You make me feel calm.
00:53:50You make me feel calm.
00:53:57You make me feel calm.
00:53:58You make me feel calm.
00:53:59You make me feel calm.
00:54:03You make me feel calm.
00:54:04You make me feel calm.
00:54:10Is that him?
00:54:12Yeah, he just shuffled around all night.
00:54:17Must be lonely.
00:54:40I love you.
00:55:10Again and again and again, again and again and again, once I was single my pocket is itching
00:55:39Girl I wish I was single again, again and again and again, again and again and again, once I was single my pocket is itching
00:55:57Girl I wish I was single again
00:56:09I didn't sleep at all last night, where have you been?
00:56:16Just walking?
00:56:18All night
00:56:20I've been thinking
00:56:22You left your phone here, I had to plug it in
00:56:26We need to talk Leonard
00:56:28I have to go to work
00:56:32Can you be late?
00:56:34No, I can't be late
00:56:36I know it
00:56:39Jay, whatever you have to say to me, I want to hear it
00:56:43I've committed myself
00:56:45People are depending on me, I have to go to work
00:56:51Okay
00:57:06If it wasn't the war, it would have been something else
00:57:15There's always something else, isn't there?
00:57:21That's the thing, that's the thing about struggle
00:57:36I'm gonna make some tea, do you want some?
00:57:51I'm alright
00:57:59If you go out like that again, just tell me
00:58:01No worry
00:58:03Okay
00:58:08I can't seem to figure out what's going on in your head
00:58:25Do you think everything we've been through actually does us any good?
00:58:30In the long run?
00:58:33Or do we just make our struggle to be something meaningful because that's all most of us have?
00:58:52I tell you, next time we come to Italy
00:58:55To get a proper kitchen
00:59:03I don't know what you want me to say, Jane
00:59:05I don't know what you want me to say, Jane
00:59:06I don't know what you want me to say, Jane
00:59:07You can't let her go
00:59:08But not for two
00:59:09But not for you
00:59:10One little thing had changed in my grandmother's life, I might not be here
00:59:12One little thing had changed in my grandmother's life, I might not be here
00:59:14One little thing had changed in my grandmother's life, I might not be here.
00:59:39Sometimes I worry I'm not honoring her.
00:59:43With the book?
00:59:48No, with my life.
00:59:54This is it, you know.
00:59:57It ends with me.
01:00:04In the harvest time we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:19The horses.
01:00:20Yeah.
01:00:21The horses back then, they were kept beautifully.
01:00:31Dad used to dress them all up, brass things and little horseshoes.
01:00:36He put braids on them.
01:00:39They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:48He was a Clydesdale I used to ride down to the marshes every night when he finished working.
01:00:55They were lovely days really.
01:01:08They're gone.
01:01:09For me.
01:01:10Jane.
01:01:11Jane.
01:01:12Jane.
01:01:13Jane.
01:01:14You know it's different for you.
01:01:17In some ways it's easier.
01:01:19You haven't got the war, people don't die as much as they did back then.
01:01:24But, in some ways it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love and you can't be afraid of the time.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade 60 years to have back again.
01:01:56That's the truth.
01:01:57You'll know the truth when you find it.
01:02:01It'll come to you like something you've known before
01:02:03rather than something you're learning for the first time.
01:02:09Oh, sorry.
01:02:11Ah!
01:02:12What is it?
01:02:14Oh!
01:02:17Oh, you...
01:02:19You all right?
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:25Oh.
01:02:27It's bleeding.
01:02:28Oh, it's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:31It's fine.
01:02:33Are you finishing that?
01:02:35Yes.
01:02:36Oh.
01:02:37Fuck.
01:02:39Oh.
01:02:39I met these backpackers last night, Frank and Elsa.
01:02:50She's French, he's German.
01:02:53They're going to Tibet.
01:02:55And I'm going with them.
01:02:59I want you to come with me.
01:03:01I want me.
01:03:01I'm go towards the end.
01:03:02I'll be looking for you.
01:03:05Yeah.
01:03:05Yeah.
01:03:06I can't wait.
01:03:08Oh.
01:03:08Oh, oh, oh, oh.
01:03:09Oh, oh.
01:03:09Oh, yeah.
01:03:12Oh, oh, oh, yeah.
01:03:13Oh, oh.
01:03:26Oh, yeah.
01:03:26Oh, yeah.
01:03:58Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14Oh, when are they not?
01:04:17I don't think I'm chomped at doing another stick like this.
01:04:24How's the writing going?
01:04:25I'm feeling inspired.
01:04:32It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:43You found the key to finishing this project?
01:04:56Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious.
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:42There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:55And again.
01:06:58How does that make you feel?
01:07:00It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:20Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:11I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:11I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper.
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No.
01:09:44That is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:46I want you to do what you need to do.
01:10:52I want you to do what you need to do.
01:10:52I want you to do what you need to do.
01:10:53I want you to do what you need to do.
01:10:54I want you to do what you need to do.
01:10:55I want you to do what you need to do.
01:10:56I want you to do what you need to do.
01:10:57I want you to do what you need to do.
01:10:58I want you to do what you need to do.
01:10:59I want you to do what you need to do.
01:11:00I want you to do what you need to do.
01:11:01I want you to do what you need to do.
01:11:02I want you to do what you need to do.
01:11:03I want you to do what you need to do.
01:11:04I want you to do what you need to do.
01:11:05I want you to do what you need to do.
01:11:06I want you to do what you need to do.
01:11:07ORGAN PLAYS
01:11:37Hi
01:11:46Hi
01:11:49You want some?
01:12:02Oh, thanks
01:12:07You want some?
01:12:37Frank and Elsa
01:12:45Coming over in a couple hours
01:12:48Frank bought a car
01:12:50So we're gonna
01:12:51We're gonna
01:12:52Head out in a couple of weeks
01:12:54Or so, you know
01:12:55We're thinking about
01:13:01Driving through Romania
01:13:05And then Ukraine
01:13:08And down through Russia
01:13:09And through Kazakhstan
01:13:10And then straight to Tibet
01:13:12That's five o'clock
01:13:15And the wenigstress
01:13:17We're gonna go all along
01:13:18So that was
01:13:20Couple
01:13:21Yeah
01:13:21And then
01:13:21And after
01:13:22Let's move on
01:13:22To be right
01:14:52Jase!
01:14:58You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:22It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:38New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:00Are you living for nothing now?
01:16:06Hope you're keeping some kind of record.
01:16:12Yes.
01:16:13And Jane came by with a lock of your hair.
01:16:22She said that you gave it to her.
01:16:27That night when you planned to go clear.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:41No, shut that thing off.
01:16:44Oh, the last...
01:16:45You're living for nothing.
01:16:47My heart, you know, it's been here.
01:16:48You're living for nothing.
01:16:50No, you're living for nothing.
01:16:52I'm doing cool.
01:16:52I'm not telling you.
01:16:53You're not looking.
01:16:54I'm trying.
01:16:54I'm sorry.
01:16:55You're coming.
01:16:55I just don't know.
01:16:56I'm not telling you.
01:16:57You're coming.
01:16:58I'm coming.
01:16:59I'm looking.
01:16:59I'm looking.
01:17:00I'm looking.
01:17:02I'm looking.
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