Mumbai: In an exclusive interview with upcoming web series 'Delhi Crime 3' teams including Shefali Shah, Rasika Dugal, Sayani Gupta, Rajesh Tailang, and director Tanuj Chopra, where Shefali discussed her process of embodying her character 'Vartika', and Rasika reflected on her character’s transformation with a promotion. Sayani opened up about her strong and impulsive role, while Rajesh talked about playing to his strengths and his character’s growth. The team also shared insights on working with co-actors, handling intense scenes, and maintaining authenticity through retakes.
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NewsTranscript
00:00So hello everyone, welcome to INS and congratulations for the third season of Delhi Crime that's
00:04about to release.
00:06My first question is open to all, for viewers if you could explain how would this season
00:12manifest itself considering what has happened behind the two seasons and what the new season
00:16offers to them.
00:17I think Tanoj is far better equipped to answer this question.
00:21So just one more time say the question one more time.
00:24So compared to the previous seasons how would the new season manifest itself keeping in
00:29line with the story that it wishes to tell and with all the characters and the universe
00:33and the universe of Delhi Crime that is.
00:35Yeah, we have to keep our characters, our storylines, our throughlines moving but we've had a little
00:43bit of a gap at the end of season 2 of Vartaka is stationed, transferred out of Delhi, punishment
00:48posting.
00:49And so we pick up, the big question is where do we start season 3, do we start with her,
00:54we could start the moment she's packing to leave, we could start two years in the future,
00:58we can start, you know.
00:59Her not being there at all.
01:01Maybe it changes, maybe the whole new crime scene, we don't know.
01:05So first you have to decide what's your starting point for, where do you want to pick up this
01:08story again.
01:09And we pick up with Vartaka's posting, you know, a year later, some more time later.
01:15And then we have to think about how much of our character has grown over this time,
01:20who's advanced, who's moved up.
01:21We've seen Neeti, she's introduced, now she has more responsibility.
01:24She's moved up into taking some of Vartaka's role in Delhi.
01:27You've seen Vartaka's advancement, now she's no longer DCP, she's DIG Vartaka, right.
01:31And you know, Bhupi is, Bhupi is going to Bhupi, no matter what.
01:37But even…
01:38But even…
01:39For men may come in…
01:40For women may come and women may go.
01:41But Bhupi…
01:42Bhupi will stay the same.
01:43But he's sad, his Vartaka's gone.
01:46So he's a little, you know, maybe he misses…
01:49But we think, we just think about the time that's kept.
01:52And then, you know, so much comes down to our cast.
01:55They know their characters very well.
01:57So they have to also fill in the gaps.
01:59How do we keep what we did in one and two?
02:01Where have our characters gone?
02:03Each one has their own special kind of research they put into getting ready for the season.
02:09Whether it's following cops or deep note taking or deep meditation.
02:14What does he say?
02:16What does he say?
02:17I don't do medication.
02:18What happened?
02:19Medication maybe.
02:20Medication maybe.
02:21Medication maybe.
02:22I need medication.
02:23I need medication.
02:24Yeah.
02:25I think…
02:26Somebody's done.
02:27You were great till a point.
02:28Then you talked about medication and medication.
02:29It's been a long time.
02:30Somebody pick up for me.
02:31Yeah.
02:32And Shifalim, I'm taking from what he said.
02:33He said that, you know, every actor has a different process to how they approach their character in new season.
02:50Because, of course, you shoot after a year and a half till the time it's being written.
02:54What was your process to get into the skin of Vartika once again for her season?
02:59So, one is that I don't think I ever have let Vartika go.
03:04I'm very possessive about her.
03:06Okay.
03:07And she's very, very close to me and very important and precious.
03:11So, it's never, ever gone.
03:14I think, but whether it's Delhi Crime season 3 or it's some other film or show season 1,
03:23my trepidation, my sense of anxiety, my sense of…
03:28I'm not going to know what to do when the director says action is constant.
03:33So, that doesn't change.
03:34But then, as you start reading the script, you start…
03:38First, you read the script.
03:40Okay.
03:41Just as a script.
03:42And then, you see, I start hearing her.
03:45You know, this is how Vartika will say this.
03:48Okay.
03:49You know.
03:50So, one line obviously can be said in 13 ways and can be even interpreted in 13 ways.
03:55Correct.
03:56But that's how it starts happening and you're slowly sliding in and then there are conversations.
04:00Tanuj and me spend a lot of time.
04:02Then…
04:03And…
04:04And then the uniform.
04:05That does something else to me.
04:06Yeah.
04:07And then you come back to your team and it's just like you're never left.
04:10So, it's that.
04:11Okay.
04:12But I'm extremely tensed and nervous and anxious and patoing.
04:17Okay.
04:18Am I allowed to say that word?
04:21Yeah.
04:22Jigna is like…
04:23It's fine.
04:24And, Rasika, in this season…
04:25I've seen two episodes.
04:26I haven't seen the entire season.
04:28But from what I gathered was that the body language of your character has certainly changed
04:33in a certain way compared to the last season because, of course, she is being promoted up the rank and everything.
04:38So, what was the process like for you getting into the season 3 of the show?
04:43I think Meethi is a much more confident officer this season.
04:46And she's understood ki she has to work from within the system.
04:49You know that dilemma ki…
04:51Oh, this is not what I thought.
04:53My idealism is…
04:54Is being compromised.
04:56And…
04:57You know all of that is kind of things that she's settled into like all of us mature.
05:01So, that is I think the confidence with which she's functioning as a police officer
05:05and also really sort of trying to come into her own as a woman in her personal life and
05:10making some very brave choices.
05:11So, all of that is happening.
05:13I've shadowed a cop since season 1, the same police officer and I meet her every season
05:18before I start shooting.
05:19Okay.
05:20And it's been very wonderful to see how she has changed, you know.
05:23And when I met her, she was a probationer officer which Meethi Singh was in season 1 and
05:28now she's SP.
05:29Yeah.
05:30So, it's very beautiful to see, to have that opportunity to observe somebody like that
05:35and also sort of I'm friends with her now, you know.
05:37I call her my cop.
05:38I refer sometimes on set like the costume people say.
05:43I say no, my cop has said it's supposed to be like this, you know.
05:46So, and script wise Meethi has evolved.
05:49In Tanuj's mind, Meethi has changed.
05:51And I think Tanuj and I have always really enjoyed working with Akash Dahiya who plays Divinder
05:57on the Neethi Divinder scenes and that relationship is going through a lot also.
06:03Yeah, definitely.
06:04So, yes, but just sort of revisiting somebody who I have followed since season 1 really helps
06:13me sort of get back into to Neethi zone, to Delhi crime zone and also love spending time
06:20at a police station.
06:21I think there is just so much that happens on any given day.
06:24Yeah.
06:25It's a supercharged update.
06:27It's a supercharged update.
06:28In the morning, two neighbors will come to the next day,
06:31who has happened to keep the gun, and do something.
06:33And then you sit down at the morning, in a murder investigation.
06:35Pretty much like Vartika's days in any episode of telecrime.
06:40So, I always like to do that, so that it just gets me sort of back into the zone.
06:44Okay, okay.
06:45And Rajesh sir, I have always seen you play these goody-good characters.
06:49Of course, your character in Mirisapur has a different shade as well, but playing such characters,
06:54is it, I mean, are you playing to your strength when you step into such roles?
06:58Yeah.
06:59No, I'm a little bored.
07:00I'm just doing something like this.
07:01I'm doing something like comedy.
07:03Yeah.
07:04I'm doing something like comedy.
07:05Yeah.
07:06I'm doing something like comedy.
07:07Yeah.
07:08Yeah.
07:09And I think, I often think, it's becomes more difficult to do positive character.
07:12Um-hum.
07:13Yeah.
07:14Because you make the interest in it is often difficult.
07:17It's as a bit boring, it's a bit of a bit boring when you have an interest in it.
07:20Yeah.
07:21You can make the interest in it and change the way as an actor.
07:25It also takes the time of playing the actor and you have a little, or what to say,
07:30a little bit of a fuel.
07:31But doing positive characters, it's a bit of a sense.
07:34And how do you ensure that you make the audience like that one time put interest in it,
07:38Yes, I mean, to make it engaging is a challenge, that you live in it, that don't be much preachy,
07:44that sometimes it feels like you have become preachy, your character, how to change his sentence,
07:50how to change his syntax, what to do with it. So, I think that it is more difficult to do it with him.
07:57It is more difficult to do it with Ram, because it is more difficult to do it with Krishna.
08:00Correct.
08:01I mean, to make it engaging.
08:03You know.
08:04I know.
08:05Okay, okay. And Shavani, I saw very little glimpse of your character. I have seen only two episodes, as I mentioned.
08:11If you could tell me, what is it more that is behind your character, what is the world that she comes from,
08:16and how did she start working with Huma's character in the show?
08:20Oh, you are asking me the back story. You know, honestly, I think you should just see it, man.
08:26I mean, you know, the fun in sort of discovering the character, I hope you get to discover it,
08:31and kind of like what you see, but again, some, a lot of times, the oppressed becomes the oppressor.
08:40The oppressor, yeah.
08:41And for her, I think, she is a survivor, you know.
08:46Wo zinda rehne ke liye kuch bhi karege. And she has it very clear, there is no morality in her life.
08:53Forget about morality, she wants to, and I think somewhere, she idolizes Badi Bibi.
08:58Okay.
08:59You know, and she wants to, I have a feeling that even if she had to go, sort of behind Badi Bibi's back,
09:07at some point, she would. She only lives for herself. Okay.
09:12And nobody else. You know, wo kakrooch hota hai na. I mean, I was saying this, that you know, as a spirit animal,
09:17I always like working with any of my characters and finding their discovering the spirit animal.
09:22So, Kusum is a rat, you know, she is a little mouse who is, and a small one, not even a big one, you know,
09:28who is so agile, she is going to go into little corners and little burrows where you, I mean, the other rats won't know that exists,
09:36and will have food already sort of stored away for a rainy day. You know, she is really smart, but she is not evil.
09:47She doesn't have a bad heart, but she is just trying to make the most of what the cards, basically, she has been dealt with.
09:53And what makes her interesting is, that even she doesn't know what she is going to do the next moment.
09:59You know, she keeps switching and oscillating between the, and through the episodes, she is sometimes the oppressed and sometimes the oppressor.
10:08So, you don't know which one she is playing, and she can be really bloody mean, you know.
10:13And yeah, I had a great time, honestly, channelling the evil, but I apologise to the other, you know,
10:22the girls who I shot with every day profusely, and we actually became a little group, you know.
10:28Okay.
10:29We all had a great time, but I did mishandle them quite a bit, yeah.
10:35Okay. And taking from that, three things, she is a survivor, she is a fighter, and she is very impulsive.
10:41Was there any template for this character that you followed or just the social media?
10:45No, no. I don't think there is a template for this.
10:47No, I think, I think it's very, it comes deep from Xiao's talents and from her immersion in the material and for things that I think that are inside of her that she's wanted to play.
11:00And she's such a skilled actor and so, like impulsive, exactly.
11:05She's able to play that, that Dane, you know, what I love about watching her performance is you just, she's on that edge.
11:11You don't know what she's going to do. She might come out of the screen and choke you, or she might, you know, keep that fire simmered.
11:16But that is, she's a very electric energy when she's on screen, you know.
11:21And so I think it's just more about being, pulling from within herself than modeling it on something.
11:30But it's horrible to play sometimes because actually the girls were crying in one scene and I felt so bad, like they were actually crying.
11:36But I will say I relied on Xiao a lot because, you know, I'm on set and I have to direct, you know, a lot of people in moving around spaces.
11:44And oftentimes there were a patch of girls in the corner and I needed them, I needed an action to unfold, you know, with the girls.
11:52Like they were in a clump and she has to put them in rows, you know.
11:56And so, Xiao is a good director in her own right. And I would just kind of step back, let her arrange these girls directly.
12:03You know, she kind of had these little spots where she could help me out a lot, actually, if anything.
12:09And, you know, so she was, she was very useful to me.
12:17And Rasika, there's this moment in the second season, sorry, second episode, where in her character and your character, they come together because the wires are being, you know, joined for both the cases.
12:26You offer her the seat, but she, she declines and then you, you stand for the entirety of that shot.
12:33Was it your input or was it given to you by Tanuj?
12:36What was it?
12:37No, you asked me, you were like, is it okay if I stand?
12:40And I was like, definitely, you know.
12:42It just felt, I think, odd to sit because I, I don't think I can get myself to do that.
12:48And in fact, what I really enjoy about that scene is it sort of reestablishes the equation between Neeti Bhupi and Bhartika bang on, you know.
12:56And it's like, I'm almost confused about whether I should sit or not sit.
13:01And I, I give Bhupi a look to check with him as if what would you do?
13:06I'd probably do the same or I want to do the same.
13:10So, I, I really enjoyed that scene actually.
13:13Okay.
13:14And Shifali ma'am, one of my favourite moments from this season is the interrogation scene between you and Meeta ji.
13:20Two absolute titans of the game and the way it has been shot, I love that. Close shots, close shots.
13:26If you could tell me what was the energy on the set like before the cameras were being rolled and during the roll, what was it?
13:32What was that give and take between the two?
13:34So, that was the first time I had met Meeta ma'am and I have to say in the initial when she started doing it, I was just blown.
13:42I was absolutely blown and I was just watching her.
13:46You know, she was so volatile and just amazing.
13:50And so, I think I got over that excitement and also the need to react.
13:57A lot of times Vartika does something not because she actually is feeling that anger but because she really wants, you know, she wants to cut through or whatever.
14:09And in fact, in that scene, I see her, I see Meeta ma'am as taking it away.
14:16You know, in spite of being the cop she is etc. etc.
14:21But almost, the last word is almost hers. Yeah, you know, which is amazing.
14:28I mean, she was just amazing, amazing.
14:31So, it was a treat to see her and to do the scene with her.
14:37And then there is a very small moment between Bhupinder and Vartika.
14:41You know, when she says something to the effect of, you must be also jealous that you or whatever.
14:49And it's like, they both look at each other like, are you seriously going to use this between both of us?
14:56Like, what the, you know, it's almost amusing.
15:01If they were not here interrogating, they would probably have laughed about it together.
15:05You know, so, yeah, but there are so many detailed things.
15:08And honestly, we shot this two years ago and I haven't seen the show.
15:12So, I don't remember exactly what went on in my mind at that particular moment.
15:17But it was amazing.
15:19Yeah, absolutely.
15:20Also, it was hard to not laugh.
15:21Oh God, she's so…
15:23Because Meeta was improvising so much.
15:25Yeah, she was so much fun.
15:27She was so much fun.
15:28She improvises like Robbie Williams.
15:29That's what I've been told.
15:30Yeah, yeah, yeah.
15:31She was just going like, cut, cut, cut.
15:32It was amazing.
15:33But is it like very…
15:35Is it a challenging path when your actor is so improvising on the front and you're holding it back?
15:41How do I react to this?
15:42How do I make my way around it?
15:44You're asking me?
15:45You, you, of course.
15:46My God, it's amazing.
15:48You know, the point of being an actor, you do all this, like I'm saying for myself, I do this whole, whatever, study, study, study, study,
15:56discussions, conversations, questions, whatever, whatever, whatever.
16:00But the point is when the camera rolls, when that action is said, I have to forget everything I did.
16:06And I have to start this scene as, I'm doing this for the first time.
16:10So I am unaware of what the other person is going to do.
16:13I don't know whether you're going to offer me this mic or keep it on the table.
16:17You know, there was no pre-script.
16:19So that's exactly how it is when another actor is in front of you.
16:22You pick up from where it's going and that's where magic comes in.
16:25Absolutely.
16:26Rajesh sir, three seasons into Delhi Crime.
16:29If you could break down the evolution of your character for me because, of course, she has moved up the ladder.
16:35She has been transferred to the Northeast.
16:37How is it things on your front while you're battling crimes in Delhi or, you know, in and out as a police officer?
16:43I feel like Bhupi, Bhupindr, the character, that's what they call it in Delhi or in the police, that's what they call it in Delhi.
16:53So, that's what they call it in Delhi or in Delhi or in Delhi or in Delhi or in Delhi or in Delhi.
17:03You know, as well as in the first season he talks about it, they are coming from UPSC and they are coming from the upper left.
17:13They are talking about the struggle in the first season.
17:15Right?
17:16So that he talks about the policing aspect in this reason one, he is stuck in it.
17:28He will have time to get promotions.
17:32You understand? So he knows this.
17:35And he is in his shoes, he knows what the truth is.
17:38He is a very realistic person.
17:41And in personal life, we have had two seasons of his wife and that.
17:46In the third season, we have not been able to explore so much.
17:50Okay, okay.
17:52And moving further, you know, when you have a show like Deadly Crime, you know, of course, it takes a toll on your mind.
17:57Because the narrative as such, you know, you are telling a very serious story that too related to crime, that too set in the national capital.
18:03How do you, all of you as actors, how do you cleanse your system of your character?
18:08You have to say that, you know, you never let go of Arthika, but then how do you come at ground zero, your like natural space?
18:14You know, when I am doing a scene, I feel the maximum.
18:17I do the maximum and I am totally consumed when I do the scene.
18:21I have given everything I have to it.
18:23I genuinely don't have anything to take back.
18:25That moment is finished.
18:27It's done.
18:28You spend it all.
18:29I have spent it all.
18:31So, I don't have, I don't have anything to go back and say, oh God, you know, and that moment is gone.
18:39That's done.
18:40You know, so that's how, that's how it kind of, as an actor per scene, you know, if you say you are doing a difficult scene and then you, how do you break away from it?
18:51But as far as the show is concerned, I don't like, you know, let me put it this way.
18:56Like I'm doing an intense scene and once the scene is done, once it's completely consumed me, it's over.
19:02But I have not disconnected from the show or from Vartika.
19:07I will go home and start all over again for tomorrow's thing.
19:12And, you know, what has happened all throughout till now from episode one, etc, etc.
19:18So, yeah, that's how I, I don't know whether I answered it.
19:22Yeah, you do, you do.
19:23And, Shayoni, how is it for you?
19:24Same question.
19:25How do you cleanse your system?
19:27You know, I'm just going to, I'm going to steal this answer also, please, in later interviews.
19:31Yes.
19:32Because I think this is, my memory, in certain cases, is very good and in certain cases,
19:39is very bad.
19:40Okay.
19:41And I have, with time, realized that it's a thing of self-purging.
19:45So, in my hard disk, it means that I have to keep in place automatically, the system is
19:50empty.
19:51Okay.
19:52So, touch wood, I think I'm really grateful and I kept saying all these years that,
19:57I don't forget the dialogue.
19:58Okay.
19:59And I know from, I know every, every characters, every word.
20:03Okay.
20:04I know the whole script.
20:05And I'm very like, again, I'm going to go by the book.
20:07Yes, I'll come to the house, I'll cancel it.
20:09I'll go to my notes.
20:10I'll go to my notes.
20:11I haven't done any notes.
20:12If I haven't followed it, it will be bad.
20:14It will be bad.
20:15All that will happen.
20:16Yeah.
20:17But once I'm done with the scene, the dialogue will go to my mind.
20:20Till that hour, I knew all the lines.
20:23But once the scene is done, I will forget.
20:25The next day, if you ask me, what are the lines?
20:27I won't remember.
20:28It's a very weird system.
20:29And I think, it's even while you play roles.
20:32And I think, as actors, you can't take things back.
20:34You know, we are doing, I mean, we can't do anything.
20:37Correct.
20:38That compartmentalization ability, if we didn't have, we will get, we'd be in mental asylums.
20:44The kind of, the number of different.
20:46It happened with Heath Ledger.
20:47Different.
20:48We lost him very early.
20:49You know, I mean, see, again, I'm sure it's been complicated.
20:52I don't think we should talk about any individual without knowing what they went through.
20:55Yeah.
20:56But, yes, there are actors who have taken it too seriously and this method and all that.
21:01You, I mean, I think it's a profession and you don't have to go kill people if you're
21:06playing a murderer.
21:07Likewise, you know, you do the job and it's a skill.
21:10Yeah.
21:11It's a craft.
21:12It's a make-believe world at the end of the day.
21:14It's a skill thing.
21:15It's a skill thing.
21:16The more time you spend doing it, the better you get at it.
21:18Yeah.
21:19There is no rocket science to it.
21:20You know, it's practice, practice, practice.
21:21So, after that, you come back home, take a hot shower, prepare for the next day.
21:26Okay.
21:27And for my last question, it's for Rasika and Rajesh sir.
21:29Shefali ma'am said that, you know, she is there in the moment and she gives it all.
21:33Now, when someone is making a film or a show, you know, on one side of the technical team
21:38and on the other side, you have the creative aspects, the actor, the entire creative machinery.
21:43When you're in the moment, when you're giving your 100% and if technically something goes
21:47wrong and you know, you can't get back that moment, how much ever you try, how do you
21:53navigate that path?
21:55When I enter a set, I said, focus pull a coin.
21:58Do you remember?
22:00Do you remember that 12 page scene, the hospital sequence?
22:03Yeah, which didn't roll.
22:04Which didn't roll.
22:05Why?
22:06The 12 page scene, the scene in season one, that's where I come out and I give instructions
22:11to everyone.
22:12So, I was dying that day.
22:14So, I was like, how does this happen?
22:16It doesn't happen, it doesn't happen.
22:18I went up to Rishi and said, please send everybody home.
22:21Take their reaction, send them home.
22:23We'll keep shooting the whole night.
22:25He said, no, but everyone wants to be there, you know, for you.
22:29So, we're like, okay.
22:30Also, in the show, it's been cut with various shots of the bus stand, etc.
22:35But when he was shooting it, he didn't want to cut it.
22:38So, it was going in a whole go and the guy forgot to roll.
22:42We did the whole scene and we all looked at him like…
22:47Why would you do that?
22:48Are you serious?
22:49I don't think so.
22:51He realised.
22:52We were like…
22:53We were like…
22:54So, but you know…
22:55Sorry, I took…
22:56I went off.
22:57But if there is a moment that I feel needs to be redone, it has to be redone.
23:03It has to be redone with equal intensity and dedication.
23:07Sorry, I took over.
23:08That's why what I'm saying is that when I enter a set and I'm like, I hope they've got
23:11a really good focus.
23:12That is really my prayer at that time.
23:16And that's why the technical aspects are so important, you know.
23:21And some directors make it really easy for you.
23:24They make it easy for you to ignore the fact that this job is technically difficult.
23:29And some technicians make it very easy for you.
23:31They don't let you remember that the camera is here and that you have to hit a mark and
23:36mark and mark.
23:37But there are many who are very, you know, come stand here, take the light, move this
23:41way and all of that.
23:42And one has worked in those situations also, one has worked in these situations also.
23:46And in my humble assessment of both of them, for a good performance, I think only the one
23:50which ignores the technicals and the teams, the director and the technical team allow you
23:55to do that.
23:56Because they're so skilled that they don't let you even remember that they're there.
23:59Like there's some sets, I don't even know who the focus puller is.
24:02That guy has never come out and said that you have to sit.
24:05He has just managed, you have moved from here and there and he has found you and he has
24:09found you at the point that the director wants you in.
24:12So, it amazes me how collaborative this effort is.
24:17Just a quick example, there was a show that I had done last scene in which I had to boil
24:22if that scene hadn't worked, the rest of the character wouldn't have.
24:26That it was a track shot in which for half a second the focus went off.
24:30And it's really this pent up thing and she really breaks down.
24:34And I did another take for it and they had a safety take for it because the first one
24:39had that little glitch.
24:40And but it was just not as magical as the first one.
24:43Yeah, absolutely.
24:44But the director kept the first one and the DOP still very very pissed with him.
24:48He was like, you have shown my work bad.
24:50So, it happens sometimes.
24:52It happens sometimes.
24:53Because at the end of the day it is a collaboration.
24:56I think the same happened during
25:03that short wherein they go for the deep sea diving, Hrithika short.
25:09The focus goes off for good 3-4 seconds but still Zoya decided to keep it.
25:13Okay, okay.
25:14And finally, for you Rajesh sir, if I ask the same question to you.
25:17Technically, if something is wrong, how do you make your way around
25:21if technically something is off, but you are in that moment.
25:25And then you feel that this is as good as possible or not.
25:28No, no.
25:29Like recently, there was a single shot of 4-5 minutes.
25:36And I thought that my performance was the best.
25:41It was very organic.
25:42I also thought that my co-actor was technically not right.
25:45And we were convinced to the director that please take another one.
25:50But if our performance is not good but technically correct,
25:55it's not good to keep it, it's not good to keep it.
25:58So, this is a lot of pain.
25:59I think that performance is a lot more important.
26:03It's a lot of things.
26:04It's a lot of things.
26:05Yeah.
26:06Yeah.
26:07Yeah.
26:08Yeah.
26:09I'll tell you guys after the camera is not rolling.
26:11I remember season 1 again.
26:13No, no.
26:14I mean, I'm doing the direction too.
26:16No, no.
26:17But a lot of times, you know, on an edit tape or sometimes.
26:22That's why I thought that this is a single take.
26:23Yeah.
26:24A single shot.
26:25Yeah.
26:26So, yeah.
26:27But we can't do anything.
26:28Yeah.
26:29And as much as the technique as Rassika was saying, you don't have to come.
26:31That's why I thought that this is a single take.
26:33Yeah.
26:34A single shot.
26:35Yeah.
26:36Yeah.
26:37So, yeah.
26:38But we can't do anything.
26:39Yeah.
26:40That's why I think that's the best.
26:41Perfect.
26:42With that, we have reached the end of this conversation.
26:43If you have any questions that you want to ask me, you can say something.
26:45Hmm.
26:46I'm eagerly waiting for it.
26:47Looking forward to watching all the episodes.
26:48On that note, thank you so much.
26:49And I wish you all the best for Delhi.
26:52Please take.
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