- 7 weeks ago
Yorkshire, 1974. The Maynard family moves into their dream home—only to discover it’s already occupied by something sinister. Based on chilling real events, When the Lights Went Out explores one of Europe’s most violent poltergeist hauntings. As the family battles a malevolent monk’s spirit and the ghost of a murdered girl, the line between history and horror blurs.
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🎥
Short filmTranscript
00:02:00You can stay there.
00:02:01Very funny.
00:02:11Can we put some music on please?
00:02:13Or we could just have me.
00:02:15So how much were paint removals?
00:02:23Twenty pounds.
00:02:25Cheeky sods.
00:02:27When are Brian and Rita showing up?
00:02:31When it's too late to help.
00:02:33Typical Brian.
00:02:35Typical Rita.
00:02:37I hate it.
00:02:39Don't know you're born here.
00:02:41I hate it.
00:02:42Don't know you're born here.
00:02:43What's that spacker doing here?
00:02:45Who?
00:02:46Here from school.
00:02:47And she smells of piss.
00:02:48And she smells of piss.
00:02:49Allie.
00:02:50Pretend you're in an old people zone.
00:02:52Allie.
00:02:53Allie.
00:02:54Hiya.
00:02:55Allie.
00:02:56Allie.
00:02:57Hiya.
00:02:58Allie.
00:02:59Allie.
00:03:00Allie.
00:03:01Allie.
00:03:02If I take these chairs in myself, I'll get a discount.
00:03:03Of course you do.
00:03:04Allie.
00:03:05Allie.
00:03:06Allie.
00:03:07Hiya.
00:03:08Chloe.
00:03:09You're breaking, didn't you?
00:03:10No, it's okay.
00:03:11If I take these chairs in myself, I'll get a discount.
00:03:13Of course you do.
00:03:34Allie.
00:03:35Hiya.
00:03:36Woohoo.
00:03:37Cavalry's arrived.
00:03:38There's trouble.
00:03:39Panic over.
00:03:40I've got a job for you.
00:03:41Oh, bugger.
00:03:42I thought we'd missed all that.
00:03:43Moving in present.
00:03:44What a day off.
00:03:45No rest, but wicked.
00:03:46First three of yours.
00:03:47Oh.
00:03:48Look at that.
00:03:49First three.
00:03:50Oh.
00:03:51Oh.
00:03:52Oh.
00:03:53Oh.
00:03:54Oh.
00:03:55Oh.
00:03:56Oh.
00:03:57Oh.
00:03:58Oh.
00:03:59Oh.
00:04:01Oh.
00:04:02Oh.
00:04:03Oh.
00:04:04Oh.
00:04:05Oh.
00:04:06Oh.
00:04:07Oh.
00:04:08Oh.
00:04:09Oh.
00:04:10Oh.
00:04:11Oh.
00:04:12Oh.
00:04:13Oh.
00:04:14Oh.
00:04:15Oh.
00:04:16Oh.
00:04:17Oh.
00:04:18Oh.
00:04:19Oh.
00:04:20Oh.
00:04:21Oh.
00:04:22Oh.
00:04:23Oh.
00:04:24Oh.
00:04:25Oh.
00:04:26Oh.
00:04:27Oh.
00:04:28Oh.
00:04:29Oh.
00:04:30Oh.
00:04:31Oh.
00:04:32Oh.
00:04:33Baths that way, love.
00:04:42Come on, look it like you're happy, are you?
00:04:44Did you get that thing out in the bedroom?
00:04:45Ha, cheap sod.
00:04:46Hey, why do you think I've got a dark room?
00:04:50You can come down any time.
00:04:53Okay.
00:04:54Castlefield Woods.
00:04:55Here we go. Smile.
00:04:56Been in there.
00:04:57Sir?
00:04:58It's right mysterious.
00:05:00Hey, turn around.
00:05:01Come on!
00:05:02Oh, what's my long face?
00:05:04I can cheer up, you'll always be ugly.
00:05:09Come in, bust my camera.
00:05:11Come in.
00:05:12Aw.
00:05:13Come on girls, show me.
00:05:15Beautiful, beautiful girls.
00:05:19That's how it's done, you see?
00:05:21Oh, come on, you two show me.
00:05:24To the new house.
00:05:25To the new house.
00:05:26Cheers.
00:05:27Cheers.
00:05:28Cheers.
00:05:29Bubbles have gone up my nose.
00:05:31What?
00:05:32Oh, that's it.
00:05:33Show me some love.
00:05:34Beautiful.
00:05:35Not like that.
00:05:36What's up love?
00:05:37I thought you were happy.
00:05:38I'm more than happy then.
00:05:39Makes you sick, doesn't it?
00:05:40I think he's nice.
00:05:41You'll be getting home.
00:05:42Easy.
00:05:43It's not that kind of suit.
00:05:44Calm yourself.
00:05:45Good.
00:05:46Could have been a model.
00:05:47Lovely.
00:05:48And again.
00:05:49What's the bird here?
00:05:50Come on.
00:05:51What's the bird here?
00:05:52Come on.
00:05:53What?
00:05:54What?
00:05:55Oh, could have been a model.
00:05:56Lovely.
00:05:57And again.
00:05:58What's the bird here?
00:05:59Come on.
00:06:30Dad?
00:06:44Yes, love?
00:06:45Did you just move my stuff?
00:06:49You're kidding, aren't you?
00:06:52Pull it back before your mum sees it.
00:07:00All right.
00:07:20I don't know.
00:07:50I don't know.
00:08:14Avocado?
00:08:16What?
00:08:17Avocado.
00:08:18Looked nice in here, wouldn't it?
00:08:20Don't you mean green, love?
00:08:22You've no sense of style, then.
00:08:24Or more pertinently, money.
00:08:26Oh, cheers, love.
00:08:28It's all right, love?
00:08:30I don't like this house.
00:08:32It gives me the creeps.
00:08:34Oh.
00:08:35The lights went on its own last night.
00:08:36Did you leave the window open?
00:08:38Buckaroo went off.
00:08:39She was supposed to do, innit?
00:08:40By itself.
00:08:42Don't believe me, dear.
00:08:44Time for school, Lord.
00:08:48It subsequently led to the demise of the Catholic Church in England.
00:08:52The monasteries were closed down by which king?
00:08:54Sir.
00:08:55Sir.
00:08:56Sir.
00:08:57Sir.
00:08:58Sir.
00:08:59Sir.
00:09:00Sir.
00:09:01Sir.
00:09:02Sir.
00:09:03Sir.
00:09:04Sir.
00:09:05Sir.
00:09:06Sally.
00:09:07Sally.
00:09:08Sir.
00:09:09She's drawing a picture off you, sir.
00:09:10She fancies you, sir.
00:09:11Look, she's gone red.
00:09:12Hey, girls, that's enough.
00:09:13Ring out, Sally.
00:09:14Come on.
00:09:15See ya.
00:09:16It's really good.
00:09:17In fact, I would say it was excellent.
00:09:18If this was an art class.
00:09:33And you got my L wrong.
00:09:36Detention.
00:09:37It's good.
00:09:38Don't come down.
00:09:39Oh.
00:09:40Okay.
00:09:41I'm going to get to it.
00:09:43No, no, I'll get to her.
00:09:45Detention.
00:09:47Right, can somebody tell me who closed down all the monasteries?
00:09:51Sir! Sir!
00:09:53Henry VIII, sir.
00:09:55Good girl.
00:09:57How many wives do they have?
00:10:15Okay, okay.
00:10:35I'm not stopping here on my own.
00:10:37Do you want me to go along?
00:10:39Turn Bob on shelf.
00:10:41There's something here.
00:10:43I'm a big girl now. Behave like one.
00:10:45If I'm a big girl, why can't I come?
00:10:47Is she too young?
00:10:49Can't win, can I?
00:10:51Nope.
00:10:53Bye, love.
00:10:55See ya.
00:10:57Set off then.
00:11:13That's your arm, isn't it?
00:11:15How are you?
00:11:17Here we go.
00:11:21He's like a syphilage person as well.
00:11:27So, settling in alright?
00:11:29Getting there.
00:11:31Our Sally's got into her head that we're not alone.
00:11:35What do you mean?
00:11:37We've got a ghost at the daft cow.
00:11:41She's a daft cow, isn't she?
00:11:45Rita.
00:11:47Look, I thought I saw some of myself.
00:11:49Well don't tell her that.
00:11:51We'll never hear the end of it.
00:11:53Oh, I love that too.
00:11:59Cheers, love.
00:12:01New place.
00:12:03It ain't easy, girl.
00:12:05It ain't easy.
00:12:07It ain't easy.
00:12:09To give your memory.
00:12:11You're so satisfied.
00:12:13I'm crazy.
00:12:15You're so satisfied.
00:12:17That's my baby.
00:12:18I'm talking about my baby.
00:12:19Can I love me?
00:12:25Let's start of Limmy and family cooking, of course, at the Mobile Miracle.
00:12:29I hope our chart was very much to your liking.
00:12:31Jimmy Osmond, of course, rising 10th place.
00:12:33It's sunny with her doctor's orders.
00:12:35Up 9th place.
00:12:36We've got 4 new entries in the chart, the highest of which is up to 5th.
00:12:45We've got 4 new entries in the chart.
00:12:47We're going to be in the chart.
00:12:48We're going to be in the chart.
00:12:49We're going to be in the chart.
00:12:50We're going to be in the chart.
00:12:51We're going to be in the chart.
00:12:52We're going to be in the chart.
00:12:53We're going to be in the chart.
00:12:54We're going to be in the chart.
00:12:55We're going to be in the chart.
00:12:56We're going to be in the chart.
00:12:57We're going to be in the chart.
00:12:58We're going to be in the chart.
00:12:59We're going to be in the chart.
00:13:00We're going to be in the chart.
00:13:01We're going to be in the chart.
00:13:02We're going to be in the chart.
00:13:03We're going to be in the chart.
00:13:04We're going to be in the chart.
00:13:05We're going to be in the chart.
00:13:06Oh, my God.
00:13:31Where's Sally?
00:13:34Oh, she's so through, Dorothy.
00:13:37What are you doing out here?
00:13:41Come on, love.
00:13:45Mum, I saw it.
00:13:47Love, a child's toy coming down the stairs does not mean we've got a ghost.
00:13:51It's late. We're all tired.
00:13:54Bed.
00:13:58I believe you.
00:14:03Oh, she went mad. Did she?
00:14:04She'll ask for you next time.
00:14:05Oh.
00:14:06Another bloody power cut.
00:14:07Would it be nice if they gave her some notice?
00:14:09I've still got the lights on.
00:14:10I've still got the lights on.
00:14:11I've still got the lights on.
00:14:15I've got to be nice.
00:14:18Where are you?
00:14:19OK, I'll be happy with you, Firstly.
00:14:20Would it be nice if they gave her some notice?
00:14:23Do you think it would 입 in a mirror?
00:14:25I've still got the lights on.
00:14:27We've still got the lights on.
00:14:57Have you got candles?
00:15:20I don't know where they are.
00:15:23Jesus, what were that?
00:15:25I'll give you one guess.
00:15:27Right, madam.
00:15:29Bloody hell do you think you're playing at?
00:15:36You little sod!
00:15:38That's a ghost?
00:15:39My arse it is!
00:15:41Jesus.
00:15:47I'm not stopping in here.
00:15:49I'm gonna go and see if she's okay.
00:15:55Get the torch!
00:15:58Get the torch!
00:16:11Peter, behind you!
00:16:13What's going on?
00:16:14Some welcome, innit?
00:16:15What's that mean?
00:16:16Look, it wouldn't be the first time she's played tricks, would it?
00:16:19This were different.
00:16:20How?
00:16:21It just were.
00:16:22What about the lights?
00:16:23What about the lights?
00:16:24They're switched off at mains.
00:16:25The noises?
00:16:26It's just a kid's farm yard record, that's all.
00:16:27The tap?
00:16:28What's happening to New Washer, love?
00:16:29What about the grandfather clock?
00:16:30Well, did it fall?
00:16:31Or were it pushed?
00:16:32It's hard to tell.
00:16:33Look, it's obvious.
00:16:34She don't want us here, right?
00:16:35It's just a form of protest.
00:16:36You know she put all the stuff out of the bank.
00:16:37You know she put all the stuff out of the bank.
00:16:38I can't stop.
00:16:39You don't believe me, do you?
00:16:40I can't believe it.
00:16:41It's a bad thing.
00:16:42It's a bad thing.
00:16:43What about the tap?
00:16:44What's happening to New Washer, love?
00:16:45What about the grandfather clock?
00:16:46Well, did it fall?
00:16:47Or were it pushed?
00:16:48It's hard to tell.
00:16:49Look, it's obvious.
00:16:50She don't want us here, right?
00:16:51It's just a form of protest.
00:16:53You know she put all the stuff out of the bank.
00:16:56You know she put all the stuff out of the bank.
00:16:58I can't stop.
00:16:59She's lying.
00:17:02You don't believe me, do you?
00:17:07No.
00:17:08No, I don't.
00:17:09Where's Mum?
00:17:10Well, she's tired.
00:17:11She's still in bed.
00:17:12I'll take her tea up.
00:17:13I don't want her upset, love.
00:17:14But you don't mind if I am?
00:17:37What are you doing?
00:17:38Get off!
00:17:39It's all sticky.
00:17:40Ow!
00:17:41What is it?
00:17:42Nothing, sir.
00:17:43Well, get on with it then.
00:17:44What is it?
00:17:45Nothing, sir.
00:17:46What is it?
00:17:47Nothing, sir.
00:17:48Well, get on with it then.
00:17:50Look what I found in the library.
00:17:51Look what I found in the library.
00:17:52What is it?
00:17:53What is it?
00:17:54Nothing, sir.
00:17:55Well, get on with it then.
00:17:57Look what I found in the library.
00:18:04It says, all spirits chill down rooms, throw stuff and turn lights out.
00:18:05You know what I think?
00:18:06What?
00:18:07What?
00:18:08I think there's a perfectly rational explanation to all this.
00:18:09Aye.
00:18:10You've got a ghost.
00:18:11I think Len had a point.
00:18:12What?
00:18:13What?
00:18:14I think there's a perfectly rational explanation to all this.
00:18:16Aye, you've got a ghost.
00:18:17I think Len had a point.
00:18:18What?
00:18:19What?
00:18:20You know what?
00:18:21Do not sp乃ught.
00:18:22Why do you say that?
00:18:23Why'd you say that?
00:18:24Why did you say that?
00:18:25What do you say?
00:18:26I don't know.
00:18:27Well, what are you, but you'll say.
00:18:28I'm not seeing that.
00:18:29I'm not seeing that.
00:18:30I'm looking for a point, but I've touched on why I am.
00:18:31You don't know what am I am.
00:18:32And I'm seeing it.
00:18:33And there's no way to go see that.
00:18:34a ghost. I think Len had a point. What, blaming it on Youngin? You've had a few in all. You
00:18:40don't get that from two baby shams and a rum and pep. Are you sure it's not just wishful
00:18:45thinking? I know you're into all that stuff. I felt it, you felt it, she felt it. It weren't
00:18:49wishful thinking or a kid playing tricks. You don't know what she's like. But I know
00:18:54what I saw. Maybe if you had a kid of your own you'd understand. Oh, I'm sorry, love,
00:19:03I didn't mean to say that. It's alright. I just want everything to be nice, that's
00:19:13all. I know.
00:19:33Okay.
00:19:48Okay.
00:19:55You're just like all the rest, aren't you? Don't go. You hurt me today. I'm sorry.
00:20:20Do you really fancy Mr. Price? No, your business. Yeah. It's right nice, isn't it? It's like
00:20:28John Denver. It's not like John Denver. You fill up my senses like a knight. Stop it. I like
00:20:44them too. Hands off. I best call him. Not yet. Alright. Would you like to blow up a Cindy doll?
00:20:59a little bugger. Is that my car?
00:21:27Wait till I get my hands on that. I hope that's not you, Sally.
00:21:44her.
00:21:46Fucking hell.
00:21:49Open up! Jesus Jesus Christ.
00:21:54I'm so sorry. I'm so sorry. I'm so sorry.
00:21:57Alright. You're so sorry. You're so sorry. You're so sorry.
00:21:59Fucking hell!
00:22:01Open up!
00:22:02Jesus!
00:22:03Sally, open this door!
00:22:04There's something in here!
00:22:05Get away!
00:22:06Jesus!
00:22:07Sally, you've had it!
00:22:08You've had it!
00:22:09Open this door!
00:22:10Ah!
00:22:11Ah!
00:22:12Ah!
00:22:13Ah!
00:22:14Ah!
00:22:15Ah!
00:22:16Ah!
00:22:17Ah!
00:22:18Ah!
00:22:19Ah!
00:22:20Ah!
00:22:21Ah!
00:22:22Ah!
00:22:23Ah!
00:22:24Ah!
00:22:25Ah!
00:22:26Ah!
00:22:27Ah!
00:22:28Dad!
00:22:29What's up?
00:22:30You...
00:22:31Son!
00:22:36I'm sorry.
00:22:38I'm sorry.
00:22:45What are you going to do now?
00:22:47Leave.
00:22:48Oh, why?
00:22:49Oh, come on.
00:22:50What else are we going to do?
00:22:51Where to?
00:22:52You know, why aren't I finding this place?
00:22:53They'll be back to the bottom of the council house waiting list.
00:22:55Ah, yeah.
00:22:56But if we tell them about the ghost...
00:22:57Of course.
00:22:58Oh!
00:22:59Like that, believe us.
00:23:00What about Father Clifton?
00:23:01After a seven-year absence from church, he slammed the door in my face.
00:23:03You know you're always welcome at mine.
00:23:05I'm not being driven out, and that's final.
00:23:07And, so, it's the final.
00:23:08Oh, my God.
00:23:09Anyone else?
00:23:10I'll go to the final.
00:23:13Oh, my God.
00:23:14Oh, my God.
00:23:15I'll go to the final.
00:23:46Who are you?
00:24:04Where you can bugger off.
00:24:16What do you want?
00:24:39What do you want?
00:25:09What do you want?
00:25:15What do you want?
00:25:18Avocado.
00:25:19What do you mean green?
00:25:21Avocado? What do you mean, green?
00:25:33That's what I said.
00:25:36You know, if you can't afford it, you can't afford it.
00:25:39That's the kind of logic that passes the body when you want something, isn't it?
00:25:46I hear you've got a spook.
00:25:49What of it?
00:25:50You told the papers, yeah?
00:25:51Oh, yeah, that's all I need, isn't it? Reporters running round.
00:25:54There might be a few bobbing it for you.
00:25:56I've got a mate who works for the Express.
00:25:58Give him a call if you want.
00:26:05Do you think I might not want the papers?
00:26:06I just thought it'd help his case if we decided to move.
00:26:09What if they think it's a hoax?
00:26:10They won't, won't they?
00:26:12Besides, I'll pay good money if they're life-story.
00:26:14Tell them it's off.
00:26:15Speak later for that, love.
00:26:24Right.
00:26:25This is, er, this is where it came at me.
00:26:27What did Mr Maynard?
00:26:28Well, it's like, erm, I mean, like a presence.
00:26:30A presence?
00:26:31A spectral manifestation.
00:26:33Did you see it?
00:26:35Well, no.
00:26:36Did it touch you?
00:26:37No, but...
00:26:39Look, I were terrified, Mr Smith.
00:26:42I'll bet.
00:26:46I don't think there's anything here that'll interest our readers.
00:26:48Oh, come on.
00:26:49Everybody loves a ghost story.
00:26:50Yeah, but you'd need a ghost for one of them.
00:26:53What do you say, Mr Smith?
00:26:54I'm a reporter.
00:26:56I don't see anything concrete to report on.
00:26:58Well, maybe if you stuck around them in some...
00:26:59I'll see myself out.
00:27:00Well done, soft arse.
00:27:09Sod off.
00:27:15Really, Mr Maynard, I'm a very busy man.
00:27:18Look at my hair in that picture.
00:27:32It's awful, ain't it?
00:27:34Well, it doesn't even bloody mention me.
00:27:36It's not fair, is it, love?
00:27:38No, it's chuffing the lane.
00:27:41Can we come see it?
00:27:43Mum doesn't like people coming into the house.
00:27:45Are you making up?
00:27:45My daughter says you are.
00:27:46No, it's all true.
00:27:47How much of the paper's paying you?
00:27:49Leave her alone, she's tired.
00:27:51Trying to get welly.
00:27:52Spaz.
00:27:53Waz pants.
00:28:02Who are all them people?
00:28:05Idiots.
00:28:10What's going on here?
00:28:11It's a pound, but it's worth it.
00:28:15Shift out.
00:28:15My bloody house.
00:28:19This is my daughter's room.
00:28:20Not a lot happens in there.
00:28:25I'll, er, I'll be right back.
00:28:30What the hell do you think you're playing at?
00:28:31They're making us a few quid, love.
00:28:33Get rid of them.
00:28:34Do you want a new kitchen or not?
00:28:35Now!
00:28:36Are we next?
00:28:41No, you're not next.
00:28:41Show's over.
00:28:42Go home, everyone.
00:28:42Just, just go home.
00:28:44Dad!
00:28:45What's going on?
00:28:46Dad!
00:28:48Dad!
00:28:52What?
00:28:53May I have ten bob, please?
00:28:54Sod off.
00:28:56Fish market.
00:28:57A pound?
00:29:10A pound?
00:29:10Oh, my friend.
00:29:40Jenny!
00:30:01I thought you were putting it up, not taking it down.
00:30:05I didn't do it.
00:30:08Oh, bloody hell.
00:30:10Where did you get that?
00:30:15Nicked it from the shop.
00:30:16Sorry, but I didn't.
00:30:18Sinker.
00:30:20Is it?
00:30:30Woo!
00:30:31Tastes like honey.
00:30:49It's liquid rubbish.
00:30:51I'll get booted out.
00:30:52Oh, my goodness.
00:30:53Oh, I overthrow each other.
00:31:02So we're holding you for control.
00:31:03So please don't.
00:31:04Who doth thou belong to, pray tell?
00:31:31No one.
00:31:33Then thou must bugger off.
00:31:34It's tipsy.
00:31:35Me too.
00:31:36You ever been drunk before?
00:31:37I sometimes pinch a bit of sherry off at mum.
00:31:50Are you coming to my birthday party?
00:31:52Course, if I'm invited.
00:31:53Course.
00:31:54Was that you at the town hall?
00:31:55Really pretty aren't you?
00:31:56Yeah.
00:31:57Really pretty.
00:31:58Yeah.
00:31:59Really pretty.
00:32:00Can I.
00:32:01Can I.
00:32:02Stop it.
00:32:03Can I.
00:32:04Get off me.
00:32:05Get off me.
00:32:06Stop it.
00:32:07Stop it.
00:32:08Stop it.
00:32:09Get off me.
00:32:10Stop it.
00:32:11Oh.
00:32:12What are you laughing at?
00:32:13What are you laughing at?
00:32:14What are you laughing at?
00:32:15What are you laughing at?
00:32:16What are you laughing at?
00:32:17What are you laughing at?
00:32:18What are you laughing at?
00:32:19What are you laughing at?
00:32:20What are you laughing at?
00:32:26What do you think it is?
00:32:34What do you think it is?
00:32:56It? I don't know. Alas, maybe a lad.
00:33:02That narrows it down, doesn't it?
00:33:04What do you think then?
00:33:07I'll tell you what I think it is.
00:33:09What?
00:33:12Evil.
00:33:18Where were you tonight?
00:33:20With Lucy.
00:33:21Good.
00:33:23I'm glad you found a friend.
00:33:26A live one, that is.
00:33:28Do you know what you're about?
00:33:32And then, right, these disembodied hands come round door,
00:33:34wearing Alas's best gloves. Start conducting.
00:33:37Never.
00:33:38Yeah, hey, we're good and all.
00:33:39Kept right good time.
00:33:40What about your family?
00:33:41Them?
00:33:43Jesus, got them fair rattled.
00:33:46Still, sure they appreciate having a big, tough bloke like you around, eh?
00:33:52Who are you then?
00:33:54Your friend.
00:33:56Well, friend, maybe it's time you buggered off home.
00:34:00I was going to suggest the same to you.
00:34:02Yeah?
00:34:03Cheeky fucking twit.
00:34:04Leave it, Len.
00:34:05Leave it.
00:34:06Come on.
00:34:07Leave it.
00:34:08Shit.
00:34:09It's all good.
00:34:14What's the thing here, is it?
00:34:15Fucking asshole.
00:34:17Maybe he had a point.
00:34:19What?
00:34:20Thought you and my mate?
00:34:21I'm just saying.
00:34:22You should be at home.
00:34:26We had a row.
00:34:27So?
00:34:28Go home.
00:34:29Make it up to her.
00:34:30I haven't even done out.
00:34:31You're married, Len.
00:34:32You don't have to have done out.
00:34:51You bastard.
00:34:52Not that bad, Emma.
00:34:53Not that bad, Emma.
00:34:54Not you.
00:34:55Not that bad, Emma.
00:34:56Not you.
00:34:57You've been drinking.
00:34:58You bastard.
00:35:19Not that bad, am I?
00:35:21Not you.
00:35:26You've been drinking.
00:35:27I don't know, so as you'd notice.
00:35:31Not what it did.
00:35:33It must have split us up.
00:35:36It's doing a good job then, isn't it?
00:35:40Only if we let it.
00:35:52Hello, you must be Sally.
00:35:53Hello.
00:35:54Come in, love.
00:35:56Am I the first?
00:35:58Did Lucy not mention sweetheart?
00:35:59It's just the two of you today.
00:36:08Happy birthday.
00:36:12What's up?
00:36:13Don't you like it?
00:36:14I could always take it back.
00:36:16I love it.
00:36:24Grow up.
00:36:29Where's your dad?
00:36:30Ran off with a scarlet woman.
00:36:32Mum tells everyone he's on nights.
00:36:43Sally, love.
00:36:44Come here.
00:36:47Sit down, love.
00:36:51Can you do me a favour, please?
00:36:54Would you make sure Lucy doesn't go in your house?
00:36:57Okay.
00:36:59Promise.
00:37:00Promise.
00:37:03Thanks, love.
00:37:04Is it because of the ghost?
00:37:07It is, love, yeah.
00:37:10Sally!
00:37:11Come here!
00:37:13Go on, love.
00:37:17Let's pretend we're the sweet.
00:37:19I'll be the drummer.
00:37:20You can be buying Connolly.
00:37:21Alright then.
00:37:22Stay down, love.
00:37:26Cause a little willy willy won't go home.
00:37:30She can't push.
00:37:31She can't push.
00:37:33She can't push.
00:37:34She can't push.
00:37:35She can't push.
00:37:36She can't push.
00:37:37We got it.
00:37:38Oh no.
00:37:39A little willy willy won't go home.
00:37:52A little willy won't go home.
00:38:13Fuck!
00:38:15Fuck!
00:38:17I got ν.
00:38:49Are you crying?
00:39:06Mum and Dad in sweetheart?
00:39:09No.
00:39:10Do you mind if I wait then?
00:39:12What's it about?
00:39:14You've got a malevolent spirit and I can get rid of it.
00:39:19If you want it got rid of, that is.
00:39:27Let her know I'll call, will you?
00:39:29Right.
00:39:30Let's go.
00:39:47It's not fit then.
00:39:51That's enough.
00:39:52It's not enough.
00:40:01Len.
00:40:03Yes, ma'am.
00:40:04It's not enough.
00:40:05No.
00:40:06No.
00:40:07No.
00:40:08No.
00:40:12No.
00:40:14No.
00:40:15No.
00:40:16what is it love what's going on
00:40:46you know more than you're telling me young lady get dressed you come and me see father clifton
00:40:56don't go anywhere you are then come on love come on i'll deal with you later
00:41:03it's four in the morning love it might be up i don't bloody care
00:41:16shall i go oh yeah you go let the whole fucking community know about us jesus christ
00:41:28the ghost of a young girl you see jenny why didn't you come to me before about this
00:41:36i thought you took me out my ear
00:41:42what do you want me to do get rid of it father from what you've told me that would
00:41:48require an exorcism an exorcism
00:41:53it's a very serious undertaking and we need to get permission from the bishop jesus
00:42:01so what we're gonna do now
00:42:05i want a word with you
00:42:12i'm sorry it's all right
00:42:15i wore a bit harsh last night
00:42:18forgiven
00:42:19yeah
00:42:20you know i mean
00:42:24maybe you'll go if it's on the court
00:42:26you never know it might have gone already
00:42:29here we are boys and girls nearsby monastery
00:42:44come on guys gather round and here was the refectory which was where the monks ate dinner and tea sir
00:42:50very good lucy now they had two meals a day in summer and only one in the winter
00:43:01what did they eat sir
00:43:03nah just the essentials vegetables meat and bread although they did keep these for their honey sugar hadn't been invented yet come on
00:43:11what have you got mustard
00:43:27well the blood hell is wrong with you
00:43:29i like it
00:43:30blizzes
00:43:32come on
00:43:34i'm off for a pee
00:43:37all right
00:43:38try not to get it in your knickers
00:43:40okay
00:43:41okay
00:43:43what are you gonna do
00:43:44okay
00:43:45thank you
00:43:47not go
00:43:48i mean
00:43:50that could really happen
00:43:51what is your name
00:43:52is
00:43:53what is your name
00:43:54is
00:43:55you
00:43:56the name
00:43:58he i'm not going to say
00:43:59what is his name
00:44:00i'm not going to say
00:44:01that we don't say
00:44:02it's fine
00:44:03i almost...
00:44:04it's fine
00:44:05Congratulations
00:44:06how is your name
00:44:07what is your name
00:44:08where is your name
00:44:09and your name
00:44:10I'll see you next time.
00:44:40Sally? Sally? Mr. Price!
00:45:05What is that?
00:45:06I'm not allowed in.
00:45:07Why not?
00:45:08Because of the ghost, sir.
00:45:10You don't believe in that nonsense, do you?
00:45:15Come on!
00:45:21It's real, sir. She told me.
00:45:24It wakes her up at night and plays with her.
00:45:27That's why she's tired, sir.
00:45:29You're watching too much TV, young lady.
00:45:31You don't have a TV, sir.
00:45:38How are you feeling, Sally?
00:45:44I'm all right, sir.
00:45:46You sure?
00:45:47Well, Lissie's gonna look after you till your mum gets back, okay?
00:45:50She's not supposed to be here.
00:45:52I will.
00:45:55Just this once won't hurt, eh?
00:45:57See you later.
00:45:59See you later.
00:46:00See you later.
00:46:29You don't have to stay if you don't want.
00:46:37No, it's okay.
00:46:41Where's your lab?
00:46:42Upstairs.
00:46:45Are you incontinent?
00:46:46I used to have to wear a nappy.
00:46:48So did I.
00:46:49Not when you were ten.
00:46:54Back out.
00:46:55I have to go.
00:46:57Okay.
00:47:19All right.
00:47:20I got a man.
00:47:22See you later?
00:47:23In the 40s.
00:47:24Yeah.
00:47:25To be seated, she wasn't full atchten.
00:47:27The left for a nun.
00:47:28I was going to take a nice seat for you in my room.
00:47:29She told us that they didn't want to enter, okay?
00:47:30Yes.
00:47:31Do I need to do anything in her room?
00:47:34Ok.
00:47:35Last then we're going rain.
00:47:36This is
00:47:39I am 14.
00:47:40ember or anything.
00:47:42After birth, it will be freaking 40 times,
00:47:46It will be possible to use theDING as hard as her wife.
00:47:48Is that you, Sally?
00:47:54What?
00:47:56Nothing.
00:48:18I don't know.
00:48:48I don't know.
00:49:18I don't know.
00:49:48You've got anything to do with me, young lady.
00:49:50Do you understand me?
00:49:52Yes.
00:49:53She thinks the world of you.
00:49:54You're her only friend.
00:49:57What's going on?
00:49:59Your bloody daughter, that's what's going on.
00:50:00I've asked her not to let Lucy in the house.
00:50:04She promised me.
00:50:05I've had her in the hospital.
00:50:06Shaken to death, she is.
00:50:07I have no idea, Mrs. Collier.
00:50:08Well, you do now.
00:50:11Mum, I didn't.
00:50:12I didn't meet her.
00:50:13Wicked little cow.
00:50:14I'm sorry.
00:50:15How could you do that?
00:50:21Bitch.
00:50:22Do something to her.
00:50:32Don't.
00:50:50Don't.
00:50:50Stop it.
00:50:53Don't.
00:50:54Stop it.
00:50:56Please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please
00:51:26I don't know.
00:51:56I don't know.
00:52:26I don't know.
00:52:27Come on.
00:52:28It's Hallie.
00:52:32Did the bell go up?
00:52:50Yep.
00:52:51I bet I got a PE.
00:52:53I like PE.
00:52:54You can wait five minutes.
00:52:55Sit here.
00:52:56I want a chat.
00:52:59Listen, Lucy mentioned something about you and the presence.
00:53:05Everybody's frightened of her because she does scary things but I just think she's lonely.
00:53:12Huh?
00:53:13Yeah.
00:53:14There's a painting of her in the town hall.
00:53:15There's a painting of her in the town hall.
00:53:16It's not as bad as it looks, love.
00:53:17It's not as bad as it looks, love.
00:53:18It's not as bad as it looks, love.
00:53:19It's not as bad as it looks, love.
00:53:20It's not as bad as it looks, love.
00:53:21It's not as bad as it looks, love.
00:53:22It's not as bad as it looks, love.
00:53:23What's up, love?
00:53:24It's not as bad as it looks, love.
00:53:37What's up, love?
00:53:42Oh, my God.
00:53:45Oh, my God.
00:53:56What happened?
00:54:15Oh, my God.
00:54:45Oh, my God.
00:55:15Go on, cry.
00:55:22I can make my mum cry.
00:55:23I can make my mum cry.
00:55:30I can make my mum cry.
00:55:38I can make my mum cry.
00:55:46I can make my mum cry.
00:55:53I can make my mum cry.
00:56:01I can make my mum cry.
00:56:08I can make my mum cry.
00:56:16I can make my mum cry.
00:56:18I can make my mum cry.
00:56:26I can make my mum cry.
00:56:28I can make my mum cry.
00:56:35I can make my mum cry.
00:56:43I can make my mum cry.
00:56:50I can make my mum cry.
00:56:52I can make my mum cry.
00:57:00I can make my mum cry.
00:57:08I can make my mum cry.
00:57:15I can make my mum cry.
00:57:17I can make my mum cry.
00:57:25I can make my mum cry.
00:57:27I can make my mum cry.
00:57:28I can make my mum cry.
00:57:36I can make my mum cry.
00:57:50Just give it a chance, will you love?
00:57:51I can make my mum cry.
00:58:08This girl's free.
00:58:09I'm not moving in.
00:58:10What, so we're just going to stick it out, are we?
00:58:14Well, what else can we do?
00:58:16I'm worried about our Sally.
00:58:17So am I.
00:58:18Just not enough to give up your dream arm, is that it?
00:58:22Oh, you bastard.
00:58:24It's always someone else's fault, isn't it?
00:58:26Well, I suppose I brought this down as, did I?
00:58:27It's not my fault.
00:58:28It never is, is it?
00:58:29Why don't you take responsibility?
00:58:31That's what I'm trying to do by bringing it here!
00:58:33You're trying to be harder, look at it!
00:58:35Jesus!
00:58:45You're a hard man to find, Mr Maynard.
00:58:47And who might you be?
00:58:49The daughter's teacher.
00:58:51She asked me to find out about her ghost.
00:58:54Oh, I?
00:58:56From what I could gather, she was the daughter of a local landowner.
00:59:01Her carriage lost her wheel in Casserfield Woods.
00:59:04She wandered off and they found her the next morning, strangled and half dead.
00:59:08She also had her tongue cut out.
00:59:11She was 13 years old.
00:59:12Just like your daughter.
00:59:14And that's what's in our house.
00:59:17From what Sally tells me, yes.
00:59:19So?
00:59:20So what?
00:59:21Well, have you considered moving?
00:59:25I've thought of little else.
00:59:28And what's stopping you?
00:59:29Have you met me missus?
00:59:30Well, I'm sure she'd see sense if you told her what I've just told you.
00:59:34Ah, yeah.
00:59:35Well, that's our business, isn't it?
00:59:40So what's your interest in all this, anyway?
00:59:42A teacher's concern for a pupil.
00:59:44And what I happen to be fond of.
00:59:46Sally's a very special girl.
00:59:48You see?
00:59:49It's like that, is it?
00:59:52Like what?
00:59:53It wouldn't be the first time a teacher's taken a shine to a pretty young pupil, wouldn't it?
01:00:04I'll leave that, in case you can't remember this tomorrow.
01:00:15What are you looking at?
01:00:18What's the verdict, Father?
01:00:34He doesn't feel that there are sufficient grounds.
01:00:37So that's it then, is it?
01:00:39I'm afraid so.
01:00:42We'll have to move.
01:00:43That wouldn't be the end of the world now, would it?
01:00:46Don't be a stranger.
01:00:47The church can be a great comfort at times like...
01:00:57You have to do something.
01:01:02And be struck off.
01:01:05You'd like that, eh?
01:01:06Don't be.
01:01:21Found out some stuff about the ghost.
01:01:23Try talking to your father.
01:01:25Come on.
01:01:26Again.
01:01:27We'll be okay.
01:01:32We'll be okay.
01:01:37I'll see you tomorrow.
01:01:38I'm sorry you got murdered.
01:01:39But it's time for you to leave me alone.
01:01:56I'm sorry you got murdered.
01:01:57I'm sorry you got murdered.
01:01:58But it's time for you to leave me alone.
01:02:02I'm sorry you got murdered.
01:02:03I'm sorry you got murdered.
01:02:04I'm sorry you got murdered.
01:02:05I'm sorry you got murdered.
01:02:06I'm sorry you got murdered.
01:02:07But it's time for you to leave me alone.
01:02:08I'm sorry you got murdered.
01:02:09And had to leave me alone.
01:02:10I'll see you later.
01:02:10I 외ci the air.
01:02:27Lucy, come below.
01:02:28Oh, my God.
01:02:58An item belonging to the deceased would be a great help.
01:03:28Well, this is what's in our house.
01:03:40We need your help.
01:03:41I've already given my answer to your good lady wife.
01:03:43Yeah, well, he wants another one.
01:03:45Head of the question.
01:03:47I could lose my collar.
01:03:49You'll lose it anyway if we make these public.
01:03:58Who took these?
01:03:59Thurston Bale's answer to Derby Bailey.
01:04:02Yeah, the line's a bit off on that one, but what can you do?
01:04:05Blackmail's a very serious offence, Mr Maynard.
01:04:08Yeah, well, so shagging your housekeeper.
01:04:09If you're a Catholic priest, that is.
01:04:11I mean, what's she doing in this one, Brian?
01:04:13That one.
01:04:13I think she's genuflecting.
01:04:15Genuflecting.
01:04:16Yeah.
01:04:43She's genuflecting.
01:05:13Why don't you speak to us?
01:05:19Do you understand us?
01:05:25And why don't you speak to us?
01:05:32Are you dumb?
01:05:34Will you go into the light?
01:05:45Is there something unfinished here?
01:05:51Or with?
01:05:54Len?
01:05:58Jenny?
01:06:00Sally?
01:06:06Oh, love.
01:06:10Is she in danger?
01:06:13Who from?
01:06:17Tell me.
01:06:19Tell me!
01:06:21No!
01:06:23Sally!
01:06:25Get off me!
01:06:27Get off me!
01:06:30Get her out of here now.
01:06:36Come on, love.
01:06:37Quick!
01:06:38Come on, love.
01:06:39We'll go to my house.
01:06:43Sorry.
01:06:45We failed you.
01:06:47They were too much for us.
01:06:50They?
01:06:51There's more than one spirit in that house.
01:06:54I sensed a benign presence.
01:07:00And there's another one.
01:07:02Yeah.
01:07:04And that benign presence is a young girl that has caused most of the poltergeist activity.
01:07:10In an attempt to drive you away.
01:07:13Not to harm you, but to protect you.
01:07:15What does the other one want?
01:07:17What does the other one want?
01:07:18What does the other one want?
01:07:37She wasn't the first.
01:07:39There were others before her.
01:07:41Peasant girls.
01:07:44They were all rendered dumb.
01:07:47Just like her.
01:07:50Someone got out.
01:07:55But she was educated.
01:07:58Before she passed away.
01:07:59She managed to give a written description of her assailant.
01:08:10So was it.
01:08:20It was a monk.
01:08:22From Nesby Monastery.
01:08:24Praying on the innocence of young girls.
01:08:26He could have caused grave embarrassment to the church.
01:08:30So he was tried.
01:08:32He was hung.
01:08:34And he was buried in secret.
01:08:36Well, thanks for telling us.
01:08:38I'm telling you now.
01:08:56What's up?
01:09:14What's up?
01:09:16I'd best be off, eh?
01:09:18I thought you were going to help us out.
01:09:20I've done my bit, okay?
01:09:22What's Rita going to say when I tell her you're checking it out?
01:09:32You're a very ruthless man like Maynard.
01:09:34Don't tarry with the responses.
01:09:49Or we'll be in trouble.
01:09:50Let us proceed.
01:10:08All holy saints of God.
01:10:09The response.
01:10:18Intercede for us.
01:10:24From all evil, deliver us, O Lord.
01:10:28From all sin.
01:10:30From sudden and unpervaded death.
01:10:35Deliver us!
01:10:36O Lord.
01:10:37I don't harm the demons.
01:10:39с
01:11:06Hasten to our call to help, strike terror, lord, to the beast now laying waste your vineyard.
01:11:19See the cross of the lord. Begone you hostile powers.
01:11:27It's freezing.
01:11:28You have to up your top button, soft one.
01:11:36No!
01:11:59Oh, flippin' hell.
01:12:01Go on, after you. Get up there.
01:12:06It's your bloody house.
01:12:08Get up!
01:12:16It's gone in there.
01:12:19Never.
01:12:21Your place is in solitude.
01:12:27Your body's in the nest of serpents.
01:12:30Fuck!
01:12:31Get down and crawl with them!
01:12:33Ow!
01:12:34Ow!
01:12:37Might have waited here all night for you, you pair of poofs!
01:12:40Oh!
01:12:53Be gone, sagissa!
01:13:00The blood of the martyrs commands you!
01:13:04Go on!
01:13:05Go on!
01:13:08Go on!
01:13:09The saving mysteries of the Christian faith command you!
01:13:12The Majestic Christ commands you!
01:13:14The Majestic Christ commands you!
01:13:16The Majestic Christ commands you!
01:13:17The Majestic Christ commands you!
01:13:18The Majestic Christ commands you!
01:13:19The Majestic Christ commands you!
01:13:20The Majestic Christ commands you!
01:13:22The Majestic Christ commands you!
01:13:23The Majestic Christ commands you!
01:13:24The Majestic Christ commands you!
01:13:25The Majestic Christ commands you!
01:13:26The Majestic Christ commands you!
01:13:27The Majestic Christ commands you!
01:13:28The Majestic Christ commands you!
01:13:29The Majestic Christ commands you!
01:13:30The Majestic Christ commands you!
01:13:31The Majestic Christ commands you!
01:13:32I don't know.
01:14:32Thanks, Father.
01:14:34No hard feelings, eh?
01:14:40The negatives.
01:14:47If any of this ever gets out, I will personally skin you to a knife.
01:15:02I'm sure I'll see the funny side of her later.
01:15:08Give me one of that.
01:15:09If any of this ever gets out, I'll see the funny side of her.
01:15:39If any of this ever gets out, I'll see the funny side of her.
01:16:09If any of this ever gets out, I'll see the funny side of her.
01:16:39If any of this ever gets out, I'll see the funny side of her.
01:16:45If any of this ever gets out, I'll see the funny side of my head.
01:16:49I'll see the funny side of my head.
01:16:51I don't know.
01:17:21You're still here, aren't you?
01:17:28Mom!
01:17:33Mom!
01:17:36Mom!
01:17:38Mom!
01:17:40Mom!
01:17:45Mom!
01:17:47No, no, no, no.
01:18:17No, no, no, no, no, no, no, no.
01:18:47No, no, no, no, no, no, no, no.
01:18:57Sally! Sally!
01:19:05Sally!
01:19:14Go to get your love!
01:19:24Oh my God! Sweetheart!
01:19:27Oh!
01:19:54Mom! Dad!
01:19:56Dad! Help!
01:19:59Help me!
01:20:02Mom!
01:20:07Mom!
01:20:11Mom!
01:20:12Mom!
01:20:13Mom!
01:20:14Mom!
01:20:15Mom!
01:20:16Mom!
01:20:17Mom!
01:20:18Mom!
01:20:20Mom!
01:20:21Mom!
01:20:22Mom!
01:20:23Mom!
01:20:24Mom!
01:20:25Mom!
01:20:26Mom!
01:20:27Mom!
01:20:28Mom!
01:20:29Mom!
01:20:30Mom!
01:20:31Mom!
01:20:32Mom!
01:20:33Mom!
01:20:34Mom!
01:20:35Mom!
01:20:36Mom!
01:20:37Mom!
01:20:38Mom!
01:20:39Mom!
01:20:40Mom!
01:20:41Mom!
01:20:42Mom!
01:20:43Mom!
01:20:44Mom!
01:20:45Mom!
01:20:46Mom!
01:20:47Mom!
01:20:48Mom!
01:20:49Mom!
01:20:50Mom!
01:20:51Mom!
01:20:52Mom!
01:20:53Mom!
01:20:54Mom!
01:20:55Mom!
01:20:56Mom!
01:20:57Mom!
01:20:58Mom!
01:20:59Mom!
01:21:00Mom!
01:21:01Mom!
01:21:02Mom!
01:21:03Mom!
01:21:04Mom!
01:21:05Mom!
01:21:06Mom!
01:21:07Mom!
01:21:08Mom!
01:21:10Mom!
01:21:15Mom!
01:21:16Oh my god, Sally, you alright?
01:21:19Come on love.
01:21:20Come on love.
01:21:21Come, come on love.
01:21:22Let's get you out of here, come on.
01:21:25Mike!
01:21:27Come on love.
01:21:31Come on.
01:21:33Come on.
01:22:01Come on.
01:22:31Come on.
01:23:01Come on.
01:23:31Come on.
01:24:01Come on.
01:24:31Come on.
01:25:01Come on.
01:25:31Come on.
01:26:01Come on.
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