- 2 days ago
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CreativityTranscript
00:00:00Musique
00:00:30Musique
00:00:32Musique
00:00:34Musique
00:00:36Hey Randy, are you ready to get started?
00:00:38I think you are.
00:00:40We gotta make some art here, people.
00:00:42Alright, let's go. Bring that light right here.
00:00:44Down here.
00:00:46Alright, that's not...
00:00:48I need more light than that.
00:00:50You're in the spot.
00:00:52Okay.
00:00:54Good boy.
00:00:56Alright.
00:00:58No, I told you, it's too hot.
00:01:00Turn it over. Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:04Come on. Oh, Jesus Christ.
00:01:06Come on.
00:01:08All right.
00:01:14Good. Back in it. Back in it. Back in it.
00:01:16That's a good dog.
00:01:18Such a good dog.
00:01:28Good. All right. That's fine.
00:01:30That's a good dog.
00:01:32Good. All right. That's fine.
00:01:34That's a good dog.
00:01:36Hang on, man.
00:01:38Gotcha.
00:01:40Very much.
00:01:42All right. That is great.
00:01:48I think he looks good, don't you?
00:02:02Yeah, we're out of film. All right. Take five. We're reloading now.
00:02:06This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:10It's my dog. I trained that dog. I love this dog.
00:02:12Then you are as dumb as the dog.
00:02:14All right. Is everybody ready? Is your camera loaded? Yeah.
00:02:30Sous-titrage Société Radio-Canada
00:03:00This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Valarie, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion,
00:03:40and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:55She's been described as the highest-paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:19When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:27No, no.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:38Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:53Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:12Jesus.
00:05:16Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:45And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:53This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:17And when I'm talking peace, ladies, I don't mean a little one.
00:06:25I am talking 50% right down the middle.
00:06:31I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:49Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:13I will tell you, you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes, 50-50, 50%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:36All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Well, nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back and forth.
00:07:46When I'm talking piece, ladies, I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Just get the pie piece.
00:08:01Just get them, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:13Thank you.
00:09:03What do you do when I'm not in town?
00:09:07No, come on, you can tell me. I'm in town three months out of the year. You're on a full salary.
00:09:12Well, I work out. I go to a lot of movies. I hope I haven't created a problem. I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:33Girl, I see you, walk in that certain way. There's something about you that turns heads the other way.
00:09:49They all adore you, that's easy to see. They're all you love it, but it won't be me.
00:09:57It's something that turns into my heart. Girl, it's not a ton of art. It's something that turns into my heart.
00:10:05Oh, girl, I can't see you with somebody else. Gotta have you, darling, now. Hold me and nobody else.
00:10:21Girl, I can't see you with somebody else. Gotta have you, darling.
00:10:23Gonna make you laugh and hold you through the night.
00:10:28Look what you've just done to my heart. Look what you've just done to my heart.
00:10:31Look what you've just done to my heart. Look what you've just done to my heart.
00:10:45Look what you've just done to my heart. Look what you've just done to my heart.
00:10:55Look what you've just done to my heart.
00:10:58Oh, yeah.
00:11:11Good morning, ladies, and welcome to a man's world.
00:11:15Let me tell you a little about men, ladies. They'll tell you anything they want you to hear.
00:11:25They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:31God, I hope not. Oh, Lord, woman. We have a problem here, Emmanuel.
00:11:40It's the word they. Now, we all know that they pertains to men.
00:11:48So, why don't you just come out and say, men, you're blessed with great beauty.
00:11:55You should be satisfied with that advantage, but you're not.
00:11:59I think all you girls should remember the terminology, manpower, manipulate, the rights of man, manhole.
00:12:09I mean, all you girls can climb down, and it's still going to be a manhole in the eyes of God, in the eyes of everyone.
00:12:13You can't change that. Not even God can change that. Understand that, lady.
00:12:17You have a lot to learn, Emmanuel. And one Richard Tate is going to teach you, darling.
00:12:47Okora Hotel.
00:12:51Uh, yes. Miss Manuel Griffith, please.
00:12:53May I say who's calling?
00:12:55Uh, yes. Tell her that our studio driver has arrived.
00:12:57One moment, please.
00:12:59Yes?
00:13:00Yes, Miss Griffith? Yes, your limo is here.
00:13:03What time is it? No, I'm an hour from now.
00:13:06Oh, no, but they moved the time up, ma'am. Did they tell you that?
00:13:09No. All right, fine. I'll be down in a minute.
00:13:14Okay, thank you.
00:13:44I'll be down in a minute.
00:13:46Okay, I'll be down in a minute.
00:13:48Okay, I'll be down in a minute.
00:13:49Okay, I'll be down.
00:13:50I'll be down in a minute.
00:13:52Okay, let's get to the end.
00:13:54Let's get to the end.
00:13:55I'm going down.
00:13:56Alright, let's go, Hamish.
00:13:57Let's go, Hamish.
00:13:58Okay.
00:13:59Yeah, let's go, Hamish.
00:14:00The I-Face and that's the end.
00:14:03I guess it's not enough to you.
00:14:05The end.
00:14:36Hey, Guy, you got a leak or something?
00:14:45Can't you get the window down?
00:14:50Hey, mister.
00:14:52Hey, mister, what are you doing?
00:14:54What are you doing?
00:14:57Open my window!
00:15:06What are you doing?
00:15:20Jesus Christ.
00:15:23Sexy extinguisher.
00:15:43Boom.
00:15:44Boom.
00:15:45Boom.
00:15:46Boom.
00:15:48Sous-titrage Société Radio-Canada
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00:23:40C'est fini de faire quelque chose de progress et il n'y a pas encore 24 heures.
00:23:47Le breakfast est servi dans 30 minutes.
00:24:02Le breakfast est en bed.
00:24:04Pour la seule femme dans la maison.
00:24:16Pas mal, hein ?
00:24:17J'en fais ma brunet sauce avec un peu de brandy.
00:24:20Je suis impressionante.
00:24:22Merci.
00:24:23J'ai étudié avec un grand chef à la Waldorf Astoria de New York.
00:24:27C'est bien.
00:24:28Merci encore.
00:24:30Ma spécialité c'est pastry.
00:24:34Wow.
00:24:36Now I want to know who you are and why I'm here.
00:24:39Well, my dear, you already know why you're here.
00:24:42That's to give you time and instruction
00:24:44until you get your pretty little head straightened out.
00:24:46As for me, I am your chef and host.
00:24:50And, in due time, if you're really nice and kind,
00:24:54I may even be your lover.
00:24:57You should live so fucking long.
00:25:02I told you that I don't like that kind of language from a woman.
00:25:05I don't want to have to say it again.
00:25:07What's your name?
00:25:14My name is Richard.
00:25:16Hello, Richard.
00:25:18What did they call you in school?
00:25:22Did they call you Ricky?
00:25:25Did they call you Dicky?
00:25:28Dicky?
00:25:29Or did they just call you Dick?
00:25:35Yeah, I thought you were a patron.
00:25:36I didn't want to get the person behind this.
00:25:38Oh, did he?
00:25:39I was just a kid.
00:25:40I mean, I was the one.
00:25:41Oh, my God.
00:25:42I didn't want to explain.
00:25:43I know why they are going to be the same thing.
00:25:44We should go together.
00:25:45I don't want to explain.
00:25:46I don't want to explain.
00:25:47I'm sorry.
00:25:48I don't want to explain.
00:25:49We should be the same thing.
00:25:50I don't want to explain.
00:25:51Well, you're so the same thing.
00:25:52I'm sorry.
00:25:53We should be the same thing.
00:25:54I came to things to tell you.
00:25:55I look at my daughter.
00:25:56I came to go.
00:25:57I came to my daughter.
00:25:58I have to go.
00:25:59I've been telling her my daughter.
00:42:05que je n'ai pas respecté.
00:42:08C'est-ce qu'il vous plaît,
00:42:10vous pouvez me donner la robe d'or.
00:42:11Je ne veux pas ça à l'heure,
00:42:13je ne veux pas ça à l'heure.
00:42:14Je ne veux pas l'or, et je veux l'or.
00:42:16Je veux l'or, et je veux l'or.
00:42:17Je veux l'or, c'est magnifique.
00:42:20Alors, je vais vous dire,
00:42:22pourquoi vous voulez-vous mettre tout ça dans la box,
00:42:24et, oh...
00:42:27Je sais, un 10% discount
00:42:29semble assez respecté pour moi.
00:42:32Don't you think?
00:42:52Oh, hell, man.
00:42:59Insasperating.
00:42:59Well, look at that.
00:43:03Front page, above the fold,
00:43:06in living color.
00:43:08I really am fantastic.
00:43:11Good morning, Emmanuel.
00:43:23I have something very special for you.
00:43:28Something pink for pink, lady.
00:43:30How are you?
00:43:46Hey, you, what's going on here?
00:43:47Plug it back in.
00:43:48There's a little bra for you in black.
00:43:49I've been calling you all day.
00:43:51I don't have any water,
00:43:52and where the hell's my food?
00:43:53Plug it back in,
00:43:54and things will be quite beautiful for you.
00:43:56Here's something royal for a royal lady.
00:43:58Oh, yes.
00:43:59Prick.
00:44:00Here's some golden threads for you.
00:44:01Just plug it back in.
00:44:03Another thing for pink, lady.
00:44:04Here's a little thing for purple.
00:44:05I want some goddamn water.
00:44:07I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water
00:44:11with these tennis shoes.
00:44:13You bet your life.
00:44:14There they are.
00:44:15Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass.
00:44:18Give me some water.
00:44:19Here's the little undies for the baby.
00:44:21You prick.
00:44:22You turned the water off, didn't you?
00:44:24You got it, sweetheart.
00:44:24and if you want it back on,
00:44:26plug it back in.
00:44:28What the hell are you talking about?
00:44:31Oh, my.
00:44:32Well, Jesus Christ.
00:44:35I got faith in you.
00:44:36I mean, I think you'll figure it out.
00:44:39I'm not taking any calls, sweetheart.
00:45:09and I'm going to get some water, all right?
00:45:12Jeez.
00:45:39God, you are persistent.
00:49:42C'est un peu de l'oeuvre.
00:49:50Tell me ce,
00:49:52qu'est-ce qu'ils n'ont appelé quand vous étiez à l'école?
00:49:57By-my-name.
00:49:59Ils n'ont appelé me Dick.
00:50:03Qu'est-ce qu'ils n'ont appelé?
00:50:06By-my-name.
00:50:08How about Manny?
00:50:13Did they call you that?
00:50:20No.
00:50:21Kids can be so cruel.
00:50:25You are cruel.
00:50:27No.
00:50:29I represent the truth.
00:50:33You have a very nice voice.
00:50:37Thank you.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:51:06Oh, I got your back on now.
00:51:10So, after that, I invented this crazy thing that helps idiots program their VCRs, and I made a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:22No, just lucky.
00:51:25What about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:29That was funny.
00:51:33I went to New York to become an actress.
00:51:40I was 19.
00:51:43What a joke.
00:51:46So what happened?
00:51:48I found out I was no actress.
00:51:50I was no actress.
00:51:53Then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:10I did nude dancing at a Times Square bar.
00:52:17Well, I mean, how'd you handle that?
00:52:22It was easy.
00:52:27I actually enjoyed it.
00:52:31I got off on guys watching me.
00:52:34It was a turn on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:05So when you're stuck naked in front of those good old boys.
00:53:09I mean, who has the advantage then?
00:53:22Why don't you play me some music?
00:53:27I want to dance for you.
00:53:28I want to dance for you.
00:53:32Ah.
00:53:33I want to dance for you.
00:53:34It's a dance for you.
00:53:35You're not good.
00:53:36No.
00:53:37No.
00:53:38No.
00:53:39No.
00:53:40No.
00:53:41No.
00:53:43No.
00:53:45No.
00:53:47No.
00:53:49No.
00:53:51No.
00:53:53No.
00:53:55No.
00:53:57No.
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01:26:08Sous-titrage Société Radio-Canada
01:26:38Sous-titrage Société Radio-Canada
01:27:08Sous-titrage Société Radio-Canada
01:27:38Sous-titrage Société Radio-Canada
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